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Items to be sold on 18 September 2013 at Christies, King Street, London<br />

1.<br />

789<br />

A NORTH EUROPEAN PARCEL-GILT WHITEPAINTED AND BRONZED SIDE<br />

TABLE EARLY 19TH CENTURY<br />

with rectangular mahogany top, possibly associated, with recessed bowed angles<br />

and giltwood raised gallery above a frieze applied with stars on four square<br />

tapering panelled legs headed by Egyptian masks and with feet terminals, the<br />

frieze with flowerheads above on block feet, composition details, the underside <strong>of</strong><br />

the top<br />

decorated, early 19th Century<br />

55in. wide<br />

£6,000<br />

2.<br />

5147<br />

A REGENCY BRONZE HALL LANTERN<br />

the hexagonal glazed body with circular pane below, now lacking, with pierced<br />

anthemion acrotia and scrolling brackets, lacking fitment, with six turned feet,<br />

three lacking<br />

22½in. high<br />

£2,500<br />

3.<br />

2583<br />

A REGENCY PARCEL-GILT AND BRONZE SIDE CHAIR<br />

IN THE MANNER OF MARSH & TATHAM<br />

with padded toprail and drop-in seat covered in pale green silk, the channelled<br />

frame with crossrail centred by flowerheads and shells on sabre legs with<br />

channelled<br />

panels headed by paterae, the seat-rail inscribed in blue chalk 10 96 and with<br />

batten-holes<br />

£1,500<br />

4.<br />

3102<br />

A SAINT BARTHOLOMEW'S CEREMONIAL STAVE<br />

£300<br />

5.<br />

3041<br />

A PAINTED DUMMYBOARD FIGURE OF A MILKMAID<br />

19TH CENTURY<br />

£5,000<br />

6.


1753<br />

A GEORGE I FIGURED WALNUT EIGHT-DAY STRIKING LONGCASE CLOCK<br />

QUARE & HORSMAN, LONDON, NO. 276, CIRCA 1720<br />

the stepped domed hood with three sphere finials, outset gilt-brass capped outset<br />

columns flanking the arched dial, glazed side panels, the trunk with later fitted<br />

beveled mirror plate (probably in the early to mid-20th century), the stepped plinth<br />

raised on block feet DIAL: the 12 inch brass dial with 'strike/silent to the arch, mask<br />

and foliate spandrels, addorsed dolphins above, the chapter ring with Roman<br />

hours and Arabic minutes, fleur-de-lys half hour markers, lozenge half quarter hour<br />

markers and inner minute markers, pierced blued steel hands, the matted centre<br />

with subsidiary minute ring, date aperture and signature reserve signed 'Quare &<br />

Horsman /LONDON / 276', the five pillar movement with anchor<br />

escapement and strike on bell, two brass cased weights, pendulum and case key<br />

108in. (274cm.) high; 24in. (53.3cm.) wide; 11½in. (29.2cm.) deep<br />

£25,000<br />

7.<br />

3223<br />

A POLYCHROME MARBLE BUST OF A YOUNG BOY<br />

ITALIAN, AFTER THE ANTIQUE, 18 TH CENTURY<br />

with drapery about the shoulders, on a circular portoro marble socle<br />

16½in. high<br />

£15,000<br />

8.<br />

6327<br />

A WHITE MARBLE BUST OF GEORGE III<br />

BY PETER TURNERELLI, 1813<br />

with Garter insignia and buttoned jacket, on a circular socle, signed 'P. Turnerelli/<br />

fecit 1813'<br />

17½in. high<br />

£10,000<br />

9. [only the flower press is exempt]<br />

7815 (press)<br />

A TREEN FLOWER PRESS<br />

Three other treen objects<br />

A sand timer<br />

A spice box<br />

A small truncheon<br />

(6)<br />

£600<br />

10.<br />

6267/3041<br />

A DUMMYBOARD FIGURE, AFTER A PAINTING BY MYTENS


£3,000<br />

11.<br />

2161<br />

A GEORGE III BONE MODEL OF THE EAGLE<br />

CIRCA 1813<br />

the man-o'-war with three masts and with eighty-eight cannons, intricately carved<br />

with figurehead and foliage, in a mahogany glazed case<br />

the case 47½in. wide<br />

£60,000<br />

12.<br />

3160<br />

A LATE GEORGE III PARCEL-GILT<br />

CALAMANDER DISPLAY CABINET-ONSTAND<br />

with moulded cornice above a panelled frieze and three glazed doors between<br />

baluster columns, the base with three mahogany-lined drawers on reeded baluster<br />

legs joined by a pierced concave-sided stretcher and turned feet<br />

34in. wide<br />

£6,000<br />

13.<br />

6842<br />

A CARVED MARBLE BUST OF JOHN LOCKE<br />

ATTRIBUTED TO GIOVANNI BATTISTA GUELFI (D. 1736), CIRCA 1730<br />

on an associated socle inscribed 'John Lord Sommers', and a cylindrical scagliola<br />

pedestal<br />

19in. high; 26in. high, overall the pedestal 45in. high<br />

£50,000<br />

14.<br />

362<br />

A CARVED WALNUT CASKET<br />

LATE 17TH CENTURY, PROBABLY VENETIAN<br />

with reclining female figure above a removable section with marbled paper interior,<br />

enclosing a drawer, the angles carved with Faith, Hope, Charity and Justice, now<br />

lacking Hope, on a foliate and dolphin mask bracket base, the interior lined with<br />

Italian paper<br />

12in. wide<br />

£4,000<br />

15.<br />

1349<br />

A SET OF FOUR GEORGE III GILTWOOD TORCHÈRES<br />

CIRCA 1775, THE DESIGN ATTRIBUTED TO JAMES ‘ATHENIAN’ STUART


each with a circular top with a waisted fluted socle with acanthus decoration on<br />

tripartite fluted supports with ram head capitals and fluted central shaft on a<br />

concave sided shaped plinth with paw feet, regilt, traces <strong>of</strong> original bronze<br />

decoration to the bowl<br />

54in. high<br />

(4)<br />

£180,000<br />

16.<br />

4108 (part)<br />

A PAIR OF EMPIRE BRONZE AND ORMOLU CAMPANA-SHAPED BRÛLE-<br />

PARFUMS<br />

ATTRIBUTED TO THOMIRE, CIRCA 1805<br />

each with a domed cover surmounted by an eagle and ball, the pierced frieze with<br />

blue enamel grounds and stars above a rim with a winged band alternating with<br />

foliage, the body with dancing Muses and altars, the handles with rams' heads and<br />

cymbal- playing cherubs with oak leaf grotesque mask and fluted socle on a<br />

marble plinth with music-making figures and lozenges<br />

37in. high<br />

(2)<br />

£150,000<br />

17.<br />

4167<br />

A SUITE OF GEORGE III SATINWOOD SEAT FURNITURE<br />

ATTRIBUTED TO GILLOWS, CIRCA 1785<br />

crossbanded with rosewood, comprising:<br />

A set <strong>of</strong> eight armchairs, each with an oval padded panelled back and serpentine<br />

seat in a plain frame crossbanded with rosewood, open arms and patera headed<br />

square tapering legs with spade feet, all stamped IS, some repairs to backs<br />

A set <strong>of</strong> three window seats, each with a serpentine padded seat and outscrolled<br />

arms in a conforming frame, all stamped IS<br />

46in. wide<br />

A humpback s<strong>of</strong>a with solid arms and serpentine seat on conforming frame with<br />

later brown ceramic castors, repairs to legs, the stretcher stamped PS<br />

80in. wide<br />

(12)<br />

£90,000<br />

18.<br />

785<br />

A GEORGE II GILTWOOD MIRROR<br />

ATTRIBUTED TO WILLIAM MATHIE, CIRCA 1760-65<br />

with rectangular arched divided plate within a scrolling frame with mirrored border,<br />

the upper plate surrounded by rockwork and surmounted by a pagoda with<br />

chinoiserie foliate finials, the sides hung with fruiting foliage, the base centred by a<br />

trefoil and mirrored borders<br />

87in. x 43½in.


£80,000<br />

19.<br />

4108 (part)<br />

AN EMPIRE BRONZE AND ORMOLU CAMPANA-SHAPED URN<br />

ATTRIBUTED TO THOMIRE, CIRCA 1805<br />

with egg-and-dart rim above a band <strong>of</strong> vine and classical figures from mythology,<br />

the outscrolled arms with bearded masks on fluted socle, the plinth with bacchic<br />

masks and stepped plinth with long leaves divided by arrows<br />

26½in. high<br />

£60,000<br />

20.<br />

7355<br />

A NEAR PAIR OF GEORGE III WHITE AND POLYCHROME-JAPANNED<br />

TRIPOD TABLES<br />

CIRCA 1790, POSSIBLY BY JOHN CRACE<br />

each with octagonal top with a chinoiserie scene on a white ground within a blue<br />

border, the baluster shaft with quadripartite base<br />

33in. wide<br />

(2)<br />

£40,000<br />

21.<br />

7365<br />

A GEORGE III SATINWOOD AND SATINBIRCH SIDE TABLE<br />

with shaped rectangular and bowed top crossbanded with amaranth and inlaid with<br />

boxwood lines, with conforming frieze on square tapering legs and spade feet, the<br />

back edge with later crossbanding<br />

51in. wide<br />

£9,000<br />

22.<br />

4356<br />

A GEORGE III SATINWOOD QUADRUPLE CHAIRBACK SETTEE<br />

the frame inlaid with tulipwood and herringbone chequered bands, the pierced<br />

back with a toprail and crossrail pierced with spheres, the outscrolled arms above<br />

a previously caned seat with squab on square tapering legs and castors, the left<br />

hand side seat-rail replaced<br />

75in. wide<br />

£5,000<br />

23.<br />

4417<br />

A PAIR OF WILLIAM IV GILTWOOD GIRANDOLES<br />

IN THE MANNER OF THOMAS JOHNSON<br />

each <strong>of</strong> asymmetric design and with a mirrored arcadian framed plate with steps<br />

and balustrading with fruiting branch incorporating a single nozzle with scrolling<br />

foliate cresting and rockwork base with C-scrolls


42in. high<br />

(2)<br />

£8,000<br />

24.<br />

2280<br />

A GEORGE III GILTWOOD OVERMANTEL MIRROR<br />

with large rectangular plate in a fluted frame carved with husks<br />

82in. x 57in.<br />

£4,000<br />

25.<br />

7772<br />

A GEORGE III SATINWOOD AND MARQUETRY DOMED DISPLAY TABLE<br />

with hinged rectangular domed top centred by an oval panel <strong>of</strong> ribbon-tied<br />

marquetry, the corners each with floral marquetry enclosing a plain interior, the<br />

sides and front inlaid with an oval fan medallion and draped with husks on square<br />

tapering legs and castors, with label to<br />

underside 'Property <strong>of</strong>/ Earl Cadogan, K.G.'<br />

32in. wide<br />

£5,000<br />

26.<br />

763<br />

A GEORGE III ROSEWOOD AND PAINTED CHEVAL WRITING-STAND<br />

<strong>of</strong> rectangular form, each side decorated, the front with an oval medallion <strong>of</strong> a<br />

figure seated writing at a desk flanked by foliate grasses and inscribed with initials<br />

EAB beneath an owl and classical frieze, the reverse with a figure <strong>of</strong> a lady<br />

reading with fan spandrels on solid ends<br />

with carrying handles and splayed legs joined by a stretcher, the flap enclosing a<br />

baize- lined interior and cedarwood fittings, enclosing a letter with the provenance<br />

24in. wide<br />

£5,000<br />

27.<br />

6109<br />

A REGENCY BLACK AND GOLD JAPANNED DUET MUSIC-STAND<br />

decorated overall with anthemia and flowerheads, with brass adjustable candlebranches<br />

on a telescopic support with fluted column, brass shaft and collar <strong>of</strong> putti<br />

with lyre, on tripod base with later claw-and-ball feet<br />

49in. high<br />

£5,000<br />

28.<br />

2463<br />

A GEORGE III SATINWOOD KINGWOOD AND MARQUETRY KNEEHOLE DESK<br />

with serpentine folding card table style top inlaid with a fan medallion with husks,<br />

enclosing a veneered interior above a serpentine drawer with oval panels entwined<br />

with foliage and centred by a patera above a pair <strong>of</strong> pedestals, each with a door,


the left enclosing two drawers, the right a shelf, on a plinth base, inlaid with oval<br />

medallions with anthemia, adapted in the 19 th Century having been altered from a<br />

card-table<br />

36in. wide<br />

£3,000<br />

29.<br />

8003<br />

AN ITALIAN GILTWOOD MIRROR<br />

19TH CENTURY<br />

with central rectangular plate between two ovals in a pierced and carved foliate<br />

and strapwork frame, the reverse with label inscribed by JPS Macreedy<br />

24in. x 18½in.<br />

£1,500<br />

30.<br />

4283<br />

A REGENCY CREAM-PAINTED CANTERBURY<br />

with slatted divided top and ring-turned supports in imitation <strong>of</strong> bamboo above a<br />

drawer on conforming legs, later decorated with flowers<br />

20in. wide<br />

£4,000<br />

31.<br />

8040<br />

A FRENCH ORMOLU AND GREEN MARBLE DOLPHIN INKSTAND<br />

£5,000<br />

32.<br />

6542<br />

A PAIR OF REGENCY GILTWOOD TWINBRANCH WALL-LIGHTS<br />

(2)<br />

£3,000<br />

33.<br />

976<br />

TWO VARIOUS FRUITWOOD SPINNING WHEELS<br />

£800<br />

34.<br />

8203<br />

AN UNUSUAL GEORGE III ORMOLU AND CUT-GLASS 'CANDLESTICK<br />

CLOCK'<br />

TIMEPIECE<br />

UNSIGNED, LATE 18TH CENTURY, ATTRIBUTED TO WILLIAM PARKER, THE<br />

GILT GLASS PEDESTALS PROBABLY SUPPLIED BY JAMES GILES<br />

the drum-shaped glazed ormolu case with pineapple glass finial, cut glass canopy<br />

below suspended with pendants, the concave sided blue glass pedestal base gilt<br />

decorated with paterae and swags, rams' masks to the angles, the spreading plinth


aised on ball feet, the 3 inch white enamel dial with Roman hours and Arabic<br />

minutes, pierced gilt hands, the four pillar movement with chain<br />

fuse, spring balance, unsigned, the underside <strong>of</strong> the urn with socket fitting to the<br />

base, the fitting drilled and stamped 'B', with associated glass dome<br />

15¾in. (40cm.) high<br />

£18,000<br />

35. [only a flute and a violin are exempt]<br />

2495(violin) 5148(flute)<br />

FIVE VARIOUS MUSICAL INSTRUMENTS<br />

including a violin<br />

(5)<br />

£800<br />

36.<br />

6446<br />

A GRAND PIANO DATED 1786, BY JOSEPH MERLIN, LONDON<br />

WITH HIS PATENT ‘FOUR UNISON’ STRINGING AND DOWN-STRIKING<br />

ACTION. INCRIBED: JOSEPHUS MERLIN PRIVILEGARIUS NOVI FORTE<br />

PIANO NO. 120 LONDON 1786. A MAHOGANY CASE WITH CROSSBANDING<br />

AND STRINGING OF HOLLY AND HAREWOOD, ON A TRESTLE STAND<br />

91in. long; 39in. deep<br />

£80,000<br />

37.<br />

6445<br />

AN ENGLISH C.1775 SATINWOOD AND MAHOGANY PORTABLE SQUARE<br />

PIANO WITH ZUMPE’S FIRST ACTION, ON A FOLDING STAND. POSSIBLY BY<br />

JOSEPH MERLIN<br />

43½in. wide<br />

£4,000<br />

38.<br />

7784<br />

A PAIR OF MUSICAL GUIDES WITH EBONISED HANDLES<br />

BY M. WILLIAMSON, 18TH CENTURY<br />

(2)<br />

£300<br />

39.<br />

3555<br />

A CARVED IVORY FIGURE OF A BEGGAR<br />

PROBABLY GERMAN, 18TH CENTURY<br />

on a wood base<br />

9¾in. high<br />

£800<br />

40.<br />

3988


A CIRCULAR BRONZE MEDAL OF WILLIAM IV, LONDON BRIDGE TO THE<br />

REVERSE<br />

3in. diam.<br />

£300<br />

41.<br />

1885<br />

A BRONZE BUST OF BROUGHAM<br />

BY SAMUEL PARKER, 1831<br />

5½in. high<br />

£300<br />

42.<br />

3355<br />

A BRONZE GROUP OF A BEARSKIN HAT AND RIFLE<br />

FRENCH, 1827<br />

on a siena marble base<br />

6 1/8in. wide<br />

£350<br />

43.<br />

20<br />

A REGENCY MAHOGANY BOOKCASE<br />

ATTRIBUTED TO GILLOWS, CIRCA 1808<br />

with reeded cornice above a plain frieze and four open divisions with adjustable<br />

shelves flanked by reeded baluster and turned tapering columns above two pairs<br />

<strong>of</strong> panelled doors between reeded tapering columns on a plinth base<br />

96in. wide; 104in. high<br />

£25,000<br />

44.<br />

3101<br />

A SET OF THREE GEORGE II MAHOGANY ARCHITECTURAL CANDLESTICKS<br />

CIRCA 1745<br />

each in the form <strong>of</strong> a column surmounted by a giltmetal nozzle with foliate drippan,<br />

one on a Corinthian column, another on an Ionic column, and a third slightly<br />

smaller on a Doric column<br />

38in., 35in. and 33in. high respectively<br />

(3)<br />

£18,000<br />

45.<br />

3529<br />

A PAIR OF LOUIS XVI ORMOLU GRIFFIN CHENETS<br />

CIRCA 1785, ATTRIBUTED TO THE MARCHAND-MERCIER DOMINIQUE<br />

DUQUESNE<br />

14½in. (37cm.) high<br />

£8,000


46.<br />

3522<br />

A REGENCY ORMOLU-MOUNTED ROSEWOOD GRAINED METAMORPHIC<br />

LIBRARY CHAIR<br />

with pierced quatrefoil toprail, leather-covered padded back, caned seat, scroll<br />

arms, converting to library steps, the underside inscribed in ink 17278<br />

£3,000<br />

47.<br />

3329<br />

A PAIR OF ITALIAN ALABASTER URNS<br />

LATE 18TH CENTURY<br />

each with a red marble finial and gadrooned cover with turned socle and plinth<br />

base with amethyst quartz base, some damages<br />

13in. high<br />

(2)<br />

£4,000<br />

48.<br />

1006<br />

A GEORGE III MAHOGANY ROLLTOP DESK<br />

with rectangular top and tambour shutter flanked by rosewood crossbanding,<br />

enclosing a fitted interior with easel and slide, pigeonholes and drawers above a<br />

satinwood drawer on square tapering legs headed by shell paterae, the shells inlay<br />

possibly later<br />

42in. wide<br />

£1,200<br />

49.<br />

7389<br />

A FRAMED CORONATION FAVOUR<br />

1761<br />

£500<br />

50.<br />

1940?<br />

A GROUP OF ARCHITECTURAL DRAWING<br />

INSTRUMENTS<br />

including a tape measure and a case <strong>of</strong> drawing instruments<br />

(6)<br />

£500<br />

51.<br />

4283<br />

A REGENCY CREAM-PAINTED CANTERBURY<br />

<strong>of</strong> lyre form with slatted divide, scrolling supports with ring-turned stretchers and<br />

scrolled supports decorated with flowers<br />

24in. wide<br />

£4,000


52.<br />

3260<br />

A GILTWOOD MIRROR OF GEORGE III DESIGN<br />

19TH CENTURY<br />

with oval plate in moulded frame with canopied scrolling cresting hung with husks<br />

and fruiting finial, the base with conforming decoration<br />

55in. x 26½in.<br />

£3,000<br />

53.<br />

7298<br />

A GEORGE III PARCEL-GILT AND EBONISED OPEN ARMCHAIR<br />

with rectangular padded back, armrests and seat covered in patterned repp, the<br />

frame carved with stiff leaves and beading and the scrolling arms with entrelac and<br />

acanthus on fluted turned tapering legs with chandelles, the seat-rail with three<br />

paper labels each inscribed C, redecorated, pegged construction<br />

£1,800<br />

54.<br />

7244<br />

A PAIR OF GEORGE III MAHOGANY SIDE CHAIRS<br />

each with a latticework splat centred by flowerheads and arched crestrail with<br />

fluted stiles, circular velvet-covered padded seat on square channelled tapering<br />

legs, repairs to legs<br />

(2)<br />

£1,000<br />

55.<br />

5787<br />

A GEORGE III MAHOGANY SOFA<br />

£4,000<br />

56.<br />

7919(timepiece)<br />

A GEORGE III LEATHER-COVERED SEDAN CHAIR<br />

with poles and clock<br />

£3,000<br />

57.<br />

6267/3041<br />

A GEORGE III MALE DUMMYBOARD FIGURE<br />

£2,500<br />

58.<br />

7978<br />

A GEORGE III BURR WALNUT AND YEW COLLECTOR'S CABINET<br />

ATTRIBUTED TO MAYHEW AND INCE<br />

£3,000


59.<br />

4929, 8555<br />

A GEORGE III BAIZE-LINED MAHOGANY WRITING-TABLE<br />

£1,500<br />

60.<br />

1416<br />

AN IRISH GEORGE II WALNUT LOWBOY<br />

£3,000<br />

61.<br />

7493<br />

A REGENCY GILTWOOD AND VERRE EGLOMISÉ PIER GLASS<br />

£900<br />

62.<br />

8687<br />

A REGENCY MAHOGANY EXTENDING DINING-TABLE<br />

in three parts with a gateleg centre section and two D-shaped end sections, the<br />

frieze edged with ebonised and boxwood lines on turned tapering legs, the three<br />

parts are all associated with each other<br />

48in. wide; 109in. long, including two extra leaves<br />

£5,000<br />

63.<br />

3144<br />

A SET OF EIGHT REGENCY MAHOGANY DINING CHAIRS<br />

including a pair <strong>of</strong> open armchairs, each with a deep toprail crossbanded with<br />

satinwood and inlaid with boxwood lines on reeded stiles and crossrails above<br />

leather-upholstered drop-in seats on square tapering legs inlaid with boxwood<br />

lines<br />

(8)<br />

£4,000<br />

64.<br />

8512<br />

TWO GEORGE III MAHOGANY CUTLERY URNS<br />

each inlaid with boxwood lines, one twelve sided, the other plain, the plain one<br />

with fitted interior, on stepped bases<br />

28½in. and 29in. high<br />

(2)<br />

£4,000<br />

65.<br />

3041/6267<br />

A DUMMY BOARD FIGURE OF A MAN<br />

smoking a clay pipe in a brown tunic, cracked


59½in. high<br />

Another, <strong>of</strong> a lady in late 17th Century dress<br />

43in. high<br />

(2)<br />

£5,000<br />

66.<br />

3145<br />

A REGENCY MAHOGANY PLATE STAND<br />

19TH CENTURY, ATTRIBUTED TO GILLOWS<br />

<strong>of</strong> unusual form with circular spindle galleried top with reeded edge on four reeded<br />

splayed turned tapering legs joined by a concave sided undertier<br />

27¼in. high<br />

£2,500<br />

67.<br />

3758<br />

A PAIR OF FRENCH BRONZE AND ORMOLU EWERS<br />

19TH CENTURY<br />

<strong>of</strong> slender form with putti handles and with band <strong>of</strong> vine on foliate socle and plinth<br />

base<br />

20in. high<br />

(2)<br />

£4,000<br />

68.<br />

1357<br />

A GEORGE II MAHOGANY POLESCREEN<br />

with arched adjustable tapestry banner on acorn finialled column and spirally-fluted<br />

knop with tripod base carved with acanthus and husks and slender claw-and-ball<br />

feet, formerly with castors<br />

57in. high<br />

£2,000<br />

69.<br />

5054<br />

A GEORGE II SILVER-MOUNTED DECANTER<br />

BOX<br />

£1,200<br />

70. [only the knife box and trivet are exempt]<br />

348 (knife box), 8682 (trivet)<br />

A KNIFE BOX; A STILTON STAND; AND A TRIVET<br />

(3)<br />

£800<br />

71.<br />

5906<br />

A DUTCH MAHOGANY ‘THEE STOOF’


CIRCA 1760<br />

£1,500<br />

72.<br />

4407<br />

A GEORGE III PIER GLASS<br />

£4,000<br />

73.<br />

8683<br />

AN EMPIRE ORMOLU CENTRE PIECE<br />

BY THOMIRE<br />

£6,000<br />

74.<br />

4763<br />

A REGENCY MAHOGANY STRIKING LONGCASE CLOCK<br />

JOHN GRANT, LONDON, CIRCA 1810/1815, NO.370<br />

the waisted balloon-shaped case with urn finial above the breakfront trunk with<br />

flamed panel door and raised plinth, the white enamel dial with brass bezel and<br />

Roman hours and Arabic minutes, pierced blued steel hands and signed `GRANT,<br />

Fleet Street, LONDON, No.370', the movement (possibly month<br />

going) unexamined, with substantial cast weights<br />

96in. (244cm.) high; 16½in. (42cm.) wide; 9in. (23cm.) deep<br />

£10,000<br />

75.<br />

5187<br />

A PAIR OF GEORGE III SYCAMORE D-SHAPED SIDE TABLES<br />

each with D-shaped crossbanded top with tulipwood and ebonised and boxwood<br />

stringing, the plain frieze crossbanded with padouk on turned tapering legs, the<br />

frieze cut for a dado<br />

25in. wide<br />

(2)<br />

£6,000<br />

76.<br />

7320<br />

A REGENCY EBONISED SPECIMEN CABINET<br />

<strong>of</strong> rectangular form, the pair <strong>of</strong> metal grille doors enclosing twelve various-sized<br />

drawers on a stand with turned tapering legs<br />

21in. wide; 42in. high<br />

£2,500<br />

77.<br />

6267/3041<br />

A PAIR OF SMALL MILITARY DUMMYBOARD FIGURES<br />

£1,800


78.<br />

7528<br />

A PAIR OF GLOBES, CELESTIAL AND TERRESTRIAL<br />

£4,000<br />

79.<br />

3041/6267<br />

A GEORGE III LARGE FEMALE DUMMYBOARD FIGURE<br />

£3,000<br />

80.<br />

6688<br />

A SET OF THREE REGENCY EBONISED AND PARCEL-GILT WINDOW SEATS<br />

<strong>of</strong> canted rectangular form, each with a yoke-shaped caned seat with squab<br />

covered in a golden damask, the panelled seat-rail on ringturned tapering legs<br />

decorated with bunches <strong>of</strong> flowers terminating in castors, some resupporting to<br />

seat-rail<br />

64in. wide<br />

(3)<br />

£8,000<br />

81.<br />

4781<br />

A GEORGE III WHITE AND CREAMPAINTED DINING-ROOM PEDESTAL<br />

POSSIBLY TO A DESIGN BY ROBERT ADAM AND ATTRIBUTED TO THOMAS<br />

CHIPPENDALE, CIRCA 1770-75<br />

<strong>of</strong> rectangular form, the stepped concave-sided base and panelled sides with a<br />

figure <strong>of</strong> a classical lady with snake entwined column, the sides with ovals centred<br />

by satyr masks, the angles with rams' masks hung with husks on hipped paw feet,<br />

the reverse with a pair <strong>of</strong> doors enclosing heaters for plates, redecorated<br />

40in. high<br />

£30,000<br />

82.<br />

286<br />

A GILTWOOD OVERMANTEL URN<br />

19TH CENTURY, AFTER THE MODEL BY DANIEL MAROT FOR HET LOO<br />

with foliate finial, gadrooned cover with entrelac and oval with seated figure <strong>of</strong><br />

Flora flanked by lambrequins on a lambrequin and sphinx supported base<br />

42in. high<br />

£1,500<br />

83.<br />

4033 (3), 7733 (3)<br />

A SET OF SIX GEORGE III SATINWOOD OPEN ARMCHAIRS<br />

ATTRIBUTED TO BENJAMIN HARMER, CIRCA 1785<br />

each with a padded back, armrests and seat covered in gros point needlework, the<br />

shaped arched back with channelled frame and fluted stiles and armrest supports,


the channelled armrests and conforming seat-rail on fluted turned tapering legs,<br />

probably the original upholstery and webbing<br />

(6)<br />

£40,000<br />

84.<br />

4840<br />

A GEORGE III WHITE-PAINTED AND PARCEL-GILT DAYBED<br />

BY MAYHEW & INCE<br />

with padded single scroll end, seat and squab covered in a gros and petit point<br />

needlework in a channelled frame with fluted turned tapering legs headed by<br />

patera<br />

72in. wide<br />

£3,000<br />

85.<br />

2107<br />

A PAIR OF GEORGE III GILTWOOD TORCHÈRES<br />

CIRCA 1780<br />

each with a circular dished top, fluted frieze on three guilloche carved supports<br />

with central pendant finial joined by a fluted undertier with urn and scroll feet, poor<br />

condition and regilt<br />

48in. high<br />

(2)<br />

£5,000<br />

86. [only three <strong>of</strong> six are exempt]<br />

5836 (three chairs)<br />

A SET OF SIX REGENCY OAK GOTHIC SIDE CHAIRS<br />

ATTRIBUTED TO NEWTON<br />

each with a gothic arcaded back, the toprail applied with bosses, cluster column<br />

stiles with turned finials, caned seats, gothic panelled seat-rail on cluster column<br />

legs, two with needlework squabs, one with a velvet squab<br />

(6)<br />

£5,000<br />

87.<br />

5593<br />

A FRENCH LAMPE BOUILLOTTE<br />

19TH CENTURY<br />

£1,500<br />

88.<br />

3174/3511


AN EMPIRE ORMOLU AND BRONZE MANTEL CLOCK<br />

the circular enamel dial signed Gérard à Paris within a fluted oval column case<br />

with a putto seated on a cushion reading a book on base with turned feet<br />

14½in. high; together with a pair <strong>of</strong> mask-mounted candlesticks<br />

(3)<br />

£1,000<br />

89.<br />

1009<br />

A CARVED IVORY ARCHITECTURAL MODEL OF THE HAZARDUARY PALACE<br />

IN<br />

MURSHIDABAD<br />

ANGLO-INDIAN, CIRCA 1837<br />

38in. wide; 6½in. high; 14in. deep<br />

£50,000<br />

90.<br />

185<br />

A BRONZE BUST OF A BEWIGGED MAN<br />

FRENCH, LATE 18TH CENTURY<br />

on a cylindrical marble pedestal<br />

10¾in. high overall<br />

£800<br />

91.<br />

5835<br />

A GEORGE III MAHOGANY FOLIO-CABINET<br />

with rectangular leather lined top with three quarter pierced gothic trellis gallery<br />

above a pair <strong>of</strong> doors inlaid with ebonised and boxwood gothic tracery enclosing<br />

three slides and two later drawers on bracket feet, the bracket feet and left hand<br />

side <strong>of</strong> the gallery partially replaced<br />

50¾in. wide<br />

£8,000<br />

92.<br />

2582<br />

A QUEEN ANNE VELVET ARMCHAIR<br />

£5,000<br />

93.<br />

849<br />

A SET OF GEORGE III PINK-PAINTED AND PARCEL-GILT FOUR-TIER<br />

HANGING<br />

SHELVES<br />

CIRCA 1790<br />

each <strong>of</strong> the four tiers with a bowfront centre section and different pierced gallery<br />

divided by gothic pierced arches supported on scrolling foliate pierced brackets


and surmounted by three domes, each with a spherical finial, traces <strong>of</strong> green<br />

underpaint<br />

54in. high; 36in. wide<br />

£25,000<br />

94.<br />

1518<br />

A LOUIS XV ORMOLU-MOUNTED AMARANTH AND TULIPWOOD AND<br />

MARQUETRY PETIT COMMODE<br />

BY POPSEL<br />

with eared later grey moulded marble top above a pair <strong>of</strong> drawers, each with sprigs<br />

<strong>of</strong> flowering foliage with conforming panel sides with key pattern, the canted<br />

angles with drapery mounts and satinwood panels on cabriole legs, stamped<br />

POPSEL twice and JME three times<br />

31in. wide<br />

£5,000<br />

95.<br />

1517<br />

A SET OF FOUR EMPIRE WHITE-PAINTED AND PARCEL-GILT OPEN<br />

ARMCHAIRS<br />

each with a rectangular padded back, armrests and bowed seat covered in green<br />

silk damask, the paneled frames with anthemia patera, the arms with lion<br />

terminals, conforming seat-rails on turned tapering legs with foliate capitals<br />

(4)<br />

£6,000<br />

96.<br />

2953<br />

AN UNUSUAL REGENCY ROSEWOOD AND SATINWOOD PLANT-STAND<br />

the circular basket top with marquetry laminated sides and a segmented base on a<br />

tripartite scrolling support with conforming miniature basket, tripod legs with<br />

giltmetal paw feet, one section <strong>of</strong> lappet missing<br />

28½in. high; 18in. diam.<br />

£5,000<br />

97.<br />

850<br />

A PAIR OF VIENNESE GREEN TÔLE AND PORCELAIN TWIN-BRANCH WALL-<br />

LIGHTS<br />

19TH CENTURY<br />

each with a natura<strong>list</strong>ic ribbon-tied backplate with central upspringing foliage and<br />

flowers flanked by a pair <strong>of</strong> asymmetric scrolling branches issuing flowers and<br />

leaves with gilded clasping foliage nozzles and drip-pans, some elements missing<br />

18in. high<br />

(2)<br />

£2,500


98.<br />

1368<br />

A GEORGE III BLUE AND WHITE-PAINTED CURVED SOFA<br />

BY MAYHEW & INCE<br />

with arched padded back, armrests, sides and seat covered in eau-de-nil watered<br />

silk, the channeled beaded frame with cabriole arm-supports on stop-fluted turned<br />

tapering legs and fluted frieze interspersed with patera, the decoration refreshed<br />

86in. wide<br />

£6,000<br />

99.<br />

7297<br />

A PAIR OF GILTWOOD TWIN-BRANCH WALL-LIGHTS OF REGENCY DESIGN<br />

19TH CENTURY<br />

each with a drapery and tasselled backplate hung over a patera, with eagle, chain<br />

and balls above a lion-mask issuing scrolling branches with giltmetal nozzles<br />

27½in. high<br />

(2)<br />

£2,000<br />

100.<br />

6581<br />

A PAIR OF REGENCY CREAM AND GILT JAPANNED POLESCREENS<br />

19TH CENTURY<br />

each with an octagonal chinoiserie banner on a turned pole with spirally fluted<br />

baluster support and tripod base decorated with foliage and ball feet<br />

62½in. high<br />

(2)<br />

£1,200<br />

101.<br />

853<br />

A SPINNING WHEEL<br />

BY DOUGHTY OF YORK<br />

£600<br />

102.<br />

1449<br />

A FRENCH ORMOLU MANTEL CLOCK OF PART LOUIS XVI STYLE<br />

18 TH CENTURY AND LATER<br />

the circular enamel dial signed Henry a Paris in a glazed drum-shaped case with<br />

laurel wreath and supported by reclining female figure seated on a cushion with a<br />

peacock and mace, the plinth with balustrading on blue glass, verdigris damage<br />

16½in. wide<br />

£6,000<br />

103.<br />

8019


AN ENGLISH GRAND PIANO OF THE LATE 1780’S OR EARLY 90’S BY<br />

MATTHEW AND WILLIAM STODART, LONDON. INCRIBED: MATTHÆUS ET<br />

GULIELMUS STODART LONDINI FECERUNT, WARDOUR STREET SOHO. A<br />

MAHOGANY CASE PANELLED WITH MAHOGANY AND INLAID WITH HOLLY<br />

LINES, ON A TRESTLE STAND<br />

89in. long; 38in. wide; 36½in. high<br />

£5,000<br />

104.<br />

4620<br />

A GEORGE II SOLID MAHOGANY OPEN ARMCHAIR<br />

CIRCA 1750<br />

£25,000<br />

105.<br />

5317<br />

A MODEL OF DON QUIXOTE ON A DONKEY<br />

under a glass dome<br />

£800<br />

106.<br />

1348<br />

A GEORGE III SATINWOOD AND POLYCHROME DECORATED WRITING<br />

CHEVAL<br />

SCREEN<br />

<strong>of</strong> rectangular form, the hinged flap with scrapwork with playing cards, butterflies,<br />

musical instruments, etc. in a floral oak leaf and acorn border, enclosing a pair <strong>of</strong><br />

writing drawers, shelves and leather-lined slope on trestle ends joined by<br />

stretchers with splayed legs<br />

22in. wide<br />

£2,500<br />

107.<br />

6242<br />

A GEORGIAN BRASS AND LEATHER TELESCOPE<br />

BY GEORGE STERROP<br />

with case<br />

£1,500<br />

108.<br />

311<br />

A RARE BARREL-PIANO AUTOMATON<br />

BY HICKS OF BRISTOL, DATED 1848<br />

with glazed, part-mirrored compartment containing three automated carved and<br />

painted automaton wood figures<br />

59in. high<br />

£7,000<br />

109.


4276<br />

A PAINTED WOOD MODEL OF A COACH<br />

£800<br />

110.<br />

4747<br />

A CARVED MARBLE GROUP OF APOLLO FLAYING MARSYAS<br />

ATTRIBUTED TO ANTONIO BONAZZA (1698-C.1762), MID 18TH CENTURY<br />

78in. high; the base 40in. high<br />

£80,000<br />

111.<br />

5076<br />

A SOUTHERN EUROPEAN ALTAR FRONTAL<br />

£500<br />

<strong>112</strong>.<br />

1622<br />

A WAX RELIEF OF THE CALMADY, AFTER SIR THOMAS LAWRENCE, BY<br />

WYON<br />

£300

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