Naim Ovator S600 et al at the Naim at TOM TOM ... - Hificritic.com
Naim Ovator S600 et al at the Naim at TOM TOM ... - Hificritic.com
Naim Ovator S600 et al at the Naim at TOM TOM ... - Hificritic.com
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As is happened, listening from my<br />
centr<strong>al</strong> second row loc<strong>at</strong>ion, <strong>the</strong> mid<br />
bass in this room sounded r<strong>at</strong>her<br />
excessive, slowing things down, and of<br />
sufficient magnitude to make any<br />
judgement of <strong>the</strong> speaker and room<br />
wildly unreliable. Early sessions were<br />
to show off <strong>the</strong> speaker and I p<strong>at</strong>iently<br />
remained on my perch to wait and see.<br />
Even after nearly two hours I had not<br />
acclim<strong>at</strong>ised to <strong>the</strong> sound, but did find<br />
th<strong>at</strong> <strong>the</strong>re was sufficient inform<strong>at</strong>ion to<br />
hear o<strong>the</strong>r differences which were<br />
being demonstr<strong>at</strong>ed.<br />
I had t<strong>al</strong>ked earlier to a t<strong>al</strong>l Swede,<br />
Hj<strong>al</strong>mar Nilsson, <strong>Naim</strong>’s ace digit<strong>al</strong><br />
designer, about DACs, digit<strong>al</strong> audio<br />
and filtering issues and he agreed th<strong>at</strong><br />
<strong>the</strong> <strong>com</strong>monly used FIR filters, with<br />
pre echo, do not sound th<strong>at</strong> good and<br />
th<strong>at</strong> he had taken pains with <strong>the</strong> new<br />
DAC to eschew off <strong>the</strong> shelf chip filter<br />
solutions and instead use <strong>the</strong> super<br />
power SHARK DSP engine from <strong>the</strong><br />
multi-channel Bentley sound system in<br />
order to precisely gener<strong>at</strong>e custom,<br />
audiophile voiced replay filters for <strong>the</strong><br />
new DAC. A low noise, classic<br />
Colpitts an<strong>al</strong>ogue loc<strong>al</strong> oscill<strong>at</strong>or is<br />
fitted to increase transparency, with a<br />
speci<strong>al</strong> adaptive locking, no phase lock<br />
loop, to <strong>the</strong> SPDIF digit<strong>al</strong> input, and<br />
with a large up front memory store.<br />
While <strong>Naim</strong> CD players have<br />
previously lacked a digit<strong>al</strong> output on<br />
<strong>the</strong> grounds th<strong>at</strong> it could d<strong>et</strong>ract from<br />
audio sound qu<strong>al</strong>ity, <strong>the</strong>re is now a<br />
<strong>Naim</strong> transport, <strong>the</strong> CD5-XS <strong>at</strong> £1700,<br />
and older NAIM CD players can be<br />
r<strong>et</strong>rofitted with an SPDIF output as an<br />
<strong>al</strong>tern<strong>at</strong>ive to <strong>the</strong> an<strong>al</strong>ogue output but<br />
you can’t have both. (However <strong>the</strong><br />
l<strong>at</strong>est CDX-2-2 £3,250 does have<br />
both, with an output form<strong>at</strong><br />
switchover)<br />
Doug led with a demo of a <strong>the</strong> CDX-<br />
2-2, and <strong>the</strong>n ‘rebooted it’ as transport<br />
driving <strong>the</strong> new DAC (£1,950), and <strong>the</strong><br />
gain in qu<strong>al</strong>ity was substanti<strong>al</strong>,<br />
sounding clearer swe<strong>et</strong>er, more<br />
focused and articul<strong>at</strong>e with crisper<br />
deeper bass. Then an XPS power<br />
supply was fitted to <strong>the</strong> DAC and <strong>the</strong><br />
sound qu<strong>al</strong>ity jumped again, this time<br />
showing noted improvements in subtly,<br />
dynamics, timing and grip. The DAC<br />
will do up to 24/19kHz music if you<br />
have it, play a USB stick file, but not a<br />
server connection though it will <strong>al</strong>so<br />
digit<strong>al</strong>ly interface with gen5 iPods and<br />
<strong>the</strong>ir ilk.<br />
I was interested to find th<strong>at</strong> to find th<strong>at</strong><br />
<strong>the</strong> team were capable of so easily<br />
showing <strong>the</strong>se obvious changes in<br />
sound reproduction, differences on<br />
which you could easily vote with your<br />
w<strong>al</strong>l<strong>et</strong>. I could swear th<strong>at</strong> <strong>the</strong> new<br />
DAC, inexpensive as it is, and unaugmented,<br />
sounded r<strong>at</strong>her b<strong>et</strong>ter than<br />
<strong>the</strong> HDX we had for review, though I<br />
understand th<strong>at</strong> <strong>the</strong>re have been some<br />
‘course of manufacture’ revisions since<br />
<strong>the</strong>n. I suspect it is time we had a c<strong>at</strong>ch<br />
up look <strong>at</strong> <strong>the</strong> current HDX to report<br />
on <strong>the</strong> present st<strong>at</strong>us. A review of <strong>the</strong><br />
<strong>Naim</strong> DAC is clearly a must for<br />
HIFICRITIC.<br />
Martin Colloms<br />
HIFICRITIC