the current issue of Generator - Casula Powerhouse
the current issue of Generator - Casula Powerhouse
the current issue of Generator - Casula Powerhouse
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<strong>Casula</strong> <strong>Powerhouse</strong> Arts Centre Vol. 3 January – June 2013<br />
Exhibitions, <strong>the</strong>atre,<br />
events, public and<br />
education programs for<br />
January to June 2013<br />
Behind <strong>the</strong> scenes<br />
The Australian<br />
Paranormal Phenomenon<br />
Investigators explain <strong>the</strong><br />
ghost tour phenomenon<br />
Check out Onside - examining <strong>the</strong> complex <strong>issue</strong>s relating to women in sport
Contents<br />
3 <strong>Casula</strong> <strong>Powerhouse</strong> Arts Centre pr<strong>of</strong>ile<br />
4 Performance Season<br />
7 Education Program<br />
12 Exhibitions<br />
17 Marsden Gallery<br />
18 Acquisitions<br />
21 Artist Pr<strong>of</strong>ile - Khaled Sabsabi<br />
22 January School Holidays<br />
24 Seniors and <strong>the</strong> Arts<br />
26 Youth Committee<br />
27 Adult Workshops<br />
28 Special Events<br />
30 Artist Pr<strong>of</strong>ile - Australian Paranormal Phenomenon Investigators<br />
31 Sneak Peek July to December 2013<br />
32 Partners<br />
34 Calendar Snapshot<br />
Front cover image: The Stairwell. A popular component <strong>of</strong> <strong>the</strong> <strong>Casula</strong> <strong>Powerhouse</strong> Arts Centre Ghost Tour. Photo by Jacqueline Hornjik<br />
From <strong>the</strong> Director<br />
One <strong>of</strong> my favourite parts <strong>of</strong> my job is taking first time visitors around <strong>the</strong> Centre. They are always<br />
amazed at <strong>the</strong> beauty and history <strong>of</strong> <strong>the</strong> building and impressed by <strong>the</strong> diversity and creativity <strong>of</strong> <strong>the</strong><br />
programming. Without exception, people say <strong>the</strong>y had no idea that such an amazing facility existed;<br />
that delighted surprise is very gratifying!<br />
Of course, we want every first time visitor to become a regular visitor. So it’s crucial that we continue<br />
to provide surprises and delight within our program. From women and <strong>the</strong>ir experiences <strong>of</strong> sport, to<br />
international film, suburban subcultures, ballet, musicals and cultural exploration from Afghanistan<br />
to Papunya … we think <strong>the</strong> next six months is full <strong>of</strong> chances for you to be delighted, surprised and<br />
entertained.<br />
And while every visitor notices <strong>the</strong> wonderful building, what brings it to life is <strong>the</strong> dedicated and<br />
passionate work <strong>of</strong> <strong>the</strong> staff. From running workshops, to making c<strong>of</strong>fees, bumping in (and out),<br />
installing (and de-installing), seeking out wonderful experiences for <strong>the</strong> community and working<br />
with local artists and groups – <strong>the</strong> <strong>Casula</strong> <strong>Powerhouse</strong> Arts Centre team do it all. I hope you’ll get<br />
to meet many <strong>of</strong> <strong>the</strong>m during <strong>the</strong> next six months while you are enjoying <strong>the</strong> programs, <strong>the</strong>atre and<br />
exhibitions.<br />
Kiersten Fishburn<br />
Director<br />
director@casulapowerhouse.com
Pr<strong>of</strong>ile<br />
3<br />
A serene riverbed, singing bellbirds and a weaving garden are just some <strong>of</strong><br />
<strong>the</strong> natural wonders surrounding <strong>the</strong> <strong>Casula</strong> <strong>Powerhouse</strong> Arts Centre.<br />
During <strong>the</strong> past year, naturalist and forager Diego Bonetto has helped to<br />
uncover even more. Did you know that surrounding this incredible centre are<br />
plants with healing properties, plants you can use for craft and plants you can<br />
eat?<br />
About <strong>the</strong><br />
Flora<br />
Dandelion<br />
Here are our four favourites!<br />
Dandelion<br />
Known as one <strong>of</strong> <strong>the</strong> best herbs for alleviating liver and kidney complaints,<br />
Dandelion can be used as a tea or its leaves can be eaten straight.<br />
Farmer’s Friend<br />
Farmer’s Friend can be used as an anti-inflammatory medicine or stored for<br />
future use as food. Its leaves are a very good source <strong>of</strong> chlorophyll, vitamin C,<br />
calcium, iron, potassium and magnesium.<br />
Fennel<br />
Probably our favourite <strong>of</strong> all weeds is <strong>the</strong> Fennel. Fennel seeds and roots are<br />
not only delicious, <strong>the</strong>y can also be used for liver cleansing and as a digestive.<br />
It is also traditionally known as an aphrodisiac. This weed has everything!<br />
Mallow<br />
Best known for its healing properties when it comes to <strong>the</strong> common cough<br />
and cold, Mallow leaves are fantastic in a salad and incredibly good for you!<br />
Farmer’s Friend<br />
Fennel<br />
For more on <strong>the</strong> wonders <strong>of</strong> weeds, check out <strong>the</strong> Wild Stories exhibition<br />
open from 1 December 2012 until 31 January 2013 (See page 12)<br />
Images courtesy <strong>of</strong> Diego Bonetto.<br />
Mallow
Performance Season<br />
4<br />
Akmal Live!<br />
Friday 22 February | 8pm<br />
Adult $35, Concession $30<br />
<strong>Casula</strong> <strong>Powerhouse</strong> Arts Centre brin<br />
This year’s show promises to be Akmal’s most punctual, and jam-packed with lots <strong>of</strong> words,<br />
some <strong>of</strong> which he will be using for <strong>the</strong> first time. Also, for <strong>the</strong> first time in history, Akmal<br />
will be appearing in high definition 3D (glasses not provided).<br />
Movies, sketch, stand-up, TV appearances, radio DJ and talk show host, improvisation and a<br />
published author, Akmal is one <strong>of</strong> Australia’s most respected, successful and accomplished<br />
comics. He displays an incredible ability to deal with hot topics in a hilarious way.<br />
People were rocking back & forth, holding in <strong>the</strong>ir stomachs and shouting out with laughter.<br />
- The Advertiser<br />
(Akmal) is an explosion <strong>of</strong> laughter and entertainment - Telegraph Mirror<br />
Written and performed by Akmal<br />
Boxman<br />
Thursday 28 March | 11am and 8pm<br />
Adult $35, Concession $30, Students $15 | Ages 13+<br />
Meet Ringo, homeowner and survivor. Displaced from an African homeland and disconnected<br />
from this new one, come spend some time with him at his new address in a local park: a<br />
home he has made himself from <strong>the</strong> things most <strong>of</strong> us throw away without a second thought.<br />
A powerful, critically acclaimed new Australian play, Boxman is a one man show written by<br />
Daniel Keene and directed by Matt Scholten with <strong>the</strong> extraordinary African actor Terry Yeboah<br />
performing.<br />
Terry Yeboah’s charismatic, energetic solo performance <strong>of</strong> words and songs will capture your<br />
heart and take you on an amazing journey.<br />
Boxman continues <strong>the</strong> respected and prolific collaboration <strong>of</strong> Daniel Keene and Matt Scholten.<br />
Written by Daniel Keene<br />
Directed by Matt Scholten<br />
Performed by Terry Yeboah<br />
Education Resource available with every school booking<br />
for Boxman.<br />
Q&A with <strong>the</strong> actor after <strong>the</strong> 11am show. Bookings<br />
essential. Contact Education Officer on 9824 1121 or<br />
reception@casulapowerhouse.com.<br />
Drama curriculum links: 4.3.2, 5.3.1, 5.3.2, 5.3.3, P3.2,<br />
H3.1, H3.3<br />
English curriculum links: 4.1.11, 4.2.13, 4.4.11, 4.6.3, 4.6.8,<br />
4.10.2, 4.10.5, 5.1.7, 5.6.1, 5.6.9, 5.9.7, 5.10.9, 5.10.12, PS6.1,<br />
PS8.1, HS10.1, HS11.1, PA6.1, PA8.1, HA6.1, HA8.1
Performance Season<br />
gs you <strong>the</strong> 2013 performance season<br />
5<br />
Infinite Space<br />
Wednesday 17 April | 11am and 8pm<br />
Adult $35 Concession $30, Children (16 and under) $20<br />
Infinite Space is a breathtaking example <strong>of</strong> classical dance re-interpreted to inspire both new<br />
and loyal ballet audiences. It will entrance audiences as it takes <strong>the</strong>m on a choreographic<br />
journey through four acclaimed and original works, all brought to life by a uniquely talented<br />
dance ensemble.<br />
Infinite Space comprises <strong>of</strong>:<br />
In One Day - Choreographed by Simon Hoy and Robert Kelly to <strong>the</strong> music <strong>of</strong> Vivaldi’s Four<br />
Seasons. This is a 35 minute work distinctive for its sheer physicality and athleticism.<br />
Dark Before Daylight – Featuring <strong>the</strong> classical pointe shoe and tutus. Dark Before Daylight is<br />
an impression <strong>of</strong> <strong>the</strong> timeless story <strong>of</strong> Swan Lake. Choreographed by Simon Hoy to <strong>the</strong> music<br />
<strong>of</strong> Elgar.<br />
Phrased Without Word - Choreographed by Simon Hoy to Arvo Pärt’s Spiegel in Spiegel.<br />
Phrased Without Word is a breathtaking physical expression <strong>of</strong> this score.<br />
Infinite Space - Choreographed by Simon Hoy to <strong>the</strong> music <strong>of</strong> Mozart’s 27th Piano Concerto.<br />
Infinite Space has become a signature piece for <strong>the</strong> Melbourne Ballet Company (MBC) and is<br />
an uplifting celebration <strong>of</strong> hope and beauty.<br />
Choreographed by Simon Hoy<br />
A joyful experience - The Age<br />
I came out <strong>of</strong> this performance feeling uplifted - Dance Australia<br />
Essential and compelling viewing - The Herald Sun<br />
Henri Szeps in It’s My Party (And I’ll Die If I Want To)<br />
by Elizabeth Coleman<br />
Wednesday 24 April | 8pm | Adult $35, Concession $30<br />
Gruff, well ordered, quintessentially Aussie family man Ron is convinced he is dying. In a<br />
magnanimous gesture <strong>of</strong> loving finality, he hosts a party, giving his wife and children <strong>the</strong><br />
chance to spend a few last quality moments as a family. The ga<strong>the</strong>ring brings about some<br />
urgent confessions, a surprise ‘wedding’ and a visit from <strong>the</strong> undertaker. As <strong>the</strong> minutes<br />
tick away, Ron’s party schedule unravels to reveal a dysfunctional family unit that is both<br />
outlandishly bizarre and utterly recognisable.<br />
From <strong>the</strong> writer that brought you <strong>the</strong> highly successful comedy Secret Bridesmaids’ Business,<br />
Elizabeth Coleman’s deliciously funny and sweetly dark play It’s My Party (And I’ll Die If I Want<br />
To) is a tale <strong>of</strong> anxiety, absurdity and occasionally terror. Like all great comedies, <strong>the</strong>re is<br />
laughter... but <strong>the</strong> elbow jabbing at your ribs is that little bit sharper than expected.<br />
Directed by Denis Moore<br />
Produced by Christine Harris & HIT Productions<br />
To book tickets visit casulapowerhouse.com<br />
or call 9824 1121
Performance Season<br />
6<br />
Tjupi Band, Desert to Saltwater Country<br />
Saturday 29 June | 6pm | All Tickets $15<br />
Tjupi (Honey Ant) come from Papunya, 250 km North West <strong>of</strong> Alice Springs.<br />
The Tjupi Band play energetic and emotive desert reggae. Singing in Luritja (as<br />
well as in English), <strong>the</strong>y are <strong>the</strong> foremost musical inspiration for people across<br />
Central Australia.<br />
Tjupi Band in many ways epitomizes Central Australian desert reggae –<br />
sparse upbeat, driving kick and snare, in-language; <strong>the</strong> songs are about<br />
loneliness for country, love lost, listening to Elders, following tradition, social<br />
<strong>issue</strong>s, skin pride, tribal unity and most importantly, pride <strong>of</strong> culture. From<br />
growing up learning from <strong>the</strong> members <strong>of</strong> Warumpi Band, <strong>the</strong>y form part<br />
<strong>of</strong> <strong>the</strong> new wave <strong>of</strong> uniquely Indigenous Australian reggae; alongside o<strong>the</strong>r<br />
musical innovators such as Saltwater Band and Letterstick Band.<br />
Unear<strong>the</strong>d by Triple J in 2010, Tjupi Band headlined <strong>the</strong> John Butler gig at The<br />
Alice Springs Showground. Richard Kingsmill <strong>of</strong> Triple J describes <strong>the</strong> song<br />
Wati Kutjungku;<br />
“Love <strong>the</strong> harmonies on this - it paints such a rich picture <strong>of</strong> how inland<br />
Australia sounds. It cruises along simply but beautifully. Rating: 4/5”<br />
The Desert Band that puts all o<strong>the</strong>rs out <strong>of</strong> work, Tjupi Band are <strong>the</strong> most<br />
wanted Indigenous band <strong>current</strong>ly playing Central Australia. Mentored by <strong>the</strong><br />
famous Sammy Butcher, <strong>the</strong> band takes over from where Warumpi Band<br />
finished.<br />
Photographer Ollie Eclipse.<br />
Produced by Artback NT: Arts Development and<br />
Touring in association with:<br />
<strong>Casula</strong> <strong>Powerhouse</strong> Arts Centre will be hosting a BBQ after <strong>the</strong> Tjupi<br />
Band performance, come and meet one <strong>of</strong> Australia’s most talked about<br />
bands.<br />
Community Theatre Program with<br />
Liverpool Performing Arts Ensemble<br />
The Real Inspector Hound<br />
9 to 13 April | Adult $25, Concession $20<br />
Written by Tom Stoppard, The Real Inspector Hound follows two <strong>the</strong>atre critics named Moon and Birdboot who are watching a ludicrous<br />
setup <strong>of</strong> a country house murder mystery, in <strong>the</strong> style <strong>of</strong> a whodunit. By chance, <strong>the</strong>y become involved in <strong>the</strong> action causing a series <strong>of</strong><br />
events that parallel <strong>the</strong> play <strong>the</strong>y are watching.<br />
The Real Inspector Hound, much like Stoppard’s earlier play Rosencrantz & Guildenstern Are Dead, examines <strong>the</strong> ideas <strong>of</strong> fate and free will,<br />
as well as exploring <strong>the</strong> <strong>the</strong>mes <strong>of</strong> <strong>the</strong> ‘play within a play’.<br />
Directed by Jenifer Bryant<br />
For more information on Liverpool Performing Arts Ensemble visit liverpoolperformingarts.com.au<br />
To book tickets visit<br />
casulapowerhouse.com<br />
or call 9824 1121
Education Program<br />
7<br />
Drama Pr<strong>of</strong>essional Development Day for<br />
Primary School Teachers<br />
Saturday 25 May | 10am to 4pm | $70<br />
This is a practical workshop that focuses on exercises for introducing teachers<br />
and <strong>the</strong>ir novice students to drama, taking <strong>the</strong>m towards more sophisticated<br />
techniques. Teachers will build confidence for <strong>the</strong> implementation <strong>of</strong> drama<br />
in <strong>the</strong> classroom. The workshop will also outline methods and benefits <strong>of</strong><br />
integrating drama into <strong>the</strong> exploration <strong>of</strong> a variety <strong>of</strong> subjects.<br />
Full day workshop, including lunch: $70 per person.<br />
For bookings, contact our Education Officer on 9824 1121 or<br />
reception@casulapowerhouse.com<br />
The education program for<br />
terms one and two will<br />
be sent to schools at <strong>the</strong><br />
beginning <strong>of</strong> <strong>the</strong> year.<br />
Afternoon Tea Exhibition Preview for Teachers<br />
4 - 5pm | FREE<br />
Teachers are invited to be one <strong>of</strong> <strong>the</strong> first to see each art exhibition before it opens to <strong>the</strong> public. Enjoy a<br />
complimentary afternoon tea, view <strong>the</strong> show with your peers, grab some <strong>of</strong> <strong>the</strong> available education resources and<br />
receive an exclusive tour from our educators detailing syllabus links and talking points for key works. Curators will<br />
be<br />
on-hand to answer questions and enquiries about <strong>the</strong> exhibitions. Please RSVP your attendance to our Education<br />
Officer, on 9824 1121 or reception@casulapowerhouse.com<br />
Preview dates:<br />
Onside: Thursday 7 February<br />
Landlock: Tuesday 2 April<br />
Pigeon Auction: Wednesday 22 May
Education Program<br />
8<br />
Visual Arts Workshops for Students<br />
Exhibition Excursion Packages<br />
We have a variety <strong>of</strong> excursion packages, centred on our year-long program <strong>of</strong> temporary exhibitions, to suit your school’s<br />
needs. Suitable for both primary and secondary schools.<br />
Self-tour: FREE – Teachers can bring <strong>the</strong>ir students to <strong>Casula</strong> <strong>Powerhouse</strong> at anytime for self-directed tours through our<br />
year-long program <strong>of</strong> temporary exhibitions. COMPLIMENTARY education resources (where available) are provided to all<br />
visiting schools.<br />
Package A: 45-minute guided tour | Gold coin donation<br />
Package B: 90 minutes duration | $4 per student with a $40 minimum booking<br />
A 45-minute guided tour, a worksheet and educator to engage in exhibition content with students.<br />
Package C: 110 minutes duration | $7 per student with a $70 minimum booking<br />
A guided tour and an art-making workshop related to <strong>the</strong> exhibition.<br />
Package D: 150 minutes duration | $10 per student with a $100 minimum booking<br />
A guided tour, a worksheet and educator to engage in exhibition content with students and an art-making workshop related<br />
to <strong>the</strong> exhibition.<br />
At <strong>Casula</strong> <strong>Powerhouse</strong> Arts Centre we <strong>of</strong>fer subsidised excursions for PSFP/CAP schools. Subsidy is dependent on<br />
availability and excursion type.<br />
For more information, or to make<br />
a booking, contact our Education<br />
Officer, on 9824 1121 or<br />
reception@casulapowerhouse.com
Education Program<br />
9<br />
Visual Arts Practical Workshops<br />
For more information, or to make<br />
a booking, contact our Education<br />
Officer, on 9824 1121 or<br />
reception@casulapowerhouse.com<br />
Primary Schools<br />
Each workshop is two hours duration.<br />
Cost is $12 per student per workshop (15 - 20 students)<br />
Printmaking Workshop<br />
This is a basic mono-printmaking workshop for primary students using collograph techniques. Students can make <strong>the</strong>ir<br />
own collage from found materials, which are <strong>the</strong>n printed using a press.<br />
Found Object Sculpture<br />
Students are taught to use <strong>the</strong>ir imagination when assembling found objects into medium or large scale sculptures in this<br />
creative and interactive workshop.<br />
Ceramics<br />
Ceramic workshops are conducted in <strong>the</strong> Clay House. Teachers can select from a variety <strong>of</strong> workshops including plate<br />
decorating, clay animal sculpture, coil pot building and more.<br />
Secondary Schools<br />
Printmaking workshop<br />
We provide a variety <strong>of</strong> printmaking workshops including collograph, lino printing and etching. Workshops are three hours<br />
duration. Cost is $14 per student.<br />
Spray Art Workshops<br />
Spray art or stencil workshops are conducted on <strong>the</strong> <strong>Casula</strong> Tanks with a local street artist. Workshops are four hours<br />
duration. Cost is $16 per student.
Education Program<br />
10<br />
Theatre Education Program<br />
<strong>Casula</strong> <strong>Powerhouse</strong> Arts Centre has a series <strong>of</strong> syllabus-based <strong>the</strong>atre workshops for primary and secondary schools. For<br />
more enquiries, or to make a booking, contact our Education Officer on 9824 1121 or reception@casulapowerhouse.com.<br />
Workshops run for two hours each and can be booked any time during <strong>the</strong> school year. We require a minimum <strong>of</strong> 10 and a<br />
maximum <strong>of</strong> 30 students per workshop.<br />
Primary Schools<br />
One workshop booking: $12 per student | Two workshop bookings: $20 per student<br />
Music & Movement: Get your students moving, singing and dancing in this fast paced and energetic workshop.<br />
Introduction to Theatre & Performance: Give your students an inspiring introduction to <strong>the</strong>atre in this engaging and dynamic<br />
workshop.<br />
Anti-bullying drama workshops: The anti-bullying workshops aim to encourage students to investigate <strong>the</strong> serious subject <strong>of</strong><br />
bullying in a relaxed and informal environment.<br />
Secondary Schools<br />
One workshop booking: $15 per student | Two workshop bookings: $25 per student<br />
All bookings include a FREE 40-minute backstage tour <strong>of</strong> <strong>the</strong> <strong>the</strong>atre (subject to availability).<br />
Backstage tour <strong>of</strong> <strong>Casula</strong> <strong>Powerhouse</strong> Arts Centre’s <strong>the</strong>atre and stage: Students have a unique opportunity to explore what<br />
goes on behind <strong>the</strong> scenes <strong>of</strong> a <strong>the</strong>atre, where <strong>the</strong>y will be shown <strong>the</strong> different elements <strong>of</strong> <strong>the</strong> backstage.
Education Program<br />
11<br />
Introduction to Shakespeare: Students will receive an introduction to reading, performing and understanding<br />
Shakespeare’s plays in an interactive drama workshop.<br />
Play-building: Students will learn how to build on <strong>the</strong> elements <strong>of</strong> drama and <strong>the</strong>atre such as character, focus, tension,<br />
time, place, situation, space, structure, language, sound, movement, dramatic meaning and audience engagement.<br />
Devising <strong>the</strong> Group Performance: This workshop is specifically for Preliminary and HSC students to assist in devising<br />
<strong>the</strong>ir group performance.<br />
Monologue Performance: This workshop will introduce students to <strong>the</strong> elements <strong>of</strong> an effective and engaging<br />
monologue performance.<br />
Improvisation: Through engagement in games and physical <strong>the</strong>atre techniques, students will unlock <strong>the</strong>ir spontaneity<br />
and creativity.<br />
Directing: Students will gain <strong>the</strong> tools and techniques to successfully direct a production.<br />
Scriptwriting: Students will gain skills in developing character and writing dramatic action.<br />
Critical Analysis: This workshop will give students <strong>the</strong> skills to write critically about <strong>the</strong>atre.<br />
Sound & Lighting: Give your students a fantastic introduction to sound and lighting for <strong>the</strong>atre with one <strong>of</strong> our<br />
pr<strong>of</strong>essional <strong>the</strong>atre technicians.<br />
Receive 10% <strong>of</strong>f any<br />
school booking for <strong>the</strong><br />
2013 Performance Season<br />
when you book a Theatre<br />
excursion.
Exhibitions<br />
12<br />
Sense <strong>of</strong> Place<br />
A dLux MediaArts exhibition<br />
toured by Museums and Galleries NSW<br />
Until July 2013 | 10am to 5pm<br />
Sense <strong>of</strong> Place is a screening program <strong>of</strong> contemporary Australian video art,<br />
showcasing <strong>the</strong> work <strong>of</strong> eight artists united by <strong>the</strong>ir investigation <strong>of</strong> cultural<br />
identity and <strong>the</strong> evolving concept <strong>of</strong> ‘Australian-ness’.<br />
Positioning <strong>the</strong> artists <strong>the</strong>mselves as protagonists, characters or as self portraits,<br />
<strong>the</strong> works employ digital video not only as a documentary medium but as a tool<br />
to share stories, create and communicate histories with <strong>the</strong> wider community<br />
through <strong>the</strong> exploration <strong>of</strong> cultural propriety and social paradigms.<br />
Featuring Kate Murphy, Justin Shoulder, Sarah G<strong>of</strong>fman, John A Douglas,<br />
Brendan Lee, Laith McGregor, Darren Sylvester, and Liam Benson, <strong>the</strong> exhibition<br />
reveals how contemporary Australian artists reflect <strong>the</strong>ir experiences and<br />
sensibilities in unique and fascinating ways through screen based mediums.<br />
Justin Shoulder, V, 2010, single channel digital video 7 mins, Video still: Amy<br />
Gebhardt. Image courtesy <strong>the</strong> artist.<br />
Wild Stories<br />
1 December to 31 January | 10am to 5pm<br />
<strong>Casula</strong> <strong>Powerhouse</strong> transforms into a communal pantry <strong>of</strong> foraging stories, workshops, talks and recipes.<br />
“Wild Stories is about <strong>the</strong> relationship we have with <strong>the</strong> environment. It seeks to pull out connections and values that cultures have with<br />
various plants. We live in a diverse society, populated with people and species from all over <strong>the</strong> world. Whilst practising foraging, I notice<br />
elderly people and <strong>the</strong>ir old ways, protecting ancestral stories and important connections with <strong>the</strong> plants <strong>the</strong>y forage. Wild Stories will<br />
present <strong>the</strong>se connections for all to share.”<br />
Diego Bonetto, http://wildstories.wordpress.com/<br />
The focus <strong>of</strong> this 18 month community engagement project was not just on <strong>the</strong> artist, but also on <strong>the</strong> collaboration with <strong>the</strong> community –<br />
‘harvesting’ <strong>the</strong>ir spontaneous interactions, willingness to share <strong>the</strong>ir values whilst foraging, <strong>the</strong>ir emotional connections and romantic ideas<br />
with and about backyards, gardens, pots and most importantly, <strong>the</strong>ir handed-down stories.<br />
Through <strong>the</strong> foraging, talking and interaction with environment, relationships and partnerships were formed with identity, belonging and a<br />
sense <strong>of</strong> place fostered on a number <strong>of</strong> levels. Diego generously facilitated and explored how people live and connect with <strong>the</strong> environment. A<br />
spotlight was placed on how <strong>the</strong> ‘ordinary’ story becomes an ‘extraordinary’ one. <strong>Casula</strong> <strong>Powerhouse</strong> Arts Centre contributes to an inclusive<br />
and creative community through <strong>the</strong> presentation and production <strong>of</strong> compelling, quality and diverse cultural programs relevant and engaging<br />
to South Western Sydney communities – and Wild Stories is one such program.<br />
Diego Bonetto, Sonchus Oleracheous (Sow Thistle) at <strong>the</strong> Wild Stories Garden, 2012. Taken at <strong>Casula</strong> <strong>Powerhouse</strong> Arts Centre.<br />
Photograph by Adam Porter, 2012.<br />
For more information on our<br />
exhibitions visit<br />
casulapowerhouse.com or call<br />
9824 1121.<br />
Entry to all exhibitions are FREE.
Exhibitions<br />
13<br />
Cane Toad Diorama<br />
1 December to 31 January<br />
10am to 5pm<br />
The only time you’re ever likely to see such an astounding art<br />
spectacle - hundreds <strong>of</strong> taxidermy Cane Toads attending an<br />
Aussie Rules match, dancing at a nightclub and as paramedics<br />
at a horrific road accident! Don’t miss this exhibition <strong>of</strong> Kevin<br />
Ladynski’s amazing dioramas.<br />
Next:2012<br />
1 December to 31 January | 10am to 5pm<br />
In recognition <strong>of</strong> <strong>the</strong> achievements and talents <strong>of</strong> local students,<br />
<strong>Casula</strong> <strong>Powerhouse</strong> Arts Centre is proud to introduce Next:2012,<br />
<strong>the</strong> inaugural exhibition <strong>of</strong> visual arts works from HSC students.<br />
The exhibition will showcase a selection <strong>of</strong> artworks produced by<br />
students, from schools in <strong>the</strong> Liverpool community, for <strong>the</strong>ir Year 12<br />
body <strong>of</strong> work. Schools involved include:<br />
Al-Amanah College | All Saints Catholic Seniors College | Ashcr<strong>of</strong>t<br />
High School | Cecil Hills High School | Clancy Catholic College<br />
Freeman Catholic College | Good Samaritan Catholic College | Hoxton<br />
Park High School | Liverpool Boys High School | Miller Technology<br />
High Shool | St Mark’s Coptic Orthodox College | William Carey<br />
Christian School.<br />
Left: Kevin Ladynski, Boxing<br />
Match, 1989.<br />
Image courtesy <strong>of</strong> <strong>the</strong> artist.<br />
Right: Alexa Bozzetto, Taste <strong>the</strong><br />
Rainbow, 2012, watercolour,<br />
51 x 36cm. Image courtesy <strong>of</strong><br />
<strong>the</strong> artist.<br />
Come view <strong>the</strong> Next:2012 exhibition and listen to <strong>the</strong> artists talk about<br />
<strong>the</strong>ir artworks, methodologies and inspirations. Artist talks will be held on<br />
Thursday 13 and Saturday 15 December, 2012 from 10am to 12pm. For large<br />
school bookings, contact our Education Officer on<br />
reception@casulapowerhouse.com or 9824 1121.<br />
Remote and Wild<br />
1 December to 31 January | 10am to 5pm<br />
Helicopter pilot and photographer, Richard Green, has explored Australia’s<br />
wildest places for more than 20 years. Most <strong>of</strong> <strong>the</strong> destinations he visits<br />
are not accessible even by four-wheel drive vehicles and many have<br />
never previously been photographed. Through his images, he captures <strong>the</strong><br />
untouched, raw beauty <strong>of</strong> nature.<br />
Remote and Wild is a dynamic exhibition comprising <strong>of</strong> large-scale<br />
photographs, including some images which are over three metres in length.<br />
This exquisite collection spans <strong>the</strong> whole continent, from <strong>the</strong> wide open skies<br />
<strong>of</strong> <strong>the</strong> Central Deserts to <strong>the</strong> heat-scorched Top End and <strong>the</strong> wind-stripped<br />
Tasmanian Wilderness. Richard’s images are a powerful testament to <strong>the</strong><br />
timelessness <strong>of</strong> <strong>the</strong> environment and <strong>the</strong> majestic splendor <strong>of</strong> nature.<br />
Richard Green, Gnarled Skeletons, 2006, 70 x 233cm<br />
Image courtesy <strong>of</strong> <strong>the</strong> artist.<br />
On Saturday 1 December, 2012, 2.30pm, Richard will be presenting an illustrated public lecture which will provide an overall background<br />
and insight into <strong>the</strong> heli-camping lifestyle that he and his wife have perfected in order to obtain <strong>the</strong>se stunning panoramas. For information<br />
about Richard Green visit: www.richardgreen.net.au
Exhibitions<br />
14<br />
Onside<br />
9 February to 24 March<br />
10am to 5pm<br />
<strong>Casula</strong> <strong>Powerhouse</strong> Arts Centre presents <strong>the</strong> exhibition, Onside, as part <strong>of</strong> <strong>the</strong> Women In Sport initiative which examines <strong>the</strong> complex <strong>issue</strong>s<br />
relating to women and sport through an arts and cultural lens. The artists’ treatment <strong>of</strong> sensitive subjects that have not yet been significantly<br />
explored by a contemporary arts venue will make this a landmark exhibition.<br />
Artworks referencing gender stereotyping, sexualisation <strong>of</strong> women’s bodies and notions <strong>of</strong> femininity will engage audiences to think more<br />
deeply about a range <strong>of</strong> ideas and will provide an entry point into contemporary art. The artists approach <strong>the</strong> topical and relevant <strong>the</strong>mes in<br />
innovative and engaging ways with <strong>the</strong> intention <strong>of</strong> opening up a broader discussion about <strong>the</strong>se <strong>issue</strong>s.<br />
Artists include: Nicole Breedon, Lauren Brincat, David Caird, Montalbetti + Campbell, Tarryn Gill and Pilar Mata Dupont, Angela Ellsworth,<br />
Jenny Evans, Lorrie Graham, Ponch Hawkes, Sahlan Hayes, Petrina Hicks, Deborah Kelly, Laresa Kosl<strong>of</strong>f, Richard Lewer, Belinda Mason, David<br />
Moore, Louise Paramor, Elvis Richardson, Nick Selenitsch, Robin Sellick, Toni Wilkinson and Anne Zahalka.<br />
Tarryn Gill and Pilar Mata Dupont, Gymnasium (production still) 2010, single-channel HD video 3:52 mins<br />
Image courtesy <strong>the</strong> artists and Goddard de Fiddes, Perth.<br />
Onside Public Programs and Education<br />
The Onside exhibition will be complemented by a wide variety <strong>of</strong> public and engagement programs including women’s sporting events,<br />
talks, <strong>the</strong> Women in Sport Forum and education tours and excursions. Check <strong>the</strong> <strong>Casula</strong> <strong>Powerhouse</strong> Arts Centre’s website for more<br />
details.
Exhibitions<br />
15<br />
Landlock<br />
30 March to 12 May | 10am to 5pm<br />
Landlock explores a parrallel relationship between Afghanistan and Australia: one is geographically defined by surrounding land mass;<br />
<strong>the</strong> o<strong>the</strong>r, completely surrounded by sea. The exhibition aims to highlight that such differences have produced a shared dialogue about <strong>the</strong><br />
political, social and physical environment occurring between <strong>the</strong> two regions.<br />
With <strong>the</strong> growing population <strong>of</strong> Middle Eastern communities in Australia, especially in Liverpool and South West Sydney, Landlock will<br />
reflect <strong>the</strong> stories <strong>of</strong> a significant Middle Eastern culture that is unique to this region through contemporary artworks and artist-initiated<br />
community engagement processes. This notion <strong>of</strong> storytelling and <strong>the</strong> importance <strong>of</strong> documenting shared experiences is an integral <strong>the</strong>me<br />
that will be investigated. A sense <strong>of</strong> displacement and identity permeates <strong>the</strong> exhibition, challenging <strong>the</strong> audience to question <strong>the</strong>ir own<br />
place and purpose.<br />
Artists include: Khadim Ali, Nasim Nasr and Rushdi Anwar.<br />
Landlock will also be complemented by Shaun Gladwell’s recent contemporary vision as <strong>the</strong> <strong>of</strong>ficial Australian war artist in 2009.<br />
Gladwell’s war art focuses on ordinary soldiers in harsh landscapes, on <strong>the</strong>ir physique, <strong>the</strong>ir inner world and <strong>the</strong> training and rituals that<br />
shape <strong>the</strong>m. The subjects depicted here, whe<strong>the</strong>r on military bases in Afghanistan, <strong>the</strong> Middle East or Australia, lie at <strong>the</strong> centre <strong>of</strong> <strong>the</strong><br />
artist’s meditations on <strong>the</strong> role <strong>of</strong> technology in modern war and <strong>the</strong> nature <strong>of</strong> sacrifice and death.<br />
Khadim Ali, Haunted Lotus, 2012, watercolour, gouache and ink on wasli paper, 75cm x 75cm. Image courtesy <strong>of</strong> <strong>the</strong> artist.
Exhibitions<br />
16<br />
Pigeon Auction<br />
18 May to 30 June | 10am to 5pm<br />
Artists include: Stuart Bailey, Mat<strong>the</strong>w Bradley, Bindi Cole and Garry Trinh<br />
Pigeon Auction is an exhibition about suburban subcultures. The artists included approach a variety <strong>of</strong> subcultures, all in very different ways.<br />
While <strong>the</strong> exhibition explores what lies beneath <strong>the</strong> surface in our seemingly sleepy suburban streets, <strong>the</strong> ways in which <strong>the</strong> artists approach<br />
<strong>the</strong> subjects will give audiences something to wrestle with ra<strong>the</strong>r than merely a juicy exposé.<br />
Garry Trinh reveals aspects <strong>of</strong> skate culture known only to devoted skaters <strong>of</strong> <strong>the</strong> Western Sydney region. Mat<strong>the</strong>w Bradley almost becomes<br />
an undercover agent and adopts <strong>the</strong> skills and behaviours <strong>of</strong> <strong>the</strong> individuals that make up a group/club, studies <strong>the</strong> behaviour over six months<br />
and <strong>the</strong>n brings evidence <strong>of</strong> this behaviour into <strong>the</strong> gallery. Stuart Bailey collaborates with extreme music - Metal: Black Metal, Grindcore and<br />
Thrash, Punk: Hardcore, Weirdo and Classic, Noise music and Avant Garde groups <strong>of</strong> <strong>the</strong> Liverpool region to stage performances and develop<br />
contemporary posters.<br />
Mat<strong>the</strong>w Bradley Chicken Observatory, from, Space Chickens Help Me Make Apple Pie, 2012, 165 x 210 x 125cm, found timber, nails, screws,<br />
glue, paint, straw.<br />
Photo by Tony Kearney, image courtesy <strong>of</strong> <strong>the</strong> artist.
Marsden Gallery<br />
17<br />
<strong>Casula</strong> <strong>Powerhouse</strong> Arts Centre is committed to presenting emerging and established contemporary<br />
artists reflecting Liverpool’s culturally diverse community. To ensure that <strong>Casula</strong> <strong>Powerhouse</strong> Arts<br />
Centre provides opportunities for local artists, <strong>the</strong> Marsden Gallery is now available as an exhibition<br />
space dedicated to artists living in or representing <strong>the</strong> interests <strong>of</strong> South West Sydney.<br />
As a dedicated community exhibition space, <strong>the</strong> Marsden Gallery has been very well received with<br />
successful exhibitions such as Junction Life, Synergy, Nicholas Al-Jeloo, 8x8 and Weaving Women<br />
Toge<strong>the</strong>r.<br />
Exhibitions proposals are now being considered for <strong>the</strong> period from June 2013 to June 2014. Proposals<br />
are open, but not limited to, individuals, groups, curators and artists. If you have a project or an activity<br />
that you wish to propose, please read <strong>the</strong> Terms and Conditions before applying which can be found at<br />
casulapowerhouse.com<br />
Proposals for June 2013 to June 2014 close on 31 March, 2013.<br />
Forms <strong>of</strong> Landscape – Charlie Wells<br />
1 December to 31 January | 10am to 5pm<br />
Our experience <strong>of</strong> <strong>the</strong> world is shaped by <strong>the</strong> subtle and dramatic forces <strong>of</strong> nature.<br />
Charlie Wells’ solo exhibition, Forms <strong>of</strong> Landscape, invites us to explore <strong>the</strong> constantly<br />
changing poetics <strong>of</strong> time, place and light <strong>of</strong> <strong>the</strong> horizon influenced by <strong>the</strong> artist’s <strong>current</strong>s<br />
<strong>of</strong> memory, emotion and reflection that manifest an artistic and personal life journey.<br />
Charlie Wells, Transience, 2006, seeds, leaves, acrylic paint on canvas.<br />
Linda Wilken<br />
9 February to 24 March | 10am to 5pm<br />
Sexualisation and objectification <strong>of</strong> young girls is a <strong>current</strong> social and political <strong>issue</strong>. This<br />
exhibition represents <strong>the</strong> way young girls in contemporary western cultures develop <strong>the</strong>ir<br />
identity based on popular culture and stereotyping which begins in childhood. Influenced<br />
through magazines, music videos, social media and <strong>the</strong> internet, <strong>the</strong>se ‘young consumers’<br />
are being seduced into stylising <strong>the</strong>mselves on hyper-sexualised ideals.<br />
Linda Wilken, Pretty Little Princess 3, 2007, collage, Texta and acetate on paper 15 x 15<br />
cm. Image courtesy <strong>of</strong> <strong>the</strong> artist.
Acquisitions<br />
18<br />
Maria Lock Award - 21st MIL-PRA AECG Exhibition and Art Award<br />
Trish Leverett and Kay Cunningham, Good Times, 2012, still from digital work, 5 minutes 20 seconds.<br />
In 2012 <strong>Casula</strong> <strong>Powerhouse</strong> Arts Centre hosted <strong>the</strong> 15th Annual Liverpool Art Society Exhibition and Art Prize as well as <strong>the</strong> 21st<br />
Annual Mil-Pra AECG Aboriginal Exhibition and Art Award. <strong>Casula</strong> <strong>Powerhouse</strong> Arts Centre is a committed sponsor for both <strong>the</strong>se<br />
prizes and <strong>of</strong>fers acquisitions and prize money towards <strong>the</strong> exhibition every year.<br />
The Centre is always excited to present <strong>the</strong>se yearly exhibitions as it gives <strong>the</strong> local arts community as well as NSW Indigenous<br />
artists and students a platform to display <strong>the</strong>ir works locally.<br />
Good Times by Trish Leverett and Kay Cunningham is a collaborative digital piece that directly responded to this year’s MIL-PRA<br />
Award <strong>the</strong>me: Memories – Lookin’ Back. The <strong>the</strong>me provided an engaging discourse surrounding <strong>issue</strong>s that concern Aboriginal<br />
communities. Memories – Lookin’ Back acknowledges <strong>the</strong> stories <strong>of</strong> <strong>the</strong> past and supports positive future development <strong>of</strong><br />
Aboriginal culture through <strong>the</strong> visual arts.<br />
Trish Leverett and her cousin Kay were brought up on <strong>the</strong> Forster Aboriginal Reserve where all <strong>the</strong>ir relatives lived toge<strong>the</strong>r. Trish<br />
states, “We have always called it The Mission”.<br />
The earlier photographs <strong>of</strong> her family were taken by Kay on <strong>the</strong> mission and around Forster. Kay who was an Elder <strong>of</strong> <strong>the</strong><br />
community and an Aboriginal Education Worker at Forster Primary School introduced Trish to photography.<br />
After Trish moved to Sydney, she involved herself in lessons with Dr Lesley Barnet, a local artist in Padstow. “Everything I know<br />
about black and white photography is from him,” says Trish.<br />
The newer photos in <strong>the</strong> slide show are by Trish and depict everyday life occurances such as swimming and fishing.<br />
The slide show uses <strong>the</strong> song My Kind <strong>of</strong> Life by Yothu Yindi.
Acquisitions<br />
19<br />
Mayor’s Choice Award - 21st MIL-PRA AECG Exhibition and Art Award<br />
Kerrie Kenton, Wiana Mariong (Mo<strong>the</strong>r Emu), 2012, galvanized steel wire, aluminium, seed beads, rubber, clay, Emu fea<strong>the</strong>rs and Emu<br />
egg.<br />
This style <strong>of</strong> work is inspired by and pays tribute to Kenton’s mo<strong>the</strong>r and grandmo<strong>the</strong>r.<br />
The artwork celebrates <strong>the</strong> strength and resilience <strong>of</strong> Aboriginal women and children, <strong>the</strong> work attempts to convey <strong>the</strong> bond between a<br />
mo<strong>the</strong>r and daughter. It tells <strong>the</strong> story <strong>of</strong> staying toge<strong>the</strong>r after reunification whilst reconnecting a special bond that will never be broken.<br />
“I like to use a blend <strong>of</strong> traditional and natural materials which contrast with contemporary media. I love how <strong>the</strong>y contradict each o<strong>the</strong>r. They<br />
help me to express how I live in <strong>the</strong> here and now. As a traditional descendant <strong>of</strong> this land, with a strong culture, I walk in two worlds and<br />
<strong>the</strong>se materials help echo this. The aluminium symbolises strength, reflection and eternity, which I believe is similar to <strong>the</strong> Aboriginal culture<br />
and <strong>the</strong> imprint we have on <strong>the</strong> land. Yet in contrast I use fea<strong>the</strong>rs and eggs, which are also Indigenous materials, whic personify my people<br />
and myself. I believe <strong>the</strong>se materials are natural, beautiful and temporary in that <strong>the</strong>y will return to <strong>the</strong> earth as we will” Kerrie Kenton.<br />
Wiana Mariong means Mo<strong>the</strong>r Emu in <strong>the</strong> Darug (Sydney) language.<br />
Overall Winner - 15th Liverpool Art Society<br />
Exhibition and Art Award<br />
Glenda Carter, Display, 2012, acrylic on canvas, 610 x 760mm.<br />
Glenda Carter was this years acquisitive overall winner in <strong>the</strong> Liverpool Art<br />
Society exhibition. Her still life, Display, has not one style or influence but <strong>the</strong>re<br />
is no doubting that Matisse and Chagall movements are depicted within <strong>the</strong> work.<br />
This brightly composed work is different from what Glenda normally creates. The<br />
tilted vase with <strong>the</strong> olive branch is balanced by <strong>the</strong> tilted bowl <strong>of</strong> lemons and <strong>the</strong><br />
randomness <strong>of</strong> <strong>the</strong> fruit on <strong>the</strong> table. There is what appears as a primitive figure in<br />
<strong>the</strong> background that intrigues us.<br />
“In my painting ‘Display’, I have used a contemporary style that relies upon<br />
uncomplicated sketching where <strong>the</strong> proportions <strong>of</strong> <strong>the</strong> objects do not necessarily<br />
relate to each o<strong>the</strong>r but ra<strong>the</strong>r to <strong>the</strong> space <strong>the</strong>y will occupy - it is a display <strong>of</strong> still<br />
life imagery with strong colour, patterns and changing perspectives”.<br />
Her influences are Elisabeth Cummings (an Australian landscape artist known as <strong>the</strong><br />
“Invisible Woman <strong>of</strong> Australian Art”) and British artist Mary Fedden.
Acquisitions<br />
20<br />
Scholarship Prize Winner - 15th Liverpool Art Society Exhibition and Art Award<br />
Christian Atkins, Split Disposition, 2012, enamel on acrylic, 620 x 920mm.<br />
This portrait by Christian Atkins won <strong>the</strong> scholarship prize for Liverpool Art Society. Atkins’ graphic style is heavily influenced by street art,<br />
youth culture and skating.<br />
His work, titled Split Disposition, strives for multiple phases <strong>of</strong> representation <strong>of</strong> <strong>the</strong> different people within “Joey”. The mirror adds a limitless<br />
depth and <strong>the</strong> layering <strong>of</strong> <strong>the</strong> images convey <strong>the</strong> complexity <strong>of</strong> <strong>the</strong> subject’s character. The mirror serves as an interactive medium due<br />
to its inescapable way <strong>of</strong> engaging with <strong>the</strong> audience, as it prompts <strong>the</strong> viewer to observe and hence perceive <strong>the</strong>ir own reflection as a<br />
consequence.<br />
The main objective <strong>of</strong> <strong>the</strong> work is to challenge <strong>the</strong> viewer, prompt <strong>the</strong>m to identify <strong>the</strong>ir own entity and understand <strong>the</strong> magnitude <strong>of</strong> human<br />
complexity within <strong>the</strong> human psyche. Atkins states that <strong>the</strong> artwork, “Takes an ontological approach to <strong>the</strong> understandings <strong>of</strong> <strong>the</strong> nature<br />
<strong>of</strong> being. Ways <strong>of</strong> knowing and ways <strong>of</strong> being are relative to <strong>the</strong> individual creating nuanced interpretations that are reflective <strong>of</strong> one’s own<br />
disposition (represented by <strong>the</strong> mirrored effect).”
Artist pr<strong>of</strong>ile<br />
21<br />
Khaled Sabsabi<br />
Rarely can an art centre claim <strong>the</strong>y have one <strong>of</strong> Australia’s most<br />
prominent artists as part <strong>of</strong> <strong>the</strong>ir staff, but <strong>Casula</strong> <strong>Powerhouse</strong><br />
Arts Centre is proud to say it does.<br />
Khaled Sabsabi has worked for <strong>the</strong> Centre for <strong>the</strong> last five years,<br />
during which time he has been <strong>the</strong> recipient <strong>of</strong> an Australian<br />
Council for <strong>the</strong> Arts Fellowship, awarded <strong>the</strong> Helen Lempriere<br />
Travelling Art Scholarship in 2010, awarded <strong>the</strong> 60th Annual<br />
Blake Prize and participated and presented in numerous solo and<br />
group exhibitions in 15 countries. Here is a little bit about Khaled<br />
that you may not know.<br />
How long have you had an interest in <strong>the</strong> arts?<br />
As early as I remember really, I remember, before migrating<br />
to Australia when I was about six or seven, sitting down at my<br />
paternal grandmo<strong>the</strong>r’s house in a village outside Tripoli and<br />
drawing <strong>the</strong> morning get toge<strong>the</strong>r.<br />
Who are <strong>the</strong> most important influences in your art and<br />
why?<br />
There are few and most won’t be considered as artists - in <strong>the</strong><br />
classical definition <strong>of</strong> an artist. Primarily, I take inspiration from<br />
my surroundings as I am genuinely interested in people and<br />
place. But if I am to pick one entity that is <strong>the</strong> cornerstone <strong>of</strong> my<br />
influences, it would be my maternal grandmo<strong>the</strong>r, and although<br />
she passed away a long time ago I still feel her guidance.<br />
When you are creating your artworks, is <strong>the</strong>re anything you<br />
do to get your creative juices flowing?<br />
No not really, I am always thinking and imagining new ideas and<br />
this happens at all hours. About work process, generally I am<br />
awake just before sunrise, I make my c<strong>of</strong>fee and go straight<br />
into <strong>the</strong> studio by about 7.30 I wake <strong>the</strong> kids and get ready for<br />
work. This happens almost daily. Besides this, I think <strong>the</strong> most<br />
important thing I have learnt about making artwork is to never<br />
try and force an idea and respect each work for its individuality<br />
and meaning.<br />
What was <strong>the</strong> greatest thing about being asked to be part <strong>of</strong><br />
<strong>the</strong> 18th Biennale <strong>of</strong> Sydney?<br />
I think having <strong>the</strong> artistic directors <strong>of</strong> <strong>the</strong> Biennale come out to<br />
Bonnyrigg where I live and spend <strong>the</strong> entire day looking at and<br />
speaking about my work was excellent, but for me and more<br />
importantly, was watching and listening to <strong>the</strong>m interact with my<br />
work. To have <strong>the</strong> privilege to connect with o<strong>the</strong>rs, for an artist,<br />
is a great thing.<br />
What did you look forward to <strong>the</strong> most at <strong>the</strong> 9th Shanghai<br />
Biennale?<br />
I had presented work in Shanghai before at <strong>the</strong> Zendai Museum<br />
<strong>of</strong> Modern Art (MOMA) in 2007. I was amazed back <strong>the</strong>n with <strong>the</strong><br />
city and its people and am looking forward to experiencing <strong>the</strong><br />
efficiency <strong>of</strong> a 17 million (plus) peopled city again.<br />
How important is culture to your art?<br />
In respects to <strong>the</strong> importance <strong>of</strong> culture in my artistic practice,<br />
I work across borders and disciplines, nationalities and cultures<br />
and see myself as a people artist, who understands <strong>the</strong><br />
importance <strong>of</strong> art making complexities through engagement<br />
with people. I make work that is grounded locally, questioning<br />
rationales and complexities <strong>of</strong> multicultural Australia in relation<br />
to its past, present and future. I also make work that highlights<br />
alternative views and voices and challenges passive media<br />
consumption.<br />
Top to Bottom: 1. Ali or 3li, 2005. Image courtesy <strong>of</strong> <strong>the</strong> artist, <strong>Casula</strong><br />
<strong>Powerhouse</strong> Arts Centre, Campbelltown Arts Centre, Milani Gallery<br />
photo by Ian Hobbs.<br />
2. Naqshbandi Greenacre Engagement, 2011. Image courtesy <strong>of</strong> <strong>the</strong><br />
artist, Campbelltown Arts Centre, 4A Centre for Contemporary Asian<br />
Art and Milani Gallery.<br />
3. Mush, 2012. Image courtesy <strong>of</strong> <strong>the</strong> artist, Artspace Sydney and<br />
Milani Gallery.
School Holidays<br />
22<br />
Monday 14 January<br />
Make your own s<strong>of</strong>t sculpture<br />
10am – 12pm (max capacity: 20)<br />
Sculptures don’t always have to be made from hard materials. In<br />
this workshop, kids will use fabric, stuffing and <strong>the</strong>ir imaginations to<br />
create <strong>the</strong>ir very own s<strong>of</strong>t sculpture.<br />
Make your own terrarium<br />
1pm – 3pm (max capacity: 20)<br />
A terrarium is a miniature landscape with living plants inside. To<br />
celebrate <strong>the</strong> Wild Stories exhibition, kids will get <strong>the</strong> opportunity to<br />
create <strong>the</strong>ir own little ecosystems. Bring your own large glass jar!<br />
Come to <strong>Casula</strong> <strong>Powerhouse</strong> Arts Centre for<br />
ano<strong>the</strong>r fun-filled school holiday program <strong>of</strong><br />
workshops and activities to keep children<br />
entertained and engaged. Workshops are $15<br />
per child, unless o<strong>the</strong>rwise stated. Make three<br />
or more bookings and you’ll only pay $10 per<br />
workshop (you must book all workshops at<br />
<strong>the</strong> same time). All workshops are for kids 6+<br />
years, unless o<strong>the</strong>rwise stated.<br />
Tuesday 15 January<br />
Jay’s Jam Sessions<br />
9:30am – 12:30pm (max capacity: 20)<br />
1:30pm – 4:30pm (max capacity: 20)<br />
$28 per child<br />
Join one <strong>of</strong> Australia’s most respected and versatile entertainers<br />
in his first public performance class <strong>of</strong> 2013. Winner <strong>of</strong> <strong>the</strong> Sydney<br />
Critics Award for Best Children’s Stage show, Jay Laga’aia is one <strong>of</strong><br />
<strong>the</strong> most recognisable Polynesian actors in Australia, with over 30<br />
years experience in Film, Television, Stage and Radio. Jay is coming<br />
to <strong>the</strong> <strong>Casula</strong> <strong>Powerhouse</strong> Art Centre with Jay’s Jam Sessions for<br />
a limited time. He will be presenting performance classes for young<br />
people who are interested in live performance and acting. Jay is an<br />
experienced improviser, a <strong>the</strong>atre sports teacher and international<br />
player. The classes will cover performance and movement and<br />
are designed to allow participants to test <strong>the</strong>mselves in improvised<br />
scenes and movement exercises. Jay will cover vocal projection as<br />
well as character development. It will be packaged in a high energy,<br />
fun session that will invite <strong>the</strong> most timid to come out <strong>of</strong> <strong>the</strong>ir<br />
shell and have a go. Jay’s vast experience allows him to answer<br />
questions from those who really want to know about <strong>the</strong> industry<br />
and about <strong>the</strong> true essence <strong>of</strong> being an actor. From Star Wars to<br />
Playschool, join Jay Laga’aia in Jay’s Jam Sessions. Be quick, places<br />
are limited!<br />
Wednesday 16 January<br />
Experiments with Colour<br />
10am – 12pm (max capacity: 20)<br />
Mix colours and see how different colours work toge<strong>the</strong>r for<br />
harmony, contrast, drama and mood. You will look at how many<br />
different colours, tints and shades <strong>of</strong> colours you can make. Then<br />
paint from your imagination using what you’ve learned.<br />
Figurative Sculpture<br />
1pm – 3pm (max capacity: 20)<br />
Make a small statue <strong>of</strong> a figure in motion and paint it! Kids will learn<br />
about proportion, make an armature, build a figure and paint it in<br />
this workshop.<br />
Thursday 17 January<br />
Pop Art Portraits<br />
10am – 12pm (max capacity: 20)<br />
Paint a series <strong>of</strong> portraits in Pop Art style. Children will learn about<br />
Pop Art, Andy Warhol, contemporary pop artist Julian Opie and<br />
portrait basics. Each child will be given 4 small canvases to paint<br />
<strong>the</strong>ir Pop Art portraits.<br />
Walk like an Egyptian Royal – Wearable art workshop<br />
1pm – 3pm (max capacity: 20)<br />
Make your own Egyptian costume jewellery including a headpiece,<br />
cuffs and neckpiece. Learn about ancient Egyptian culture and<br />
symbolism in art.<br />
Friday 18 January<br />
Clay Kookaburras<br />
10am – 12pm (max capacity: 15)<br />
1pm – 3pm (max capacity: 15)<br />
Celebrate one <strong>of</strong> Australia’s most beautiful native birds! Come to<br />
<strong>the</strong> Clay House to make your own kookaburra sculpture.<br />
Hat-making<br />
1pm – 3pm (max capacity: 20)<br />
Create and decorate your own wearable art! Kids will make paper<br />
hats <strong>of</strong> different sizes and shapes that <strong>the</strong>y will decorate and wear<br />
afterwards.<br />
Monday 21 January<br />
Butterflies and Bugs<br />
10am – 12pm (max capacity: 15)<br />
1pm – 3pm (max capacity: 15)<br />
Create your own creepy-crawly from clay.<br />
Tribal Animals<br />
1pm – 3pm (max capacity: 20)<br />
Become one <strong>of</strong> <strong>the</strong> tribe! Make and paint your own animal inspired<br />
by unique tribal art.
School Holidays<br />
23 22<br />
Tuesday 22 January<br />
Make your own mini-<strong>the</strong>atre<br />
10am – 12pm (max capacity: 20)<br />
Kids will create <strong>the</strong>ir own mini-<strong>the</strong>atre and finger puppet characters.<br />
Then watch as <strong>the</strong> stories and performances unfold live on stage. Bring<br />
your own cardboard box!<br />
Rocket Jetpacks<br />
1pm – 3pm (max capacity: 20)<br />
Do you need help with flying around <strong>the</strong> house? Why not make your<br />
own rocket jet pack that will assist you in your flight plans.<br />
Wednesday 23 January<br />
Preschoolers Day!<br />
Preschoolers won’t miss out this school holidays! Today we have<br />
activities especially for preschoolers and parents to do toge<strong>the</strong>r, while<br />
<strong>the</strong> big kids enjoy <strong>the</strong>ir workshops. For kids 3-5 years old, and <strong>the</strong>ir<br />
parents. $5 per child, per workshop. Max capacity 15 children<br />
Wild Kids<br />
10:10am – 11pm<br />
Join our resident naturalist Diego Bonetto and take a tour <strong>of</strong> <strong>the</strong><br />
beautiful landscape surrounding <strong>Casula</strong> <strong>Powerhouse</strong>. Discover <strong>the</strong> little<br />
wonders which lurk outside and make your own grass jewellery.<br />
Mask making<br />
11:10am – 12pm<br />
Make a portrait <strong>of</strong> you, someone you love, admire, or have completely<br />
imagined, and <strong>the</strong>n wear this portrait as a mask!<br />
Animal origami<br />
1:10pm – 2pm<br />
Paper folding is a wonderful way to build children’s creativity and<br />
dexterity. Learn how to make your own zoo or farmyard full <strong>of</strong> animals<br />
in this fun and engaging workshop.<br />
Thursday 24 January<br />
Kaleidoscopes<br />
1pm – 3pm (max capacity: 20)<br />
A kaleidoscope <strong>of</strong>fers exciting discoveries <strong>of</strong> colours and patterns.<br />
In this workshop, kids will make <strong>the</strong>ir own magical kaleidoscopes<br />
that will keep <strong>the</strong>m entertained for ages!<br />
Friday 25 January<br />
Stained-glass window hangings<br />
10am – 12pm (max capacity: 20)<br />
Make a dazzling stained glass hanging for your favourite window<br />
with cellophane. Explore pattern, colour and <strong>the</strong> transforming<br />
effect <strong>of</strong> light.<br />
Marionettes<br />
1pm – 3pm (max capacity: 20)<br />
Design and make your own marionette puppet in this fun workshop<br />
for crafty kids. Then pull <strong>the</strong> strings <strong>of</strong> your puppet to bring it to<br />
life.<br />
Wednesday 23 January<br />
Lantern making<br />
10am – 12pm (max capacity: 20)<br />
Kids will work with cane and paper to make beautiful lanterns warmly<br />
lit by tea lights. The group will be instructed with <strong>the</strong> simple techniques<br />
<strong>of</strong> building in cane and covering <strong>the</strong> form with glue-soaked paper. You<br />
can make animals, plants, fantasy creatures or anything you wish!<br />
Clay Echidnas<br />
10am – 12pm (max capacity: 15)<br />
1pm – 3pm (max capacity: 15)<br />
The echidna is one <strong>of</strong> Australia’s native animals. Create an echidna out<br />
<strong>of</strong> clay. But don’t get pricked by all <strong>the</strong> spikes!<br />
Thursday 24 January<br />
Salt Painting<br />
10am – 12pm (max capacity: 20)<br />
Painting gets a little more exciting in this fun and messy workshop for<br />
aspiring artists. Create a painting with salt and see how <strong>the</strong> textures<br />
enhance your artwork.<br />
For bookings contact 9824 1121 or visit casulapowerhouse.com
Seniors and <strong>the</strong> Arts<br />
24<br />
THURSDAY MATINEE CONCERT SERIES<br />
Jennifer Green Sings Strictly Bassey<br />
Thursday 28 February | 11am | $15<br />
If ever <strong>the</strong>re was a female singer who could sing <strong>the</strong> vast range <strong>of</strong><br />
magnificent songs in celebration <strong>of</strong> <strong>the</strong> great Dame Shirley Bassey, <strong>the</strong>n<br />
multi-award singer, Jennifer Green, is that girl. Listen to her as she weaves<br />
her vocal magic, singing such classics as Big Spender, I Who Have Nothing,<br />
Never Never Never, Something, This is My Life, and many more. Jennifer<br />
is backed by her dynamic seven piece orchestra under <strong>the</strong> direction <strong>of</strong> Joe<br />
Macri.<br />
Arrive early for your complimentary tea or c<strong>of</strong>fee and cake<br />
Platters to Popera<br />
Thursday 27 June | 11am | $15<br />
Back by popular demand, Platters to Popera is a sensational show combining<br />
<strong>the</strong> ultimate excitement, passion and intensity <strong>of</strong> Popera with <strong>the</strong> timeless<br />
hits <strong>of</strong> renowned doo-wop male vocal groups <strong>of</strong> <strong>the</strong> 1950s. Three <strong>of</strong> <strong>the</strong> finest<br />
voices headlined by Popera Tenor Daniel Mallari come toge<strong>the</strong>r to perform a<br />
spectacular journey <strong>of</strong> music that is sure to have <strong>the</strong> audience singing along<br />
and tapping <strong>the</strong>ir feet! Special guest will be Chris Gable – award winning<br />
multi-instrumentalist. His expertise on saxophone, clarinet and guitar as well<br />
as some fine vocals have made him a popular artist on American cruise ships<br />
and local venues.<br />
Platters to Popera promises something for everyone and features selections<br />
from Broadway Blockbusters Les Miserables, The Phantom <strong>of</strong> <strong>the</strong> Opera and<br />
o<strong>the</strong>r favourite musicals.<br />
Arrive early for your complimentary tea or c<strong>of</strong>fee and cake
Seniors and <strong>the</strong> Arts<br />
24 25<br />
Join us for an action packed Seniors Week with workshops in crafts, drawing, flower arranging,<br />
talks, tours and <strong>the</strong> Young at Heart Film Festival. Here is a taste <strong>of</strong> <strong>the</strong> variety <strong>of</strong> activities available.<br />
Young at Heart Film Festival<br />
17 and 18 March | 10.30am to 5pm<br />
$5 if you’re over 60!<br />
Young at Heart Seniors Film Festival returns to <strong>Casula</strong> <strong>Powerhouse</strong> Arts<br />
Centre bringing film premieres, beloved classics and social events for<br />
seniors, <strong>the</strong>ir friends and relatives. The Festival will host five daytime<br />
screenings with tickets just $5 if you’re over 60. Check <strong>the</strong> website closer<br />
to <strong>the</strong> date for <strong>the</strong> full line-up, or sign up at www.younga<strong>the</strong>art.net.au to<br />
receive a free program in <strong>the</strong> post.<br />
From humble beginnings in 2006, <strong>the</strong> festival has grown to become a key<br />
event on Sydney’s cultural calendar and <strong>the</strong> only film festival in <strong>the</strong> world<br />
catering specifically to film lovers over 60 years <strong>of</strong> age.<br />
Ikebana Workshop<br />
20 March | 10am to 4pm | Cost $25 per person<br />
Learn <strong>the</strong> traditional art <strong>of</strong> Ikebana flower arranging with a teacher from<br />
<strong>the</strong> established Sogetsu Teachers Association Australia. Ikebana, <strong>the</strong><br />
Japanese art <strong>of</strong> flower arrangement, has been practiced for hundreds<br />
<strong>of</strong> years. Now it is continued by people who love and enjoy its calming<br />
influence and elegant style. Sogetsu, a modern school <strong>of</strong> Ikebana,<br />
encourages artists to work with nature in an individual and imaginative form<br />
through colour, line and texture to create arrangements from <strong>the</strong> heart for<br />
all to enjoy.<br />
Image courtesy <strong>of</strong> Sandy Marker.<br />
High Tea<br />
Saturday 23 March | 12.30pm to 5.30pm<br />
Enjoy <strong>the</strong> company <strong>of</strong> dear friends and family and celebrate Seniors Week<br />
over this wonderful revival <strong>of</strong> a fine British tradition.<br />
High Tea will include tea sandwiches, scones and conserve, assorted<br />
sweets, and a selection <strong>of</strong> loose leaf tea and c<strong>of</strong>fee.<br />
Please note that High Tea is a la carte with a standardised menu.<br />
For bookings and enquiries please contact <strong>the</strong> <strong>Casula</strong> <strong>Powerhouse</strong> Arts<br />
Centre on 9824 1121 or visit our website casulapowerhouse.com
Youth Committee<br />
26<br />
Are you 15–25? Interested in art, <strong>the</strong>atre and culture? Want to lend your ideas and skills in design, writing, project<br />
organisation or social media to <strong>the</strong> community?<br />
We’re looking for young and enthusiastic individuals from South West Sydney to join <strong>the</strong> <strong>Casula</strong> <strong>Powerhouse</strong> Arts<br />
Centre Youth Committee. Applicants should be willing to commit to 12 meetings per year, attend <strong>Casula</strong> <strong>Powerhouse</strong><br />
Arts Centre major events and undertake additional duties and roles to be assigned at each meeting.<br />
The Committee gives aspiring young artists, event organisers and arts workers an opportunity to gain insight into <strong>the</strong><br />
inner workings <strong>of</strong> an art centre with a focus on marketing and audience development. O<strong>the</strong>r benefits, aside from <strong>the</strong><br />
personal and pr<strong>of</strong>essional development opportunities provided, include a 10 per cent discount on workshops, <strong>the</strong>atre<br />
shows and events, and access to some <strong>of</strong> <strong>the</strong> Centre’s more exclusive events.<br />
To request an application form please email Public Program and Education Manager, at<br />
reception@casulapowerhouse.com or call 02 9824 1121.<br />
Generationext at <strong>Casula</strong> <strong>Powerhouse</strong> Arts Centre, Image courtesy <strong>of</strong> <strong>the</strong> Museum <strong>of</strong> Contermporary Art, Australia.
Adult Workshops<br />
27<br />
Access Dance Classes<br />
Second and fourth Tuesday <strong>of</strong> every<br />
month | 10.30am to 12.30pm<br />
$10 (Carers FREE) | Max capacity: 12<br />
<strong>Casula</strong> <strong>Powerhouse</strong> Arts Centre <strong>of</strong>fers dance classes for<br />
people living with intellectual and physical disabilities.<br />
This program will give audiences <strong>the</strong> opportunity to dance,<br />
including basic mobility exercises, group games and<br />
introduction to <strong>the</strong> moves <strong>of</strong> a range <strong>of</strong> traditional ballroom<br />
dances like <strong>the</strong> tango, cha-cha, salsa, waltz and much more.<br />
Create It Classes<br />
First Saturday <strong>of</strong> every month | 11am to 12:30pm<br />
5 – 30 years | FREE<br />
Join us for creative classes for children and young adults <strong>of</strong> all abilities. Classes will include drawing, jewellery making,<br />
cardboard car cruises and painting through dance. The workshops are also complemented by a con<strong>current</strong> support<br />
group for parents <strong>of</strong> children with a disability.<br />
Presented by <strong>Casula</strong> <strong>Powerhouse</strong> Arts Centre and Everybody Can Dance.<br />
For bookings or more information please contact Tara on 0422 085 470.<br />
Life Drawing Classes<br />
Tuesdays 7pm to 9pm<br />
LAS Members $15 | Non-members $20<br />
Explore one <strong>of</strong> art’s finer pastimes: Life Drawing classes will now run every<br />
Tuesday night at <strong>Casula</strong> <strong>Powerhouse</strong> Arts Centre. Classes are not run as<br />
a formal lesson, ra<strong>the</strong>r, we encourage you to relax and draw at your own<br />
pace and in your own style. An instructor is available for each class should<br />
participants wish to seek fur<strong>the</strong>r advice or tuition.<br />
Participants are requested to bring <strong>the</strong>ir own paper, charcoal and o<strong>the</strong>r<br />
media <strong>of</strong> <strong>the</strong>ir preference. Easels and drawing horses are provided.<br />
Participants <strong>of</strong> all levels <strong>of</strong> ability are welcome. To book please call Chris<br />
Wellwood on 0414 227 861, or Pamela Rodoreda on 02 9601 6078.<br />
For more information contact 9824 1121 or visit<br />
casulapowerhouse.com
Special Events<br />
28<br />
Suburban Subculture<br />
Events<br />
as Part <strong>of</strong> <strong>the</strong><br />
Pigeon Auction Exhibition<br />
Custom Car Day presented by<br />
South West Custom Cars<br />
Saturday 8 June | 10am to 5pm<br />
Come and see a custom car show with live DJs, promo<br />
girls, giveaways, food and trade stands. There will be<br />
activities for kids and fun for <strong>the</strong> whole family.<br />
Misfit Project Band Nights<br />
Fridays 24 May, 31 May, 7 June, 14 June, 21 June<br />
During Pigeon Auction, Stuart Bailey’s Misfit Project will be complemented by live performances from punk, noise and<br />
metal bands performing over <strong>the</strong> first five Fridays <strong>of</strong> <strong>the</strong> exhibition. Join us in celebrating niche elements <strong>of</strong> <strong>the</strong> music<br />
scene in South West Sydney with a diverse array <strong>of</strong> music and performance.<br />
Subculture Slam<br />
Friday 14 June 6.30pm to 8pm<br />
Join us for a short talk series exposing <strong>the</strong> intrigues and quirks <strong>of</strong> a variety <strong>of</strong> subcultures, from pigeon auctions to<br />
straight edge experts as enthusiasts reveal <strong>the</strong> idiosyncrasies <strong>of</strong> <strong>the</strong>ir interests and obsessions.<br />
For more information check our website closer to <strong>the</strong> date or contact 9824 1121.<br />
Image courtesy <strong>of</strong> South West Custom Cars.
Special Events<br />
29<br />
An Inspirational Speech by Frances and<br />
Melissa Eustace, as part <strong>of</strong> Onside<br />
Tuesday 26 February<br />
12.30 to 1.30pm | FREE<br />
Thelma and Louise... Fran and Mel... mo<strong>the</strong>r and daughter will give an<br />
outstanding perspective on <strong>the</strong> family life <strong>of</strong> a person with an intellectual<br />
disability. Share <strong>the</strong>ir uplifting and inspiring journey filled with humour,<br />
courage and success. Gain a powerful understanding <strong>of</strong> how <strong>the</strong>y have<br />
become sought after community and corporate speakers through <strong>the</strong>ir<br />
achievements in fundraising, dance and sport. Experience first hand how<br />
<strong>the</strong>ir partnership has allowed Mel to achieve her dream. Celebrate <strong>the</strong>ir joy<br />
<strong>of</strong> being selected as coach and player in <strong>the</strong> Australian Special Olympics<br />
s<strong>of</strong>tball team which participated in <strong>the</strong> World Summer Games in A<strong>the</strong>ns<br />
2011.<br />
Melissa Eustace was a 2011 Ambassador for <strong>the</strong> Don’t Dis My Ability<br />
Campaign as part <strong>of</strong> <strong>the</strong> International Day <strong>of</strong> People with Disability<br />
celebrations. She loves dancing and s<strong>of</strong>tball to an Olympian degree. Mel<br />
is a founding member <strong>of</strong> <strong>the</strong> Special Olympics Dance Performance Group<br />
and has performed at numerous corporate and charity events. She was<br />
a bronze medal winner as a member <strong>of</strong> <strong>the</strong> Australian Special Olympics<br />
S<strong>of</strong>tball team at <strong>the</strong> Special Olympics World Games in A<strong>the</strong>ns in 2011. Every<br />
Easter since 2008, Mel has swum <strong>the</strong> annual 1.5 kilometre Rock to Rock<br />
ocean swim on <strong>the</strong> NSW Mid-North Coast.<br />
Frances and Melissa Eustace.<br />
Image courtesy Frances Eustace.<br />
Sydney Film Festival<br />
Friday 8 to Sunday 10 March<br />
The best <strong>of</strong> <strong>the</strong> Sydney Film Festival (SFF) hits <strong>the</strong> motorway and heads west,<br />
armed with a truckload <strong>of</strong> hits, highlights and new releases that you’d never<br />
usually get to see at your local cinema. Enjoy our favourite flicks shown at<br />
<strong>the</strong> 2012 festival, from across Australia and around <strong>the</strong> world, screening in<br />
<strong>the</strong> gorgeous surrounds <strong>of</strong> <strong>the</strong> <strong>Casula</strong> <strong>Powerhouse</strong> Theatre from 8 to 10<br />
March.<br />
SFF’s Travelling Film Festival has been on <strong>the</strong> road for nearly 40 years,<br />
touring regional Australia showcasing untold amounts <strong>of</strong> stories, languages,<br />
ideas and experiences to audiences from Alice Springs to Charters Towers.<br />
Mixing up features, docos and shorts sourced from <strong>the</strong> world’s great film<br />
festivals, it’s our way <strong>of</strong> taking <strong>the</strong> world’s best films to audiences who’d<br />
normally have to travel to <strong>the</strong> city to see <strong>the</strong>m. Now we reach out to our<br />
own backyard with a custom-made collection <strong>of</strong> cinema’s finest direct from<br />
<strong>the</strong> city to you.<br />
So grab your calendar, put big red letters on 8 March (it’s <strong>the</strong> Opening Night<br />
Gala) and prepare for three big days and nights <strong>of</strong> things to see and do.<br />
For bookings contact 9824 1121<br />
or visit casulapowerhouse.com
Artist Pr<strong>of</strong>ile<br />
30<br />
The Australian Paranormal Phenomenon Investigators<br />
Over <strong>the</strong> last year, you may have heard us talk about our Ghost Tours. These tours are run every month by <strong>the</strong> Australian Paranormal<br />
Phenomenon Investigators (APPI) and are incredibly popular. The APPI crew who run our tours, as well as EVP sessions, answer your<br />
questions about <strong>the</strong> world <strong>of</strong> paranormal investigating, and tell us what is so intriguing about <strong>the</strong> <strong>Casula</strong> <strong>Powerhouse</strong> Arts Centre! We talk to<br />
Peta Banks and Nic Hume to answer some <strong>of</strong> <strong>the</strong> eerie yet exciting topics about <strong>the</strong>ir job!<br />
What is your job description?<br />
We are <strong>the</strong> lead investigators <strong>of</strong> a paranormal investigation unit. This means we liaise with venues with <strong>the</strong> potential <strong>of</strong> conducting<br />
paranormal investigations at those venues. We also create itineraries for <strong>the</strong> investigation, delegate work, ensure <strong>the</strong>re is no contamination<br />
and report back to <strong>the</strong> venue following <strong>the</strong> investigation.<br />
How did you get into ghost hunting?<br />
It's pretty safe to say that both <strong>of</strong> us have had an interest in <strong>the</strong> paranormal all our lives. Both <strong>of</strong> us have also had a life changing moment in<br />
our past when <strong>the</strong> myth <strong>of</strong> <strong>the</strong> spirit world became a reality. This led us on a path to discover more.<br />
What is <strong>the</strong> scariest thing you have ever come across?<br />
Well, <strong>the</strong>re was seeing Steph, our experimental researcher, absolutely petrified <strong>of</strong> <strong>the</strong> "Voldemort" looking man she saw in <strong>the</strong> <strong>the</strong>atre <strong>of</strong><br />
<strong>the</strong> <strong>Casula</strong> <strong>Powerhouse</strong> Arts Centre. Steph is <strong>the</strong> brave one out <strong>of</strong> <strong>the</strong> three <strong>of</strong> us. She is fearless and will gladly lay on a morgue slab, or<br />
wander <strong>of</strong>f to <strong>the</strong> spookiest areas on her own. To see her so very shaken up was a wake up call.<br />
Ano<strong>the</strong>r time, during our first investigation, we were conducting a seance around a table on <strong>the</strong> stage <strong>of</strong> <strong>the</strong> <strong>the</strong>atre when Nic saw a<br />
shadow person lean into <strong>the</strong> circle, look at all <strong>of</strong> us <strong>the</strong>n vanish.<br />
What is <strong>the</strong> most intriguing thing about doing a ghost tour in <strong>Casula</strong> <strong>Powerhouse</strong> Arts Centre?<br />
The most intriguing thing is that every single tour, something different happens. It's almost as if <strong>the</strong> centre is getting more and more active.<br />
Ano<strong>the</strong>r intriguing thing is <strong>the</strong> 'little girl' who so many people have seen. She doesn't fit in with <strong>the</strong> era <strong>of</strong> <strong>the</strong> ghost tour, her dress is more<br />
early 20th Century, so we can only deduce that her spirit has come from a death at <strong>the</strong> railway line or a death in <strong>the</strong> Georges River.<br />
What is <strong>the</strong> best thing about your job?<br />
Two things:<br />
1) The people we get to meet! We have made so many wonderful friends since starting this tour, and we can't wait to meet even more.<br />
2) The fact that we have complete access every month to <strong>the</strong> stunningly wonderful <strong>Casula</strong> <strong>Powerhouse</strong> Arts Centre! Everyone who comes<br />
falls madly in love with <strong>the</strong> place, and we are <strong>the</strong> lucky ones who get to introduce this venue to new people.<br />
Why should people do <strong>the</strong> <strong>Casula</strong> <strong>Powerhouse</strong> Arts Centre ghost tour?<br />
Well we don't just talk about ghosts. There's a fair bit <strong>of</strong> history <strong>of</strong> <strong>the</strong> surrounding area involved. We also include some fun things, like<br />
treasure hunts and give-a-ways. You can wander around <strong>the</strong> venue on your own at <strong>the</strong> end <strong>of</strong> <strong>the</strong> night, and if nothing else, come for <strong>the</strong><br />
food and wine! That's always top notch!<br />
Come along and experience<br />
<strong>the</strong> excitement <strong>of</strong> a <strong>Casula</strong><br />
<strong>Powerhouse</strong> Arts Centre Ghost<br />
Tour. Remember to book early<br />
as <strong>the</strong>y <strong>of</strong>ten sell out!<br />
The <strong>Casula</strong> <strong>Powerhouse</strong> Arts Centre Ghost Tours occur<br />
once a month. For a full listing <strong>of</strong> dates call 9824 1121<br />
or visit casulapowerhouse.com.<br />
L-R Peta Banks, Nic Hume at Maitland Gaol.<br />
16 February<br />
16 March<br />
20 April<br />
18 May<br />
16 June
Sneak Peak<br />
31<br />
Sneak Peak<br />
July to<br />
December<br />
2013<br />
Chris Bosse, Tower Skin for UTS, 2009.<br />
CUSP<br />
Saturday 6 July to Sunday 1 September | 10am to 5pm | FREE Entry<br />
<strong>Casula</strong> <strong>Powerhouse</strong> Arts Centre is pleased to be a host venue for <strong>the</strong> national touring exhibition, CUSP: Designing for <strong>the</strong> Next Decade courtesy<br />
<strong>of</strong> Object: Australian Centre <strong>of</strong> Design. CUSP presents a creative program exploring design as a human-centred approach that can enrich <strong>the</strong><br />
experience <strong>of</strong> life for individuals, organisations and communities. In recent years, design has increasingly found application beyond <strong>the</strong> scope<br />
<strong>of</strong> aes<strong>the</strong>tics and products. It is also being understood as a way <strong>of</strong> thinking that has <strong>the</strong> ability to impact <strong>the</strong> way we behave and engage with<br />
<strong>the</strong> world. Ranging from architects to fashion, object, interactive, system, robotics and sound designers, this program will feature Australian<br />
practitioners and <strong>the</strong>ir ideas that sit on <strong>the</strong> ‘cusp’ <strong>of</strong> thinking in <strong>the</strong>ir respective fields, and who have <strong>the</strong> potential to influence lifestyle, learning and<br />
cultural change in <strong>the</strong> decade again.<br />
By focusing on <strong>the</strong> ‘vision’ <strong>of</strong> <strong>the</strong> designer, ra<strong>the</strong>r than a specific work, CUSP will refocus <strong>the</strong> driver <strong>of</strong> <strong>the</strong> program from outcomes on to process,<br />
challenging our beliefs about how cultural content should be presented and experienced.
PARTNERS<br />
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<strong>Casula</strong> <strong>Powerhouse</strong> Arts Centre is seeking community businesses and residents to become pARTners.<br />
A pARTner is someone who donates to <strong>the</strong> Centre financially, with a goal to achieving a sustainable and accessible<br />
future. There are three ways you can become a pARTner.<br />
Become a WOW pARTner<br />
The Way Out West (WOW) Festival for Children caters to <strong>the</strong> diverse interests and needs <strong>of</strong> children in <strong>the</strong> West and South<br />
West Sydney region.<br />
By working closely with locally and nationally recognised artists and companies, <strong>Casula</strong> <strong>Powerhouse</strong> Arts Centre produces<br />
an annual contemporary children’s festival that engages and inspires children and <strong>the</strong>ir families. The program includes<br />
premiere performances and hands on art-making workshops in an atmosphere designed to explore and encourage creativity<br />
and imagination.<br />
Becoming a WOW pARTner means you will directly contribute to <strong>the</strong> sustainability <strong>of</strong> <strong>the</strong> festival for years to come. Your<br />
contribution will also ensure that <strong>the</strong> festival remains a FREE event, making it truly accessible to children and young people<br />
in <strong>the</strong> community.<br />
• $25 buys a set <strong>of</strong> art packs for <strong>the</strong> children<br />
• $200 pays for a festival workshop facilitator<br />
• $500 pays for 50 children to attend one performance<br />
Become a Theatre-Ed pARTner<br />
Theatre-Ed pARTners is an initiative that <strong>of</strong>fers a unique opportunity for <strong>the</strong> children and young people in South West Sydney<br />
who might not normally have <strong>the</strong> chance to enjoy <strong>the</strong> magic, wonder and life-changing experience <strong>of</strong> live <strong>the</strong>atre.<br />
The <strong>Casula</strong> <strong>Powerhouse</strong> Theatre program is a diverse representation <strong>of</strong> high quality Australian and international <strong>the</strong>atre<br />
and live performance. It aims to inspire, entertain and educate audiences who <strong>of</strong>ten experience social, economic and<br />
geographical isolation.
PARTNERS<br />
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Your contribution could help pay for <strong>the</strong> opportunity for a class <strong>of</strong> 10 to 200 students from schools in <strong>the</strong> local area that may<br />
o<strong>the</strong>rwise be disadvantaged due to <strong>the</strong> cost <strong>of</strong> ticketing or transport.<br />
• $100 pays for 10 students to attend a high quality <strong>the</strong>atre performance<br />
• $250 pays for one bus to transport 70 children and <strong>the</strong>ir teachers to <strong>the</strong> facility<br />
• $600 pays for one class <strong>of</strong> students to attend a high quality <strong>the</strong>atre performance, including transport and post show<br />
workshop facilitator<br />
Become an Exhibition pARTner<br />
Exhibition pARTners is an initiative that <strong>of</strong>fers community and school groups <strong>the</strong> opportunity to attend exhibitions and related<br />
workshops. These groups include local access, not for pr<strong>of</strong>it, financially disadvantaged, migrant groups and schools.<br />
Your contribution will go towards helping community and school groups access buses and facilitators to view exhibitions<br />
happening at <strong>the</strong> centre as well as attend exhibition related workshops.<br />
• $25 pays for materials for a workshop<br />
• $150 pays for a workshop facilitator<br />
• $250 pays for one bus to transport 70 people to <strong>the</strong> facility.<br />
In recognition <strong>of</strong> <strong>the</strong> financial support provided by community and business members to <strong>the</strong> pARTners program, donations will<br />
be publicly recognised on our website.<br />
The <strong>Casula</strong> <strong>Powerhouse</strong> Arts Centre Trust Fund is a tax deductible fund listed on <strong>the</strong> Register <strong>of</strong> Cultural Organisations under<br />
Subdivision 30-B <strong>of</strong> <strong>the</strong> Income Tax Assessment Act 1997. All donations over $2 will receive a charitable tax receipt.<br />
To grab a pARTner brochure and support <strong>the</strong> <strong>Casula</strong> <strong>Powerhouse</strong> Arts Centre visit us at 1 <strong>Casula</strong> <strong>Powerhouse</strong> Road,<br />
<strong>Casula</strong>, contact us on 9821 1121 or visit casulapowerhouse.com.<br />
<strong>Casula</strong> <strong>Powerhouse</strong> Arts Centre would like to thank<br />
its <strong>current</strong> pARTner S&S for <strong>the</strong>ir continued support.
Calendar Snapshot<br />
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Throughout <strong>the</strong> Year<br />
Linda Wilken – Saturday 9 February to Sunday 24 March<br />
Sense <strong>of</strong> Place - Until July 2013<br />
Access Dance Classes – Tuesdays 12 and 26 February<br />
Life Drawing Classes – All Tuesdays<br />
Ghost Tour - Saturday 16 February<br />
January<br />
Akmal Live! – Friday 22 February<br />
Richard Green Artist Talk - 1 December<br />
Inspirational Speech – Frances and Melissa Eustace –<br />
Tuesday 26 February<br />
Wild Stories – Saturday 1 December to Thursday 31 January<br />
Jennifer Green Sings Strictly Bassey – Thursday 28 February<br />
Cane Toad Diorama – Saturday 1 December to Thursday 31<br />
January<br />
March<br />
Remote and Wild – Saturday 1 December to Thursday 31<br />
January<br />
Create It Classes – Saturday 2 March<br />
Next:2012 – Saturday 1 December to Thursday 31 January<br />
Sydney Film Festival – Friday 8 to Sunday 10 March<br />
Forms <strong>of</strong> Landscape - Saturday 1 December to Thursday 31<br />
January<br />
Access Dance Classes – Tuesdays 12 and 26 March<br />
Access Dance Classes – Tuesdays 8 and 22 January<br />
Ghost Tour - Saturday 16 March<br />
January School Holidays – Monday 14 January to Friday 25<br />
January<br />
Young at Heart Film Festival – Sunday 17 and Monday 18<br />
March<br />
February<br />
Ikebana Workshop – Wednesday 20 March<br />
Afternoon Tea Exhibition Preview for Teachers – Onside –<br />
Thursday 7 February<br />
High Tea – Saturday 23 March<br />
Onside – Saturday 9 February to Sunday 24 March<br />
KEY: Exhibitions Performance Season Artist Talks Education<br />
For more information or to book visit casulapowerhouse.com<br />
or call 9824 1121. Information in this booklet is correct at <strong>the</strong><br />
time <strong>of</strong> printing and is subject to change. For full terms and<br />
conditions on sales and bookings visit our website<br />
casulapowerhouse.com
Calendar Snapshot<br />
35<br />
Boxman – Thursday 28 March<br />
Ghost Tour - Saturday 18 May<br />
Landlock – Saturday 30 March to Sunday 12 May<br />
Afternoon Tea Exhibition Preview for Teachers – Pigeon<br />
Auction – Wednesday 22 May<br />
April<br />
Misfit Project Band Night – Friday 24 May<br />
The Real Inspector Hound – Monday 9 to Saturday 13 April<br />
Drama Pr<strong>of</strong>essional Development Day for Primary School<br />
Teachers – Saturday 25 May<br />
Afternoon Tea Exhibition Preview for Teachers – Landlock<br />
– Tuesday 2 April<br />
Misfit Project Band Night – Friday 31 May<br />
Create It Classes – Saturday 6 April<br />
June<br />
Access Dance Classes – Tuesdays 9 and 23 April<br />
Create It Classes – Saturday 1 June<br />
Infinite Space – Wednesday 17 April<br />
Misfit Project Band Night – Friday 7 June<br />
Ghost Tour - Saturday 20 April<br />
Custom Car Day presented by South West - Saturday June 8<br />
It’s My Party (And I’ll Die If I Want to) – Wednesday 24 April<br />
Access Dance Classes – Tuesdays 11 and 25 June<br />
May<br />
Subculture Slam – Friday 14 June<br />
Create It Classes – Saturday 4 May<br />
Ghost Tour - Saturday 16 June<br />
Access Dance Classes – Tuesdays 14 and 28 May<br />
Misfit Project Band Night – Friday 21 June<br />
Pigeon Auction – Saturday 18 May to Sunday 30 June<br />
Platters to Popera – Thursday 27 June<br />
Tjupi Band, Desert to Saltwater Country – Saturday 29 June<br />
Access Special Events Seniors Workshops
Contact Us<br />
a. 1 <strong>Casula</strong> <strong>Powerhouse</strong> Road, <strong>Casula</strong>, NSW, 2170<br />
(opposite <strong>Casula</strong> Train Station)<br />
p. 9824 1121 f. 9821 4273<br />
e. reception@casulapowerhouse.com<br />
w. casulapowerhouse.com<br />
<strong>Casula</strong> <strong>Powerhouse</strong> Arts Centre is a cultural facility <strong>of</strong> Liverpool City Council