ELISABETH FRINK Catalogue Raisonné of Sculpture ... - Ashgate
ELISABETH FRINK Catalogue Raisonné of Sculpture ... - Ashgate
ELISABETH FRINK Catalogue Raisonné of Sculpture ... - Ashgate
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FCR345 (below left)<br />
Eagle,1986<br />
bronze, edition <strong>of</strong> 3<br />
commissioned by the eagle squadron<br />
association for a memorial in grosvenor<br />
square, london<br />
literature: sc 1994<br />
the monument to the american eagle<br />
squadron pilots <strong>of</strong> the second World War<br />
was unveiled on 12 May 1986. the first<br />
eagle squadron was formed in september<br />
1940 mostly from american citizens who<br />
had volunteered to join the royal air force.<br />
the eagle squadron memorial, sponsored<br />
by hearst corporation, is a tapering shaft <strong>of</strong><br />
white Portland stone surmounted by a bronze<br />
sculpture <strong>of</strong> the american bald eagle.<br />
FCR346 (bottom left)<br />
Standing Man, 1984/86<br />
bronze, edition <strong>of</strong> 4<br />
h: 208 cm (82 in)<br />
commissioned by W.h. smith for the<br />
company’s headquarters, swindon, Wiltshire<br />
exhibitions: ra, 1985 (titled New Man);<br />
salisbury, 1999; canary Wharf, 1999<br />
literature: Elisabeth Frink: <strong>Sculpture</strong> and<br />
Drawings 1952–84, 1985; sc 1994;<br />
ratuszniak, 1999<br />
FCR347 (below right)<br />
Walking Man [later named Riace I],<br />
1986<br />
bronze, edition <strong>of</strong> 4<br />
h: 211 cm (83 in)<br />
commissioned by W.h. smith for the<br />
company’s headquarters, swindon, Wiltshire;<br />
k & b Plaza, new orleans; tate<br />
exhibitions: university <strong>of</strong> keele, 1988;<br />
fischer fine art, 1989; hong kong, 1989;<br />
Washington, 1990; ba, 1993; sculpture at<br />
goodwood, 1996–7; salisbury, 1997<br />
literature: Elisabeth Frink: <strong>Sculpture</strong> and<br />
Drawings, 1988; Elisabeth Frink: Recent<br />
<strong>Sculpture</strong> and Drawings, 1989; cameron,<br />
1989; Elisabeth Frink: <strong>Sculpture</strong> and Drawings<br />
1950–90, 1990; sc 1994; Elisabeth<br />
Frink: <strong>Sculpture</strong>, Prints and Drawings, 1993;<br />
hubbard, 2007<br />
‘i usually feel a new series happening long<br />
before i actually do it. i can feel it coming on.<br />
for example i heard about the riace figures<br />
two or three years before i started doing my<br />
own versions. i stack the idea away and draw<br />
on it later.’ During the 1980s frink became<br />
interested in the potential <strong>of</strong> colour. ‘i painted<br />
some bronzes, but it was hopeless. Paint<br />
doesn’t weather well – it soon looks tacky.<br />
another thing is that using paint means putting<br />
an extra skin on top <strong>of</strong> the surface, whereas<br />
the chemicals used for patination react directly<br />
on the surface you have.’ 73<br />
FCR348 (opposite)<br />
Running Man (Front Runner), 1986<br />
bronze, edition <strong>of</strong> 4<br />
h: 196 cm (77 in)<br />
commissioned by W.h. smith for the<br />
company’s headquarters, swindon, Wiltshire;<br />
liverpool university<br />
exhibitions: university <strong>of</strong> keele, 1988<br />
literature: Elisabeth Frink: <strong>Sculpture</strong> and<br />
Drawings, 1988; Elisabeth Frink: <strong>Sculpture</strong><br />
and Drawings 1950–90, 1990; sc 1994<br />
www.lundhumphries.com<br />
170 elisabeth frink catalogue raisonnÉ <strong>of</strong> sculPture 1947–93 171