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<strong>Reference</strong> <strong>Guide</strong>
Beat Box Anthology<br />
Classic drum machine sounds and loops from the 70s, 80s and early 90s<br />
Beat Box Anthology is the one-stop shopping collection for drum machine sounds<br />
and loops, covering almost every generation of these instruments. Even if these cult<br />
machines were a milestone in the 70s, 80s and 90s music production, their sounds<br />
are still used today in a lot of Urban, Hip Hop, Electro House and even Electro Pop<br />
productions.<br />
The first "affordable" drum machines were manufactured in the 60s, and were<br />
designed to imitate the sounds of drums and percussions. Analog synthesis was the<br />
the first technology used to generate the drum sounds and most models left no<br />
opportunity to the user to alter or modify the pre-programmed rhythms. Then in the<br />
80s the first models using low resolution digital samples were launched, and were<br />
quickly used in the most successful tunes in the music industry. In the 90s the sound<br />
quality turned better, but loosing in the meantime the character that had made older<br />
models so remarkable. That's where and why our investigation stopped.<br />
Beat Box Anthology is divided in three sections: Classics, Analog & Digital. In the<br />
Classics category you will find the cult machines that are still used a lot today, like the<br />
808 or the 909. Sampling and recording was particularly complete, covering every<br />
parameter and setting you can find on these machines. To capture the essence of<br />
these pieces of history, we did record everything in 24bit 96kHz, using the best DI<br />
Box and analog to digital converters.<br />
Another unique approach to this kind of collection, is the mastering step that once<br />
more makes it unique. Sounds were mastered at Sterling Sound with Chris<br />
Gerhinger, for this punchy sound you won't find anywhere else.<br />
With a total of around 10 000 samples and loops, Beat Box Anthology also contains<br />
hundreds of native kits and patterns for the new MOTU BPM, then being its best<br />
companion. Whatever the kind of music you're making, you will certainly find room for<br />
these incredible sounding machines.<br />
Machines used to create the sounds :<br />
Acetone Rhythm Ace FR-1, FR-2L, FR-6 & FR-8 / Akai XR-10 / Alesis HR-16, HR-<br />
16b & DPM5 / Amdek Rhythm Machine RMK-100 / Bohm Digital Drums M. / Boss<br />
DR-110 Dr. Rhythm, DR-220 A, DR-220 E & DRP-I Dr. Pad / Casio RZ-1 / Crumar<br />
OMB-2 / Dynacord Add One / Elka Drumstar 80, OMB 5, Wilgamat / E-mu<br />
Drumulator / ETI Drum Synthesizer / Godwin Drummaker 45 / Hohner Drum<br />
Performer & Rhythm 80 / Kawai R-100 / Korg DDD-1, DDM-100, DDM-220, KPR 77,<br />
KR33, KR55, MR16 & S3 / Linn 9000 & Linn Drum / Mattel Synsonic Drums / Mini<br />
Pops Junior Keio / MPC the Kit / Novation Drumstation / Oberheim DMX / Pearl<br />
Drum-X & Fightman/ Realistic Rhythm Box Concert Mate / Roland CR-78, CR-8000,<br />
TR-505, TR-55, TR-606, TR-626, TR-66, TR-707, TR-727, TR-77, TR-808 & TR-<br />
909 / SCI Drumtracks/ Siel MDP40 / Simmons Clap Trap, MTX-9, SDS 400, SDS<br />
800, SDS 9, SDSV & Trixer / Solton Arranger + / Tama Techstar TAM500, DS200 &<br />
Techstar TS204 / Ted Digisound Synth / Univox ARI / Vermona / Wersi Drum<br />
Composer / Wersi Wersimatic WM24 / Yamaha DD-10, MR10, QY10, RX5, RX7 &<br />
RX8
Terminology<br />
BD Bass Drum Bde Electronic Bass Drum<br />
SD Snare Drum SDb Brush Snare Drum<br />
SDe Electronic Snare Drum RIM Rimshot<br />
HHC Closed Hi-Hat HHO Open Hi-Hat<br />
HHF Foot Closed Hi-Hat HHH Half Open Hi-Hat<br />
HH Hi-Hat (Generic) RI Ride (Generic)<br />
RI Cup Ride (Cup) RI Edge Ride (Edge)<br />
RI Bell Ride (Bell) CC Crash Cymbal<br />
TOM Tom (Generic) eTOM Electronic Tom<br />
HiTOM Hi Tom LoTOM Low Tom<br />
MiTOM Mid Tom<br />
PERC Misc. Perc HIT Orchestra Hit<br />
CWB Cowbell CLV Claves<br />
CLP Hand Claps SStk Sidestick<br />
Stk Sticks Wbk WoodBlock<br />
Mar Maracas Cbs Cabasa<br />
Tamb Tambourine Timb Timbales (Generic)<br />
TimbHi Hi Timbale TimbLo Low Timbale<br />
Timp Timpani Cga Conga (Generic)<br />
CgaOP Open Conga CgaSL Conga Slap<br />
CgaHi Hi Conga CgaMi Mid Conga<br />
CgaLo Low Cong Tgl Triangle (Generic)<br />
Tgl S Triangle Short Tgl L Triangle Long<br />
AggLo Low Agogo AggHi Hi Agogo<br />
Bgo Bongo (Generic) BgoAcc Accented Bongo<br />
BgoHi Hi Bongo BgoLo Low Bongo<br />
SHK Shaker<br />
Spl Splash Cymbal Swi Swish Cymbal<br />
Chi Chinese Splash Metro Metronome (Generic)<br />
Metro p Metronome piano Metro f Metronome forte<br />
Tam Star 200<br />
Tu Tune SR Sweep Range<br />
ST Sweep Time DT Decay Time<br />
The 909<br />
S Snappy (SD) Tn Tone<br />
SMS CLAP<br />
BM Balance Medium BC Balance Clap<br />
BN Balance Noise NP Noise Pitch<br />
CP Clap Pitch CD Clap Decay<br />
H Humanizer<br />
Misc<br />
Acc Accented dAcc Delayed Accent<br />
Sht Short T Tune<br />
P Pitch D Decay<br />
Hi High Lo Low<br />
Mi Mid Lng Long<br />
Rv Reverb Mt Mute<br />
Op Open Smpl Sampled
Notes<br />
UVI Workstation and MOTU MachFive2<br />
Beat Box Anthology is divided in 3 main categories : Kits, Loops and Sounds.<br />
In "Kits" lie various drumkits for every machine along with "menu" presets in which<br />
you'll find every sample from the applicable Beat Box.<br />
In "Loops" you'll find the comprehensive collection of loops you find for some<br />
machines, in looplab slicing format.<br />
In "Sounds" reside every sound file of every machine. Is also included a folder with<br />
sounds classified by element type (BD, SD, HH ….).<br />
Note: a multi called “Example Kit” is supplied to demonstrate how you can easily use<br />
the UVI Worsktation as a drum sampler.<br />
MOTU BPM<br />
In BPM you have access not only to what you have in MachFive 2 or in the UVI<br />
Workstation, but also to BPM Kits, Patterns, and Banks.<br />
Just select the category you want, then click and hold the brown bar underneath the<br />
buttons and select "Beat Box Anthology"<br />
Note: the 10 banks (pattern+kit) included are for example purpose. There are millions<br />
of combinations to do with patterns and kits.
1. CLASSIC<br />
AceT 1 - 1970<br />
AceT 6 – 1974<br />
Classic R-78– 1978<br />
Classic R-8000– 1980
DR Tracks - 1984<br />
Drmlator - 1983<br />
Drum MX - 1983<br />
HR Sixteen - 1988
HR Sixteen B- 1989<br />
K-DDM Hundred – 1984<br />
K-DDM2 Hundred – 1985<br />
L Drum– 1981<br />
R Hundred - 1986
RZ One - 1986<br />
SMS 400 - 1984<br />
SMS Clap - 1982<br />
The 6o6 - 1981<br />
The 7o7 - 1985
The 8o8 - 1980<br />
The 9o9 - 1983<br />
The 727 – 1985<br />
YRX Five - 1987
2. ANALOG<br />
AceT 2 - 1974<br />
AceT 8 - 1975<br />
Amdk 100 - 1972<br />
Concert Mate - 1981
Drumaker – 1970q<br />
ETI Drum Synth – 1980s<br />
KPR Five 2 - 1979<br />
KPR Seven 2 – 1982
KPR Three 2 – 1979<br />
Mini Pops - 1976<br />
OMB Two - 1985<br />
Organ Drums - 1980s
P Fight - 1980s<br />
Rhythm Eighty - 1980s<br />
SMS 800 – 1985<br />
SMS V - 1980
Synsonic – 1982<br />
Tam Star 200 – 1978<br />
Tam Star 204 – 1986<br />
Tam Star 500 – 1985<br />
The 55 - 1972
The 66 - 1974<br />
The 77 – 1972<br />
The Kit - 1982<br />
Tom ED - 1980s
TR Clone - 1990s<br />
UniVox - 1970s<br />
VermoDrums - 1970s<br />
Wers Matic -1977<br />
YMR Ten - 1982
3. DIGITAL<br />
Arranger Drums - 1984<br />
Bhm Drums - 1988<br />
D.Rhythm 110 - 1983<br />
D.Rhythm 220 - 1984
D.Rhythm 220E – 1986<br />
D.Rhythm Pad - 1986<br />
Drum Performer - 1990s<br />
Drumstar – 1980s
Dyn ADD1 - 1985<br />
K-DDD One - 1986<br />
K-MR Sixteen – 1985<br />
K-S Three - 1991
L 9000 - 1984<br />
MDP Forty - 1986<br />
OMB Five - 1980s<br />
P Drum X - 1980s
SMS 9 - 1985<br />
SMS MTX - 1986<br />
SMS Trix - 1989<br />
SR Drums - 1990s
The 5o5 - 1986<br />
The 626 - 1987<br />
Wers Drums -1980s<br />
XR Ten – 1989
YDD Ten - 1988<br />
YQY Ten - 1990<br />
YRX Eight - 1988<br />
YRX Seven - 1988
Credits<br />
> > UVI Team<br />
UVI Engineering<br />
Olivier Tristan<br />
Remy Muller<br />
UVI Sampling & sound design<br />
Emmanuel Usai<br />
Damien Vallet<br />
Alain Etchart<br />
UVI Graphic design<br />
UVI Web<br />
Christophe Lecrivain<br />
Walter Beschmout<br />
> > Special Thanks<br />
> > UVI Contacts :<br />
Gert Prix @ eBoardmuseum - Austria<br />
Tastuyah and Kai @ High Resolution - Tokyo<br />
Jankoen de Haan & Arjen @ Audio Ease - Ultrecht<br />
Mark & Jeremy @ Izotope - Cambridge<br />
Steve Albanese @ TutorialDepot - Boston<br />
Jim Cooper @ MOTU - Boston<br />
Christophe Martin de Montaigu @ Pornichet - France<br />
Christian Braut @ Archipel Studio - Louveciennes<br />
Roger Daihon @ Explicite Internet – Lisboa<br />
Andrew Kirk @ PACE - San Bernardino<br />
Koen Tanghe @ Sample Sumo - Belgium<br />
Everybody @ Time & Space – England<br />
Klaus @ Best Service - Munich<br />
Manu @ Masterwave – France<br />
General enquiries:info@uvisoundsource.com<br />
Press/Marketing: alainjetchart@mac.com
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