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The News at Five<br />

Presented by Canadian <strong>Art</strong> magazine<br />

2 nd Generation Hockey Rink, 2007<br />

Tatar Gallery, <strong>Toronto</strong><br />

Based on his 2006 concept simply entitled Hockey Rink, Graeme Patterson’s 2 nd Generation Hockey<br />

Rink (2007), created specifically for the 2007 <strong>Toronto</strong> International <strong>Art</strong> Fair, is concerned with the<br />

theme of spatial re-articulation and the tension between recognition and estrangement. By reproducing<br />

recognizable social spaces and architectures Patterson taps into the replicating tradition of the diorama.<br />

His spaces examine the relationship between the social and architectural. An element of the surreal<br />

pervades these pieces as well in their intricacy and attention to minutiae: they can be likened to<br />

pseudo-scientific examinations of space and social behaviours; like looking at the monumental through<br />

a microscope.<br />

“The News at Five” makes a return to the <strong>Toronto</strong> International <strong>Art</strong> Fair with a new set of rotating<br />

one-day exhibitions curated by Richard Rhodes, editor of Canadian <strong>Art</strong>. This year’s exhibitions, to be<br />

installed each afternoon in Canadian <strong>Art</strong>’s special project space in the midst of the fair’s activity, features<br />

artists based in Montreal and <strong>Toronto</strong>. Chris Kline, An Te Liu and Andrew Reyes work in diverse media<br />

and modes—from Kline’s resurrected minimal abstraction to Liu’s digitally constructed science fiction–<br />

inspired architectural fantasy to the series of freely invented, personally resonant street posters that<br />

Reyes has produced over the past decade. Between them, the artists find and hone different aspects<br />

of contemporary pictorial space as a platform from which to engage private apprehensions of cultural<br />

space.<br />

Graeme Patterson<br />

M I R A G E: (The Sudden Appearance of Many Marys)<br />

Bjornson Kajiwara, Vancouver<br />

<strong>Toronto</strong> based visual artist Vessna<br />

Perunovich presents a performance, an<br />

illusionist act, a fashion show, an action<br />

painting, a theatrical experience, a shifting<br />

canvas, a story of love and betrayal. Mirage<br />

is a performance based on the Last Supper<br />

tableau with the Christ figure transformed<br />

into Mary Magdalene. As one of the most<br />

controversial apostles, Mary has had her<br />

standing in history and her relation to Jesus,<br />

debated with frequent intrigue. Saint or<br />

sinner? History often reads best as a mystery novel or a work of fiction. Mirage, in revisiting the iconic<br />

Last Supper imagery, offers alternative views of culture, art and history, as well as skewing the implied<br />

roles played by women.<br />

Vessna Perunovich<br />

Andrew Reyes<br />

Chris Kline<br />

Lynn Richardson<br />

Alaska Shuffle<br />

Michael Gibson Gallery, London ON<br />

<strong>Art</strong>ists Lynn Richardson is interested in the conflict between industry and environment. This project<br />

creates a fictional narrative about the future state of the arctic landscape while examining the<br />

mechanical apparatuses contributing to the extraction of resources. In Alaska Shuffle Richardson<br />

presents the corporate and political relationship Canada has with the north.<br />

An Te Liu<br />

22 2007 Special Projects 2007 Special Projects 23

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