2014-Winter-DU-Magazine
2014-Winter-DU-Magazine
2014-Winter-DU-Magazine
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RISEN CHRIST<br />
Risen Christ<br />
Sculpture Dedicated<br />
The ongoing renovation of Duquesne’s Chapel of the<br />
Holy Spirit continued with the September installation of the new<br />
Risen Christ sculpture. The artwork is the culmination of a twoyear<br />
effort to find a suitable replacement for the chapel’s previous<br />
cross and structure.<br />
The Risen Christ’s journey to Duquesne began in the summer<br />
of 2012, when President Charles Dougherty traveled to the<br />
Spiritan orphanage at Auteuil in Paris, where Blessed Daniel<br />
Brottier spent a career building a small orphanage into one of<br />
the largest and most progressive in France. Before Brottier’s<br />
tomb stands a striking modern version of a Risen Christ, and<br />
Dougherty—in consultation with former Vice President for<br />
Mission and Identity James McCloskey, C.S.Sp., and current<br />
Vice President for Mission and Identity Raymond French,<br />
C.S.Sp.—decided that something similar would be ideal for the<br />
University’s chapel.<br />
Duquesne contacted the sculpture’s creator, French artist<br />
Sebastien Touret, who agreed to create an exact replica for the<br />
University. Today, the wooden Risen Christ resides in the Chapel<br />
of the Holy Spirit, where special lighting creates two shadows<br />
that represent the thieves crucified with Christ.<br />
The Risen Christ was formally dedicated in October. The dedication<br />
featured artist Sebastien Touret, who traveled from France to join<br />
the celebration. His remarks about his work are below:<br />
It is quite an impressive mission<br />
to find oneself having to represent<br />
Christ.<br />
Is it even possible to show Him? We<br />
can evoke Him through an attitude,<br />
a gesture, within the challenges of<br />
carving and the reality of a material—<br />
oak wood in this case.<br />
This oak, not long ago, was a living<br />
tree full of sap. It was cut down and<br />
became a beam, in a neat square<br />
shape, and lifeless.<br />
The sculptor seizes it, and work<br />
begins as the precise tools bring out<br />
the sawdust and shavings.<br />
The beam loses its rigidity, its inertia.<br />
Thanks to your commissioning of<br />
the sculpture and to the sculpting<br />
work, a character appears—a man.<br />
The wood has become living, the<br />
most alive of the Living, the Risen<br />
Christ resurrected. He comes out of<br />
the tomb, springing from his shroud.<br />
This sculpture has a twinned<br />
presence in Paris, which I sculpted<br />
with my late father, Jean Touret, for<br />
the Chapel of Orphans in d’Auteuil.<br />
With hope this sculpture lives up<br />
to the huge ambition of the humble<br />
sculptor: creating a life-giving<br />
presence in this place of yours<br />
and in your midst.<br />
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