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Program For ACEI 2012 Kyoto, Japan

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<strong>Program</strong> for <strong>ACEI</strong> <strong>2012</strong> <strong>Kyoto</strong>, <strong>Japan</strong> 12 June <strong>2012</strong><br />

Page 1<br />

Risk-takers in Arts and Culture<br />

Friday 22 June<br />

chair participant 2 participant 3<br />

name Trine Bille (with Knut Løyland Michael Hutter<br />

Roxana Mihet<br />

and Cecilie Bryld Fjællegaard<br />

affiliation Copenhagen Business School Social Science Research Center International Monetary Fund<br />

Berlin (Technische Universität)<br />

title Work for passion - Labour supply<br />

of Norwegian artists<br />

Consumption, Production and<br />

Markets in the Experience<br />

Economy<br />

Effects of National Culture on<br />

Firm Risk Taking: A Cross-<br />

Cultural and Cross-Industrial<br />

Analysis<br />

e mail tb.ino@cbs.dk mhutter@wzb.eu rmihet@imf.org<br />

Artists' Careers<br />

chair participant 2 participant 3 participant 4<br />

name Isidoro Mazza (and Luigi Di Alan Walsh<br />

Lasse Steiner (with<br />

Ellen Loots<br />

Gaetano)<br />

LucianSchneider)<br />

affiliation University of Catania Trinity College (Dublin) University of Zurich University of Antwerp<br />

title Who hires innovative artists? Birth Location, Migration, and<br />

Clustering of Important Western<br />

Philosophers: Historical Patterns<br />

The happy artist? An empirical<br />

application of the work-preference<br />

model<br />

An Exploration of an Organization<br />

<strong>For</strong>m: Artists’ Residences<br />

e mail imazza@unict.it walsha21@tcd.ie lasse.steiner@econ.uzh.ch ellen.loots@ua.ac.be<br />

Copyrights 1<br />

chair participant 2 participant 3 participant 4<br />

name Antonello Eugenio Scorcu (and<br />

Laura Vici)<br />

Branislav Hazucha (with Marcel<br />

Resovsky)<br />

Matthieu Manant (and Fabrice<br />

Rochelandet)<br />

Jessica Petrou (and Joëlle<br />

Farchy)<br />

affiliation Unversity of Bologna Hokkaido University Graduate<br />

School of Law<br />

Paris XI University<br />

Centre d'économie de la<br />

Sorbonne<br />

title Economic and cultural factors and Copyright, Technological Switch<br />

illegal copyright behavior in the<br />

university textbook market<br />

and Prerecorded Media Sales: A<br />

Case of Music Industry in <strong>Japan</strong><br />

Networks effects and local<br />

contents: The case of piracy in<br />

Sub-Saharan broadcasting<br />

industry<br />

Optimizing use of orphan works<br />

while respecting intellectual<br />

property rights: a Law and<br />

Economics perspective<br />

11:00<br />

|<br />

12:30<br />

e mail antonello.scorcu@unibo.it bhazucha@juris.hokudai.ac.jp matthieu.manant@u-psud.fr jesspetrou@hotmail.com<br />

Cultural Diversity and Innovation<br />

chair participant 2 participant 3 participant 4<br />

name Fabrice Rochelandet (and Alain<br />

Rallet)<br />

Lorenz Poellmann (with Andrea<br />

Hausmann)<br />

Irene Bastard (with François<br />

Moreau, Marc Bourreau and<br />

Sung-Hee Choi (with Byeongho<br />

Choe and Keunjae Lee)<br />

affiliation ADIS University Paris Sud Viadrina European University Télécom ParisTech Pusan National University<br />

title To what extent the digital<br />

revolution can enhance cultural<br />

diversity?<br />

Broadcast your services! Impact<br />

of Social Media on the Marketing<br />

of Performing Arts Organizations<br />

Cinemas' Location, Common<br />

Ownership and Movie<br />

<strong>Program</strong>ming Differentiation<br />

Who benefits from online<br />

promotion? Album sales and<br />

online presence in the recorded<br />

music industry<br />

e mail alain.rallet@gmail.com poellmann@europa-uni.de irene.bastard@telecom- scarlett0429@hotmail.com<br />

Cultural Value and Creativity 1<br />

chair participant 2 participant 3 participant 4<br />

name Arjo Klamer Yoichi Honda Marnie Badham (and Lachlan Sang-Oh Lim<br />

John MacDowall)<br />

affiliation Erasmus University Osaka City University University of Melbourne Sangji University<br />

title Realising cultural values Art Projects and Creativity of<br />

Residents: Wellbeing of Local<br />

Elderly and a New Challenge of<br />

the Toride Art Project<br />

Towards an integrated approach<br />

to community-based arts<br />

evaluation: reconsidering the<br />

economic dimension in cultural<br />

metrics<br />

John Ruskin on cultural<br />

economics: "There is no wealth<br />

but life"<br />

e mail arjo@klamer.nl honda19502050@hotmail.co.jp marniebadham@gmail.com solim@sangji.ac.kr<br />

Creative Cities 1<br />

chair participant 2 participant 3 participant 4<br />

name Dennis O. Howard Brahim Boualam Ann Markusen (with Elisa Barbour Beatriz Plaza (with Silke N.<br />

and Ann Gadwa Nicodemus) Haarich and Courtney Waldron)<br />

affiliation University of the West Indies, University of Geneva University of Minnesota University of the Basque Country<br />

Jamaica<br />

title Navigating creativity through the<br />

Creative Echo Chamber of<br />

Kingston: Music production and<br />

the creative city<br />

Cultural environment and the<br />

economy of cities: Does culture<br />

affect local productivity and urban<br />

amenities of American cities?<br />

How People and Place Shape<br />

Regional Arts and Culture<br />

Branding Bilbao: Assessing the<br />

Role of an Art Museum in<br />

Creating a Valuable Place Brand<br />

e mail howardennis@yahoo.com Brahim.Boualam@unige.ch markusen@umn.edu beatriz.plaza@ehu.es<br />

Information, Experts' Critics and Demand for Cinema<br />

chair participant 2 participant 3 participant 4<br />

name Javier Hernández-Acosta Erwin Dekker (and Zuzanna<br />

Popik)<br />

Yu-His Liu<br />

affiliation<br />

title<br />

Jose Azuela Flores (with Víctor<br />

Fernández Blanco and María Jos<br />

é Sanzo Pérez)<br />

Interamerican University of Puerto Erasmus University Suffolk University Universidad Autónoma de<br />

Rico<br />

Tamaulipas<br />

Global Competitiveness “Starts at By Unanimous decision? A How Does Online Word-of-Mouth Movie reviews: Who are the<br />

Home”: Demand Conditions and second look at consensus in the Influence Movie Revenue? readers?<br />

the Puerto Rican Film Industry film industry<br />

Evidence from Twitter<br />

e mail javihernandez@yahoo.com e.dekker@eshcc.eur.nl laches2@gmail.com jazuelaflores@gmail.com


<strong>Program</strong> for <strong>ACEI</strong> <strong>2012</strong> <strong>Kyoto</strong>, <strong>Japan</strong> 12 June <strong>2012</strong><br />

Page 2<br />

Economics of Internet<br />

chair participant 2 participant 3 participant 4<br />

name Thomas Trégouët Stéphanie Peltier (with Françoise<br />

Benhamou and Mamoudou<br />

Toure)<br />

Bimo Prakoso Priatmadji (with Lia<br />

Yuldinawati)<br />

Rua-Huan Tsaih<br />

(with James Quo-Ping Lin, Tzu-<br />

Shian Han, Woodies Wu and Huichun<br />

Chan)<br />

affiliation University of Cergy-Pontoise University of La Rochelle Telkom Institute of Management National Chengchi University<br />

title Platform Entry and Integration in<br />

WPAP as Digital Media-based<br />

Two-Sided Markets<br />

Artwork<br />

Does E-commerce favor SMEs?<br />

Evidence from the French Book<br />

Industry<br />

Video-based Internet platform of<br />

cultural exhibitions and its effects:<br />

the case of the National Palace<br />

Museum in Taipei<br />

15:30<br />

|<br />

17:00<br />

e mail thomas.tregouet@u-cergy.fr stephanie.peltier@univ-lr.fr bimo_priatmadji@yahoo.com than@nccu.edu.tw<br />

Art Markets<br />

chair participant 2 participant 3 participant 4<br />

name Karol Jan Borowiecki Filip Vermeylen (and Payal Arora) Laurent Noel (and Stéphanie Ellen Loots<br />

Maurice)<br />

affiliation Trinity College Dublin Erasmus University Rotterdam Audencia Nantes School of University of Antwerp<br />

Management<br />

title History Matters: The Origins of<br />

Cultural Supply in Italy<br />

Profitability of investments in art:<br />

:results and perspectives<br />

Old and New Experts, and the<br />

Valorization of Art in the<br />

Contemporary Market<br />

Past performance and sensemaking<br />

mechanisms in art: a<br />

network-approach for<br />

disentangling the various effects<br />

on performance in contemporary<br />

visual arts<br />

e mail borowiek@tcd.ie vermeylen@eshcc.eur.nl lnoel@audencia.com ellen.loots@ua.ac.be<br />

Market Knowledge: Product Design, Advertising, WTP, CRM<br />

name<br />

affiliation<br />

title<br />

e mail<br />

chair participant 2 participant 3 participant 4<br />

Kevin Mellet (and Jean-Samuel Alexandros Apostolakis (and Olga Ruslanova<br />

Emma Lind<br />

Beuscart)<br />

Shabbar Jaffry)<br />

Orange Labs and Centre de University of Portsmouth <strong>Kyoto</strong> Institute of Technology Agder Research Institute<br />

Sociologie de l'Innovation (Mines-<br />

Paristech) and Orange Labs and<br />

LATTS (University of Marne-La-<br />

Vallée)<br />

Marketing Cultural Goods or the<br />

Art of Dealing with Uncertainty: A<br />

comparative analysis of<br />

advertising strategies in cultural<br />

industries in France<br />

kevin.mellet@orange.com;<br />

jeansamuel.beuscart@orange.co<br />

Consumer Information in the Digital Age<br />

Measuring the Effect of Attitudes,<br />

Social Norms and Perceived<br />

Behavioural Control Variables on<br />

Individual Willingness to Pay for<br />

Cultural Resources<br />

Mass customization shaping the<br />

design of interior<br />

Customer Relationship<br />

Management as strategy for<br />

audience development in the arts:<br />

how can systematic audience<br />

data collecting contribute to<br />

innovation and artistic<br />

development<br />

alex.apostolakis@port.ac.uk ponkasonia@yahoo.com emma.lind@agderforskning.no<br />

chair participant 2 participant 3 participant 4<br />

name Sisley Maillard Anita Zednik François Moreau (with Sylvain<br />

Dejean and Godefroy Dang-<br />

Massimiliano Nuccio (and Marina<br />

Nicoli)<br />

Nguyen)<br />

affiliation Télécom ParisTech Macquarie University Université de Bretagne<br />

Leuphana University Lüneburg<br />

title<br />

Consumer information and<br />

demand in cultural markets at the<br />

digital age: Measuring the change<br />

in information spillovers in the<br />

music industry<br />

Demand for music: preliminary<br />

results of latent class analyses of<br />

listen and download choice<br />

Occidentale<br />

Are streaming and other music<br />

consumption modes substitutes<br />

or complements?<br />

(and Università Bocconi Milano)<br />

The digital revolution and the<br />

cultural industries: new business<br />

strategies in photojournalism<br />

e mail sisley.maillard@telecom- anita.zednik@mq.edu.au francois.moreau@univ-brest.fr nuccio@leuphana.de<br />

Performing Arts<br />

chair participant 2 participant 3 participant 4<br />

name Cees Langeveld (and Marcel van Pieter de Rooij (and Johan Ferla) Daniel Urrutiaguer (and Philippe Carlos Casacuberta<br />

Stiphout)<br />

Henry)<br />

affiliation Erasmus University Rotterdam NHTV Breda University of Applied Université de la Sorbonne - Paris<br />

Sciences<br />

3 (Institut de Recherches en<br />

title<br />

Audiences limitedly travel to<br />

performing arts<br />

The relationship between social<br />

influences, involvement and<br />

customer loyalty in the performing<br />

arts<br />

Etudes Théâtrales)<br />

The main Territories and<br />

Resources of the French Nonprofit<br />

Performing Arts Companies<br />

Universidad de la Republica<br />

(Uruguay)<br />

Objective function, resource<br />

allocation and institutional<br />

performance in a publicly owned<br />

theater<br />

e mail clangeveld@wxs.nl rooy.h@nhtv.nl urrutiag@noos.fr carlosc@decon.edu.uy<br />

Film Industry<br />

chair participant 2 participant 3 participant 4<br />

Darlene Chisholm (and George Lin Chien-Chiang (with Wu Jing- Luisa Fernanda Gutiérrez Navratil<br />

Norman)<br />

Jyi and Hung Chia-Ling) (with Luis Orea, Victor<br />

name<br />

Seungkook Roh (and Wonjoon<br />

Kim)<br />

Fernandez-Blanco and Juan<br />

affiliation Suffolk University Shih Hsin University University of Oviedo Graduate school of Culture<br />

Technology, KAIST<br />

title<br />

The Boundaries of the Firm in<br />

Creative Industries: Evidence<br />

from Motion-Pictures Financing<br />

and Production<br />

The Evolution of Studies on Film<br />

Marketing: An Exploration of<br />

Chinese Film Industry<br />

Do movie majors really collude?<br />

Some indirect evidence from<br />

release schedules<br />

Star Effect on Revenue, Profit in<br />

Movie Industry<br />

e mail darlene.chisholm@suffolk.edu randolph.shu@gmail.com luifergu2002@hotmail.com skroh@kaist.edu


<strong>Program</strong> for <strong>ACEI</strong> <strong>2012</strong> <strong>Kyoto</strong>, <strong>Japan</strong> 12 June <strong>2012</strong><br />

Page 3<br />

Intangible Heritage<br />

chair participant 2 participant 3 participant 4<br />

name Hiroyuki Yamada Francesca Cominelli Byung-Hee Soh Liu Chang (and Fu Qiang)<br />

affiliation <strong>Kyoto</strong> University University Paris 1 Panthéon Kookmin University<br />

International Graduate School of<br />

Sorbonne<br />

Heritage Studies, Brandenburg<br />

title<br />

On the Sustainability of the<br />

Intangible Cultural Heritage in<br />

<strong>Japan</strong> – the case of <strong>Kyoto</strong> Gion<br />

Intangible Cultural Heritage:<br />

Safeguarding Approaches<br />

A Comparison of the Intangible<br />

Cultural Heritage Policies in Asia<br />

e mail hiroyamada@a011.broada.jp cominellifrancesca@gmail.com sooam@kookmin.ac.kr txybj@yahoo.de<br />

Demand and Social Cohesion<br />

University of Technology Cottbus<br />

Intangible Cultural Heritage in the<br />

Process of Economic<br />

Transformation in China<br />

chair participant 2 participant 3 participant 4<br />

name Alan Collins (with Joe Cox and Pier Luigi Sacco (with Sabrina Isidoro Mazza (and Marco F. Marion Vidal (and Caroline Riché)<br />

Alan Leonard)<br />

Pedrini)<br />

Martorana)<br />

affiliation University of Portsmouth IULM University, Milan University of Catania ICD business school<br />

title Strangers in the Night? The<br />

Interplay of Fear of Darkness,<br />

Crime and Out-of-Home Cultural<br />

and Leisure Participation in the<br />

City<br />

The indirect effects of cultural<br />

access on social cohesion<br />

The effects of social interaction<br />

and cultural consumption on<br />

voting turnout<br />

Man or Woman: who takes the<br />

decision of purchasing a piece of<br />

art on behalf of the couple?<br />

e mail alan.collins@port.ac.uk sabrina.pedrini@unibo.it imazza@unict.it mvidal@groupe-igs.fr<br />

Copyrights 2<br />

chair participant 2 participant 3 participant 4<br />

name Christian Handke Shinya Kinukawa (and Yasuhiro<br />

Arai)<br />

Ryu Kojima<br />

Nathalie Moureau (and Alain<br />

Marciano)<br />

affiliation Erasmus University Rotterdam Komazawa University Kyushu University University of Montpellier<br />

title Copyright and its effects on<br />

different types of innovation<br />

Copyright Infringement as User<br />

Innovation<br />

Duration of Copyright: From the<br />

Perspective of Cultural Policy<br />

Property Rights, Copyrights and<br />

Abuse of Dominance The Case<br />

of French National Museums and<br />

Photographers<br />

e mail handke@eshcc.eur.nl kinukawa@komazawa-u.ac.jp kojima@law.kyushu-u.ac.jp nathalie.moureau@univ-montp3.fr<br />

Games and Music Markets<br />

chair participant 2 participant 3 participant 4<br />

name Joe Cox Shenja van der Graaf Trent MacDonald (and Jason Davi Nakano (and Guilherme<br />

affiliation University of Portsmouth IBBT-SMIT, Vrije Universiteit School of Economics, University University of Sao Paulo<br />

Brussel (Belgium)<br />

of Queensland<br />

title An empirical analysis of<br />

blockbuster video games<br />

Organizational Dynamics at Play:<br />

Implications for game design<br />

Price dynamics of musical<br />

revolutions: An econometric<br />

Online Music Market: An analysis<br />

of Online Music Outlets<br />

analysis<br />

e mail joe.cox@port.ac.uk Shenja.vanderGraaf@ibbt.be trentjmacdonald@gmail.com davi.nakano@gmail.com<br />

Cultural Policies 1(Session Canceled)<br />

17:15<br />

|<br />

18:45<br />

Creative Cities 2<br />

chair participant 2 participant 3 participant 4<br />

name Bronwyn Coate Masaya Hagihara Hui-Chuan Chang (with Chung-Te Adam L. Johns<br />

Ting and Meng-Hsun Lee)<br />

affiliation RMIT University Osaka Shoin Women's University Chang Jung Christian University Rikkyo University<br />

title Creative economy strategies for<br />

regional cities: The case of<br />

Geelong, Australia<br />

Urban regeneration in <strong>Kyoto</strong> after<br />

the Meiji Restoration - from a<br />

‘creative city theory’ perspective<br />

Evaluating the efficiency of<br />

cultural and creative ability of<br />

cities in Taiwan<br />

Authenticity and Place: the role of<br />

location and place in perceptions<br />

of product authenticity in cultural<br />

industries<br />

e mail bronwyn.coate@rmit.edu.au hagihara.masaya@osakashoin.ac.jp<br />

Audiences<br />

redapple770718@hotmail.com<br />

johns@rikkyo.ac.jp<br />

chair participant 2 participant 3 participant 4<br />

name Masahiro Arima (with Yuki Kato,<br />

Michitaka Arima and Masatochi<br />

Sunhyuck Kim (with Jungwha<br />

Kim)<br />

Rua-Huan Tsaih (with James<br />

Quo-Ping Lin, Tzu-Shian Han, Yiting<br />

Laura Vici (and Antonello Eugenio<br />

Scorcu)<br />

Fukunaga)<br />

Chao and Hui-chun Chan)<br />

affiliation University of Hyogo KAIST (Korea Advanced Institute National Chengchi University University of Bologna<br />

title<br />

Changes in <strong>Japan</strong>ese College<br />

Students' Attitudes towards Arts<br />

and Appreciation of Arts -<br />

Analysis Based on Micro Data<br />

from Periodical Student Surveys -<br />

of Science and Technology<br />

Evaluating children’s preference<br />

of digital media in museum<br />

environment: Case of National<br />

Children’s Museum of Korea<br />

New ICT-enabled Services of<br />

National Palace Museum and<br />

their Designs<br />

Cultural habits and peer group<br />

effects in student behavior<br />

e mail arima@ai.u-hyogo.ac.jp ksh1015@kaist.ac.kr tsaih@mis.nccu.edu.tw laura.vici@unibo.it<br />

Saturday 23 June<br />

Crafts, Arts and Culture<br />

chair participant 2 participant 3<br />

name Silvana Navarro Hoyos Lili Jiang Arjo Klamer<br />

affiliation University of Barcelona Erasmus University Rotterdam Erasmus University<br />

title Cultural tourism and crafts as part The importance of craftsmanship:<br />

of the development of a region the case of Chinese ceramics<br />

e mail snavarrohoyos@gmail.com jiang@eshcc.eur.nl arjo@klamer.nl<br />

Crafting Culture: the importance<br />

of craftsmanship for the world of<br />

the arts and the economy at large


<strong>Program</strong> for <strong>ACEI</strong> <strong>2012</strong> <strong>Kyoto</strong>, <strong>Japan</strong> 12 June <strong>2012</strong><br />

Page 4<br />

Auctions and Prices 1<br />

chair participant 2 participant 3 participant 4<br />

name Kim Oosterlinck (and Géraldine<br />

David)<br />

John <strong>For</strong>ster (and Helen Higgs) Hsiang-Chih Hwang Leonard Wolk (and Rachel A.J.<br />

Pownall)<br />

affiliation Université Libre de Bruxelles - Griffith University Lingnan University Maastricht University<br />

Solvay Brussels School of<br />

Economics and Management -<br />

title War, Inflation, Monetary Reforms<br />

and the Art Market The Belgian<br />

Art market (1944 – 1951)<br />

The Problem of Modelling Supply<br />

in the Secondary Art Market<br />

What Constitutes an International<br />

Art Center?<br />

Myopic Bidders in Internet<br />

Auctions<br />

e mail gdavid@ulb.ac.be j.forster@griffith.edu.au ishchwang@LN.edu.hk l.wolk@maastrichtuniversity.nl<br />

Museums<br />

chair participant 2 participant 3 participant 4<br />

name<br />

Luis Cesar Herrero (with María<br />

José del Barrio, Ana Bedate, and<br />

José Ángel Sanz)<br />

Siti Suriawati Isa (and S. Salwa<br />

Isa)<br />

Andrej Srakar<br />

affiliation University of Valladolid University Putra Malaysia Indiana University Bloomington<br />

(Visiting Scholar), University of<br />

Ljubljana<br />

title<br />

Evaluating the efficiency of<br />

museums using multiple outputs:<br />

Evidence from a regional system<br />

museums in Spain<br />

From Traditional Museum to<br />

Modern Museum: A Case Study<br />

of Malacca Maritime Museum,<br />

Malaysia<br />

Economic Analysis of<br />

Deaccessioning in American<br />

Museums<br />

Laura Vici (with Massimiliano<br />

Castellani and Pierpaolo Pattitoni)<br />

University of Bologna<br />

Actual and potential preferences<br />

for temporary art exhibitions: The<br />

case of Rimini museum<br />

9:30<br />

|<br />

11:00<br />

e mail herrero@emp.uva.es ssuria4@gmail.com andrej_srakar@t-2.net laura.vici@unibo.it<br />

International Trade<br />

chair participant 2 participant 3 participant 4<br />

name Gillian Doyle Nobuaki Hori (and Xiaoyi Luo) Li Cheng Shang Maria Masood<br />

affiliation University of Glasgow Kyushu University United Nations Conference on University of Geneva<br />

Trade and Development<br />

title Audiovisual Trade: Economic,<br />

Policy and Technological<br />

Challenges<br />

International Trade and Dynamic<br />

Cultural Diversity Based on<br />

Endogenous Innovation Model<br />

Using product space to identify<br />

creative product export strengths<br />

New Evidence on Development<br />

and Cultural Trade:<br />

Diversification, Reconcentration<br />

and Domination<br />

e mail Gillian.Doyle@Glasgow.ac.uk n.hori.oit@gmail.com lcs.unctad@gmail.com maria.masood@unige.ch<br />

Cultural Policies 1<br />

chair participant 2 participant 3 participant 4<br />

name Christian Hjorth-Andersen Ana Flava Machado (with<br />

Alexandre Rabelo and Arthur<br />

Gomes Moreira)<br />

Tadashi Yagi (with Yoshinori Usui<br />

and Chisako Takashima)<br />

Lluis Bonet (and Xavier Castañer<br />

)<br />

affiliation University of Copenhagen Federal University of Minas Doshisha University University of Lausanne<br />

title Cultural policy in a welfare state The role of public spending in<br />

creative workers’ earnings in<br />

Brazil metropolitan<br />

The Income Security System in<br />

<strong>Japan</strong>ese Traditional Performing<br />

Arts<br />

Is Agency Theory Applicable to<br />

the Governance of Public Cultural<br />

Agencies?<br />

e mail<br />

Christian.Hjorth-<br />

Andersen@econ.ku.dk<br />

Art and Commerce<br />

anaflaviatavaresmachado@gmail.<br />

com<br />

tyagi@mail.doshisha.ac.jp<br />

xavier.castaner@unil.ch<br />

chair participant 2 participant 3 participant 4<br />

name Massimiliano Nuccio (and Jeanne<br />

Charlotte Vogt)<br />

Jurate Cerneviciute<br />

Roberto Cellini (and Tiziana<br />

Cuccia)<br />

Yu-Sheng Huang (and Yun-Ju<br />

Chen)<br />

affiliation Leuphana Universität Lüneburg Vilnius Gediminas Technical University of Catania<br />

National Chung Hsing University<br />

University<br />

title Patterns of internationalization of<br />

visual artists. Empirical evidence<br />

from the German art market<br />

Vilnius arts’ incubators clustering Artist and art-dealer as a<br />

marketing channel<br />

A study on the Recreational<br />

Values of the Gaomei Wetland in<br />

Taiwan with Application of Choice<br />

Experiment<br />

e mail nuccio@leuphana.de jurate.cerneviciute@vgtu.lt cellini@unict.it D9834003@mail.nchu.edu.tw<br />

Cultural Value and Creativity 2<br />

chair participant 2 participant 3 participant 4<br />

name Enrico Eraldo Bertacchini (and Marilena Vecco (paper presented Kerry Wilson<br />

Javier Hernández-Acosta<br />

Martha Mary Friel)<br />

by J. Aldo Do Carmo Jr.)<br />

affiliation University of Torino Erasmus University Rotterdam Liverpool John Moores University Interamerican University of Puerto<br />

Rico<br />

title Understanding Creativity and<br />

Innovation in Industrial Design:<br />

An historic and empirical<br />

assessment<br />

Creative evaluation of genius loci Whose value is it anyway? Issues<br />

of contention and contradiction in<br />

the UK's cultural value debate<br />

Cultural Return: Toward a<br />

Preliminary Framework<br />

e mail enrico.bertacchini@unito.it vecco@eshcc.eur.nl k.m.wilson@ljmu.ac.uk javihernandez@yahoo.com<br />

Cinema. the Box Office<br />

chair participant 2 participant 3 participant 4<br />

name Jordi McKenzie (with David Court Daniel Kaimann<br />

Jean-Samuel Beuscart (and Leo Chen<br />

and Charles Plott)<br />

Kevin Mellet)<br />

affiliation University of Sydney University of Paderborn Orange Labs <strong>Kyoto</strong> University of Art & Design<br />

title Nobody knows anything?<br />

Applying pari-mutuel information<br />

To infinity and beyond! - A genrespecific<br />

film analysis of movie<br />

The impact of advertising on box<br />

office. An empirical analysis of<br />

Values Measurement in the<br />

Visual Economy of Genre<br />

aggregation mechanisms to the<br />

motion picture industry<br />

success mechanisms<br />

the French motion picture industry Cinemas<br />

e mail jordi.mckenzie@sydney.edu.au Daniel.Kaimann@wiwi.unipaderborn.de<br />

jeansamuel.beuscart@orange.co<br />

m<br />

leogriv@gmail.com


<strong>Program</strong> for <strong>ACEI</strong> <strong>2012</strong> <strong>Kyoto</strong>, <strong>Japan</strong> 12 June <strong>2012</strong><br />

Page 5<br />

Creative Clusters 1<br />

chair participant 2 participant 3 participant 4<br />

name Masayuki Sasaki Jérémie Molho (with Solène<br />

Chesnel, Hélène Morteau and<br />

Suzanne Burke<br />

J. Aldo Do Carmo (and Julio<br />

Lucchesi Moraes)<br />

Florian Raimbaud)<br />

affiliation Osaka City University University of Angers University of the West Indies Erasmus University Rotterdam<br />

title Cultural Cluster, Cultural Capital<br />

and Cultural Cityscape - The<br />

Cultural Economy of <strong>Japan</strong>ese<br />

Creative Cities<br />

Cultural clusters: A literature<br />

review in economics and<br />

geography<br />

Creative clustering in small island<br />

states: a pathway to creative<br />

economic development<br />

How Magic is Cinema? –<br />

Assessing the Effects of the<br />

Artistically Successful Cinema<br />

Cluster in Paulínia, Brazil<br />

e mail ma7sasaki2@ybb.ne.jp jeremie.molho@gmail.com imanitt@yahoo.com;<br />

suzanne.burke@sta.uwi.edu<br />

Auctions and Prices 2<br />

name<br />

affiliation<br />

title<br />

chair participant 2 participant 3<br />

Douglas J. Hodgson (and John Bronwyn Coate (with Lisa Farrell Liesbeth De Strooper (and Filip<br />

W. Galbraith)<br />

and Tim Fry)<br />

Vermeylen)<br />

Universite du Quebec a Montreal RMIT University, Australia Erasmus University Rotterdam<br />

(McGill University)<br />

Individual artist career patterns The relationship between pre-sale No Bubble like an Art Bubble? An<br />

and the hedonic prediction of art price estimates and the hammer analysis of recent booms and<br />

prices at auction<br />

price for Australian paintings sold bursts in the market for paintings<br />

at auction<br />

docarmo@eshcc.eur.nl<br />

14:00<br />

|<br />

15:30<br />

e mail hodgson.douglas@uqam.ca Bronwyn.Coate@rmit.edu.au destrooper@eshcc.eur.nl<br />

Creative Clusters 2<br />

chair participant 2 participant 3 participant 4<br />

name Penny Eames José Ruiz-Navarro (with<br />

Francisca Orihuela-Gallardo and<br />

Mariluz Fernández-Alles)<br />

Ana Machado (with Sibelle Diniz<br />

and Rodrigo Simoes)<br />

Volker Kirchberg<br />

affiliation PSE Consultancy Cádiz University (Spain) Federal University of Minas Leuphana University Lueneburg<br />

title Measuring and promoting the<br />

economic, social and<br />

environmental value of Cultural<br />

Capital<br />

Analysis of the influence of the<br />

cultural entrepreneur on the<br />

success of Spanish creative firms<br />

Urban amenities and the<br />

development of creative clusters:<br />

the case of Brazil<br />

Exploring strengths and<br />

weaknesses of cultural production<br />

through social network analysis -<br />

A case study in small town<br />

e mail penny.eames@paradise.net.nz jose.ruiznavarro@uca.es<br />

Germany<br />

anaflaviatavaresmachado@gmail. Kirchberg@uni.leuphana.de<br />

com<br />

Culture, Development and Tourism<br />

chair participant 2 participant 3 participant 4<br />

name Geuntae Park Yu-Chien Chang Shou-Cheng Lai Siti Suriawati Isa (with Siti Salwa<br />

affiliation University of Leicester National Chengchi University,<br />

Taiwan<br />

title<br />

Cultural developments on the<br />

Quayside and increased local<br />

tourism: how to interpret the<br />

relationship between them?<br />

National museum, local economic<br />

development and the tourism: a<br />

case study of the National<br />

Museum of Marine Biology and<br />

Aquarium<br />

National Taiwan University<br />

Rural development and cultural<br />

economy: A case study of the<br />

Hsinpu Persimmon Cake Festival<br />

in modern Taiwan<br />

Isa and Abu Ali)<br />

University Putra Malaysia<br />

(Universiti Teknologi Mara)<br />

The Role of Immigrant<br />

Communities in Visiting Friends<br />

and Relatives Tourism in<br />

Malaysia: An Exploratory Study<br />

e mail gp123@le.ac.uk y.chang@nccu.edu.tw laishoucheng@ntu.edu.tw ssuria4@gmail.com<br />

Books<br />

chair participant 2 participant 3 participant 4<br />

name Mattia de' Grassi (with Oliver Aihwa Chang (with Peichung Tsai, Kazuko Goto<br />

Heritiana Ranaivoson (with Joëlle<br />

Bomsel and Federico Mastrolilli) Yih-Yuh Lee)<br />

Farchy and Mathilde Gansemer)<br />

affiliation CERNA - Mines ParisTech Chengchi University Saitama University Vrije Universiteit Brussel<br />

(Université Paris 1 Panthéontitle<br />

Publishing and Multi-Channel<br />

Distribution: Is there a need for<br />

Vertical Agreements?<br />

Dynamic Capabilities and<br />

Innovation Performance of<br />

Publishing Firms in Digital Age<br />

Copyright and contract-from the<br />

supply side point of view<br />

Television channels’ innovation<br />

strategies towards digital<br />

technologies. An analysis based<br />

on the French case<br />

e mail mattiadg@gmail.com aihwaster@gmail.com kazu-goto@nifty.com ranaivoson@fusl.ac.be<br />

Cultural Policies 2<br />

chair participant 2 participant 3 participant 4<br />

name Woong Jo Chang (and Margaret Priyatej Kotipalli Javier Hernández-Acosta Anna Mignosa<br />

Jane Wyszomirski)<br />

affiliation The Ohio State University Erasmus University Interamerican University of Puerto University of Catania<br />

Rico<br />

title Impact of the Creative Artisanal<br />

Model on Cultural Policy<br />

Indian policy towards the crafts: A<br />

case of the creative forces that a<br />

society can unleash<br />

Designing Cultural Policies:<br />

Evaluating the Case of Puerto<br />

Rican Traditional Music<br />

Financing of the arts and culture:<br />

what’s next?<br />

e mail chang.612@osu.edu pkotipalli@gmail.com javihernandez@yahoo.com anna.mignosa@gmail.com<br />

Insitutions, Local Habits and the Arts<br />

chair participant 2 participant 3<br />

name Lyudmila Petrova Pier Luigi Sacco (and Martha Christian Chukwuma<br />

Mary Friel)<br />

affiliation Erasmus University IULM University Milan University of Nigeria, Nsukka<br />

title How institutional changes Italian foodies: endogenous<br />

condition creativity and innovation growth patterns towards<br />

in the arts?<br />

foodtainment and gourmandize<br />

The theory of complementarity<br />

and the understanding of the<br />

nexus between arts markets and<br />

cultural consumption in Leija,<br />

South Eastern Nigeria<br />

e mail petrova@eshcc.eur.nl pierluigi.sacco@iulm.it opatacc@gmail.com


<strong>Program</strong> for <strong>ACEI</strong> <strong>2012</strong> <strong>Kyoto</strong>, <strong>Japan</strong> 12 June <strong>2012</strong><br />

Page 6<br />

Employment and Wages<br />

chair participant 2 participant 3 participant 4<br />

name Juan Prieto-Rodriguez (and Maria Luisa Palma (with José Kamil Zawadzki<br />

Hristina Mikic<br />

Maria J. Perez-Villadoniga) Luis Martin and Maria Inmaculada<br />

Martínez)<br />

affiliation University of Oviedo University of Seville Nicolaus Copernicus University, Modern Business School,<br />

title<br />

Did the financial crisis impact the<br />

contractual stability of the cultural<br />

sector workers? Some evidence<br />

from Spain<br />

Employment, Firms and<br />

Productivity in the Spanish<br />

Cultural Sector 2000-2008. A<br />

regional viewpoint.<br />

Torun<br />

Culture brings up the rear?<br />

Wages in the cultural industries in<br />

Poland: empirical evidence<br />

Belgrade / Creative Economy<br />

The theoretical basis of<br />

determining the effects of fixed<br />

capital and employment<br />

reallocation from traditional to<br />

creative sector<br />

e mail juanprieto@uniovi.es mpalma@us.es kamzaw@umk.pl hristinamikic@gmail.com<br />

Demand for Online Goods<br />

name<br />

chair participant 2 participant 3<br />

Thomas Beauvisage (with Jean- Marc Bourreau (with Pinar Dogan Heritiana Ranaivoson<br />

Samuel Beuscart and Sisley and Sounman Hong)<br />

Maillard)<br />

affiliation Orange Labs Telecom ParisTech Vrije Universiteit Brussel<br />

title The demand for online ondemand<br />

Radiohead's "pick-your-own-price" Online content services and<br />

TV programs: an<br />

empirical analysis of the French<br />

catch-up tv audience<br />

strategy: Does making music<br />

available cannibalize CD sales?<br />

transactions. An exploratory<br />

assessment for online music<br />

services in Europe<br />

e mail<br />

thomas.beauvisage@orange.com marc.bourreau@telecomparistech.fr<br />

hranaivo@vub.ac.be<br />

Creative Clusters 3<br />

chair participant 2 participant 3 participant 4<br />

name Kenkichi Nagao John Round Yuthasak Chatkaewnapanon Shun-Ching Horng (with An-Hsin<br />

Chang and Kuan-Yang Chen)<br />

affiliation Osaka City University Higher School of Economics Payap University National Chengchi University<br />

title Creative cluster and related<br />

variety: Some insights from the<br />

computer graphics industry<br />

The role of art-based clusters in<br />

the urban redevelopment of<br />

Moscow and St. Petersburg<br />

Small business clusters and their<br />

implications on a tourist<br />

destination start-up<br />

Brand management model in<br />

cultural and creative industries:<br />

Taiwan case<br />

16:00<br />

|<br />

17:30<br />

e mail nagao@econ.osaka-cu.ac.jp j.round@me.com yuthasakc@hotmail.com ggfall@gmail.com<br />

Determinants of Arts Participation 1<br />

chair participant 2 participant 3 participant 4<br />

name Elisabetta Lazzaro Martin Falk (and Rahel Falk) Luis Palma Martos (and Luis<br />

Fernando Aguado)<br />

affiliation Southern Methodist University Austrian Institute of Economic<br />

Reasearch<br />

title Did you have a good time? An Ordered Probit Model of Live<br />

Americans’ arts participation and Performance Attendance for 24<br />

time use<br />

EU Countries<br />

Universidad de Sevilla<br />

Determinants of Performing Arts<br />

Participation in Colombia<br />

Manuel Cuadrado (with Juan D.<br />

Montoro, M. Eugenia Ruiz and<br />

Haydeè Calderón)<br />

University of València<br />

A measurement scale of cinema<br />

attendance barriers: Insights from<br />

marketing research<br />

e mail elazzaro@smu.edu martin.falk@wifo.ac.at lpalma@us.es manuel.cuadrado@uv.es<br />

Social Well-being and the Arts<br />

name<br />

affiliation<br />

title<br />

chair participant 2 participant 3 participant 4<br />

Victoria Ateca-Amestoy (with Frank Kiwalabye (and Solome Danielle Bouder-Pailler (and Alice Sachiko Kawaida<br />

Maximo Rossi and Natalia Nanteza)<br />

Anberrée)<br />

University of the Basque Country Youth Crime Watch Uganda University of Nantes Osaka City University<br />

UPV/EHU<br />

Cultural participation and<br />

subjective wellbeing<br />

Globalization, youth culture, and<br />

identity today: An African<br />

Perspective<br />

The creativity of population<br />

revealed by artists as a vehicle of<br />

affective and cognitive proximity<br />

towards live performances -<br />

Results of practical experiments<br />

Significance of the Artistic<br />

Expression in Well-being of the<br />

Disabled People<br />

e mail victoriamaria.ateca@ehu.es ycwuganda@yahoo.com danielle.pailler@univ-nantes.fr sakw@r6.dion.ne.jp<br />

Festivals<br />

chair participant 2 participant 3 participant 4<br />

name Ayako Matsumoto (with Hideaki Chen Hui-Fen<br />

María Devesa (and Andrea Báez) Muriel De Vriese (with Bénédicte<br />

affiliation<br />

title<br />

Sasajima and Motohiro Koizumi)<br />

JSPS and Ritsumeikan University National Taipei University of<br />

Education<br />

How Can and Should We<br />

Evaluate Art Projects? : Case<br />

Study on Setouchi International<br />

Art Festival 2010<br />

Explore the Practices and<br />

Process of Festival Innovation:<br />

Contextual Analysis<br />

University of Valladolid (Spain)<br />

(Universidad Austral de Chile<br />

(Chile))<br />

Segmenting and profiling<br />

attendees of film festivals: a case<br />

study<br />

Martin and Marion Vidal)<br />

University of Le Havre<br />

Subsidies: a necessary evil?<br />

Origins of fundings and artistical<br />

aims of French music festivals<br />

e mail ayakomkp@gmail.com f1217430@gmail.com mdevesa@eco.uva.es muriel.de-vriese@univ-lehavre.fr<br />

Cultural Policies in Europe<br />

chair participant 2 participant 3 participant 4<br />

name Guido Ferilli (and Pier Luigi Margareta Bertilsson<br />

Cees Langeveld (and Loes Akos Toth<br />

Sacco)<br />

Hoogenboom)<br />

affiliation University IULM University of Copenhagen Erasmus University Rotterdam Kecskemet College (Hungary)<br />

title Cultural and creative<br />

development in a EU perspective:<br />

Evidence from the Toolquiz<br />

Interreg IVC program<br />

The Distribution of Genius<br />

between the State and the<br />

Market: The Dilemmas of Art<br />

Support in the Nordic Welfare<br />

Presenting and producing<br />

performing arts in the light of cost<br />

efficiency: juxtaposing the<br />

Netherlands against Germany.<br />

The Economic Performance of<br />

the Cultural Sector in the<br />

European Union: an Institutional<br />

Perspective<br />

e mail guido.ferilli@iulm.it mb@soc.ku.dk clangeveld@wxs.nl tothaki@hotmail.com


<strong>Program</strong> for <strong>ACEI</strong> <strong>2012</strong> <strong>Kyoto</strong>, <strong>Japan</strong> 12 June <strong>2012</strong><br />

Page 7<br />

Economics of Heritage 1<br />

Sunday 24 June<br />

chair participant 2 participant 3 participant 4<br />

name Tiziana Cuccia (and Ilde Rizzo) Ch'ng Kean Siang (with Khoo<br />

Suet Leng and Lim Yoke Mui)<br />

Stella Giannakopoulou (and<br />

Dimitris Kaliampakos)<br />

Shabbar Jaffry (and Alexandros<br />

Apostolakis)<br />

affiliation University of Catania University Sains Malaysia National Technical University of University of Portsmouth<br />

Athens (NTUA)<br />

title Seasonal Tourism Flows in<br />

UNESCO sites: the case of Sicily<br />

Cultural economics: Reliable for<br />

protecting architectural heritage<br />

Price auction and regulation in<br />

built heritage conservation: An<br />

experimental study<br />

Profiling Segments of Demand for<br />

Cultural Resources; The Case of<br />

the British Museum, London<br />

e mail cucciati@unict.it cks@usm.my stellina@central.ntua.gr shabbar.jaffry@port.ac.uk<br />

Determinants of Arts Participation 2<br />

cultural<br />

policies<br />

chair participant 2 participant 3 participant 4<br />

name Jen Snowball Seppo Suominen Juan D. Montoro-Pons (with<br />

Manuel Cuadrado-Garcia and<br />

Trinidad Casasús-Estellés)<br />

affiliation Rhodes University Haaga-Helia University of Applied<br />

Sciences<br />

Universitat de València<br />

title Are arts events a good way of Are the spectators of performing<br />

augmenting the economic impact arts and the spectators of the<br />

of sport? The case of the 2010 movies the same?<br />

Soccer World Cup and the<br />

National Arts Festival in South<br />

Africa<br />

Determinants of the frequency of<br />

live popular music attendance<br />

Trent MacDonald (and Jason<br />

Potts)<br />

School of Economics, University<br />

of Queensland<br />

First Estimates of a Cultural<br />

Consumption Price Index by<br />

Australian Region<br />

e mail j.snowball@ru.ac.za seppo.suominen@haaga-helia.fi juan.d.montoro@uv.es trentjmacdonald@gmail.com<br />

Cultural Value and Creativity 3<br />

chair participant 2 participant 3 participant 4<br />

name Pier Luigi Sacco (and Guido Sue Potts Hans Abbing (Withdraw) Hiroko Shimizu<br />

affiliation IULM University Milan Liverpool John Moores University Erasmus University Rotterdam Osaka City University<br />

title Cultural ecologies: The sociocultural<br />

selection of creative<br />

contents and their implications for<br />

country branding<br />

The Cultivation, Facilitation and<br />

Leverage of Relational Capital<br />

within the Creative Cluster<br />

Denunciation of Commerce in the<br />

Arts<br />

Creative Intervention in the New<br />

Town Development and<br />

Regeneration Historical Survey<br />

and Contemporary Issues through<br />

the Comparison between the<br />

Cases of Europe and <strong>Japan</strong><br />

9:30<br />

|<br />

11:00<br />

e mail pierluigi.sacco@iulm.it s.potts@ljmu.ac.uk hansabbing@gmail.com shimizuhirokoas@gmail.com<br />

Economics of Tourism<br />

name<br />

affiliation<br />

title<br />

chair participant 2 participant 3 participant 4<br />

Andrea Báez (with Ana Bedate, Kazuhiro Koshiishi (with Hiroyuki Ya-Chu Yang (with Cheng-Te Lin<br />

José Ángel Sanz and Luis Cesar Shimizu and Akito Murayama) and Chung-Te Ting)<br />

Herrero)<br />

Universidad Austral de Chile<br />

(Universidad de Valladolid<br />

Contingent valuation and<br />

motivation analysis of tourist<br />

routes. Application to the cultural<br />

heritage of Valdivia (Chile).<br />

Chin-Huang Huang (and Chun-<br />

Hung Lee)<br />

Nagoya University Chang Jung Christian University National Taiwan University of<br />

Physical Education and Sport<br />

Issues of Tourism by Walking and Analysis of tourism motivation The Attitudes of Residents for<br />

Cycling on Old-Nakasendo and length of stay in cultural cities Tourism Development toward<br />

:Landscape, Street and<br />

Option Value and Nonuse Value<br />

Resources<br />

of Flower Industry<br />

e mail abaezm03@gmail.com koshiishi.kazuhiro@b.mbox.nagoy yayaana1208@hotmail.com<br />

a-u.ac.jp<br />

Cultural Policies 3<br />

hch55@ntcpe.edu.tw<br />

chair participant 2 participant 3 participant 4<br />

name Svanhild Aabø Shin-Eui Park (and Woong Jo Choi Young<br />

Christopher Pokarier<br />

Chang)<br />

affiliation Oslo and Akershus University Kyung Hee University (and the The National Institute of Waseda University<br />

College of Applied Science Ohio State University)<br />

Advanced Industrial Science and<br />

title The public library as a hub in<br />

urban development of a<br />

multicultural suburb<br />

The Korean Wave: Cultivating<br />

Global Fandom<br />

e mail svanhild.aabo@hioa.no lunapark@khu.ac.kr;<br />

woongjo@gmail.com<br />

Creative Clusters 4<br />

The measure towards the Hanryu<br />

continuation by the Korean<br />

government : Challenge of<br />

International-cultural-exchange<br />

program ”Cultural Partnership<br />

Initiative”<br />

young.choi.brand@gmail.com<br />

Rebranding <strong>Japan</strong> post 11.3.11<br />

via the cultural industries?<br />

pokarier@gmail.com<br />

chair participant 2 participant 3 participant 4<br />

name Pedro Costa Alison Rieple (with Jonathan<br />

Gander, Paola Pisano, Adrian<br />

Haberberg and Emily Longstaff)<br />

Cheng-Yi Lin (and Tzu-Shian<br />

Han)<br />

affiliation<br />

title<br />

ISCTE-IUL - Lisbon University<br />

Institute<br />

The sustainability of the “creative<br />

milieus”: use conflicts, creative<br />

dynamics and urban governance<br />

in Lisboa, Barcelona and São<br />

Paulo<br />

University of Westminster,<br />

University of East Anglia,<br />

University of East London<br />

The use of environmental<br />

resources by creative enterprises:<br />

empirical evidence from microenterprises<br />

in the UK fashion<br />

industry<br />

National Taipei University of<br />

Education<br />

The emerging challenge of<br />

creative economy and creative<br />

clusters in Taipei urban region: a<br />

reflection on creative city theory<br />

Bruno Frey (with Simone Hotz<br />

and Lasse Steiner)<br />

University of Warwick, University<br />

of Zurich<br />

European capitals of culture & life<br />

satisfaction – A new approach to<br />

measure the welfare effects of<br />

cultural events<br />

e mail pedro.costa@iscte.pt j.gander@kingston.ac.uk justlinci@gmail.com bruno.frey@econ.uzh.ch


<strong>Program</strong> for <strong>ACEI</strong> <strong>2012</strong> <strong>Kyoto</strong>, <strong>Japan</strong> 12 June <strong>2012</strong><br />

Page 8<br />

Measuring Competitiveness and Trade in the Cultural Sector<br />

chair participant 2 participant 3 participant 4<br />

name Onur Ates Hiroki Furuzumi (and Yoshiro Rubén Gutiérrez del Castillo (and Hsiang-Chih Hwang<br />

Matsuda)<br />

Victor Fernández-Blanco)<br />

affiliation Macquarie University University of Hyogo University of Oviedo Lingnan University<br />

title Application of Cost-Benefit<br />

Analysis to Investment in Cultural<br />

Capital<br />

Micro-data Analysis of the<br />

<strong>Japan</strong>ese Arts Related Firms in<br />

2006<br />

Competitiviness and Cost<br />

Disease in the Cultural Sector in<br />

Spain<br />

International Trade in Unique<br />

Artworks: A Panel Data Analysis<br />

e mail onur.ates@mq.edu.au furuzumi@econ.u-hyogo.ac.jp vfernan@uniovi.es ishchwang@LN.edu.hk<br />

Economics of Heritage 2<br />

chair participant 2 participant 3<br />

name Izabella Parowicz Takehiro Yoshimura Yun-Zu Chen (with Chung-Te<br />

Ting and Pi-Hui Ting)<br />

affiliation European University Viadrina Hitotsubashi University Chang Jung Christian University<br />

title Handling emotions as a powerful Public Expenditure for Conserving Willingness to pay for cultural<br />

tool of marketing conservation<br />

services<br />

Historical Sites - A Case Study<br />

about Green Spaces in <strong>Japan</strong><br />

heritage creativity<br />

11:30<br />

|<br />

13:00<br />

e mail iparowicz@gmail.com yoshimura.takehiro.3490@gmail.c winniechen0224@gmail.com<br />

om<br />

Heritage and Tourism<br />

chair participant 2 participant 3<br />

name Ilde Rizzo (with Tiziana Cuccia Chun-Hung Lee (and Chih-cheng Ayumu Tanaka<br />

and Calogero Guccio)<br />

Chen)<br />

affiliation University of Catania National Dong Hwa<br />

University,Taiwan R.O.C.<br />

Research Institute of Economy,<br />

Trade and Industry (RIETI)<br />

title Does WHL affect the<br />

performance of tourism<br />

destinations? A semi-parametric<br />

analysis<br />

Evaluation of economic benefits<br />

from visitor’s quality improvement<br />

in Cultural Heritage<br />

Geographic concentration of<br />

foreign visitors in <strong>Japan</strong><br />

e mail rizzor@unict.it chlee@ndhu.edu.tw tanaka-ayumu@rieti.go.jp<br />

Performing Arts and Music Markets<br />

chair participant 2 participant 3 participant 4<br />

name Alex Turrini (and Giulia<br />

Cancellieri)<br />

Pedro Costa (with Vera Borges<br />

and Susana Graça)<br />

Elisabet Sørfjorddal Hauge Miyuki Taniguchi (and Rumi<br />

Miura)<br />

affiliation Bocconi University Milan ISCTE-IUL Lisbon University Agderforskning AS, Norway Keio University (Meiji University)<br />

title Exploring determinants of<br />

programming contemporary<br />

music and opera: evidence from<br />

Italy<br />

Structural change and diversity in<br />

theatrical companies: a typology<br />

applied to theatre structures in<br />

the Lisbon area<br />

Entrepreneuring sound -<br />

Entrepreneurship viewed as an<br />

activity<br />

The Impacts of the Local<br />

Governments’ Cultural Policy on<br />

the Demand for Private Music<br />

Concerts in <strong>Japan</strong><br />

e mail alex.turrini@unibocconi.it pedro.costa@iscte.pt elisabet.hauge@agderforskning.n rumiura@hotmail.com<br />

Culture and Growth<br />

name<br />

affiliation<br />

title<br />

chair participant 2 participant 3 participant 4<br />

Dominique Sagot-Duvauroux (et Hu Lian<br />

Rasmus Wiinstedt Tscherning Andrej Srakar (and Vesna Čopič)<br />

Sandrine Emin)<br />

(and Eva Boxenbaum)<br />

GRANEM, LUNAM, University of Doctoral candidate<br />

CKO - Center for Culture & Indiana University Bloomington,<br />

Angers<br />

Experience Economy<br />

University of Ljubljana, Slovenia<br />

The dynamics of creative How will cultural industry affect<br />

Public dimensions of private<br />

clusters: a contribution based on Tianjin?<br />

investments in culture: the "nonuse<br />

the “economy of proximity”<br />

value argument" approach<br />

What do the Creative Industries<br />

need? - Barriers and Possibilities<br />

for Growth in the Creative<br />

Industries in Denmark<br />

e mail dominique.sagot@univ-angers.fr hl0524@gmail.com rwt@cko.dk andrej_srakar@t-2.net;<br />

ansrakar@indiana.edu<br />

Cultural Value and Creativity 4<br />

chair participant 2 participant 3 participant 4<br />

name Claudine de With Ibrahim Imaduddin (and Lia Hsueh-Liang Fan<br />

Marek Banczyk<br />

Yuldinawati)<br />

affiliation Erasmus University Rotterdam Telkom Institute of Management Institute of Technology and<br />

Innovation Management, National<br />

Chengchi University<br />

QUALABORIS Institute<br />

title<br />

Damien Hirst as a metaphor for<br />

the financial crisis<br />

Entertainpreneurship<br />

Entertainment + Entrepreneurship<br />

(a Shift Of Cultural<br />

Entrepreneurship Meaning in<br />

Modern Era)<br />

Does the Performance of National<br />

Creative Class Correlate with<br />

National Innovative capacity and<br />

National Competitiveness? An<br />

Exploratory Study of 15 Countries<br />

Culture And Economy Makes<br />

Tough Couple But Does It Make<br />

Smart Kids At Least? The<br />

Quantitative Analysis Of Patents<br />

And Brands Generation By<br />

Economies Of Varied Cultural<br />

Intensity<br />

e mail c.j.m.dewith@gmail.com ibrahim.imaduddin@gmail.com sam.fan@gmail.com marek.banczyk@wp.pl

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