Download (pdf, 2753 kByte) - Henle Verlag

Breitkopf & Härtel ❙❙ G. Henle Verlag

I place great value on Urtext editions 

based on the current state of research. 

To me, the most recent Henle and 

Breitkopf editions (“Mozart 21”) are 

the gold standard for Mozart. 

I present my thanks and a wholehearted 

recommendation! 

L ARS VOGT Pianist

THE NEW EDITIONS. 

Mozart’s music is eternally young 

and stimulating, and is approached 

in a new way by each new generation. 

Today’s musicians have the choice 

between countless editions – older 

and newer ones. 

Our 21st-century Mozart editions 

reflect the most recent state of 

international Mozart scholarship 

– Urtext editions for our time, 

prepared by experienced editors and 

endorsed by world-famous artists. 

Breitkopf & Härtel 

G. Henle Verlag 

“Mozart 21” is an inestimably important 

project for me and for all who want 

an up-to-the-minute performance-quality 

Mozart Urtext. I can warmly recommend 

the many Breitkopf and Henle editions 

that I know. And thanks to their in-depth 

commentaries, they even spare one 

the examination of the original sources. 

RENÉ JACOBS Conductor

PIANO MUSIC 

4 

• Critically revised and reprinted: proven Urtext classics 

• The early violin sonatas in the alternative versions for piano solo authorized by Mozart 

PIANO SOLO 

Piano Sonata D major K. 284 (205b) 

New Edition, revised by Ernst Herttrich (2012) 

Fingering by Hans-Martin Theopold 

❙ HN 1063 

Piano Sonata C major K. 309 (284b) 


Fingering by Hans-Martin Theopold 

❙ HN 1065 

Piano Pieces 

From “Nannerl Music Book” K. 1a–f, 2–5, 9a (5a), 6–8; 

Londoner Music Book K. 15a–15qq; Piano Piece F major 

K. 33B; Fugues G major, D major K. 154a (Anh. A 61/62) 

and g minor K. 401 (375e); Preludes K. deest (Anh. C 

15.11), C major K. 395 (300g); Prelude (Fantasy) and 

Fugue C major K. 394 (383a); Sonata Movement B flat 

major K. 400 (372a) and g minor K. 312 (590d); 

Fantasies c minor K. 396 (385f) and d minor K. 397 (385g); 

Fragment of a Suite C major K. 399 (385i); Marche funèbre 

c minor K. 453a; Rondos D major K. 485 and a minor 

K. 511; Adagio b minor K. 540; Gigue G major K. 574; 

Andantino E flat major K. 236 (588b); Andante for a 

Musical Clock F major K. 616; Adagio for Glass Harmonica 

C major K. 356 (617a); Menuets D major K. 355 (576b) 

and K. 103 (61d), C major K. 61gII, D major K. 94 (73h), 

K. 176, K. 315a (315g); Kontretänze K. deest (269b) 

and from “The Thunderstorm“ K. 534; Marcia C major 

K. 408/1 (383e); 6 German Dances K. 509 

Appendix: K. Anh. 20a (626b/25); K. Anh. 207 

(Anh. C27.06); K. Anh. 135 (547a); Fragments from 

K. 9b (5b), K. 15nn, K. 15rr, K. 15ss, K. 399 (385i) 

New Edition, revised by Ullrich Scheideler (2006) 

Fingering by Walther Lampe and 

Andreas Groethuysen 

Paperbound ❙ HN 22 

Clothbound ❙ HN 23 

“Wunderkind“-Sonatas 

Edition for Piano solo 

edited by Wolf-Dieter Seiffert (2013) 

Fingering by Ariane Haering 

Volume I 

Sonatas K. 6–9 ❙ HN 1094 

Volume II 

Sonatas K. 10–15 ❙ HN 1095 

Volume III 

Sonatas K. 26–31 ❙ HN 1096 

• The early violin sonatas in the alternative versions 

for piano solo authorized by Mozart 

(Vol. I and III are first editions) 

PIANO FOUR-HANDS 

Works for Piano Four-hands 

Piano Sonatas D major K. 381 (123a), B flat major K. 358 

(186c), F major K. 497, C major K. 521, C major K. 19d; 

Andante with Variations G major K. 501; Allegro 

K. 357 (497a) and Andante K. 357 (500a) G major; 

Fugue g minor K. 401 (375e); Piece for a Musical Clock 

f minor K. 594; Piece for a Musical Clock f minor K. 608 

New Edition, revised by Peter Jost (2011) 

Fingering by Andreas Groethuysen 

Paperbound ❙ HN 932 

Clothbound ❙ HN 933 

• Sole complete edition to reflect the current state 

of research 

• Contains the Fugue K. 401 (written for piano or 

organ) 

• Features the presumably inauthentic Sonata 

K. 19d in the Appendix

SOLO INSTRUMENT AND PIANO 

• Piano reductions made by great performers and experienced arrangers 

• Piano reductions that are easy on the fingers and rewarding to the ear 

• Concertos with refreshingly new cadenzas in the “Mozart style” 

• Publications with asterisk (*) contain two solo parts: one with fingerings/bowings and one without 

5 

TWO PIANOS FOUR-HANDS 

Piano Concerto (No. 9) E flat major K. 271 

“Jenamy” 

edited by Cliff Eisen and 

Robert D. Levin (2001) 

Cadenzas by Cliff Eisen and Robert D. Levin 

Edition for 2 Pianos 

Piano Reduction by Walter Heinz Bernstein 

❙ EB 8640 

Piano Concerto (No. 17) G major K. 453 

edited by Stephan Hörner (2008) 

Cadenzas by Wolfgang Amadeus Mozart 


Piano Reduction and Fingering by András Schiff 

❙ HN 765 ❙ EB 10765 

• “This piano reduction is perfectly suited for sightreading 

and does not feel cluttered at any moment.” 

(Piano News) 

Piano Concerto (No. 21) C major K. 467 

edited by Norbert Gertsch (2007) 


Piano Reduction, Cadenzas and Fingering 

by András Schiff 

❙ HN 766 ❙ EB 10766 

Piano Concerto (No. 23) A major K. 488 

edited by Ernst-Günter Heinemann (2008) 

Cadenza by Wolfgang Amadeus Mozart 



❙ HN 767 ❙ EB 10767 


edited by Ernst Herttrich (2011) 


Piano Reduction, Cadenzas and Fingering 


❙ HN 825 ❙ EB 10825 

• New source evaluation gives more weight to the 

first edition of 1797 

VIOLIN AND PIANO 

Single Movements K. 216, 269 and 373 

for Violin and Orchestra 


Edition for Violin and Piano 

Piano Reduction by Siegfried Petrenz, 

Cadenzas and Fingering by Kurt Guntner 

❙ HN 707 * 

Violin Concerto (No. 1) B flat major K. 207 





❙ HN 706 * 

Violin Concerto (No. 2) D major K. 211 





❙ HN 705 * 

Violin Concerto (No. 3) G major K. 216 

edited by Cliff Eisen (2002) 


Piano Reduction by Werner Breig, 

Cadenzas and Lead-ins by Andrew Manze 

❙ EB 8737 






❙ HN 688 * 






❙ EB 8738 






❙ HN 680 *


6 




• Publications with asterisk (*) contain two solo parts: one with fingerings/bowings and one without 

Violin Concerto (No. 5) A major K. 219 





❙ EB 8739 






❙ HN 679 

“Wunderkind“-Sonatas 

for Violin and Piano 


Fingering by Benjamin Schmid [Violin] 

and Ariane Haering [Piano] 

Volume I 

Sonatas K. 6–9 ❙ HN 1077 * 

Volume II 

Sonatas K. 10–15 ❙ HN 1078 * 

Volume III 

Sonatas K. 26–31 ❙ HN 1079 * 

VIOLIN, VIOLA AND PIANO 

Sinfonia concertante E flat major K. 364 (320d) 

for Violin, Viola and Orchestra 



Edition for Violin, Viola and Piano 


Fingering and Bowing by Frank Peter Zimmermann 

and Tabea Zimmermann 

❙ HN 798 * ❙ EB 10798 * 

• First correct source evaluation gives rise to a great 

quantity of improvements 

• Viola part in scordatura notation (D major, as 

in the sources) as well as in E flat major (modern 

practice)





7 

FLUTE AND PIANO 

Andante C major K. 315 (285e) 

for Flute and Orchestra 

edited by Henrik Wiese (2005) 

Edition for Flute and Piano 

Piano Reduction by Jan Philip Schulze, 

Cadenzas by Robert D. Levin 

❙ HN 675 ❙ EB 10675 

Flute Concerto G major K. 313 (285c) 




Cadenzas and Lead-ins by Henrik Wiese 

❙ EB 8644 

• Includes a facsimile of the solo part of the first edition 

• Includes cadenzas from the earliest handwritten 

sources 


edited by András Adorján (2000) 




❙ HN 673 

Flute Concerto D major K. 314 (285d) 





❙ EB 8047 

Flute Concerto D major K. 314 (285d) 





❙ HN 674 

FLUTE, HARP AND PIANO 

Concerto C major K. 299 (297c) 

for Flute, Harp and Orchestra 


Edition for Flute, Harp and Piano 



❙ HN 768 

OBOE AND PIANO 

• Both editions of K. 314 offer the synoptical printing 

of the divergently transmitted solo part: from Breitkopf 

as a “study part” after the “performance part,” and 

from Henle in a meticulously prepared supplement 

Oboe Concerto C major K. 314 (285d) 





❙ EB 8048 


edited and with an additional booklet 

by Ingo Goritzki (2001) 

Edition for Oboe and Piano 


Cadenzas by Robert Levin 

❙ HN 695 

CLARINET AND PIANO 

Clarinet Concerto A major K. 622 


Edition for Clarinet and Piano 

Piano Reduction by Jan Philip Schulze 

❙ HN 729 

• “Henle doesn’t believe in skimping: An informative 

preface listing all sources and commentaries on the 

reconstruction of the bass-clarinet part enhances the 

piano reduction – which is supplied with footnotes – 

as well as the two individual parts.” 

(Schweizer Musikzeitung) 

Clarinet Quintet A major K. 581 

edited by Werner Breig (2005) 

Edition for Clarinet [A] and Piano 

Piano Reduction by Werner Breig 

❙ EB 8784 

• “In a painstaking work cycle and argumentational 

procedure, Breig has – inasmuch as this is possible – 

successfully produced a version that is so convincing 

that one feels it must have been exactly like this 

in Mozart’s autograph as well.” 

(Acta Mozartiana)


8 




BASSOON AND PIANO 

Bassoon Concerto B flat major K. 191 (186e) 


Edition for Bassoon and Piano 



❙ HN 801 ❙ EB 10801 

• “The edition of the Bassoon Concerto fosters 

the sincerest hope for further ‘Hessian-Bavarian’ 

coproductions.” 

(Acta Mozartiana) 

HORN AND PIANO 

Horn Concerto E flat major K. 370b+371 

edited by Robert D. Levin (2003) 

Edition for Horn and Piano 

Piano Reduction by Christian Rudolf Riedel, 

Cadenzas and Lead-ins by Robert D. Levin 

❙ EB 8697 

Horn Concerto (No. 1) D major K. 412/514 

with “Süßmayr Rondo” K. 514 and Rondofragment 

K. 412, completed by Henrik Wiese 




❙ HN 701 

Horn Concerto (No. 2) E flat major K. 417 




❙ HN 702 






❙ HN 703 

• “Whoever cannot or does not want to rely on his 

or her improvisational talent can use this material 

without reservation.” 







❙ HN 704 

• Horn part in four-color printing as in Mozart’s 

autograph color notation

CHAMBER MUSIC 

• Many editions feature fold-out pages to avoid page turns 

9 

Adagio and Rondo K. 617 

for Glass Harmonica (Piano), Flute, Oboe, Viola and 

Violoncello 


Parts complete 

❙ HN 677 

Divertimenti for 2 Oboes, 2 Horns and 

2 Bassoons 

Divertimenti F major K. 213, B flat major K. 240, 

E flat major K. 252 (240a), F major K. 253 and 

B flat major K. 270 

edited by Felix Loy (2013) 


❙ HN 1191 

Divertimento K. 525 “A Little Night 

Music” 


Partitur and Parts complete 

❙ HN 1005 

Additional Parts: Violin 1, Violin 2, 

Viola, Violoncello/Basso 

❙ HN 1006–1009 

Gran Partita B flat major K. 361 (370a) 

for 2 Oboes, 2 Clarinets, 2 Basset Horns, 4 Horns, 

2 Bassoons and Double Bass 



❙ HN 809 

Horn Quintet E flat major K. 407 (386c) 

for Horn, Violin, 2 Violas and Violoncello 

edited by Henrik Wiese and Norbert Müllemann (2010) 


❙ HN 826 


for Clarinet, 2 Violins, Viola and Violoncello 

edited by Werner Breig (2005) 

Score and Parts 

❙ KM 2289 

Edition for Clarinet [A] and Piano 

Pianoauszug by Werner Breig 

❙ EB 8784 

• Includes a conjectured reconstruction of the nontransmitted 

original version for basset clarinet 

• and an additional part for this instrument, which is 

now available again today thanks to the production 

of new instruments of this type 


and Fragment K. Anh. 91 (516c) 

for Clarinet, 2 Violins, Viola and Violoncello 



❙ HN 769 

Piano Trios 

Divertimento B flat major K. 254, Trios G major K. 496, 

E flat major K. 498 “Kegelstatt-Trio”, B flat major K. 502, 

E major K. 542, C major K. 548 and G major K. 564 



❙ HN 247 

Oboe Quartet F major K. 370 (368b) 

for Oboe, Violin, Viola and Violoncello 



❙ HN 794 

Quintet E flat major K. 452 

for Piano, Oboe, Clarinet, Horn and Bassoon 



❙ HN 665 

• First movement with many corrections of previously 

falsely transmitted notes 

• First printing of last movement to feature authentic close 

without (false) ossia 

Serenade E flat major K. 375 

for 2 Clarinets, 2 Horns and 2 Bassoons 



❙ HN 795 

Serenade E flat major K. 375 

for 2 Oboes, 2 Clarinets, 2 Horns and 2 Bassoons 



❙ HN 796 

Serenade c minor K. 388 (384a) 

for 2 Oboes, 2 Clarinets, 2 Horns and 2 Bassoons 



❙ HN 797

CHAMBER MUSIC 

10 

• Many editions feature fold-out pages to avoid page turns 

Sonata B flat major K. 292 (196c) 

for Bassoon and Violoncello 


Score and Parts 

Figured Bass Realization by Wolfgang Kostujak 

❙ HN 827 

String Quintets I 

String Quintet B flat major K. 174 with early versions 

for 2 Violins, 2 Violas and Violoncello 



❙ HN 777 

• “It’s Henle, it’s heaven sent. Everything that’s needed 

for chamber music playing at any level is here. Clarity 

of presentation, totally trustworthy scholarship, bar 

numbers (at the start of each stave!), excellent quality 

paper; you get the feeling you can play the music 

immaculately even before you have tuned your 

instrument. If only these editions had been available 

when I was a student.” 

(News & Views) 

String Quintets II 

String Quintets c minor K. 406 (516b), C major K. 515 

and g minor K. 516 




❙ HN 778 

• K. 515 and K. 516: Previously unknown Mozart 

corrections taken into consideration here for the 

first time 

String Quintets III 

String Quintets D major K. 593 and E flat major K. 614 




❙ HN 779 

• K. 593, 4 th movement: First ossia printing of the 

autograph and (divergent) reading of the first edition 

• K. 614, 1 st movement: First printing of the authentic 

music text of the primary theme (without trills at 

many passages)

CONCERT ARIAS 

• Includes many first editions 

• In-depth prefaces provide historical and musical backgroand information 

• Information on vocal performance practice and a list of contemporary instructional works 

• Complete aria texts in German and English translations 

• Suggestions by distinguished Mozart interpreters for cadenzas, lead-ins and embellishments 

11 

Concert Arias for Soprano 

edited by Franz Beyer (1999–2002) 

with Cadenzas by Juliane Banse 

Edition for Soprano and Piano 

Piano Reductions by Franz Beyer, Wolfgang Amadeus 

Mozart, Christian Rudolf Riedel and Julius Rietz 

Volume 1 

Conservati fedele K. 23 

Cara, se le mie pene K. 6 deest 

A Berenice – Sol nascente K. 70 (61c) 

Per pietà, bell’ idol mio K. 78 (73b) 

Fra cento affanni K. 88 (73c) 

Oh, temerario Arbace! – Per quel paterno amplesso 

K. 79 (73d) 

Misero me! – Misero pargoletto K. 77 (73e) 

Se ardire e speranza K. 82 (73o) 

Se tutti i mali miei K. 83 (73p) 

Non caro l’affetto K. 74b 

Der Liebe himmlisches Gefühl K. 119 (382h) 

❙ EB 8671 

Volume 2 

Ridente la calma K. 152 (210a) 

Ah! spiegarti, oh Dio K. 178 (417c) 

Voi avete un cor fedele K. 217 

Ah, lo previdi! – Ah, t’invola – Deh, non varcar K. 272 

Alcandro, lo confesso – Non sò d’onde viene K. 294 

Basta, vincesti – Ah non lasciarmi, no K.486a (295a) 

Popoli di Tessaglia! – Io non chiedo, eterni Dei 

K. 316 (400h) 

Ma che vi fece, o stelle – Sperai vicino il lido K. 368 

Misera! dove son – Ah! non son io che parlo K. 369 

A questo seno deh vieni – Or che il cielo a me ti rende 

K. 374 

Nehmt meinen Dank, ihr holden Gönner! K. 383 

Mia speranza adorata! – Ah non sai qual pena sia K. 416 

❙ EB 8672 

Concert Arias for Tenor 

Va, dal furor portata K. 21 (19c) 

Or che il dover – Tali e cotanti sono K. 36 (33i) 

Si mostra la sorte K. 209 

Con ossequio, con rispetto K. 210 

Clarice cara mia sposa K. 256 

Se al labbro mio non credi K. 295 

Per pietà, non ricercate K. 420 

Misero! O sogno – Aura, che intorno spiri K. 431 (425b) 

Müsst ich auch durch tausend Drachen K. 435 (416b) 

Dove mai trovar quel ciglio?, aus K. 430 (424a) 

Non temer, amato bene, aus K. 490 

edited by Franz Beyer (2005) 

Cadenzas and Lead-ins by Christoph Prégardien 

Edition for Tenor and Piano 

Piano Reductions by Franz Beyer, Christian Rudolf Riedel 

and Julius Rietz 

❙ EB 8778 

Concert Arias for Bass 

Io ti lascio, oh cara, addio K. Anh. 245 (621a) 

Cosi dunque tradisci – Aspri rimorsi atroci K. 432 (421a) 

Männer suchen stets zu naschen K. 433 (416c) 

Alcandro lo confesso – Non sò d’onde viene K. 512 

Mentre ti lascio, oh figlia K. 513 

Ich möchte wohl der Kaiser sein K. 539 

Un bacio di mano K. 541 

Rivolgete a lui lo sguardo K. 584 

Per questa bella mano K. 612 

edited by Franz Beyer (2008) 

with Embellishments by Robert Holl 

Edition for Bass and Piano 

Piano Reductions by Franz Beyer and 

Christian Rudolf Riedel 

❙ EB 8798 

Volume 3 

Vorrei spiegarvi, oh Dio! K. 418 

No, che non sei capace K. 419 

Ch’io mi scordi di te? – Non temer, amato bene K. 505 

Bella mia fiamma, addio – Resta, oh cara K. 528 

Ah se in ciel, benigne stelle K. 548 

Al desio di chi t’adora K. 577 

Alma grande e nobil core K. 578 

Un moto di gioia K. 579 

Schon lacht der holde Frühling K. 580 

Chi sà, chi sà, qual sia K. 582 

Vado, ma dove? oh Dei! K. 583 

❙ EB 8673

SOLO CONCERTOS 

12 

• Urtext material coordinated for performance practice: 

• Score with Critical Report and clearly marked editorial additions 

• Orchestral parts with clearly presented musical text, without “ifs or buts” 

• Piano reductions made in collaboration with leading Mozart performers 

PIANO AND ORCHESTRA 

Piano Concerto (No. 9) E flat major K. 271 

“Jenamy” 

edited by Cliff Eisen and Robert D. Levin (2001) 

Score ❙ PB 5300 

Orchestral parts ❙ OB 5300 


Piano Reduction by Walter Heinz Bernstein, 

Cadenzas by Cliff Eisen and Robert D. Levin 

❙ EB 8640 

Piano Concerto (No. 17) G major K. 453 

edited by Stephan Hörner (2008) 






❙ HN 765 ❙ EB 10765 






Piano Reduction, Fingering and Cadenzas 


❙ HN 766 ❙ EB 10766 



Cadenza by Wolfgang Amadeus Mozart 





❙ HN 767 ❙ EB 10767 






Piano Reduction, Fingering and Cadenzas 


❙ HN 825 ❙ EB 10825 

• New source evaluation gives more weight to the 

first edition of 1797 

VIOLIN AND ORCHESTRA 

• “All who purchase these editions can rest assured 

that they have acquired the most authentic 

musical texts by Mozart available.” 









❙ EB 8737 








❙ EB 8738 








❙ EB 8739 

VIOLIN, VIOLA AND ORCHESTRA 

Sinfonia concertante E flat major K. 364 (320d) 





Edition for Violin, Viola and Klavier 


Fingering and Bowing by Frank Peter Zimmermann 

and Tabea Zimmermann 

❙ HN 798 ❙ EB 10798 

• First correct source evaluation gives rise to a great 

quantity of improvements





• Piano reductions made in collaboration with leading Mozart performers 

13 

FLUTE AND ORCHESTRA 








❙ HN 675 ❙ EB 10785 








❙ EB 8644 

• Includes a facsimile of the solo part of the first edition 

• Includes cadenzas from the earliest handwritten 

sources 

Flute Concerto D major K. 314 (285c) 







❙ EB 8047 

OBOE AND ORCHESTRA 





Edition for Oboe and Piano 



❙ EB 8048 

BASSOON AND ORCHESTRA 

Bassoon Concerto B flat major K. 191 (186e) 




Edition for Bassoon and Piano 



❙ HN 801 ❙ EB 10801 

HORN AND ORCHESTRA 

Horn Concerto E flat major K. 370b+371 

edited by Robert D. Levin (2003) 




Piano Reduction by Christian Rudolf Riedel, 

Cadenzas and Lead-ins by Robert D. Levin 

❙ EB 8697

SYMPHONIES 

14 




• In the Critical Report, highlighting of major differences between earlier editions through bold type 

Symphony (No. 13) F major K. 112 




Symphony (No. 35) D major K. 385 “Hafner” 




• First edition that allows the performance of all three 

versions of the “Hafner Music:” 

– Serenade with the March K. 408/2 (385a), as 

performed in the summer of 1782 for the ennoblement 

of Sigmund Hafner 

– Four-movement symphony without flutes and 

clarinets, as in the first printing of 1785 

– Four-movement symphony with the flute and clarinet 

parts added by Mozart (Symphony K. 385) 

Symphony (No. 38) D major K. 504 “Prague” 




Symphony (No. 39) E flat major K. 543 




• “The musical text closely follows Mozart’s manuscript, 

and the idiosyncratic grouping of beams and stems 

was generally maintained. With the aid of sparse 

but plausible interventions, Eisen demonstrates his 

scholarly expertise, especially with respect to the 

controversial articulation markings.” 

(neue musikzeitung) 

Symphony (No. 41) C major K. 551 “Jupiter” 



Orchestral parts ❙ OB 5292

STUDY SCORES 

• Musical text of the performance-practical Urtext editions in reduced dimensions (for study) 

• Critical Reports available for downloading (pdf files) on the Internet 

15 

PIANO MUSIC 

Piano Pieces 

New Edition, revised by Ullrich Scheideler (2006) 

❙ HN 9022 

Piano Trios 


❙ HN 9247 

CHAMBER MUSIC 


and Fragment K. Anh. 91 (516c) 


❙ HN 9769 

Divertimenti for 2 Oboes, 2 Horns 

and 2 Bassoons 

edited by Felix Loy (2013) 

❙ HN 7191 

Divertimento K. 525 

“A Little Night Music” 


❙ HN 7005 

Gran Partita B flat major K. 361 (370a) 


❙ HN 9809 

Horn Quintet E flat major K. 407 (386c) 

edited by Henrik Wiese 

and Norbert Müllemann (2010) 

❙ HN 9826 

Oboe Quartet F major K. 370 (368b) 


❙ HN 9794 

Piano Quintet E flat major K. 452 – 

Harmonica Quintet K. 617 

edited by Wolf-Dieter Seiffert 

and Henrik Wiese (2000/2001) 

❙ HN 9665 

Serenade E flat major K. 375 for Wind Sextet 


❙ HN 9795 

Serenade E flat major K. 375 for Wind Octet 


❙ HN 9796 

Serenade c minor K. 388 (384a) 

for Wind Octet 


❙ HN 9797 

String Quintets I 


❙ HN 9777 

String Quintets II 


❙ HN 9778 

String Quintets III 


❙ HN 9779 



for Flute and Orchestra 


❙ PB 15104 

Bassoon Concerto B flat major 

K. 191 (186e) 


❙ PB 15105 



❙ PB 15110 



❙ PB 15111 

Sinfonia concertante E flat major K. 364 

for Violin, Viola and Orchestra 


❙ PB 15109 

SYMPHONIES 

Symphony (No. 38) D major K. 504 “Prague” 


❙ PB 5513 

Symphony (No. 41) C major K. 551 

“Jupiter” 


❙ PB 5298

CONTENTS 

16 

PIANO MUSIC 4 

Piano solo 

Piano Four-hands 

SOLO INSTRUMENT AND PIANO 5 

Two Pianos Four-hands 

Violin and Piano 

Violin, Viola and Piano 

Flute and Piano 

Flute, Harp and Piano 

Oboe and Piano 

Clarinet and Piano 

Bassoon and Piano 

Horn and Piano 

CHAMBER MUSIC 9 

This brochure is a joint production of the independent 

music publishers Breitkopf & Härtel, Wiesbaden, and 

G. Henle Verlag, Munich. It features the complete Mozart 

Urtext editions of both publishers released since 2000. 

Some of these editions were made as coproductions 

between the two firms. 

Breitkopf editions are marked in red ❙ and Henle in blue ❙. 

Publication date: 1 March 2013. 

Breitkopf & Härtel and G. Henle Verlag regularly issue 

new Urtext editions of Mozart’s works. Keep yourself 

informed and up-to-date – about the valid retail prices 

as well – by consulting the joint website in English 

and German: 

www.mozart21.com 

Or scan the QR code to visit directly our website: 

CONCERT ARIAS 11 

SOLO CONCERTOS 12 

Piano and Orchestra 

Violin and Orchestra 

Violin, Viola and Orchestra 

Flute and Orchestra 

Oboe and Orchestra 

Bassoon and Orchestra 

Horn and Orchestra 

SYMPHONIES 14 

STUDY SCORES 15 

Piano Music 

Chamber Music 

Solo Concertos 

Symphonies 

Order Number: 

99 00128 00 (Breitkopf), E-019 (Henle) 

Photos: Astrid Karger, Saarbrücken, and Emile Ducke, 

Munich (page 2) 

Layout: Marion Schröder, Wiesbaden 

Printed in Germany 3/13 

available through

Download (pdf, 2753 kByte) - Henle Verlag

You also want an ePaper? Increase the reach of your titles

Delete template?

Save as template?