CSO_1415_Catalog
CSO_1415_Catalog
CSO_1415_Catalog
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2014 /15<br />
Global Sponsor of the <strong>CSO</strong>
Welcome!<br />
The 2014/15 season marks my fifth as Music Director of the Chicago Symphony<br />
Orchestra. Together with you, our subscribers, we continue our dedication to sharing<br />
world-class music with all of Chicago, and we reaffirm our commitment to serve our<br />
community as citizen musicians—to generously use and promote the power of music<br />
to enhance our culture and the lives of others.<br />
Thank you, Chicago, for supporting your orchestra. I look forward to seeing you at<br />
Symphony Center next season.<br />
Riccardo Muti Music Director<br />
SEASON HIGHLIGHTS<br />
Muti Conducts the Complete Tchaikovsky Symphonies 4<br />
Masterworks from Bach to Brahms 6<br />
From Berlioz to Boulez: Color and Sensuality 8<br />
2015 Reveries and Passions Festival 10<br />
TABLE OF CONTENTS<br />
<strong>CSO</strong> Series<br />
Main Series........................................................................................ 12<br />
Afterwork Masterworks ® ....................................................................... 32<br />
Beyond the Score ® .............................................................................. 33<br />
<strong>CSO</strong> at the Movies............................................................................... 34<br />
<strong>CSO</strong> Family Matinees / Once Upon a Symphony ® ................................ 35<br />
Symphony Ball........................................................................................... 24<br />
Symphony Center Presents<br />
Chamber Music................................................................................... 36<br />
Piano.................................................................................................. 38<br />
Orchestras.......................................................................................... 40<br />
MusicNOW and New Music................................................................. 41<br />
Pixar in Concert and Jazz.................................................................... 42<br />
Welcome Yule!.......................................................................................... 43<br />
Special Concerts........................................................................................ 44<br />
How to Renew Guide.................................................................. Center insert<br />
Season Grid & Calendar........................................................... Center fold-out<br />
<strong>CSO</strong> Media.............................................................................. Center fold-out
CHICAGO SYMPHONY ORCHESTRA | RICCARDO MUTI Music Director | 312-294-3000 | <strong>CSO</strong>.ORG 3<br />
“The combination of elegance and brilliance Muti inspires<br />
in these musicians is something to behold.”<br />
—Chicago Tribune
4<br />
Muti Conducts the Complete<br />
Tchaikovsky Symphonies<br />
CHICAGO SYMPHONY ORCHESTRA<br />
RICCARDO MUTI conductor<br />
—<br />
SEPTEMBER 25–30<br />
TCHAIKOVSKY 4<br />
Series: Thursday A and F, Friday D, Saturday A and E, Tuesday A<br />
OCTOBER 2–4<br />
TCHAIKOVSKY 3 (Polish)<br />
Series: Thursday C and D, Friday A, Saturday B and G<br />
JANUARY 15–17<br />
TCHAIKOVSKY 1 (Winter Daydreams)<br />
Series: Thursday B and H, Friday A, Saturday B and G<br />
JANUARY 22–24<br />
SCRIABIN 1<br />
Series: Thursday A and G, Friday D, Saturday C<br />
JANUARY 27<br />
SCRIABIN The Divine Poem<br />
Series: Tuesday B<br />
FEBRUARY 26–MARCH 3<br />
TCHAIKOVSKY 6 (Pathétique)<br />
SCRIABIN 2<br />
Series: Thursday B and I, Friday A, Saturday D, Tuesday B<br />
MARCH 5–7<br />
TCHAIKOVSKY 2 (Little Russian)<br />
Series: Thursday A and F, Friday B, Saturday A and E<br />
JUNE 11–13<br />
TCHAIKOVSKY Manfred Symphony<br />
SCRIABIN The Poem of Ecstasy<br />
Series: Thursday C and E, Friday C, Saturday A and F<br />
JUNE 18–20<br />
TCHAIKOVSKY 5<br />
Series: Thursday A and G, Friday B, Saturday B and H
CHICAGO SYMPHONY ORCHESTRA | RICCARDO MUTI Music Director | 312-294-3000 | <strong>CSO</strong>.ORG<br />
5<br />
T<br />
he music of Tchaikovsky inhabits a world of melody and dreams that reaches westward for its<br />
form, but mines the riches of the composer’s inner life and Russian homeland for its emotional<br />
strength and distinctive color.<br />
Music Director Riccardo Muti leads all seven of Tchaikovsky’s monumental symphonies. Sweeping<br />
in scale and imbued with heartbreakingly beautiful melodies, these masterpieces journey from bold<br />
proclamations of epic consequence to whispered confidences of drawing-room intimacy.<br />
These passionate, reflective pillars of the Romantic repertoire are brought into provocative<br />
conversation with early 20th-century works by fellow genius Alexander Scriabin. (See the Season<br />
Highlight on page 18 for more about Scriabin.)<br />
Riccardo Muti<br />
Taking a Snowy Town, Vasily Surikov, 1891
6<br />
From the great Austro-German musical heritage<br />
Masterworks from<br />
Bach to Brahms<br />
CHICAGO SYMPHONY ORCHESTRA<br />
—<br />
SEPTEMBER 18–23<br />
MUTI CONDUCTS<br />
BEETHOVEN 9<br />
Series: Thursday B and H,<br />
Sunday A, Tuesday B,<br />
Symphony Ball<br />
NOVEMBER 7 and 8<br />
BRAHMS<br />
HUNGARIAN DANCES<br />
Series: Friday C and Saturday D<br />
NOVEMBER 20–25<br />
BACH BRANDENBURG<br />
CONCERTOS<br />
Series: Thursday B and H,<br />
Friday D, Saturday B and H,<br />
Sunday A, Tuesday A<br />
FEBRUARY 19–24<br />
MUTI CONDUCTS<br />
MOZART REQUIEM<br />
Series: Thursday C and D,<br />
Friday B, Saturday B and G,<br />
Tuesday A<br />
MARCH 5–7<br />
MUTI CONDUCTS<br />
BEETHOVEN TRIPLE<br />
CONCERTO<br />
Series: Thursday A and F,<br />
Friday B, Saturday A and E<br />
MARCH 26–29<br />
BRAHMS 3<br />
Series: Thursday C and D,<br />
Saturday C, Beyond the Score ®<br />
SYMPHONY CENTER PRESENTS<br />
—<br />
NOVEMBER 9<br />
BACH<br />
The Well-Tempered Clavier, Book 1<br />
Pierre-Laurent Aimard piano<br />
Series: SCP Piano<br />
MARCH 1<br />
BACH COMPLETE VIOLIN<br />
SONATAS and PARTITAS<br />
Gil Shaham violin<br />
David Michalek visual artist<br />
Series: SCP Chamber Music<br />
MARCH 8<br />
BEETHOVEN, MOZART<br />
AND MORE<br />
András Schiff piano<br />
Series: SCP Piano<br />
DECEMBER 11–16<br />
BEETHOVEN 7<br />
Series: Thursday A and F,<br />
Friday A, Saturday D, Tuesday A<br />
JANUARY 7–10<br />
BEETHOVEN<br />
EMPEROR CONCERTO<br />
Series: Thursday C and D,<br />
Friday C, Saturday A and F,<br />
Afterwork Masterworks ®<br />
JANUARY 15 –17<br />
BRAHMS<br />
PIANO CONCERTO No. 2<br />
Series: Thursday B and H,<br />
Friday A, Saturday B and G<br />
FEBRUARY 5–8<br />
BEETHOVEN 5<br />
Series: Thursday C and E,<br />
Saturday C, Sunday A<br />
APRIL 2–4<br />
UCHIDA PLAYS MOZART<br />
Series: Thursday A and F,<br />
Friday A, Saturday A and F<br />
APRIL 23–26<br />
BRUCKNER 8<br />
Series: Friday A, Saturday B<br />
and G, Sunday A, Afterwork<br />
Masterworks ®<br />
APRIL 30–MAY 2<br />
BACH ORCHESTRAL<br />
SUITE No. 3<br />
Series: Thursday B and I,<br />
Friday C, Saturday A and F<br />
MAY 28 & 30<br />
BEETHOVEN 3 (EROICA)<br />
Series: Thursday C and D,<br />
Saturday C<br />
APRIL 19<br />
BEETHOVEN WALDSTEIN<br />
SONATA<br />
Evgeny Kissin piano<br />
Series: SCP Piano<br />
MAY 31<br />
BACH, BRAHMS AND MORE<br />
Orli Shaham piano<br />
Series: SCP Piano
CHICAGO SYMPHONY ORCHESTRA | RICCARDO MUTI Music Director | 312-294-3000 | <strong>CSO</strong>.ORG<br />
7<br />
T<br />
he symphonic repertoire from the Austro-German tradition lies<br />
at the very of heart Western classical music. The astonishing<br />
depth and arresting beauty of J.S. Bach’s Brandenburg Concertos set<br />
the stage for the great tradition to come. From Mozart’s Requiem to<br />
Beethoven’s Ninth Symphony, from Brahms’ Piano Concerto No. 2 to<br />
Bruckner’s Eighth Symphony, these performances celebrate the works<br />
of the German and Austrian masters in whom we hear, even today, the<br />
enduring efflorescence of Bach’s irrepressible invention.<br />
Generations of audiences have been endlessly enchanted by these<br />
masterpieces. Join us as Music Director Riccardo Muti and the Chicago<br />
Symphony Orchestra and Chorus open the 2014/15 season with Muti’s<br />
first-ever Chicago performances of Beethoven’s Ninth Symphony.<br />
Riccardo Muti conducts the Chicago Symphony Orchestra<br />
Photos top to bottom:<br />
Mitsuko Uchida,<br />
Pierre-Laurent Aimard,<br />
Gil Shaham,<br />
András Schiff<br />
Liszt at the Piano, Josef Danhauser, 1840
8<br />
A kaleidoscopic journey through nearly 200 years<br />
of dazzling French repertoire<br />
From Berlioz to Boulez:<br />
Color and Sensuality<br />
CHICAGO SYMPHONY ORCHESTRA<br />
—<br />
SEPTEMBER 25–30<br />
MUTI CONDUCTS<br />
BERLIOZ AND DEBUSSY<br />
Series: Thursday A and F,<br />
Friday D, Saturday A and E,<br />
Tuesday A<br />
NOVEMBER 13–15<br />
DEBUSSY AND BOULEZ<br />
Series: Thursday A and G,<br />
Friday A, Saturday C<br />
NOVEMBER 14 and 16<br />
Beyond the Score ®<br />
BOULEZ AT 90<br />
Provisionally definitive<br />
Series: Beyond the Score<br />
MARCH 12–17<br />
DUTOIT CONDUCTS<br />
RAVEL AND D’INDY<br />
Featuring works by Ravel,<br />
D’Indy and Franck<br />
Series: Thursday B and H,<br />
Saturday B and H, Tuesday A<br />
MARCH 19–21<br />
YO-YO MA PLAYS LALO<br />
Featuring works by Ravel,<br />
Debussy, Saint-Saëns and<br />
Lalo<br />
Series: Thursday A and G,<br />
Friday C, Saturday A and E<br />
APRIL 30 –MAY 2<br />
POULENC<br />
Concert champêtre<br />
Series: Thursday B and I,<br />
Friday C, Saturday A and F<br />
JUNE 4 and 6<br />
RAVEL<br />
La valse<br />
Series: Thursday B and I,<br />
Saturday B and G<br />
JUNE 5 and 7<br />
Beyond the Score ®<br />
RAVEL: A PORTRAIT<br />
Complex but never<br />
complicated<br />
Series: Beyond the Score<br />
SYMPHONY CENTER PRESENTS<br />
—<br />
OCTOBER 16<br />
TAKáCS QUARTET with<br />
MARC-ANDRé HAMELIN<br />
Program includes:<br />
Debussy String Quartet<br />
in G Major<br />
Franck Piano Quintet<br />
Series: SCP Chamber Music<br />
FEBRUARY 20<br />
ROTTERDAM<br />
PHILHARMONIC<br />
ORCHESTRA<br />
Yannick Nézet-Séguin<br />
conductor<br />
Hélène Grimaud piano<br />
Program includes:<br />
Ravel Piano Concerto<br />
in G Major<br />
Series: SCP Orchestras<br />
MAY 10<br />
ALEXANDRE<br />
THARAUD piano<br />
Program includes works by<br />
Satie and Ravel<br />
Series: SCP Piano<br />
MAY 3<br />
CéDRIC<br />
TIBERGHIEN piano<br />
Program includes works by<br />
Ravel and Debussy<br />
Series: SCP Piano
CHICAGO SYMPHONY ORCHESTRA | RICCARDO MUTI Music Director | 312-294-3000 | <strong>CSO</strong>.ORG<br />
9<br />
T<br />
hese programs comprise an array of composers who liberally<br />
suffused their music with the fresh, expansive splendor of France.<br />
Spanning two centuries, this evocative journey treks from the intoxicating<br />
romanticism of Hector Berlioz to the modernist landmarks of Pierre<br />
Boulez and traces a proud nation’s search for her musical identity in the<br />
face of ongoing social and political upheaval.<br />
These unquestionably Gallic works, with their sensual vitality and noble<br />
wit, are startling in their refi nement, yet vividly convey the colors and<br />
landscapes of an alluring France. As you listen, you’ll fi nd your mind’s<br />
eye conjuring the gentle pastures of verdant Normandy, the lavender<br />
fi elds of sun-soaked Provence, the windswept shores of stormy Bordeaux<br />
and the rambling peaks of the storied Pyrenees.<br />
Chicago Symphony Orchestra<br />
Photos top to bottom:<br />
Riccardo Muti, Yo-Yo Ma,<br />
Charles Dutoit,<br />
Hélène Grimaud<br />
The Promenade, Woman with a Parasol, Claude Monet, 1875
10<br />
A three-week festival celebrating French operatic and symphonic<br />
landmarks, led by Esa-Pekka Salonen<br />
Reveries and Passions<br />
May 2015<br />
CHICAGO SYMPHONY ORCHESTRA<br />
ESA-PEKKA SALONEN conductor<br />
—<br />
MAY 7–9 and 15<br />
RAVEL<br />
L’enfant et les sortilèges<br />
Series: Thursday C and E,<br />
Friday B and D, Saturday D<br />
MAY 14, 16 and 19<br />
DEBUSSY<br />
Pelléas et Mélisande<br />
Series: Thursday B and H,<br />
Saturday B and H, Tuesday B<br />
MAY 21–23<br />
MESSIAEN<br />
Turangalîla-symphonie<br />
Series: Thursday A and F,<br />
Friday A, Saturday A and E<br />
Cast led by:<br />
Chloé Briot soprano (Child)<br />
Chicago Symphony Chorus<br />
Duain Wolfe chorus director<br />
Ravel Mother Goose Suite<br />
Debussy La damoiselle élue<br />
Ravel L’enfant et les sortilèges<br />
Ravel’s lyrical fantasy L’enfant<br />
et les sortilèges (The Child and<br />
Magic Spells) tells the story of<br />
a child learning compassion<br />
from objects and animals<br />
that come to life around him.<br />
The work’s phantasmagorical<br />
whimsy climaxes with an<br />
extended duet for “meowing<br />
cats” that enchants and<br />
mesmerizes.<br />
See the Season Highlight on<br />
page 21 for more information<br />
about this program.<br />
Stéphane Degout baritone<br />
(Pelléas)<br />
Christine Rice mezzo-soprano<br />
(Mélisande)<br />
Eric Owens bass-baritone<br />
(Golaud)<br />
Willard White bass-baritone<br />
(Arkel)<br />
Felicity Palmer mezzo-soprano<br />
(Geneviève)<br />
Chloé Briot soprano<br />
(Yniold)<br />
When Debussy attended<br />
the fi rst performance of<br />
Maeterlinck’s play<br />
Pelléas et Mélisande in<br />
1893, he was as intrigued<br />
by its elusive love story as<br />
he was spellbound by<br />
its profound humanity.<br />
He went on to compose<br />
an opera that captured and,<br />
ultimately, surpassed the<br />
play’s poetry by enriching<br />
all its magic, mystery and<br />
gossamer delicacy with his<br />
own diaphanous scoring.<br />
Jean-Yves Thibaudet piano<br />
Ravel Piano Concerto<br />
in G Major<br />
Messiaen<br />
Turangalîla-symphonie<br />
Messiaen’s Turangalîlasymphonie<br />
is an ambitious<br />
statement about sensual love<br />
inspired by the legend of<br />
Tristan and Isolde. Saturated<br />
with orchestral color, this<br />
vibrant work incorporates<br />
Indian ragas and the exotic<br />
sound of the Indonesian<br />
gamelan in its irrepressible,<br />
joyous music.
CHICAGO SYMPHONY ORCHESTRA | RICCARDO MUTI Music Director | 312-294-3000 | <strong>CSO</strong>.ORG<br />
11<br />
M<br />
aestro Esa-Pekka Salonen returns to Chicago to conduct a collection of French masterpieces<br />
that brim with restive longing and improbable midnight enchantments. Weaving stories<br />
about the many facets of human love—forbidden, elusive, passionate, exuberant, motherly and<br />
comforting—these sumptuous gems will dazzle and delight.<br />
Esa-Pekka Salonen<br />
Photos top to bottom:<br />
Stéphane Degout,<br />
Chloé Briot,<br />
Willard White,<br />
Jean-Yves Thibaudet<br />
Refl ection, Odilon Redon, c. 1900
12<br />
THURSDAY A<br />
10 concerts at 8:00 | 5–concert series: THU F or THU G<br />
SEP<br />
25<br />
8:30<br />
NOV<br />
13<br />
DEC<br />
11<br />
JAN<br />
22<br />
MAR<br />
5<br />
MAR<br />
19<br />
APR<br />
2<br />
APR<br />
16<br />
MAY<br />
21<br />
JUN<br />
18<br />
Photos top to bottom:<br />
Riccardo Muti, Stephanie Jeong,<br />
Dorothea Röschmann, Daniil Trifonov<br />
September 25 F<br />
8:30 Note Special Time<br />
MUTI CONDUCTS TCHAIKOVSKY 4<br />
Riccardo Muti conductor<br />
Berlioz Waverley Overture<br />
Debussy La mer<br />
Tchaikovsky Symphony No. 4<br />
November 13 G<br />
DEBUSSY AND BOULEZ<br />
Pablo Heras-Casado conductor<br />
Alice Sara Ott piano<br />
Stravinsky Fireworks<br />
Boulez Figures-Doubles-Prismes<br />
Bartók Piano Concerto No. 3<br />
Debussy Ibéria<br />
December 11 F<br />
BEETHOVEN 7<br />
Manfred Honeck conductor<br />
Haydn Symphony No. 93<br />
Strauss Don Juan<br />
Beethoven Symphony No. 7<br />
January 22 G<br />
MUTI CONDUCTS<br />
PROKOFIEV AND SCRIABIN<br />
Riccardo Muti conductor<br />
Alisa Kolosova mezzo-soprano<br />
Sergey Skorokhodov tenor<br />
Chicago Symphony Chorus<br />
Duain Wolfe chorus director<br />
Prokofiev Alexander Nevsky<br />
Scriabin Symphony No. 1<br />
Riccardo Muti conducts works by two<br />
Russian composers for whom he has<br />
a remarkable affinity. Scriabin’s First<br />
Symphony is a glorious six-movement work<br />
that culminates in a triumphant chorus,<br />
yet it also holds much tender lyricism.<br />
Prokofiev’s cantata Alexander Nevsky,<br />
by contrast, is full of fire and steel, its<br />
imaginative orchestration and rousing<br />
choruses evoking Russia’s medieval<br />
victory over invading Teutonic knights.<br />
March 5 F<br />
MUTI CONDUCTS BEETHOVEN<br />
Riccardo Muti conductor<br />
Stephanie Jeong violin<br />
Kenneth Olsen cello<br />
Jonathan Biss piano<br />
Ligeti Lontano<br />
Beethoven Triple Concerto<br />
Tchaikovsky Symphony No. 2 (Little Russian)<br />
March 19 G<br />
CHARLES DUTOIT AND YO-YO MA<br />
Charles Dutoit conductor<br />
Yo-Yo Ma cello<br />
Robert Chen violin<br />
Ravel Valses nobles et sentimentales<br />
Debussy Symphonic Fragments from<br />
The Martyrdom of Saint Sebastian<br />
Saint-Saëns La muse et le poète<br />
Lalo Cello Concerto<br />
April 2 F<br />
UCHIDA PLAYS MOZART<br />
Mitsuko Uchida conductor<br />
Dorothea Röschmann soprano<br />
Mozart Piano Concerto No. 6<br />
Schumann Frauenliebe und -leben<br />
Mozart Piano Concerto No. 26 (Coronation)<br />
“Mitsuko Uchida’s annual visits to Orchestra<br />
Hall rank among the most life-affirming<br />
experiences granted to local concertgoers”<br />
(Chicago Tribune). The Japanese pianist,<br />
renowned for her Mozart interpretations,<br />
returns to play and conduct two of Mozart’s<br />
most beautiful and uplifting concertos.<br />
Uchida also accompanies soprano Dorothea<br />
Röschmann in a Schumann song cycle<br />
which movingly traces the intimate thoughts<br />
of a woman about her beloved.<br />
April 16 G<br />
SHOSTAKOVICH 8<br />
Semyon Bychkov conductor<br />
Daniil Trifonov piano<br />
Rachmaninov Piano Concerto No. 1<br />
Shostakovich Symphony No. 8<br />
May 21 F<br />
SALONEN CONDUCTS MESSIAEN<br />
Esa-Pekka Salonen conductor<br />
Jean-Yves Thibaudet piano<br />
Ravel Piano Concerto in G Major<br />
Messiaen Turangalîla-symphonie<br />
This program is part of the 2015<br />
Reveries and Passions Festival.<br />
June 18 G<br />
MUTI CONDUCTS TCHAIKOVSKY 5<br />
Riccardo Muti conductor<br />
Bates Anthology of Fantastic Zoology<br />
[World premiere, <strong>CSO</strong> commission]<br />
Tchaikovsky Symphony No. 5
CHICAGO SYMPHONY ORCHESTRA | RICCARDO MUTI Music Director | 312-294-3000 | <strong>CSO</strong>.ORG<br />
13<br />
THURSDAY B<br />
10 concerts at 8:00 | 5–concert series: THU H or THU I<br />
SEP<br />
18<br />
OCT<br />
9<br />
NOV<br />
20<br />
DEC<br />
18<br />
JAN<br />
15<br />
FEB<br />
26<br />
MAR<br />
12<br />
APR<br />
30<br />
MAY<br />
14<br />
JUN<br />
4<br />
Photos top to bottom:<br />
Jaap van Zweden, Chicago Symphony Orchestra,<br />
Denis Kozhukhin, Eric Owens<br />
September 18 H<br />
Muti Conducts Beethoven 9<br />
Riccardo Muti conductor<br />
Camilla Nylund soprano<br />
Ekaterina Gubanova mezzo-soprano<br />
Christopher Ventris tenor<br />
Eric Owens bass<br />
Chicago Symphony Chorus<br />
Duain Wolfe chorus director<br />
Beethoven Symphony No. 9<br />
October 9 I<br />
Mahler 5<br />
Jaap van Zweden conductor<br />
Robert Chen violin<br />
Bartók Rhapsody Nos. 1 and 2<br />
Mahler Symphony No. 5<br />
November 20 H<br />
Bach Brandenburg Concertos<br />
Nicholas Kraemer<br />
conductor and harpsichord<br />
Bach Complete Brandenburg Concertos<br />
(Nos. 1– 6)<br />
December 18 I<br />
Prieto and Yeh<br />
Carlos Miguel Prieto conductor<br />
Cynthia Yeh percussion<br />
Prokofiev Suite from Lieutenant Kijé<br />
MacMillan Veni, Veni, Emmanuel<br />
Revueltas Sensemayá<br />
Lutosławski Concerto for Orchestra<br />
Carlos Miguel Prieto fittingly opens winter<br />
in Chicago with Prokofiev’s Lieutenant<br />
Kijé Suite, which tells the musical story<br />
of a fictional Russian soldier, complete<br />
with romances, a wedding and a festive<br />
Troika sleigh ride. Featuring <strong>CSO</strong> Principal<br />
Percussionist Cynthia Yeh as soloist, James<br />
MacMillan’s Veni, Veni, Emmanuel is a<br />
riotous and exuberant showpiece based on<br />
the Advent plainchant of the same name.<br />
The concert ends with a blazing display of<br />
the full orchestra’s virtuosity in Lutosławski’s<br />
bracing and energetic Concerto for<br />
Orchestra.<br />
January 15 H<br />
Muti and Bronfman<br />
Riccardo Muti conductor<br />
Yefim Bronfman piano<br />
Brahms Piano Concerto No. 2<br />
Tchaikovsky Symphony No. 1<br />
(Winter Daydreams)<br />
February 26 I<br />
Muti Conducts Tchaikovsky 6<br />
Riccardo Muti conductor<br />
Scriabin Symphony No. 2<br />
Tchaikovsky Symphony No. 6 (Pathétique)<br />
March 12 H<br />
Dutoit Conducts Ravel<br />
AND D’INDY<br />
Charles Dutoit conductor<br />
Louis Lortie piano<br />
Ravel Rapsodie espagnole<br />
D’Indy Symphony on a French Mountain Air<br />
Franck Symphonic Variations<br />
Ravel Suite No. 2 from Daphnis et Chloé<br />
April 30 I<br />
Bicket Conducts Bach<br />
Harry Bicket conductor<br />
Kristian Bezuidenhout harpsichord<br />
Rameau Dance Suite from Platée<br />
Poulenc Concert champêtre<br />
Bach, arr. Stravinsky Four Preludes and<br />
Fugues from The Well-Tempered Clavier<br />
Bach Orchestral Suite No. 3<br />
Bach’s regal Orchestral Suite No. 3, most<br />
beloved for its Air “on the G string,” exudes<br />
18th-century elegance. Almost 200 years<br />
later, Poulenc revived the unexpected<br />
mix of Baroque grace and humor in his<br />
Concert champêtre, which features a solo<br />
harpsichord part, played here by Kristian<br />
Bezuidenhout. The <strong>CSO</strong> completes this<br />
charming program with Stravinsky’s<br />
arrangement of preludes and fugues from<br />
Bach’s The Well-Tempered Clavier.<br />
May 14 H<br />
Salonen Conducts Debussy<br />
Esa-Pekka Salonen conductor<br />
Cast led by:<br />
Stéphane Degout baritone (Pelléas)<br />
Christine Rice mezzo-soprano (Mélisande)<br />
Debussy Pelléas et Mélisande<br />
This program is part of the <strong>CSO</strong>’s 2015<br />
Reveries and Passions Festival.<br />
June 4 I<br />
Gershwin and Ravel<br />
Ludovic Morlot conductor<br />
Denis Kozhukhin piano<br />
Gershwin An American in Paris<br />
Ravel Piano Concerto for the Left Hand<br />
Stravinsky Jeu de cartes<br />
Ravel La valse
14<br />
THURSDAY C<br />
10 concerts at 8:00 | 5–concert series: THU D or THU E<br />
OCT<br />
2<br />
DEC<br />
4<br />
JAN<br />
8<br />
FEB<br />
5<br />
FEB<br />
19<br />
MAR<br />
26<br />
APR<br />
9<br />
MAY<br />
7<br />
MAY<br />
28<br />
JUN<br />
11<br />
Photos top to bottom:<br />
Riccardo Muti conducts the Chicago Symphony<br />
Orchestra and Chorus, Christopher Martin,<br />
Matthias Goerne, Rosa Feola, Jennifer Koh<br />
October 2 D<br />
MUTI AND MARTIN<br />
Riccardo Muti conductor<br />
Christopher Martin trumpet<br />
Panufnik Concerto in modo antico<br />
Stravinsky Suite from The Firebird<br />
Tchaikovsky Symphony No. 3 (Polish)<br />
December 4 E<br />
THE NUTCRACKER AND<br />
PETRUSHKA<br />
Ingo Metzmacher conductor<br />
Tchaikovsky Excerpts from The Nutcracker<br />
Stravinsky Petrushka<br />
Shostakovich Symphony No. 11<br />
(The Year 1905)<br />
Encompassing some of Tchaikovsky’s most<br />
imaginative creations, The Nutcracker<br />
introduced audiences to the twinkling<br />
magic of the celesta. Hear excerpts from<br />
this beloved ballet alongside Stravinsky’s<br />
Petrushka, which depicts the misadventures<br />
of a hapless puppet in pursuit of a beautiful<br />
ballerina. Ingo Metzmacher combines these<br />
fantastical scores with Shostakovich’s vivid<br />
and searing portrait of fateful events in the<br />
winter of 1905, when the brutal response of<br />
Tsarist forces to peaceful demonstration led<br />
to near revolution.<br />
January 8 D<br />
LEWIS PLAYS<br />
BEETHOVEN EMPEROR<br />
Vasily Petrenko conductor<br />
Paul Lewis piano<br />
Elgar In the South (Alassio)<br />
Beethoven Piano Concerto No. 5 (Emperor)<br />
Rachmaninov Symphonic Dances<br />
February 5 E<br />
BEETHOVEN 5<br />
Jaap van Zweden conductor<br />
Matthias Goerne baritone<br />
Strauss and Schubert Selected Songs<br />
Beethoven Symphony No. 5<br />
The opening “ba-ba-ba-BAH” of<br />
Beethoven’s Fifth Symphony is among the<br />
most recognizable moments in symphonic<br />
music. Hear this thrilling and immensely<br />
treasured work as masterfully played by<br />
the <strong>CSO</strong> under the baton of maestro Jaap<br />
van Zweden. “Today’s foremost interpreter<br />
of German art song” (Chicago Tribune),<br />
acclaimed baritone Matthias Goerne joins<br />
the <strong>CSO</strong> to perform some of the greatest<br />
Romantic songs by Richard Strauss and<br />
Franz Schubert.<br />
February 19 D<br />
MUTI CONDUCTS<br />
MOZART REQUIEM<br />
Riccardo Muti conductor<br />
Rudolf Buchbinder piano<br />
Rosa Feola soprano<br />
Alisa Kolosova mezzo-soprano<br />
Saimir Pirgu tenor<br />
Michele Pertusi bass<br />
Chicago Symphony Chorus<br />
Duain Wolfe chorus director<br />
Mozart Piano Concerto No. 24<br />
Mozart Requiem<br />
March 26 D<br />
MOZART AND BRAHMS<br />
Edo de Waart conductor<br />
Orion Weiss piano<br />
Ippolito Nocturne<br />
Mozart Piano Concerto No. 25<br />
Brahms Symphony No. 3<br />
April 9 E<br />
HAITINK CONDUCTS MAHLER<br />
Bernard Haitink conductor<br />
Mahler Symphony No. 7<br />
May 7 E<br />
SALONEN CONDUCTS RAVEL<br />
Esa-Pekka Salonen conductor<br />
Cast led by: Chloé Briot soprano (Child)<br />
Chicago Symphony Chorus<br />
Duain Wolfe chorus director<br />
Ravel Mother Goose Suite<br />
Debussy La damoiselle élue<br />
Ravel L’enfant et les sortilèges<br />
This program is part of the 2015 Reveries<br />
and Passions Festival.<br />
May 28 D<br />
CLYNE AND BEETHOVEN 3<br />
Ludovic Morlot conductor<br />
Jennifer Koh violin<br />
Berlioz Les francs-juges Overture<br />
Clyne Violin Concerto<br />
[World premiere, <strong>CSO</strong> commission]<br />
Beethoven Symphony No. 3 (Eroica)<br />
June 11 E<br />
MUTI CONDUCTS<br />
TCHAIKOVSKY MANFRED<br />
Riccardo Muti conductor<br />
Scriabin The Poem of Ecstasy<br />
Tchaikovsky Manfred Symphony
2014/15 Season Highlight 15<br />
MUTI CONDUCTS<br />
MOZART REQUIEM<br />
“The performance Muti drew from his orchestra and the mighty Chicago Symphony<br />
Chorus combined dedicated musicality and deep religious feeling to produce one of<br />
the great musical events of the season.”—Chicago Tribune<br />
The once mysterious origins of Mozart’s Requiem are now common<br />
knowledge. The anonymous commission that arrived in July 1791<br />
came from Count Franz von Walsegg-Stuppach, who already had<br />
a distasteful reputation for passing off other composers’ works<br />
as his own. Immersed in preparations for the premieres of his<br />
operas La clemenza di Tito and Die Zauberflöte, Mozart accepted<br />
the commission fees, but delayed working on the requiem until<br />
that fall.<br />
Mozart suddenly fell ill with fever in late November and died two<br />
weeks later, leaving the mass unfinished. His widow, Constanze,<br />
feared that she would lose the much-needed commission fees and<br />
hired one of Mozart’s students, Franz Xaver Süssmayr, to complete<br />
the requiem.<br />
The music is a stunning testament to Mozart’s unparalleled talent<br />
and ingenuity. The opening’s imitative counterpoint and the Kyrie’s<br />
brilliant double fugue hearken back to the Baroque church music<br />
of Bach and Handel.<br />
Yet Mozart also weaves in moments that were boldly modern for<br />
the time. The words describing the call to the Last Judgment are<br />
accompanied by a solo trombone. In the Confutatis, the male<br />
voices thunder exhortations while the angelic sopranos plead, “call<br />
me to be with the blessed.”<br />
Hear Mozart’s beloved and final masterpiece in February 2015 with<br />
the Chicago Symphony Orchestra and Chorus under the direction of<br />
Music Director Riccardo Muti.<br />
PERFORMED FEBRUARY 19–24<br />
Series: Thursday C and D, Friday B, Saturday B and G, Tuesday A
16<br />
FRIDAY A<br />
8 concerts at 1:30<br />
OCT<br />
3<br />
NOV<br />
14<br />
DEC<br />
12<br />
JAN<br />
16<br />
FEB<br />
27<br />
APR<br />
3<br />
APR<br />
24<br />
MAY<br />
22<br />
October 3<br />
MUTI AND MARTIN<br />
Riccardo Muti conductor<br />
Christopher Martin trumpet<br />
Panufnik Concerto in modo antico<br />
Stravinsky Suite from The Firebird<br />
Tchaikovsky Symphony No. 3 (Polish)<br />
November 14<br />
DEBUSSY AND BOULEZ<br />
Pablo Heras-Casado conductor<br />
Alice Sara Ott piano<br />
Stravinsky Fireworks<br />
Boulez Figures-Doubles-Prismes<br />
Bartók Piano Concerto No. 3<br />
Debussy Ibéria<br />
Pablo Heras-Casado conducts a colorful<br />
program of 20th-century works, including<br />
Debussy’s sinuous Ibéria. Honoring<br />
the upcoming 90th birthday of <strong>CSO</strong><br />
Helen Regenstein Conductor Emeritus<br />
Pierre Boulez, the <strong>CSO</strong> plays the musical<br />
maverick’s first work for full orchestra<br />
alone, Figures-Doubles-Prismes, while<br />
Alice Sara Ott joins the <strong>CSO</strong> for Bartók’s<br />
explosive Third Piano Concerto.<br />
December 12<br />
BEETHOVEN 7<br />
Manfred Honeck conductor<br />
Haydn Symphony No. 93<br />
Strauss Don Juan<br />
Beethoven Symphony No. 7<br />
January 16<br />
Muti and Bronfman<br />
Riccardo Muti conductor<br />
Yefim Bronfman piano<br />
Brahms Piano Concerto No. 2<br />
Tchaikovsky Symphony No. 1<br />
(Winter Daydreams)<br />
February 27<br />
Muti Conducts Tchaikovsky 6<br />
Riccardo Muti conductor<br />
Scriabin Symphony No. 2<br />
Tchaikovsky Symphony No. 6 (Pathétique)<br />
Tchaikovsky’s soul-stirring masterpiece,<br />
the Sixth Symphony, is among the greatest<br />
landmarks in the symphonic repertoire.<br />
The first movement’s tender love theme<br />
for strings and the scherzo’s electrifying<br />
march are just two highlights in a work of<br />
deep emotion. Scriabin’s Second Symphony<br />
presents an enticing mix of drama<br />
and lyricism that leads to a spectacularly<br />
triumphant ending.<br />
April 3<br />
Uchida Plays Mozart<br />
Mitsuko Uchida conductor<br />
Dorothea Röschmann soprano<br />
Mozart Piano Concerto No. 6<br />
Schumann Frauenliebe und -leben<br />
Mozart Piano Concerto No. 26 (Coronation)<br />
April 24<br />
Bruckner 8<br />
Semyon Bychkov conductor<br />
Bruckner Symphony No. 8<br />
May 22<br />
SALONEN CONDUCTS MESSIAEN<br />
Esa-Pekka Salonen conductor<br />
Jean-Yves Thibaudet piano<br />
Ravel Piano Concerto in G Major<br />
Messiaen Turangalîla-symphonie<br />
Esa-Pekka Salonen conducts two major<br />
20th-century masterpieces for piano<br />
and orchestra. Prepare for dazzling<br />
fireworks from captivating French pianist<br />
Jean-Yves Thibaudet in Ravel’s Concerto<br />
in G Major, a virtuosic work shot through<br />
with brilliance and clarity. Messiaen’s<br />
unparalelled Turangalîla-symphonie is a<br />
life-affirming, exuberant celebration of<br />
love and passion. This program is part<br />
of the 2015 Reveries and Passions Festival.<br />
Photos top to bottom:<br />
Riccardo Muti, Yefim Bronfman,<br />
Alice Sara Ott, Manfred Honeck
CHICAGO SYMPHONY ORCHESTRA | RICCARDO MUTI Music Director | 312-294-3000 | <strong>CSO</strong>.ORG<br />
17<br />
FRIDAY B<br />
8 concerts at 1:30<br />
OCT<br />
10<br />
DEC<br />
5<br />
DEC<br />
19<br />
FEB<br />
20<br />
MAR<br />
6<br />
APR<br />
17<br />
MAY<br />
15<br />
JUN<br />
19<br />
Photos top to bottom:<br />
Ingo Metzmacher, Carlos Miguel Prieto,<br />
Cynthia Yeh, Robert Chen<br />
October 10<br />
Mahler 5<br />
Jaap van Zweden conductor<br />
Robert Chen violin<br />
Bartók Rhapsody Nos. 1 and 2<br />
Mahler Symphony No. 5<br />
Chicago Symphony Orchestra concertmaster<br />
Robert Chen plays Bartók’s two Violin<br />
Rhapsodies, impassioned works filled with<br />
Hungarian folk music and demanding<br />
brilliant virtuosity. Mahler’s gorgeous Fifth<br />
Symphony reflects many moments of<br />
personal significance to the composer,<br />
including the ravishing Adagietto that was<br />
a musical love letter to his wife, Alma.<br />
December 5<br />
THE NUTCRACKER AND<br />
PETRUSHKA<br />
Ingo Metzmacher conductor<br />
Tchaikovsky Excerpts from The Nutcracker<br />
Stravinsky Petrushka<br />
Shostakovich Symphony No. 11<br />
(The Year 1905)<br />
December 19<br />
Prieto and Yeh<br />
Carlos Miguel Prieto conductor<br />
Cynthia Yeh percussion<br />
Prokofiev Suite from Lieutenant Kijé<br />
MacMillan Veni, Veni, Emmanuel<br />
Revueltas Sensemayá<br />
Lutosławski Concerto for Orchestra<br />
February 20<br />
MUTI CONDUCTS<br />
MOZART REQUIEM<br />
Riccardo Muti conductor<br />
Rudolf Buchbinder piano<br />
Rosa Feola soprano<br />
Alisa Kolosova mezzo-soprano<br />
Saimir Pirgu tenor<br />
Michele Pertusi bass<br />
Chicago Symphony Chorus<br />
Duain Wolfe chorus director<br />
Mozart Piano Concerto No. 24<br />
Mozart Requiem<br />
March 6<br />
MUTI CONDUCTS BEETHOVEN<br />
Riccardo Muti conductor<br />
Stephanie Jeong violin<br />
Kenneth Olsen cello<br />
Jonathan Biss piano<br />
Ligeti Lontano<br />
Beethoven Triple Concerto<br />
Tchaikovsky Symphony No. 2 (Little Russian)<br />
April 17<br />
SHOSTAKOVICH 8<br />
Semyon Bychkov conductor<br />
Daniil Trifonov piano<br />
Rachmaninov Piano Concerto No. 1<br />
Shostakovich Symphony No. 8<br />
Winner of the 2011 Tchaikovsky<br />
International Piano Competition, Daniil<br />
Trifonov excites critics and audiences<br />
worldwide: “He offers far more than mere<br />
virtuosity… he demonstrates an elegant<br />
touch, witty grace and poetic insight”<br />
(The New York Times). In this appearance<br />
with the <strong>CSO</strong>, he performs Rachmaninov’s<br />
youthfully exuberant First Piano Concerto.<br />
Conductor Semyon Bychkov pairs this<br />
work with Shostakovich’s most ferocious<br />
symphony, a 1943 work that reflects WWII<br />
in its relentless third-movement scherzo,<br />
punctuated with breathtaking squeals and<br />
crashes as if from flying missiles.<br />
May 15<br />
SALONEN CONDUCTS RAVEL<br />
Esa-Pekka Salonen conductor<br />
Cast led by: Chloé Briot soprano (Child)<br />
Chicago Symphony Chorus<br />
Duain Wolfe chorus director<br />
Ravel Mother Goose Suite<br />
Debussy La damoiselle élue<br />
Ravel L’enfant et les sortilèges<br />
This program is part of the 2015 Reveries<br />
and Passions Festival.<br />
June 19<br />
MUTI CONDUCTS TCHAIKOVSKY 5<br />
Riccardo Muti conductor<br />
Bates Anthology of Fantastic Zoology<br />
[World premiere, <strong>CSO</strong> commission]<br />
Tchaikovsky Symphony No. 5<br />
Riccardo Muti’s final installment in his cycle<br />
of the complete Tchaikovsky symphonies<br />
features the noble yet poignant Fifth, with<br />
its memorable horn solo and haunting<br />
waltz. This cherished masterwork is paired<br />
with the world premiere of Mead Composerin-Residence<br />
Mason Bates’ Anthology of<br />
Fantastic Zoology. Based on the book by<br />
Luis Borges, it promises music inspired<br />
by fantastic creatures like sprites, nymphs,<br />
sirens, banshees, and naga—to name only<br />
a few.
18 2014/15 Season Highlight<br />
MUTI<br />
CONDUCTS 4<br />
SCRIABIN<br />
MASTERPIECES<br />
“Mankind must be preached to. It must be led along new paths!”<br />
— Alexander Scriabin —<br />
One hundred years ago, in April 1915, the wildly controversial<br />
Russian composer and visionary Alexander Scriabin died, aged just<br />
43. To mark his centennial and honor his remarkable achievements,<br />
Riccardo Muti, one of this great artist’s most passionate and<br />
celebrated interpreters, conducts a thrilling sequence of orchestral<br />
masterpieces. In addition to the famous Poem of Ecstasy,<br />
subscribers will hear the richly romantic Symphony Nos. 1 and 2<br />
and the epic Third Symphony, The Divine Poem.<br />
Amazingly, all four pieces were written within nine years at the start<br />
of the 20th century.<br />
Scriabin’s First Symphony, from 1900, is almost operatic, its six<br />
movements culminating in a heavenly chorale for chorus and two<br />
solo voices. By contrast, the five-movement Second Symphony<br />
from the very next year is more classical and tragic, although it<br />
ends in a triumphant blaze of C major.<br />
In 1902, only one more year after the Second, Scriabin began his<br />
Third. By now numbered symphonies were less important to him<br />
than his rapidly developing spiritual ideas; therefore, he gave this<br />
new piece a suggestive French name—Le Divin Poème—and put<br />
explanatory titles at the top of each of the three main movements:<br />
“Luttes” (Struggles), “Voluptés” (Pleasures) and “Jeu divin”<br />
(Divine Play).<br />
Le Poème de l’extase (The Poem of Ecstasy), composed between<br />
1905 and 1908, was effectively Scriabin’s Fourth Symphony,<br />
though he never called it that. There are no separate movements;<br />
instead a single surging stream of music leads from a delicate<br />
introduction to one of the loudest and most overpowering climaxes<br />
in the entire orchestral repertoire. To accompany this mighty work,<br />
the composer wrote a poem in Russian which helps explain the<br />
music: in the darkness of chaos, the Male (represented by the<br />
trumpet) encounters the Female. The result is what Scriabin calls:<br />
“… a moment illuminating eternity… affirmation… ecstasy…”<br />
As well as being a symphonic composer, Scriabin is one of the most<br />
important composers for piano in the history of the instrument.<br />
To complement Maestro Muti’s orchestral journey, a number of<br />
Scriabin’s works will be included in the SCP Piano series, including<br />
his last major work in the medium, his Sonata No. 10 of 1913,<br />
music which Scriabin himself described as:<br />
“… born from the sun…“<br />
SEE PAGE 4 FOR THE DATES AND SERIES LISTINGS<br />
FOR THESE WORKS.
CHICAGO SYMPHONY ORCHESTRA | RICCARDO MUTI Music Director | 312-294-3000 | <strong>CSO</strong>.ORG<br />
19<br />
FRIDAY C<br />
5 concerts at 8:00<br />
NOV<br />
7<br />
JAN<br />
9<br />
MAR<br />
20<br />
MAY<br />
1<br />
JUN<br />
12<br />
November 7<br />
DVOŘáK NEW WORLD SYMPHONY<br />
Cristian Macelaru conductor<br />
Elena Urioste violin<br />
Brahms, arr. Dvořák<br />
Hungarian Dance Nos. 17–21<br />
Bruch Violin Concerto No. 1<br />
Dvořák Symphony No. 9<br />
(From the New World)<br />
January 9<br />
LEWIS PLAYS<br />
BEETHOVEN EMPEROR<br />
Vasily Petrenko conductor<br />
Paul Lewis piano<br />
Elgar In the South (Alassio)<br />
Beethoven Piano Concerto No. 5 (Emperor)<br />
Rachmaninov Symphonic Dances<br />
“One of the fi nest Beethoven interpreters of<br />
his generation” (The New York Times), Paul<br />
Lewis returns to the <strong>CSO</strong> for Beethoven’s<br />
most beloved and charming piano concerto.<br />
Vasily Petrenko has equally been acclaimed<br />
for his performances of 20th-century<br />
Russian repertoire, and this performance of<br />
Rachmaninov’s wryly apocalyptic Symphonic<br />
Dances is sure to be a roof-raiser.<br />
March 20<br />
CHARLES DUTOIT AND YO-YO MA<br />
Charles Dutoit conductor<br />
Yo-Yo Ma cello<br />
Robert Chen violin<br />
Ravel Valses nobles et sentimentales<br />
Debussy Symphonic Fragments from<br />
The Martyrdom of Saint Sebastian<br />
Saint-Saëns La muse et le poète<br />
Lalo Cello Concerto<br />
Revered cellist and <strong>CSO</strong> Judson and Joyce<br />
Green Creative Consultant Yo-Yo Ma joins<br />
concertmaster Robert Chen for a touching<br />
and tender duet in Saint-Saëns’ La muse<br />
et le poète, then returns as soloist in Lalo’s<br />
noble and lyrical Cello Concerto. In the<br />
fi rst half of this program, Charles Dutoit<br />
conducts Debussy’s otherworldly Martyrdom<br />
of Saint Sebastian and Ravel’s poignant<br />
Valses nobles et sentimentales.<br />
May 1<br />
BICKET CONDUCTS BACH<br />
Harry Bicket conductor<br />
Kristian Bezuidenhout harpsichord<br />
Rameau Dance Suite from Platée<br />
Poulenc Concert champêtre<br />
Bach, arr. Stravinsky Four Preludes and<br />
Fugues from The Well-Tempered Clavier<br />
Bach Orchestral Suite No. 3<br />
June 12<br />
MUTI CONDUCTS<br />
TCHAIKOVSKY MANFRED<br />
Riccardo Muti conductor<br />
Scriabin The Poem of Ecstasy<br />
Tchaikovsky Manfred Symphony<br />
Tchaikovsky’s Manfred Symphony, based<br />
on Byron’s dramatic semi-autobiographical<br />
poem, is among the composer’s most<br />
brilliant and affecting inspirations. Its themes<br />
of tender love and exquisite longing find<br />
a perfect complement in Scriabin’s fervid<br />
Poem of Ecstasy. The extraordinarily colorful<br />
orchestration reverberates with sensuality<br />
and intimate emotion.<br />
Photos clockwise from upper left:<br />
Riccardo Muti, Cristian Macelaru,<br />
Elena Urioste, Vasily Petrenko, Harry Bicket,<br />
Kristian Bezuidenhout
20<br />
FRIDAY D<br />
5 concerts at 8:00<br />
SEP<br />
26<br />
NOV<br />
21<br />
JAN<br />
23<br />
APR<br />
10<br />
MAY<br />
8<br />
September 26<br />
MUTI CONDUCTS TCHAIKOVSKY 4<br />
Riccardo Muti conductor<br />
Berlioz Waverley Overture<br />
Debussy La mer<br />
Tchaikovsky Symphony No. 4<br />
Riccardo Muti begins this season’s journey<br />
through Tchaikovsky’s symphonies with<br />
the powerfully dramatic Fourth. A brilliant<br />
symphony that will display the <strong>CSO</strong>’s mastery<br />
of orchestral color, its fourth movement<br />
features an imaginative dialogue between<br />
pizzicato strings and sprightly woodwinds.<br />
Tchaikovsky’s Fourth is fittingly paired with<br />
works by two other masters of orchestration:<br />
Berlioz’s rarely-heard Waverley Overture<br />
and Debussy’s dazzling portrait of the sea<br />
in all its moods.<br />
November 21<br />
Bach Brandenburg Concertos<br />
Nicholas Kraemer<br />
conductor and harpsichord<br />
Bach Complete Brandenburg Concertos<br />
(Nos. 1–6)<br />
January 23<br />
MUTI CONDUCTS<br />
PROKOFIEV AND SCRIABIN<br />
Riccardo Muti conductor<br />
Alisa Kolosova mezzo-soprano<br />
Sergey Skorokhodov tenor<br />
Chicago Symphony Chorus<br />
Duain Wolfe chorus director<br />
Prokofiev Alexander Nevsky<br />
Scriabin Symphony No. 1<br />
April 10<br />
HAITINK CONDUCTS MAHLER<br />
Bernard Haitink conductor<br />
Mahler Symphony No. 7<br />
May 8<br />
SALONEN CONDUCTS RAVEL<br />
Esa-Pekka Salonen conductor<br />
Cast led by: Chloé Briot soprano (Child)<br />
Chicago Symphony Chorus<br />
Duain Wolfe chorus director<br />
Ravel Mother Goose Suite<br />
Debussy La damoiselle élue<br />
Ravel L’enfant et les sortilèges<br />
This program is part of the 2015 Reveries<br />
and Passions Festival.<br />
Photos clockwise from upper left:<br />
Bernard Haitink, Duain Wolfe, Riccardo Muti,<br />
Chicago Symphony Chorus, Nicholas Kraemer
2014/15 Season Highlight 21<br />
L’enfant et les sortilèges<br />
Esa-Pekka Salonen conducts Ravel’s glittering jewel of a one-act opera<br />
One of French music’s greatest masterpieces, Ravel’s “lyric<br />
fantasy” L’enfant et les sortilèges (The Child and Magic Spells)<br />
tells the dreamlike story of a small child who rebels against the<br />
strictness of his mother only to find his whole world turned upside<br />
down by magical forces beyond his control.<br />
This astoundingly sumptuous score, written in the 1920s to a witty<br />
and provocative text by the scandalous French novelist Colette,<br />
shows Ravel’s orchestral mastery at its most flawless and virtuosic.<br />
Singing teapots, clocks, furniture, trees, birds and animals tumble<br />
over one another in a story which moves from the laughter and<br />
whimsy of a child’s nursery to the darkness and power of nature<br />
and—in the final bars—a deeply moving sense of reconciliation<br />
and forgiveness.<br />
PERFORMED MAY 7–9 AND 15<br />
Series: Thursday C and E, Friday B and D, Saturday D<br />
This work is part of the 2015 Reveries and Passions Festival.
22<br />
SATURDAY A<br />
10 concerts at 8:00 | 5–concert series: SAT E or SAT F<br />
SEP<br />
27<br />
DEC<br />
6<br />
DEC<br />
20<br />
JAN<br />
10<br />
MAR<br />
7<br />
MAR<br />
21<br />
APR<br />
4<br />
MAY<br />
2<br />
MAY<br />
23<br />
JUN<br />
13<br />
Photos top to bottom:<br />
Riccardo Muti, Yo-Yo Ma, Kenneth Olsen,<br />
Jonathan Biss, Esa-Pekka Salonen<br />
September 27 E<br />
MUTI CONDUCTS TCHAIKOVSKY 4<br />
Riccardo Muti conductor<br />
Mendelssohn Calm Sea and<br />
Prosperous Voyage Overture<br />
Debussy La mer<br />
Tchaikovsky Symphony No. 4<br />
December 6 F<br />
THE NUTCRACKER AND<br />
PETRUSHKA<br />
Ingo Metzmacher conductor<br />
Tchaikovsky Excerpts from The Nutcracker<br />
Stravinsky Petrushka<br />
Shostakovich Symphony No. 11<br />
(The Year 1905)<br />
December 20 E<br />
Prieto and Yeh<br />
Carlos Miguel Prieto conductor<br />
Cynthia Yeh percussion<br />
Prokofiev Suite from Lieutenant Kijé<br />
MacMillan Veni, Veni, Emmanuel<br />
Revueltas Sensemayá<br />
Lutosławski Concerto for Orchestra<br />
January 10 F<br />
LEWIS PLAYS<br />
BEETHOVEN EMPEROR<br />
Vasily Petrenko conductor<br />
Paul Lewis piano<br />
Elgar In the South (Alassio)<br />
Beethoven Piano Concerto No. 5 (Emperor)<br />
Rachmaninov Symphonic Dances<br />
“One of the finest Beethoven interpreters of<br />
his generation” (The New York Times), Paul<br />
Lewis returns to the <strong>CSO</strong> for Beethoven’s<br />
most beloved and charming piano concerto.<br />
Vasily Petrenko has equally been acclaimed<br />
for his performances of 20th-century<br />
Russian repertoire, and this performance of<br />
Rachmaninov’s wryly apocalyptic Symphonic<br />
Dances is sure to be a roof-raiser.<br />
March 7 E<br />
MUTI CONDUCTS BEETHOVEN<br />
Riccardo Muti conductor<br />
Stephanie Jeong violin<br />
Kenneth Olsen cello<br />
Jonathan Biss piano<br />
Ligeti Lontano<br />
Beethoven Triple Concerto<br />
Tchaikovsky Symphony No. 2 (Little Russian)<br />
March 21 E<br />
CHARLES DUTOIT AND YO-YO MA<br />
Charles Dutoit conductor<br />
Yo-Yo Ma cello<br />
Robert Chen violin<br />
Ravel Valses nobles et sentimentales<br />
Debussy Symphonic Fragments from<br />
The Martyrdom of Saint Sebastian<br />
Saint-Saëns La muse et le poète<br />
Lalo Cello Concerto<br />
April 4 F<br />
Uchida Plays Mozart<br />
Mitsuko Uchida conductor<br />
Dorothea Röschmann soprano<br />
Mozart Piano Concerto No. 6<br />
Schumann Frauenliebe und -leben<br />
Mozart Piano Concerto No. 26 (Coronation)<br />
May 2 F<br />
Bicket Conducts Bach<br />
Harry Bicket conductor<br />
Kristian Bezuidenhout harpsichord<br />
Rameau Dance Suite from Platée<br />
Poulenc Concert champêtre<br />
Bach, arr. Stravinsky Four Preludes and<br />
Fugues from The Well-Tempered Clavier<br />
Bach Orchestral Suite No. 3<br />
May 23 E<br />
SALONEN CONDUCTS MESSIAEN<br />
Esa-Pekka Salonen conductor<br />
Jean-Yves Thibaudet piano<br />
Ravel Piano Concerto in G Major<br />
Messiaen Turangalîla-symphonie<br />
This program is part of the 2015<br />
Reveries and Passions Festival.<br />
June 13 F<br />
MUTI CONDUCTS<br />
TCHAIKOVSKY MANFRED<br />
Riccardo Muti conductor<br />
Scriabin The Poem of Ecstasy<br />
Tchaikovsky Manfred Symphony
CHICAGO SYMPHONY ORCHESTRA | RICCARDO MUTI Music Director | 312-294-3000 | <strong>CSO</strong>.ORG<br />
23<br />
SATURDAY B<br />
10 concerts at 8:00 | 5–concert series: SAT G or SAT H<br />
OCT<br />
4<br />
NOV<br />
22<br />
JAN<br />
17<br />
FEB<br />
21<br />
MAR<br />
14<br />
APR<br />
11<br />
APR<br />
25<br />
MAY<br />
16<br />
JUN<br />
6<br />
JUN<br />
20<br />
Photos top to bottom:<br />
Chicago Symphony Orchestra,<br />
Rudolph Buchbinder, Ludovic Morlot,<br />
Mason Bates<br />
October 4 G<br />
MUTI AND MARTIN<br />
Riccardo Muti conductor<br />
Christopher Martin trumpet<br />
Panufnik Concerto in modo antico<br />
Stravinsky Suite from The Firebird<br />
Tchaikovsky Symphony No. 3 (Polish)<br />
November 22 H<br />
Bach Brandenburg Concertos<br />
Nicholas Kraemer<br />
conductor and harpsichord<br />
Bach Complete Brandenburg Concertos<br />
(Nos. 1–6)<br />
January 17 G<br />
Muti and Bronfman<br />
Riccardo Muti conductor<br />
Yefim Bronfman piano<br />
Brahms Piano Concerto No. 2<br />
Tchaikovsky Symphony No. 1<br />
(Winter Daydreams)<br />
Yefim Bronfman plays the sunniest of<br />
Brahms’ Piano Concertos, a massive work<br />
that showcases Brahms’ full compositional<br />
mastery. Bronfman is joined by Riccardo<br />
Muti and the Chicago Symphony Orchestra,<br />
who continue this season’s Tchaikovsky<br />
cycle with the haunting First Symphony,<br />
“Winter Daydreams.”<br />
February 21 G<br />
MUTI CONDUCTS MOZART REQUIEM<br />
Riccardo Muti conductor<br />
Rudolf Buchbinder piano<br />
Rosa Feola soprano<br />
Alisa Kolosova mezzo-soprano<br />
Saimir Pirgu tenor<br />
Michele Pertusi bass<br />
Chicago Symphony Chorus<br />
Duain Wolfe chorus director<br />
Mozart Piano Concerto No. 24<br />
Mozart Requiem<br />
March 14 H<br />
Dutoit Conducts Ravel<br />
AND D’INDY<br />
Charles Dutoit conductor<br />
Louis Lortie piano<br />
Ravel Rapsodie espagnole<br />
D’Indy Symphony on a French Mountain Air<br />
Franck Symphonic Variations<br />
Ravel Suite No. 2 from Daphnis et Chloé<br />
April 11 H<br />
HAITINK CONDUCTS MAHLER<br />
Bernard Haitink conductor<br />
Mahler Symphony No. 7<br />
April 25 G<br />
Bruckner 8<br />
Semyon Bychkov conductor<br />
Bruckner Symphony No. 8<br />
May 16 H<br />
Salonen Conducts Debussy<br />
Esa-Pekka Salonen conductor<br />
Stéphane Degout baritone (Pelléas)<br />
Christine Rice mezzo-soprano (Mélisande)<br />
Eric Owens bass-baritone (Golaud)<br />
Willard White bass-baritone (Arkel)<br />
Felicity Palmer mezzo-soprano (Geneviève)<br />
Chloé Briot soprano (Yniold)<br />
Debussy Pelléas et Mélisande<br />
This program is part of the <strong>CSO</strong>’s 2015<br />
Reveries and Passions Festival.<br />
June 6 G<br />
Gershwin and Ravel<br />
Ludovic Morlot conductor<br />
Denis Kozhukhin piano<br />
Gershwin An American in Paris<br />
Ravel Piano Concerto for Left Hand<br />
Stravinsky Jeu de cartes<br />
Ravel La valse<br />
Gershwin’s An American in Paris captures<br />
the heady glamour and colorful sound world<br />
of 1920s Paris—complete with taxi horns<br />
and a sultry blues melody played by muted<br />
trumpet. Cocky and urbane, Stravinsky’s<br />
Jeu de cartes depicts the precipitous rise<br />
and fall of a social climber. Complementing<br />
the program’s “city slickers” theme are<br />
Ravel’s ravishing La valse and jazz-inflected<br />
Piano Concerto for Left Hand, featuring<br />
Russian pianist Denis Kozhukhin.<br />
June 20 H<br />
MUTI CONDUCTS TCHAIKOVSKY 5<br />
Riccardo Muti conductor<br />
Bates Anthology of Fantastic Zoology<br />
[World premiere, <strong>CSO</strong> commission]<br />
Tchaikovsky Symphony No. 5
24 Join us for a magnificent celebration to launch the 2014/15 season!<br />
Symphony<br />
Ball<br />
Riccardo Muti leads the Chicago Symphony Orchestra and Chorus in<br />
BEETHOVEN’S NINTH SYMPHONY<br />
SATURDAY, SEPTEMBER 20<br />
6:00 Preconcert Reception<br />
7:00 Concert<br />
Immediately followed by postconcert gala dinner and dancing at the Palmer House<br />
The Women’s Board of the Chicago Symphony Orchestra Association proudly presents<br />
Symphony Ball, a prestigious gala evening of music and celebration that<br />
launches the 2014/15 season. Enjoy a festive preconcert reception at Symphony<br />
Center, followed by a spectacular concert as Music Director Riccardo Muti leads<br />
the Chicago Symphony Orchestra and Chorus in Beethoven’s jubilant Ninth Symphony.<br />
Gala patrons continue their evening with postconcert dinner and dancing at<br />
the Palmer House.<br />
Symphony Ball is one of Chicago’s not-to-be-missed parties.<br />
Purchase your tickets for this celebration today at cso.org or 312-294-3000!
AN AGENCY OF<br />
THE STATE OF ILLINOIS<br />
2014/15 Season<br />
25<br />
OPEN HERE FOR OUR COMPLETE <strong>CSO</strong> 2014/15 SEASON-AT-A-GLANCE GRID AND CALENDAR<br />
Our Sponsors<br />
The Chicago Symphony Orchestra Association is grateful for the generous support of<br />
these leading corporate, foundation and government sponsors for the 2014/15 season.<br />
How to Renew Guide<br />
Contents Include:<br />
Subsriber Rewards ...........................................................2<br />
Renewal Instructions ......................................................3<br />
Payment Plans .....................................................................4<br />
Julius N. Frankel<br />
Parking .....................................................................................5<br />
Foundation<br />
Prices & Seat Maps ..........................................................6<br />
The Negaunee Foundation
26<br />
SATURDAY C<br />
5 concerts at 8:00<br />
NOV<br />
15<br />
JAN<br />
24<br />
FEB<br />
7<br />
MAR<br />
28<br />
MAY<br />
30<br />
November 15<br />
DEBUSSY AND BOULEZ<br />
Pablo Heras-Casado conductor<br />
Alice Sara Ott piano<br />
Stravinsky Fireworks<br />
Boulez Figures-Doubles-Prismes<br />
Bartók Piano Concerto No. 3<br />
Debussy Ibéria<br />
January 24<br />
MUTI CONDUCTS<br />
PROKOFIEV AND SCRIABIN<br />
Riccardo Muti conductor<br />
Alisa Kolosova mezzo-soprano<br />
Sergey Skorokhodov tenor<br />
Chicago Symphony Chorus<br />
Duain Wolfe chorus director<br />
Prokofiev Alexander Nevsky<br />
Scriabin Symphony No. 1<br />
February 7<br />
BEETHOVEN 5<br />
Jaap van Zweden conductor<br />
Matthias Goerne baritone<br />
Strauss and Schubert Select Songs<br />
Beethoven Symphony No. 5<br />
March 28<br />
MOZART AND BRAHMS<br />
Edo de Waart conductor<br />
Orion Weiss piano<br />
Ippolito Nocturne<br />
Mozart Piano Concerto No. 25<br />
Brahms Symphony No. 3<br />
Two brilliant young American artists feature<br />
prominently in this program led by Dutch<br />
conductor Edo de Waart. The concert opens<br />
with the eerie and whimsical Nocturne by<br />
Michael Ippolito (born 1985), followed by<br />
pianist Orion Weiss (born 1981) performing<br />
Mozart’s regal C-Major Concerto No. 25.<br />
Brahms’ impassioned and heartfelt Third<br />
Symphony rounds off what promises to be a<br />
memorable evening.<br />
May 30<br />
CLYNE AND BEETHOVEN 3<br />
Ludovic Morlot conductor<br />
Jennifer Koh violin<br />
Berlioz Les francs-juges Overture<br />
Clyne Violin Concerto<br />
[World premiere, <strong>CSO</strong> commission]<br />
Beethoven Symphony No. 3 (Eroica)<br />
Berlioz’s brilliant Les francs-juges Overture<br />
opens a program featuring the world<br />
premiere of Mead Composer-in-Residence<br />
Anna Clyne’s Violin Concerto. The<br />
soloist is Chicago native Jennifer Koh,<br />
a violinist acclaimed for her “penetrating<br />
sound, myriad colorings and commanding<br />
technique” (The New York Times). The<br />
final work on this program, Beethoven’s<br />
Eroica Symphony, moves from its famous<br />
funeral march to a brilliant scherzo and<br />
extraordinarily inventive set of variations.<br />
Photos clockwise from upper left:<br />
Pierre Boulez, Pablo Heras-Casado,<br />
Edo de Waart, Orion Weiss,<br />
Anna Clyne, Riccardo Muti
CHICAGO SYMPHONY ORCHESTRA | RICCARDO MUTI Music Director | 312-294-3000 | <strong>CSO</strong>.ORG<br />
27<br />
SATURDAY D<br />
5 concerts at 8:00<br />
NOV<br />
8<br />
DEC<br />
13<br />
FEB<br />
28<br />
APR<br />
18<br />
MAY<br />
9<br />
November 8<br />
DvoŘák New World Symphony<br />
Cristian Macelaru conductor<br />
Elena Urioste violin<br />
Brahms, arr. Dvořák<br />
Hungarian Dance Nos. 17–21<br />
Bruch Violin Concerto No. 1<br />
Dvořák Symphony No. 9<br />
(From the New World)<br />
Dvořák’s New World Symphony is among<br />
the most recognizable and well-loved<br />
orchestral works ever written, its passion<br />
and fire balanced with moving serenity.<br />
Rising young conductor Cristian Macelaru<br />
pairs this beautiful masterpiece with<br />
Brahms’ exhilarating Hungarian Dances<br />
and Bruch’s rapturous First Violin Concerto,<br />
played here by hypnotic and sensitive<br />
violinist Elena Urioste.<br />
December 13<br />
BEETHOVEN 7<br />
Manfred Honeck conductor<br />
Haydn Symphony No. 93<br />
Strauss Don Juan<br />
Beethoven Symphony No. 7<br />
Manfred Honeck returns to Chicago to<br />
conduct three masterpieces from the<br />
Austro-German tradition. The lilting<br />
dance-rhythms of Haydn’s Symphony<br />
No. 93 and the rambunctious rhythms<br />
of Beethoven’s Seventh, described<br />
by Wagner as “the apotheosis of the<br />
dance,” frame Richard Strauss’<br />
Don Juan. In Strauss’ depiction of<br />
the legendary lover, a brazen horn call<br />
announces a swaggering Don Juan,<br />
whose numerous romantic conquests<br />
lead to a tragic finale.<br />
February 28<br />
Muti Conducts Tchaikovsky 6<br />
Riccardo Muti conductor<br />
Scriabin Symphony No. 2<br />
Tchaikovsky Symphony No. 6 (Pathétique)<br />
April 18<br />
SHOSTAKOVICH 8<br />
Semyon Bychkov conductor<br />
Daniil Trifonov piano<br />
Rachmaninov Piano Concerto No. 1<br />
Shostakovich Symphony No. 8<br />
May 9<br />
SALONEN CONDUCTS RAVEL<br />
Esa-Pekka Salonen conductor<br />
Cast led by: Chloé Briot soprano (Child)<br />
Chicago Symphony Chorus<br />
Duain Wolfe chorus director<br />
Ravel Mother Goose Suite<br />
Debussy La damoiselle élue<br />
Ravel L’enfant et les sortilèges<br />
In this first program of the 2015 Reveries<br />
and Passions Festival, Esa-Pekka Salonen<br />
couples an early Debussy work with two<br />
youth-centered pieces by Ravel. The Mother<br />
Goose Suite is a radiant collection of musical<br />
tales, from Tom Thumb to Beauty and<br />
the Beast, with considerable feeling behind<br />
its deceptively simple exterior. A fantasy<br />
opera in one act about childhood, L’enfant<br />
et les sortilèges (The Child and Magic Spells)<br />
presents an enchanting and poignant<br />
story about a rude child who learns<br />
compassion. This program is part of the<br />
2015 Reveries and Passions Festival.<br />
Photos clockwise from upper left:<br />
Riccardo Muti, the Chicago Symphony<br />
Orchestra and Chorus, Manfred Honeck
28<br />
SUNDAY A<br />
5 concerts at 3:00<br />
SEP<br />
21<br />
OCT<br />
12<br />
NOV<br />
23<br />
FEB<br />
8<br />
APR<br />
26<br />
September 21<br />
Muti Conducts Beethoven 9<br />
Riccardo Muti conductor<br />
Camilla Nylund soprano<br />
Ekaterina Gubanova mezzo-soprano<br />
Christopher Ventris tenor<br />
Eric Owens bass<br />
Chicago Symphony Chorus<br />
Duain Wolfe chorus director<br />
Beethoven Symphony No. 9<br />
October 12<br />
Mahler 5<br />
Jaap van Zweden conductor<br />
Robert Chen violin<br />
Bartók Rhapsody Nos. 1 and 2<br />
Mahler Symphony No. 5<br />
November 23<br />
Bach Brandenburg Concertos<br />
Nicholas Kraemer<br />
conductor and harpsichord<br />
Bach Complete Brandenburg Concertos<br />
(Nos. 1–6)<br />
Among Bach’s most beloved and celebrated<br />
works, his six Brandenburg Concertos<br />
demonstrate some of the most daring and<br />
innovative instrumental scoring in the entire<br />
Baroque repertoire. Whether the groundbreaking<br />
blend of hunting horns and oboes<br />
with strings of No. 1, the bright piccolo<br />
trumpet of No. 2 (which inspired Paul<br />
McCartney’s Penny Lane) or the remarkable<br />
No. 5 in which the harpsichord strikes out<br />
alone above the orchestra for virtuosic glory,<br />
this flawless collection of gems is pure<br />
delight.<br />
April 26<br />
Bruckner 8<br />
Semyon Bychkov conductor<br />
Bruckner Symphony No. 8<br />
Bruckner’s Eighth Symphony is imbued<br />
with mystical passions and aesthetic glories.<br />
It rises from a doom-laden opening to a<br />
third movement containing the noblest,<br />
most ecstatic music the composer ever<br />
created. Semyon Bychkov, one of today’s<br />
most esteemed conductors, guides us<br />
through Bruckner’s final and most profound<br />
symphony.<br />
February 8<br />
BEETHOVEN 5<br />
Jaap van Zweden conductor<br />
Matthias Goerne baritone<br />
Strauss and Schubert Select Songs<br />
Beethoven Symphony No. 5<br />
Photos clockwise from upper left:<br />
Riccardo Muti, Camilla Nylund,<br />
Ekaterina Gubanova, Christopher Ventris,<br />
Chicago Symphony Chorus,<br />
Jaap van Zweden
2014/15 Season Highlight<br />
29<br />
MAHLER 5<br />
5<br />
A journey from darkness into light unfolds in one of the Chicago Symphony Orchestra’s<br />
signature works.<br />
Mahler wrote his Fifth Symphony in 1901 and 1902, a time of great<br />
change for the composer. He was enjoying numerous triumphs in<br />
his personal and professional life: he met and married his beloved<br />
wife Alma and held jobs with the Vienna Court Opera and Vienna<br />
Philharmonic. He also experienced dark trials. In 1901, he suffered<br />
a dangerous and nearly fatal hemorrhage, leaving him quite shaken.<br />
Mahler claimed that the Fifth Symphony represented a transformation<br />
in his orchestral writing, one that focused on orchestral technique<br />
and abandoned the programmatic music that typified his previous<br />
symphonies. However, there are several clear references to his life<br />
throughout the five-movement symphony.<br />
The unsettling opening begins with a trumpet fanfare and settles<br />
into an elegiac funeral march, similar in spirit to the first of the<br />
composer’s Kindertotenlieder. The following movement struggles<br />
between darkness and light, with a rough and wild theme juxtaposed<br />
by a striking chorale and some dance-like moments. The more<br />
light-hearted Scherzo, based on a traditional Austrian ländler,<br />
contains one of the most difficult horn solos in the repertoire. The<br />
tender and breathtaking Adagietto is a love letter to his wife, Alma,<br />
prominently quoting the prelude from Wagner’s Tristan und Isolde.<br />
The Adagietto leads seamlessly to the jubilant Finale, during<br />
which Mahler summarizes the symphony with references to previous<br />
movements, leading to a triumphant coda. The entire work has gone<br />
from deep despair and anger to love, and then ends in pure joy.<br />
PERFORMED OCTOBER 9–12<br />
JAAP van ZWEDEN conductor<br />
Series: Thursday B and I, Friday B and Sunday A
30<br />
TUESDAY A<br />
6 concerts at 7:30<br />
SEP<br />
30<br />
NOV<br />
25<br />
DEC<br />
16<br />
FEB<br />
24<br />
MAR<br />
17<br />
APR<br />
21<br />
September 30<br />
MUTI CONDUCTS TCHAIKOVSKY 4<br />
Riccardo Muti conductor<br />
Tchaikovsky The Tempest<br />
Debussy La mer<br />
Tchaikovsky Symphony No. 4<br />
Riccardo Muti begins this season’s journey<br />
through Tchaikovsky’s symphonies with<br />
the powerfully dramatic Fourth. A brilliant<br />
symphony that will display the <strong>CSO</strong>’s mastery<br />
of orchestral color, its fourth movement<br />
features an imaginative dialogue between<br />
pizzicato strings and sprightly woodwinds.<br />
Tchaikovsky’s Fourth is paired with The<br />
Tempest, which depicts characters from the<br />
Shakespeare play, and Debussy’s dazzling<br />
portrait of the sea in all its moods.<br />
Photos clockwise from upper left:<br />
Louis Lortie, Riccardo Muti conducts<br />
the Chicago Symphony Orchestra,<br />
Charles Dutoit<br />
November 25<br />
Bach Brandenburg Concertos<br />
Nicholas Kraemer<br />
conductor and harpsichord<br />
Program features the complete<br />
Bach Brandenburg Concertos (Nos. 1–6)<br />
December 16<br />
BEETHOVEN 7<br />
Manfred Honeck conductor<br />
Haydn Symphony No. 93<br />
Strauss Don Juan<br />
Beethoven Symphony No. 7<br />
February 24<br />
MUTI CONDUCTS MOZART REQUIEM<br />
Riccardo Muti conductor<br />
Rudolf Buchbinder piano<br />
Rosa Feola soprano<br />
Alisa Kolosova mezzo-soprano<br />
Saimir Pirgu tenor<br />
Michele Pertusi bass<br />
Chicago Symphony Chorus<br />
Duain Wolfe chorus director<br />
Mozart Piano Concerto No. 24<br />
Mozart Requiem<br />
March 17<br />
Dutoit Conducts Ravel<br />
AND D’INDY<br />
Charles Dutoit conductor<br />
Louis Lortie piano<br />
Ravel Rapsodie espagnole<br />
D’Indy Symphony on a French Mountain Air<br />
Franck Symphonic Variations<br />
Ravel Suite No. 2 from Daphnis et Chloé<br />
Charles Dutoit leads the Chicago Symphony<br />
Orchestra in a program brimming with<br />
Gallic charm, color and variety. Canadian<br />
pianist Louis Lortie is the soloist in Franck’s<br />
beguiling Symphonic Variations and D’Indy’s<br />
delightful Symphony on a French Mountain<br />
Air. Bookending these works are two of<br />
Ravel’s most ravishing scores: the sensuous<br />
Rapsodie espagnole and the Second Suite<br />
from his ballet, Daphnis and Chloé, with its<br />
glorious opening dawn music.<br />
April 21<br />
SHOSTAKOVICH 8<br />
Semyon Bychkov conductor<br />
Daniil Trifonov piano<br />
Rachmaninov Piano Concerto No. 1<br />
Shostakovich Symphony No. 8
CHICAGO SYMPHONY ORCHESTRA | RICCARDO MUTI Music Director | 312-294-3000 | <strong>CSO</strong>.ORG<br />
31<br />
TUESDAY B<br />
6 concerts at 7:30<br />
SEP<br />
23<br />
DEC<br />
9<br />
JAN<br />
27<br />
MAR<br />
3<br />
APR<br />
14<br />
MAY<br />
19<br />
<strong>CSO</strong> Tuesday series concerts are sponsored by United Airlines.<br />
September 23<br />
Muti Conducts Beethoven 9<br />
Riccardo Muti conductor<br />
Camilla Nylund soprano<br />
Ekaterina Gubanova mezzo-soprano<br />
Christopher Ventris tenor<br />
Eric Owens bass<br />
Chicago Symphony Chorus<br />
Duain Wolfe chorus director<br />
Beethoven Symphony No. 9<br />
Join us for a rousing start to the 2014/15<br />
season when Riccardo Muti conducts the<br />
Chicago Symphony Orchestra and<br />
Chorus in Beethoven’s most glorious and<br />
jubilant masterpiece. An exhilarating<br />
testament to the human spirit, Beethoven’s<br />
Ninth bursts with brooding power and<br />
kinetic energy and culminates in the exultant<br />
hymn, “Ode to Joy.”<br />
December 9<br />
THE NUTCRACKER AND<br />
PETRUSHKA<br />
Ingo Metzmacher conductor<br />
Tchaikovsky Excerpts from The Nutcracker<br />
Stravinsky Petrushka<br />
Shostakovich Symphony No. 11<br />
(The Year 1905)<br />
January 27<br />
Muti Conducts Scriabin<br />
Riccardo Muti conductor<br />
Mendelssohn Calm Sea and<br />
Prosperous Voyage Overture<br />
Debussy La mer<br />
Scriabin The Divine Poem<br />
Scriabin’s highly dramatic symphony The<br />
Divine Poem is lavishly orchestrated with<br />
an exuberant sense of heroic striving.<br />
Riccardo Muti, a masterful Scriabin<br />
interpreter, combines this luscious piece<br />
with two portraits of the sea: Mendelssohn’s<br />
illustrative overture Calm Sea and<br />
Prosperous Voyage and Debussy’s lustrous<br />
La mer, which captures the sea’s moods<br />
from mist-shrouded dawn through<br />
sun-dappled waves to the fury of a storm.<br />
April 14<br />
Haitink Conducts Mahler<br />
Bernard Haitink conductor<br />
Mahler Symphony No. 7<br />
Former <strong>CSO</strong> principal conductor Bernard<br />
Haitink leads one of Mahler’s most<br />
enigmatic yet enticing symphonies.<br />
Abandoning the programmatic stories of his<br />
early symphonies, Mahler presents a vividly<br />
orchestrated, magical tour following<br />
his own dictum: “A symphony must be like<br />
the world—it must embrace everything.”<br />
Unforgettable are the haunting horn calls<br />
which open the second movement’s<br />
“night music,” awakening a throng of<br />
animated sounds.<br />
May 19<br />
Salonen Conducts Debussy<br />
Esa-Pekka Salonen conductor<br />
Stéphane Degout baritone (Pelléas)<br />
Christine Rice mezzo-soprano (Mélisande)<br />
Eric Owens bass-baritone (Golaud)<br />
Willard White bass-baritone (Arkel)<br />
Felicity Palmer mezzo-soprano (Geneviève)<br />
Chloé Briot soprano (Yniold)<br />
Debussy Pelléas et Mélisande<br />
This program is part of the <strong>CSO</strong>’s 2015<br />
Reveries and Passions Festival.<br />
Photos top to bottom:<br />
Esa-Pekka Salonen, Chicago Symphony Chorus,<br />
Christine Rice, Felicity Palmer<br />
March 3<br />
Muti Conducts Tchaikovsky 6<br />
Riccardo Muti conductor<br />
Scriabin Symphony No. 2<br />
Tchaikovsky Symphony No. 6 (Pathétique)
32<br />
The music you love at the time you love | 4 WEEKNIGHTS AT 6:30<br />
AFTERWORK<br />
MASTERWORKS®<br />
Explore epic masterpieces with the world’s best orchestra in four concerts perfectly<br />
designed to fit your schedule. These midweek programs feature glorious orchestral<br />
music, an early start time and no intermission. Concert length is approximately 75<br />
minutes.<br />
Extend your experience after each concert with complimentary wine and an engaging<br />
Q&A session with the guest artists in the Grainger Ballroom. There’s no better way to<br />
spend your weekday evenings than with the <strong>CSO</strong>!<br />
Top four photos, clockwise from upper left:<br />
Vasily Petrenko, Semyon Bychkov,<br />
Paul Lewis, Jennifer Koh<br />
Wednesday, November 12<br />
DEBUSSY AND BOULEZ<br />
Chicago Symphony Orchestra<br />
Pablo Heras-Casado conductor<br />
Alice Sara Ott piano<br />
Boulez Figures-Doubles-Prismes<br />
Bartók Piano Concerto No. 3<br />
Debussy Ibéria<br />
Pablo Heras-Casado conducts a<br />
colorful program of 20th-century works,<br />
including Debussy’s sinuous Ibéria.<br />
Honoring the upcoming 90th birthday<br />
of <strong>CSO</strong> Helen Regenstein Conductor<br />
Emeritus Pierre Boulez, the <strong>CSO</strong><br />
plays the musical maverick’s first<br />
work for full orchestra alone, Figures-<br />
Doubles-Prismes, while Alice Sara Ott<br />
joins the <strong>CSO</strong> for Bartók’s explosive<br />
Third Piano Concerto.<br />
Wednesday, January 7<br />
LEWIS PLAYS<br />
BEETHOVEN EMPEROR<br />
Chicago Symphony Orchestra<br />
Vasily Petrenko conductor<br />
Paul Lewis piano<br />
Beethoven Piano Concerto No. 5<br />
(Emperor)<br />
Rachmaninov Symphonic Dances<br />
“One of the finest Beethoven<br />
interpreters of his generation”<br />
(The New York Times), Paul Lewis<br />
returns to the <strong>CSO</strong> for Beethoven’s most<br />
beloved and charming piano concerto.<br />
Vasily Petrenko has equally been<br />
acclaimed for his performances of<br />
20th-century Russian repertoire, and<br />
this performance of Rachmaninov’s<br />
wryly apocalyptic Symphonic Dances<br />
is sure to be a roof-raiser.<br />
Thursday, April 23<br />
Bruckner 8<br />
Chicago Symphony Orchestra<br />
Semyon Bychkov conductor<br />
Bruckner Symphony No. 8<br />
Bruckner’s Eighth Symphony is imbued<br />
with mystical passions and aesthetic<br />
glories. It rises from a doom-laden<br />
opening to a third movement containing<br />
the noblest, most ecstatic music<br />
the composer ever created. Semyon<br />
Bychkov, one of today’s most esteemed<br />
conductors, guides us through<br />
Bruckner’s final and most profound<br />
symphony.<br />
Tuesday, June 2<br />
CLYNE and BEETHOVEN 3<br />
Chicago Symphony Orchestra<br />
Ludovic Morlot conductor<br />
Jennifer Koh violin<br />
Clyne Violin Concerto<br />
[World premiere, <strong>CSO</strong> commission]<br />
Beethoven Symphony No. 3 (Eroica)<br />
Chicago native Jennifer Koh, acclaimed<br />
for her “penetrating sound, myriad<br />
colorings and commanding technique”<br />
(The New York Times), returns to<br />
the <strong>CSO</strong> for the world premiere of a<br />
violin concerto by Mead Composer-in-<br />
Residence Anna Clyne. Beethoven’s<br />
Eroica Symphony moves from its<br />
famous funeral march to a brilliant<br />
scherzo and extraordinarily inventive<br />
set of variations.
Telling the stories of music | 3 FRIDAYS AT 7:30 | 3 SUNDAYS AT 3:00<br />
33<br />
GERARD McBURNEY creative director<br />
Designed for newcomers to classical music and longtime aficionados alike, each<br />
Beyond the Score program takes you on a dramatic exploration of a composer’s<br />
music. With live actors, stunning visual projections and musical excerpts played<br />
by the <strong>CSO</strong>, the compelling story of the composer’s life and art unfolds, illuminating<br />
the world that shaped the work’s creation.<br />
November 14 & 16<br />
Boulez AT 90<br />
Provisionally definitive<br />
In 2015 Pierre Boulez turns 90, and<br />
Beyond the Score celebrates with<br />
a phantasmagorical acoustic and<br />
theatrical journey through a lifetime<br />
of musical adventures, innovations<br />
and discoveries. Performed within an<br />
extraordinary, specially commissioned<br />
design, this production will mix live<br />
performance with rare archival footage<br />
and new interviews with the composer<br />
and conductor who was, from the<br />
first, one of Beyond the Score’s most<br />
passionate champions.<br />
June 5 & 7<br />
RAVEL: A PORTRAIT<br />
Complex but never complicated<br />
In a season in which the <strong>CSO</strong> plays an<br />
especially large number of pieces by<br />
this most beloved of French composers,<br />
Beyond the Score responds with a<br />
musical and dramatic depiction of this<br />
complex, subtle, private, paradoxical<br />
and mysterious man who once<br />
declared: ‘’My teacher in composition<br />
was Edgar Allan Poe... He taught<br />
me that true art is a perfect balance<br />
between pure intellect and emotion.”<br />
March 27 & 29<br />
Brahms Symphony No. 3<br />
Free but happy<br />
In the summer of 1883, vacationing<br />
in the ancient German spa town of<br />
Wiesbaden, Brahms celebrated his<br />
recent 50th birthday by composing one<br />
of his mellowest and most open-hearted<br />
orchestral works. When he showed<br />
the score to his lifelong friend Clara<br />
Schumann, she exclaimed: “One beat<br />
of the heart, every movement a jewel!”<br />
Top three photos, clockwise from upper left:<br />
Pierre Boulez, Johannes Brahms,<br />
Maurice Ravel
34<br />
Experience your favorite films in a whole new way | 3 FRIDAYS AT 8:00<br />
<strong>CSO</strong><br />
at the<br />
Movies<br />
With our <strong>CSO</strong> at the Movies series, you’ll enjoy hits ranging from Hollywood’s Golden<br />
Age to today’s blockbusters accompanied live by the incomparable Chicago Symphony<br />
Orchestra. Save your seat for three thrilling nights of musical movie magic.<br />
This is one of our most popular series, and tickets sell out quickly. Add this package<br />
to your subscription order today!<br />
November 28<br />
PIXAR IN CONCERT<br />
Chicago Symphony Orchestra / Richard Kaufman conductor<br />
—<br />
Join us at Symphony Center for an unforgettable Thanksgiving weekend as<br />
the Chicago Symphony Orchestra plays music from your favorite Pixar movies.<br />
Memorable scores from Pixar’s 14 films including Up, the Toy Story trilogy<br />
and their latest release, Monsters University, will be played live with visually<br />
stunning clips of some of the most beloved characters in cinematic history.<br />
Presentation licensed by Disney Music Publishing © Disney/Pixar<br />
Richard Kaufman<br />
Additional programs for March 13 and May 29 will be announced in<br />
the coming months. Stay tuned for more information!<br />
All concerts in the <strong>CSO</strong> at the Movies series are recommended for ages 8 and up;<br />
infants will not be admitted.
Great music. Unforgettable moments. | 3 SATURDAYS AT 11:00 a.m A OR 12:45 p.m. B<br />
35<br />
<strong>CSO</strong><br />
FAMILY<br />
Matinees<br />
PERFECT FOR AGES 5 AND UP!<br />
Music is a universal language, transcending words and depicting people, places and<br />
experiences through melody, harmony and rhythm. Join us for three programs that<br />
explore the ways that music communicates, taking you to different places, vividly<br />
portraying characters and inspiring an amazing range of emotions.<br />
Enrich the child in your life through the one-of-a-kind experience of hearing the<br />
Chicago Symphony Orchestra playing orchestral masterpieces. Instill a lifelong love<br />
of music with these fun and engaging programs for the young and the young at heart.<br />
Extend the fun with FREE preconcert adventures in the Rotunda, featuring activities<br />
with partner organizations, colorful and engaging exhibits and interactive musical<br />
experiences.<br />
November 22<br />
Downtown Sounds<br />
Members of the<br />
Chicago Symphony Orchestra<br />
Program to include:<br />
Bernstein “Times Square 1944”<br />
from On the Town<br />
Copland Music for a Great City<br />
What does your neighborhood or town<br />
sound like? Many composers have<br />
written music about their favorite<br />
places, using melodies and rhythms<br />
to portray city streets and bustling<br />
neighborhoods. Be transported around<br />
the world without leaving Orchestra<br />
Hall in this program featuring music by<br />
Bernstein and Copland.<br />
March 21<br />
Carnival of the Animals<br />
Members of the<br />
Chicago Symphony Orchestra<br />
Program to include:<br />
Saint-Saëns Carnival of the Animals<br />
What instruments would you choose<br />
to create the sound of a massive<br />
elephant lumbering across the safari,<br />
an elegant swan in flight or a school<br />
of fish swimming with the current?<br />
Discover how members of the Chicago<br />
Symphony Orchestra can conjure a<br />
zoo full of characters in this concert<br />
featuring Saint-Saëns’ popular Carnival<br />
of the Animals.<br />
May 2<br />
Tchaikovsky Spectacular<br />
Chicago Symphony Orchestra<br />
Edwin Outwater conductor<br />
Hubbard Street 2 guest artists<br />
Program to include excerpts from:<br />
Tchaikovsky<br />
Symphony No. 1 (Winter Daydreams)<br />
Symphony No. 6 (Pathétique)<br />
Fantasy Overture to Romeo and Juliet<br />
Experience all of the feelings Pyotr Ilyich<br />
Tchaikovsky expressed through his music—<br />
triumph, sadness, humor, tragedy, love and<br />
more! Edwin Outwater, the <strong>CSO</strong> and guest<br />
dancers introduce you to the spectacular<br />
sounds of one of the greatest composers of<br />
all time.<br />
PERFECT FOR AGES 3–5!<br />
Start an engaging journey into the world of music for the preschooler in your life<br />
with Once Upon a Symphony. In 2014/15, we present two delightful<br />
programs, Little Red Riding Hood and Jack and the Beanstalk, featuring small<br />
ensembles of <strong>CSO</strong> musicians paired with vivid storytelling, sets, costumes<br />
and images created by Chicago Children’s Theatre.<br />
Presented in collaboration with<br />
6 SATURDAYS AT 10:OO AND 11:45 a.m.<br />
BUNTROCK HALL<br />
DEC. 6 • JAN. 10 • FEB. 21 • APR. 11 • APR. 18 • APR. 25
36 Extraordinary artistry. Intimate collaborations. | 5–CONCERT SERIES<br />
CHAMBER<br />
MUSIC<br />
Today’s leading interpreters of classical music take the stage at Orchestra Hall for<br />
five intimate recitals, exploring music ranging from timeless masterworks to bold new<br />
compositions. Hear these world-renowned artists in exciting programs that reveal the<br />
enchanting mysteries of musical collaboration.<br />
Photo top: Takács Quartet<br />
Photo bottom: Marc-André Hamelin
SYMPHONY CENTER PRESENTS | 312-294-3000 | <strong>CSO</strong>.ORG<br />
37<br />
Thursday, October 16, 7:30<br />
Takács Quartet with<br />
Marc-André Hamelin piano<br />
Haydn String Quartet in B-Flat Major,<br />
Op. 64, No. 3<br />
Debussy String Quartet in G Minor<br />
Franck Piano Quintet<br />
The illustrious Takács Quartet opens the<br />
2014/15 Symphony Center Presents<br />
Chamber Music series with Debussy’s only<br />
string quartet, a sensual and impressionistic<br />
tour de force of color and texture. The<br />
brilliantly precise ensemble, deftly matched<br />
by virtuosic Canadian pianist Marc-André<br />
Hamelin, returns in the second half for<br />
Franck’s exquisite and passionate Piano<br />
Quintet.<br />
Wednesday, November 19, 7:30<br />
ANNE-SOPHIE MUTTER violin<br />
Mutter Virtuosi<br />
Roman Patkolo double bass<br />
Currier Ringtones<br />
Mendelssohn Octet<br />
Vivaldi The Four Seasons<br />
Exceptional violinist Anne-Sophie Mutter<br />
founded the Mutter Virtuosi to support and<br />
train the next generation of great artists. She<br />
joins current and former members of the<br />
program for two of chamber music’s most<br />
treasured works: Mendelssohn’s sparkling<br />
and animated Octet and Vivaldi’s delightful<br />
The Four Seasons. They open the concert<br />
with American composer Sebastian Currier’s<br />
Ringtones, a piece commissioned especially<br />
for the Mutter Virtuosi.<br />
Sunday, March 1, 3:00<br />
GIL SHAHAM violin<br />
David Michalek visual artist<br />
Bach Complete Sonatas and Partitas<br />
Bach’s sublime Sonatas and Partitas for<br />
Solo Violin are among the most technically<br />
demanding and emotionally penetrating<br />
works he ever composed. 2012 Musical<br />
America Instrumentalist of the Year<br />
Gil Shaham plays all six tremendous<br />
works in one afternoon, accompanied by<br />
projections of visual imagery created by<br />
artist David Michalek. “The Illinois-born,<br />
Israel-bred violinist could give the inimitable<br />
Jascha Heifetz a close race in the razzle<br />
dazzle department” (Chicago Tribune).<br />
Sunday, April 12, 3:00<br />
Hilary Hahn violin<br />
Two-time Grammy ® Award-winner Hilary<br />
Hahn returns to Symphony Center for her<br />
only Chicago appearance of the 2014/15<br />
season. “Hahn started out as a prodigy of<br />
rare clarity and virtuosity and has developed<br />
into a daring, mature artist eager for new<br />
collaborations and repertory” (The New York<br />
Times).<br />
Sunday, May 17, 3:00<br />
Yo-Yo Ma cello<br />
with Musicians from the<br />
Chicago Symphony Orchestra<br />
Beloved cellist and <strong>CSO</strong> Judson and<br />
Joyce Green Creative Consultant<br />
Yo-Yo Ma combines forces with musicians<br />
from the Chicago Symphony Orchestra<br />
in what is sure to be a warm-hearted<br />
and engaging afternoon of intimate musicmaking.<br />
“The concert’s atmosphere was<br />
spontaneous and congenial… The idea<br />
was to gather gifted musician friends<br />
and turn them loose on music they<br />
rarely get a chance to perform onstage”<br />
(Chicago Sun-Times).<br />
Photos clockwise from upper left:<br />
Gil Shaham, Hilary Hahn,<br />
Anne-Sophie Mutter, Yo-Yo Ma with Musicians<br />
from the Chicago Symphony Orchestra
38<br />
Virtuosity at its finest | SUNDAYS AT 3:00 | 10–concert series: E | 5–concert series: A or B<br />
PIANO<br />
Featuring the biggest names of the keyboard world, the Symphony Center Presents Piano<br />
series explores 300 years of thrilling repertoire with cherished masterpieces and modern<br />
classics. Artists this season include Chicago favorites Evgeny Kissin and Maurizio Pollini,<br />
along with series newcomers Alexandre Tharaud and Orli Shaham.<br />
October 26 A<br />
Maurizio Pollini<br />
“Pollini’s playing is powerful and precise,<br />
driven by a probing intellect and executed<br />
with steely, virtually infallible fingers”<br />
(The New York Times). Hear this legendary<br />
piano master live in concert at Orchestra<br />
Hall as he opens the Symphony Center<br />
Presents Piano 2014/15 season.<br />
Special Add-on:<br />
AIMARD AND STEFANOVICH<br />
PLAY BOULEZ’S PIANO WORKS<br />
Save up to 10% when you add this to your renewal order.<br />
See page 47 for more details.<br />
November 9 B<br />
Pierre-Laurent Aimard<br />
Bach The Well-Tempered Clavier, Book 1<br />
Bach’s The Well-Tempered Clavier changed<br />
the world’s understanding of counterpoint,<br />
rhythm and thematic transformation forever.<br />
French pianist Pierre-Laurent Aimard<br />
puts his unique stamp on the first book<br />
of this epic masterpiece. “This is Bach<br />
playing to listen to every day, fresh and spry”<br />
(Gramophone).<br />
January 25 A<br />
Garrick Ohlsson<br />
Program to include works by Scriabin,<br />
Prokofiev and Rachmaninov<br />
A sublime interpreter with magisterial power<br />
and exquisite finesse, Garrick Ohlsson<br />
commands an enormous repertoire. Prepare<br />
for an astounding afternoon of fine musicmaking.<br />
“Mr. Ohlsson offers interpretations<br />
that blend the gossamer and the athletic”<br />
(The New York Times).<br />
February 22 B<br />
Olli Mustonen<br />
Tchaikovsky Album for the Young<br />
Chopin Mazurkas from Op. 59 and 56<br />
Mustonen Sonata (Jehkin Iivana)<br />
Scriabin Sonata No. 10<br />
Scriabin Vers la flamme<br />
“An extraordinary pianist for extraordinary<br />
music… Mustonen’s dazzling pianism is<br />
truly hypnotic” (Gramophone). Few artists<br />
today can equal the combination of glittering<br />
sonorities and awe-inspiring agility of Finnish<br />
pianist Olli Mustonen. This superb talent<br />
brings a program blending pieces by two<br />
Russian masters, Tchaikovsky and Scriabin,<br />
and Chopin with his own Jehkin Livana,<br />
a work inspired by mystical Nordic legends.<br />
March 8 B<br />
András Schiff<br />
Haydn Sonata in C Major<br />
Beethoven Sonata No. 30<br />
Mozart Sonata in C Major, K. 545<br />
Schubert Sonata in C Minor, D. 958<br />
András Schiff’s impeccable clarity of tone<br />
illuminates everything he plays, yielding<br />
fresh, pure insights from treasured<br />
masterworks. In this concert, he launches<br />
a three-part, multi-season exploration<br />
of the final three sonatas by each of the<br />
greatest composers of the Classical era:<br />
Haydn, Mozart, Beethoven and Schubert.
SYMPHONY CENTER PRESENTS | 312-294-3000 | <strong>CSO</strong>.ORG<br />
39<br />
March 22 A<br />
Murray Perahia<br />
Each time he returns to Symphony<br />
Center, American pianist Murray Perahia<br />
combines his trademark balanced sense of<br />
phrasing with spirited musicality and crisp<br />
articulation. “The commanding insights<br />
Perahia brings to this repertory…breathe<br />
freshness and distinction into works we’ve<br />
heard many times before, but seldom played<br />
at this inspired level” (Chicago Tribune).<br />
April 19 B<br />
Evgeny Kissin<br />
Beethoven Sonata No. 21 (Waldstein)<br />
Prokofiev Sonata No. 4 in C Minor<br />
Rachmaninov Select Op. 23 and<br />
Op. 32 Preludes<br />
“The capacity crowd leapt to its feet at the<br />
end, roaring its appreciation, clearly hoping<br />
to hear another marathon of encores”<br />
(Chicago Tribune). Don’t miss Evgeny<br />
Kissin’s exceptional artistry and dazzling<br />
virtuosity in his annual visit to Symphony<br />
Center, certain to be one of the musical<br />
events of the year.<br />
May 3 A<br />
CÉDRIC TIBERGHIEN<br />
Ravel Gaspard de la nuit<br />
Debussy A selection of preludes and etudes<br />
Szymanowski Mask<br />
Debussy Masques<br />
Debussy D’un cahier d’esquisses<br />
Debussy L’isle joyeuse<br />
French pianist Cédric Tiberghien makes<br />
his Symphony Center Presents Piano<br />
series debut with a delightful, mostly Gallic<br />
program. “The highlight was brilliant<br />
pianist Cédric Tiberghien, who played<br />
with a rich, rounded tone and fleet, crisp<br />
articulation” (The New York Times).<br />
May 10 B<br />
Alexandre Tharaud<br />
Couperin Seven Pieces<br />
Rameau Movements from<br />
Suite in A<br />
Satie Avant-dernières Pensées<br />
Satie Gnossiennes Nos. 1, 3 and 4<br />
Ravel Miroirs<br />
Magnetic French pianist Alexandre Tharaud<br />
makes his Symphony Center debut with a<br />
program pairing Baroque French works with<br />
pieces by Satie and Ravel. “Mr. Tharaud<br />
played with a subdued sensitivity and<br />
delicacy of touch that demanded close<br />
attention. He got it” (The New York Times).<br />
May 31 A<br />
Orli Shaham<br />
Bach Partita No. 1 in B-flat Major<br />
Schoenberg Six Little Piano Pieces<br />
Brahms Six Piano Pieces, Op. 118<br />
Schubert Impromptu in G-flat Major<br />
Adolphe Intermezzo, My Inner Brahms<br />
Brahms Four Piano Pieces, Op. 119<br />
A pianist of grace and vitality, Orli Shaham<br />
is an extraordinarily gifted artist with<br />
flawless technique and remarkable<br />
musicality. Enjoy a delightful afternoon<br />
with her selection of keyboard gems<br />
by Bach, Brahms, Schubert and<br />
more in this Symphony Center Presents<br />
Piano debut!<br />
Photos top row left to right: Maurizio Pollini,<br />
Pierre-Laurent Aimard, Garrick Ohlsson,<br />
András Schiff, Murray Perahia<br />
Photos bottom row left to right: Evgeny Kissin,<br />
Olli Mustonen, Cédric Tiberghien,<br />
Alexandre Tharaud, Orli Shaham
40 Great orchestras. Revered maestros. Beloved masterworks. | 3–CONCERT SERIES<br />
ORCHESTRAS<br />
Hear a selection of the world’s greatest orchestras in this thrilling three-concert series.<br />
From the high-octane energy of the London Philharmonic to the impassioned virtuosity<br />
of the Rotterdam Philharmonic to the bold brilliance of the Seoul Philharmonic, the<br />
2014/15 season promises a sonic feast of symphonic music.<br />
Saturday, October 18, 8:00<br />
London Philharmonic<br />
Orchestra<br />
Vladimir Jurowski conductor<br />
Jean-Efflam Bavouzet piano<br />
Lindberg Chorale<br />
Rachmaninov Rhapsody on a Theme<br />
of Paganini<br />
Shostakovich Symphony No. 8<br />
Among the world’s most versatile orchestras,<br />
the London Philharmonic Orchestra brings<br />
its invigorating perspective to two works<br />
inspired by musical heroes. Lindberg’s<br />
richly textured Chorale reconceives a<br />
Bach cantata theme, and Rachmaninov’s<br />
Rhapsody on a Theme of Paganini invents<br />
24 glittering piano variations on a melody<br />
by the famed violinist. Completing the<br />
program is Shostakovich’s Eighth Symphony,<br />
a profound work that explores sounds of<br />
light, darkness, loss and consolation.<br />
Friday, February 20, 8:00<br />
Rotterdam Philharmonic<br />
Orchestra<br />
YANNICK NÉZET-SÉGUIN conductor<br />
Hélène Grimaud piano<br />
Escher Musique pour l’esprit en deuil<br />
Ravel Piano Concerto in G Major<br />
Prokofiev Symphony No. 5<br />
Acclaimed for his “commanding and kinetic<br />
conducting style” (The New York Times),<br />
Yannick Nézet-Séguin makes his Chicago<br />
debut, leading the electrifying Rotterdam<br />
Philharmonic Orchestra in Prokofiev’s<br />
magnificent Fifth Symphony. The composer<br />
wrote that this symphony celebrates “free<br />
and happy Man, his mighty powers, his pure<br />
and noble spirit.” French pianist Hélène<br />
Grimaud joins the orchestra for Ravel’s<br />
scintillating, jazz-inflected piano concerto.<br />
Friday, April 24, 8:00<br />
Seoul Philharmonic<br />
Orchestra<br />
MYUNG-WHUN CHUNG conductor<br />
Sunwook Kim piano<br />
Beethoven Piano Concerto No. 5 (Emperor)<br />
Brahms Symphony No. 4<br />
Brahms’ beloved Fourth Symphony radiates<br />
with warm-hearted melodies and majestic,<br />
soaring emotions. Hear it as gloriously<br />
played by the Seoul Philharmonic Orchestra<br />
under their revered maestro, Myung-Whun<br />
Chung. “Chung’s Seoul Philharmonic has a<br />
beefy, opulent sound… this is an ensemble<br />
Chung has obviously built himself from the<br />
ground up” (Los Angeles Times).<br />
Photos left to right: Vladimir Jurowski,<br />
Yannick Nézet-Séguin, Myung-Whun Chung
Chicago’s most vibrant new music scene | MONDAYS AT 7:00<br />
41<br />
MusicNOW<br />
4 CONCERTS + PIZZA + DRINKS<br />
SEPTEMBER 29 • JANUARY 19 • MARCH 23 • JUNE 1<br />
Harris Theater for Music and Dance, 205 E. Randolph Drive<br />
Regular $72 Student $28<br />
Uniquely curated by Mead Composers-in-Residence Mason Bates and Anna Clyne, each MusicNOW concert is an audio/visual journey<br />
through groundbreaking repertoire with musicians from the <strong>CSO</strong> and Principal Conductor Cliff Colnot. Each Monday night features video<br />
program notes that play before each piece, pre- and postconcert entertainment from DJ collective illmeasures and a postconcert reception<br />
with free food and drink.<br />
MusicNOW receives funding through a leadership challenge grant from Irving Harris Foundation, Joan W. Harris.<br />
Major support is provided by Cindy Sargent and Sally Mead Hands Foundation.<br />
Photos left to right: Anna Clyne and Mason Bates, Members of the Chicago Symphony Orchestra, Cliff Colnot<br />
NEW MUSIC<br />
November 13–15<br />
PIERRE BOULEZ<br />
Figures-Doubles-Prismes<br />
Figures-Doubles-Prismes is the first work<br />
Pierre Boulez (b. 1925) composed for<br />
full orchestra alone. Physically dispersing the<br />
woodwind and brass players among<br />
the strings on the platform, the work is filled<br />
with vividly imaginative textures and colors.<br />
December 18–20<br />
JAMES MACMILLAN<br />
Veni, Veni, Emmanuel<br />
A devout Catholic, Scottish composer<br />
James MacMillan (b. 1959) based his<br />
exuberant percussion concerto on the<br />
Advent plainchant Veni, Veni, Emmanuel.<br />
March 26 & 28<br />
MICHAEL IPPOLITO Nocturne<br />
A student of John Corigliano, American<br />
Michael Ippolito (b. 1985) drew<br />
inspiration for his Nocturne from Joan Miró’s<br />
1940 painting of the same name.<br />
May 28 & 30<br />
ANNA CLYNE Violin Concerto<br />
[World premiere, <strong>CSO</strong> commission]<br />
See May 30 listing on page 24 for complete<br />
description.<br />
June 18–20<br />
MASON BATES<br />
Anthology of Fantastic Zoology<br />
[World premiere, <strong>CSO</strong> commission]<br />
See June 19 listing on page 17 for complete<br />
description.<br />
Photos clockwise from upper left:<br />
Pierre Boulez, James MacMillan,<br />
Michael Ippolito<br />
These concerts are all part of the <strong>CSO</strong><br />
subscription series. See the concert<br />
grid located in the center fold-out of this<br />
catalog for dates and series listings.
42 CHICAGO SYMPHONY ORCHESTRA | RICCARDO MUTI Music Director | SYMPHONY CENTER PRESENTS<br />
SEASON HIGHLIGHT<br />
A Thanksgiving weekend<br />
of fun, laughter and<br />
music for your family with<br />
the <strong>CSO</strong> and Pixar<br />
Friday, November 28, 8:00<br />
<strong>CSO</strong> at the Movies<br />
Saturday, November 29, 8:00<br />
Sunday, November 30, 3:00<br />
PIXAR IN CONCERT<br />
Chicago Symphony Orchestra<br />
Richard Kaufman conductor<br />
Bring your family for an unforgettable<br />
Thanksgiving weekend as the Chicago<br />
Symphony Orchestra plays music<br />
from your favorite Pixar movies. Memorable<br />
scores from Pixar’s 14 fi lms including<br />
Up, the Toy Story trilogy and their latest<br />
release, Monsters University, will be<br />
played live with visually stunning clips of<br />
some of the most beloved characters in<br />
cinematic history.<br />
Presentation licensed by Disney Music Publishing<br />
© Disney/Pixar<br />
Recommended for ages 8 and up.<br />
Infants will not be admitted.<br />
SYMPHONY CENTER PRESENTS<br />
JAZZ<br />
SPECTACULAR ARTISTS. UNFORGETTABLE CONCERTS.<br />
Artists will be announced in April 2014. Stay tuned!
Chicago’s seasonal favorite returns for a festive 20-year celebration 43<br />
“That chorus maestro Duain Wolfe carries the show is<br />
an understatement. He merrily narrates from<br />
his podium, conducts the orchestra and leads the<br />
sing-alongs with aplomb.”<br />
—Chicago Sun-Times<br />
“For high-spirited Christmas music and dancing,<br />
Orchestra Hall is the place to be.”<br />
—Chicago Classical Review<br />
DECEMBER 13–23<br />
Members of the Chicago Symphony Orchestra<br />
Duain Wolfe creative director and conductor<br />
Chicago Symphony Chorus<br />
Welcome Yule! Children’s Ensemble<br />
Welcome Yule! Dance Ensemble<br />
Add this special celebration to your<br />
subscription order and SAVE UP TO 10% off<br />
single ticket prices.
44<br />
CHICAGO SYMPHONY ORCHESTRA | RICCARDO MUTI Music Director | SYMPHONY CENTER PRESENTS<br />
SPECIAL CONCERTS<br />
A jubilant celebration to launch<br />
the 2014/15 season<br />
Saturday, September 20, 7:00<br />
Symphony Ball:<br />
Muti Conducts Beethoven 9<br />
Chicago Symphony Orchestra<br />
Riccardo Muti conductor<br />
Camilla Nylund soprano<br />
Ekaterina Gubanova mezzo-soprano<br />
Christopher Ventris tenor<br />
Eric Owens bass<br />
Chicago Symphony Chorus<br />
Duain Wolfe chorus director<br />
Beethoven Symphony No. 9<br />
The Women’s Board of the Chicago<br />
Symphony Orchestra proudly presents<br />
Symphony Ball, a prestigious gala evening<br />
of music and celebration that launches<br />
the 2014/15 season. Enjoy a festive<br />
preconcert reception at Symphony Center,<br />
followed by a spectacular concert as<br />
Music Director Riccardo Muti leads the<br />
Chicago Symphony Orchestra and Chorus<br />
in Beethoven’s jubilant Ninth Symphony.<br />
Gala patrons will continue their evening<br />
with postconcert dinner and dancing at the<br />
Palmer House.<br />
The greatest mariachi<br />
in the world<br />
Sunday, September 28, 3:00<br />
Mariachi Vargas de Tecalitlán<br />
Based in Mexico City, Mariachi Vargas is<br />
considered the greatest mariachi in the<br />
world. Their annual program at Symphony<br />
Center continues to delight audiences with<br />
infectious energy and joyful interaction.<br />
Don’t miss what is “without doubt the best<br />
display of mariachi virtuosity” (Los Angeles<br />
Times).<br />
—<br />
Two Grammy ® Award-winning<br />
masters<br />
Friday, October 17, 8:00<br />
Chris Thile & Edgar Meyer<br />
Bassist Edgar Meyer and mandolinist<br />
Chris Thile of Punch Brothers team up as<br />
composers/performers to cross traditional<br />
boundaries in a diverse program of original<br />
music. Expect an intelligent, entertaining<br />
performance from these two MacArthur<br />
Fellows, whose long history of collaborations<br />
will bring a soon-to-be-released recording of<br />
new material on Nonesuch.<br />
Halloween fun<br />
for the whole family<br />
Saturday, October 25, 3:00<br />
Hallowed Haunts<br />
Civic Orchestra of Chicago<br />
We invite trick-or-treaters of all ages to<br />
get into the Halloween spirit at our<br />
annual Hallowed Haunts concert! This<br />
spook-tacular afternoon with the Civic<br />
Orchestra of Chicago is full of symphonic<br />
thrills and chills that will haunt and<br />
delight. Don your Halloween costume and<br />
join fellow ghosts and ghouls for preconcert<br />
activities from 1:30-2:30.<br />
Recommended for ages 5 and up.
312-294-3000 | <strong>CSO</strong>.ORG<br />
45<br />
Save up to 10% when you add these thrilling concerts to your subscription.<br />
Call 312-294-3000 or visit cso.org for prices.<br />
Dynamic skill and artistry<br />
Sunday, November 2, 3:00<br />
CHINA NCPA ORCHESTRA<br />
Lu Jia conductor<br />
Yuja Wang piano<br />
Qigang The Five Elements Suite for Orchestra<br />
Ravel Piano Concerto in G Major<br />
Dvořák Symphony No. 8<br />
Established in March 2010, the NCPA<br />
Orchestra is the orchestra in residence at<br />
the National Centre for the Performing<br />
Arts in Beijing, China. Witness the dynamic<br />
skill and artistry of this ensemble and pianist<br />
Yuja Wang, “simply the most important<br />
pianist to appear in recent years, period”<br />
(The Detroit News), in a program featuring<br />
Ravel’s gorgeous Concerto in G Major and<br />
Dvořák’s songful Eighth Symphony.<br />
Dazzling movement, vibrant color<br />
and stunning beauty<br />
Wednesday, November 5, 7:30<br />
MAZOWSZE<br />
Mazowsze, the magnificent State Song<br />
and Dance Ensemble of Poland, returns<br />
to Chicago. With 100 dancers, singers<br />
and musicians in 1,500 costumes,<br />
Mazowsze will astound you with an amazing<br />
kaleidoscopic display of dazzling movement,<br />
vibrant color and stunning beauty. See<br />
an unforgettable program that “makes<br />
tradition and the sheer love of dancing and<br />
music-making seem vital and enduring”<br />
(The New York Times).<br />
—<br />
An afteroon of old-world<br />
holiday charm<br />
Saturday, November 29, 3:00<br />
VIENNA BOYS CHOIR<br />
Christmas in Vienna<br />
Ring in the holiday season with the<br />
enchanting sounds of the Vienna Boys<br />
Choir when they return for their annual<br />
Thanksgiving performance! This<br />
legendary choir has captivated millions<br />
with their incredible musicianship and<br />
unique charm. Enjoy an afternoon<br />
fi lled with holiday favorites, secular music<br />
and popular folk songs.<br />
Experience your favorite Pixar<br />
movies as you never have before!<br />
Saturday, November 29, 8:00<br />
Sunday, November 30, 3:00<br />
PIXAR IN CONCERT<br />
Chicago Symphony Orchestra<br />
Richard Kaufman conductor<br />
Bring your family for an unforgettable<br />
Thanksgiving weekend concert as the <strong>CSO</strong><br />
plays music from your favorite Pixar movies.<br />
Memorable scores from Pixar’s 14 fi lms<br />
including Up, the Toy Story trilogy and<br />
their latest release, Monsters University, will<br />
be played live with visually stunning clips<br />
of some of the most beloved characters in<br />
cinematic history.<br />
Presentation licensed by Disney Music Publishing<br />
© Disney/Pixar<br />
—<br />
An orchestra of voices<br />
Tuesday, December 2, 7:30<br />
Wednesday, December 3, 7:30<br />
A CHANTICLEER CHRISTMAS<br />
Fourth Presbyterian Church<br />
126 E. Chestnut Street<br />
Chanticleer’s annual performances in<br />
Chicago are the perfect way to spark<br />
your holiday spirit. This Grammy ® Awardwinning<br />
“orchestra of voices” will perform<br />
traditional Christmas music ranging from<br />
Baroque classics to 21st-century favorites<br />
in Chicago’s beautiful Fourth Presbyterian<br />
Church.
46<br />
CHICAGO SYMPHONY ORCHESTRA | RICCARDO MUTI Music Director | SYMPHONY CENTER PRESENTS<br />
These concerts make a perfect addition to any concert series.<br />
Save up to 10% when you purchase by August 7, 2014.<br />
A lively Irish holiday<br />
celebration<br />
Sunday, December 7, 3:00<br />
THE CHIEFTAINS CHRISTMAS<br />
Join the Chieftains, Ireland’s world-class<br />
musical ambassadors, for a spirited<br />
Christmas celebration. This magical program<br />
brings the warmth of an Irish pub to<br />
Orchestra Hall with ancient Irish melodies,<br />
lively dancing and craic, the Irish word for<br />
great fun.<br />
—<br />
The glorious sounds of the<br />
<strong>CSO</strong> Brass<br />
Thursday, December 18, 3:00<br />
THE CHICAGO SYMPHONY<br />
ORCHESTRA BRASS<br />
Witness the staggering power, amazing<br />
precision and brilliant virtuosity that make<br />
the Chicago Symphony Orchestra Brass<br />
the best in the world. These acclaimed<br />
musicians will present a program of<br />
traditional favorites and symphonic<br />
masterworks arranged for brass ensemble.<br />
This concert is presented in collaboration with the Midwest<br />
Clinic, an international band and orchestra conference.<br />
“A must-see holiday spectacle”<br />
—Chicago Sun-Times<br />
Saturday, December 13, 3:00<br />
Sunday, December 14, 1:30 & 5:30<br />
Friday, December 19, 7:00<br />
Saturday, December 20, 3:00<br />
Sunday, December 21, 3:00<br />
Monday, December 22, 3:00<br />
Tuesday, December 23, 3:00<br />
WELCOME YULE!<br />
20th Anniversary<br />
Members of the<br />
Chicago Symphony Orchestra<br />
Duain Wolfe creative director and conductor<br />
Chicago Symphony Chorus<br />
Welcome Yule! Children’s Ensemble<br />
Welcome Yule! Dance Ensemble<br />
Now entering its 20th season, Welcome Yule!<br />
has thrilled audiences of all ages with<br />
musical holiday magic featuring members<br />
of the Chicago Symphony Orchestra<br />
and Chorus. Save your spot in Orchestra Hall<br />
for this special milestone program that will<br />
feature new surprises and old favorites.<br />
Celebrating 15 years of<br />
international collaboration<br />
Friday, March 6, 8:00<br />
THE SILK ROAD ENSEMBLE<br />
WITH YO-YO MA<br />
The Silk Road Ensemble, which brings<br />
together musicians and composers from<br />
more than 20 countries, comes to Symphony<br />
Center with founder and <strong>CSO</strong> Judson and<br />
Joyce Green Creative Consultant Yo-Yo Ma.<br />
These international all-stars celebrate their<br />
15th anniversary with a diverse program of<br />
repertoire from around the world, new music<br />
by members of the group and commissions<br />
by acclaimed composers. Experience what<br />
Ma calls “the<br />
bond of mutual respect, friendship and trust<br />
that is palpable every time we’re on stage.”
312-294-3000 | <strong>CSO</strong>.ORG<br />
47<br />
SPECIAL CONCERTS<br />
Celebrating over six decades of<br />
Pierre Boulez<br />
Sunday, March 15, 3:00<br />
Boulez: Piano Works<br />
Pierre-Laurent Aimard piano<br />
Tamara Stefanovich piano<br />
Boulez Notations, for Piano<br />
Boulez Piano Sonata No. 1<br />
Boulez Piano Sonata No. 2<br />
Boulez Movements from Piano Sonata No. 3<br />
Boulez Incises<br />
Boulez une page d’éphéméride<br />
Boulez Structures, Book II<br />
One of 20th-century music’s definitive<br />
voices and musical mavericks, Pierre Boulez<br />
has been actively involved in composition,<br />
conducting and music-making for over<br />
60 years. His innovative approach to sound<br />
and structure radically transformed the<br />
landscape of modern music. A longtime<br />
collaborator and close associate of<br />
Boulez, Pierre-Laurent Aimard joins Tamara<br />
Stefanovich in this intimate celebration of<br />
the visionary composer’s keyboard works for<br />
his 90th birthday.<br />
Astounding strength and<br />
unmatched skill<br />
Monday, March 16, 7:30<br />
Kodo<br />
As the world’s premier taiko ensemble,<br />
Kodo is forging new directions for traditional<br />
Japanese drumming. Pounding out<br />
marvelous rhythms with thrilling ferocity,<br />
precision, dexterity and athleticism,<br />
these performers showcase absolute<br />
mastery of the drums. “Kodo can raise the<br />
roof” (The New York Times).<br />
“Irresistible. The celebration<br />
of an era.”—L.A. Times<br />
Wednesday, April 8, 8:00<br />
Max Raabe & Palast Orchester:<br />
Golden Age<br />
Max Raabe & Palast Orchester embody the<br />
high style and musical glory of the 1920s<br />
and ’30s, capturing the wit and flair of an<br />
era with suave modern chic. Max’s droll wit,<br />
understated lyrics and tenderly expressive<br />
baritone are matched by his stellar 12-piece<br />
band in virtuosic recreations of swing and<br />
cabaret hits.
220 SOUTH MICHIGAN AVENUE CHICAGO, ILLINOIS 60604 312-294-3000 <strong>CSO</strong>.ORG