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Davies, Lucy, Roe Ethridge: Commercial Break, The ... - Greengrassi

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Setareh, Candice, <strong>Roe</strong> <strong>Ethridge</strong>: Le Luxe II BHGG, Hellion magazine, Los Angeles, June 24, 2011.<br />

(© <strong>Roe</strong> <strong>Ethridge</strong>. Courtesy Gagosian Gallery. Photography by the Douglas M. Parker Studio)<br />

<strong>Roe</strong> <strong>Ethridge</strong>: Le Luxe II BHGG<br />

By Candice Setareh<br />

June 24th 2011<br />

<strong>The</strong> Gagosian Gallery’s are nothing short of chic, modern, and highly admired. With eleven<br />

gallery locations around the world; in cities such as New York, London, Paris and Rome- its high<br />

acclaim is of no surprise and without many objections. It’s the only art gallery of it’s kind to<br />

gracefully carry an influential appeal that is sought after and often imitated. So, it’s not a surprise<br />

that many of the exhibitions have gathered more guests then most major modern art museums.<br />

Thus, the reason for the many comparisons to a phenomenon. With the support and admiration<br />

from art enthusiasts and the general public alike, - artists consider having their pieces displayed at<br />

any of the Gagosian galleries -something similar to a euphoric experience. (I’m sure Picasso and<br />

Willem would have agreed) Thus, the opportunity to view pieces from the likes of ;Pablo Picasso,<br />

Willem De Kooning, Damien Hirst, and Joel Morrison are priceless and should not be<br />

overlooked.<br />

<strong>The</strong> newest artist who has joined this exclusive and fortunate group is- <strong>Roe</strong> <strong>Ethridge</strong>. <strong>The</strong><br />

Gagosian Gallery in Beverly Hills is presenting an exhibition of his photos from June 9, 2011<br />

through July 22, 2011. His unique interpretation of imagery in combination with his seamless<br />

approach to manipulating and duplicating photographs, makes his pieces, at their best- truly<br />

authentic to himself. <strong>The</strong> pieces from Le Luxe don’t stray far from <strong>Ethridge</strong>’s spontaneous yet

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