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Shining a spotlight on Istanbul’s contemporary art scene, <strong>Opera</strong> <strong>Gallery</strong> Dubai presents an eclectic mix of art forms<br />

by some of the city’s finest artists. Featuring a master of mixed media productions and a young street artist who has<br />

chosen Turkey’s street walls as his canvas along with a digital photographer with an eye on urban development,<br />

a man who can turn media clippings of something catastrophic into an image of beauty and one of the most<br />

noteworthy abstract artists of his time, The Istanbul Portfolio showcases the works of Ali Alısır, Hayal Incedogan, Olcay<br />

Kus, Sencer Vardarman and Kemal Seyhan.<br />

Finding his inspiration in urban development, Alısır uses his camera to snap images of skyscrapers that dot the skylines<br />

of most cities today and transforms this into digital art. In one of his popular series, “Virtual Places”, he puts together<br />

oversized photographs of famous buildings from across the world; however, when placed on top of each other,<br />

the resulting image is extraordinary. The beauty of the architecture fades away and all that’s left is something that<br />

looks like overlapping circuit boards - a computerised network rather than a city; his depiction symbolises the rapid<br />

movement of information and the impact it has on individuals.<br />

Incedogan’s range of work reflects the diversity of the entire exhibition as she has experimented with everything<br />

from photography to paintings. Always one to segregate the elements in an artwork and highlight the beauty in<br />

patterns, her current exhibit does the same but by providing a glimpse at her mixed media productions, made by<br />

using different techniques and materials from equally different fields of art - music, cinema as well as literature.<br />

Staying true to her style, she plays with patterns, resulting in a final piece that is as awe-inspiring and as beautifully<br />

mystifying as looking through a kaleidoscope.<br />

Traditional canvases do not work for Kus, who loves nothing more than to take to the street and transform urban<br />

walls into art. Despite his age, he has made waves across Turkey in the world of street art and believes strongly in<br />

encouraging his fans to delve deeper, making sure that his work is not necessarily understandable at a first glance.<br />

Using images from everyday life, he uses an array of materials including newspapers, spray paint, acrylic, posters<br />

and even stencils on his outdoor canvas. For him, it’s the sociological influence that street walls have that gets his<br />

creative juices flowing and into his art.<br />

Like Alısır, photographs are important for Vardarman, who takes mass media images of destruction and havoc or<br />

photographs of simple landscapes and turns these into masterpieces through the way he arranges the images.<br />

Never straying too far away from the believable, he analyses information about industry, history or urban culture<br />

and arranges his series of images in a way that it appears credible to his audience. Since the images seem to work<br />

so well together, his work forces people to re-examine the pictures and think about the message behind the image<br />

and how they were made.<br />

Just like the careful consideration that Vardarman takes when arranging his images, Seyhan is just as methodical<br />

when creating his art and now he has become a representative for abstract art in his generation. While it is a form<br />

of art that is often not seen as having a lot of rules, for him, it is a structured process and all his works are comprised<br />

of the same elements: vertical, horizontal, colour and intensification. Always starting with black, he begins his brush<br />

strokes horizontally and vertically and never lets colour define the space on the canvas. By the end of it, his canvas<br />

is brimming with paint and thousands of strokes, resulting in an ultimate work of art.<br />

The five artists exhibiting in this series work with different materials and in different media, but together, their unique<br />

perspectives are representative of the burgeoning art scene from the cultural capital of Istanbul. <strong>Opera</strong> <strong>Gallery</strong><br />

Dubai has the pleasure of inviting you to participate in this artistic exploration of all that Turkey has to offer.<br />

Gilles Dyan<br />

Founder and Chairman, <strong>Opera</strong> <strong>Gallery</strong> Group<br />

2 3


Ali<br />

Ali Alısır’s digital photography can be considered as an insightful<br />

exploration of artistic and technological practices. In his “Virtual<br />

Places” series, his oversized photographs of famous buildings from<br />

around the world appear to be extravagantly manipulated acts of<br />

architectural virtuosity. They show multiple buildings (or composite<br />

buildings) repeated one atop the other into infinity. Thus, the<br />

artworks appear bedazzling. The confusion of buildings relinquishes<br />

all visible contact with architecture. The cityscape becomes a<br />

gray-toned composite image of superimposed and overlapping<br />

depictions of electronic circuits and close-ups of motherboards.<br />

Within, and behind all this, we barely recognise the blurry urban<br />

details. There lies the strength of Ali Alısır’s artworks.<br />

Virtual places #037, 2011 Digital C-print, edition of 3 + 1 AP 175 x 116,5 cm - 68.9 x 45.9 in.<br />

4 5


Virtual places #005, 2010 Digital C-print, edition of 3 + 1 AP 175 x 116,5 cm - 68.9 x 45.9 in. Virtual places #016, 2010 Digital C-print, edition of 3 + 1 AP 116,5 x 175 cm - 45.9 x 68.9 in.<br />

6 7


Virtual places #001, 2011 Digital C-print, edition of 3 + 1 AP 144 x 290 cm - 56.7 x 114.2 in.<br />

8 9


Ali<br />

Born in Istanbul, Turkey, 1978<br />

Lives and works in Italy and Turkey<br />

EducatioN<br />

Since 2008 University lecturer at the Department of<br />

Graphic of Yeditepe Fine Arts Faculty,<br />

Istanbul, Turkey<br />

2004 - 2006 MA, Accademia Italiana, Florence, Italy<br />

1996 - 2000 Diploma, Yeditepe Fine Arts Faculty, Istanbul,<br />

Turkey<br />

Solo exhibitions<br />

2012 Virtual Wars, art ON Istanbul, Istanbul, Turkey<br />

2011 Virtual Places, art ON Istanbul, Istanbul, Turkey<br />

2009 Virtual Bodies, Ekavart <strong>Gallery</strong>, Istanbul, Turkey<br />

2008 Untitled, Adaevi, Istanbul, Turkey<br />

Untitled, Galeri 5, Istanbul, Turkey<br />

Group exhibitions<br />

2012 Contemporary Art Fair, art ON Istanbul, Istanbul,<br />

Turkey<br />

2011 Crossroads, art ON Istanbul, Istanbul, Turkey<br />

Contemporary Young Artists, Dünya Göz Hastanesi,<br />

Istanbul, Turkey<br />

Contemporary Art Fair, art ON Istanbul, Istanbul, Turkey<br />

Traces of Humanity, BUFSAD, Bursa, Turkey<br />

Art Beat, art ON Istanbul, Istanbul, Turkey<br />

If the Nature is Heaven, the City is Hell, CER Modern,<br />

Ankara, Turkey<br />

Photographs in Our Age, Istanbul Photography<br />

Museum, Istanbul, Turkey<br />

2010 Contemporary Art Fair, Akbank Sanat, Istanbul,<br />

Turkey<br />

ArtShow 2010, Istanbul, Turkey<br />

2009 Contemporary Art Fair, Ekavart <strong>Gallery</strong>, Istanbul,<br />

Turkey<br />

2008 Artist 2008, <strong>Gallery</strong> Artist, Istanbul, Turkey<br />

2007 Unstrained Reality, Grand Hotel Mediterraneo,<br />

Florence, Italy<br />

Untitled, Galleria il Bracolo, Rome, Italy<br />

2006 Photo Digital Art Fair, Rome, Italy<br />

Toscana Foto Festival, Toscana, Italy<br />

Digifestival, Milan, Italy<br />

Salerno Invita, Group show GIA, Rome, Italy<br />

Touch - Neozone - Cloudnine, Florence, Italy<br />

2005 Communication, Dlight Studio, Milan, Italy<br />

ACQUISITon<br />

Virtual Places #040, Istanbul Modern Museum of Art<br />

Virtual places #035, 2010 Digital C-print, edition of 3 + 1 AP 116,5 x 175 cm - 45.9 x 68.9 in.<br />

10 11


Hayal<br />

Hayal Incedogan has produced works in many areas including<br />

photography installation, new media and particularly painting.<br />

Having isolated the forms and shapes in her early photographs,<br />

she produced non-figurative works, developed with an empirical<br />

narration on the contemporary interpretations of the motifs. Yet, her<br />

current works include mixed media productions designed by using<br />

different materials and techniques and mainly large-scale and<br />

atmospheric paintings, nurtured from diverse creative fields, such<br />

as music, cinema and literature. Hayal İIncedogan’s artworks<br />

presented in this <strong>catalogue</strong> are intended to stimulate the viewer’s<br />

imagination; the superimposition of patterns can be interpreted<br />

freely, as if diving into the magic world of a kaleidoscope.<br />

Vertigo series vol. I, No. 4, 2013 UV print on digital light box, edition of 5 + 1 AP 70 x 70 x 6 cm - 27.6 x 27.6 x 2.4 in.<br />

12 13


Vertigo series vol. I, No. 3, 2013 UV print on digital light box, edition of 5 + 1 AP 70 x 70 x 6 cm - 27.6 x 27.6 x 2.4 in. Vertigo series vol. I, No. 5, 2013 UV print on digital light box, edition of 5 + 1 AP 70 x 70 x 6 cm - 27.6 x 27.6 x 2.4 in.<br />

14 15


Vertigo series vol. I, No. 1, 2013 UV print on digital light box, edition of 5 + 1 AP 70 x 70 x 6 cm - 27.6 x 27.6 x 2.4 in. Vertigo series vol. I, No. 2, 2013 UV print on digital light box, edition of 5 + 1 AP 70 x 70 x 6 cm - 27.6 x 27.6 x 2.4 in.<br />

16 17


Hayal<br />

Born in Istanbul, Turkey, 1980<br />

Lives and works in Istanbul and Izmir, Turkey<br />

Education & Academic and Institutional Studies<br />

Since 2005 Research assistant at Dokuz Eylül University<br />

Faculty of Fine Arts, Department of Basic<br />

Arts, Konak, Turkey<br />

2005 - 2008 MA, Dokuz Eylül University, Faculty of Fine<br />

Arts, Department of Painting, Konak, Turkey<br />

2003 - 2007 K2 Contemporary Art Center and Artist<br />

Initiative, Izmir, Turkey<br />

1999 - 2004 BA, Dokuz Eylül University, Faculty of Fine Arts,<br />

Department of Painting, Konak, Turkey<br />

Solo exhibitions<br />

2012 Wild is the Wind, American Hospital Art <strong>Gallery</strong><br />

“<strong>Opera</strong>tion Room”, Istanbul, Turkey<br />

Selected group exhibitions<br />

2011 Crossroads II, art ON Istanbul, Istanbul, Turkey<br />

Contemporary Istanbul, Istanbul, Turkey<br />

International Contemporary Art Fair, Lütfi Kırdar<br />

Convention Center, Istanbul, Turkey<br />

30 th Contemporary Artists Istanbul, curated by Fulya<br />

Erdemci, Basak Senova and Arzu Yayıntas, Akbank<br />

Art <strong>Gallery</strong>, Beyoglu, Istanbul, Turkey<br />

2010 Last Six Decades of Turkish Art, Huma Kabakcı Collection<br />

Exhibition, Osthaus Museum, Hagen, Germany;<br />

Museum Moderner Kunst, Goslar, Germany; Modern<br />

Hungarian <strong>Gallery</strong>, Pecs, Hungary<br />

10 years of Kasa <strong>Gallery</strong>, Sabancı University, Kasa<br />

<strong>Gallery</strong>, Istanbul, Turkey<br />

2009 Ghost Concrete, Sad Turkeyee, Stubborn Hill, Institut<br />

francais,İIzmir, Turkey<br />

View, Trace, Memory II, Ahmet Adnan Saygun Art<br />

Center,İIzmir, Turkey<br />

In Search of Lost Reality: New Generation,<br />

<strong>Gallery</strong> Nev, Ankara, Turkey<br />

Plastic Tree Vol. III, curated by Ekrem Yalcındag,<br />

Dirimart <strong>Gallery</strong>, Istanbul, Turkey<br />

2007 Open Studio, New York School of Visual Arts,<br />

New York, USA<br />

2006 Meltem of Istanbul, Turkish and German Artists<br />

from the Elgiz Collection, curated by Dr. Necmi<br />

Sönmez, Project 4L Elgiz Contemporary Art<br />

Museum, Istanbul, Turkey<br />

2005 Gemini Muse 2005 Project, Young Artists in European<br />

Museums, curated by Fulya Erdemci, Pera Museum,<br />

Istanbul, Turkey<br />

The Little, The Cheap, The Trash, Absolutely<br />

Passionate, HIAP Studios, Helsinki, Finland<br />

Alice vs. Alice, Sabancı University, Kasa <strong>Gallery</strong>,<br />

Istanbul, Turkey<br />

2004 Go! Cheap Art from Izmir, Liquidation Total Art<br />

Space, Madrid, Spain<br />

Secret Face, K2 Contemporary Art Center, Izmir,<br />

Turkey<br />

Not the Surface but Itself, K2 Contemporary Art<br />

Center, Izmir, Turkey<br />

2003 New Suggestions, New Proposals 11, Borusan Art<br />

<strong>Gallery</strong>, Istanbul, Turkey<br />

Residence<br />

2007 Hayal İIncedogan was granted by the New York<br />

School of Visual Arts - Department of Painting<br />

and Integrated Media.<br />

She prepared an “Open Studio” exhibition at<br />

the end of the program.<br />

ACQUISItions<br />

Proje 4L Elgiz Contemporary Art Museum Collection<br />

Huma & Nahit Kabakcı Collection<br />

Republic of Turkey- Ministry of Foreign Affairs Collection<br />

Vertigo series vol. I, No. 6, 2013 UV print on digital light box, edition of 5 + 1 AP 70 x 70 x 6 cm - 27.6 x 27.6 x 2.4 in.<br />

18 19


Olcay<br />

Olcay Kus, a very young artist representing the Street Art movement<br />

in Turkey, transforms urban walls onto canvases through spray paint,<br />

graffiti, poster, newsprint paper and stencils and basically reforming<br />

the canvas them to walls. The artist works with images we frequently<br />

come across in daily life. He then transfers these images onto<br />

canvases using daily newspaper pages. He says his works are “the<br />

reflection of street walls, which (…) have a sociological and anthropological<br />

importance”. His creativity is nurtured by the ephemeral<br />

aspect of the posters, flyers, graffiti and notes that are posted on<br />

walls every day and then torn apart. This repetitiveness results in<br />

impressive visuals and is an inspiration for Olcay Kus. The themes of<br />

his works are diversified, but generally focused on a single subject.<br />

One of the artist’s aims is to produce visuals that are not easily<br />

understandable at first sight, by bedimming the topic through the<br />

various materials he uses (paper, glue, acrylic, spray paints).<br />

Two brothers, 2012 Mixed media on canvas 180 x 250 cm - 70.9 x 98.4 in.<br />

20 21


Four cars, 2011 Mixed media on canvas 120 x 160 cm - 47.2 x 63 in. Four bunnies, 2012 Mixed media on canvas 200 x 150 cm - 78.7 x 59.1 in.<br />

22 23


Six buddies, 2012 Mixed media on canvas 180 x 250 cm - 70.9 x 98.4 in. Substantial auto, 2011 Mixed media on canvas 120 x 160 cm - 47.2 x 63 in.<br />

24 25


Olcay<br />

Born in Izmir, Turkey, 1985<br />

Lives and works in Istanbul, Turkey<br />

EducatioN<br />

1999 - 2003 Dokuz Eylül University, Faculty of Fine Arts,<br />

Department of Painting, Fahri Sumer Studio,<br />

Konak, Turkey<br />

1999 - 2004 Izmir Isılay Saygın Anatolian High School,<br />

Izmir, Turkey<br />

Solo exhibitions<br />

2011 An Ordinary Day, art ON Istanbul, Istanbul, Turkey<br />

“<strong>Opera</strong>tion Room”, Istanbul, Turkey<br />

2006 Cetin Emec Art <strong>Gallery</strong>, Izmir, Turkey<br />

Iletisim Bookstore, Izmir, Turkey<br />

Group exhibitions<br />

2011 Volume II, Galeri Espas, Istanbul, Turkey<br />

Cer Modern, Ankara, Turkey<br />

Hikikomori, Piha Collective Art, Istanbul, Turkey<br />

2010 Galatea Art <strong>Gallery</strong>, Istanbul, Turkey<br />

Justice and Tolerance, Piha Collective Art, Istanbul,<br />

Turkey<br />

10 th Sefik Bursalı Competition Exhibition, Turkey<br />

Söbütay Özer Competition Exhibition, Ankara, Turkey<br />

Dokuz Eylul University, Konak, Turkey<br />

Young Artists Competition Exhibition, Turkey<br />

2007 Global Warming, Competition Exhibition of<br />

Ministry of Environment and Forestry, Ankara,<br />

Turkey<br />

Izmir Metropolitan Municipality Competition<br />

Exhibition, Izmir, Turkey<br />

2006 Nuri Iyem Competition Exhibition, Istanbul, Turkey<br />

2006/07 Turgut Pura Competition Exhibition, Izmir, Turkey<br />

2005/07 Turk Collage, Competition Exhibition, Izmir, Turkey<br />

2005 Performance Exhibition at Dokuz Eylul University<br />

Painting Department <strong>Gallery</strong>, Izmir, Turkey<br />

Cetin Emec Art <strong>Gallery</strong>, Izmir, Turkey<br />

AWARDS<br />

2010 Turgut Pura Foundation 29 th Painting and<br />

Sculpture Competition, “Municipality of Konak”<br />

Prize<br />

2007 Izmir Narlıdere Municipality Painting Competiton,<br />

Honor Prize<br />

No country for old man, 2012 Mixed media on canvas 180 x 250 cm - 70.9 x 98.4 in.<br />

26 27


Sencer<br />

VARDARMAN<br />

Sencer Vardarman’s artworks are in fact the combination of fragments<br />

of mass media images originally representing catastrophes<br />

or landscapes. Vardarman transforms the designed effects of these<br />

into attractive sceneries. In his hands, the terrible catastrophes<br />

or ordinary landscapes become magnificent, beautiful but alien<br />

scenario’s. In his artistic research that analyses information about<br />

industry, history or urban culture, Vardarman uses similar methods:<br />

he displays series of images so that they look credible to the viewer.<br />

The aesthetics of the arrangements also create reconciliation<br />

between the images and the viewer as the viewers become<br />

engaged in re-evaluating the information and thinking about the<br />

use and meaning of these images and matter of their creations.<br />

Istanbul, 2011 Digital C-print, edition of 3 + 1 AP 158 x 100 cm - 62.2 x 39.4 in.<br />

28 29


Coast line, 2011 Digital C-print, edition of 3 + 1 AP 120 x 160 cm - 47.2 x 63 in. Salad prayers, 2011 Digital C-print, edition of 3 + 1 AP 120 x 61 cm - 47.2 x 24 in.<br />

30 31


Once upon a time, 2012 Digital C-print, edition of 3 + 1 AP 100 x 300 cm - 39.4 x 118.1 in.<br />

Horses, 2012 Digital C-print, edition of 3 + 1 AP 81 x 300 cm - 31.9 x 118.1 in.<br />

32 33


Sencer<br />

VARDARMAN<br />

Born in Istanbul, Turkey, 1970<br />

Lives and works in Berlin, Germany and Istanbul, Turkey<br />

EducatioN<br />

2003 - 2006 MA, Institute for Art In Context, University of<br />

Arts, Berlin, Germany<br />

2002 - 2003 “Meisterschuelerstudium”, Fine Arts, by Prof.<br />

K. Sieverding, University of Arts, Berlin, Germany<br />

1998 - 2002 “Hochschulabschluss”, Fine Arts, by Prof.<br />

K.Sieverding, University of Arts, Berlin, Germany<br />

1992 - 1997 BA, Fine Arts, Department of Photography,<br />

Mimar Sinan University, Istanbul, Turkey<br />

1987 - 1991 Economics, Istanbul University, Istanbul, Turkey<br />

GRAnTs<br />

2009 KWW-Art, Science, Economy Scholarship, Stiftung<br />

Künstlerdorf, Schöppingen, Germany<br />

2007 Project Grant of Berlin (Stipendium der Kulturverwaltung<br />

des Berliner Senats), Berlin, Germany<br />

2002 GASAG Artprice, Berlin, Germany<br />

2001 Digitale Bildwelten, Mansion, Artprice of<br />

Kreissparkasse, Recklinghausen, Germany<br />

SOLO exhibitions<br />

2012 Virtual News, art ON Istanbul, Istanbul, Turkey<br />

2008 New order II, OKK / RAUM 29, Berlin, Germany<br />

2006 New order I, SOX36, Berlin, Germany<br />

SELECTED GROUP exhibitions<br />

2011 Unique and Limited, art ON Istanbul, Istanbul, Turkey<br />

2010 Urban Memories, Altes Museum Neukoelln, Berlin,<br />

Germany<br />

CELEBRATION!, Uqbar, Berlin, Germany<br />

R_EVOLUTION?, Art practice political interventions<br />

collaborative acting, Arttransponder, Berlin, Germany<br />

10 Years at Kasa, Kasa <strong>Gallery</strong>, Istanbul, Turkey<br />

2009 What Comes Next?, Post-wall realities and<br />

emergence of new aesthetic theories, Meinblau<br />

Berlin, Germany<br />

Taswir, Pictorial Mappings of Modernity and Islam,<br />

Martin Gropius Bau, Berlin, Germany<br />

1000+1 Prax(e)is, Thessalonica Biennale:2.,<br />

Thessalonica, Greece<br />

2008 Istanbul Diptychs, Istanbul Centre in Brussels,<br />

Brussels, Belgium<br />

Owl’s Frames / Baykusun Kareleri, Pera Museum,<br />

Istanbul, Turkey<br />

2007 Capital, Lund, Sweden<br />

Cover, <strong>Gallery</strong> Metro, Berlin, Germany<br />

Reality Crossings, 2. Fotofestival Mannheim,<br />

Ludwigshafen, Heidelberg, Germany<br />

Legal Tender, Kasa <strong>Gallery</strong>, Istanbul, Turkey<br />

Förderkohle, NBK, Berlin, Germany<br />

2006 Rio, Artnews Projects, Berlin, Germany<br />

All about Lies, Apartment Project, Istanbul, Turkey<br />

Mixed Hypnose, Fleisch Zeigt, Berlin, Germany<br />

Outliners, Arttransponder e.V., Berlin, Germany<br />

2005 Waiting Room, Apartment Project, Istanbul, Turkey<br />

Focus Istanbul, Martin Gropius Bau, Berlin, Germany<br />

About Beauty (Web Project: Beauty and Public<br />

Space), HKW House of World Cultures, Berlin, Germany<br />

2004 Thieving City, Akbank Center for Art and Culture,<br />

Istanbul, Turkey<br />

Metamorphosis, 20. IFSAK - Istanbul Photography<br />

Days, Istanbul, Turkey<br />

Berlin-Istanbul Vice-Versa, Künstlerhaus Bethanien,<br />

Berlin, Germany<br />

Big Boys Toys, <strong>Gallery</strong> Design Transfer, Berlin, Germany<br />

2001 On Image We Trust, 21. Istanbul Modern Art Exhibition,<br />

AKM, Istanbul, Turkey<br />

Alone, 2012 Digital C-print, edition of 3 + 1 AP 120 x 136 cm - 47.2 x 53.5 in.<br />

34 35


Kemal<br />

SEYHAN<br />

When it comes to Turkish abstract painting, Kemal Seyhan is the<br />

most significant figure of his generation. Seyhan’s paintings from<br />

the last two decades are narrated with a narrow language,<br />

comprising of four words: horizontal |vertical |colour |intensification.<br />

While he pieces the words of this narrow vocabulary together,<br />

the artist restricts himself to a series of rules: starting with black, he<br />

applies vertical and horizontal on the canvas lengthways;<br />

avoiding simple topological relations on the surface of the work<br />

- such as large-small, including-included, inside-outside; not using<br />

the colour to define the space on the canvas; putting it mainly<br />

under intensification’s order; creating an excelled surface that<br />

disables any 3D illusion; leaving everything else (except for the<br />

surface) the back or sides of the canvas out of attention… The<br />

works are implemented by applying this vocabulary and rules on<br />

canvas deck of times. Kilos of paint are used to colour the canvas<br />

and thousands of spatula strokes to create strata.<br />

Untitled, 2012 Oil on canvas 230 x 160 cm - 90.5 x 63 in.<br />

36 37


Untitled, 2012 Oil on canvas 190 x 230 cm - 74.8 x 90.5 in.<br />

Untitled, 2012 Oil on canvas 180 x 230 cm - 70.9 x 90.5 in.<br />

38 39


Untitled, 2012 Oil on canvas 190 x 270 cm - 74.8 x 106.3 in.<br />

Untitled, 2012 Oil on canvas 230 x 160 cm - 90.5 x 63 in.<br />

40 41


Keymal<br />

Born in Kayseri, Turkey, 1950<br />

Lives and works in Istanbul, Turkey<br />

EducatioN<br />

1987 - 1996 Fine Arts, by Prof. Adolf Frohner, Department<br />

of Painting and Graphic, Hochschule für<br />

Angewandte Kunst, Vienna, Austria<br />

1985 - 1987 Art history and philosophy, Vienna University,<br />

Vienna, Austria<br />

1978 - 1981 Sociology, Bogaziçi University, Istanbul, Turkey<br />

SELECTED exhibitions<br />

2012 art ON Istanbul, Istanbul, Turkey<br />

Turkish Contemporary Art, Korea<br />

2010 Contemporary Istanbul Art Fair, artSümer, Istanbul,<br />

Turkey<br />

Time to Time, artSümer, Istanbul, Turkey<br />

Artists Pick Artists, artSümer, Istanbul, Turkey<br />

Galerie Cora Hölzl, Düsseldorf, Germany<br />

2009 New works, artSümer, Istanbul, Turkey<br />

Contemporary Istanbul Art Fair, artSümer, Istanbul,<br />

Turkey<br />

Second encounter, organised in parallel to the 11 th<br />

Istanbul Biennial, artSümer, Istanbul, Turkey<br />

2008 artSümer, Istanbul, Turkey<br />

2007 BM Suma, Istanbul, Turkey<br />

2005 Milli Reasurans <strong>Gallery</strong>, Istanbul, Turkey<br />

Group exhibition, Galerie Gabriel,<br />

Vienna, Austria<br />

2004 21. Jahrhundert, 20-er Haus, Vienna, Austria<br />

2002 21. T-art, Galerie AAI, Vienna, Austria<br />

2000 Galerie Museum auf Abruf, Vienna, Austria<br />

1991 Niemand auf Reisen, stage design,<br />

directed by Gül Gürses<br />

1988 Reaktionen, Vienna, Austria<br />

1987 Interaktion, 1 st Vienna Art Symposium, Vienna,<br />

Austria<br />

AWARDS<br />

Province of Niederösterreich award<br />

Fellowship, Sussman Foundation, 1995<br />

Province of Vorarlberg award, 23 rd Austria Graphic<br />

Competition, 1993<br />

42

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