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External Lighting for Historic Buildings - HELM

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INTRODUCTION<br />

Our historic buildings and monuments are often amazing feats of architecture and engineering.<br />

Many have been enhanced and brought to life at night-time with striking and subtle external<br />

lighting schemes. Some, however, have produced far more negative results by highlighting flaws and<br />

views of the structure never meant to be seen. Just because a building or structure happens to<br />

be listed does not mean this is a good enough reason to proceed with external lighting.<br />

1a<br />

There are a number of matters that should be examined<br />

be<strong>for</strong>e progressing with a design.The most important of<br />

these is the question, ‘Has a real need to install lighting<br />

been established?’ The next must be the acceptance that<br />

a simply technical approach is useless.<br />

The main objectives of external lighting should be:<br />

● to promote observation and experience of the site<br />

against the night sky<br />

1b<br />

1c<br />

● to give the building an added dimension which will<br />

enhance its key architectural elements as well as its<br />

social and historical significance<br />

● to improve the quality of the nocturnal environment<br />

by promoting safety, ie avoidance of trip hazards<br />

● to enhance night-time orientation and use, which<br />

could potentially benefit the local economy<br />

There<strong>for</strong>e an aesthetic, as well as a technical, approach<br />

is essential and will ultimately govern the result.<br />

When external lighting is executed with a well-designed<br />

and co-ordinated scheme using the correct choice<br />

of equipment, the environmental impact, ie light<br />

pollution and overspill, can be minimised and the energy<br />

efficiency maximised.<br />

Subtle external lighting when designed with care and<br />

sensitivity can bring added life and scope to some of<br />

our most treasured landmarks. It becomes an extension<br />

to the architecture, improving the quality of the view<br />

and complementing the structure’s shape, colouration<br />

and <strong>for</strong>m. It gives an added dynamic by bringing the<br />

‘soul’ back into a place, and can be likened to ‘painting<br />

with light’.<br />

1a<br />

1b<br />

1c<br />

Kingston upon Thames Bridge. (Photograph courtesy of Sill <strong>Lighting</strong>)<br />

The Poseidon Fountain, Witley Court, Worcestershire.<br />

(EH photo library K971385)<br />

Concentration of light on a prime local site.<br />

1

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