External Lighting for Historic Buildings - HELM
External Lighting for Historic Buildings - HELM
External Lighting for Historic Buildings - HELM
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INTRODUCTION<br />
Our historic buildings and monuments are often amazing feats of architecture and engineering.<br />
Many have been enhanced and brought to life at night-time with striking and subtle external<br />
lighting schemes. Some, however, have produced far more negative results by highlighting flaws and<br />
views of the structure never meant to be seen. Just because a building or structure happens to<br />
be listed does not mean this is a good enough reason to proceed with external lighting.<br />
1a<br />
There are a number of matters that should be examined<br />
be<strong>for</strong>e progressing with a design.The most important of<br />
these is the question, ‘Has a real need to install lighting<br />
been established?’ The next must be the acceptance that<br />
a simply technical approach is useless.<br />
The main objectives of external lighting should be:<br />
● to promote observation and experience of the site<br />
against the night sky<br />
1b<br />
1c<br />
● to give the building an added dimension which will<br />
enhance its key architectural elements as well as its<br />
social and historical significance<br />
● to improve the quality of the nocturnal environment<br />
by promoting safety, ie avoidance of trip hazards<br />
● to enhance night-time orientation and use, which<br />
could potentially benefit the local economy<br />
There<strong>for</strong>e an aesthetic, as well as a technical, approach<br />
is essential and will ultimately govern the result.<br />
When external lighting is executed with a well-designed<br />
and co-ordinated scheme using the correct choice<br />
of equipment, the environmental impact, ie light<br />
pollution and overspill, can be minimised and the energy<br />
efficiency maximised.<br />
Subtle external lighting when designed with care and<br />
sensitivity can bring added life and scope to some of<br />
our most treasured landmarks. It becomes an extension<br />
to the architecture, improving the quality of the view<br />
and complementing the structure’s shape, colouration<br />
and <strong>for</strong>m. It gives an added dynamic by bringing the<br />
‘soul’ back into a place, and can be likened to ‘painting<br />
with light’.<br />
1a<br />
1b<br />
1c<br />
Kingston upon Thames Bridge. (Photograph courtesy of Sill <strong>Lighting</strong>)<br />
The Poseidon Fountain, Witley Court, Worcestershire.<br />
(EH photo library K971385)<br />
Concentration of light on a prime local site.<br />
1