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NEWS<br />
Big Bollywood film in SA<br />
LOOKING EAST – Lead actors Akshay Kumar and Ayesha Takai<br />
Bollywood is a huge industry<br />
and South <strong>Africa</strong>n production<br />
companies are looking to India<br />
for work opportunities. Local<br />
production company Clockwork<br />
Zoo recently facilitated<br />
one of the biggest Bollywood<br />
There are talk shows and<br />
then there’s Encounters. It<br />
may follow a talk show<br />
format, but Encounters 2,<br />
which began its run in<br />
December 2008, is one of<br />
the few programmes to<br />
actually ask the questions<br />
no-one wants to ask. And<br />
the premise is: “Just what is<br />
morally okay in South <strong>Africa</strong><br />
today?”<br />
Given that democracy and<br />
our dream of a rainbow<br />
nation have emphasised<br />
tolerance, diversity and<br />
acceptance, Encounters 2<br />
explores what may have been<br />
lost in the transition – each<br />
individual’s sense of what is<br />
morally okay and what is<br />
not.<br />
Questions such as whether<br />
it’s morally acceptable to be<br />
ruled by the rule of law, or to<br />
wear clothes that offend<br />
films to be shot outside India,<br />
called Tasveer. The film is a<br />
Percept Picture Holdings film<br />
starring Bollywood heartthrob,<br />
Akshay Kumar and is directed<br />
by Nagesh Kukunoor.<br />
Vince Gibbons, CEO of<br />
Getting to the<br />
crux of morality<br />
CHALLENGING BASIC VALUES – Andile Gaelesiwe<br />
others, will be posed each<br />
week by Andile Gaelesiwe to<br />
three guests, challenging<br />
them to engage each other<br />
on topics that are of great<br />
concern to all of us right<br />
now.<br />
The series director of<br />
Encounters1 and Encounters2,<br />
Odette Geldenhuys, is one<br />
of a curious breed of people<br />
who are not happy with one<br />
career. She’s a human rights<br />
lawyer, filmmaker and<br />
researcher, among others.<br />
Geldenhuys is very excited<br />
about Encounters2. She says,<br />
“It will ask and demand of<br />
all of us to liberate ourselves<br />
from preconceived notions,<br />
to revisit the fundamentals<br />
of <strong>Africa</strong>n morality as<br />
practised and understood<br />
prior to slavery and<br />
colonialism, and examine<br />
how this can become the<br />
Director Nagesh Kukunoor<br />
Clockwork Zoo, explains that<br />
they were first introduced to<br />
Percept Picture Holdings by<br />
Iain Banner, a friend and<br />
creator of the Laureus Sport for<br />
Good Foundation. “Percept<br />
Picture Holdings (PPH) is the<br />
second biggest producer of<br />
basis for a shared moral and<br />
ethical framework in South<br />
<strong>Africa</strong> now.”<br />
The series is produced for<br />
SABC Religion by Kagiso<br />
TV & Communications, an<br />
11-year-old television, video<br />
and communications<br />
company, that works<br />
consistently for social<br />
upliftment. Kagiso produces<br />
content for financial literacy,<br />
HIV education and teacher<br />
development projects among<br />
many others. Their<br />
communications work at<br />
grassroots levels, in all<br />
communities across the<br />
whole country makes them<br />
very well aware of the moral<br />
and social disharmony that<br />
need to be addressed, before<br />
we can move forward as a<br />
united nation.<br />
Unique to Encounters2 is<br />
that <strong>Africa</strong>n morality is the<br />
thread running throughout<br />
the series. What are these<br />
basic values when challenged<br />
by contemporary society?<br />
And when do communities<br />
adopt new values? The<br />
challenge now is to revisit<br />
the fundamentals of <strong>Africa</strong>n<br />
morality and try and<br />
determine what to keep and<br />
what to lose, what to develop<br />
and how to grow. Only then<br />
can South <strong>Africa</strong> as a nation<br />
shape a moral and ethical<br />
framework to guide us into<br />
the future.<br />
Don’t miss Encounters2 on<br />
SABC2 at 13h00 on Sundays<br />
from December through to<br />
March 2009.<br />
movies in India. My partner<br />
Sean Rogers and I saw an<br />
opportunity and visited<br />
Mumbai where PPH is situated<br />
and created a relationship and<br />
offered our services. We have a<br />
slate of pictures lined up with<br />
PPH.”<br />
Gibbons elaborates: “Tasveer<br />
is the start of our relationship<br />
with Bollywood. The next step<br />
is to work towards films that<br />
can be accessible to both Indian<br />
and South <strong>Africa</strong>n audiences.<br />
The fact that this is the largest<br />
Indian population outside of<br />
India and Pakistan is something<br />
that we will capitalise on. The<br />
film is a high-octane thriller.”<br />
Gibbons adds that on the<br />
visit to Mumbai they realised<br />
that there were areas of common<br />
interest. “Both companies<br />
wanted to expand their interests<br />
in different territories. PPH<br />
also realised that it made<br />
commercial sense to shoot in<br />
South <strong>Africa</strong> rather than<br />
Canada and our central<br />
motivation was to create<br />
sustainable business in the local<br />
industry and to develop the<br />
talent. The film’s location<br />
included Cape Town,<br />
Stellenbosch and Langebaan.”<br />
Gibbons elaborates on the<br />
working relationship. “There<br />
was no doubt that both<br />
Going global<br />
A home-grown South <strong>Africa</strong>n<br />
animation series, Supa Strikas,<br />
is set to be broadcast in 15<br />
countries across <strong>Africa</strong>, Latin<br />
America and Europe. The<br />
series began its life as a comic<br />
and tells the tale of soccer star<br />
Shakes and his teammates<br />
taking on the world’s best teams<br />
in the Super League.<br />
Oliver Power, executive<br />
director of the show, says they<br />
are thrilled. “This is just the<br />
start of bigger things to come.<br />
companies were going to need<br />
to accommodate each other at<br />
first, as the film making style<br />
of Bollywood was very different<br />
to what we are used to in South<br />
<strong>Africa</strong>. We met each other half<br />
way. I believe that the Indian<br />
crew has learnt a lot more about<br />
planning, South <strong>Africa</strong>n style.<br />
We have learnt how to focus on<br />
the finances available and coordinate<br />
this with what<br />
will be reflected on the big<br />
screen.”<br />
One of the main reasons for<br />
foreign companies to shoot<br />
here still remains the favourable<br />
exchange rate. “South <strong>Africa</strong><br />
competes internationally and<br />
we still have the most varied<br />
locations packed close together.<br />
On top of that we are known<br />
for our great crews, who are<br />
hard-working and accommodating.<br />
The director, Nagesh,<br />
was saying that in Canada he<br />
gets told: ‘That’s not<br />
possible,’ but here he gets the<br />
response: ‘Let’s see if we can do<br />
that.’ We have that kind of<br />
mentality.”<br />
Gibbons says that because of<br />
the great experience that<br />
foreign filmmakers have in<br />
South <strong>Africa</strong>, “Nagesh, the<br />
director, will most definitely be<br />
shooting his next film<br />
here.”<br />
We firmly believe that the<br />
series will take Supa Strikas<br />
brand to new levels of popularity<br />
among the youth all over the<br />
world and in the process<br />
showcase some of South<br />
<strong>Africa</strong>’s creative talent.”<br />
Power says that it is extremely<br />
expensive to animate the show.<br />
“The biggest hurdle we faced<br />
was to raise approximately $2m<br />
to produce the series.<br />
Fortunately we secured<br />
sponsorship from Caltex to<br />
<br />
SCREENAFRICA – January 2009