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Items to be sold on 18 September 2013 at Christies, King Street, London<br />
1.<br />
789<br />
A NORTH EUROPEAN PARCEL-GILT WHITEPAINTED AND BRONZED SIDE<br />
TABLE EARLY 19TH CENTURY<br />
with rectangular mahogany top, possibly associated, with recessed bowed angles<br />
and giltwood raised gallery above a frieze applied with stars on four square<br />
tapering panelled legs headed by Egyptian masks and with feet terminals, the<br />
frieze with flowerheads above on block feet, composition details, the underside <strong>of</strong><br />
the top<br />
decorated, early 19th Century<br />
55in. wide<br />
£6,000<br />
2.<br />
5147<br />
A REGENCY BRONZE HALL LANTERN<br />
the hexagonal glazed body with circular pane below, now lacking, with pierced<br />
anthemion acrotia and scrolling brackets, lacking fitment, with six turned feet,<br />
three lacking<br />
22½in. high<br />
£2,500<br />
3.<br />
2583<br />
A REGENCY PARCEL-GILT AND BRONZE SIDE CHAIR<br />
IN THE MANNER OF MARSH & TATHAM<br />
with padded toprail and drop-in seat covered in pale green silk, the channelled<br />
frame with crossrail centred by flowerheads and shells on sabre legs with<br />
channelled<br />
panels headed by paterae, the seat-rail inscribed in blue chalk 10 96 and with<br />
batten-holes<br />
£1,500<br />
4.<br />
3102<br />
A SAINT BARTHOLOMEW'S CEREMONIAL STAVE<br />
£300<br />
5.<br />
3041<br />
A PAINTED DUMMYBOARD FIGURE OF A MILKMAID<br />
19TH CENTURY<br />
£5,000<br />
6.
1753<br />
A GEORGE I FIGURED WALNUT EIGHT-DAY STRIKING LONGCASE CLOCK<br />
QUARE & HORSMAN, LONDON, NO. 276, CIRCA 1720<br />
the stepped domed hood with three sphere finials, outset gilt-brass capped outset<br />
columns flanking the arched dial, glazed side panels, the trunk with later fitted<br />
beveled mirror plate (probably in the early to mid-20th century), the stepped plinth<br />
raised on block feet DIAL: the 12 inch brass dial with 'strike/silent to the arch, mask<br />
and foliate spandrels, addorsed dolphins above, the chapter ring with Roman<br />
hours and Arabic minutes, fleur-de-lys half hour markers, lozenge half quarter hour<br />
markers and inner minute markers, pierced blued steel hands, the matted centre<br />
with subsidiary minute ring, date aperture and signature reserve signed 'Quare &<br />
Horsman /LONDON / 276', the five pillar movement with anchor<br />
escapement and strike on bell, two brass cased weights, pendulum and case key<br />
108in. (274cm.) high; 24in. (53.3cm.) wide; 11½in. (29.2cm.) deep<br />
£25,000<br />
7.<br />
3223<br />
A POLYCHROME MARBLE BUST OF A YOUNG BOY<br />
ITALIAN, AFTER THE ANTIQUE, 18 TH CENTURY<br />
with drapery about the shoulders, on a circular portoro marble socle<br />
16½in. high<br />
£15,000<br />
8.<br />
6327<br />
A WHITE MARBLE BUST OF GEORGE III<br />
BY PETER TURNERELLI, 1813<br />
with Garter insignia and buttoned jacket, on a circular socle, signed 'P. Turnerelli/<br />
fecit 1813'<br />
17½in. high<br />
£10,000<br />
9. [only the flower press is exempt]<br />
7815 (press)<br />
A TREEN FLOWER PRESS<br />
Three other treen objects<br />
A sand timer<br />
A spice box<br />
A small truncheon<br />
(6)<br />
£600<br />
10.<br />
6267/3041<br />
A DUMMYBOARD FIGURE, AFTER A PAINTING BY MYTENS
£3,000<br />
11.<br />
2161<br />
A GEORGE III BONE MODEL OF THE EAGLE<br />
CIRCA 1813<br />
the man-o'-war with three masts and with eighty-eight cannons, intricately carved<br />
with figurehead and foliage, in a mahogany glazed case<br />
the case 47½in. wide<br />
£60,000<br />
12.<br />
3160<br />
A LATE GEORGE III PARCEL-GILT<br />
CALAMANDER DISPLAY CABINET-ONSTAND<br />
with moulded cornice above a panelled frieze and three glazed doors between<br />
baluster columns, the base with three mahogany-lined drawers on reeded baluster<br />
legs joined by a pierced concave-sided stretcher and turned feet<br />
34in. wide<br />
£6,000<br />
13.<br />
6842<br />
A CARVED MARBLE BUST OF JOHN LOCKE<br />
ATTRIBUTED TO GIOVANNI BATTISTA GUELFI (D. 1736), CIRCA 1730<br />
on an associated socle inscribed 'John Lord Sommers', and a cylindrical scagliola<br />
pedestal<br />
19in. high; 26in. high, overall the pedestal 45in. high<br />
£50,000<br />
14.<br />
362<br />
A CARVED WALNUT CASKET<br />
LATE 17TH CENTURY, PROBABLY VENETIAN<br />
with reclining female figure above a removable section with marbled paper interior,<br />
enclosing a drawer, the angles carved with Faith, Hope, Charity and Justice, now<br />
lacking Hope, on a foliate and dolphin mask bracket base, the interior lined with<br />
Italian paper<br />
12in. wide<br />
£4,000<br />
15.<br />
1349<br />
A SET OF FOUR GEORGE III GILTWOOD TORCHÈRES<br />
CIRCA 1775, THE DESIGN ATTRIBUTED TO JAMES ‘ATHENIAN’ STUART
each with a circular top with a waisted fluted socle with acanthus decoration on<br />
tripartite fluted supports with ram head capitals and fluted central shaft on a<br />
concave sided shaped plinth with paw feet, regilt, traces <strong>of</strong> original bronze<br />
decoration to the bowl<br />
54in. high<br />
(4)<br />
£180,000<br />
16.<br />
4108 (part)<br />
A PAIR OF EMPIRE BRONZE AND ORMOLU CAMPANA-SHAPED BRÛLE-<br />
PARFUMS<br />
ATTRIBUTED TO THOMIRE, CIRCA 1805<br />
each with a domed cover surmounted by an eagle and ball, the pierced frieze with<br />
blue enamel grounds and stars above a rim with a winged band alternating with<br />
foliage, the body with dancing Muses and altars, the handles with rams' heads and<br />
cymbal- playing cherubs with oak leaf grotesque mask and fluted socle on a<br />
marble plinth with music-making figures and lozenges<br />
37in. high<br />
(2)<br />
£150,000<br />
17.<br />
4167<br />
A SUITE OF GEORGE III SATINWOOD SEAT FURNITURE<br />
ATTRIBUTED TO GILLOWS, CIRCA 1785<br />
crossbanded with rosewood, comprising:<br />
A set <strong>of</strong> eight armchairs, each with an oval padded panelled back and serpentine<br />
seat in a plain frame crossbanded with rosewood, open arms and patera headed<br />
square tapering legs with spade feet, all stamped IS, some repairs to backs<br />
A set <strong>of</strong> three window seats, each with a serpentine padded seat and outscrolled<br />
arms in a conforming frame, all stamped IS<br />
46in. wide<br />
A humpback s<strong>of</strong>a with solid arms and serpentine seat on conforming frame with<br />
later brown ceramic castors, repairs to legs, the stretcher stamped PS<br />
80in. wide<br />
(12)<br />
£90,000<br />
18.<br />
785<br />
A GEORGE II GILTWOOD MIRROR<br />
ATTRIBUTED TO WILLIAM MATHIE, CIRCA 1760-65<br />
with rectangular arched divided plate within a scrolling frame with mirrored border,<br />
the upper plate surrounded by rockwork and surmounted by a pagoda with<br />
chinoiserie foliate finials, the sides hung with fruiting foliage, the base centred by a<br />
trefoil and mirrored borders<br />
87in. x 43½in.
£80,000<br />
19.<br />
4108 (part)<br />
AN EMPIRE BRONZE AND ORMOLU CAMPANA-SHAPED URN<br />
ATTRIBUTED TO THOMIRE, CIRCA 1805<br />
with egg-and-dart rim above a band <strong>of</strong> vine and classical figures from mythology,<br />
the outscrolled arms with bearded masks on fluted socle, the plinth with bacchic<br />
masks and stepped plinth with long leaves divided by arrows<br />
26½in. high<br />
£60,000<br />
20.<br />
7355<br />
A NEAR PAIR OF GEORGE III WHITE AND POLYCHROME-JAPANNED<br />
TRIPOD TABLES<br />
CIRCA 1790, POSSIBLY BY JOHN CRACE<br />
each with octagonal top with a chinoiserie scene on a white ground within a blue<br />
border, the baluster shaft with quadripartite base<br />
33in. wide<br />
(2)<br />
£40,000<br />
21.<br />
7365<br />
A GEORGE III SATINWOOD AND SATINBIRCH SIDE TABLE<br />
with shaped rectangular and bowed top crossbanded with amaranth and inlaid with<br />
boxwood lines, with conforming frieze on square tapering legs and spade feet, the<br />
back edge with later crossbanding<br />
51in. wide<br />
£9,000<br />
22.<br />
4356<br />
A GEORGE III SATINWOOD QUADRUPLE CHAIRBACK SETTEE<br />
the frame inlaid with tulipwood and herringbone chequered bands, the pierced<br />
back with a toprail and crossrail pierced with spheres, the outscrolled arms above<br />
a previously caned seat with squab on square tapering legs and castors, the left<br />
hand side seat-rail replaced<br />
75in. wide<br />
£5,000<br />
23.<br />
4417<br />
A PAIR OF WILLIAM IV GILTWOOD GIRANDOLES<br />
IN THE MANNER OF THOMAS JOHNSON<br />
each <strong>of</strong> asymmetric design and with a mirrored arcadian framed plate with steps<br />
and balustrading with fruiting branch incorporating a single nozzle with scrolling<br />
foliate cresting and rockwork base with C-scrolls
42in. high<br />
(2)<br />
£8,000<br />
24.<br />
2280<br />
A GEORGE III GILTWOOD OVERMANTEL MIRROR<br />
with large rectangular plate in a fluted frame carved with husks<br />
82in. x 57in.<br />
£4,000<br />
25.<br />
7772<br />
A GEORGE III SATINWOOD AND MARQUETRY DOMED DISPLAY TABLE<br />
with hinged rectangular domed top centred by an oval panel <strong>of</strong> ribbon-tied<br />
marquetry, the corners each with floral marquetry enclosing a plain interior, the<br />
sides and front inlaid with an oval fan medallion and draped with husks on square<br />
tapering legs and castors, with label to<br />
underside 'Property <strong>of</strong>/ Earl Cadogan, K.G.'<br />
32in. wide<br />
£5,000<br />
26.<br />
763<br />
A GEORGE III ROSEWOOD AND PAINTED CHEVAL WRITING-STAND<br />
<strong>of</strong> rectangular form, each side decorated, the front with an oval medallion <strong>of</strong> a<br />
figure seated writing at a desk flanked by foliate grasses and inscribed with initials<br />
EAB beneath an owl and classical frieze, the reverse with a figure <strong>of</strong> a lady<br />
reading with fan spandrels on solid ends<br />
with carrying handles and splayed legs joined by a stretcher, the flap enclosing a<br />
baize- lined interior and cedarwood fittings, enclosing a letter with the provenance<br />
24in. wide<br />
£5,000<br />
27.<br />
6109<br />
A REGENCY BLACK AND GOLD JAPANNED DUET MUSIC-STAND<br />
decorated overall with anthemia and flowerheads, with brass adjustable candlebranches<br />
on a telescopic support with fluted column, brass shaft and collar <strong>of</strong> putti<br />
with lyre, on tripod base with later claw-and-ball feet<br />
49in. high<br />
£5,000<br />
28.<br />
2463<br />
A GEORGE III SATINWOOD KINGWOOD AND MARQUETRY KNEEHOLE DESK<br />
with serpentine folding card table style top inlaid with a fan medallion with husks,<br />
enclosing a veneered interior above a serpentine drawer with oval panels entwined<br />
with foliage and centred by a patera above a pair <strong>of</strong> pedestals, each with a door,
the left enclosing two drawers, the right a shelf, on a plinth base, inlaid with oval<br />
medallions with anthemia, adapted in the 19 th Century having been altered from a<br />
card-table<br />
36in. wide<br />
£3,000<br />
29.<br />
8003<br />
AN ITALIAN GILTWOOD MIRROR<br />
19TH CENTURY<br />
with central rectangular plate between two ovals in a pierced and carved foliate<br />
and strapwork frame, the reverse with label inscribed by JPS Macreedy<br />
24in. x 18½in.<br />
£1,500<br />
30.<br />
4283<br />
A REGENCY CREAM-PAINTED CANTERBURY<br />
with slatted divided top and ring-turned supports in imitation <strong>of</strong> bamboo above a<br />
drawer on conforming legs, later decorated with flowers<br />
20in. wide<br />
£4,000<br />
31.<br />
8040<br />
A FRENCH ORMOLU AND GREEN MARBLE DOLPHIN INKSTAND<br />
£5,000<br />
32.<br />
6542<br />
A PAIR OF REGENCY GILTWOOD TWINBRANCH WALL-LIGHTS<br />
(2)<br />
£3,000<br />
33.<br />
976<br />
TWO VARIOUS FRUITWOOD SPINNING WHEELS<br />
£800<br />
34.<br />
8203<br />
AN UNUSUAL GEORGE III ORMOLU AND CUT-GLASS 'CANDLESTICK<br />
CLOCK'<br />
TIMEPIECE<br />
UNSIGNED, LATE 18TH CENTURY, ATTRIBUTED TO WILLIAM PARKER, THE<br />
GILT GLASS PEDESTALS PROBABLY SUPPLIED BY JAMES GILES<br />
the drum-shaped glazed ormolu case with pineapple glass finial, cut glass canopy<br />
below suspended with pendants, the concave sided blue glass pedestal base gilt<br />
decorated with paterae and swags, rams' masks to the angles, the spreading plinth
aised on ball feet, the 3 inch white enamel dial with Roman hours and Arabic<br />
minutes, pierced gilt hands, the four pillar movement with chain<br />
fuse, spring balance, unsigned, the underside <strong>of</strong> the urn with socket fitting to the<br />
base, the fitting drilled and stamped 'B', with associated glass dome<br />
15¾in. (40cm.) high<br />
£18,000<br />
35. [only a flute and a violin are exempt]<br />
2495(violin) 5148(flute)<br />
FIVE VARIOUS MUSICAL INSTRUMENTS<br />
including a violin<br />
(5)<br />
£800<br />
36.<br />
6446<br />
A GRAND PIANO DATED 1786, BY JOSEPH MERLIN, LONDON<br />
WITH HIS PATENT ‘FOUR UNISON’ STRINGING AND DOWN-STRIKING<br />
ACTION. INCRIBED: JOSEPHUS MERLIN PRIVILEGARIUS NOVI FORTE<br />
PIANO NO. 120 LONDON 1786. A MAHOGANY CASE WITH CROSSBANDING<br />
AND STRINGING OF HOLLY AND HAREWOOD, ON A TRESTLE STAND<br />
91in. long; 39in. deep<br />
£80,000<br />
37.<br />
6445<br />
AN ENGLISH C.1775 SATINWOOD AND MAHOGANY PORTABLE SQUARE<br />
PIANO WITH ZUMPE’S FIRST ACTION, ON A FOLDING STAND. POSSIBLY BY<br />
JOSEPH MERLIN<br />
43½in. wide<br />
£4,000<br />
38.<br />
7784<br />
A PAIR OF MUSICAL GUIDES WITH EBONISED HANDLES<br />
BY M. WILLIAMSON, 18TH CENTURY<br />
(2)<br />
£300<br />
39.<br />
3555<br />
A CARVED IVORY FIGURE OF A BEGGAR<br />
PROBABLY GERMAN, 18TH CENTURY<br />
on a wood base<br />
9¾in. high<br />
£800<br />
40.<br />
3988
A CIRCULAR BRONZE MEDAL OF WILLIAM IV, LONDON BRIDGE TO THE<br />
REVERSE<br />
3in. diam.<br />
£300<br />
41.<br />
1885<br />
A BRONZE BUST OF BROUGHAM<br />
BY SAMUEL PARKER, 1831<br />
5½in. high<br />
£300<br />
42.<br />
3355<br />
A BRONZE GROUP OF A BEARSKIN HAT AND RIFLE<br />
FRENCH, 1827<br />
on a siena marble base<br />
6 1/8in. wide<br />
£350<br />
43.<br />
20<br />
A REGENCY MAHOGANY BOOKCASE<br />
ATTRIBUTED TO GILLOWS, CIRCA 1808<br />
with reeded cornice above a plain frieze and four open divisions with adjustable<br />
shelves flanked by reeded baluster and turned tapering columns above two pairs<br />
<strong>of</strong> panelled doors between reeded tapering columns on a plinth base<br />
96in. wide; 104in. high<br />
£25,000<br />
44.<br />
3101<br />
A SET OF THREE GEORGE II MAHOGANY ARCHITECTURAL CANDLESTICKS<br />
CIRCA 1745<br />
each in the form <strong>of</strong> a column surmounted by a giltmetal nozzle with foliate drippan,<br />
one on a Corinthian column, another on an Ionic column, and a third slightly<br />
smaller on a Doric column<br />
38in., 35in. and 33in. high respectively<br />
(3)<br />
£18,000<br />
45.<br />
3529<br />
A PAIR OF LOUIS XVI ORMOLU GRIFFIN CHENETS<br />
CIRCA 1785, ATTRIBUTED TO THE MARCHAND-MERCIER DOMINIQUE<br />
DUQUESNE<br />
14½in. (37cm.) high<br />
£8,000
46.<br />
3522<br />
A REGENCY ORMOLU-MOUNTED ROSEWOOD GRAINED METAMORPHIC<br />
LIBRARY CHAIR<br />
with pierced quatrefoil toprail, leather-covered padded back, caned seat, scroll<br />
arms, converting to library steps, the underside inscribed in ink 17278<br />
£3,000<br />
47.<br />
3329<br />
A PAIR OF ITALIAN ALABASTER URNS<br />
LATE 18TH CENTURY<br />
each with a red marble finial and gadrooned cover with turned socle and plinth<br />
base with amethyst quartz base, some damages<br />
13in. high<br />
(2)<br />
£4,000<br />
48.<br />
1006<br />
A GEORGE III MAHOGANY ROLLTOP DESK<br />
with rectangular top and tambour shutter flanked by rosewood crossbanding,<br />
enclosing a fitted interior with easel and slide, pigeonholes and drawers above a<br />
satinwood drawer on square tapering legs headed by shell paterae, the shells inlay<br />
possibly later<br />
42in. wide<br />
£1,200<br />
49.<br />
7389<br />
A FRAMED CORONATION FAVOUR<br />
1761<br />
£500<br />
50.<br />
1940?<br />
A GROUP OF ARCHITECTURAL DRAWING<br />
INSTRUMENTS<br />
including a tape measure and a case <strong>of</strong> drawing instruments<br />
(6)<br />
£500<br />
51.<br />
4283<br />
A REGENCY CREAM-PAINTED CANTERBURY<br />
<strong>of</strong> lyre form with slatted divide, scrolling supports with ring-turned stretchers and<br />
scrolled supports decorated with flowers<br />
24in. wide<br />
£4,000
52.<br />
3260<br />
A GILTWOOD MIRROR OF GEORGE III DESIGN<br />
19TH CENTURY<br />
with oval plate in moulded frame with canopied scrolling cresting hung with husks<br />
and fruiting finial, the base with conforming decoration<br />
55in. x 26½in.<br />
£3,000<br />
53.<br />
7298<br />
A GEORGE III PARCEL-GILT AND EBONISED OPEN ARMCHAIR<br />
with rectangular padded back, armrests and seat covered in patterned repp, the<br />
frame carved with stiff leaves and beading and the scrolling arms with entrelac and<br />
acanthus on fluted turned tapering legs with chandelles, the seat-rail with three<br />
paper labels each inscribed C, redecorated, pegged construction<br />
£1,800<br />
54.<br />
7244<br />
A PAIR OF GEORGE III MAHOGANY SIDE CHAIRS<br />
each with a latticework splat centred by flowerheads and arched crestrail with<br />
fluted stiles, circular velvet-covered padded seat on square channelled tapering<br />
legs, repairs to legs<br />
(2)<br />
£1,000<br />
55.<br />
5787<br />
A GEORGE III MAHOGANY SOFA<br />
£4,000<br />
56.<br />
7919(timepiece)<br />
A GEORGE III LEATHER-COVERED SEDAN CHAIR<br />
with poles and clock<br />
£3,000<br />
57.<br />
6267/3041<br />
A GEORGE III MALE DUMMYBOARD FIGURE<br />
£2,500<br />
58.<br />
7978<br />
A GEORGE III BURR WALNUT AND YEW COLLECTOR'S CABINET<br />
ATTRIBUTED TO MAYHEW AND INCE<br />
£3,000
59.<br />
4929, 8555<br />
A GEORGE III BAIZE-LINED MAHOGANY WRITING-TABLE<br />
£1,500<br />
60.<br />
1416<br />
AN IRISH GEORGE II WALNUT LOWBOY<br />
£3,000<br />
61.<br />
7493<br />
A REGENCY GILTWOOD AND VERRE EGLOMISÉ PIER GLASS<br />
£900<br />
62.<br />
8687<br />
A REGENCY MAHOGANY EXTENDING DINING-TABLE<br />
in three parts with a gateleg centre section and two D-shaped end sections, the<br />
frieze edged with ebonised and boxwood lines on turned tapering legs, the three<br />
parts are all associated with each other<br />
48in. wide; 109in. long, including two extra leaves<br />
£5,000<br />
63.<br />
3144<br />
A SET OF EIGHT REGENCY MAHOGANY DINING CHAIRS<br />
including a pair <strong>of</strong> open armchairs, each with a deep toprail crossbanded with<br />
satinwood and inlaid with boxwood lines on reeded stiles and crossrails above<br />
leather-upholstered drop-in seats on square tapering legs inlaid with boxwood<br />
lines<br />
(8)<br />
£4,000<br />
64.<br />
8512<br />
TWO GEORGE III MAHOGANY CUTLERY URNS<br />
each inlaid with boxwood lines, one twelve sided, the other plain, the plain one<br />
with fitted interior, on stepped bases<br />
28½in. and 29in. high<br />
(2)<br />
£4,000<br />
65.<br />
3041/6267<br />
A DUMMY BOARD FIGURE OF A MAN<br />
smoking a clay pipe in a brown tunic, cracked
59½in. high<br />
Another, <strong>of</strong> a lady in late 17th Century dress<br />
43in. high<br />
(2)<br />
£5,000<br />
66.<br />
3145<br />
A REGENCY MAHOGANY PLATE STAND<br />
19TH CENTURY, ATTRIBUTED TO GILLOWS<br />
<strong>of</strong> unusual form with circular spindle galleried top with reeded edge on four reeded<br />
splayed turned tapering legs joined by a concave sided undertier<br />
27¼in. high<br />
£2,500<br />
67.<br />
3758<br />
A PAIR OF FRENCH BRONZE AND ORMOLU EWERS<br />
19TH CENTURY<br />
<strong>of</strong> slender form with putti handles and with band <strong>of</strong> vine on foliate socle and plinth<br />
base<br />
20in. high<br />
(2)<br />
£4,000<br />
68.<br />
1357<br />
A GEORGE II MAHOGANY POLESCREEN<br />
with arched adjustable tapestry banner on acorn finialled column and spirally-fluted<br />
knop with tripod base carved with acanthus and husks and slender claw-and-ball<br />
feet, formerly with castors<br />
57in. high<br />
£2,000<br />
69.<br />
5054<br />
A GEORGE II SILVER-MOUNTED DECANTER<br />
BOX<br />
£1,200<br />
70. [only the knife box and trivet are exempt]<br />
348 (knife box), 8682 (trivet)<br />
A KNIFE BOX; A STILTON STAND; AND A TRIVET<br />
(3)<br />
£800<br />
71.<br />
5906<br />
A DUTCH MAHOGANY ‘THEE STOOF’
CIRCA 1760<br />
£1,500<br />
72.<br />
4407<br />
A GEORGE III PIER GLASS<br />
£4,000<br />
73.<br />
8683<br />
AN EMPIRE ORMOLU CENTRE PIECE<br />
BY THOMIRE<br />
£6,000<br />
74.<br />
4763<br />
A REGENCY MAHOGANY STRIKING LONGCASE CLOCK<br />
JOHN GRANT, LONDON, CIRCA 1810/1815, NO.370<br />
the waisted balloon-shaped case with urn finial above the breakfront trunk with<br />
flamed panel door and raised plinth, the white enamel dial with brass bezel and<br />
Roman hours and Arabic minutes, pierced blued steel hands and signed `GRANT,<br />
Fleet Street, LONDON, No.370', the movement (possibly month<br />
going) unexamined, with substantial cast weights<br />
96in. (244cm.) high; 16½in. (42cm.) wide; 9in. (23cm.) deep<br />
£10,000<br />
75.<br />
5187<br />
A PAIR OF GEORGE III SYCAMORE D-SHAPED SIDE TABLES<br />
each with D-shaped crossbanded top with tulipwood and ebonised and boxwood<br />
stringing, the plain frieze crossbanded with padouk on turned tapering legs, the<br />
frieze cut for a dado<br />
25in. wide<br />
(2)<br />
£6,000<br />
76.<br />
7320<br />
A REGENCY EBONISED SPECIMEN CABINET<br />
<strong>of</strong> rectangular form, the pair <strong>of</strong> metal grille doors enclosing twelve various-sized<br />
drawers on a stand with turned tapering legs<br />
21in. wide; 42in. high<br />
£2,500<br />
77.<br />
6267/3041<br />
A PAIR OF SMALL MILITARY DUMMYBOARD FIGURES<br />
£1,800
78.<br />
7528<br />
A PAIR OF GLOBES, CELESTIAL AND TERRESTRIAL<br />
£4,000<br />
79.<br />
3041/6267<br />
A GEORGE III LARGE FEMALE DUMMYBOARD FIGURE<br />
£3,000<br />
80.<br />
6688<br />
A SET OF THREE REGENCY EBONISED AND PARCEL-GILT WINDOW SEATS<br />
<strong>of</strong> canted rectangular form, each with a yoke-shaped caned seat with squab<br />
covered in a golden damask, the panelled seat-rail on ringturned tapering legs<br />
decorated with bunches <strong>of</strong> flowers terminating in castors, some resupporting to<br />
seat-rail<br />
64in. wide<br />
(3)<br />
£8,000<br />
81.<br />
4781<br />
A GEORGE III WHITE AND CREAMPAINTED DINING-ROOM PEDESTAL<br />
POSSIBLY TO A DESIGN BY ROBERT ADAM AND ATTRIBUTED TO THOMAS<br />
CHIPPENDALE, CIRCA 1770-75<br />
<strong>of</strong> rectangular form, the stepped concave-sided base and panelled sides with a<br />
figure <strong>of</strong> a classical lady with snake entwined column, the sides with ovals centred<br />
by satyr masks, the angles with rams' masks hung with husks on hipped paw feet,<br />
the reverse with a pair <strong>of</strong> doors enclosing heaters for plates, redecorated<br />
40in. high<br />
£30,000<br />
82.<br />
286<br />
A GILTWOOD OVERMANTEL URN<br />
19TH CENTURY, AFTER THE MODEL BY DANIEL MAROT FOR HET LOO<br />
with foliate finial, gadrooned cover with entrelac and oval with seated figure <strong>of</strong><br />
Flora flanked by lambrequins on a lambrequin and sphinx supported base<br />
42in. high<br />
£1,500<br />
83.<br />
4033 (3), 7733 (3)<br />
A SET OF SIX GEORGE III SATINWOOD OPEN ARMCHAIRS<br />
ATTRIBUTED TO BENJAMIN HARMER, CIRCA 1785<br />
each with a padded back, armrests and seat covered in gros point needlework, the<br />
shaped arched back with channelled frame and fluted stiles and armrest supports,
the channelled armrests and conforming seat-rail on fluted turned tapering legs,<br />
probably the original upholstery and webbing<br />
(6)<br />
£40,000<br />
84.<br />
4840<br />
A GEORGE III WHITE-PAINTED AND PARCEL-GILT DAYBED<br />
BY MAYHEW & INCE<br />
with padded single scroll end, seat and squab covered in a gros and petit point<br />
needlework in a channelled frame with fluted turned tapering legs headed by<br />
patera<br />
72in. wide<br />
£3,000<br />
85.<br />
2107<br />
A PAIR OF GEORGE III GILTWOOD TORCHÈRES<br />
CIRCA 1780<br />
each with a circular dished top, fluted frieze on three guilloche carved supports<br />
with central pendant finial joined by a fluted undertier with urn and scroll feet, poor<br />
condition and regilt<br />
48in. high<br />
(2)<br />
£5,000<br />
86. [only three <strong>of</strong> six are exempt]<br />
5836 (three chairs)<br />
A SET OF SIX REGENCY OAK GOTHIC SIDE CHAIRS<br />
ATTRIBUTED TO NEWTON<br />
each with a gothic arcaded back, the toprail applied with bosses, cluster column<br />
stiles with turned finials, caned seats, gothic panelled seat-rail on cluster column<br />
legs, two with needlework squabs, one with a velvet squab<br />
(6)<br />
£5,000<br />
87.<br />
5593<br />
A FRENCH LAMPE BOUILLOTTE<br />
19TH CENTURY<br />
£1,500<br />
88.<br />
3174/3511
AN EMPIRE ORMOLU AND BRONZE MANTEL CLOCK<br />
the circular enamel dial signed Gérard à Paris within a fluted oval column case<br />
with a putto seated on a cushion reading a book on base with turned feet<br />
14½in. high; together with a pair <strong>of</strong> mask-mounted candlesticks<br />
(3)<br />
£1,000<br />
89.<br />
1009<br />
A CARVED IVORY ARCHITECTURAL MODEL OF THE HAZARDUARY PALACE<br />
IN<br />
MURSHIDABAD<br />
ANGLO-INDIAN, CIRCA 1837<br />
38in. wide; 6½in. high; 14in. deep<br />
£50,000<br />
90.<br />
185<br />
A BRONZE BUST OF A BEWIGGED MAN<br />
FRENCH, LATE 18TH CENTURY<br />
on a cylindrical marble pedestal<br />
10¾in. high overall<br />
£800<br />
91.<br />
5835<br />
A GEORGE III MAHOGANY FOLIO-CABINET<br />
with rectangular leather lined top with three quarter pierced gothic trellis gallery<br />
above a pair <strong>of</strong> doors inlaid with ebonised and boxwood gothic tracery enclosing<br />
three slides and two later drawers on bracket feet, the bracket feet and left hand<br />
side <strong>of</strong> the gallery partially replaced<br />
50¾in. wide<br />
£8,000<br />
92.<br />
2582<br />
A QUEEN ANNE VELVET ARMCHAIR<br />
£5,000<br />
93.<br />
849<br />
A SET OF GEORGE III PINK-PAINTED AND PARCEL-GILT FOUR-TIER<br />
HANGING<br />
SHELVES<br />
CIRCA 1790<br />
each <strong>of</strong> the four tiers with a bowfront centre section and different pierced gallery<br />
divided by gothic pierced arches supported on scrolling foliate pierced brackets
and surmounted by three domes, each with a spherical finial, traces <strong>of</strong> green<br />
underpaint<br />
54in. high; 36in. wide<br />
£25,000<br />
94.<br />
1518<br />
A LOUIS XV ORMOLU-MOUNTED AMARANTH AND TULIPWOOD AND<br />
MARQUETRY PETIT COMMODE<br />
BY POPSEL<br />
with eared later grey moulded marble top above a pair <strong>of</strong> drawers, each with sprigs<br />
<strong>of</strong> flowering foliage with conforming panel sides with key pattern, the canted<br />
angles with drapery mounts and satinwood panels on cabriole legs, stamped<br />
POPSEL twice and JME three times<br />
31in. wide<br />
£5,000<br />
95.<br />
1517<br />
A SET OF FOUR EMPIRE WHITE-PAINTED AND PARCEL-GILT OPEN<br />
ARMCHAIRS<br />
each with a rectangular padded back, armrests and bowed seat covered in green<br />
silk damask, the paneled frames with anthemia patera, the arms with lion<br />
terminals, conforming seat-rails on turned tapering legs with foliate capitals<br />
(4)<br />
£6,000<br />
96.<br />
2953<br />
AN UNUSUAL REGENCY ROSEWOOD AND SATINWOOD PLANT-STAND<br />
the circular basket top with marquetry laminated sides and a segmented base on a<br />
tripartite scrolling support with conforming miniature basket, tripod legs with<br />
giltmetal paw feet, one section <strong>of</strong> lappet missing<br />
28½in. high; 18in. diam.<br />
£5,000<br />
97.<br />
850<br />
A PAIR OF VIENNESE GREEN TÔLE AND PORCELAIN TWIN-BRANCH WALL-<br />
LIGHTS<br />
19TH CENTURY<br />
each with a natura<strong>list</strong>ic ribbon-tied backplate with central upspringing foliage and<br />
flowers flanked by a pair <strong>of</strong> asymmetric scrolling branches issuing flowers and<br />
leaves with gilded clasping foliage nozzles and drip-pans, some elements missing<br />
18in. high<br />
(2)<br />
£2,500
98.<br />
1368<br />
A GEORGE III BLUE AND WHITE-PAINTED CURVED SOFA<br />
BY MAYHEW & INCE<br />
with arched padded back, armrests, sides and seat covered in eau-de-nil watered<br />
silk, the channeled beaded frame with cabriole arm-supports on stop-fluted turned<br />
tapering legs and fluted frieze interspersed with patera, the decoration refreshed<br />
86in. wide<br />
£6,000<br />
99.<br />
7297<br />
A PAIR OF GILTWOOD TWIN-BRANCH WALL-LIGHTS OF REGENCY DESIGN<br />
19TH CENTURY<br />
each with a drapery and tasselled backplate hung over a patera, with eagle, chain<br />
and balls above a lion-mask issuing scrolling branches with giltmetal nozzles<br />
27½in. high<br />
(2)<br />
£2,000<br />
100.<br />
6581<br />
A PAIR OF REGENCY CREAM AND GILT JAPANNED POLESCREENS<br />
19TH CENTURY<br />
each with an octagonal chinoiserie banner on a turned pole with spirally fluted<br />
baluster support and tripod base decorated with foliage and ball feet<br />
62½in. high<br />
(2)<br />
£1,200<br />
101.<br />
853<br />
A SPINNING WHEEL<br />
BY DOUGHTY OF YORK<br />
£600<br />
102.<br />
1449<br />
A FRENCH ORMOLU MANTEL CLOCK OF PART LOUIS XVI STYLE<br />
18 TH CENTURY AND LATER<br />
the circular enamel dial signed Henry a Paris in a glazed drum-shaped case with<br />
laurel wreath and supported by reclining female figure seated on a cushion with a<br />
peacock and mace, the plinth with balustrading on blue glass, verdigris damage<br />
16½in. wide<br />
£6,000<br />
103.<br />
8019
AN ENGLISH GRAND PIANO OF THE LATE 1780’S OR EARLY 90’S BY<br />
MATTHEW AND WILLIAM STODART, LONDON. INCRIBED: MATTHÆUS ET<br />
GULIELMUS STODART LONDINI FECERUNT, WARDOUR STREET SOHO. A<br />
MAHOGANY CASE PANELLED WITH MAHOGANY AND INLAID WITH HOLLY<br />
LINES, ON A TRESTLE STAND<br />
89in. long; 38in. wide; 36½in. high<br />
£5,000<br />
104.<br />
4620<br />
A GEORGE II SOLID MAHOGANY OPEN ARMCHAIR<br />
CIRCA 1750<br />
£25,000<br />
105.<br />
5317<br />
A MODEL OF DON QUIXOTE ON A DONKEY<br />
under a glass dome<br />
£800<br />
106.<br />
1348<br />
A GEORGE III SATINWOOD AND POLYCHROME DECORATED WRITING<br />
CHEVAL<br />
SCREEN<br />
<strong>of</strong> rectangular form, the hinged flap with scrapwork with playing cards, butterflies,<br />
musical instruments, etc. in a floral oak leaf and acorn border, enclosing a pair <strong>of</strong><br />
writing drawers, shelves and leather-lined slope on trestle ends joined by<br />
stretchers with splayed legs<br />
22in. wide<br />
£2,500<br />
107.<br />
6242<br />
A GEORGIAN BRASS AND LEATHER TELESCOPE<br />
BY GEORGE STERROP<br />
with case<br />
£1,500<br />
108.<br />
311<br />
A RARE BARREL-PIANO AUTOMATON<br />
BY HICKS OF BRISTOL, DATED 1848<br />
with glazed, part-mirrored compartment containing three automated carved and<br />
painted automaton wood figures<br />
59in. high<br />
£7,000<br />
109.
4276<br />
A PAINTED WOOD MODEL OF A COACH<br />
£800<br />
110.<br />
4747<br />
A CARVED MARBLE GROUP OF APOLLO FLAYING MARSYAS<br />
ATTRIBUTED TO ANTONIO BONAZZA (1698-C.1762), MID 18TH CENTURY<br />
78in. high; the base 40in. high<br />
£80,000<br />
111.<br />
5076<br />
A SOUTHERN EUROPEAN ALTAR FRONTAL<br />
£500<br />
<strong>112</strong>.<br />
1622<br />
A WAX RELIEF OF THE CALMADY, AFTER SIR THOMAS LAWRENCE, BY<br />
WYON<br />
£300