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Indie Film in Pittsburgh - College of Humanities and Social Sciences ...

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I began to underst<strong>and</strong> the how <strong>and</strong> why <strong>of</strong> the<br />

bus<strong>in</strong>ess. It was immensely helpful.<br />

Read<strong>in</strong>g Viktor Frankl<br />

In the preface to the 1992 edition <strong>of</strong> “Man’s<br />

Search for Mean<strong>in</strong>g,” Victor Frankl talks about<br />

the phenomenal success <strong>of</strong> the book <strong>and</strong> how he<br />

never <strong>in</strong>tended this to be the work that made him<br />

famous. He actually wanted it to be published<br />

anonymously. He goes on to say, “Aga<strong>in</strong> <strong>and</strong><br />

aga<strong>in</strong>, I therefore admonish my students both <strong>in</strong><br />

Europe <strong>and</strong> <strong>in</strong> America: ‘Don’t aim at success—<br />

the more you aim at it <strong>and</strong> make it a target, the<br />

more you are go<strong>in</strong>g to miss it. For success, like<br />

happ<strong>in</strong>ess, cannot be pursued; it must ensue, <strong>and</strong><br />

it only does so as the un<strong>in</strong>tended side-effect <strong>of</strong><br />

one’s dedication to a cause greater than oneself.”<br />

Frankl’s words sparked <strong>in</strong> me the realization that<br />

writ<strong>in</strong>g is less about what we want than what life<br />

wants from us. Writ<strong>in</strong>g is about the passion to<br />

express, about the deep certa<strong>in</strong>ty that you are<br />

called to do someth<strong>in</strong>g. Once I knew that—<strong>and</strong> I<br />

mean really knew it—the worry about what would<br />

or would not happen to my publish<strong>in</strong>g career<br />

began to abate.<br />

Hav<strong>in</strong>g a Mid-Life Crisis<br />

Mid-life crises can be useful. As usual, I wanted<br />

to be first <strong>and</strong> so had m<strong>in</strong>e <strong>in</strong> my late thirties. I’d<br />

gone ten years s<strong>in</strong>ce my first book was published<br />

<strong>and</strong> decided that, perhaps, the universe was try<strong>in</strong>g<br />

to give me a h<strong>in</strong>t. So I ab<strong>and</strong>oned writ<strong>in</strong>g for two<br />

years <strong>and</strong> took a full-time job <strong>in</strong> which I<br />

experienced the pr<strong>of</strong>ound joy <strong>of</strong> earn<strong>in</strong>g a regular<br />

paycheck. The job was creative, flexible <strong>and</strong> fun.<br />

But I was close to miserable. One week before<br />

September 11, 2001, I quit my job <strong>and</strong> decided<br />

that even if I had to self-publish my novels, I was<br />

go<strong>in</strong>g to write one just for myself. Six months<br />

later I sold that book, “Donuthead,” to Knopf,<br />

now a division <strong>of</strong> R<strong>and</strong>om House. The result <strong>of</strong><br />

follow<strong>in</strong>g my <strong>in</strong>st<strong>in</strong>cts without regard to what is<br />

wise, publishable or pr<strong>of</strong>itable has resulted <strong>in</strong> five<br />

more book contracts.<br />

Sue Stauffacher (H&SS, ’83) is the author <strong>of</strong> three<br />

novels <strong>and</strong> a collection <strong>of</strong> folktales. She is<br />

married to Roger Gilles (H&SS, ’83). They live <strong>in</strong><br />

Gr<strong>and</strong> Rapids, Michigan, with their two sons,<br />

Max <strong>and</strong> Walter. You can learn more about Sue<br />

<strong>and</strong> her books at www.suestauffacher.com<br />

How Personal Crisis Begat No Tell Motel<br />

By Reb Liv<strong>in</strong>gston<br />

Discouragement <strong>and</strong> general malaise almost<br />

prevented me from <strong>in</strong>itiat<strong>in</strong>g what is probably my<br />

most enrich<strong>in</strong>g project to date. I always wanted to<br />

start a literary journal, but every time I considered<br />

embark<strong>in</strong>g on such a project, the damn<strong>in</strong>g voice <strong>in</strong><br />

my head would say, “Do we really need another<br />

literary journal?” It’s a fair question; there are<br />

thous<strong>and</strong>s <strong>of</strong> literary journals, the majority with<br />

m<strong>in</strong>iscule readerships. Another issue to consider<br />

was “what could I <strong>of</strong>fer that wasn’t already be<strong>in</strong>g<br />

<strong>of</strong>fered?”<br />

After complet<strong>in</strong>g my MFA at Benn<strong>in</strong>gton <strong>in</strong><br />

2001, I was anxious to cont<strong>in</strong>ue “my life <strong>of</strong><br />

letters” <strong>and</strong> ma<strong>in</strong>ta<strong>in</strong> a connection with a poetry<br />

community. I did what seemed logical, kept<br />

writ<strong>in</strong>g, kept read<strong>in</strong>g, always had work submitted<br />

<strong>in</strong> the pipel<strong>in</strong>e. I attended conferences <strong>and</strong><br />

read<strong>in</strong>gs, placed poems, book reviews <strong>and</strong> the<br />

occasional essay or <strong>in</strong>terview <strong>in</strong> both pr<strong>in</strong>t <strong>and</strong><br />

onl<strong>in</strong>e journals. I ma<strong>in</strong>ta<strong>in</strong>ed a mail<strong>in</strong>g list <strong>of</strong> my<br />

graduat<strong>in</strong>g classmates so we could easily keep <strong>in</strong><br />

touch <strong>and</strong> encourage each other. As the months<br />

turned to years, a significant number <strong>of</strong> my<br />

community slowly dropped out <strong>of</strong> the writ<strong>in</strong>g<br />

scene, some discouraged by their lack <strong>of</strong> quick<br />

publish<strong>in</strong>g success, some seem<strong>in</strong>g to lose their<br />

<strong>in</strong>terest <strong>in</strong> writ<strong>in</strong>g all together. My community<br />

was gett<strong>in</strong>g smaller <strong>and</strong> I, quite lonesome.

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