22.02.2014 Views

2006 Takamine guitar brochure United Kingdom - Jedistar

2006 Takamine guitar brochure United Kingdom - Jedistar

2006 Takamine guitar brochure United Kingdom - Jedistar

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

B R I N G I T T O L I F E<br />

PRODUCT CATALOGUE 2007<br />

WWW.TAKAMINE.CO.UK


B R I N G I T T O L I F E<br />

The Art of Innovation 4 – 5<br />

The 2007 Limited Edition 6 – 7<br />

The Bluegrass Models 8<br />

TF250SMC/SB 9<br />

The Nashville Series 10 – 11<br />

The SuperNatural Series 12 – 13<br />

The Natural Series 14 – 15<br />

Pure Acoustic Models 16 – 17<br />

Speciality Models 18<br />

Left Handed Models 19<br />

The G Series 20 – 25<br />

Body Shapes and Styles 26<br />

Preamps 27<br />

Welcome to the world of <strong>Takamine</strong> Guitars.<br />

Assuming you’ve picked up this catalogue because you’re thinking about buying<br />

a new <strong>guitar</strong>, then you’re about to begin what should be a very exciting and<br />

ultimately rewarding journey. And when you find the instrument that suits you<br />

perfectly it’s like the start of a long and fulfilling relationship. And we speak<br />

from experience – we’ve satisfied thousands of demanding musicians since we<br />

began making premium quality instruments back in 1962.<br />

Over the years, we’ve steadily honed and refined our luthiery<br />

skills. We’ve pioneered new designs and production techniques<br />

to guarantee class-leading instruments of sublime quality. And<br />

now here in 2007, our product range is more expansive and<br />

diverse than ever before, giving you far greater choice.<br />

But do take some time thinking about the sort of instrument you<br />

need. What will work best for you will depend upon a number<br />

of factors, such as the type of music you play and where you<br />

play it. For example, the rich powerful delivery of a Nashville<br />

electro-acoustic with the new CoolTube preamp would be ideal<br />

for a gigging and recording <strong>guitar</strong>ist playing modern rock.<br />

By contrast, the warm tonal delicacy of the smaller bodied,<br />

cedar-topped <strong>Takamine</strong> AN45 SuperNatural, might better suit<br />

the solo fingerstyle exponent playing for their own enjoyment.<br />

But these are far from hard and fast rules. The best thing you<br />

can possibly do as part of your decision making process is<br />

spend some quality time with your nearest <strong>Takamine</strong> retailer.<br />

Audition the ranges – listen to the difference between spruce<br />

and cedar soundboards, but bear in mind that spruce typically<br />

takes longer to ‘play in’ than cedar. See how different body styles<br />

feel to hold. Plug in a couple of electro-acoustics and put the<br />

preamps through their paces. Then, look carefully at the different<br />

range of finishes we offer – in short, use all your senses to help<br />

you decide.<br />

One thing you can take for granted is that all <strong>Takamine</strong> <strong>guitar</strong>s<br />

are finished to an exceptionally high standard. Examine the<br />

fretting, the componentry, the finish – inside and out. It doesn’t<br />

matter which <strong>Takamine</strong> you choose, we promise to give you the<br />

highest quality instrument we can within your budget.<br />

Invest some time now seeking out the <strong>guitar</strong> that’s right for you<br />

and you’ll reap the rewards for years to come. We reckon<br />

there’s a good chance the <strong>guitar</strong> you’ll settle down with will have<br />

<strong>Takamine</strong> on the headstock.<br />

Enjoy the journey.<br />

Front/back cover: TF250SMC-SB


THE ART OF INNOVATION<br />

THE ART OF INNOVATION<br />

The <strong>Takamine</strong> story started four decades ago in the town<br />

of Sakashita, Japan, with a small group of luthiers crafting<br />

modest numbers of high quality acoustic <strong>guitar</strong>s following<br />

established designs and using traditional methods. Forty<br />

years on, and <strong>Takamine</strong> <strong>guitar</strong>s are cherished by thousands of<br />

players the world over and championed by some of the most<br />

talented and celebrated musicians on the planet.<br />

B R I N G I T T O L I F E<br />

And in this time we’ve introduced technological innovations in<br />

order to meet the needs of musicians who are themselves<br />

constantly pushing the boundaries of acoustic music. In this<br />

dedicated UK <strong>brochure</strong>, we showcase the skill and technical<br />

expertise of our craftsmen in some of the best instruments<br />

we’ve ever made – both acoustic and acoustic-electric. To this<br />

day, our Japanese <strong>guitar</strong>s are still for the most part, assembled<br />

and finished by hand. Carefully selected tone woods are stacked,<br />

turned and gently seasoned for many months in precisely<br />

controlled atmospheric conditions before use. We check <strong>guitar</strong><br />

tops for resonance, grain and quality, while different levels of<br />

flexibility are compensated for by subtly varying the dimensions<br />

of the bracing. And whilst we’ve always held the traditional skills<br />

of the luthier in the highest esteem, we’ve never been afraid to<br />

advance the art of <strong>guitar</strong> building by embracing new technology<br />

and ideas.<br />

It was way back in 1978 when we introduced acoustic-electric<br />

<strong>guitar</strong>s suitable for high-power amplification into the marketplace<br />

– and musicians everywhere simply couldn’t wait to get their<br />

hands on them. These <strong>guitar</strong>s incorporated the first incarnation<br />

of the now legendary palathetic pickup, which set the standard<br />

for the industry. Unlike the retro-fit pickups used by other<br />

manufacturers, our pickup is an integral part of the bridge<br />

assembly, collecting both string and soundboard information.<br />

Now in its latest state-of-the-art form, it continues to be highly<br />

revered by the acoustic <strong>guitar</strong> connoisseurs.<br />

And in 2004, we achieved another industry first when we<br />

partnered our famous pickup with an on-board preamp system<br />

having a vacuum tube at its heart. The exalted CoolTube preamp<br />

delivers a degree of warm acoustic tonality that was previously<br />

only attainable with a perfectly placed esoteric valve mic, in a<br />

studio environment.<br />

But these are just two innovations of many that <strong>Takamine</strong> has<br />

developed in pursuance of the ultimate amplified acoustic tone,<br />

and we’re still very much on the case. We don’t think anyone has<br />

mastered the art of blending the skill of the luthier with<br />

groundbreaking technology as consummately and effectively as<br />

we have. But don’t take our word for it, try one for yourself and<br />

we’re sure you’ll agree that <strong>Takamine</strong> amplified acoustic <strong>guitar</strong>s<br />

are without equal.<br />

1962<br />

A small family business located at the base<br />

of <strong>Takamine</strong> mountain, starts making fine,<br />

handcrafted acoustic <strong>guitar</strong>s.<br />

1968<br />

Mr Mass Hirade joins the company heading up<br />

design and production, and shortly thereafter,<br />

introduces the first <strong>Takamine</strong> world-class<br />

‘Classical’ <strong>guitar</strong>.<br />

1975<br />

The company begins overseas trading as a<br />

result of <strong>Takamine</strong>’s rapidly growing reputation.<br />

1978<br />

<strong>Takamine</strong> introduces its eagerly anticipated<br />

acoustic-electric <strong>guitar</strong>s featuring the stunning<br />

new palathetic pickups.<br />

1986<br />

The first Natural Series <strong>guitar</strong> is launched and<br />

receives plaudits the world over.<br />

1987<br />

<strong>Takamine</strong> introduces its first Limited Edition<br />

model to celebrate 25 years of master luthiery.<br />

1988<br />

The <strong>Takamine</strong> Parametric EQ preamp is launched<br />

and immediately becomes the standard by<br />

which others are judged.<br />

1989<br />

<strong>Takamine</strong> develop the replaceable preamp package<br />

system featuring the innovative external battery<br />

box.<br />

1994<br />

<strong>Takamine</strong> pioneer the use of lasers to enable<br />

stunningly intricate and precise inlays.<br />

2004<br />

Launch of the revolutionary CoolTube preamp,<br />

providing the warmest amplified acoustic tones yet.<br />

4<br />

Model featured: EF508KC<br />

5


LIMITED EDITION 2007<br />

Thunderstorm Motif with Imbuia,<br />

Persimmon and Acrylic.<br />

Delicate Abalone Raindrops and<br />

intricate Abalone Lightning.<br />

B R I N G I T T O L I F E<br />

LTD EDITION 2007 |<br />

Solid Spruce top, Solid Sapeli Mahogany<br />

Back, Sapeli Mahogany sides,<br />

CTP-1 CoolTube preamp.<br />

ELECTRIFYING PERFORMANCE.<br />

If you had to sum up the LTD2007’s qualities in one word, it would be presence – as this handcrafted<br />

dreadnought-bodied instrument has it in abundance; both visually and sonically. The design is based<br />

upon that most exciting of natural phenomena, the thunderstorm.<br />

Below the deep lustrous black finish is a top of solid, seasoned spruce married to<br />

solid sapeli mahogany back and sides – a combination providing superb articulation<br />

with warmth and sweetness.<br />

The rosette features fabulously intricate storm design inlay work using Imbuia and<br />

Persimmon, while abalone raindrops and a lightning bolt are inlaid onto the polished<br />

ebony fingerboard. The dramatic black theme is carried all the way through to the<br />

black and basswood body binding and ultimately on to the precision tuning machine.<br />

The exceptional acoustic performance of the LTD2007 is perfectly complemented<br />

by the highly-revered <strong>Takamine</strong> Palathetic under-bridge pickup and onboard<br />

CoolTube preamp which together ensure that even the subtlest nuances of your<br />

playing are faithfully reproduced.<br />

We’re only building a limited run so get along to your nearest <strong>Takamine</strong> retailer<br />

and whip up a storm with one of these breathtaking beauties.<br />

E Q U I P P E D<br />

SPRUCE<br />

MAHOGANY<br />

6<br />

View past and present Limited Edition models www.takamine.co.uk.<br />

7


EF360SBG |<br />

TF360SBG |<br />

TF250SMC |<br />

TF250SMC-SB |<br />

Solid Spruce top, Rosewood back and sides,<br />

ivory binding with herringbone purfling,<br />

mahogany neck and rosewood fingerboard.<br />

Fitted with a class A line driver.<br />

Solid Spruce top, Rosewood back and sides,<br />

ivory binding with herringbone purfling,<br />

mahogany neck and rosewood fingerboard.<br />

Fitted with CTP-1 CoolTube preamp.<br />

Jumbo Cutaway, Solid Spruce top and<br />

flamed maple back and sides, Abalone<br />

pearl inlays, fitted with CTP-1 preamp.<br />

As TF250SMC in Sunburst.<br />

THE BLUEGRASS MODELS<br />

TF250SMC and TF250SMC-SB<br />

both feature block abalone inlay.<br />

TF250SMC/SB<br />

HUMBLE ROOTS...<br />

The <strong>Takamine</strong> E(T)F360SBG is brand new to our product line up and is better known as the Bluegrass model,<br />

so called because of its signature bright and punchy voice which projects so well within multi-instrument<br />

music ensembles.<br />

E Q U I P P E D<br />

FLAME MAPLE<br />

FROM STAGE TO STUDIO.<br />

The striking new <strong>Takamine</strong> TF250SMC/SB is the latest in a long line of professional<br />

instruments developed by our highly skilled luthiers, to deliver an extraordinarily<br />

rich tonality that translates as well in the studio as it does on stage.<br />

SPRUCE<br />

The materials we’ve chosen for this thoroughbred full-bodied dreadnought have<br />

been carefully selected from our stock of seasoned tonewoods. The superb<br />

separation and cutting power of the Bluegrass come from the union of a premium<br />

quality solid spruce top and solid rosewood back and sides, all finished in a flawless<br />

natural high gloss. And in keeping with the Bluegrass’s pure clear voice, we’ve kept<br />

the look clean and uncluttered. The body is ivory bound with traditional herringbone<br />

purfling, while the wide, one-piece mahogany neck is topped with an ebony<br />

fingerboard. High precision open-gear machine heads guarantee tuning stability.<br />

You can have your Bluegrass equipped with either <strong>Takamine</strong>’s internal line driver<br />

preamp (no body-mounted/external controls) or the CoolTube preamp which delivers<br />

unsurpassed natural-sounding amplified acoustic tone.<br />

MAHOGANY<br />

BOOKMATCHED<br />

ROSEWOOD<br />

Finished in deep and lustrous vintage three tone sunburst or as a natural flame maple top, the TF250SMC teams a premium<br />

quality solid Sitka Spruce top with solid flame maple back and sides, endowing it with a strong yet finely detailed voice. And when<br />

you add <strong>Takamine</strong>s acclaimed palathetic under-bridge pick up and the factory fitted CoolTube preamp to the equation, you’ve got<br />

some of the most seductive and refined amplified acoustic tones on the planet.<br />

8<br />

Listen to the CoolTube preamp in action at www.takamine.co.uk.<br />

9


THE NASHVILLE SERIES<br />

TNV460SC |<br />

Solid ‘bear claw’ spruce<br />

top with solid rosewood<br />

back and sides.<br />

B R I N G I T T O L I F E<br />

TNV360SC |<br />

Solid ‘bear claw’ spruce top with<br />

solid rosewood back and sides.<br />

EASTERN ART. MIDWEST STYLE.<br />

With the introduction of the <strong>Takamine</strong> Nashville Series, our expert luthiers were able to exhibit<br />

their skills across a range of fabulous instruments inspired by America’s most famous music city.<br />

Right from the selection of highly-figured, seasoned solid tone woods through to the meticulously<br />

inlaid abalone shell on the rosewood models, the Nashvilles live up to their heritage.<br />

Bookmatched rosewood<br />

or mahogany backs.<br />

The tops are of hand-selected, ‘bear claw’ spruce, a beautiful, naturally occurring<br />

rippling pattern in the grain creating an eye-catching shimmering effect. It is<br />

widely acknowledged amongst luthiers that the sought-after bear claw figuring<br />

signifies that the wood is more mature and of a superior quality. Having passed<br />

a visual inspection, craftsmen will tap each piece of wood in turn to assess its<br />

resonance and acoustic response before making the final selection.<br />

The Nashvilles come with either solid bookmatched Indian rosewood or mahogany<br />

back and sides. Each has its own distinctive tonal signature, so take time out to<br />

play and listen to both versions. Ebony is used for the fingerboards which are<br />

topped with nickel silver frets. These are levelled and finished by hand for perfect<br />

playability and intonation.<br />

Despite their obvious heritage, these top-end instruments are far more than<br />

different takes on a classic style. The Nashvilles come complete with the<br />

revolutionary CoolTube preamp, bringing harmonic depth and richness to your<br />

amplified tone that you won’t get from any other electro-acoustic <strong>guitar</strong>.*<br />

So if you’re looking for a rich, powerful and open acoustic tone with visual<br />

presence to match, then you need look no further than the <strong>Takamine</strong> Nashvilles.<br />

* The Nashvilles are available in pure acoustic form too. See pages 16-17.<br />

E Q U I P P E D<br />

BEAR CLAW SPRUCE<br />

MAHOGANY<br />

BOOKMATCHED<br />

ROSEWOOD<br />

10<br />

Find out more about our masterful craftsmanship at www.takamine.co.uk.<br />

11


TAN16C |<br />

TAN15C |<br />

TAN45C |<br />

THE SUPERNATURAL SERIES<br />

Solid spruce top, solid rosewood back<br />

(TAN46C – NEX version, TAN46C-LH left-hand NEX,<br />

TAN76 – OM non-cutaway version).<br />

NOT PICTURED.<br />

Dreadnought, cedar top<br />

(TAN15C-LH left-hand).<br />

Abalone rosette.<br />

Hand finishing of top bracing.<br />

All SuperNatural acoustic/electric<br />

models feature the CoolTube preamp.<br />

NEX, solid cedar top, solid<br />

rosewood back.<br />

B R I N G I T T O L I F E<br />

SUPERNATURAL HISTORY.<br />

Everything about our SuperNatural Series exudes world-class pedigree, from the beautifully<br />

understated styling to breathtaking vintage tone. None of which should come as any surprise given<br />

that we’ve spent the last 40 years perfecting the art of designing and building outstanding acoustic<br />

<strong>guitar</strong>s. And the SuperNaturals are truly outstanding because of the time, materials and knowledge<br />

we put into them.<br />

You can specify your SuperNatural with either a solid spruce or solid cedar<br />

soundboard. The spruce-topped version delivers a rich, bright tonality that<br />

rewards even the most forceful playing – and what’s more, the sound will<br />

improve with age and regular use. The honey-coloured cedar models possess<br />

an altogether darker, more luxuriant tone with a rounder bottom end making<br />

them the perfect choice for fingerpicking.<br />

The SuperNatural Series does much more than pay homage to the master<br />

luthier. These truly are vintage instruments of the 21st century featuring<br />

technical innovations that have made <strong>Takamine</strong> famous. The acoustic-electrics*<br />

come equipped with our palathetic bridge pickup linked to the CoolTube preamp.<br />

This combination captures even the finest sonic nuance, delivering a warm, clear<br />

amplified acoustic tone that is simply breathtaking.<br />

E Q U I P P E D<br />

SPRUCE<br />

Both the spruce and cedar models benefit from hand-scalloped X-bracing which<br />

we fine-tune to suit the characteristics of the different soundboard materials.<br />

The backs and sides are of beautiful bookmatched rosewood, chosen to<br />

complement the inherent tone signature of the tops. The solid backs are braced<br />

to control bottom end response and maximise projection.<br />

* We produce pure acoustic versions of the SuperNaturals too.<br />

See pages 16-17 for more information.<br />

The SuperNatural – a little bit of <strong>guitar</strong> history in the making.<br />

CEDAR<br />

BOOKMATCHED<br />

ROSEWOOD<br />

12<br />

In 1962 a small family business located at the base of <strong>Takamine</strong> mountain in Sakashita, Japan started making fine, handcrafted acoustic <strong>guitar</strong>s. The rest is history. www.takamine.co.uk<br />

13


TAN10 |<br />

TAN40C |<br />

TAN60C |<br />

TAN70 |<br />

TAN30C |<br />

TAN20C |<br />

THE NATURAL SERIES<br />

TAN10 – Dreadnought, solid cedar top and<br />

solid mahogany back (TAN10C – cutaway<br />

version, TAN10-12 – 12-string non-cutaway<br />

version, TAN10C-LH – left-hand, TAN10-<br />

12/LH – 12-string left-hand version).<br />

NEX, solid cedar top and solid<br />

mahogany back (TAN40C-LH –<br />

left-hand, TAN40C-12 –<br />

12-string version).<br />

Country nylon string<br />

cutaway, solid cedar top<br />

and solid mahogany back.<br />

OM-shaped TAN10.<br />

NOT PICTURED.<br />

FXC artist cutaway, solid<br />

cedar top and solid<br />

mahogany back.<br />

All of the Naturals in the<br />

acoustic/electric range feature<br />

the CoolTube preamp.<br />

The construction of the<br />

Natural Series is still<br />

mainly done by hand.<br />

Jumbo, solid cedar top and<br />

solid mahogany back (TAN20 –<br />

non-cutaway version).<br />

B R I N G I T T O L I F E<br />

NATURAL SELECTION.<br />

The Naturals are the instruments of choice for thousands of professional musicians around the world,<br />

and have become almost the ‘industry standard’ acoustic-electric; and for some very good reasons. Solid<br />

cedar tops, mahogany backs and a thin satin finish, endow these <strong>guitar</strong>s with a lush, complex tonality<br />

you’ll notice the moment you pick one up. Although be warned, putting it down again can be a problem.<br />

The <strong>Takamine</strong> Natural is the quintessential acoustic, painstakingly assembled<br />

using the finest materials and with ornamentation kept to the minimum. We even<br />

decided against a pickguard to allow the soundboard greater freedom to vibrate,<br />

thereby generating richer tone and providing longer sustain.<br />

The Naturals are available in a wide range of body shapes, so there's sure to be<br />

one you're totally comfortable with. For more information about the various<br />

<strong>Takamine</strong> body styles, see page 26. We even produce a nylon-stringed Natural<br />

that works just as well for civilised, soft-toned jazz as it does for classical music.<br />

All of the Naturals in the acoustic/electric range come with the palathetic bridge<br />

pick up system linked to our world class CTP-1 CoolTube preamp.<br />

We also produce pure acoustic versions of the Naturals.<br />

See pages 16-17 for details.<br />

E Q U I P P E D<br />

CEDAR<br />

MAHOGANY<br />

14<br />

The Natural series was first introduced in 1986. Find out more at www.takamine.co.uk.<br />

15


AN10 |<br />

AN15 |<br />

AN16 |<br />

AN45 |<br />

AN46 |<br />

AN15LH |<br />

NV360S |<br />

NV460S |<br />

PURE ACOUSTIC MODELS<br />

Dreadnought,<br />

solid cedar top,<br />

solid mahogany<br />

back and sides.<br />

Dreadnought, solid<br />

cedar top, solid<br />

rosewood back and<br />

sides, gloss finish.<br />

Dreadnought, solid<br />

spruce top, solid<br />

rosewood back and<br />

sides, gloss finish.<br />

NEX version<br />

of AN15.<br />

NEX version<br />

of AN16.<br />

Left-hand version<br />

of AN15.<br />

High ratio tuners.<br />

Laser cut and hand-inlaid<br />

abalone (Nashville).<br />

Dreadnought, solid ‘bear claw’<br />

spruce top with solid<br />

rosewood back and sides.<br />

NEX, Solid ‘bear claw’ spruce<br />

top with solid rosewood back<br />

and sides.<br />

B R I N G I T T O L I F E<br />

UNPLUGGED. UNSURPASSED.<br />

<strong>Takamine</strong> will always make pure acoustic-only models for the musician not needing or wanting anything<br />

more than the pure unadulterated sound of his or her acoustic <strong>guitar</strong>. And this is just fine with us.<br />

The company was founded on the basis of building acoustic <strong>guitar</strong>s of the very<br />

highest quality, and we have stayed faithful to our mission. In fact, even our<br />

amplified <strong>guitar</strong>s are acoustics first and foremost.<br />

Our luthiery skills are very much in evidence right across the range of <strong>Takamine</strong><br />

acoustics, from the choice of painstakingly seasoned solid tone woods through to<br />

the hand assembly and finishing. By the time your <strong>Takamine</strong> reaches you, it will<br />

have passed through the hands of many different, highly experienced craftsmen,<br />

each of whom is dedicated to making your <strong>guitar</strong> as good as it possibly can be –<br />

which we guarantee, is very good indeed!<br />

We offer a number of acoustic models from the Nashville, SuperNatural and<br />

Natural ranges, so it’s very likely that you’ll be able to find the <strong>guitar</strong> that’s<br />

perfect for you. But remember, whatever you choose to play unplugged,<br />

you can’t get better value-for-money than a <strong>Takamine</strong> acoustic.<br />

BEAR CLAW SPRUCE<br />

CEDAR<br />

MAHOGANY<br />

BOOKMATCHED<br />

ROSEWOOD<br />

16<br />

Register your new <strong>Takamine</strong> <strong>guitar</strong> online at www.takamine.co.uk.<br />

17


TC132SC |<br />

EF444S-TBS |<br />

EF508C-VN |<br />

EF261S |<br />

EF341SC |<br />

TAN15C-LH |<br />

TAN16C-LH |<br />

TAN46C-LH |<br />

TAN10-12LH |<br />

TAN10C-LH |<br />

SPECIALITY MODELS<br />

TC132SC: Classical cutaway,<br />

solid cedar top, solid<br />

rosewood back. TC132SC-BL:<br />

As for the TC132SC but in<br />

black gloss finish and with<br />

abalone inlay. Fitted with the<br />

CTP-1 CoolTube preamp.<br />

NEX, Figured Koa top,<br />

Figured Koa back and sides,<br />

abalone rosette. Fitted with<br />

the CT4BII preamp.<br />

NEX, solid cedar top,<br />

solid mahogany back.<br />

EF508KC: NEX, Figured<br />

Koa top, Figured Koa<br />

back and sides, abalone<br />

rosette. Fitted with the<br />

CT4BII preamp.<br />

FXC cutaway, solid cedar top,<br />

mahogany back.<br />

Finishes: BL – Black, WR – Wine<br />

Red, AN – Antique (not pictured).<br />

Fitted with the CT4BII preamp.<br />

Dreadnought cutaway, solid<br />

spruce top, mahogany back.<br />

Fitted with the CT4BII preamp.<br />

Left handed Dreadnought, solid<br />

cedar top, rosewood back and<br />

sides, CTP-1 CoolTube preamp.<br />

EG530SC-LH |<br />

Left handed Dreadnought,<br />

cutaway, Solid Spruce top,<br />

Sepele back and sides, natural<br />

gloss finish, TK40T preamp.<br />

Left handed Dreadnought,<br />

solid spruce top, rosewood<br />

back and sides, CTP-1<br />

CoolTube preamp.<br />

EG540SC-LH |<br />

Left handed NEX body, cutaway,<br />

Solid Spruce top, Nato back and<br />

sides, natural gloss finish,<br />

TK40T preamp.<br />

Left handed NEX body,<br />

solid spruce top, rosewood<br />

back and sides, CTP-1<br />

CoolTube preamp.<br />

EG523SC-LH |<br />

Left handed Jumbo body, cutaway,<br />

Solid Spruce top, flamed<br />

sycamore back and sides, natural<br />

gloss finish, TK40T preamp.<br />

Left handed 12-string Dreadnought,<br />

solid cedar top, mahogany back and<br />

sides, natural satin finish, CTP-1<br />

CoolTube preamp.<br />

EG522SC-LH |<br />

Left handed, Classical nylon<br />

strung, spruce top, gloss finish,<br />

TV3 preamp.<br />

Left handed Dreadnought, solid<br />

cedar top, mahogany back and<br />

sides, natural satin finish, CTP-1<br />

CoolTube preamp.<br />

LEFT HANDED MODELS<br />

SOMETHING SPECIAL.<br />

EF508C-VN & EF508KC. The EF508C-VN features <strong>Takamine</strong>’s NEX cutaway body<br />

style and marries a top grade solid cedar soundboard to mahogany back and<br />

sides. This striking instrument benefits from an expertly-applied antique gloss<br />

finish, designed to set off the ornate rosette and inlay designs to maximum<br />

aesthetic effect. The EF508KC is of the same shape but utilises the finest, highly<br />

figured Koa for it’s top, back and sides making it one of the most alluring <strong>guitar</strong>s<br />

in the speciality range. Exemplary amplified performance comes courtesy of the<br />

onboard CT4BII preamp linked to the up-to-date palathetic bridge pick up system.<br />

EF261S. (Antique, Black and Wine Red finishes) The EF261 is all about<br />

presenting listeners with a warm and perfectly balanced sound, which it does by<br />

virtue of its smaller body, constructed from a solid cedar top mated to mahogany<br />

back and sides. Available in a range of high gloss finishes, the EF261 comes with<br />

the CT4BII preamp fitted as standard.<br />

EF341SC. The EF341SC is a gloss black finished dreadnought with a solid spruce<br />

top on mahogany back and sides. You can guarantee that you’ll be seen and<br />

heard with this super-cool looking, strident-voiced beauty, especially when you<br />

plug in and use the CT4BII preamp.<br />

TC132SC AND TC132SC-BL. Why is the <strong>Takamine</strong> TC132SC one of the world’s<br />

most popular acoustic-electric classicals among professional <strong>guitar</strong>ists?<br />

…supreme playability, remarkable quality of sound and amazing versatility.<br />

You can play anything from Bach to modern R&B to mellow jazz on one of these<br />

fine instruments. It won’t surprise you to learn that the materials we use are of<br />

premium grade; the top is solid cedar while the sides and back are rosewood.<br />

The natural acoustic warmth of the TC132 is amplified by the onboard CoolTube<br />

preamp, so whether you’re recording or playing publicly, you can be certain that<br />

the organic integrity of your sound is being preserved for all to enjoy.<br />

AND ON THE<br />

OTHER HAND...<br />

All the <strong>guitar</strong>s in this range are designed especially<br />

for all our left-handed players who are looking for<br />

a <strong>guitar</strong> that exceeds all others.<br />

Models include both acoustic and semi-acoustic in a selection of fine tone woods and<br />

finishes. All of our left-handed <strong>guitar</strong>s are crafted using only the finest materials, with<br />

the same attention to detail, distinctive design and high quality craftsmanship which<br />

are standard throughout all <strong>Takamine</strong> <strong>guitar</strong>s.<br />

18<br />

For latest news, artist features and technical information visit www.takamine.co.uk.<br />

19


EG523SC |<br />

EG523SC2T |<br />

EG540SSC |<br />

EG541SSC |<br />

EG531SSC |<br />

EG562C |<br />

EG522SC |<br />

EG520S |<br />

EG512C |<br />

Jumbo Cutaway, solid spruce top, flamed<br />

sycamore back and sides, fitted with TK40T.<br />

Available in left handed (EG523SC-LH) and<br />

12 string (EG523SC-12) alternatives.<br />

As EG523SC in<br />

sunburst finish.<br />

NEX, cutaway, Solid<br />

spruce top, solid back,<br />

natural gloss finish,<br />

TK40T preamp.<br />

As EG540SSC in black<br />

gloss finish.<br />

Dreadnought, cutaway, solid<br />

spruce top, solid back, black<br />

gloss finish, TK40T preamp.<br />

FXC, thinline body,<br />

nylon strung, spruce<br />

top, gloss finish.<br />

Classical nylon string<br />

cutaway, solid spruce top,<br />

gloss finish (EG522SC-LH<br />

– left-hand).<br />

As EG523SC in<br />

sunburst finish.<br />

Super Jumbo, cutaway<br />

4-string bass, spruce top,<br />

natural satin finish.<br />

EG512C-FG |<br />

B R I N G I T T O L I F E<br />

THE G SERIES<br />

Super jumbo, cutaway 4<br />

string bass, spruce top,<br />

flamed maple back and<br />

sides, TK-40T preamp.<br />

WELCOME TO THE FAMILY.<br />

With the G Series, we’ve developed a range of <strong>guitar</strong>s to suit a diversity of applications. They come<br />

in different body sizes and shapes so you’re bound to find one that sounds right for your playing style.<br />

Pick up one of our smaller-bodied instruments such as the OM, NEX or FXC and see how comfortable<br />

they are to hold. The OM body style delivers a beautifully balanced tone with a slightly more<br />

pronounced midrange when compared to a dreadnought. And the thin profile version of the FXC makes<br />

it more resistant to feedback in higher volume environments. So you can see that choosing your next<br />

acoustic <strong>guitar</strong> demands serious thought, but put yourself in the hands of a <strong>Takamine</strong> specialist and<br />

it’ll be incredibly good fun and highly gratifying.<br />

The TK40 preamp system with<br />

three band EQ, built in tuner,<br />

notch filter, EQ bypass and mid<br />

contour switch.<br />

SPRUCE<br />

CEDAR<br />

MAHOGANY<br />

ROSEWOOD<br />

20<br />

<strong>Takamine</strong> first introduced its eagerly anticipated acoustic-electric <strong>guitar</strong>s in 1978. Find out more at www.takamine.co.uk.<br />

21


EG260C |<br />

EG260C-BK |<br />

EG260C-WR |<br />

EG260C-BSB |<br />

EG128SC |<br />

G220S-NS |<br />

EG460SC |<br />

NEX shape, cutaway, spruce top,<br />

mahogany back and sides, gloss<br />

finish, TP-4T preamp.<br />

NEX shape, cutaway, spruce top,<br />

mahogany back and sides, black<br />

gloss finish, TP-4T preamp.<br />

NEX shape, cutaway, spruce top,<br />

mahogany back and sides, wine red<br />

finish, TP-4T preamp.<br />

NEX shape, cutaway, spruce top,<br />

mahogany back and sides,<br />

sunburst finish, TP-4T preamp.<br />

Electro classical, cutaway, solid<br />

spruce top, mahogany back and<br />

sides, TP-4T preamp.<br />

NEX shape pure acoustic, solid spruce<br />

top, mahogany back and sides, natural<br />

satin finish.<br />

NEX shape, solid spruce top,<br />

rosewood back and sides, gloss<br />

finish, TP-4T preamp. Abalone inlay<br />

through binding and sound hole.<br />

B R I N G I T T O L I F E<br />

THE G SERIES<br />

THE G SERIES.<br />

A SOUND CHOICE.<br />

All of the G series <strong>guitar</strong>s in the range are built to a very high standard using the latest state-of-the<br />

art manufacturing techniques. With the same attention to detail and craftsmanship that can be found<br />

in all <strong>Takamine</strong> <strong>guitar</strong>s, they represent fantastic value for money.<br />

The TP-4T preamp with gain,<br />

bass and middle control,<br />

battery life indicator.<br />

SPRUCE<br />

MAHOGANY<br />

ROSEWOOD<br />

22<br />

For latest news, artist features and technical information visit www.takamine.co.uk.<br />

23


EG340SC |<br />

EG345C |<br />

EG341SC |<br />

EG440SC |<br />

G330S-NS |<br />

EG330SC-NS |<br />

EG330SC |<br />

Dreadnought, cutaway, solid spruce<br />

top, mahogany back and sides,<br />

gloss finish, TP-4T preamp.<br />

Dreadnought, cutaway, 12-string,<br />

spruce top, mahogany back and<br />

sides, gloss finish, TP-4T preamp.<br />

Dreadnought, cutaway, solid spruce<br />

top, mahogany back and sides, black<br />

gloss finish, TP-4T preamp.<br />

NEX Shape, cutaway, solid spruce<br />

top, mahogany back and sides,<br />

Gloss Finish, TP-4T preamp.<br />

Dreadnought shape pure acoustic,<br />

solid spruce top, mahogany back<br />

and sides, natural satin finish.<br />

Dreadnought, cutaway, solid spruce<br />

top, rosewood back and sides,<br />

natural satin finish, TK40 preamp.<br />

Dreadnought, cutaway, solid spruce<br />

top, rosewood back and sides,<br />

gloss finish, TK40 preamp.<br />

B R I N G I T T O L I F E<br />

THE G SERIES<br />

THE G SERIES.<br />

AUDITION THE RANGE.<br />

SPRUCE<br />

Gain, bass and middle control,<br />

battery life indicator.<br />

The TK40 preamp system with<br />

three band EQ, built in tuner,<br />

notch filter, EQ bypass and mid<br />

contour switch.<br />

MAHOGANY<br />

ROSEWOOD<br />

24<br />

Audition the range, find your local <strong>Takamine</strong> dealer at www.takamine.co.uk.<br />

25


BODY SHAPES AND STYLES.<br />

BODY SHAPES AND STYLES<br />

PREAMPS<br />

DREADNOUGHT |<br />

NEX |<br />

FXC |<br />

The most popular body shape of the past half<br />

century, the Dreadnought covers a lot of acoustic<br />

<strong>guitar</strong> bases. With a strong low end and plenty of<br />

volume, its original purpose was to be the driving<br />

force in a bluegrass band.<br />

This original <strong>Takamine</strong> body is a scaled down Jumbo<br />

at heart. Not as bassy as a Dreadnought, the NEX<br />

has a silky balance to the tone that provides superb<br />

support to vocals. The singer/songwriter’s favorite.<br />

The FXC is a great acoustic for an electric band.<br />

The smaller and thinner body (there’s even a<br />

thinline version) rejects feedback while providing<br />

a true and warm acoustic tone.<br />

PLUG IN. PLAY OUT.<br />

Length 20 1/16" (51cm) Depth 4 15/16" (12.5cm)<br />

Upper bout 11 1/8" (30cm) Lower bout 15 3/4" (40cm)<br />

Length 20 1/16" (51cm) Depth 4 5/16" (11cm)<br />

Upper bout 11 1/4" (28.5cm) Lower bout 15 3/4" (40cm)<br />

Length 19 1/8" (48.5cm) Depth 4" (10cm) or 2 1/2" (6.5cm)<br />

Upper bout 11" (28cm) Lower bout 14 3/4" (37.5cm)<br />

1. 2. 3. 4.<br />

CTP-1 COOLTUBE | CTBII | ACOUSTIC DSP | TriAx |<br />

1. CTP-1 COOLTUBE<br />

3. Acoustic DSP (DSP1)<br />

OM |<br />

In the late 1920s the <strong>guitar</strong> was being incorporated<br />

into many styles of music and the OM or Orchestra<br />

Model shape came into being. This classic shape, with<br />

its strong lower midrange, is enjoying a resurgence.<br />

Length 19 1/2" (49.5cm) Depth 4 1/4" (11cm)<br />

Upper bout 11" (28cm) Lower bout 15 3/8" (39cm)<br />

JUMBO |<br />

The biggest body we make, the jumbo excels as<br />

a rhythm <strong>guitar</strong>. Chords are big and meaty, with the<br />

broad lower bout delivering plenty of volume. While<br />

the overall tone is deep, the balance is outstanding.<br />

Length 20 7/8" (53cm) Depth 4 15/16" (12.5cm)<br />

Upper bout 12 9/16" (32cm) Lower bout 17 1/8" (43.5cm)<br />

CLASSIC |<br />

The classic <strong>guitar</strong> was defined over 150 years ago<br />

and <strong>Takamine</strong> respects the classic tradition. In<br />

combination with the fan bracing, the body shape<br />

delivers a clear tone and a strong distinctive voice.<br />

Length 19 5/16" (49cm) Depth 4" (10cm)<br />

Upper bout 11 7/16" (29cm) Lower bout 14 9/16" (37cm)<br />

With the launch of the groundbreaking CoolTube preamp, we once again<br />

demonstrate our talent for innovation. In the quest for the ultimate amplified<br />

acoustic tone, we took the bold step of building a vacuum tube preamp into an<br />

instrument crafted from delicate tone woods. Following two years of research and<br />

development, the CTP-1 has arrived, providing tone with the organic warmth only<br />

previously achievable with a perfectly placed tube mic in a studio environment.<br />

The low-voltage, low-temperature 12AU7 vacuum tube brings harmonic depth,<br />

richness and subtlety to your amplified tone that you simply won’t get from any<br />

other electro-acoustic <strong>guitar</strong>. The preamp’s EQ, blend control and an input for<br />

an additional magnetic pickup, expand the sonic possibilities even further.<br />

The CoolTube preamp is now available in our celebrated ‘07 Limited Edition,<br />

Nashville, Natural and SuperNatural ranges, our new TF250SMC/SB models and<br />

as an option for the new Bluegrass <strong>guitar</strong>s, so make a date to visit your local<br />

<strong>Takamine</strong> retailer and prepare to hear the warmest amplified acoustic tones yet.<br />

2. CT4BII<br />

The CT4BII is a wonderfully warm-sounding preamp possessing a 3-band graphic<br />

equalizer. It also features an extremely stable and accurate chromatic tuner<br />

making it perfect for non-standard and open tunings.<br />

This is the first onboard digital preamp for acoustic <strong>guitar</strong> and features<br />

parametric EQ, a chromatic tuner plus a digital reverb for an almost unlimited<br />

range of sounds and effects with which to add ambience to your performance –<br />

it can even memorise your favourite effects settings. A feedback absorber and<br />

mute switch are also built in.<br />

4. TriAx<br />

We are delighted to introduce our very first add-on acoustic <strong>guitar</strong> pickup<br />

– the brand new <strong>Takamine</strong> TRI-AX.<br />

We teamed up with acoustic amplification specialists Lloyd Baggs, to produce our<br />

new pickup – a tri-axial dynamic body sensing, soundhole-mounted unit, system<br />

matched to the CTP-1 CoolTube preamp. When feeding the CTP-1 auxiliary input,<br />

the TRI-AX gives the player a greatly expanded palette of tonal possibilities.<br />

The TRI-AX also produces excellent results when used as a stand-alone pickup<br />

on any good quality acoustic <strong>guitar</strong>, and delivers unsurpassed levels of realism<br />

and fidelity. The TRI-AX can function either passively or actively, and features a<br />

volume control in active mode.<br />

26<br />

Our different body shapes aren’t just for aesthetics, different body shapes favour different frequencies giving them a different character. Visit www.takamine.co.uk to find out more.<br />

27


B R I N G I T T O L I F E<br />

WWW. T AKAMINE. CO. UK

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!