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MAP - Indianapolis Museum of Art

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<strong>MAP</strong><br />

Kendall Buster<br />

(American, b. 1954)<br />

Stratum Pier<br />

Stratum Pier consists <strong>of</strong> a series <strong>of</strong> organically shaped and layered<br />

platforms at the water’s edge that provide a vantage for observing<br />

the expansive 35-acre lake and woodlands. The design <strong>of</strong> the<br />

emerald green fiberglass and steel structure suggests a topographical<br />

map with stacked layers that mimic the contours <strong>of</strong><br />

the surrounding environment. Terracing and curved edges<br />

reference the natural processes <strong>of</strong> erosion and layered growth.<br />

Sponsored by The <strong>Indianapolis</strong> Foundation, a CICF affiliate.<br />

Tea Mäkipää<br />

(Finnish, b. 1973)<br />

Eden II<br />

A large, foreboding ship emerging from the 100 Acres lake and a<br />

guard house on the shore nearby comprise Eden II. An unexpected<br />

sight in the idyllic Park environment, Eden II is a modern-day<br />

ark seemingly filled with human passengers from an unknown<br />

homeland. The guard house <strong>of</strong>fers views <strong>of</strong> the ship from its deck,<br />

and surveillance monitors in its interior display footage <strong>of</strong> Eden II’s<br />

passengers, imagined as refugees displaced by rising sea levels<br />

and the ecological impact <strong>of</strong> climate change.<br />

Los Carpinteros<br />

(Cuban, founded 1991)<br />

Free Basket<br />

This sculpture’s soaring blue and red steel arcs depict the<br />

imagined trajectory <strong>of</strong> a bouncing ball. Free Basket juxtaposes the<br />

practical and the imaginary, drawing on the form <strong>of</strong> an international<br />

basketball court, and turning it into an aesthetically<br />

surprising sculpture that <strong>of</strong>fers the community a place to play.<br />

In developing their project, Los Carpinteros focused on the<br />

prominence <strong>of</strong> basketball in Indiana, bringing together art,<br />

culture and sports, and developing an iconic project for the<br />

city <strong>of</strong> <strong>Indianapolis</strong>.<br />

Jeppe Hein<br />

(Danish, b. 1974)<br />

Bench Around the Lake<br />

Bench Around the Lake is a series <strong>of</strong> 15 vivid yellow benches that<br />

interact with specific sites within the Park and along the bordering<br />

bank <strong>of</strong> the White River. Hein envisions the installation as one long<br />

bench that emerges from the ground, twists, turns and submerges<br />

again, forming a circuit around the Park’s 35-acre lake. Bench<br />

Around the Lake challenges the assumption that a bench is made for<br />

passive sitting, encouraging visitors to explore less frequented areas<br />

<strong>of</strong> the Park and providing opportunities to sit, look, listen, interact<br />

and play.<br />

Alfredo Jaar<br />

(Chilean, b. 1956)<br />

Park <strong>of</strong> the Laments<br />

The form <strong>of</strong> Park <strong>of</strong> the Laments is a square within a square, one<br />

rigid and made <strong>of</strong> limestone-filled Gabion baskets, the other s<strong>of</strong>t<br />

and organic, made <strong>of</strong> indigenous trees and shrubs. Visitors enter<br />

the work via an underground tunnel. Moving towards the light,<br />

one climbs stairs that lead one above ground into the center <strong>of</strong><br />

the artwork. Visitors are invited to occupy this quiet, contemplative<br />

space, which Jaar describes as a refuge, a place for lamentation and<br />

purging the global atrocities <strong>of</strong> the 20th and 21st centuries.<br />

Type A<br />

(American, founded 1998)<br />

Team Building (Align)<br />

Team Building (Align) is constructed <strong>of</strong> two 30 foot-wide metal<br />

rings suspended from telephone poles, oriented so that their<br />

shadows become one during the annual summer solstice.<br />

Elements <strong>of</strong> this installation were determined in collaboration<br />

with a team <strong>of</strong> IMA staff members who worked with the artist<br />

collective over a two-year period on an experiential education<br />

performance. From conversations about art to rigorous challenge<br />

courses, Type A and the IMA team collaborated to develop a<br />

sculptural form that could metaphorically convey the complexity<br />

<strong>of</strong> their collaboration.<br />

Atelier van Lieshout<br />

(Dutch, founded 1995)<br />

Funky Bones<br />

Located in the Park’s central meadow, Funky Bones is a group <strong>of</strong><br />

20 fiberglass benches emblazoned with depictions <strong>of</strong> bones that<br />

together take the form <strong>of</strong> an enormous, stylized human skeleton.<br />

The project draws on artist Joep van Lieshout’s interest in the<br />

body, as well as in pre-history and relics, with the bones emerging<br />

from the ground like archeologically revealed specimens. A<br />

fantastical apparition that reveals itself progressively upon<br />

approach, Funky Bones is designed to be a site for resting,<br />

climbing, picnicking and social interaction.<br />

Andrea Zittel<br />

(American, b. 1965)<br />

<strong>Indianapolis</strong> Island<br />

About 20 feet in diameter, <strong>Indianapolis</strong> Island is a fully inhabitable<br />

experimental living structure that examines the daily needs<br />

<strong>of</strong> contemporary human beings. The island serves as a platform<br />

for an ongoing series <strong>of</strong> residencies. Residents customize the<br />

interior to suit their anticipated needs, then test their hypothesis<br />

by inhabiting the island in the summer. Visit imamuseum.org for<br />

up-to-date information.<br />

COMING THIS<br />

SEPTEMBER<br />

Mary Miss<br />

(American, b. 1944)<br />

FLOW (Can You See the River?)<br />

On September 22, IMA debuts FLOW (Can You See the River?), a series <strong>of</strong> installations along a six-mile<br />

stretch <strong>of</strong> the Central Canal and the White River, from Broad Ripple to White River State Park. Each<br />

installation marks significant features <strong>of</strong> these important water resources and are enhanced with a<br />

cell phone application that provides further information.


Located on 100 acres consisting <strong>of</strong> woodlands, wetlands, meadows and<br />

a 35-acre lake, 100 Acres: The Virginia B. Fairbanks <strong>Art</strong> & Nature Park is<br />

one <strong>of</strong> the largest museum art parks in the country, and the only one to<br />

feature the ongoing commission <strong>of</strong> site-responsive artworks by artists<br />

from around the world.<br />

White River<br />

RUTH LILLY Visitors Pavilion<br />

Designed by architect Marlon Blackwell, the Ruth Lilly Visitors Pavilion serves as the cornerstone <strong>of</strong> the Park<br />

and promises to be one <strong>of</strong> the region’s signature architectural landmarks. The form <strong>of</strong> the building takes<br />

inspiration from the structure and geometry <strong>of</strong> a fallen leaf. The Visitors Pavilion will be the IMA’s first<br />

LEED-certified building, emphasizing environmental sensitivity and energy efficiency, including water-saving<br />

fixtures fed by on-site well water, energy efficient lighting, and a geothermal system to provide heating<br />

and cooling. The building houses a gathering and education space, restrooms and emergency services.<br />

Canal Towpath<br />

to Broad Ripple<br />

Michigan Road<br />

THE PULLIAM FAMILY Landscape Journeys<br />

Designed by landscape architect Edward Blake, these pathways made <strong>of</strong> fine grit gravel wind through the<br />

Park and <strong>of</strong>fer visitors encounters with the multiple terrains and communities <strong>of</strong> plants and animals. The<br />

journeys include paths that explore the bottomlands near the river and lake, the ridgeline that sits above<br />

the eastern edge <strong>of</strong> the Park, and a timberline path that exposes the results <strong>of</strong> strong storms on an area<br />

<strong>of</strong> dense forest. Easily navigable and intended to direct visitors through the Park, the paths connect visitors<br />

to nature in both body and mind.<br />

Ruth Lilly<br />

Visitors Pavilion<br />

Nina Mason Pulliam Charitable Trust MARSH COVE<br />

Park <strong>of</strong> the Laments<br />

Located at the southwest corner <strong>of</strong> the Park, the Marsh Cove is a calm, lush retreat for Park wildlife.<br />

Formed slowly by the merging <strong>of</strong> an old midstream sandbar with its adjacent shore, this quiet spot<br />

provides shelter for numerous species <strong>of</strong> plants and animals not found elsewhere in the Park.<br />

REMINDERS<br />

Park open daily, dawn until dusk.<br />

Be aware <strong>of</strong> your surroundings. Only use Park equipment and/or facilities<br />

for intended purposes. IMA not responsible for injury.<br />

a<br />

II<br />

v<br />

The Clearing<br />

Lilly<br />

House<br />

Greenhouse<br />

No bicycles, skateboards, motorized vehicles, alcoholic beverages, firearms, grills or fires.<br />

Pets must be on leashes at all times in the Park. Please clean up after your pet.<br />

No swimming or boating.<br />

Fishing is permitted. No live bait. State fishing regulations are enforced.<br />

(15 benches throughout the Park)<br />

Lake<br />

Terrace<br />

Formal<br />

Garden<br />

PHOTOGRAPHY POLICY<br />

Restrooms (Visitors Pavilion)<br />

First Aid (Visitors Pavilion)<br />

4<br />

The Meadow<br />

Waller Bridge **<br />

Photography is permitted for private, noncommercial use only. Photographs may not be published, sold,<br />

reproduced, distributed, or otherwise commercially exploited. For more information on the photography<br />

policies, including pr<strong>of</strong>essional and commercial uses, visit imamuseum.org or contact the Rights &<br />

Reproductions Department at 317-923-1331 ext. 171 or permissions@imamuseum.org.<br />

Free guided tours <strong>of</strong>fered Saturday and Sunday at 11 am, April–September,<br />

weather permitting. Meet at Lake Terrace.<br />

INDIANAPOLIS<br />

MUSEUM OF ART<br />

For an interactive Park experience, visit imamuseum.org on your smart phone.<br />

Call Box<br />

Parking<br />

Area not always passable<br />

The Pulliam Family <strong>Art</strong> & Nature Park<br />

paths (not ADA accessible)<br />

The Pulliam Family <strong>Art</strong> & Nature Park<br />

paths (ADA Accessible)<br />

Un<strong>of</strong>ficial trail<br />

Marsh Cove *<br />

Edgar and<br />

Dorothy Fehnel<br />

Entrance<br />

Central Canal Towpath<br />

<strong>Indianapolis</strong><br />

<strong>Museum</strong> <strong>of</strong> <strong>Art</strong><br />

<strong>Museum</strong><br />

Entrance<br />

INDIANAPOLIS<br />

MUSEUM OF ART<br />

4000 Michigan Rd <strong>Indianapolis</strong>, IN 46208 317-923-1331 imamuseum.org<br />

INDIANAPOLIS<br />

MUSEUM OF ART<br />

*<br />

**<br />

Supported by Nina Mason Pulliam<br />

Charitable Trust<br />

Supported by Friends <strong>of</strong> Bret Waller<br />

and W.C. Griffith Foundation Trust<br />

38th Street<br />

Canal Towpath<br />

to Downtown

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