Journals from A to I - H-Net

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H-Diplo Journal Watch [jw], A-I, Third Quarter 2013 Identity in Southern California,” by Laura Pulido and Manuel Pastor, 309- • “The Balcony and the Street: Gender, Virtue, and Politics in George Caleb Bingham's Antebellum America,” by Wynne Walker Moskop, 343- • “‘Crazy for This Democracy”: Postwar Psychoanalysis, African American Blues Narratives, and the Lafargue Clinic,” by Catherine A. Stewart, 371- Event Review • “Ballad of an Untimely Man: Bob Dylan at the Hollywood Bowl,” by Taylor Black, 397- Reviews • “How History Happens and Why Culture Counts: Twenty Years after Becoming Mexican American,” by George Lipsitz, 405- • “Punkademia,” by Maria Elena Buszek, 413- • “New Cosmopolitanisms of Forgotten Diasporas,” by J. Daniel Elam, 425- • “The Flesh of Amalgamation: Reconsidering the Position (and the Labors) of Blackness,” by Tryon P. Woods, 437- • “MP3s and Other Evil Media: American Pathologies in Critical Information Studies,” by Aaron Trammell, 447- American Review of Canadian Studies, Vol. 43, No. 2 (June 2013) http://www.tandfonline.com/toc/rarc20/43/2 Special Issue: Québec Cinema in the 21st Century • “Special Issue of the American Review of Canadian Studies on Québec Cinema,” by Miléna Santoro, Denis Bachand, Vincent Desroches & André Loiselle, 157- Miscellany • “An interview with Carolle Brabant Executive Director of Telefilm Canada,” by Miléna Santoro, Denis Bachand, Vincent Desroches & André Loiselle, 163- • “An Interview with François Macerola, President and CEO of la Société de développement des entreprises culturelles (SODEC),’’ by Miléna Santoro, Denis Bachand, Vincent Desroches & André Loiselle, 170- Original Articles • “Deterritorialization and the Crisis of Recognition in Turn of the Millennium Québec Film,” by Amy J. Ransom, 176- 6 | P age
H-Diplo Journal Watch [jw], A-I, Third Quarter 2013 • “Tales of Terror in Québec Popular Cinema: The Rise of the French Language Horror Film since 2000,” by Gina Freitag & André Loiselle, 190- • “Recovering Québec Culture: The Feature Films of Bernard Émond,” By Jerry White, 204- • “Cultural Encounters in Québec Cinema. Identity and Otherness in Denis Chouinard's Tar Angel,” by Denis Bachand, 218- • “Suspicions and Castrations: Robert Morin's Que Dieu Benisse l'Amérique,’’ by Vincent Desroches, 231- • ‘‘Benoît Pilon: Dwelling in Québec: A Young Filmmaker's Gaze,” by Alessandra M. Pires, 241- • “Patrimonialization and Filiation at the National Film Board of Canada: Cinema as a Heritage,” by Marion Froger, 253- • “The Rise of First Nations’ Fiction Films: Shelley Niro, Jeff Barnaby, and Yves Sioui Durand,” by Miléna Santoro, 267- • “The Wapikoni Mobile and the Birth of a New Indigenous Cinema in Québec,” by Karine Bertrand, 283- The Americas, Vol.70, No.1 (July 2013) http://muse.jhu.edu/journals/the_americas/toc/tam.70.1.html 2013 CLAH Luncheon Address • “Life, Luck, and How I Became a Historian,” by Susan M. Socolow, 1- Articles • “Militão and the Guerreiros: Local Feuds, Long Memories, and Brazil's Struggle to Control the São Francisco River,” by Elizabeth W. Kiddy, 9- • “Educating a City's Children: British Immigrants and Primary Education in Buenos Aires (1820-1880),” by Alina Silveira, 33- • “The Calles Government and Catholic Dissidents: Mexico's Transnational Projects of Repression, 1926-1929,” by Julia G. Young, 63- Archivaria, Number 75 (Spring 2013) http://journals.sfu.ca/archivar/index.php/archivaria/issue/current • “Past Imperfect? Reflections on the Evolution of Canadian Federal Government Records Appraisal,” by Catherine A. Bailey 7 | P age
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