Indie Film in Pittsburgh - College of Humanities and Social Sciences ...
Indie Film in Pittsburgh - College of Humanities and Social Sciences ...
Indie Film in Pittsburgh - College of Humanities and Social Sciences ...
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I began to underst<strong>and</strong> the how <strong>and</strong> why <strong>of</strong> the<br />
bus<strong>in</strong>ess. It was immensely helpful.<br />
Read<strong>in</strong>g Viktor Frankl<br />
In the preface to the 1992 edition <strong>of</strong> “Man’s<br />
Search for Mean<strong>in</strong>g,” Victor Frankl talks about<br />
the phenomenal success <strong>of</strong> the book <strong>and</strong> how he<br />
never <strong>in</strong>tended this to be the work that made him<br />
famous. He actually wanted it to be published<br />
anonymously. He goes on to say, “Aga<strong>in</strong> <strong>and</strong><br />
aga<strong>in</strong>, I therefore admonish my students both <strong>in</strong><br />
Europe <strong>and</strong> <strong>in</strong> America: ‘Don’t aim at success—<br />
the more you aim at it <strong>and</strong> make it a target, the<br />
more you are go<strong>in</strong>g to miss it. For success, like<br />
happ<strong>in</strong>ess, cannot be pursued; it must ensue, <strong>and</strong><br />
it only does so as the un<strong>in</strong>tended side-effect <strong>of</strong><br />
one’s dedication to a cause greater than oneself.”<br />
Frankl’s words sparked <strong>in</strong> me the realization that<br />
writ<strong>in</strong>g is less about what we want than what life<br />
wants from us. Writ<strong>in</strong>g is about the passion to<br />
express, about the deep certa<strong>in</strong>ty that you are<br />
called to do someth<strong>in</strong>g. Once I knew that—<strong>and</strong> I<br />
mean really knew it—the worry about what would<br />
or would not happen to my publish<strong>in</strong>g career<br />
began to abate.<br />
Hav<strong>in</strong>g a Mid-Life Crisis<br />
Mid-life crises can be useful. As usual, I wanted<br />
to be first <strong>and</strong> so had m<strong>in</strong>e <strong>in</strong> my late thirties. I’d<br />
gone ten years s<strong>in</strong>ce my first book was published<br />
<strong>and</strong> decided that, perhaps, the universe was try<strong>in</strong>g<br />
to give me a h<strong>in</strong>t. So I ab<strong>and</strong>oned writ<strong>in</strong>g for two<br />
years <strong>and</strong> took a full-time job <strong>in</strong> which I<br />
experienced the pr<strong>of</strong>ound joy <strong>of</strong> earn<strong>in</strong>g a regular<br />
paycheck. The job was creative, flexible <strong>and</strong> fun.<br />
But I was close to miserable. One week before<br />
September 11, 2001, I quit my job <strong>and</strong> decided<br />
that even if I had to self-publish my novels, I was<br />
go<strong>in</strong>g to write one just for myself. Six months<br />
later I sold that book, “Donuthead,” to Knopf,<br />
now a division <strong>of</strong> R<strong>and</strong>om House. The result <strong>of</strong><br />
follow<strong>in</strong>g my <strong>in</strong>st<strong>in</strong>cts without regard to what is<br />
wise, publishable or pr<strong>of</strong>itable has resulted <strong>in</strong> five<br />
more book contracts.<br />
Sue Stauffacher (H&SS, ’83) is the author <strong>of</strong> three<br />
novels <strong>and</strong> a collection <strong>of</strong> folktales. She is<br />
married to Roger Gilles (H&SS, ’83). They live <strong>in</strong><br />
Gr<strong>and</strong> Rapids, Michigan, with their two sons,<br />
Max <strong>and</strong> Walter. You can learn more about Sue<br />
<strong>and</strong> her books at www.suestauffacher.com<br />
How Personal Crisis Begat No Tell Motel<br />
By Reb Liv<strong>in</strong>gston<br />
Discouragement <strong>and</strong> general malaise almost<br />
prevented me from <strong>in</strong>itiat<strong>in</strong>g what is probably my<br />
most enrich<strong>in</strong>g project to date. I always wanted to<br />
start a literary journal, but every time I considered<br />
embark<strong>in</strong>g on such a project, the damn<strong>in</strong>g voice <strong>in</strong><br />
my head would say, “Do we really need another<br />
literary journal?” It’s a fair question; there are<br />
thous<strong>and</strong>s <strong>of</strong> literary journals, the majority with<br />
m<strong>in</strong>iscule readerships. Another issue to consider<br />
was “what could I <strong>of</strong>fer that wasn’t already be<strong>in</strong>g<br />
<strong>of</strong>fered?”<br />
After complet<strong>in</strong>g my MFA at Benn<strong>in</strong>gton <strong>in</strong><br />
2001, I was anxious to cont<strong>in</strong>ue “my life <strong>of</strong><br />
letters” <strong>and</strong> ma<strong>in</strong>ta<strong>in</strong> a connection with a poetry<br />
community. I did what seemed logical, kept<br />
writ<strong>in</strong>g, kept read<strong>in</strong>g, always had work submitted<br />
<strong>in</strong> the pipel<strong>in</strong>e. I attended conferences <strong>and</strong><br />
read<strong>in</strong>gs, placed poems, book reviews <strong>and</strong> the<br />
occasional essay or <strong>in</strong>terview <strong>in</strong> both pr<strong>in</strong>t <strong>and</strong><br />
onl<strong>in</strong>e journals. I ma<strong>in</strong>ta<strong>in</strong>ed a mail<strong>in</strong>g list <strong>of</strong> my<br />
graduat<strong>in</strong>g classmates so we could easily keep <strong>in</strong><br />
touch <strong>and</strong> encourage each other. As the months<br />
turned to years, a significant number <strong>of</strong> my<br />
community slowly dropped out <strong>of</strong> the writ<strong>in</strong>g<br />
scene, some discouraged by their lack <strong>of</strong> quick<br />
publish<strong>in</strong>g success, some seem<strong>in</strong>g to lose their<br />
<strong>in</strong>terest <strong>in</strong> writ<strong>in</strong>g all together. My community<br />
was gett<strong>in</strong>g smaller <strong>and</strong> I, quite lonesome.