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Narrative Topic and the Contemporary Science Essay ... - JAC Online

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114 Journal of Advanced Composition<br />

trip, bone-collecting on <strong>the</strong> prairie or Dakota badl<strong>and</strong>s, <strong>the</strong>n later sitting down<br />

to write about his findings <strong>and</strong> observations. Certainly, as a professional<br />

scientist (he taught at <strong>the</strong> Universities of Kansas <strong>and</strong> Pennsylvania), Eiseley<br />

had to perfonn <strong>the</strong> ordinary work of science: <strong>the</strong> careful notebook entries,<br />

field logs, research reports, professional articles, <strong>and</strong> grant requests. However,<br />

Eiseley had, as he wrote, ano<strong>the</strong>r impulse-an impulse to make a story<br />

of what he found, to fit <strong>the</strong> particulars located in his fossils <strong>and</strong> observations<br />

of nature into a larger, narrative picture of natural evolution, of life <strong>and</strong> this<br />

planet always in a state of becoming. He, in o<strong>the</strong>r words, first went to<br />

narrative <strong>and</strong> story not as a fonn to contain his content but as a place, a topic,<br />

through which his findings might be renewed <strong>and</strong> given larger significance.<br />

The scientist's commitment to fact <strong>and</strong> observation never flagged; his desire<br />

to be a professional in methodology <strong>and</strong> knowledge never decreased. But his<br />

many books of popular prose <strong>and</strong> poetry indicate that this narrative impulse<br />

gradually subsumed all that he did. In <strong>the</strong> story topic, Eiseley connects with<br />

his readers' need (to use Robert Frost's phrase) to become "whole again,<br />

beyond confusion."<br />

Eiseley's Rhetorical Motives<br />

Eiseley's reliance on narrative dem<strong>and</strong>s that wefirst examine his motives<br />

for devoting so much writing space to <strong>the</strong> narrative topic. In <strong>the</strong> Burkean<br />

sense, I propose two rhetorical motives as psychological influences on<br />

Eiseley <strong>the</strong> literary scientist.<br />

First, Eiseley's complete dedication to <strong>the</strong> paleontologist's <strong>and</strong> anthropologist's<br />

inductive <strong>and</strong> deductive methods seems always to be fraught with<br />

a writer's need to communicate, to transform <strong>the</strong> data <strong>and</strong> hypo<strong>the</strong>ses<br />

ga<strong>the</strong>red from his observations (gleaned from field trips or laboratory<br />

experiments) into ideas that intelligent laypersons can comprehend. And for<br />

Eiseley comprehension means that <strong>the</strong>se readers are able to make connections<br />

between specific scientific phenomena <strong>and</strong> more general ideas about <strong>the</strong><br />

origin <strong>and</strong> development of nature <strong>and</strong> <strong>the</strong> story of human species. Eiseley had<br />

developed <strong>the</strong> data for this kind of essay writing during his earlier explorations<br />

of Western plains terrain <strong>and</strong> from his analyses of professional <strong>and</strong><br />

public reaction to specific cultural events-<strong>the</strong> Piltdown Man hoax, <strong>the</strong> bigbang<br />

<strong>the</strong>ory, <strong>and</strong> o<strong>the</strong>r popular controversies. 4 Consider <strong>the</strong>se citations from<br />

Eiseley's recently published Lost Notebooks:<br />

September 1,1955<br />

It occurs to me that <strong>the</strong>re is a very clear analogy between <strong>the</strong> way in which an<br />

apartment house (or ano<strong>the</strong>r building, for that matter) acquires its biota <strong>and</strong><br />

<strong>the</strong> wayan oceanic isl<strong>and</strong> acquires its plant <strong>and</strong> animal popUlation. An<br />

apartment house newly built (a recent volcanic isl<strong>and</strong> upthrust from <strong>the</strong><br />

waves) is destitute at first of a fauna. If it is remote from neighborhoods where<br />

such a fauna may be acquired (isl<strong>and</strong>s far at sea), it may be destitute of insects,

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