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Postmodern Wars Imaginary and Real: World War III - Chris Hables ...

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<strong>Postmodern</strong> <strong><strong>War</strong>s</strong> <strong>Imaginary</strong> <strong>and</strong> <strong>Real</strong> [ 161 ]<br />

discourse of technowar, an "organized scientific discourse" in Foucault's<br />

sense, <strong>and</strong> that it is sharply regulated:<br />

Technowar thus monopolized "organized scientific discourse'' through<br />

multiple, but centralizing relationships among high-bureaucratic position,<br />

technobureaucratic or production logic in the structure of its propositions,<br />

<strong>and</strong> the conventional educated prose style. The debate on Vietnam occurs<br />

within this unity. (1986, p. 467)<br />

He contrasts the official "unpoetic poetic" of the "technobureaucratic or<br />

production logic" (obvious by its propositions <strong>and</strong> style) with what he<br />

calls the "warrior's knowledge," which has many different viewpoints <strong>and</strong><br />

insights <strong>and</strong> lacks a formal structure or concepts or any data in a regular<br />

sequence.<br />

This warrior's knowledge often comes in the form of stories. The official<br />

discourse does not consider stories, poems, memoirs, interviews, <strong>and</strong> music<br />

as valid forms of knowledge. They are disqualified because of their genre <strong>and</strong><br />

their speaker. Nonfiction is valued over fiction <strong>and</strong> the high-ranking officer's<br />

memoirs are more important than any grunt's:<br />

The warrior's knowledge is not homogeneous; its insights <strong>and</strong> concepts<br />

<strong>and</strong> "supporting data" are not laid out in readily understood sequence, but<br />

are instead embedded in thous<strong>and</strong>s of stories. ... Regardless of propositional<br />

content, the story form marks the warrior's knowledge as marginal<br />

within the terrain of serious discourse. . . . Prose style in the top-level,<br />

generalized works of Technowar follows the normal academic practice as<br />

well. It is a prose style with a very unpoetic poetic, (p. 468)<br />

Gibson's analysis is that the Vietnam <strong>War</strong> was lost because it was<br />

prosecuted as a rationally managed production system more interested in the<br />

appearance of scientificity (body counts, systems analysis) than real effectiveness.<br />

He also points out that<br />

By adopting microeconomics, game theory, systems analysis, <strong>and</strong> other<br />

managerial techniques, the Kennedy administration advanced "limited"<br />

war to greater specificity, making it seem much more controllable, manageable,<br />

<strong>and</strong> therefore desirable as foreign policy, (p. 80; emphasis added)<br />

McNamara insisted on numbers to explain the war. Many of the<br />

numbers were lies. Gibson analyzes a series of reports <strong>and</strong> other documents,<br />

such as the "point system" combat units used to judge their effectiveness, <strong>and</strong><br />

concludes, after a close reading of Gen. William C. Westmorel<strong>and</strong>'s April<br />

1967 report to President Lyndon B. Johnson, that it

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