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AN EXPERIENCE THAT COULD HELP US BUILD A BRIDGE<br />
BETWEEN THE MUSEUM AND CULTURE<br />
Marketing is inherently narcissistic; it’s obsessed with what we do and what we have to<br />
offer, rather than with what people are interested in. While some key museums prosper,<br />
museums in general are becoming increasingly less relevant to people’s lives, and the<br />
number of people visiting art museums is in long-term decline. In 2010 less than one in<br />
five Americans visited an art museum, down by 5% over the last eight years. 2 Less people<br />
were visiting art museums than those who played FarmVille or used a smartphone.<br />
So we thought about what people were interested in and worked back from there.<br />
And the rise of smartphones struck us as something we could potentially leverage.<br />
This placed in most people’s hands not only a powerful computing device, but also<br />
a lens they could use to view the world.<br />
More people were taking and sharing photos than ever before. Every month more than<br />
three billion photos are uploaded to Facebook. And one of the top categories in the iTunes<br />
App Store and Android Market is the photo-editing app.<br />
We realized we could help people see the world through Dalí’s eyes by creating a photoediting<br />
app. In doing so, we would build a bridge between what we did and what people<br />
were interested in and already doing. It would get people to participate with the museum<br />
and its work outside its walls. And as an added benefit, it was an idea that was inherently<br />
social and had media baked in: people could share what they had “seen” with others by<br />
uploading their photos to their social networks.<br />
2 Source: National Endowment for the Arts