greengrassi 1a Kempsford Road London SE11 4NU + 44 207 840
greengrassi 1a Kempsford Road London SE11 4NU + 44 207 840
greengrassi 1a Kempsford Road London SE11 4NU + 44 207 840
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<strong>greengrassi</strong> <strong>1a</strong> <strong>Kempsford</strong> <strong>Road</strong> <strong>London</strong> <strong>SE11</strong> <strong>4NU</strong> + <strong>44</strong> <strong>207</strong> <strong>840</strong> 9101 tel + <strong>44</strong> <strong>207</strong> <strong>840</strong> 9102 fax info@<strong>greengrassi</strong>.com<br />
2008 Shit, Feature Inc. New York<br />
Begin Again Right Back Here, White Columns, New York, NY<br />
Passageworks: Contemporary Art from the Permanent Collection, SFMOMA, San Francisco<br />
2007 Good Morning, Midnight, Casey Caplan, New York, (curated by Bruce Hainley)<br />
You Always Move in Reverse, Leo Koenig Inc. New York, (curated by Bjarne Melgaard)<br />
A Point in Space Is a Place for an Argument, David Zwirner, New York<br />
Exit Music (For a Film), Grimm/Rosenfeld, New York, (curated by Michelle Lopez)<br />
Strange Events Permit Themselves the Luxury of Occurring, Camden Arts Centre,<br />
<strong>London</strong><br />
The Recognitions, The Fireplace Project, East Hampton, NY<br />
a point in space is a place for an argument, David Zwirner, New York, NY<br />
Good Morning, Midnight, Casey Kaplan, New York, NY<br />
You Always Move in Reverse, Leo Koenig, Inc., New York, NY<br />
Exit Music (For a Film), Grimm/Rosenfeld, New York, NY<br />
2006 Dereconstruction, Barbara Gladstone Gallery, New York<br />
Galerie Buchholz at Metro Pictures, Metro Pictures, New York<br />
FOCA Fellowship, Armory Centre for Arts, Pasadena, CA<br />
Pure Land: Fecteau-Hill-Pederson, Ratio 3, San Francisco<br />
2004 Teil 1 Mullberg, Galerie Daniel Buchholz, Cologne, Germany<br />
Abstract Reality, SEAD Gallery, Antwerp, Belgium; Van Abbe Museum, Eindhoven<br />
Happy Medium, Clementine Gallery, New York<br />
Gallery Artists, Features Inc. New York<br />
2003 The Alumini Show, Zilkha Gallery, Wesleyan University<br />
Ishta, Midway Contemporary Art, St. Paul, MN<br />
2002 Artists Imagine Architecture, ICA, Boston *<br />
The Longest Winter, Schmidt Center Gallery - Florida Atlantic University, Boca Raton, FL<br />
Now is the Time, Dorsky Gallery, Long Island City, New York<br />
Vincent Fecteau and Tomma Abts, Marc Foxx, Los Angeles*<br />
The Whitney Biennial, The Whitney Museum of American Art, New York*<br />
Guide to Trust No.2, Yerba Buena Center for the Arts, San Francisco<br />
2001 Marked: Bay Area Drawings, Sonoma Valley Museum of Art, California; Hunter College, NY<br />
Off the Wall, Gallery 400, University of Illinois at Chicago, (curated by Greg Sandoval)<br />
Galerie Paule Anglim, San Francisco<br />
Smallish, <strong>greengrassi</strong>, <strong>London</strong>, (curated by Dennis Cooper)<br />
The Devil is in the Details, Allston Skirt Gallery, Boston<br />
Maureen Gallace and Vincent Fecteau, Gallery Paule Anglim, San Francisco,<br />
2000 Here Kitty, Kitty, Nexus Contemporary Art Center, Atlanta, GA<br />
Juvenilia, Yerba Buena Centre for the Arts, San Francisco<br />
1999 Calendar 2000, Center for Curatorial Studies Museum, Bard College, NY<br />
Persuasion, University at Buffalo Art Gallery, Buffalo, NY<br />
The Art Council 1999 Grants to Artists, Jernigan Wicker Fine Arts, San Francisco<br />
B.m.W. black met white, ANP Antwerp, Belgium<br />
1998 Softcore, Arkipelag Festival, Historika Museet, Stockholm<br />
Architecture & Inside, Paul Morris, New York<br />
Inglenook, Feigen Contemporary Art, New York<br />
Lovecraft, South <strong>London</strong> Gallery, <strong>London</strong>
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