Easter Music Catalog - JW Pepper

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$Vocal Anthologies Catalog 2006\NEW - JW Pepper$

[tÇwuxÄÄ `âá|v yÉÜ ZxÇxÜtÄ háx 28 All Creatures Of Our God And King—arr. John A. Behnke. This foundational hymn is given a fresh, invigorating arrangement that will allow your bell choir to sound their absolute best. Effective techniques, hand chimes, and a consistent eighth-note motion propel the piece forward, while sensible keys and few accidentals keep changes to a minimum. Joyful ringing from beginning to end! 10059599 3/6 Octave . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .AGEHR-L3 4.95 All Creatures Of Our God And King—arr. Michael Ryan. The hymn tune we know and love so well is presented cleanly in this uplifting arrangement that works beautifully for two or three octave bellchoirs. Layering of the hymn melody, along with some eighth-note textures give motion and freshness to the setting. An impressive selection for both developing and more experienced groups. 10058898 2/3 Octave . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .AGEHR-L2 4.50 Almighty King—Bill Ingram. A vibrant, multipurpose medley of two majestic hymn tunes Hanover and Italian Hymn, this solidly scored composition will truly bring out the best from your ensemble. Lightly embellished with sixteenth-note motifs, the arrangement offers ample doubling in the harmony and a few specialty techniques that bring the work to a satisfying conclusion. 10058899 3/5 Octave . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .AGEHR-L2+ 4.50 As The Deer—Marty Nystron/arr. Geschke. This gorgeous, new setting of Marty Nystrom’s song was written in memory of a young man who bravely served in Iraq and sacrificed his life for his country. For 3-5 octaves with optional 3 octave chimes this accessible arrangement is an uplifting reminder that God is the source of our strength in times of great loss. A simple, guitar-like style accompanies this reflective meditation, gently leading us to God’s wonderful embrace. 10058409 3/5 Octave . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .AGEHR-L2+ 4.95 Crown Him With Many Crowns—arr. Ben Tucker & Sondra Tucker. Pure inspiration! This uplifting treatment of Diademata uses the foundational hymn accompanied by John Stanley’s Trumpet Voluntary. With solo trumpet and the arranger’s craftsmanship, the setting moves seamlessly from one melody to the other, finishing with a buoyancy and lift that is most satisfying. The dottedeighth-sixteenth pattern is predominant and will take practice but the end result is worth every minute spent in rehearsal. 10062185 3/5 Octave With opt. Trumpet . . . . . . . . . . . . . . . .AGEHR-L4 4.25 Day By Day—arr. Julie Stitt. During times of trouble or hardship, the church has looked to this hymn for comfort and assurance. Allow your bellchoir to remind your congregation of this melody with Julie Stitt’s arrangement that flows evenly through three verses to a quiet conclusion. Creative key and meter changes, triplet counterlines and harmonic colors enhance but never get in the way of the expressive melody throughout the setting. 10062186 4/5 Octave . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .AGEHR-L4 3.95 Down By The Riverside—arr. Valerie Stephenson. This arrangement has it all! A fun, well known tune is presented in a clever scoring that includes stopped techniques, mallets, gyros, and shakes, along with woodblock and tambourine for added color. Whether presented by a single ensemble or many ensembles in a massed-ringing event, the experience promises to be a rollicking good time for everyone. 10058900 3/6 Octave . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .AGEHR-L3 4.95 Easy To Ring Praise And Worship #5—arr. Peggy Bettcher. These simple arrangements appeal to beginning handbell choirs as well as more advanced choirs looking for interesting shorter arrangements that can be learned quickly. Each is a complete composition, suitable throughout the church year, with limited changes and eighth-note rhythms. Contains: Knowing You; Days of Elijah; In Christ Alone; Holy is the Lord; Potter’s Hand; Lord, Reign in Me; Shout to the North; There is a Redeemer; How Great is Our God; and How Deep the Father’s Love for Us. 10058410 3/5 Octave . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .AGEHR-L1+ 9.95 Fanfare Prelude On “Come Christians Join To Sing”— arr. Derek Hakes. Here is a perfect choice for a rousing opening to any service or festival. A full complement of handbells is accompanied by solo trumpet and timpani in an expansive and accessible setting that joins together brilliant scorings of each verse. Sensible modulations through a contrasting lyric section eventually rebound to a bold and climactic finish. 10058901 3/5 Octave . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .AGEHR-L2+ 4.95 10058906 Keyboard/Full Score . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .7.95 {tÇwuxÄÄ Fantasy On “Trust And Obey”—arr. Catherine McMichael. Opening with sounds of random ringing over the hymn melody, this lovely setting moves from the ethereal to the impressive as it builds through three verses to a glorious climax. Active low bell passages provide a challenge, but the effect is quite moving as the piece finishes quietly in a spirit of contemplation. 10059610 3/5 Octave . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .AGEHR-L3 4.50 Festival Prelude On Deo Gracias—arr. Sondra Tucker. Here is a most impressive setting of a 15th century hymn tune, chiefly associated with the Transfiguration hymn Oh Wondrous Type! Oh Vision Fair. Sweeping eighth-note countermelodies and octave doublings give this arrangement the feel of a large organ or orchestral work. With an important section for low bells (optional chimes) and a massive statement of the final verse, this will give every ringer and listener a glimpse of the sublime in a live performance. 10062187 3/6 Octave . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .AGEHR-L3 3.95 Forever—Chris Tomlin/arr. Douglas E. Wagner. Your congregation will gratefully receive this energetic treatment of a Chris Tomlin favorite that also includes a hint of Holy, Holy, Holy. This setting features optional instrumental accompaniment for brass, tenor saxophone and rhythm and is a welcome addition to any contemporary or blended worship service. 10058910 3/5 Octave . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .AGEHR-L3 5.25 10058916 CD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .24.95 10058919 Instrumental Parts 2 Trumpets . . . . . . . . . . . . . . . . . . . . . . . . .39.95 God Of Wonders—arr. Patricia Cota. Utilizing the technique of “singing bells,” arranger Patricia Cota portrays an ethereal opening to this extremely popular praise song, reflecting the majesty and glory of God. Optional wind chimes and handchimes add to the array of creative sounds. Attention to dynamics is vital to gain the necessary contrast in the verses, as the undulant rhythms in the bass give an easy pulse. As the setting builds in complexity, let the choruses ring full with praise to our amazing God! 10058437 Handbells . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .AGEHR-L4 4.95 Guide Me, O Thou Great Jehovah—arr. Lloyd Larson. This festival setting of the vigorous tune Cwm Rhonnda by John Hughes displays the full range of excitement that a handbell ensemble can evoke! Thrilling shakes, dynamic tonal shifts, and joyfully inspired syncopations all contribute to this tour de force for more accomplished choirs. Don’t miss this one! 10058994 3/5 Octave . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .AGEHR-L3 4.95 Holy Jesus, Think On Me—Ruth Elaine Schram. With hymn tunes Ah, Holy Jesus and Lord Jesus, Think on Me seamlessly intertwined, this easily-learned setting is a most effective backdrop for prayerful contemplation and introspection. Very nicely done! 10058995 3 Octave . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .AGEHR-L2 3.95 Holy Spirit, Breath Of God—Linda Lamb. Singing Bell technique creates an ethereal atmosphere as the work opens and journeys on its way through tunes associated with the hymns Breathe on Me, Breath of God and Open My Eyes, That I May See. All of the ringing is on the beat, with one key change from Eb major to Ab major. The composer has also provided detailed notes on the performance of Singing Bell effect. 10058996 3/5 Octave . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .AGEHR-L2 4.50 I Want Jesus To Walk With Me—arr. Brian Childers. Arranger Brian Childers utilizes an expressive theme and variation form in his setting of this beloved African-American spiritual, offering several portraits of the Christian walk each represented by various bell techniques and instrument combinations. The optional C instrument and percussion parts provide sparkling companions for the journey. 10058411 3/5 Octave . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .AGEHR-L3+ 4.25 10058412 Instrumental Parts Violin and Percussion . . . . . . . . . . . . . . . . . . .5.00 I’ve Got The Joy (Down In My Heart)—arr. Valerie Stephenson. Your listeners will have the joy, too, when they hear this captivating arrangement of a traditional camp song that has enough sparkle and glee to brighten any performance space. Use mallets, optional bongoes or small percussion, and a peppy tempo and you’ll create a memorable presentation in worship, festival or concert appearances with your group! 10062002 3/5 Octave . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .AGEHR-L2 4.50 Immortal, Invisible, God Only Wise—arr. Cathy Moklebust. When it comes time for your group to explore the full range of sonic color with English handbells, take a close look at this thrilling arrangement of St. Denio that will positively lift your listeners off their seats. Intriguing rhythms, optional handchimes, a massive build-up and a superb finish give every nuance to this beloved hymn. Expressive and dramatic, this will be a centerpiece of your worship service, concert setting, or festival appearance. 10061996 3/5 Octave . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .AGEHR-L3+ 4.95 In Blessed Communion—Michael Akers. Set in G major throughout, this delicate setting seamlessly weaves together three hymn tunes, leading worshipers to the healing and ever-present grace of our Lord. Thoughtful moments are heard as the themes are consistently predominant and the bell changes are few. 10059003 2/3 Octave . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .AGEHR-L2 4.50 In The Garden—arr. Gina Sprunger & Kevin McChesney. After a lovely, chromatic introduction with an original melody, this pensive setting settles into a lyric treatment of a beloved hymn that will speak to the heart of every listener. The gently moving tempo makes the chromatics accessible while allowing the ringers to enjoy each harmonic color through the piece. 10057788 3/5 Octave . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .AGEHR-L3 3.95 P/A CD=PERFORMANCE/ACCOMPANIMENT CD ACCOMPANIMENT CD=ACCOMPANIMENT ONLY (NO PERFORMANCE) ALL PRICES IN U.S. DOLLARS & SUBJECT TO PUBLISHER REVISION
In Thee Is Gladness—arr. Karen Lakey Buckwalter. How fun is this? Give your beginning ringers their first exposure to mallets, martellato, and hand chimes with this delightful rendition of a timeless hymn that is simple to play and joyfully satisfying to hear. Chimes are optional, and the same effect could be achieved with thumb damps if so desired. Sweet! 10061997 3 Octave . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .AGEHR-L1+ 3.95 Lamb Of God—Twila Paris/arr. Ryan. This long-time contemporary Christian favorite is now available in an easy 2-3 octave arrangement that can be rung effectively throughout the year. Especially poignant during communion or Holy Week services, the work is set in a straightforward and beautiful manner that follows the emotional contours of the original classic. Absolutely stunning! 10059004 2/3 Octave . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .AGEHR-L2 4.95 Let Us Break Bread Together—arr. Michael Helman. Suzanne Toolan’s worshipful chorus I Am the Bread of Life is used as a halo around an American folk hymn in this ethereal setting for handbells and handchimes. This is thoughtful and nicely rendered for more fluent choirs in services at the Lord’s table. 10058719 3/5 Octave . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .AGEHR-L3 3.95 Light And Shine—arr. Kathleen Wissinger. A musical composition on the theme of “light,” this vibrant arrangement features Siyahamba (We are Marching in the Light of God) and Graham Kandrick’s popular chorus Shine, Jesus, Shine. With rhythmic interest, ostinati patterns, syncopations and optional handchimes, this will give your more advanced choir something to really ring about! 10058406 3/5 Octave . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .AGEHR-L3 4.95 Lord, Whose Love Through Humble Service— arr. Michael Helman. The Sacred Heart melody Beach Spring appears with many different hymn texts in a variety of hymnals. In this more sophisticated setting, composer Michael Helman embellishes the melody with artistic counterlines and ostinati, bringing its expressive qualities to a new level. It provides a worthwhile project for more confident bellchoirs. 10062013 3/5 Octave . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .AGEHR-L3 4.95 Meditation On “‘Tis So Sweet To Trust In Jesus”— arr. Sondra Eithun. Staying solidly in the key of F major, and relying on mart lifts and simple techniques, this effective arrangement offers a moment of sweetness and serenity in worship that everyone will appreciate. Optional hand chimes and the high octave add a special glow to this prayerful and reflective work. 10057794 3/5 Octave . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .AGEHR-L2 3.95 Meditation On “Jesus Lover Of My Soul”—arr. William Moats. Lyrical and expressive, with a touch of the dramatic, this substantive arrangement of Aberystwyth captures the essence of the hymn and the depth of Christ’s love for the believer. An effective and accessible Level 3 setting. 10057789 3/5 Octave . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .AGEHR-L3 3.95 Praise Songs Volume #3 (Easy Settings for Handbells or Handchimes -Three Octaves)—Douglas E. Wagner. Volume 3 of this popular series features 8 additional titles from a cross section of well-known contemporary Christian music writers. Gentle ballads and energetic outpourings of praise are presented in arrangements that truly come from the heart. Scored on the low end of Level 2, this practical and effective collection includes: In Christ Alone; Here I Am To Worship; Beautiful One; Sing to the King; Cry Out to Jesus; Soon and Very Soon; How Deep the Father’s Love for Us and The Wonderful Cross. 10058893 3 Octave . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .AGEHR-L2 12.95 Praise To The Lord, The Almighty—arr. Kevin McChesney. When special events or festivals in the church call for a work with larger instrumental forces, there is nothing better than this thrilling setting of a foundational hymn for handbells, organ and brass quintet by Kevin McChesney. Use either the full brass complement, or trumpet alone and 3 octaves with organ and the result is just as effective. 10062215 3/7 Octave . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .AGEHR-L4 4.25 10062224 Keyboard/Full Score . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .6.95 10062225 Instrumental Parts Score, Brass Quintet & Timpani . . . . . . . . . .15.00 10062226 Instrumental Parts Trumpet . . . . . . . . . . . . . . . . . . . . . . . . . . . .2.95 Simple Gifts—arr. Susan Geschke. Many times the simplest messages are the most profound, and this accessible setting for 2-octave choirs carries an unadorned beauty that will penetrate the heart of those who hear it. Gentle syncopations and no accidentals keep the flow of the piece intact from beginning to end. Very nicely done. 10058443 2 Octave . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .AGEHR-L2 4.25 Spirit Of The Living God—arr. Douglas E. Wagner. Here is a very easy-to-prepare arrangement of a popular gentle praise song that speaks of the constant presence of the Spirit, guiding our steps and enfolding our lives. Simple rhythms with just a few dotted-quarter/eighth-note figures are used, and only three bell changes occur. Nicely done! 10059009 3/5 Octave . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .AGEHR-L2 4.95 Sweet Hour Of Prayer— arr. Sandra Eithun. Here is a hymn that lends itself perfectly to a simple, meditative setting, and Sandra Eithun’s treatment is thoughtful, expressive and accessible to any choir. Quarternote motion and clustered harmonies sound lovely with handbells or chimes, and the pensive mood is beautifully conveyed either as an offertory, prayer meditation, introit, call to worship, or postlude. Appropriate for communion, too. 10062021 2/3 Octave . . . . .AGEHR-L1 3.95 10062022 3/5 Octave . . . . .AGEHR-L1 3.95 Take It To The Lord In Prayer— arr. Sandra Eithun. Emphasizing prayer and meditation, Sandra Eithun has crafted a usable, year-round setting that quotes from a wealth of memorable hymns. Set for 3-5 octaves of handbells with optional handchimes, this medley of prayerful tunes includes: Hear Our Prayer, O Lord (Whelpton); What a Friend We Have in Jesus (Converse) and Lord, Listen to Your Children Praying (Medema). Ringers and listeners will especially enjoy the textural layering and interweaving of the tunes in this delightfully accessible arrangement. 10058433 3/5 Octave . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .AGEHR-L2+ 4.95 There Is A Redeemer—Melody Green/arr. Larson. Melody Green’s worshipful song is presented in a lovely arrangement that is contemplative and nicely stylized. A rolling eighth-note pattern will encourage steady counting in the middle ranges of the bell choir, but the effect is indeed a beautiful one for contemporary or traditional worship settings. 10059010 2/3 Octave . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .AGEHR-L2+ 4.95 Variations On “Middlebury”—Michael Helman. This expertly crafted composition based on an early American shaped-note hymn tune is a delightful experience for the listener and a joy for ringers to perform. Stopped techniques and a stunning use of mallets keep everyone on their toes. A dynamic work. 10059011 3/5 Octave . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .AGEHR-L3 4.95 Here is every handbell players first choice! Handbell Folder: Easel Binder with Velcro Strap This solid 3-ring black binder opens to become a stabilized easel for easy performance viewing. The folder is 11 5/8” x 23 1/4” with a velcro strap and a 1” spine. 8603856 Black . . . . . . . . . . . . . . . . . . . . . . . . . . 9.95 Sorry, imprinting is not available on this item. ORDER TODAY TOLL-FREE! Call: 1-800-345-6296 OR FAX 1-800-260-1482 / Internet: jwpepper.com / E-mail: satisfaction@jwpepper.com
Page 1 and 2: 2009 Easter Music Catalog Highlight
Page 3 and 4: ctÄÅ fâÇwtç A DULT C HOIR A NT
Page 5 and 6: _xÇà A DULT A NTHEMS AMAZING LOVE
Page 7 and 8: _xÇà A DULT A NTHEMS O SACRED, WO
Page 9 and 10: XtáàxÜ A DULT A NTHEMS ALIVE FOR
Page 11 and 12: XtáàxÜ A DULT A NTHEMS POWER OF
Page 13 and 14: _xÇà 9 XtáàxÜ ^xçuÉtÜw VÉ
Page 15 and 16: \ÇáàÜâÅxÇàtÄ fÉÄÉá 9 X
Page 17 and 18: ABOVE ALL with WHEN I SURVEY THE WO
Page 19 and 20: FOR ALL THE SAINTS—Ralph Vaughan
Page 21 and 22: JESUS, LOVER OF MY SOUL—arr. Jose
Page 23 and 24: O FOR A THOUSAND TONGUES TO SING—
Page 25 and 26: TOO SPLENDID FOR SPEECH—Joel Rane
Page 27 and 28: ZxÇxÜtÄ ^xçuÉtÜw VÉÄÄxvà|
Page 29: AFRICAN PENTEKOSTE—David Lantz II

Easter Music Catalog - JW Pepper

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