- Page 2 and 3: SONIC WARFARE
- Page 4 and 5: SONIC WARFARE Sound, Affect, and th
- Page 6 and 7: Contents Series Foreword vii Acknow
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- Page 15 and 16: xiv Introduction to real ones.” 1
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403-221 B.C.: The Logistics of Dece
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42 Chapter 7 enemy’s visual capab
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1842: Sonic Effects 8 In their urba
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1842: Sonic Effects 47 resonation i
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1977: A Sense of the Future 9 Our m
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1977: A Sense of the Future 51 tion
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1977: A Sense of the Future 53 of n
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56 Chapter 10 pleasure of the sense
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1989: Apocalypse Then 11 The future
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1989: Apocalypse Then 61 futures in
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1738: Bad Vibrations 12 Ring me ala
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1738: Bad Vibrations 65 it is worth
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1738: Bad Vibrations 67 of a state
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70 Chapter 13 distinctions that the
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72 Chapter 13 It signals, he contin
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1999: Vibrational Anarchitecture 14
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1999: Vibrational Anarchitecture 77
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1999: Vibrational Anarchitecture 79
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82 Chapter 15 The theoretical objec
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84 Chapter 15 them. In physics, the
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86 Chapter 16 to factor in time to
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88 Chapter 16 while Lefebvre did mu
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1900: The Vibrational Nexus 17 Whil
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1900: The Vibrational Nexus 93 said
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96 Chapter 18 even in the void. Whi
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98 Chapter 18 order—that is, of r
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100 Chapter 19 This divergence has
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102 Chapter 19 speed; a speed may b
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99-50 B.C.: Rhythm out of Noise 20
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99-50 B.C.: Rhythm out of Noise 107
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110 Chapter 21 rhythmicity of urban
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112 Chapter 21 beyond. Rhythm in fa
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114 Chapter 22 physics, vortex soun
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116 Chapter 22 Such an approach, Ch
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118 Chapter 23 duration, he argues
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120 Chapter 23 not be decided in ad
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122 Chapter 23 discreet sampled sou
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124 Chapter 24 As well as new textu
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126 Chapter 24 to composers keen to
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128 Chapter 24 But what happens whe
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130 Chapter 25 the new flesh soft m
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132 Chapter 25 pragmatism, the viro
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134 Chapter 26 the project that sti
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136 Chapter 26 Dawkins acknowledges
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138 Chapter 26 monism in favor of m
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1971: The Earworm 27 It’s 3.09 a.
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1971: The Earworm 143 in spare elec
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1971: The Earworm 145 therefore, si
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1971: The Earworm 147 traction of v
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2025: Déjà Entendu 28 Whoever exp
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2025: Déjà Entendu 151 implied as
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2025: Déjà Entendu 153 the probab
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156 Chapter 29 incubator population
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158 Chapter 29 In the propaganda of
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160 Chapter 29 Moreover, they hack
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162 Chapter 29 song into a series o
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164 Chapter 30 Afro- futurist disco
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166 Chapter 30 upside to the milita
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168 Chapter 30 “humanist R&B” a
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2020: Planet of Drums 31 The person
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2020: Planet of Drums 173 So it is
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2020: Planet of Drums 175 the organ
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178 Chapter 32 For a moment, the sc
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180 Chapter 32 A second, and relate
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182 Chapter 32 ideas are broadcast,
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184 Chapter 33 Unsound refers to th
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186 Chapter 33 control marks a qual
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188 Chapter 33 hand in hand with br
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190 Chapter 34 in advance for produ
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192 Chapter 34 thought with distrac
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194 Chapter 34 and economic hacking
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196 Glossary Perry in reggae. Chron
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198 Glossary reverse- engineer what
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200 Notes sonic affects. This proce
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202 Notes 9. Immanuel Wallerstein,
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204 Notes randomness within specifi
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206 Notes 4. M. Cloonan and B. John
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208 Notes “You Hurt Me (and I Hat
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210 Notes indicating amplifier, ban
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212 Notes 3. See R. N. Scarth, Mirr
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214 Notes engineers, bulldozers gra
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216 Notes that power), nor to physi
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218 Notes film exposure is capable
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220 Notes 4. Eshun, More Brilliant
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222 Notes 3. See Erin Manning, “P
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224 Notes Chapter 16 1. Gaston Bach
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226 Notes 5. Alfred North Whitehead
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228 Notes simulation of turbulence
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230 Notes microscopic scale. The mu
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232 Notes 6. Ibid., p. 66. 7. Ibid.
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234 Notes Semiosis by Means of Cell
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236 Notes Chapter 26 1. According t
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238 Notes scrutinize scientific ide
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240 Notes of war. William James, Th
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242 Notes 13. Gunderson, “Applyin
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244 Notes reception of the musical
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246 Notes open. And why not: it was
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248 Notes in it and begin transmitt
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250 Notes Chapter 34 1. We can find
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252 References Bain, M. “Intervie
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254 References Davis, M. Planet of
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256 References Gavreau, V. (1968).
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258 References Lewin, O. Rock It Co
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260 References Reynolds, S. “2 St
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262 References Todd, P. “Simulati
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Index Abstract vorticism, 83, 195,
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Index 267 noise and, 7 rhythm and,
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Index 269 Serres and, 105, 226 sile