FOX SEARCHLIGHT PICTURES Presents In ... - Central-Kino

She has taught at The National Theater Institute at The Eugene O'Neill Theater Center, Michael
Howard Studios, The Williamstown Theatre Festival, The Berkshire Theatre Festival, SUNY/Purchase
Conservatory for Theatre Arts and Film, The Actors Center, and trained as a coach and teacher at The
American Repertory Theatre at Harvard.
MARY RAMOS (Music Supervisor) has been creating musical identities for films for the past
17 years, providing the musical backdrop for some of Hollywood's most gifted directors. Having
collaborated on over 100 films, Mary has worked with Tom McCarthy (THE STATION AGENT, THE
VISITOR, WIN WIN), Allison Anders (GRACE OF MY HEART), Richard LaGravenese (FREEDOM
WRITERS, P.S. I LOVE YOU) Robert Rodriguez (FROM DUSK TILL DAWN) and has been working
with Quentin Tarantino for over a decade (PULP FICTION, JACKIE BROWN, KILL BILL VOL. 1 &
2 (Grammy nominated), and INGLORIOUS BASTERDS (Grammy nominated).
In addition to her work in film, Mary has worked in television with legendary record producer
Rick Rubin (“South Park: Chef Aid”), provided music for multimillion dollar advertising campaigns for
The Gap & The NFL and was tapped by Las Vegas luminary Steve Wynn to create a musical identify
for both The Bellagio & The Mirage resorts.
LYLE WORKMAN (Music By) has enjoyed a diversified career composing feature film
music, providing studio work for major recording artists, and performing on world stages.
Workman composed the music for the hit films GET HIM TO THE GREEK, SUPERBAD,
THE 40-YEAR-OLD VIRGIN and FORGETTING SARAH MARSHALL. A seasoned guitarist, he
was recruited by Sting and performed his first show with the musical icon in London for the
monumental Live 8 benefit. A tour with Sting followed throughout Europe and South America in the
summer of 2006.
A Northern California native, Workman was enlisted as a member of Todd Rundgren’s group,
recording Nearly Human in 1989 and Second Wind in 1991, and touring extensively throughout The
United States and Japan. Workman recorded with Jellyfish on 1993’s Spilt Milk, and from 1994 to
1998 began a string of records and tours with Pixies founder and creative force Frank Black. Some of
their recordings include Teenager of the Year and Frank Black and the Catholics. A testament to
Workman’s diversity, he began a creative endeavor with Jazz legend, drummer Tony Williams, and
contributed a song on Williams’ 1996 record, Wilderness.
Workman moved to Los Angeles in 1996 and became sought after as a studio musician. In the
years to follow he recorded with artists such as Sheryl Crow, Shakira, Jacob Dylan and They Might Be
Giants. Workman’s distinctive guitar work can also be heard on many film scores.
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