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ELISABETH FRINK Catalogue Raisonné of Sculpture ... - Ashgate

ELISABETH FRINK Catalogue Raisonné of Sculpture ... - Ashgate

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FCR345 (below left)<br />

Eagle,1986<br />

bronze, edition <strong>of</strong> 3<br />

commissioned by the eagle squadron<br />

association for a memorial in grosvenor<br />

square, london<br />

literature: sc 1994<br />

the monument to the american eagle<br />

squadron pilots <strong>of</strong> the second World War<br />

was unveiled on 12 May 1986. the first<br />

eagle squadron was formed in september<br />

1940 mostly from american citizens who<br />

had volunteered to join the royal air force.<br />

the eagle squadron memorial, sponsored<br />

by hearst corporation, is a tapering shaft <strong>of</strong><br />

white Portland stone surmounted by a bronze<br />

sculpture <strong>of</strong> the american bald eagle.<br />

FCR346 (bottom left)<br />

Standing Man, 1984/86<br />

bronze, edition <strong>of</strong> 4<br />

h: 208 cm (82 in)<br />

commissioned by W.h. smith for the<br />

company’s headquarters, swindon, Wiltshire<br />

exhibitions: ra, 1985 (titled New Man);<br />

salisbury, 1999; canary Wharf, 1999<br />

literature: Elisabeth Frink: <strong>Sculpture</strong> and<br />

Drawings 1952–84, 1985; sc 1994;<br />

ratuszniak, 1999<br />

FCR347 (below right)<br />

Walking Man [later named Riace I],<br />

1986<br />

bronze, edition <strong>of</strong> 4<br />

h: 211 cm (83 in)<br />

commissioned by W.h. smith for the<br />

company’s headquarters, swindon, Wiltshire;<br />

k & b Plaza, new orleans; tate<br />

exhibitions: university <strong>of</strong> keele, 1988;<br />

fischer fine art, 1989; hong kong, 1989;<br />

Washington, 1990; ba, 1993; sculpture at<br />

goodwood, 1996–7; salisbury, 1997<br />

literature: Elisabeth Frink: <strong>Sculpture</strong> and<br />

Drawings, 1988; Elisabeth Frink: Recent<br />

<strong>Sculpture</strong> and Drawings, 1989; cameron,<br />

1989; Elisabeth Frink: <strong>Sculpture</strong> and Drawings<br />

1950–90, 1990; sc 1994; Elisabeth<br />

Frink: <strong>Sculpture</strong>, Prints and Drawings, 1993;<br />

hubbard, 2007<br />

‘i usually feel a new series happening long<br />

before i actually do it. i can feel it coming on.<br />

for example i heard about the riace figures<br />

two or three years before i started doing my<br />

own versions. i stack the idea away and draw<br />

on it later.’ During the 1980s frink became<br />

interested in the potential <strong>of</strong> colour. ‘i painted<br />

some bronzes, but it was hopeless. Paint<br />

doesn’t weather well – it soon looks tacky.<br />

another thing is that using paint means putting<br />

an extra skin on top <strong>of</strong> the surface, whereas<br />

the chemicals used for patination react directly<br />

on the surface you have.’ 73<br />

FCR348 (opposite)<br />

Running Man (Front Runner), 1986<br />

bronze, edition <strong>of</strong> 4<br />

h: 196 cm (77 in)<br />

commissioned by W.h. smith for the<br />

company’s headquarters, swindon, Wiltshire;<br />

liverpool university<br />

exhibitions: university <strong>of</strong> keele, 1988<br />

literature: Elisabeth Frink: <strong>Sculpture</strong> and<br />

Drawings, 1988; Elisabeth Frink: <strong>Sculpture</strong><br />

and Drawings 1950–90, 1990; sc 1994<br />

www.lundhumphries.com<br />

170 elisabeth frink catalogue raisonnÉ <strong>of</strong> sculPture 1947–93 171

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