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Program For ACEI 2012 Kyoto, Japan

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<strong>Program</strong> for <strong>ACEI</strong> <strong>2012</strong> <strong>Kyoto</strong>, <strong>Japan</strong> 12 June <strong>2012</strong><br />

Page 4<br />

Auctions and Prices 1<br />

chair participant 2 participant 3 participant 4<br />

name Kim Oosterlinck (and Géraldine<br />

David)<br />

John <strong>For</strong>ster (and Helen Higgs) Hsiang-Chih Hwang Leonard Wolk (and Rachel A.J.<br />

Pownall)<br />

affiliation Université Libre de Bruxelles - Griffith University Lingnan University Maastricht University<br />

Solvay Brussels School of<br />

Economics and Management -<br />

title War, Inflation, Monetary Reforms<br />

and the Art Market The Belgian<br />

Art market (1944 – 1951)<br />

The Problem of Modelling Supply<br />

in the Secondary Art Market<br />

What Constitutes an International<br />

Art Center?<br />

Myopic Bidders in Internet<br />

Auctions<br />

e mail gdavid@ulb.ac.be j.forster@griffith.edu.au ishchwang@LN.edu.hk l.wolk@maastrichtuniversity.nl<br />

Museums<br />

chair participant 2 participant 3 participant 4<br />

name<br />

Luis Cesar Herrero (with María<br />

José del Barrio, Ana Bedate, and<br />

José Ángel Sanz)<br />

Siti Suriawati Isa (and S. Salwa<br />

Isa)<br />

Andrej Srakar<br />

affiliation University of Valladolid University Putra Malaysia Indiana University Bloomington<br />

(Visiting Scholar), University of<br />

Ljubljana<br />

title<br />

Evaluating the efficiency of<br />

museums using multiple outputs:<br />

Evidence from a regional system<br />

museums in Spain<br />

From Traditional Museum to<br />

Modern Museum: A Case Study<br />

of Malacca Maritime Museum,<br />

Malaysia<br />

Economic Analysis of<br />

Deaccessioning in American<br />

Museums<br />

Laura Vici (with Massimiliano<br />

Castellani and Pierpaolo Pattitoni)<br />

University of Bologna<br />

Actual and potential preferences<br />

for temporary art exhibitions: The<br />

case of Rimini museum<br />

9:30<br />

|<br />

11:00<br />

e mail herrero@emp.uva.es ssuria4@gmail.com andrej_srakar@t-2.net laura.vici@unibo.it<br />

International Trade<br />

chair participant 2 participant 3 participant 4<br />

name Gillian Doyle Nobuaki Hori (and Xiaoyi Luo) Li Cheng Shang Maria Masood<br />

affiliation University of Glasgow Kyushu University United Nations Conference on University of Geneva<br />

Trade and Development<br />

title Audiovisual Trade: Economic,<br />

Policy and Technological<br />

Challenges<br />

International Trade and Dynamic<br />

Cultural Diversity Based on<br />

Endogenous Innovation Model<br />

Using product space to identify<br />

creative product export strengths<br />

New Evidence on Development<br />

and Cultural Trade:<br />

Diversification, Reconcentration<br />

and Domination<br />

e mail Gillian.Doyle@Glasgow.ac.uk n.hori.oit@gmail.com lcs.unctad@gmail.com maria.masood@unige.ch<br />

Cultural Policies 1<br />

chair participant 2 participant 3 participant 4<br />

name Christian Hjorth-Andersen Ana Flava Machado (with<br />

Alexandre Rabelo and Arthur<br />

Gomes Moreira)<br />

Tadashi Yagi (with Yoshinori Usui<br />

and Chisako Takashima)<br />

Lluis Bonet (and Xavier Castañer<br />

)<br />

affiliation University of Copenhagen Federal University of Minas Doshisha University University of Lausanne<br />

title Cultural policy in a welfare state The role of public spending in<br />

creative workers’ earnings in<br />

Brazil metropolitan<br />

The Income Security System in<br />

<strong>Japan</strong>ese Traditional Performing<br />

Arts<br />

Is Agency Theory Applicable to<br />

the Governance of Public Cultural<br />

Agencies?<br />

e mail<br />

Christian.Hjorth-<br />

Andersen@econ.ku.dk<br />

Art and Commerce<br />

anaflaviatavaresmachado@gmail.<br />

com<br />

tyagi@mail.doshisha.ac.jp<br />

xavier.castaner@unil.ch<br />

chair participant 2 participant 3 participant 4<br />

name Massimiliano Nuccio (and Jeanne<br />

Charlotte Vogt)<br />

Jurate Cerneviciute<br />

Roberto Cellini (and Tiziana<br />

Cuccia)<br />

Yu-Sheng Huang (and Yun-Ju<br />

Chen)<br />

affiliation Leuphana Universität Lüneburg Vilnius Gediminas Technical University of Catania<br />

National Chung Hsing University<br />

University<br />

title Patterns of internationalization of<br />

visual artists. Empirical evidence<br />

from the German art market<br />

Vilnius arts’ incubators clustering Artist and art-dealer as a<br />

marketing channel<br />

A study on the Recreational<br />

Values of the Gaomei Wetland in<br />

Taiwan with Application of Choice<br />

Experiment<br />

e mail nuccio@leuphana.de jurate.cerneviciute@vgtu.lt cellini@unict.it D9834003@mail.nchu.edu.tw<br />

Cultural Value and Creativity 2<br />

chair participant 2 participant 3 participant 4<br />

name Enrico Eraldo Bertacchini (and Marilena Vecco (paper presented Kerry Wilson<br />

Javier Hernández-Acosta<br />

Martha Mary Friel)<br />

by J. Aldo Do Carmo Jr.)<br />

affiliation University of Torino Erasmus University Rotterdam Liverpool John Moores University Interamerican University of Puerto<br />

Rico<br />

title Understanding Creativity and<br />

Innovation in Industrial Design:<br />

An historic and empirical<br />

assessment<br />

Creative evaluation of genius loci Whose value is it anyway? Issues<br />

of contention and contradiction in<br />

the UK's cultural value debate<br />

Cultural Return: Toward a<br />

Preliminary Framework<br />

e mail enrico.bertacchini@unito.it vecco@eshcc.eur.nl k.m.wilson@ljmu.ac.uk javihernandez@yahoo.com<br />

Cinema. the Box Office<br />

chair participant 2 participant 3 participant 4<br />

name Jordi McKenzie (with David Court Daniel Kaimann<br />

Jean-Samuel Beuscart (and Leo Chen<br />

and Charles Plott)<br />

Kevin Mellet)<br />

affiliation University of Sydney University of Paderborn Orange Labs <strong>Kyoto</strong> University of Art & Design<br />

title Nobody knows anything?<br />

Applying pari-mutuel information<br />

To infinity and beyond! - A genrespecific<br />

film analysis of movie<br />

The impact of advertising on box<br />

office. An empirical analysis of<br />

Values Measurement in the<br />

Visual Economy of Genre<br />

aggregation mechanisms to the<br />

motion picture industry<br />

success mechanisms<br />

the French motion picture industry Cinemas<br />

e mail jordi.mckenzie@sydney.edu.au Daniel.Kaimann@wiwi.unipaderborn.de<br />

jeansamuel.beuscart@orange.co<br />

m<br />

leogriv@gmail.com

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