Lot of 2 - Clars Auction Gallery
Lot of 2 - Clars Auction Gallery
Lot of 2 - Clars Auction Gallery
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<strong>Clars</strong> <strong>Auction</strong> <strong>Gallery</strong><br />
January 14th 15th, 2012<br />
<strong>Lot</strong><br />
Description<br />
LOW<br />
Estimate<br />
HIGH<br />
Estimate<br />
4000<br />
(<strong>Lot</strong> <strong>of</strong> 2) Pre‐Columbian style gilt metal figures, the first <strong>of</strong> a male standing with two <strong>of</strong>fering<br />
vessels to the front, the second <strong>of</strong> a female walking with a child straped to her back, each 6.25'' $ 50 ‐ 100<br />
Chinese large lead glazed red‐pottery figure <strong>of</strong> a fu‐lion, the mythical beast standing on a<br />
rectangular plinth with its blue‐glazed body applied with yellow‐ochre on the ears, tufts <strong>of</strong> hair,<br />
4001 mane and collar <strong>of</strong> bells, 12.75''h; Provenance: Du Mochelles, May 2010, #1284 $ 100 ‐ 200<br />
(<strong>Lot</strong> <strong>of</strong> 3) Chinese carved figurines, the first <strong>of</strong> lapis lazuli and depicting a beauty standing with<br />
an up‐turned baskets, the blue stone mottled with white and light inclusions, now attached to<br />
a wooden base, the next a pair <strong>of</strong> ivory maidens in mirror poses with a lotus held up in one<br />
4002 hand, 4.125''h, with wooden stands $ 100 ‐ 150<br />
(<strong>Lot</strong> <strong>of</strong> 5) Chinese ivory carvings, consisting <strong>of</strong> a small study <strong>of</strong> a duck with pigment accents, a<br />
small peach‐shaped box, a slender pipe fashioned as a bird‐claw and a facetted cigarette<br />
4003 holder; together with a carnelian figurine <strong>of</strong> a goose, 2.25''l $ 50 ‐ 100<br />
(<strong>Lot</strong> <strong>of</strong> 3) Chinese ruby red Peking glass two‐part circular container (with extra base),<br />
Qing/Republic period, the flattened lid carved in relief with dissolving dragon and phoenix, the<br />
lower section with two chilong also with scrolling foliate‐form bodies encircling the small ring<br />
foot, 3.825''dia; Provenance: Collection <strong>of</strong> Martha Kramer, who lived and worked in China in<br />
4004 1920‐1930 $ 250 ‐ 450<br />
(<strong>Lot</strong> <strong>of</strong> 3) Chinese carved ivory figures, the first carved with a figure <strong>of</strong> Guanyin holding an<br />
amphora issuing willow branches and prayer beads in hand; the second <strong>of</strong> the Daoist immortal<br />
He Xiangu with lotus sprigs; the last <strong>of</strong> a celestial general clutching a wrapped seal and rank<br />
stick, ivory: 5''h; with wooden stands; Provenance: Estate <strong>of</strong> Mr. and Mrs. C.K. Whittaker <strong>of</strong> Los<br />
4005 Angeles and Rancho Santa Fe, CA $ 400 ‐ 600<br />
(<strong>Lot</strong> <strong>of</strong> 3) Chinese polychromed ivory figurines <strong>of</strong> birds, each standing with its wings held close<br />
4006 to its body, the largest with extensive polychromed accents, 2.5''h [largest] $ 150 ‐ 250<br />
Chinese patinated metal figure <strong>of</strong> a mythical creature, loosely based on a tantric Buddhist<br />
dharmapala in characteristic ornaments and standing on a supine boar raised on a lotus<br />
pedestal, the dragon‐bovine head with an open mouth, large up‐right horn and flame‐like<br />
4007 locks, 18.5''h $ 200 ‐ 400<br />
(<strong>Lot</strong> <strong>of</strong> 3) Assorted Chinese ivory figural carvings, consisting <strong>of</strong> two <strong>of</strong> the Eight Daoist<br />
Immortals Zhang Guo Lao and Han Xiang Zi with associated attributes, together with a figure <strong>of</strong><br />
Guanyin holding an amphora and a willow branch standing on a lotus pedestal, 5.5''h;<br />
4008 Provenance: Estate <strong>of</strong> Mr. and Mrs. C.K. Whittaker <strong>of</strong> Los Angeles and Rancho Santa Fe, CA $ 200 ‐ 400<br />
Chinese large agate cup, <strong>of</strong> bean shape with a small cicada to either side and raised on an oval<br />
4009 foot, the semi‐translucent matrix with bands <strong>of</strong> russet and grey, 5.75''l $ 300 ‐ 500<br />
Chinese green jade carving, featuring a fish swimming above cresting waves below a reticulated<br />
section <strong>of</strong> wide lotus leaves and large lotus root, the opposite side with lingzhi sprigs, the outer<br />
4010 portions picked out from a brown inclusion (skin) <strong>of</strong> the pale green stone, 2.5''l $ 150 ‐ 250<br />
Chinese green hardstone covered tripod urn, the compressed ovoid body raised on three<br />
animal mask‐and‐paw supports and carved with a pair <strong>of</strong> oversize animal‐mask handles<br />
suspending large loose rings, the short neck surmounted by a dome‐shaped lid with a<br />
sculptural finial <strong>of</strong> a seated qilin, the stone <strong>of</strong> mottled icy‐green hue, 8.5''; with a carved<br />
4011 wooden stand $ 200 ‐ 400<br />
Page 1 <strong>of</strong> 23
<strong>Clars</strong> <strong>Auction</strong> <strong>Gallery</strong><br />
January 14th 15th, 2012<br />
<strong>Lot</strong> Description<br />
LOW<br />
Estimate<br />
HIGH<br />
Estimate<br />
(<strong>Lot</strong> <strong>of</strong> 5) Chinese jade pebbles, each <strong>of</strong> pale green hue and most with a russet skin, average<br />
4012 1.75''l $ 300 ‐ 500<br />
Chinese polychrome glazed porcelain plaque, depicting a folk hero about to attack a rooster,<br />
the top left with title and dated wuchen (1928/1988), signed 'Wang Dafan' and sealed,<br />
4013 14.375''h x 10''w $ 300 ‐ 500<br />
Chinese blanc de Chine figure <strong>of</strong> Damo (Bodhidharma), sculpted with exaggerated foreign facial<br />
features and draped in monastic robes with hands hidden in the loose sleeves, all standing<br />
4014 above rolling waves, 10.75''h $ 100 ‐ 200<br />
(<strong>Lot</strong> <strong>of</strong> 2) Chinese porcelain enameled box, <strong>of</strong> rectangular shape with canted edges and painted<br />
with a figural scene, the base with an apocryphal Qianlong mark, 3.5''l; together with a small<br />
hinged rectangular case <strong>of</strong> filigree metal with enameled accents and set with two rectangular<br />
4015 pale green jade cabochons, 2''l $ 400 ‐ 600<br />
4016<br />
4017<br />
Chinese underglaze blue decorated porcelain beaker vase, with a trumpet mouth to the<br />
cylindrical neck accented with a continuous scene <strong>of</strong> a lone villa set on a river bank, above the<br />
waisted ovoid body with a scholar on the bank gazing at two boats in the river, 8.75''h $ 200 ‐ 400<br />
Chinese underglaze blue decorated porcelain vase, the slender ovoid body painted in shades <strong>of</strong><br />
cobalt blue with rustic dwellings in a wooded landscape, (repair to rim), 9.25''h $ 250 ‐ 450<br />
Chinese celadon glazed puzzle cup and stand, the deep cup molded with low relief wave<br />
pattern and centered by a three‐dimensional dragon rising up from the center, the bottom<br />
pierced to allow the liquid to drain into the tall pedestal pierced with five holes to the center<br />
4018 and molded with dragons in low relief above waves encircling the base, 6''h $ 100 ‐ 200<br />
4019<br />
4020<br />
4021<br />
4022<br />
(<strong>Lot</strong> <strong>of</strong> 3) Three Chinese polychrome enamel decorated porcelains, each with a Tongzhi mark<br />
and <strong>of</strong> the period, the first a butterfly‐shaped bowl with a brilliantly colored butterfly painted<br />
to the exterior, turquoise glazed interior and base, 6.75''l; and two small pedestal dishes, one<br />
<strong>of</strong> hexagonal section and scattered with blossoms, the other painted with ribbon‐tied emblems<br />
and scholar's objects, 4.5'' and 3.875''sq $ 200 ‐ 400<br />
Chinese qingbai porcelain ewer, the elegant ovoid body with a tall curving spout and large strap<br />
handle attached below the thin flaring rim and to the high shoulder, applied overall with a bluetinted<br />
translucent glaze stopping at the ring foot (kiln flaws), 7.25''h $ 400 ‐ 600<br />
Chinese polychrome enameled crackle glaze vase, with Buddhist emblems accenting the short<br />
conical neck set to angular shoulders, the square section body adorned with pink and green<br />
enameled fu‐lions to the upper corner above portraits <strong>of</strong> majestic generals and mythical beasts<br />
on a crackle‐patterned ground, the short cylindrical foot with an apocryphal underglaze blue<br />
Yongzheng mark to the recessed base, 13.5''h $ 200 ‐ 400<br />
Pair <strong>of</strong> Chinese polychrome enameled hexagonal porcelain hat stands, each painted in bright<br />
overglaze enamels with peacocks perched on a large flowering peony tree near budding prunus<br />
and hovering butterflys, each facet also with alternating melon‐form apertures, 11.125''h $ 300 ‐ 500<br />
Page 2 <strong>of</strong> 23
<strong>Clars</strong> <strong>Auction</strong> <strong>Gallery</strong><br />
January 14th 15th, 2012<br />
<strong>Lot</strong> Description<br />
LOW<br />
Estimate<br />
HIGH<br />
Estimate<br />
(<strong>Lot</strong> <strong>of</strong> 9) Chinese assorted enameled export porcelains, most Qing dynasty, consisting <strong>of</strong> three<br />
salt cellars, each with a shallow well raised on a splayed plinth accented with floral sprays; five<br />
polychrome enameled cups depicting figures (2) or floral sprigs (3); together with one small<br />
openwork basket‐form bowl painted with two children and a beauty in front <strong>of</strong> a villa (losses),<br />
4023 7.125''w $ 250 ‐ 450<br />
Chinese polychrome enameled large porcelain bowl, the exterior with peony branches with<br />
lush blossoms <strong>of</strong> coral and yellow accented with small green leaves, together with a green bat<br />
suspending a sprig with a pair <strong>of</strong> ripe peaches, an underglaze blue apocryphal Qianlong mark to<br />
4024 base, 8.5''w $ 400 ‐ 600<br />
Chinese underglaze blue decorated phoenix‐head ewer, molded in the shape <strong>of</strong> a moon flask<br />
with flattened sides and raised on an oval foot, the spout in the shape <strong>of</strong> a phoenix with the<br />
rest <strong>of</strong> its body painted to the top <strong>of</strong> the vessel amid flowering scrolls, with a loop handle,<br />
4025 7.5''h $ 150 ‐ 250<br />
(<strong>Lot</strong> <strong>of</strong> 6) Chinese export enameled porcelain plates and shallow dishes, Qing dynasty, <strong>of</strong><br />
various styles mostly with flowers executed in the famille rose palette, including: one pair<br />
centered by a brown leaf brightened by flowers <strong>of</strong> pink, yellow and blue, and with a pink<br />
cavetto and further with floral sprigs on the rim; one with a pair <strong>of</strong> pheasants amid a peony<br />
bush (repaired); one centered by a covered vase and with floral garlands to the wide rim (some<br />
4026 with hairline cracks), 9.25''w $ 250 ‐ 450<br />
Chinese polychrome enameled porcelain dish, the sloping interior brightly decorated with a<br />
scene <strong>of</strong> seven children playing on a garden terrace, the exterior with meandering dragons <strong>of</strong><br />
red, green and yellow hue alternating with stylized clouds, an apocryphal underglaze blue<br />
4027 Wanli mark to the base, (hairline crack), 11.75''w $ 200 ‐ 400<br />
4028<br />
4029<br />
4030<br />
Chinese green steatite box with overlay decoration, <strong>of</strong> rectangular shape and <strong>of</strong> mottled pale<br />
green hue, the fitted lid applied with two figures walking in an abbreviated garden with<br />
flowering bushes and a desk fashioned from overlay <strong>of</strong> bone, amethyst, carnelian and colored<br />
soapstone, together with a fitted stand with reticulated aprons (chip), 6.75''l $ 150 ‐ 250<br />
Pair <strong>of</strong> Chinese ceramic cricket jars, each <strong>of</strong> the dark brown bodies <strong>of</strong> cylindrical form and<br />
decorated with galloping steeds, together with a dished lid centered by a floriform medallion,<br />
underside <strong>of</strong> lid impressed 'Daoguang renyin' and 'Shuo Ting Zhuren zhi pan', 5.125''h $ 400 ‐ 600<br />
Chinese unusual ovoid porcelain water coupe, fashioned as a fu‐lion with its head to the top, its<br />
body encircling the upper half <strong>of</strong> the container and with two <strong>of</strong> its paws along the irregular top<br />
opening, the cream‐colored body with powdery grey and bright green splashes, the base with<br />
an apocryphal Qianlong mark, 4.5''l; together with a thin dragon‐headed bronze spoon $ 300 ‐ 500<br />
Chinese circular ink stone with a fitted hardwood box, the ink stone centered by a shallow well<br />
encircled by a channel and a wide edge, together with a circular hardwood box carved 'Anding<br />
4031 Tang', bearing the date 'guangxu ninth year' and name 'Du Zizheng', ink stone: 5'', box: 6''w $ 150 ‐ 250<br />
Chinese coral hued glass brush washer, Qing/Republic period, the exterior <strong>of</strong> the compressed<br />
ovoid body continuously decorated with fruiting peach sprigs alternating with stylized bats all<br />
below the thin rolled rim, the matrix <strong>of</strong> mottled coral‐red hue suffused with marbled white<br />
4032 patches, 4.6'' $ 600 ‐ 1000<br />
Page 3 <strong>of</strong> 23
<strong>Clars</strong> <strong>Auction</strong> <strong>Gallery</strong><br />
January 14th 15th, 2012<br />
<strong>Lot</strong><br />
Description<br />
LOW<br />
Estimate<br />
HIGH<br />
Estimate<br />
Chinese patinated bronze censer, the compressed body decorated with two pairs <strong>of</strong> confronted<br />
dragons in relief, all raised on zoomorphic supports, base cast with the legend 'fei yun ge',<br />
4033 together with an openwork cover featuring a dynamic dragon, 5''w $ 500 ‐ 700<br />
Chinese circular bronze handwarmer, <strong>of</strong> compressed ovoid shape tapering below the shoulder<br />
and with a hinged loop handle, the fitted lid decorated with a phoenix amid flowering sprays on<br />
4034 a reticulated ground, 10''d $ 50 ‐ 100<br />
4035<br />
(<strong>Lot</strong> <strong>of</strong> 4) Four Chinese small boxes: one rectangular two‐section hardwood box tapering to a<br />
recessed foot and inscribed 'micang'; a two‐part stained hardwood box carved as a leafy<br />
melon; a red‐ground circular cloisonne container with stylized blossoms; and a hexagonal<br />
cloisonne box decorated with cranes on a blue ground, first: 3.25''l $ 100 ‐ 200<br />
(<strong>Lot</strong> <strong>of</strong> 2) Japanese patinated bronze vessels, Meiji period, the first a covered tripod urn raised<br />
on a waisted pedestal base and cast with a relief band <strong>of</strong> flowering lotus plants bracketed by<br />
two narrow champleve enamel geometric‐patterned bands and applied with a pair <strong>of</strong> dragonform<br />
handles framing the fitted lid with further champleve accents and surmounted by a<br />
karashishi finial (loose), 10.5''h; the second a small tripod ovoid censer with high relief<br />
karashishi or flowering bushes on the sides cast with animal mask handles below the pierced lid<br />
4036 with a dragon‐form finial, 5.5''h $ 100 ‐ 150<br />
(<strong>Lot</strong> <strong>of</strong> 3) Set <strong>of</strong> Imari porcelain bowls, Meiji/Taisho period, <strong>of</strong> graduated size and decorated in<br />
the characteristic palette with a flowering garden with a crane and mythical beast within a<br />
shippo‐tsunagi and brocade‐patterned bands repeated on the exterior penciled with flowering<br />
4037 sprigs, largest 10''d $ 300 ‐ 500<br />
(<strong>Lot</strong> <strong>of</strong> 16) Group <strong>of</strong> Japanese Imari or Imari‐style porcelain, each decorated in gilt, polychrome<br />
enamels and underglaze blue, consisting <strong>of</strong>: a pair <strong>of</strong> foliate‐edged saucers, two pairs <strong>of</strong><br />
irregular shaped dishes; two sets <strong>of</strong> four boat‐shaped shallow dishes, one pedestal cup washer<br />
4038 and one foliate‐edged bowl, bowl: 7.375''d $ 150 ‐ 250<br />
(<strong>Lot</strong> <strong>of</strong> 16) Selection <strong>of</strong> Chinese embroidered textile panels, most featuring the theme <strong>of</strong><br />
flowers, some further accented with birds, butterflies, melons and/or antiques, executed in<br />
4039 various techniques such as satin stitch, Peking knots and couching on a satin silk ground, 22.5'' $ 300 ‐ 500<br />
Chinese patinated metal bell, cast with a pair <strong>of</strong> meandering dragons above three seated<br />
bodhisattva alternating with long textual passages, the notched edge heightened with shou<br />
4040 medallions and the phrase 'ruyi jixiang', 10''h $ 300 ‐ 500<br />
Japanese large Imari style charger, the interior well with an underglaze blue floral medallion<br />
surrounded by overlapping reserves <strong>of</strong> dragons alternating with phoenix and separated by<br />
smaller panels <strong>of</strong> karako (Chinese children) or a karako accompanying a sage in a landscape,<br />
4041 18.5''d $ 300 ‐ 500<br />
4042<br />
(<strong>Lot</strong> <strong>of</strong> 12) Assortment <strong>of</strong> Asian and Chinese textiles, including an orange‐ground child's vest<br />
embroidered with a pair <strong>of</strong> phoenixes, one panel <strong>of</strong> a Han woman's pleated skirt decorated<br />
with children in a garden, one seated on a qilin, a black pillow case with dragon and phoenix,<br />
sleeve bands and embroidered fragments, skirt: 38.5''h $ 300 ‐ 500<br />
Page 4 <strong>of</strong> 23
<strong>Clars</strong> <strong>Auction</strong> <strong>Gallery</strong><br />
January 14th 15th, 2012<br />
<strong>Lot</strong><br />
Description<br />
LOW<br />
Estimate<br />
HIGH<br />
Estimate<br />
(<strong>Lot</strong> <strong>of</strong> 2) Chinese famille rose decorated export porcelains, the first a large punch bowl with<br />
the characteristic alternating figural and floral reserves, 14.5''d; the second a Rose Medallion<br />
4043 stick‐neck ovoid vase painted with similar figural and bird‐and‐flower reserves, 15''h $ 200 ‐ 400<br />
(<strong>Lot</strong> <strong>of</strong> 40) Group <strong>of</strong> Chinese carved wood stands, consisting <strong>of</strong> low rectangular stands, circular<br />
4044 vase/bowl stands and some footed stands (some wear), largest 13''l $ 250 ‐ 450<br />
Chinese lacquer and overlay decorated four panel wood screen, the upper panels <strong>of</strong> a<br />
continuous scene <strong>of</strong> children playing on a garden terrace and involved in activities such as<br />
dragon dance, tag, hawk‐and‐chicken, kite flying, all set above two rows <strong>of</strong> lower panels each<br />
featuring various floral sprays, all reversed by gilt and polychrome bird‐and‐flower decoration,<br />
4045 72''h x 73''w $ 400 ‐ 600<br />
Chinese hanging scroll, ink and color on paper, Scholar in Landscape, after Dong Bangda<br />
(Chinese, 1699‐1769), the upper left with a poetic colophon and bearing the signature 'Dong<br />
4046 Dongshan', with two seals, sight: 48.5''h x 11.75''w, overall: 73.5''h x 16.25''w $ 150 ‐ 250<br />
Chinese hanging scroll, Magpies, after Yan Bolong (1898‐1955), the right side inscribed with the<br />
cyclical date 'yiyou summer' and bearing the signature 'Yan Bolong', with two seals, sight:<br />
4047 45.5''h x 13.25''w, overall: 93''h x 19.5''w $ 300 ‐ 500<br />
Chinese red silk hanging, featuring the female immortal Magu with an embroidered face and<br />
elaborate coiffure, holding a platter <strong>of</strong> peaches and in robes with silk appliques, 71.5''h x<br />
4048 34.5''w $ 200 ‐ 400<br />
Framed Chinese painting, ink and color on paper, Guanyin with Willow, based on an earlier<br />
prototype depicting the bodhisattva walking in diaphanous robes with a willow sprig held to<br />
the front, the jeweled diadem fronted by a small figure <strong>of</strong> a seated Buddha, possibly a copy <strong>of</strong> a<br />
4049 wall painting, 64''h x 27''w $ 150 ‐ 250<br />
Unmounted Chinese painting, ink on paper, Orchids and Bamboo, after Tang Yun (1910‐1993),<br />
the upper right inscribed with the date 1982 second month 20th day and bearing the signature<br />
4050 'Tang Yun', with three seals, painting: 15.625''h x 54.5''w ,overall: 20.75''h x 67.25''w $ 150 ‐ 250<br />
Framed Chinese ink and color on paper, Figure <strong>of</strong> Bu Dao Weng, after Qi Baishi (1864‐1957),<br />
the right inscribed 'Yiping Tang [ ] Laoren' depicting 'Bu Dao Weng', followed by one seal, sight:<br />
4051 25.75''h x 12.75''w, overall: 58.8''h x 26.3''w $ 400 ‐ 600<br />
(<strong>Lot</strong> <strong>of</strong> 3) Japanese calligraphy scrolls: the largest with a seven‐character Chinese poetic<br />
couplet, with a cyclical date mizunoue‐inu (1982) and signed, with three seals, overall: 84''h x<br />
23''w; the next with the character for 'waterfall' (taki), signed, with three seals, with tomobako:<br />
68''h x 12''w; the last with the character 'hikari' (bright), dated 1963, signed, with three seals,<br />
4052 overall: 57''h x 15.325''w $ 100 ‐ 200<br />
Framed oversized Asian painting, ink and color on paper, Winter Pavilion, the lower right<br />
4053 painted with a name cartouche, sight: 50''h x 35''w, overall: 55.5''w x 40.5''h $ 300 ‐ 500<br />
Chinese hanging scroll, ink and color on silk, Figures in Boat, after Huang Shanshou, the right<br />
entitled, dated 'wuwu', bearing the signature 'longcheng jushi, Huang Shanshou' and with one<br />
4054 seal, sight: 10.25''h x 21.75''w, overall: 42''h x 25.5''w $ 1,000 ‐ 1500<br />
4055<br />
Framed Japanese album leaf, ink and light color on paper, Daruma crossing the Yangze River on<br />
a reed, signed Gyokusho (possibly Kawabata Gyokusho 1842‐1913), Provenance: purchased<br />
from University <strong>of</strong> California at Berkeley collection in mid 1960s $ 50 ‐ 100<br />
Page 5 <strong>of</strong> 23
<strong>Clars</strong> <strong>Auction</strong> <strong>Gallery</strong><br />
January 14th 15th, 2012<br />
<strong>Lot</strong><br />
Description<br />
LOW<br />
Estimate<br />
HIGH<br />
Estimate<br />
Framed Japanese oversize woodblock printed map, entitled Shinkoku Dai Nihon Zenzu (New<br />
Carved All Japan Map), dated Genji 2 (=1865, 2nd month), featuring the islands <strong>of</strong> Japan during<br />
4056 the late Edo period, with color accents, overall: 29.25''h x 40''w $ 300 ‐ 500<br />
Framed Japanese modern woodblock print, Hakubazan [in English] and Hakuba sancho yori<br />
(From the the Summit <strong>of</strong> Hakuba Mountain) [in Japanese], from the Twelve Scenes <strong>of</strong> the<br />
Japanese Alps, dated Taisho 15 (1926), with impressed signature <strong>of</strong> Hiroshi Yoshida (Japanese,<br />
1876‐1950) (some fading, reverse toned, top reverse corners and tacked to backing), 10.75''h x<br />
4057 15.625''w $ 150 ‐ 250<br />
Framed Japanese color woodblock print (sosaku hanga), Haniwa (1), depicting a pottery tomb<br />
figure and two vases, lower left signed in white ink Kiyoshi Saito (1907‐1997), sight: 6.5''h x<br />
4058 11.5''w, overall: 12.5''h x 17''w $ 200 ‐ 400<br />
Unframed Japanese modern woodblock print, Ueno Kiyomizudo (Kiyomizu Hall, Ueno) from the<br />
series Tokyo nijukei (Twenty Views <strong>of</strong> Tokyo), [Brown #153], dated Showa 3 (1928), signed<br />
Hasui (Kawase Hasui, 1883‐1957), the right margin with Watanabe cartouche (A: 1924‐30)<br />
4059 (faded, tear) 15.25''h x 10.25''w $ 75 ‐ 125<br />
Unframed Japanese modern woodblock print, Usugure ‐ Evening Glow at Choshi, dated Showa<br />
7 (1932), signed Koitsu (Ishiwata Koitsu, 1897‐1987), published by Watanabe (good color),<br />
4060 10.125''h x 15''w $ 100 ‐ 200<br />
(<strong>Lot</strong> <strong>of</strong> 3) Japanese modern prints: first a colored woodblock entitled Natame (Rapeseed),<br />
sealed Shodo (Kawarazaki Shodo, 1889‐1973), 16''h x 10.75''w; the second multi‐petal white<br />
and pink cherry blossoms, unsigned, 14.25''h x 10.75''w; the third a mezzotint <strong>of</strong> pansies,<br />
4061 edition 10/50, signed in pencil [unread], 15''h x 19.25''w $ 50 ‐ 100<br />
Unframed etching, Chamomile, <strong>of</strong> a nude resting in a field <strong>of</strong> blossoms beneath billowing<br />
clouds, edition notation 9/XXX [sic], signed Mayumi (=Mayumi Oda, Japanese, b. 1941), 18''h x<br />
4062 13.75''w $ 50 ‐ 100<br />
(<strong>Lot</strong> <strong>of</strong> 2) Japanese woodblock prints: the first a hosoban <strong>of</strong> an onnagata kabuki actor, signed<br />
Shunsho (Katsukawa Shunsho 1726‐92), 11.5''h x 5.5''w; the second an oban tate‐e <strong>of</strong> the<br />
kabuki actor Kogawa Yoshitaro, signed Toyokuni, with publisher seal <strong>of</strong> Kawachiya Genshichi,<br />
4063 15.25''h x 10.25''w $ 100 ‐ 150<br />
4064<br />
Unframed Japanese color woodblock print, from the series Genji junijo, entitled Maboroshi<br />
(Dream), depicting a high‐ranking courtesan, 1820s, signed Kikugawa Eizan‐hitsu (1787‐1867),<br />
with kiwame censor seal and publisher mark <strong>of</strong> Wakasa‐ya Yoichi, 15.25''h x 10.25''w $ 50 ‐ 100<br />
(<strong>Lot</strong> <strong>of</strong> 3) Japanese woodblock prints, each by Utagawa Kuniyoshi (1797‐1861), the first two<br />
from the series Seicho gishi‐den published by Ebiya, 1847‐48), depicting Kataoka Dengoemon<br />
Takafusa and Hayami Sozaemon Mitsutaka, 14.5''h x 9.5''w; together with an earlier work<br />
4065 depicting an actor from the Ichimura family (condition problems), 14.75''h x 10''w $ 100 ‐ 150<br />
(<strong>Lot</strong> <strong>of</strong> 3) Japanese woodblock prints, each by Toyohara Kunichika (1835‐1900) and published<br />
by Manji: two from the series Sanjuroku ka[ ] no uchi, one entitled Botan (peony), the other<br />
Taku[sha], each with an actor half‐portrait, one with censer/date seal (1865), 14.25''h x 9.5''w;<br />
and one <strong>of</strong> the actor Bando Mitsugoro in role, with censer/date seal (1867.3), 14.625''h x<br />
4066 9.75''w $ 150 ‐ 250<br />
Page 6 <strong>of</strong> 23
<strong>Clars</strong> <strong>Auction</strong> <strong>Gallery</strong><br />
January 14th 15th, 2012<br />
<strong>Lot</strong><br />
Description<br />
LOW<br />
Estimate<br />
HIGH<br />
Estimate<br />
4067<br />
4068<br />
(<strong>Lot</strong> <strong>of</strong> 2) Unframed Japanese woodblock prints, the first an oban tate‐e <strong>of</strong> the onnagata kabuki<br />
actor Onoe Sho[suke] in role, with gyoji seal (?), signed Toyokuni‐ga (Utagawa Toyokuni 1769‐<br />
1825), publisher's mark [trimmed], 14.25''h x 9.25''w; the second an aiban <strong>of</strong> a double portrait<br />
<strong>of</strong> lovers, signed Ittosai Yoshitsuna‐ga (Utagawa Yoshitsuna, fl.c.1848‐68), with two nanushi<br />
censor and date seals (1852), 12.5''h x 8.5''w $ 40 ‐ 60<br />
Unframed Japanese color woodblock print, 19th century, from the series Edo Jiman (Pride<br />
[<strong>of</strong>]Edo) [#36], depicting a street scene, signed Hiroshige‐ga (Utagawa Hiroshige, 1797‐1858)<br />
and Toyokuni‐hitsu (Utagawa Kunisada, 1786‐1864) (left margin trimmed), 14''h x 9.5''w $ 50 ‐ 100<br />
(<strong>Lot</strong> <strong>of</strong> 2) Japanese modern woodblock prints, each by Natori Shunsen (1886‐1960 ) and with<br />
the publisher Watanabe‐ko cartouche, the first <strong>of</strong> Onoe Kikugoro (in the role <strong>of</strong> Omatsuri<br />
Sashichi), 1931, signed/sealed, 16''h x 11''w; the second an okubi‐e <strong>of</strong> an onnagata, possibly<br />
4069 Nakamura Utaemon, 1950s, signed/sealed, 15.75''h x 10.625''w $ 100 ‐ 150<br />
(<strong>Lot</strong> <strong>of</strong> 3) Japanese modern woodblock prints: Shibaraku, Kamakura Gongoro Kagemasa (kabuki<br />
actor), signed Sadanobu‐ga (Hasegawa Sadanobu III, 1881‐1963), Uchida publisher seal, 17.5''h<br />
x 11.375''w; Mokuren/Kyukancho (Magnolia and Mynah), sealed by Kotozuka Eiichi (1906‐<br />
1979), 17.5''h x 12.25''w; Kitten, signed/sealed Seicho (Hasegawa Seicho, 1916 ‐ 2004) 13.25''h<br />
4070 x 17.5''w $ 100 ‐ 200<br />
(<strong>Lot</strong> <strong>of</strong> 3) Two Japanese woodblock prints: one from the series Tokaido meisho no uchi, with<br />
aratame/date seal (1863) and signed Hiroshige (Hiroshige II, 1829‐69); Azuma nishiki‐ga [<br />
]arasou, depicting Ariwara no Narihira, signed Yoshu Chikanobu‐hitsu hitsu (Toyohara Chikanobu,<br />
1838‐1912), printer's cartouche dated Meiji 19 (1886), 14''h x 9.5''w; together with one later<br />
4071 reproduction after Hiroshige, 'Foxfire' from the 100 Views <strong>of</strong> Edo $ 150 ‐ 250<br />
(<strong>Lot</strong> <strong>of</strong> 5) Japanese woodblock print reproductions, after Hiroshige, each from the so‐called<br />
Gyosho Tokaido series, including Hiratsuka, Oiso, Fujieda, Maisaka and Yoshida, each with a<br />
4072 secondary publisher seal <strong>of</strong> Watanabe, 9.3''h x 14.5''w $ 50 ‐ 100<br />
4073<br />
(<strong>Lot</strong> <strong>of</strong> 2) Framed Japanese woodblock prints, each signed Toshu Chikanobu‐hitsu (Japanese,<br />
Toyohara Chikanobu, 1838‐1912) and from the series Setsu‐Getsu‐Ka (Snow‐Moon‐Flower), the<br />
first Moon at Sumidagawa, dated Meiji 17.12 (1884); the second 'Meiseki' (Bright Stone) Moon,<br />
dated Meiji 18.3 (1885), each with large publisher cartouche <strong>of</strong> Kobayashi Tetsujiro, prints:<br />
13.75''h x 9.25''w, overall: 18.5''h x 12.5''w $ 100 ‐ 200<br />
Mounted Japanese color woodblock print triptych set, depicting three kabuki actors in role,<br />
signed Utagawa Kuniteru, with censor/date seal (1865.8), publisher cartouche <strong>of</strong> Daikoku, now<br />
4074 mounted as a small three‐fold screen, each print: 13.5''h x 9.5''w, overall: 18.25''h x 33.5''w $ 150 ‐ 250<br />
Korean wood cabinet with desk insert, the top with a row <strong>of</strong> two drawers above a pair <strong>of</strong><br />
hinged doors opening to reveal a drop‐down desk above two stacks <strong>of</strong> three drawers, all<br />
supported on a separate fitted stand and with elaborate etched gilt metal fittings (reddish stain<br />
4075 removed from the front section), 49.5''h x 31''h x 15''d $ 400 ‐ 600<br />
Chinese rug with brown ground circa 1950, having roundels and center Shou medallion, 11'9'' x<br />
4076 8'3'' $ 200 ‐ 400<br />
Page 7 <strong>of</strong> 23
<strong>Clars</strong> <strong>Auction</strong> <strong>Gallery</strong><br />
January 14th 15th, 2012<br />
<strong>Lot</strong> Description<br />
LOW<br />
Estimate<br />
HIGH<br />
Estimate<br />
Chinese orange ground embroidered silk robe, fronted by a rank badge‐form reserve with a<br />
bird perched on a rock above waves, the rest <strong>of</strong> the robe scattered with satin‐stitched<br />
butterflies and blossoming sprays executed in blue and white silk threads, the reverse<br />
4077 decorated en suite, 44''l $ 150 ‐ 250<br />
Chinese woman's red ground silk two panel skirt, the bright red ground with a damask pattern<br />
<strong>of</strong> lotus and Buddhist treasures, accented with black ribbon trim embroidered with flowers and<br />
butterflies, further applied with a small panel featuring a meandering blue dragon above a<br />
4078 lishui band, 36.5''h $ 400 ‐ 600<br />
Unmounted Chinese painting, ink and color on paper, Bokchoy and Taro, the left with title and<br />
bearing the signature 'Jiang Boyu', dated '96, with three seals, sight: 24.5''h x 18.6''w, overall:<br />
4079 36.25''h x 24.75''w $ 150 ‐ 250<br />
Chinese root wood carved figural group, featuring a male immortal with a textured body<br />
formed from a piece <strong>of</strong> convoluted root wood, his right hand holding a pouring vessel and<br />
raised on a gnarled plinth also supporting a young disciple seated on an ox (minor losses and<br />
4080 portions detached), 15''w $ 300 ‐ 500<br />
4081<br />
Chinese wooden canopy bed, <strong>of</strong> open frame construction with two side panels in the form <strong>of</strong><br />
undulating scrolls inlaid with figures in a landscape, the rectangular bed panel bordered by a<br />
gallery <strong>of</strong> inset raised panels and surmounted by an openwork canopy <strong>of</strong> quatra‐foil pattern, all<br />
raised on slab supports joined to stretchers, 81''h x 81''w x 47.25''d $ 800 ‐ 1200<br />
Set <strong>of</strong> three Chinese wooden nesting tables, each inset with a burlwood floating panel to the<br />
top, the apron pierced with flowers bracketed by scrolling tendrils, all raised on slender square<br />
4081A supports joined by cross stretchers at the base, largest: 26.8 8''h $ 150 ‐ 250<br />
Chinese large polychrome enamel decorated export porcelain punch bowl, decorated with the<br />
so‐called tobacco‐leaf pattern scattered with blossoms and with a ring <strong>of</strong> floral sprigs<br />
4082 suspended from the rim, 14.5''d $ 200 ‐ 400<br />
Japanese champleve enamel decorated patinated bronze vase, now mounted as a lamp, the<br />
ovoid body with two multi‐colored enamel taotie mask bands below the angular shoulder and<br />
4083 at the waisted neck flanked by two elephant‐head handles, 11.5''h [without fittings] $ 100 ‐ 150<br />
Chinese enameled large porcelain bowl, the exterior with scholars in elegant pursuits<br />
accompanied by attendants on a garden terrace, the contrasting interior <strong>of</strong> patinated bronze<br />
4084 hue, the recessed base with an apocryphal Qianlong mark, 15.25''w $ 100 ‐ 200<br />
Chinese carved hardwood altar table, the top inset with a rectangular floating panel with<br />
swallow‐tail ends, the shaped apron and spandrels carved with meandering dragons in pursuit<br />
<strong>of</strong> sacred jewels, all resting on beaded supports joined to reticulated panels further repeating<br />
4085 the dragon motif, 35.5''h x 79''w x 19.5''d $ 1,000 ‐ 1500<br />
Chinese polychrome decorated lacquered low table, painted with a fishing boat on a river with<br />
a pavilion complex dotting the banks, all above a short waist accented with tendrils and classic<br />
scrolls to the shoulder, the shaped apron brightened with floral blossoms and meandering<br />
scrolls, all raised on straight supports with ho<strong>of</strong> terminals (wear and minor losses), 17.25''h x<br />
4086 50''w x 17.25''d, together with a glass top $ 300 ‐ 500<br />
Chinese wooden storage trunk, the hinged lid and side panels each carved with a sunken lobed<br />
reserve <strong>of</strong> figures beside a river bank and framed by a border <strong>of</strong> floral sprays and scrolls, raised<br />
4087 on fu‐lion form supports, 36''w $ 150 ‐ 250<br />
Page 8 <strong>of</strong> 23
<strong>Lot</strong><br />
4088<br />
<strong>Clars</strong> <strong>Auction</strong> <strong>Gallery</strong><br />
January 14th 15th, 2012<br />
LOW<br />
Estimate<br />
Description<br />
Pair <strong>of</strong> porcelain vases, now mounted lamps, <strong>of</strong> square section with slip‐trail decoration <strong>of</strong><br />
floral sprigs, vase: 15.8''h $ 100 ‐ 200<br />
Chinese wooden export storage cabinet, the hinged top carved with scholars and beauties in<br />
front <strong>of</strong> a pavilion, fronted by a raised panel with a mother and three children at the door <strong>of</strong> a<br />
rustic villa, all above two rows <strong>of</strong> drawers similarly featuring figures in relief within bands <strong>of</strong><br />
4089 prunus blossoms, with stepped supports, 40''h x 38''w x 20.5''d $ 200 ‐ 400<br />
Japanese rattan pilgrimage haori (over jacket), applied with various temple stamps, 32''l x<br />
46''w; togther with sewn lengths <strong>of</strong> double ikat fabric in gray and black; Provenance: each<br />
4090 purchased in Japan in 1969 $ 50 ‐ 100<br />
HIGH<br />
Estimate<br />
Page 9 <strong>of</strong> 23
<strong>Clars</strong> <strong>Auction</strong> <strong>Gallery</strong><br />
January 14th 15th, 2012<br />
<strong>Lot</strong> Description<br />
LOW<br />
Estimate<br />
HIGH<br />
Estimate<br />
Chinese long embroidered silk hanging, the cream ground centered with a large blue peony<br />
blossom and various meandering sprigs bracketed by a pair <strong>of</strong> peacocks, each body couched in<br />
metallic threads accented by satin‐stitched feathers <strong>of</strong> blue, purple, green and orange within a<br />
blue border couched with floral sprays and shou medallions (stains, thinning and tears to<br />
8000 border), 19''h x 149.25''w $ 300 ‐ 500<br />
(<strong>Lot</strong> <strong>of</strong> 2) Chinese woman's blue ground silk surcoat, with a button front and centered with<br />
bright peony sprigs along with scattered sprays <strong>of</strong> melons, flowers and butterflies, all above a<br />
lishui border band andexecuted in Peking knots, the neckline encircled with a cream‐ground<br />
ruyi collar embroidered with blue blooms, accented with pale blue sleeve bands worked with<br />
bright floral designs, 42.75''h; together a pair <strong>of</strong> green silk trousers with a damask prunus<br />
8001 pattern, 46.5''h $ 700 ‐ 900<br />
Chinese embroidered red‐ground silk hanging, featuring Magu holding a tray an ewer and a pair<br />
<strong>of</strong> jue cups standing behind Shoulao with a gnarled staff and petting a recumbent deer, all<br />
8002 executed in colored threads in satin stitches, 57.5''h x 29.25''w $ 300 ‐ 500<br />
Chinese woman's green ground silk robe, with a button front and featuring eight dragon<br />
roundels worked in gilt‐wrapped threads and with the ground scattered with colorful clouds,<br />
cranes, bats, shou emblems, Buddhist treasures, all completed by a pair <strong>of</strong> white sleeve bands<br />
8003 featuring vases <strong>of</strong> bright flowers, 53.5''h $ 800 ‐ 1200<br />
Chinese embroidered red‐ground silk hanging, with the immortal Magu portrayed in tiers <strong>of</strong><br />
vibrantly embroidered robes and holding a lobed tray supporting an ewer, pair <strong>of</strong> jue cups, two<br />
peaches and lingzhi sprays, the deity accompanied by a phoenix fashioned with a pink head and<br />
8004 plume, 56.25''h x 29''w $ 300 ‐ 500<br />
(<strong>Lot</strong> <strong>of</strong> 4) Chinese underglaze blue decorated porcelain plaques, each featuring figures and<br />
pavilions set in a landscape with tall mountains and meandering rivers, inscribed with a poetic<br />
colophon, cyclical date 'dingmao' and bearing a signature, each within a wooden frame with<br />
mother‐<strong>of</strong>‐pearl inlay <strong>of</strong> floral sprays, Daoist treasures depicted on the small raised panels,<br />
8005 overall: 47''h x 14.25''w $ 1,000 ‐ 2000<br />
Framed Japanese inlaid lacquered wood panel, Meiji period, featuring Benten standing with her<br />
lute and watching Bishamonten run towards Hotei accompanied by seven karako (Chinese<br />
children), the figures finely fashioned from inlay <strong>of</strong> ivory and tinted mother‐<strong>of</strong>‐pearl with<br />
incised details and silhouetted against a black lacquer ground, all within a stained wood frame<br />
8006 carved as a pair <strong>of</strong> confronted dragons with inlaid eyes, 18.125''h x 25.25''w $ 600 ‐ 800<br />
Framed Chinese ink and color on paper, Magpies and Lychee, possibly by Wang Xuetao<br />
(Chinese, 1903‐1982), the right with the cyclical date 'xinyou' winter and bearing the signature<br />
'Xuetao', with two seals, sight: 27.5''h x 18.125''w, overall: 32.125''h x 24.25''w, Literature:<br />
'Zhongguo Huaniao Hua Dashi‐ Wang Xuetao Hua Ce', published by Renmin Meishu Chu Ban<br />
8007 She, 2010, page 78 $ 1,000 ‐ 1500<br />
Chinese hanging scroll, ink and color on paper, Buddha Hand Citron, after Xugu (Chinese, 1823‐<br />
1896), the lower right dated, signed and sealed 'Xugu', the lower left with another seal, sight:<br />
8008 26.6''h x 14''w, overall: 69.5''h x 21.25''w $ 1,000 ‐ 1500<br />
8009<br />
Framed Chinese painting, ink and color on paper, Sage on Horseback, in the manner <strong>of</strong> Huang<br />
Shen (Chinese, 1687‐1772), the upper left inscribed, sealed and with one reading 'Huang Shen'<br />
(creases and toning), sight: 36.5''h x 16.5''w, overall: 48.25''h x 25.5''w $ 400 ‐ 600<br />
Page 10 <strong>of</strong> 23
<strong>Lot</strong><br />
8010<br />
<strong>Clars</strong> <strong>Auction</strong> <strong>Gallery</strong><br />
January 14th 15th, 2012<br />
LOW<br />
Estimate<br />
Description<br />
Framed Chinese painting, ink and color on paper, Figures in Landscape, the upper right with the<br />
cyclical date and bearing the signature 'Kecheng', sealed 'Li Kecheng yin', sight: 12.125''h x<br />
26''w, overall: 14''h x 28''w $ 200 ‐ 400<br />
Chinese hanging scroll, ink and color on silk, Seated Beauty, after Hu Xigui (Chinese, 1839‐<br />
1883), the upper right with a pair <strong>of</strong> five character couplets, with the cyclical date 'dingyou' and<br />
8011 bearing the signature 'Hu Xigui', with two seals, sight: 15''h x 27''w, overall: 74.5''h x 27.5''w $ 700 ‐ 900<br />
Chinese hanging scroll, ink on paper, Boats in River Gorge, after Li Keran (1907‐1989), the<br />
upper left with the cyclical date 'guihai' and bearing the signature 'Keran', with three seals,<br />
8012 sight: 15''h x 27''w, overall: 74.5''h x 27.5''w $ 250 ‐ 450<br />
Chinese hanging scroll, ink and color on paper, Arrival <strong>of</strong> Spring (bao chun tu), after Guan<br />
Shanyue (1912‐2000), featuring flowering red prunus, the upper right with title, dated 1991,<br />
and bearing the signature 'Guan Shanyue', with three seals, sight: 25.5''h x 16.5''w, overall:<br />
8013 64.25''h x 22.6''w $ 400 ‐ 600<br />
Chinese hanging scroll, ink on paper, Landscape, with the cyclical date 'guiyou' and bearing the<br />
8014 signature 'Yifeng', sight: 51.75''h x 25.5''w, overall: 75.75''h x 28.75''w $ 250 ‐ 450<br />
8015<br />
Chinese hanging scroll, ink and color on paper, Landscape, after Huang Binhong (Chinese, 1865‐<br />
1955), the upper right with a long poetic colophon, bearing the signature 'Binhong' and three<br />
seals, the left mounting with an additional inscription and bearing the signature 'Xu Bangda',<br />
with one seal, sight: 44''h x 19.3''w, overall: 81.5''h x 25.25''w $ 500 ‐ 700<br />
Framed Chinese scroll, ink and color on paper, Landscape, after Cai Jia (Chinese, 1686‐1779),<br />
the upper right with a poetic inscription, cyclical date 'gengshen' and bearing the signature<br />
8016 'Songyuan Cai Jia', with four seals, sight: 38''h x 12''w, overall: 49.25''h x 19.75''w $ 800 ‐ 1200<br />
8017<br />
HIGH<br />
Estimate<br />
Pair <strong>of</strong> Himalayan gilt copper repousse figures <strong>of</strong> guardian lions, probably 19th century<br />
architectural fragments, each standing in a mirror pose with its forepaws raised to either side<br />
<strong>of</strong> the leonine head with an open mouth and exaggerated features heightened with red<br />
pigment and framed by a stylized mane <strong>of</strong> curls (wear), 13.5''h $ 1,000 ‐ 1500<br />
Tibetan copper alloy tantric figure <strong>of</strong> the lion‐face dakini (Singdong ma), cast in a dramatic<br />
dance pose with her right leg raised, the other resting on a recumbant human figure raised on a<br />
lotus pedestal, the fierce leonine protectoress wearing dharmapala ornaments and holding a<br />
kapala (skull cup), karttrka (ritual chopper) and khatvanga (ritual wand), all backed by a<br />
8018 separately fashioned flame‐edged mandorla, 13''h $ 1,500 ‐ 2500<br />
Himalayan prayer beads (mala), probably 19th century, with 108 circular beads fashioned from<br />
agate, coral, crystal and other hardstones, a few silver spacers bracketing the two larger coral<br />
8019 beads $ 600 ‐ 800<br />
8020<br />
(lot <strong>of</strong> 2) Japanese ivory figural netsuke <strong>of</strong> Noh drama performers, 20th century, each with gilt<br />
and polychrome pigment accents, the first in the guise <strong>of</strong> an elderly man, perhaps Okina,<br />
dancing in brocade robes and holding a fan, the second possibly a shirabyoshi dancer in male<br />
court robes and holding a fan, each signed Shinko/Nobue, 2.125''h $ 150 ‐ 250<br />
Page 11 <strong>of</strong> 23
<strong>Clars</strong> <strong>Auction</strong> <strong>Gallery</strong><br />
January 14th 15th, 2012<br />
<strong>Lot</strong><br />
Description<br />
LOW<br />
Estimate<br />
HIGH<br />
Estimate<br />
Chinese silver torque with repousse amulets, the choker decorated with alternating reserves <strong>of</strong><br />
flowers, figures and geometric bands and centered by a rectangular repousse plaque featuring<br />
three elegant beauties and a lower locket‐form amulet featuring the characters 'long feng<br />
chang xiang' accented by a dragon and phoenix along with floral decoration and suspending a<br />
8021 pair <strong>of</strong> turquoise and a pair <strong>of</strong> carnelian beads above small 'tassels', torque: 8.5''w $ 250 ‐ 450<br />
Chinese ivory figural group, probably Republic period, carved and undercut as an imaginary<br />
landscape issuing from an open clam shell, with figures on a bridge traveling to a temple<br />
complex shaded by large trees, with pigment accents, 4.5''h, now attached to a tinted wooden<br />
8022 stand $ 500 ‐ 700<br />
Two Chinese small ivory plaques, the first with a dark pigment incised scene <strong>of</strong> a pair <strong>of</strong><br />
phoenix perched amid peony blossoms beneath lush trees, entitled 'man yuan chun se' and<br />
with a poetic colophon and cyclical date 'yisi' (possibly corresponding to 1925/1985), the<br />
second featuring egrets in a lotus pond below soaring kingfisher birds, each framed within a<br />
frame <strong>of</strong> wood and an outer ivory band carved with scrolling tendrils and set onto a free<br />
8023 standing wooden base, ivory: 6''h x 2''w $ 1,000 ‐ 1500<br />
Pair <strong>of</strong> Chinese small tinted ivory emperor and empress figures, each seated on an elaborate<br />
throne and wearing brocade‐patterned robes, the emperor with a short beard and shown<br />
toying with his long Mandarin necklace, the empress holding a small package in her left hand<br />
and bearing a Qianlong mark on the base (the emperor attached to his wooden stand), 6.5''<br />
8024 and 6''h [excluding stands] $ 500 ‐ 700<br />
Chinese ivory figural carving <strong>of</strong> a scholar, standing in long flowing robes with a partially open<br />
book held in his right hand, the left hand fingering his long dark‐tinted beard, a close‐fitting<br />
8025 scholar's cap framing the smiling face with black‐tinted eyes, ivory: 6''h, with wooden stand $ 500 ‐ 700<br />
Chinese steatite figural study, carved and incised as a smiling luohan seated in a pose <strong>of</strong> royal<br />
ease and wearing monastic robes with a delicately traced floral pattern, the cream‐colored<br />
matrix with darker coloration incorporated into the design (color <strong>of</strong> the hair to the back <strong>of</strong> the<br />
8026 head), 3.125''h $ 300 ‐ 500<br />
(<strong>Lot</strong> <strong>of</strong> 2) Chinese rock crystal figural carvings, the first a seated Guanyin accompanied by her<br />
attendant Sudhana; the second <strong>of</strong> Budai with his arms held above the head, with wooden<br />
stand, 3.5''h; Provenance: Estate <strong>of</strong> Mr. and Mrs. C.K. Whittaker <strong>of</strong> Los Angeles and Rancho<br />
8027 Santa Fe, CA $ 300 ‐ 500<br />
8028<br />
Chinese jade figural carving <strong>of</strong> a beauty, standing in long robes with her right hand holding her<br />
waist sash, the other grasping a floral spray, a large phoenix perched on rockwork to one side,<br />
the stone matrix scattered with apple‐green splashes and with occasional russet striations, now<br />
fitted into a wooden stand, 7.5''h [including stand] $ 200 ‐ 400<br />
Chinese small jade bi (disk), the upper section carved and undercut with a pair <strong>of</strong> sinuous<br />
chilong dragons with foliate bifurcated tails, portions <strong>of</strong> the design incorporating the dark<br />
8029 brown inclusions <strong>of</strong> the pale green matrix with extensive russet‐colored striations, 2.5''d $ 300 ‐ 500<br />
Pair <strong>of</strong> Chinese spinach jade carvings <strong>of</strong> birds, each long tailed bird perched on a branch and<br />
accompanied by a small song bird, the matrix <strong>of</strong> dark green hue suffused by dark splashes (one<br />
with chipped beak, the other losses to legs); together with a reticulated stand decorated with<br />
8030 prunus, 10''h $ 400 ‐ 600<br />
Page 12 <strong>of</strong> 23
<strong>Lot</strong><br />
8031<br />
8032<br />
8033<br />
<strong>Clars</strong> <strong>Auction</strong> <strong>Gallery</strong><br />
January 14th 15th, 2012<br />
LOW<br />
Estimate<br />
Description<br />
Chinese carved soapstone seal, fashioned with a recumbent chilong perched on a plinth, the<br />
base with three seal script characters 'xie chun yuan', the caramel‐hued matrix mottled with<br />
dark inclusions, 2.5''w $ 250 ‐ 450<br />
Chinese yellow steatite small boulder/large seal, <strong>of</strong> irregular flattened ovoid shape carved to<br />
one side with a scholar and attendant walking under a large tree in a misty mountainous<br />
landscape scattered with buildings and extending to the reverse, the stone <strong>of</strong> yellow ochre hue<br />
with some details picked out from scattered opaque inclusions, 3.75''h $ 150 ‐ 250<br />
Chinese bronze seal, <strong>of</strong> oval shape surmounted by a high‐relief figure <strong>of</strong> the 'black warrior'<br />
xuanwu (mythical tortoise), base with the legend 'san xi tang jing jian sai', 2.125''w $ 300 ‐ 500<br />
Chinese nephrite (jade) belt hook, the shaped shaft carved with a writhing chilong dragon in<br />
high relief confronting a dragon‐head terminal sculpted with a square snout, lobed nose and<br />
8034 bulging eyes, the semi‐translucent celadon matrix with a turned knob to the reverse, 6''w $ 500 ‐ 700<br />
Chinese jade figural group, Qing dynasty, the even greenish‐white stone well carved and<br />
pierced as a pair <strong>of</strong> monkeys with a recumbent horse and fruiting peach sprig, 2.25''l;<br />
8035 Provenance: Skinner, Sale 2454 (April 25, 2009), lot #704 $ 500 ‐ 700<br />
Chinese miniature jadeite teapot, <strong>of</strong> compressed ovoid shape, carved as a lobed basket set<br />
with a short curving spout opposed by a loop handle, the fitted lid with a knob finial and with<br />
8036 lavender and white inclusions repeated on the pale green body, 5.25''l $ 250 ‐ 450<br />
(<strong>Lot</strong> <strong>of</strong> 2) Chinese jade belt hooks, each <strong>of</strong> pale green nephrite with a plain arching shaft<br />
reversed by a circular 'button' , the smaller mounted as the handle <strong>of</strong> a letter opener and<br />
carved with a dragon head, 3.75''l, overall: 10.5''l; the larger belt hook with the terminal carved<br />
8037 and incised as a chilong with a single horn, 4.125''l $ 300 ‐ 500<br />
Chinese carved jadeite seal, sculpted with a humorous fu‐lion with a large head, bulging eyes<br />
and opened jaw, depicted standing on a tall rectangular plinth, four seal script character to<br />
8038 base, the matrix <strong>of</strong> mottled emerald, dark green and gray hue, 3.4''h $ 800 ‐ 1200<br />
Chinese archaistic jade scabbard chape‐form toggle, the flattened body carved to either side in<br />
low relief with taotie masks dissolving into C‐scrolls, the semi‐translucent pale green stone with<br />
8039 russet striations and inclusions, 2.5''l $ 500 ‐ 700<br />
Chinese nephrite jade handling piece, carved and pierced as a pair <strong>of</strong> Mandarin ducks<br />
swimming with a spray <strong>of</strong> flowering lotus held in their beaks, the pale green stone with very<br />
8040 faint opaque inclusion, 2.5''l; with a fitted hardwood stand $ 250 ‐ 450<br />
Chinese small jade cong, <strong>of</strong> characteristic squared section and circular base and rim, the seagreen<br />
matrix mottled with russet and black inclusions, 2''h 8041<br />
$ 300 ‐ 500<br />
HIGH<br />
Estimate<br />
Chinese small jade/jadeite figural study, carved and undercut as a Chinese boy grasping a<br />
bamboo leaf and attempting to climb up the side <strong>of</strong> a large timber bamboo issuing from<br />
8042 rockwork, the pale green matix scattered with dark and apple‐green inclusions, 3.5''h $ 150 ‐ 250<br />
Chinese carved jade boulder, featuring a scene <strong>of</strong> a scholar and young attendant on the<br />
galleried walkways in the garden gazing at a gnarled pine tree, the stone <strong>of</strong> mottle green hues<br />
8043 with russet inclusions, with wooden stand, jade: 5.125''w $ 800 ‐ 1200<br />
Page 13 <strong>of</strong> 23
<strong>Lot</strong><br />
8044<br />
8045<br />
<strong>Clars</strong> <strong>Auction</strong> <strong>Gallery</strong><br />
January 14th 15th, 2012<br />
LOW<br />
Estimate<br />
Description<br />
Chinese enamel painted snuff bottle, <strong>of</strong> cylindrical form and painted in brightly colored<br />
enamels with an elaborate landscape scene with wooded cliffs and waterfall, the waisted neck<br />
with a garland‐leaf band, lappets encircling the ring foot, an apocryphal Qianlong mark to the<br />
base, with a purple‐hued stopper, 3.25''h $ 250 ‐ 450<br />
Chinese nephrite jade hairpin, the terminal <strong>of</strong> the contoured flat shaft with a pair <strong>of</strong> fish in<br />
openwork under a ruyi head, with a fitted hardwood stand carved with a gui‐dragon and lingzhi<br />
supported on a rectangular plinth, hairpin: 5.25''w, stand: 9.75''w $ 300 ‐ 500<br />
Chinese royal blue Peking glass octagonal stick‐neck vase, the slender neck issuing from a low<br />
slung ovoid body raised on a tall octagonal foot, the base bearing an apocryphal Qianlong<br />
8046 mark, the dark blue translucent body scattered with gold‐colored flakes, 9.5''h $ 300 ‐ 500<br />
Chinese yellow Peking glass ovoid vase, late Qing/Republic period, the tapering body carved<br />
with two pairs <strong>of</strong> gui‐dragon heads issuing from a large fret‐work pattern, a row <strong>of</strong> small bosses<br />
8047 at the waisted neck, the base marked 'CHINA', 7.5''h $ 300 ‐ 500<br />
8048<br />
Chinese woman's headdress with kingfisher feathers and beads, centered by a peony blossom<br />
with kingfisher feather accented petals supporting a translucent hardstone center framed by a<br />
halo <strong>of</strong> small flowers and bracketed by a pair <strong>of</strong> fu‐lions, two fish and a pair <strong>of</strong> stone plaques<br />
framed by butterflies, the black cotton band suspending a veil composed <strong>of</strong> coral‐hued seed<br />
beads and metal filigree beads, 9.25''h $ 600 ‐ 800<br />
Pair <strong>of</strong> Chinese doucai decorated small porcelain dishes, each interior well centered by a coral‐<br />
colored lotus blossom encircled by scrolling tendrils outlined in cobalt blue and all within a<br />
double ring, the exterior with lotus sprigs alternating with stylized floral‐and‐tendril motifs, the<br />
8049 recessed base with apocryphal Yongzheng mark, 4.6''d $ 600 ‐ 800<br />
Chinese glazed ceramic model for an <strong>of</strong>fering table, Qing dynasty, fashioned as a pyramidal<br />
arrangement <strong>of</strong> ripe pomegranates <strong>of</strong> purplish hue with splashes <strong>of</strong> bright yellow repeated on<br />
the scallop‐edged support, 6.25''h; Provenance: Marvin H. Newman, 'The Personal Collection <strong>of</strong><br />
8050 Oriental Arts assembled by Mr. Fred Ponthier,' Los Angeles, 1971, lot #105 $ 300 ‐ 500<br />
Pair <strong>of</strong> Chinese gilt and enamel accented porcelain cups, each with straight sides flaring to the<br />
rim and tapering sharply to a ring foot, one featuring a recumbent hound seated beside a tree,<br />
the second <strong>of</strong> a brown hound walking away from a garden rock, each rendered in gilt and<br />
reversed by a five‐character couplet, the recessed bases with overglaze blue apocryphal<br />
8051 Qianlong marks, 3.125''h, 2.825''d $ 400 ‐ 600<br />
Chinese small hardwood brush pot, possibly stained jichimu, <strong>of</strong> cylindrical shape with a thin<br />
beaded edge to the rim and a slightly raised band defining the recessed foot fitted with a<br />
8052 circular base, 5.375''h $ 150 ‐ 250<br />
Chinese stained bamboo brush pot, well carved and incised to the front with an elderly Chinese<br />
8053 sage seated beneath an old pine tree, 5''h $ 500 ‐ 700<br />
Chinese export carved wood box, 19th century, the foliate‐edged lid carved with a scene <strong>of</strong><br />
people gathering in front <strong>of</strong> pavilion complexes heightened with scrolling floral tendrils, the<br />
front and sides similarly decorated with figures on a garden terrace, all raised on four turned<br />
8054 feet, 10.5''l $ 250 ‐ 450<br />
Chinese hardwood brush pot, possibly huanghuali, the cylindrical body with a flat base and<br />
8055 pronounced wood grain, 5.125''h, 4.5''d $ 500 ‐ 700<br />
Page 14 <strong>of</strong> 23<br />
HIGH<br />
Estimate
<strong>Lot</strong><br />
8056<br />
8057<br />
8058<br />
<strong>Clars</strong> <strong>Auction</strong> <strong>Gallery</strong><br />
January 14th 15th, 2012<br />
LOW<br />
Estimate<br />
Description<br />
Chinese hardwood brush pot, possibly huanghuali, <strong>of</strong> slightly tapering cylindrical shape with<br />
well‐figured wood grain and flat base, 4.5''h, 4.75''d $ 400 ‐ 600<br />
Chinese small unglazed white ware brush rest, fashioned as an unfurled scroll carved and<br />
incised to the middle with a miniature landscape scene with gnarled trees on overhanging cliffs,<br />
3.75''l; Provenance: purchased at China Art Company, Carmel, CA $ 150 ‐ 250<br />
Chinese polychrome enameled circular porcelain plaque, featuring a songbird perched on a<br />
branch accented by wisteria, the left with a poetic colophon, cyclical date 'guiwei', and bearing<br />
the inscripiton 'Bi Botao' at Zhushan, with one painted seal, 12.5''w $ 600 ‐ 800<br />
HIGH<br />
Estimate<br />
Chinese carved cinnabar lacquer three‐section screen, 20th century, the large center panel<br />
featuring a dragon and phoenix contesting a flaming jewel amid billowing cloud scrolls and with<br />
a cartouche reading 'long feng cheng xiang', the smaller side panels with dragon and phoenix<br />
medallions to the center and framed by floral brackets, all set within silver wire inlaid<br />
hardwood frame with a reticulated pediment and apron, 11.75''h x 18.5''w; Provenance:<br />
8059 former collection <strong>of</strong> Reynold Tom <strong>of</strong> Oakland, <strong>of</strong>fered on behalf <strong>of</strong> his family $ 250 ‐ 450<br />
Pair <strong>of</strong> Chinese polychrome enamel decorated porcelain vases, each tapering body with a<br />
figure hiking toward a rustic villa set amid lush foliage contrasting with a sparse river dotted<br />
with boats, the pair <strong>of</strong> five‐character couplets followed by the cyclical year 'gengyin' and<br />
bearing the signature 'Zhang Zhitang' (possibly referring to Zhang Zhitang, 1893‐1971) below an<br />
angular shoulder accented with reserves <strong>of</strong> antiques in an iron‐red decorated diaper band, the<br />
splayed rim further heightened with ruyi suspending garlands, the recessed base marked 'Yitao<br />
8060 Zhai' , 14.75''h $ 800 ‐ 1200<br />
8061<br />
Chinese large four‐tier hexagonal cinnabar lacquer box, the flat recessed lid centered by a high<br />
relief design <strong>of</strong> a peony blossom encircled by five butterflies and scattered floral sprays, further<br />
peonies featured in the floral medallions on the sides, all on a recessed leiwen ground, 18.75''h $ 600 ‐ 800<br />
Chinese carved cinnabar lacquer five‐section screen, 20th century, the large center and smaller<br />
side panels featuring an extensive landscape with viewing pavilions, country villas and temple<br />
buildings along a waterway, the lower panels with flower vases and scholar's objects on a<br />
diaper‐pattern ground, all within a silver‐wire embellished wood frame surmounted by a<br />
pierced hardwood pediment, 12.5''h x 19''w; Provenance: former collection <strong>of</strong> Reynold Tom <strong>of</strong><br />
8062 Oakland, <strong>of</strong>fered on behalf <strong>of</strong> his family $ 250 ‐ 450<br />
Chinese polychrome enameled porcelain plaque, depicting a rustic villa half hidden amid lush<br />
trees <strong>of</strong> a rich green, aubergine and yellow hue to either side <strong>of</strong> a river accented with coral<br />
8063 colored waves, unsigned, 14.8''h x 10''w $ 800 ‐ 1200<br />
8064<br />
Pair <strong>of</strong> Chinese large polychrome enamel decorated porcelain jars with covers, late<br />
Qing/Republic period, each high‐shouldered ovoid body painted in bright enamels with five leafform<br />
floral reserves with birds or butterflies amid flowering plants and trees issuing from<br />
fantastic rockwork, all above a jeweled lappet band at the recessed base, the short neck<br />
encircled by a classic scroll and ruyi‐head bands on a green ground with stylized multi‐petal<br />
blossoms, the low domical lids with complimentary decoration (some restoration to lids), 16''h $ 2,000 ‐ 4000<br />
Page 15 <strong>of</strong> 23
<strong>Lot</strong><br />
8065<br />
<strong>Clars</strong> <strong>Auction</strong> <strong>Gallery</strong><br />
January 14th 15th, 2012<br />
LOW<br />
Estimate<br />
Description<br />
Chinese Longquan‐style celadon glazed stoneware vase, the ovoid body with a pair <strong>of</strong> small<br />
animal mask and mock loose ring handles on the shoulder above a wide carved band <strong>of</strong> leafy<br />
scrolling peony, large lappets encircling the base, the wide mouth suspending stiff leaves and<br />
garlands, the foot burnt red in firing, 11.75''h $ 400 ‐ 600<br />
(<strong>Lot</strong> <strong>of</strong> 2) Chinese gilt and polychrome figural ink sticks, the first <strong>of</strong> Tieguai Li standing on the<br />
head <strong>of</strong> a dragon holding a red crane and with a red double gourd vase over his shoulders, the<br />
8066 second <strong>of</strong> Zhongli Quan holding a peach and a fan while standing above cresting waves, 8.5''h $ 150 ‐ 250<br />
Chinese polychrome enameled large porcelain dish, centered with a gilt shou medallion with<br />
the sloping sides featuring four ripe peaches alternating with further shou characters all set on<br />
a yellow ground with dense floral tendrils, the edge with a contrasting blue band with ruyi<br />
heads and scrolls, the exterior covered in a rose pink enamel, the recessed base with an<br />
8067 apocryphal Qianlong mark, 21''w $ 600 ‐ 800<br />
HIGH<br />
Estimate<br />
Chinese celadon glazed porcelain vase (electrified), the high‐shouldered ovoid body with four<br />
large shaped reserves molded with flowering prunus alternating with leafy bamboo above a<br />
wide key‐fret band above the foot, the sea‐green glaze pooling in the recessed portions <strong>of</strong> the<br />
design, now mounted as a lamp with thin metal bands encircling the neck and foot, with a<br />
reticulated wood top and raised on a hardwood base carved with scrolls, 10.5''h [vase]; overall<br />
8068 13''h [excluding upper shaft] $ 800 ‐ 1200<br />
Pair <strong>of</strong> Chinese polychrome enameled eggshell porcelain bowls, the octagonal rim heightened<br />
with a gilt and black ruyi band above three reserves <strong>of</strong> scholars and maidens on a garden<br />
terrace framed with red bats set against flowering scrolls picked out in black, the well centered<br />
by a meandering dragon, the recessed base with an apocryphal Qianlong mark in blue enamel,<br />
5.25''w; Provenance: Estate <strong>of</strong> Mr. and Mrs. C.K. Whittaker <strong>of</strong> Los Angeles and Rancho Santa<br />
8069 Fe, CA $ 400 ‐ 600<br />
8070<br />
Chinese polychrome enamel decorated porcelain bowl, Republic period, the exterior finely<br />
painted with four lush blossoms linked by scrolling leafy tendrils and silhouetted against a<br />
bright yellow ground, the base with an apocryphal Kangxi mark in blue enamel, 6''d $ 300 ‐ 500<br />
Chinese wucai decorated porcelain stem cup, the interior well with a meandering red dragon<br />
amid clouds below a rim band <strong>of</strong> inscribed Tibetan characters, the exterior with a similar red<br />
dragon writhing behind another executed in underglaze blue with a red head, the tall splayed<br />
8071 foot featuring a pair <strong>of</strong> Mandarin ducks in a lotus pond, 4.5''h $ 600 ‐ 800<br />
Pair <strong>of</strong> Chinese famille rose decorated porcelain cups, <strong>of</strong> inverted bell form featuring two<br />
songbirds perched on flowering prunus branches extending over peonies and chrysanthemums<br />
<strong>of</strong> pink, blue, orange and purple color, the recessed base bearing an underglaze blue 'Jiangxi<br />
8072 ciye gongsi' mark, 2.5''h $ 300 ‐ 500<br />
8073<br />
Chinese kraak blue‐and‐white large porcelain dish with a barbed rim, Ming dynasty, the shallow<br />
well decorated in shades <strong>of</strong> underglaze blue with a landscape reserve featuring a scholar on<br />
horseback followed by an attendant crossing a bridge towards a pavilion set amid gnarled trees<br />
within a floriform frame silhouetted against an alternating geometric patterned ground, the<br />
cavetto and wide flaring rim painted with petal‐shaped panels <strong>of</strong> flowers alternating with<br />
auspicious emblems and separated by suspended chakras (wheels), the exterior accented with<br />
abbreviated foliate reserves (repairs), 19.75''w $ 2,000 ‐ 4000<br />
Page 16 <strong>of</strong> 23
<strong>Clars</strong> <strong>Auction</strong> <strong>Gallery</strong><br />
January 14th 15th, 2012<br />
<strong>Lot</strong><br />
Description<br />
LOW<br />
Estimate<br />
HIGH<br />
Estimate<br />
8074<br />
8075<br />
Chinese polycrhome enameled porcelain bowl, the exterior vibrantly painted with two pairs <strong>of</strong><br />
swallows set amid gnarled prunus branches dotted with pink and green blossoms accented<br />
with sprigs <strong>of</strong> bamboo, inscribed with a pair <strong>of</strong> five‐character couplets and three painted seals,<br />
an apocryphal overglaze blue Yongzheng mark to the recessed base, 6.125''w $ 300 ‐ 500<br />
Pair <strong>of</strong> Chinese enamel decorated porcelain bowls, <strong>of</strong> shallow conical form with the exterior<br />
depicting scenes <strong>of</strong> various water birds in a lotus pond, with a band <strong>of</strong> rolling waves accenting<br />
above the short foot, an apocryphal red Qianlong mark to base, 4.8''w $ 300 ‐ 500<br />
Chinese polychrome enamel decorated porcelain bowl, <strong>of</strong> flaring cylindrical form brightly<br />
enameled with long‐tailed birds amid prunus branches, chrysanthemums and peonies issuing<br />
8076 from garden rocks, an apocryphal underglaze blue Qianlong mark to the recessed base, 6''w $ 300 ‐ 500<br />
Chinese polychrome enamel painted porcelain stick‐neck vase, the compressed ovoid body<br />
decorated in colored overglaze enamels with a landscape scene with rustic dwellings, wooded<br />
hills and a large river, reversed by the title 'guan chao tu' and colophon dated 'jiaxu' and<br />
bearing the inscription 'Zhang Zitang' at Zhushan, the base with the studio mark 'Yitao Zhai',<br />
8077 13.5''h $ 600 ‐ 800<br />
Chinese polychrome enamel decorated export porcelain bowl, Qing dynasty, shaped as an<br />
open four‐petal blossom with steep tapering sides and centered to the interior with butterflies<br />
and blossoms, the exterior featuring eight goldfish swimming below a patterned rim band<br />
8078 repeated to the interior, with gilt accents, 9.5''sq $ 300 ‐ 500<br />
Chinese polychrome enamel decorated porcelain baluster vase, early 20th century, the waisted<br />
neck and ovoid body finely painted in bright overglaze enamels with two scholars and an<br />
attendant in a bamboo grove with fantastic rockwork reversed by a seven‐character couplet<br />
and bearing the signature 'Wang Dafan' followed by two seals, the flaring rim and base with<br />
patterned light blue enamel bands, 9.5''h; Provenance: Eldred, Asian Art at <strong>Auction</strong>, August 29,<br />
8079 2009, lot #946 $ 2,000 ‐ 4000<br />
8080<br />
(<strong>Lot</strong> <strong>of</strong> 3) Chinese export enameled porcelain tea caddies and vase, Qing dynasty, the first a<br />
flattened tea caddy, each side painted with a shield accented by floral sprigs and surmounted<br />
by a pair <strong>of</strong> birds, all below the rounded shoulder accented by bands and beaded garlands; the<br />
second <strong>of</strong> similar form brightly colored with pink and purple floral sprigs below further<br />
rosettes, together with a foliate‐edged lid; the last a small beaker vase accented with garlands<br />
<strong>of</strong> pink and purple blooms, 7.6''h $ 250 ‐ 450<br />
Chinese export gilt and enameled porcelain teapot, Qing dynasty, the lobed ovoid body<br />
decorated with a pair <strong>of</strong> reserves featuring a family enjoying a day in the garden, alternating<br />
with geometric bands and bird‐and‐flower accents, the notched gilt spout opposed by a<br />
8081 scrolled loop handle (repair), together with a domical lid, 8.75''w $ 250 ‐ 450<br />
Chinese enameled porcelain flower bowl, molded as a pink lotus blossom raised on a green<br />
undulating leaf, the interior well painted with gold and black goldfish amid water reeds,<br />
8082 8.125''w $ 300 ‐ 500<br />
Chinese polychrome enameled porcelain brush pot, the cylindrical body decorated with a flock<br />
<strong>of</strong> seven ducks amid millet and blossoms with three more birds swooping in, the recessed base<br />
8082A with an apocryphal Qianlong mark, 4.5''h $ 250 ‐ 450<br />
Page 17 <strong>of</strong> 23
<strong>Lot</strong><br />
8083<br />
8084<br />
8085<br />
8086<br />
<strong>Clars</strong> <strong>Auction</strong> <strong>Gallery</strong><br />
January 14th 15th, 2012<br />
LOW<br />
Estimate<br />
Description<br />
Pair <strong>of</strong> Chinese turquoise glazed porcelain jars, late Qing/Republic period, each <strong>of</strong> globular<br />
shape and covered with a mottled turquoise glaze stopping unevenly at the foot, together with<br />
pierced wooden lids and carved stands, jar: 5''h $ 200 ‐ 400<br />
Chinese famille rose decorated export porcelain serving bowl, mid‐Qing dynasty, the deep well<br />
painted in bright overglaze enamels with a floral sprig encircled by geometric 'scale‐patterned'<br />
reserves and linked blossoms forming a garland at the interior rim, the exterior with further<br />
floral sprays within reserves framed by floral garlands repeated on the tall foot rim, 10.25''d;<br />
with an adjustable metal support <strong>of</strong> Western manufacture; NB: former collection <strong>of</strong> Ernest<br />
Covington and previously exhibited at the De Young Museum $ 250 ‐ 450<br />
Chinese famille rose decorated export porcelain serving bowl, mid‐Qing dynasty, the deep well<br />
centered by a floral sprig below an undulating ribbon and garland band at the rim, the exterior<br />
with further floral sprays below an elaborate rim band <strong>of</strong> geometric and floral pattern, 9''d;<br />
with an adjustable metal support <strong>of</strong> Western manufacture; NB: former collection <strong>of</strong> Ernest<br />
Covington and previously exhibited at the De Young Museum $ 200 ‐ 400<br />
Chinese polychrome enameled porcelain tureen with cover, late Qing dynasty, the barrel‐form<br />
body with four small strap handles and painted in bright enamels with a continuous scene <strong>of</strong><br />
frolicking children on a garen terrace repeated to the top <strong>of</strong> the lid, the lid sides with foliate<br />
spray, applied with a bronze two‐part pull/handle, the base with a Tongzhi mark, 7.375''h $ 300 ‐ 500<br />
Chinese enameled porcelain vase, the cylindrical body painted with a scene <strong>of</strong> travellers<br />
arriving at a villa set in a snow‐covered landscape, inscribed with a five‐character couplet and<br />
bearing the name 'Yu Wenxiang' (possibly referring to Yu Wenxiang, 1910‐1993) at Zhushan, all<br />
below a blue enameled diaper band to the shoulder and ruyi garlands below the flared rim, the<br />
8087 recessed base marked 'yishu cicang mei yan shi, chupin', 8.5''h $ 700 ‐ 900<br />
Chinese gilt decorated blue glazed porcelain vase, the tapering ovoid body featuring a<br />
mountain landscape with nestled pavilions rendered in gilt, titled 'qiu shang xing lu' (Travelling<br />
Through the Autumn Mountains) silhouetted on a dark blue ground, the long slender neck<br />
bearing an apocryphal Qianlong mark below the flared mouth, the interior and recessed base<br />
coated with a turquoise glaze together with an overglaze blue apocryphal Qianlong mark,<br />
8088 9.25''h $ 250 ‐ 450<br />
Pair <strong>of</strong> Chinese Rose Medallion porcelain pen boxes, Qing dynasty, the first lid depicting a<br />
seated scholar reading at a desk and accompanied by attendants, beauties and arrival <strong>of</strong><br />
another scholar holding an opened fan, the second with a scene <strong>of</strong> beauties and scholars on a<br />
garden terrace with the sides heightened with a gilt keyfret band, each <strong>of</strong> the boxes with a<br />
central divider and the exterior brightly enameled with bird‐and‐flower reserves silhouetted<br />
8089 against stylized bats, 7.5''w $ 800 ‐ 1200<br />
Chinese cylindrical white bisque brush pot, the high‐relief decoration featuring a bird perched<br />
on a bamboo branch and attempting to approach a spider suspended from its web, the<br />
8090 recessed base marked 'Wang Bingrong zuo', 5.25''h $ 300 ‐ 500<br />
HIGH<br />
Estimate<br />
Page 18 <strong>of</strong> 23
<strong>Clars</strong> <strong>Auction</strong> <strong>Gallery</strong><br />
January 14th 15th, 2012<br />
<strong>Lot</strong><br />
Description<br />
LOW<br />
Estimate<br />
HIGH<br />
Estimate<br />
8091<br />
Chinese green enamel and underglaze blue decorated porcelain dish, the interior well with a<br />
meandering dragon outlined in underglaze cobalt blue and overglazed in emerald green, with<br />
double lines accenting the central roundel and the rims, the exterior bearing a similar pair <strong>of</strong><br />
dragons, the base with an apocryphal Chenghua mark, 8.25''w $ 400 ‐ 600<br />
Pair <strong>of</strong> Chinese underglaze blue porcelain cricket jars, the swelling sides with stylized birds<br />
soaring amid sprigs <strong>of</strong> meandering lotus, each recessed base with an apocryphal Xuande mark,<br />
together with a pair <strong>of</strong> dished lids with further floral sprays within a scroll band reversed by<br />
8092 apocryphal Xuande marks and fitted with metal flower basket pulls, 4.5''h $ 300 ‐ 500<br />
Chinese zitan‐stained hardwood brush pot with inlaid decoration, <strong>of</strong> slightly waisted cylidrical<br />
shape and inlaid to the front with butterflies hovering above flowering and fruiting plants<br />
issuing from rockwork, the inlay consisting <strong>of</strong> mother‐<strong>of</strong>‐pearl, adventurine, glass and colored<br />
8093 steatite, with a center plug, 7''h $ 250 ‐ 450<br />
Chinese polychrome enamel decorated porcelain vase with a trumpet mouth, probably<br />
Republic period, the long neck and slender ovoid body painted in bright enamels with a bird<br />
perched on a fruiting grapevine, one side with an apocryphal Dayazhai mark, the base with old<br />
8094 paper gallery labels, 14.5''h $ 200 ‐ 400<br />
Chinese polychrome enameled export porcelain tazza, the yellow ground interior with stylized<br />
green sprays and aubergine rocks encircled by openwork gnarled aubergine branches dotted<br />
8095 with white blooms and a single green parrot, the exterior decorated en suite, 5.5''h $ 300 ‐ 500<br />
(<strong>Lot</strong> <strong>of</strong> 8) Group <strong>of</strong> Chinese export gilt and orange enamel decorated plates, Qing dynasty,<br />
consisting <strong>of</strong> four salad and four dinner plates, each decorated with the so‐called Fitzhugh<br />
pattern with floral reserves encircled by a gilt‐painted butterfly‐and‐brocade rim band, 8.75''‐<br />
8096 9.5''d $ 400 ‐ 600<br />
Chinese cylindrical bamboo brush pot, carved with boats on a river including a mother and<br />
child nestled on a deck and a small gathering <strong>of</strong> fishermen seated on the bank, entitled 'yujiale'<br />
8097 (joy <strong>of</strong> a fisherman), with an apocryphal Qianlong date and two carved cartouches, 7.25''h $ 400 ‐ 600<br />
(<strong>Lot</strong> <strong>of</strong> 2) Chinese export enameled porcelain soup bowl and underdish, each well decorated<br />
with a pair <strong>of</strong> musicians including a lady with a flute and a maiden in green robes holding<br />
clappers in her hand, the rim with reserves <strong>of</strong> butterfly and flowers contrasting with the diaper<br />
8098 purple ground (hairline cracks), 8.75''w $ 150 ‐ 250<br />
8099<br />
Chinese polychrome enameled porcelain four‐tier container, each circular tier similarly<br />
decorated with shaped floral reserves set against lotus and tendrils silhouetted against<br />
different ground colors including turquoise, pink, green, and yellow, with orange lug handles<br />
and a blue‐ground lid with bird‐and‐flower reserves set against lotus sprigs, 9.75''h $ 400 ‐ 600<br />
Chinese polychrome enameled porcelain arrow vase, the trumpet neck encircled with a keyfret<br />
band above two vividly enameled registers <strong>of</strong> floral sprigs separated by a diaper band with<br />
shou characters and auspicous emblems to the lower band above the angular shoulder and<br />
bracketed by faux‐bamboo handles, the tapering body depicted with prunus, bamboo, orchids<br />
8100 and other blooms, apocryphal Jiaqing mark to base, 15.3''h $ 2,000 ‐ 3000<br />
Japanese patinated bronze butterfly‐form place card holder, Meiji period, the body and wings<br />
8101 with outlines and floral roundles picked out in gilt, 3.25''w $ 50 ‐ 100<br />
Page 19 <strong>of</strong> 23
<strong>Clars</strong> <strong>Auction</strong> <strong>Gallery</strong><br />
January 14th 15th, 2012<br />
<strong>Lot</strong><br />
Description<br />
LOW<br />
Estimate<br />
HIGH<br />
Estimate<br />
8102<br />
(<strong>Lot</strong> <strong>of</strong> 7) Japanese silver and gilt metal ojime, the first five <strong>of</strong> silver and consisting <strong>of</strong>: an oval<br />
bead with birds‐and‐flowers and signed [illegible], one <strong>of</strong> diamond section with flowers and a<br />
cartouche reading Seizan, two elongated beads and one cast as a ginko nut; together with a gilt<br />
metal 'lucky' mallet and gilt metal oval bead decorated with an owl on a branch $ 400 ‐ 600<br />
(<strong>Lot</strong> <strong>of</strong> 7) Japanese mixed metal ojime, Edo/Meiji period, most <strong>of</strong> elongated shape, the first two<br />
<strong>of</strong> copper with silver floral overlay, the next with a gold and silver peony on a copper ground,<br />
the fourth decorated with a pomegranate sprig with gold accents, one <strong>of</strong> bean form and<br />
8103 decorated with a bat, and a pair with gilt floral filigree overlay $ 300 ‐ 500<br />
(<strong>Lot</strong> <strong>of</strong> 7) Japanese ojime (beads), Edo/Meiji period: a makie lacquered bead with peony and<br />
signed Sho[ ]; three gilt metal beads, one with reticulated blossoms, one with overall<br />
granulation and one with silver foil accents; one stag antler ojime carved as a persimmon; and<br />
8104 five ivory or bone beads $ 300 ‐ 500<br />
Japanese unusual bone netsuke, Edo period, 18th/19th century, carved as a 'boot' surmounted<br />
by the head <strong>of</strong> a foreigner with exaggerated features and wearing a ruff, with stained accents,<br />
2.625''l; NB: a similar netsuke dated to the early 18th century now in the collection <strong>of</strong> Alison<br />
Seton (ex‐Blackwell collection) published in his 'Collecting Japanese Antiques' (Tuttle, 12004),<br />
8105 fig. 139 $ 300 ‐ 500<br />
Japanese iron sukashi tsuba (sword guard), Edo period, the oval plate pierced with flowering<br />
paulonwia, one incised leaf to either side picked out in gold or silver wire inlay, signed K<strong>of</strong>u‐ju<br />
8106 Akao Yoshitsugu (small patch <strong>of</strong> rust to one side), 2.875'' $ 100 ‐ 200<br />
Chinese ceramic zisha square‐form teapot, the slightly swelling body incised with a riverside<br />
landscape scene with a viewing pavilion and opposed by the inscription 'qing [ ] chang le', with<br />
the cyclical date 'xinmao', applied with a dark brown faux bamboo spout and handle, the top<br />
8107 and lid incised with the character fu in various scripts and surmounted by a bat, 6''w $ 250 ‐ 450<br />
8108<br />
Chinese zisha ceramic teapot, the dome‐shape body topped by a fitted lid with a tapered finial<br />
centered by an aperture, the recessed base sealed 'Zhongguo Yixing', 'yi cang lu gong ban, Li<br />
Changhong fu dao' (factor number 1 apprentice class, supervised by Li Changhong', 5.75''w $ 500 ‐ 700<br />
(<strong>Lot</strong> <strong>of</strong> 2) Chinese zisha ceramic teapots, the first in the form <strong>of</strong> a textured tree trunk with a<br />
gnarled branch form handle and spout, base sealed 'Qian [ ]rong', 6.5''w; the second, <strong>of</strong><br />
8109 compressed ovoid form incised with the phrase 'yin zhe zhang shou', 4.6''w $ 200 ‐ 400<br />
Chinese ceramic zisha teapot, the compressed body incised 'zhenpin' under the loop handle<br />
opposed by a short spout, the recessed base incised 'Jingzhou zhi tu, Haigeng shou zhi' (=hand<br />
made by Haigeng student <strong>of</strong> Gu Jingzhou) in '76, sealed 'Gao Haigeng', the lid with a bead finial,<br />
8110 overall: 5.3''w $ 500 ‐ 700<br />
Chinese zisha ceramic teapot, with a short square‐section body and angular shoulders tapering<br />
toward the mouth, all bracketed by a loop handle and square sectioned spout, the recessed<br />
8111 base marked 'Chen Ronghua', with a fitted lid, 5.75''w $ 200 ‐ 400<br />
(<strong>Lot</strong> <strong>of</strong> 2) Chinese ceramic zisha teapot, the first <strong>of</strong> globular form, the other with high shoulder<br />
and tapering body, each <strong>of</strong> the recessed bases marked 'People's Republic <strong>of</strong> China Department<br />
<strong>of</strong> Foreign Affairs, li pin chuan yong', the risers <strong>of</strong> the fitted lids incised 'Diaoyutai guobin guan<br />
8112 zeng', first: 4.75''w, second: 4.9''w $ 300 ‐ 500<br />
Page 20 <strong>of</strong> 23
<strong>Clars</strong> <strong>Auction</strong> <strong>Gallery</strong><br />
January 14th 15th, 2012<br />
<strong>Lot</strong><br />
Description<br />
LOW<br />
Estimate<br />
HIGH<br />
Estimate<br />
Pair <strong>of</strong> Chinese gilt bronze door handles, each with a head <strong>of</strong> an archaistic taotie mask cast with<br />
bulging eyes framed by curvilinear brows and curved horns, the fanged jaw suspending a large<br />
8113 loose ring with a long inscription bearing the date 'Qianlong gengwu', overall: 12.25''h $ 2,000 ‐ 4000<br />
(<strong>Lot</strong> <strong>of</strong> 14) Set <strong>of</strong> Chinese inside painted glass snuff bottles, each depicting a portrait <strong>of</strong> a Ming<br />
emperor and reversed by his empress, each inscribed with their titles and with cyclical date<br />
'gengshen' and bearing an artist name, including Liu Dacheng, Du Fengduo, Zhang Yuhua, Xi Jie;<br />
together with one featuring Xianzong Chun huangdi, with the cyclical date 'xinyou' and artist<br />
name, bottle: 2.5''h; Provenance: purchased in Hong Kong, Zhonyi <strong>Gallery</strong> in the late 70's/early<br />
8114 80's $ 1,000 ‐ 1500<br />
Chinese reticulated copper alloy handwarmer with copper accents, <strong>of</strong> rectangular shape with<br />
rounded corners and etched with overlapping roundels <strong>of</strong> geometric and floral pattern with<br />
copper plaques applied to the lower corners, the fitted lid pierced with similar roundels on a<br />
8115 honey‐comb ground, with a hinged loop handle, 8.125''l $ 150 ‐ 250<br />
(lot <strong>of</strong> 2) Chinese rugs, probably c. 1950, the first with a depiction <strong>of</strong> a Western three‐masted<br />
ship on a black background, with a geometric border, 4'10'' x 3'; the second featuring the Eight<br />
Immortals accompanying Shoulao on a gold background, reads 'Xingyuan Si, jingxian', (<strong>of</strong>fered<br />
8116 to the Xingyuan Temple'), 4'11'' x 2'4'' $ 200 ‐ 400<br />
Chinese export marble inlaid tall flower stand, late Qing/Republic period, with a beaded edge<br />
and a prunus band framing a lobed mottled pink marble plaque, looming over the waist with<br />
scrolling floral tendrils in relief and above a reticulated bird‐and‐flower apron alternating with<br />
supports, each sculpted as a zoomorph suspending a mock loose ring tied with peaches<br />
complementing the tapering support accented with leafy sprigs and ending with an animal<br />
8117 terminal raised on a ball, 31.75''h $ 600 ‐ 800<br />
8118 Persian Kerman carpet c. 1950, 10' x 8' $ 600 ‐ 800<br />
Chinese underglaze blue decorated porcelain hu‐form vase, the flared rim encircled by a wave<br />
band and with stiff leaves to the waisted neck, all above the tapering ovoid body separated<br />
into three registers, the upper band featuring peony sprays bracketed by zoomorphic handles<br />
above sprigs <strong>of</strong> peony and assorted blossoms, a wide band <strong>of</strong> cresting waves encircling the<br />
8119 lotus petal foot, an apocryphal Qianlong mark to recessed base, 10.25''h $ 600 ‐ 800<br />
Chinese underglaze blue decorated porcelain jar, with a rolled rim and short neck bearing an<br />
apocryphal Wanli mark above a band <strong>of</strong> lingzhi accented by leafy scrolls, the tapering short<br />
ovoid body with four winged dragons writhing through the clouds, the lower register decorated<br />
8120 with rolling and cresting waves, 9''h $ 600 ‐ 800<br />
Pair <strong>of</strong> Chinese hardwood flower stands, each with a square floating panel top within a iceplate<br />
edge and high waist pierced with stylized scrollwork and stepped edge and slender<br />
supports framing the open lower tier above a similarly reticulated 'waisted' panel and raised on<br />
8121 short paw supports, 34.3''h x 13''sq $ 700 ‐ 900<br />
8122<br />
Chinese large wucai decorated porcelain jar, Wanli style, the ovoid body painted in underglaze<br />
cobalt blue and bright polychrome enamels with fish swimming among water‐weeds above a<br />
band <strong>of</strong> jeweled lappets encircling the tapering lower section, the floral band with double bluering<br />
borders at the high shoulder, the waisted neck with floral panels reserved on a stylized<br />
wave ground, the base with a six‐character Wanli mark (restorations), 15''h $ 1,000 ‐ 2000<br />
Page 21 <strong>of</strong> 23
<strong>Clars</strong> <strong>Auction</strong> <strong>Gallery</strong><br />
January 14th 15th, 2012<br />
<strong>Lot</strong><br />
Description<br />
LOW<br />
Estimate<br />
HIGH<br />
Estimate<br />
8123<br />
Chinese Buddhist printed scroll facsimile, Kingdom <strong>of</strong> Dali Buddhist Volume <strong>of</strong> Paintings,<br />
originally by Zhang Shengwen (active in 1163‐1189), featuring various Buddhas, bodhisattvas,<br />
guardian figures and attendants, each identified by a name cartouche, 13.25''h $ 100 ‐ 200<br />
Chinese dining table and a set <strong>of</strong> eight chairs, the table with raised floating panels together<br />
with two central leaves, shaped with a beaded apron and joined to beaded straight supports<br />
with ho<strong>of</strong> terminals, the chairs each with a shaped top rail above a narrow back splat pierced<br />
with a shou medallion, set to the rectangular seat raised on beaded supports, chair: 39.5''h,<br />
8124 table set with two leaves: 30''h x 99''l x 41.25''d $ 700 ‐ 900<br />
8125 Chinese floral landscape carpet on cobalt blue ground, 5'6'' x 8' $ 300 ‐ 500<br />
8126<br />
Pair <strong>of</strong> Chinese polychrome enameled porcelain vases, now mounted as lamps, early 20th<br />
century, each with a waisted long neck and globular body brightly decorated with red bats<br />
soaring amid multi‐colored ruyi clouds, the shoulder encircled by a band depicting shou<br />
cartouche and lotus blossoms accented with scrolling tendrils, vase: 15''h; Provenance: Estate<br />
<strong>of</strong> Mr. and Mrs. C.K. Whittaker <strong>of</strong> Los Angeles and Rancho Santa Fe, CA $ 1,500 ‐ 2000<br />
Chinese stained wood table screen with a large jade panel, the dark green jade plaque carved<br />
and incised with a pair <strong>of</strong> writhing dragons in pr<strong>of</strong>ile and contesting a flaming jewel set below a<br />
third dragon on a ground <strong>of</strong> cloud scrolls, reversed by a poetic colophon bearing an apocryphal<br />
Qianlong cartouche, the surrounding wooden frame pierced with floral and stylized zoomorphs<br />
and set into a free‐standing base carved with confronted dragons, jade panel: 7.5''h x 10.75''w,<br />
8127 overall: 37.75''h x 25.5''w $ 6,000 ‐ 8000<br />
8128<br />
8129<br />
Chinese large hardwood altar table, with a rectangular floating panel within a mortise and<br />
tenon frame joined to an apron reticulated with pairs <strong>of</strong> blossoms and fruits accented by<br />
meandering tendrils, all raised on thick supports heightened with beaded edges and scroll<br />
terminals, braced by short stretchers, 35.125''h x 83.25''w x 17.6''d $ 1,500 ‐ 2500<br />
Pair <strong>of</strong> Chinese hardwood armchairs, with a yoke‐form rail joined to a narrow back splat carved<br />
with a writhing dragon in a lobed reserve and all bracketed by cylindrical stiles connect to the<br />
shaped arms framing the rectangular woven seat, the shaped apron with scrolling tendrils in<br />
relief and cylindrical supports connected to stretchers, 46.75''h $ 1,000 ‐ 1500<br />
Chinese massive underglaze blue porcelain jar, with a rolled rim and a short neck bearing an<br />
apocryphal Ming Jiajing mark amid scrolling tendrils, the compressed globular body with a wide<br />
scale patterned band with reserves <strong>of</strong> flowers set above soaring phoenix birds and frolicking fulions<br />
amid peony blossoms and dense scrolls, a lappet band at the tapering base, 20''w 8130<br />
$ 1,500 ‐ 2000<br />
Chinese carved mixed wood cabinet, Republic period, elaborately carved with two pairs <strong>of</strong><br />
majestic dragons writhing amid dense cloud scrolls looming above stylized mountains and<br />
cresting waves, all bracketing a central door decorated en suite with two dragon meandering in<br />
the sky and below a seventh dragon which is weaving through the clouds, the bottom accented<br />
with a beaded scroll apron with further dense clouds and short straight supports (cracks), 63''h<br />
8131 x 54''w x 17.75''w $ 2,000 ‐ 4000<br />
Page 22 <strong>of</strong> 23
<strong>Clars</strong> <strong>Auction</strong> <strong>Gallery</strong><br />
January 14th 15th, 2012<br />
<strong>Lot</strong><br />
Description<br />
LOW<br />
Estimate<br />
HIGH<br />
Estimate<br />
8132<br />
Chinese gilt, coral hue and iron red enameled porcelain long neck vase, with a trumpet mouth<br />
encircled by a jewel and keyfret band above the slender neck decorated with a bold double<br />
lotus and scrolling tendril pattern repeated on the ovoid body tapering toward the splayed<br />
base with lappet accents, a gilt and enameled apocryphal Qianlong mark to base, 18.5''h $ 600 ‐ 800<br />
Chinese famille verte glazed porcelain figural decoration, Qing/Republic period, modeled as a<br />
green‐glazed fu‐lion standing four‐square on a rectangular plinth, current features (tail, mane,<br />
ears and landscape elements) picked out in aubergine and scattered with yellow‐glazed<br />
8133 accents, the prominent eyes with black‐enameled pupils, 9.5''h $ 400 ‐ 600<br />
Chinese gilt and lacquer decorated low table, late 19th/early 20th century, the rectangular top<br />
painted with figures gathered in pavilions set along the river bank, all above a shaped apron<br />
accented with floral sprays and raised on cabriole supports (wear and chips), 51.25''w x<br />
8134 15.25''h x 18.5''d $ 600 ‐ 800<br />
Chinese two‐section table screen with a large blue‐and‐white porcelain plaque, the rectangular<br />
plaque decorated in shades <strong>of</strong> underglaze blue with two figures boating on river bordered by<br />
wooded cliffs partially hidden in mist, the upper right with a poetic title followed by the date<br />
'eighth year <strong>of</strong> the Republic' followed by a signature, all set within a reticulated stained wood<br />
8135 frame fitted into a wooden stand with pierced spandrels and apron, 26.5''h $ 400 ‐ 600<br />
Chinese gilt bronze and cloisonne enamel decorated figure <strong>of</strong> a luohan, the emaciated Buddhist<br />
sage with a full beard and seated in a pose <strong>of</strong> royal ease with a begging bowl held in his right<br />
hand, his colorful monastic robes scattered with Buddhist symbols and stylized lotus on a<br />
8136 turquoise blue ground, 16''h $ 2,000 ‐ 4000<br />
8137<br />
Chinese large doucai‐style porcelain stick‐neck vase, the globular body featuring multi‐floral<br />
roundels amid further flowering leafy sprigs above cresting waves, with Buddhist emblems<br />
scattered amid blossoms to the tapering neck and accented by floral and ruyi bands to the<br />
shoulder, the recessed base with an apocryphal Yongzheng mark, 17.25''h $ 250 ‐ 450<br />
Page 23 <strong>of</strong> 23