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2014-Winter-DU-Magazine

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RISEN CHRIST<br />

Risen Christ<br />

Sculpture Dedicated<br />

The ongoing renovation of Duquesne’s Chapel of the<br />

Holy Spirit continued with the September installation of the new<br />

Risen Christ sculpture. The artwork is the culmination of a twoyear<br />

effort to find a suitable replacement for the chapel’s previous<br />

cross and structure.<br />

The Risen Christ’s journey to Duquesne began in the summer<br />

of 2012, when President Charles Dougherty traveled to the<br />

Spiritan orphanage at Auteuil in Paris, where Blessed Daniel<br />

Brottier spent a career building a small orphanage into one of<br />

the largest and most progressive in France. Before Brottier’s<br />

tomb stands a striking modern version of a Risen Christ, and<br />

Dougherty—in consultation with former Vice President for<br />

Mission and Identity James McCloskey, C.S.Sp., and current<br />

Vice President for Mission and Identity Raymond French,<br />

C.S.Sp.—decided that something similar would be ideal for the<br />

University’s chapel.<br />

Duquesne contacted the sculpture’s creator, French artist<br />

Sebastien Touret, who agreed to create an exact replica for the<br />

University. Today, the wooden Risen Christ resides in the Chapel<br />

of the Holy Spirit, where special lighting creates two shadows<br />

that represent the thieves crucified with Christ.<br />

The Risen Christ was formally dedicated in October. The dedication<br />

featured artist Sebastien Touret, who traveled from France to join<br />

the celebration. His remarks about his work are below:<br />

It is quite an impressive mission<br />

to find oneself having to represent<br />

Christ.<br />

Is it even possible to show Him? We<br />

can evoke Him through an attitude,<br />

a gesture, within the challenges of<br />

carving and the reality of a material—<br />

oak wood in this case.<br />

This oak, not long ago, was a living<br />

tree full of sap. It was cut down and<br />

became a beam, in a neat square<br />

shape, and lifeless.<br />

The sculptor seizes it, and work<br />

begins as the precise tools bring out<br />

the sawdust and shavings.<br />

The beam loses its rigidity, its inertia.<br />

Thanks to your commissioning of<br />

the sculpture and to the sculpting<br />

work, a character appears—a man.<br />

The wood has become living, the<br />

most alive of the Living, the Risen<br />

Christ resurrected. He comes out of<br />

the tomb, springing from his shroud.<br />

This sculpture has a twinned<br />

presence in Paris, which I sculpted<br />

with my late father, Jean Touret, for<br />

the Chapel of Orphans in d’Auteuil.<br />

With hope this sculpture lives up<br />

to the huge ambition of the humble<br />

sculptor: creating a life-giving<br />

presence in this place of yours<br />

and in your midst.<br />

www.duq.edu 9

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