Macau Orchestra would like to announce the following vacancies ...

澳門特別行政區政府 

Governo da Região Administrativa Especial de Macau 

文化局 

Instituto Cultural 

Macau Orchestra would like to announce the following vacancies: 

Concertmaster 

Violin Tutti 

Principal Viola 

Viola Tutti 

Cello Tutti 

Principal Double Bass 

Double Bass Tutti 

Bass Trombone Tutti 

Application Deadline: Received by October 15, 2013 (email confirmation will be sent) 

Results: on or before November 15, 2013 (via email) 

Finalists will be invited to participate in a trial in Macau in addition to a live audition. Airfare, hotel 

accommodations and travel stipend will be provided. 

To begin employment immediately after work visa is completed (usually 4 months) or as independently 

negotiated 

Terms and conditions of employment: 

Full details can be found at http://www.icm.gov.mo/om/en/recruit/ 

Salary (gross, in Macao currency, MOP) 

Principal musicians: MOP 31999.40 per month; 

Tutti musicians: MOP 25332.90 per month; 

Tutti musicians with doubling: MOP 26666.20 per month; 

Monthly housing subsidy: MOP 1500.00 

30 days paid vacation, to be taken in August 

Holiday bonus equivalent to one month’s salary (pro rata) 

Macau Tax rate is 2-3% of gross domestic income 

Applications must be submitted by post. The following should be contained: 

Application form 

1 copy of passport 

1 copy of school diplomas or proof of current employment 

3 copies of a recent photograph 

1 copy of an audition DVD which should be UNEDITED, CONTINUOUS of ALL EXCERPTS 

MARKED [TAPE] and may be performed in any order 

Please mail completed application packets to: 

Macau Orchestra 

Avenida Conselheiro Ferreira de Almeida, 

no. 95A, 

Macao, Macau 

For inquiries: 

Telephone: +853 8295 7300 / 2853 0782 

Fax: +853 2853 0666 

Email: ocm@icm.gov.mo 

Website: www.icm.gov.mo/om/en/ 

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IC ‐ Modelo 6 Formato A‐4 Imp. Sep. 2013



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APPLICATION FORM: MACAO ORCHESTRA 

Last name First name Date of Birth: Place of Birth 

dd mm yy 

Personal Information 

Nationality Sex English ability 

M 

Excellent Good Poor none 

F 

Passport number 

Email address 

Permanent Address 

Postcode 

Telephone Mobile Pager Fax 

Date Conservatory/University Major Teacher Degree obtained 

Professional 

Education 

Awards and 

Honors 

Date Place Name of Award 

Orchestra Position Places and Dates of Solo Performances 

Preferences 

Orchestra 

Experience 

Instrument you are applying for: 

Position you are applying for: 

If we are not able to offer you a principal position, would you accept a position as a section player? Yes No 

If we are not able to offer you a position at present, would you be interested in taking a reserve position? Yes No 

Applicant’s Signature: _____________________________________________ Date: _____________________ 


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Concertmaster 

Audition Excerpts 

One from the following Mozart Concertos, KV 216, KV 218 and KV 219, 1 st Movement with cadenza. 

Solo excerpts: Strauss Ein Heldenleben 

Rimsky-Korsakov Scheherezade 

Bach St. Mattew’s passion No. 42 “Gebt mir meinen Jesum wieder” 

Beethoven Missa Solemnis Benedictus 

Solo Repertoire 

One of the following Mozart concertos: No. 3, 4 or 5. First movement with cadenza 

One movement of a major violin concerto or work 

Up to 10 minutes of either solo: if Mozart include cadenza 【TAPE】 

Orchestra excerpts 

Mozart: 

Symphony No. 39 (Beginning to repeat) 

Finale 

Brahms: Symphony No. 4 

3 rd Movement –beginning to one after F 

4 th Movement – 8 before B to D 【TAPE】 

R. Strauss: Don Juan 

Page 1 (Beginning to 9 before D) 【TAPE】 

Prokofiev: Classical Symphony 

1 st and 2 nd Movement 

Bruckner: Symphony No. 6 

1 st Movement beginning to B, bar 95 to F 

2 nd Movement bar 37 to E 

3 rd Movement beginning to C 

Schubert: 

4 th Movement K to M, R to S 

Symphony No. 2 from beginning 

1 st Movement 

Schubert: Symphony No. 4 

4 th Movement 

Schumann: Symphony No. 2 

2 nd Movement – Beginning to 20 after K 【TAPE】 


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Audition Repertoire for Tape and Final Rounds 

Tape round repertoire is marked with [TAPE]. All material is required for live audition 

Violin Tutti 


One of the following Mozart concertos: No. 3, 4, or 5. First movement with cadenza 

One movement of a major violin concerto or work 

Up to 10 minutes of either solo: if Mozart include cadenza [TAPE] 

Orchestral excerpts 

1st violin part: 

Mozart: Symphony No. 39 

Finale 


3 rd Movement – beginning to one after F 

4 th Movement – 8 before B to D [TAPE] 

R. Strauss: Don Juan. 

Page 1 (Beginning to 9 before D) [TAPE] 

Prokofiev: Classical Symphony 

1st and 2nd Movement 

Bartok: Concerto for Orchestra 

1 st movement measure 76-135 

Bruckner: Symphony No. 6 

1 st Movement 


1 nd Movement 


4 th Movement 

Schumann: Symphony No. 2 

2 nd Movement – Beginning to 20 after K [TAPE] 

Sight reading may be required according to the panel’s decision 


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Principal Viola 


Two contrasting solos or concertos from standard repertoire 

Up to 10 minutes of either solo [TAPE] 


Beethoven: Symphony No. 7 

1 st Movement – mm. 222 – 274 [TAPE] 

Berlioz: Harold in Italy 

12 measures before rehearsal 3 to 41 measures after rehearsal 6 


2 nd Movement – mm. 64-71 [TAPE] 

3 rd Movement – beginning to A 

3 rd Movement – mm. 125 – 139 

4 th Movement – mm. 41 - 80 

Mendelssohn “Midsummer Night’s Dream” 

Scherzo [TAPE] 

Mozart: Symphony No. 35. 

4th Movement – Beginning to bar 80 

Shostakovich: Symphony No. 5 

1 st movement [TAPE] 

Strauss: Don Juan 

Opening to D [TAPE] 

14 before W to W 

Tchaikovsky: Symphony No. 6 

1st movt 12 bars before A to 3 bars after D, 

10 bars before H to 5 bars before I (both upper and lower sections) 

Wagner: “Tanhunser” Overture 

Measure 242 to 292 

Wagner: The Flying Dutchman Overture 






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Tutti Viola 


The first movement of one of the following concertos: Walton, Hindemith, Bartok or Stamitz 

For [TAPE] round: exposition of the solo selected from above 



1 st Movement – mm. 222 – 274 [TAPE] 


2 nd Movement – mm. 64-71 [TAPE] 

3 rd Movement – beginning to A 

3 rd Movement – mm. 125 – 139 

4 th Movement – mm. 41 – 80 

Mendelssohn “Midsummer Night’s Dream” 

Scherzo 

Mozart: Symphony No. 35. 

4th Movement – Beginning to bar 80 

Shostakovich: Symphony No. 5 

1 st movement [TAPE] 


Opening to D [TAPE] 

Tchaikovsky: Symphony No. 6 

1st movt 12 bars before A to 3 bars after D, 

10 bars before H to 5 bars before I (both upper and lower sections) 



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Cello Tutti 


Haydn D major concerto 1st movement [TAPE – EXPOSITION ONLY] 

Any standard concerto (i.e. Dvorak, Schumann, Saint-Saens, etc) 1st movement. 

Orchestral excerpts: 

Beethoven symphony No.5: 

2nd movement 

Beginning to mm. 10 [TAPE] 

Bars 49 to 59 



3rd movement 

beginning to bar 218 

Brahms symphony No.2: 

2nd movement beginning to mm. 32 

Mozart symphony no.35: 

4th movement 

Beginning to bar 37 [TAPE] 

Bar 57 to 79 

Bar 134 to 181 

Debussy La Mer: 

2 bars before #9 to 6 bars before #10 [TAPE] 

Smetana Bartered Bride, Overture: 

Beginning to A 

Strauss Don Juan: 

Beginning to 4 bars before D [TAPE] 

7 bars before G to H 

6 bars after O to 14 bars before Q 

R to T 

11 bars after V to 14 bars before X 

Mendelssohn: Midsummer Night’s Dream - Scherzo 

Rehearsal C to D [TAPE] 

Rehearsal M to O 

Prokofiev symphony No.5: 

4th movement: Bar 15 to 22 



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Principal Bass 



One Movement of a concerto from the standard repertoire 

Dance movement from Bach [TAPE] 



3 rd Movement – beginning to 5 after A 

3 rd Movement – Trio to 23 after B [TAPE] 


4 th Movement – Beginning to A 


1 st Movement – E to F 

Haydn: Symphony No. 31 

4th mvt solo [TAPE] 

Mahler: Symphony No. 1 

3 rd movement solo 

Mendelssohn: Symphony No. 4 

4 th Movement – 19 mm. before rehearsal A to A 

Mozart Symphony No. 35 

4 th Movement – measures 134 – 181 [TAPE] 

Strauss: Ein Heldenleben 

Rehearsal 9 – 13 [TAPE] 


Rehearsal A to C 

Stravinsky: Pulcinella 

Solo from Vivo 

Verdi: Othello 

Act 4 



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Audition repertoire for tapes and final round 

Tutti Double Bass 

Solo repertoire: 

1 st and 2 nd movement from Classical concerto (Dittersdorf, Vanhal or Sperger) 

Orchestral excerpts: 

Beethoven symphony No.5 

3 rd movement beginning to bar 100, bar 133to 218 

Beethoven symphony No.9 

4 th movement bar 8-29, 38-47, 56-140 

Brahms symphony No.2 

1 st movement beginning to bar 66, bar 114 to 155 

4 th movement beginning to bar 37 

Mozart symphony G minor no. 40 

1 st movement bar 114 to 138, bar 191 to 225 

4 th movement bar 49 to 70, bar 229 to 246 

R. Strauss Ein Heldenleen 

Beginning to no.13 

A. Dvorak symphony No.8 

bar 271 to 294 (“O” to “P”) 


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Bass Trombone 



Bach Cello Suite No. 5, Sarabande, without repeats [TAPE] 

Lebedev: 1 st Concerto (Concerto in one movement) 

OR Sachse: Concertino in F-Major 1 st and 2 nd movement 


Beethoven: Symphony 9, 

4 th Movement – Andante maestoso 

Berlioz: Hungarian March (Damnation of Faust), 

6 before 20 to 2 after 21 

Brahms: Symphony No 1 

C to 15 bars after C 

Franck: Symphony in D minor, 

3 rd Movement – N to 16 before O 

Haydn: The Creation, 

No. 26 [TAPE] 

Kodaly: Hary Janos, 

4 bars after 5 to 10 bars after 6 

Respighi: Fountains of Rome 

Rehearsal 11 to 14 

Rossini: La Gazza Ladra, 

Measures 115 to downbeat of 139 

Measures 276 to 291 [TAPE] 

Rossini: William Tell Overture 

Storm scene 

Schumann: Symphony 3 ("Rhenish") 

4th movement opening to bar 18 [TAPE] 

Strauss: Eine Alpensinfonie, (3 rd tbn) 

Rehearsals 74 to 75, 

2 measures before fig 80 to fig 81 

Strauss: Ein Heldenleben, 

Rehearsal 51 to 2 bars after rehearsal 56, 

Rehearsal 61 to figure 65 [TAPE] 

Wagner: Lohengrin, Prelude to Act III, 

B to 3 before C 

7 after D to the end [TAPE] 

Wagner: Ride of the Valkyries, 

Minor passage and tutti major passage 



A‐4 規格印件 2013 年 9 月

Macau Orchestra would like to announce the following vacancies ...

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