goodman_sonicwarfare

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SONIC WARFARE
Technologies of Lived Abstraction Brian Massumi and Erin Manning, editors Relationscapes: Movement, Art, Philosophy, Erin Manning, 2009 Without Criteria: Kant, Whitehead, Deleuze, and Aesthetics, Steven Shaviro, 2009 Sonic Warfare: Sound, Affect, and the Ecology of Fear, Steve Goodman, 2010
Page 4 and 5: SONIC WARFARE Sound, Affect, and th
Page 6 and 7: Contents Series Foreword vii Acknow
Page 8 and 9: Series Foreword “What moves as a
Page 10 and 11: Acknowledgments A special thanks to
Page 12: We’ll come in low out of the risi
Page 15 and 16: xiv Introduction to real ones.” 1
Page 17 and 18: xvi Introduction sonic booms over t
Page 19 and 20: xviii Introduction of media technol
Page 21 and 22: xx Introduction the spread of the v
Page 23 and 24: 2 Chapter 1 MIT Press netlibrary ed
Page 25 and 26: 4 Chapter 1 MIT Press netlibrary ed
Page 27 and 28: 6 Chapter 2 affect engineering and
Page 29 and 30: 8 Chapter 2 and Felix Guattari poin
Page 31 and 32: 10 Chapter 2 and cultural meaning.
Page 33 and 34: 12 Chapter 2 carefully. Not only mu
Page 36 and 37: 2400-1400 B.C.: Project Jericho 3 I
Page 38 and 39: 2400-1400 B.C.: Project Jericho 17
Page 46: 2400-1400 B.C.: Project Jericho 25
Page 49 and 50: 28 Chapter 4 processing of vibratio
Page 52 and 53:
1933: Abusing the Military- Enterta
Page 54 and 55:
1933: Abusing the Military- Enterta
Page 56 and 57:
403-221 B.C.: The Logistics of Dece
Page 58 and 59:
Page 60:
Page 63 and 64:
42 Chapter 7 enemy’s visual capab
Page 66 and 67:
1842: Sonic Effects 8 In their urba
Page 68 and 69:
1842: Sonic Effects 47 resonation i
Page 70 and 71:
1977: A Sense of the Future 9 Our m
Page 72 and 73:
1977: A Sense of the Future 51 tion
Page 74:
1977: A Sense of the Future 53 of n
Page 77 and 78:
56 Chapter 10 pleasure of the sense
Page 80 and 81:
1989: Apocalypse Then 11 The future
Page 82 and 83:
1989: Apocalypse Then 61 futures in
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1738: Bad Vibrations 12 Ring me ala
Page 86 and 87:
1738: Bad Vibrations 65 it is worth
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1738: Bad Vibrations 67 of a state
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70 Chapter 13 distinctions that the
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72 Chapter 13 It signals, he contin
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1999: Vibrational Anarchitecture 14
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Page 100:
Page 103 and 104:
82 Chapter 15 The theoretical objec
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84 Chapter 15 them. In physics, the
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86 Chapter 16 to factor in time to
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88 Chapter 16 while Lefebvre did mu
Page 112 and 113:
1900: The Vibrational Nexus 17 Whil
Page 114:
1900: The Vibrational Nexus 93 said
Page 117 and 118:
96 Chapter 18 even in the void. Whi
Page 119 and 120:
98 Chapter 18 order—that is, of r
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100 Chapter 19 This divergence has
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102 Chapter 19 speed; a speed may b
Page 126 and 127:
99-50 B.C.: Rhythm out of Noise 20
Page 128:
99-50 B.C.: Rhythm out of Noise 107
Page 131 and 132:
110 Chapter 21 rhythmicity of urban
Page 133 and 134:
112 Chapter 21 beyond. Rhythm in fa
Page 135 and 136:
114 Chapter 22 physics, vortex soun
Page 137 and 138:
116 Chapter 22 Such an approach, Ch
Page 139 and 140:
118 Chapter 23 duration, he argues
Page 141 and 142:
120 Chapter 23 not be decided in ad
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122 Chapter 23 discreet sampled sou
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124 Chapter 24 As well as new textu
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126 Chapter 24 to composers keen to
Page 149 and 150:
128 Chapter 24 But what happens whe
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130 Chapter 25 the new flesh soft m
Page 153 and 154:
132 Chapter 25 pragmatism, the viro
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134 Chapter 26 the project that sti
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136 Chapter 26 Dawkins acknowledges
Page 159 and 160:
138 Chapter 26 monism in favor of m
Page 162 and 163:
1971: The Earworm 27 It’s 3.09 a.
Page 164 and 165:
1971: The Earworm 143 in spare elec
Page 166 and 167:
1971: The Earworm 145 therefore, si
Page 168 and 169:
1971: The Earworm 147 traction of v
Page 170 and 171:
2025: Déjà Entendu 28 Whoever exp
Page 172 and 173:
2025: Déjà Entendu 151 implied as
Page 174:
2025: Déjà Entendu 153 the probab
Page 177 and 178:
156 Chapter 29 incubator population
Page 179 and 180:
158 Chapter 29 In the propaganda of
Page 181 and 182:
160 Chapter 29 Moreover, they hack
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162 Chapter 29 song into a series o
Page 185 and 186:
164 Chapter 30 Afro- futurist disco
Page 187 and 188:
166 Chapter 30 upside to the milita
Page 189 and 190:
168 Chapter 30 “humanist R&B” a
Page 192 and 193:
2020: Planet of Drums 31 The person
Page 194 and 195:
2020: Planet of Drums 173 So it is
Page 196:
2020: Planet of Drums 175 the organ
Page 199 and 200:
178 Chapter 32 For a moment, the sc
Page 201 and 202:
180 Chapter 32 A second, and relate
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182 Chapter 32 ideas are broadcast,
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184 Chapter 33 Unsound refers to th
Page 207 and 208:
186 Chapter 33 control marks a qual
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188 Chapter 33 hand in hand with br
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190 Chapter 34 in advance for produ
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192 Chapter 34 thought with distrac
Page 215 and 216:
194 Chapter 34 and economic hacking
Page 217 and 218:
196 Glossary Perry in reggae. Chron
Page 219 and 220:
198 Glossary reverse- engineer what
Page 221 and 222:
200 Notes sonic affects. This proce
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202 Notes 9. Immanuel Wallerstein,
Page 225 and 226:
204 Notes randomness within specifi
Page 227 and 228:
206 Notes 4. M. Cloonan and B. John
Page 229 and 230:
208 Notes “You Hurt Me (and I Hat
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210 Notes indicating amplifier, ban
Page 233 and 234:
212 Notes 3. See R. N. Scarth, Mirr
Page 235 and 236:
214 Notes engineers, bulldozers gra
Page 237 and 238:
216 Notes that power), nor to physi
Page 239 and 240:
218 Notes film exposure is capable
Page 241 and 242:
220 Notes 4. Eshun, More Brilliant
Page 243 and 244:
222 Notes 3. See Erin Manning, “P
Page 245 and 246:
224 Notes Chapter 16 1. Gaston Bach
Page 247 and 248:
226 Notes 5. Alfred North Whitehead
Page 249 and 250:
228 Notes simulation of turbulence
Page 251 and 252:
230 Notes microscopic scale. The mu
Page 253 and 254:
232 Notes 6. Ibid., p. 66. 7. Ibid.
Page 255 and 256:
234 Notes Semiosis by Means of Cell
Page 257 and 258:
236 Notes Chapter 26 1. According t
Page 259 and 260:
238 Notes scrutinize scientific ide
Page 261 and 262:
240 Notes of war. William James, Th
Page 263 and 264:
242 Notes 13. Gunderson, “Applyin
Page 265 and 266:
244 Notes reception of the musical
Page 267 and 268:
246 Notes open. And why not: it was
Page 269 and 270:
248 Notes in it and begin transmitt
Page 271 and 272:
250 Notes Chapter 34 1. We can find
Page 273 and 274:
252 References Bain, M. “Intervie
Page 275 and 276:
254 References Davis, M. Planet of
Page 277 and 278:
256 References Gavreau, V. (1968).
Page 279 and 280:
258 References Lewin, O. Rock It Co
Page 281 and 282:
260 References Reynolds, S. “2 St
Page 283 and 284:
262 References Todd, P. “Simulati
Page 286 and 287:
Index Abstract vorticism, 83, 195,
Page 288 and 289:
Index 267 noise and, 7 rhythm and,
Page 290 and 291:
Index 269 Serres and, 105, 226 sile
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