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Naim Ovator S600 et al at the Naim at TOM TOM ... - Hificritic.com

Naim Ovator S600 et al at the Naim at TOM TOM ... - Hificritic.com

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As is happened, listening from my<br />

centr<strong>al</strong> second row loc<strong>at</strong>ion, <strong>the</strong> mid<br />

bass in this room sounded r<strong>at</strong>her<br />

excessive, slowing things down, and of<br />

sufficient magnitude to make any<br />

judgement of <strong>the</strong> speaker and room<br />

wildly unreliable. Early sessions were<br />

to show off <strong>the</strong> speaker and I p<strong>at</strong>iently<br />

remained on my perch to wait and see.<br />

Even after nearly two hours I had not<br />

acclim<strong>at</strong>ised to <strong>the</strong> sound, but did find<br />

th<strong>at</strong> <strong>the</strong>re was sufficient inform<strong>at</strong>ion to<br />

hear o<strong>the</strong>r differences which were<br />

being demonstr<strong>at</strong>ed.<br />

I had t<strong>al</strong>ked earlier to a t<strong>al</strong>l Swede,<br />

Hj<strong>al</strong>mar Nilsson, <strong>Naim</strong>’s ace digit<strong>al</strong><br />

designer, about DACs, digit<strong>al</strong> audio<br />

and filtering issues and he agreed th<strong>at</strong><br />

<strong>the</strong> <strong>com</strong>monly used FIR filters, with<br />

pre echo, do not sound th<strong>at</strong> good and<br />

th<strong>at</strong> he had taken pains with <strong>the</strong> new<br />

DAC to eschew off <strong>the</strong> shelf chip filter<br />

solutions and instead use <strong>the</strong> super<br />

power SHARK DSP engine from <strong>the</strong><br />

multi-channel Bentley sound system in<br />

order to precisely gener<strong>at</strong>e custom,<br />

audiophile voiced replay filters for <strong>the</strong><br />

new DAC. A low noise, classic<br />

Colpitts an<strong>al</strong>ogue loc<strong>al</strong> oscill<strong>at</strong>or is<br />

fitted to increase transparency, with a<br />

speci<strong>al</strong> adaptive locking, no phase lock<br />

loop, to <strong>the</strong> SPDIF digit<strong>al</strong> input, and<br />

with a large up front memory store.<br />

While <strong>Naim</strong> CD players have<br />

previously lacked a digit<strong>al</strong> output on<br />

<strong>the</strong> grounds th<strong>at</strong> it could d<strong>et</strong>ract from<br />

audio sound qu<strong>al</strong>ity, <strong>the</strong>re is now a<br />

<strong>Naim</strong> transport, <strong>the</strong> CD5-XS <strong>at</strong> £1700,<br />

and older NAIM CD players can be<br />

r<strong>et</strong>rofitted with an SPDIF output as an<br />

<strong>al</strong>tern<strong>at</strong>ive to <strong>the</strong> an<strong>al</strong>ogue output but<br />

you can’t have both. (However <strong>the</strong><br />

l<strong>at</strong>est CDX-2-2 £3,250 does have<br />

both, with an output form<strong>at</strong><br />

switchover)<br />

Doug led with a demo of a <strong>the</strong> CDX-<br />

2-2, and <strong>the</strong>n ‘rebooted it’ as transport<br />

driving <strong>the</strong> new DAC (£1,950), and <strong>the</strong><br />

gain in qu<strong>al</strong>ity was substanti<strong>al</strong>,<br />

sounding clearer swe<strong>et</strong>er, more<br />

focused and articul<strong>at</strong>e with crisper<br />

deeper bass. Then an XPS power<br />

supply was fitted to <strong>the</strong> DAC and <strong>the</strong><br />

sound qu<strong>al</strong>ity jumped again, this time<br />

showing noted improvements in subtly,<br />

dynamics, timing and grip. The DAC<br />

will do up to 24/19kHz music if you<br />

have it, play a USB stick file, but not a<br />

server connection though it will <strong>al</strong>so<br />

digit<strong>al</strong>ly interface with gen5 iPods and<br />

<strong>the</strong>ir ilk.<br />

I was interested to find th<strong>at</strong> to find th<strong>at</strong><br />

<strong>the</strong> team were capable of so easily<br />

showing <strong>the</strong>se obvious changes in<br />

sound reproduction, differences on<br />

which you could easily vote with your<br />

w<strong>al</strong>l<strong>et</strong>. I could swear th<strong>at</strong> <strong>the</strong> new<br />

DAC, inexpensive as it is, and unaugmented,<br />

sounded r<strong>at</strong>her b<strong>et</strong>ter than<br />

<strong>the</strong> HDX we had for review, though I<br />

understand th<strong>at</strong> <strong>the</strong>re have been some<br />

‘course of manufacture’ revisions since<br />

<strong>the</strong>n. I suspect it is time we had a c<strong>at</strong>ch<br />

up look <strong>at</strong> <strong>the</strong> current HDX to report<br />

on <strong>the</strong> present st<strong>at</strong>us. A review of <strong>the</strong><br />

<strong>Naim</strong> DAC is clearly a must for<br />

HIFICRITIC.<br />

Martin Colloms<br />

HIFICRITIC

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