fixed - Art Toronto
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The News at Five<br />
Presented by Canadian <strong>Art</strong> magazine<br />
2 nd Generation Hockey Rink, 2007<br />
Tatar Gallery, <strong>Toronto</strong><br />
Based on his 2006 concept simply entitled Hockey Rink, Graeme Patterson’s 2 nd Generation Hockey<br />
Rink (2007), created specifically for the 2007 <strong>Toronto</strong> International <strong>Art</strong> Fair, is concerned with the<br />
theme of spatial re-articulation and the tension between recognition and estrangement. By reproducing<br />
recognizable social spaces and architectures Patterson taps into the replicating tradition of the diorama.<br />
His spaces examine the relationship between the social and architectural. An element of the surreal<br />
pervades these pieces as well in their intricacy and attention to minutiae: they can be likened to<br />
pseudo-scientific examinations of space and social behaviours; like looking at the monumental through<br />
a microscope.<br />
“The News at Five” makes a return to the <strong>Toronto</strong> International <strong>Art</strong> Fair with a new set of rotating<br />
one-day exhibitions curated by Richard Rhodes, editor of Canadian <strong>Art</strong>. This year’s exhibitions, to be<br />
installed each afternoon in Canadian <strong>Art</strong>’s special project space in the midst of the fair’s activity, features<br />
artists based in Montreal and <strong>Toronto</strong>. Chris Kline, An Te Liu and Andrew Reyes work in diverse media<br />
and modes—from Kline’s resurrected minimal abstraction to Liu’s digitally constructed science fiction–<br />
inspired architectural fantasy to the series of freely invented, personally resonant street posters that<br />
Reyes has produced over the past decade. Between them, the artists find and hone different aspects<br />
of contemporary pictorial space as a platform from which to engage private apprehensions of cultural<br />
space.<br />
Graeme Patterson<br />
M I R A G E: (The Sudden Appearance of Many Marys)<br />
Bjornson Kajiwara, Vancouver<br />
<strong>Toronto</strong> based visual artist Vessna<br />
Perunovich presents a performance, an<br />
illusionist act, a fashion show, an action<br />
painting, a theatrical experience, a shifting<br />
canvas, a story of love and betrayal. Mirage<br />
is a performance based on the Last Supper<br />
tableau with the Christ figure transformed<br />
into Mary Magdalene. As one of the most<br />
controversial apostles, Mary has had her<br />
standing in history and her relation to Jesus,<br />
debated with frequent intrigue. Saint or<br />
sinner? History often reads best as a mystery novel or a work of fiction. Mirage, in revisiting the iconic<br />
Last Supper imagery, offers alternative views of culture, art and history, as well as skewing the implied<br />
roles played by women.<br />
Vessna Perunovich<br />
Andrew Reyes<br />
Chris Kline<br />
Lynn Richardson<br />
Alaska Shuffle<br />
Michael Gibson Gallery, London ON<br />
<strong>Art</strong>ists Lynn Richardson is interested in the conflict between industry and environment. This project<br />
creates a fictional narrative about the future state of the arctic landscape while examining the<br />
mechanical apparatuses contributing to the extraction of resources. In Alaska Shuffle Richardson<br />
presents the corporate and political relationship Canada has with the north.<br />
An Te Liu<br />
22 2007 Special Projects 2007 Special Projects 23