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Ant 293: Lecture One C: History of Archaeology in Ancient Greece

Ant 293: Lecture One C: History of Archaeology in Ancient Greece

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<strong>Ant</strong> <strong>293</strong>: <strong>Lecture</strong> <strong>One</strong> C:<br />

<strong>History</strong> <strong>of</strong> <strong>Archaeology</strong> <strong>in</strong><br />

<strong>Ancient</strong> <strong>Greece</strong>


Discipl<strong>in</strong>es <strong>of</strong> Classical <strong>Greece</strong> Studies<br />

Philology: the study <strong>of</strong> language <strong>in</strong> written<br />

historical sources;<br />

Political history<br />

<strong>History</strong> <strong>of</strong> art and architecture


S<strong>in</strong>ce the end <strong>of</strong> the Middle Ages, classical<br />

archaeology has gone through several<br />

periods, each marked by one type <strong>of</strong><br />

<strong>in</strong>formation:<br />

1. literary texts;<br />

2. works <strong>of</strong> art;<br />

3. sites and “material culture”;


Each phase represents a change <strong>in</strong> the<br />

approach and perception <strong>of</strong> Greek<br />

antiquity;


1. Literary Texts<br />

Manuscripts<br />

apart from a few visible monuments and<br />

some artifacts found by chance, classical<br />

antiquity survived dur<strong>in</strong>g the Middle Ages<br />

thanks to manuscripts;


After the fall <strong>of</strong> Constant<strong>in</strong>ople <strong>in</strong> 1453,<br />

Greek <strong>in</strong>tellectuals brought classical<br />

manuscripts to Italy;<br />

The Venetian pr<strong>in</strong>ter Aldus Manutius<br />

systematically published the Greek authors<br />

<strong>in</strong> 1494;


from the beg<strong>in</strong>n<strong>in</strong>g <strong>of</strong> the 16th C, the<br />

Humanist movement spread to the rest <strong>of</strong><br />

Europe;<br />

<strong>in</strong> 1530, Francois I founded the College de<br />

France to study antique texts;<br />

for 3 centuries knowledge <strong>of</strong> th<strong>in</strong>gs ancient<br />

Greek was based on ancient texts that were<br />

constantly re-edited and commented on;


2. Works <strong>of</strong> Art<br />

the study <strong>of</strong> works <strong>of</strong> art and monuments<br />

began to give classical archaeology an<br />

aesthetic and concrete orientation by the<br />

end <strong>of</strong> the 18th C;


a. types <strong>of</strong> collections before museums<br />

i. cab<strong>in</strong>et: <strong>in</strong> which small valuable objects<br />

were collected and displayed;<br />

ii. villa: sculptures were an essential feature<br />

<strong>of</strong> the „antique‟ atmosphere;<br />

iii. regional: <strong>in</strong> England, the Earl <strong>of</strong> Arundel<br />

assembled the first collection <strong>of</strong> objects<br />

com<strong>in</strong>g exclusively from <strong>Greece</strong>;


. new approaches<br />

W<strong>in</strong>kelmann (1717-1768) sought to put an<br />

end to the chaos caused by the confus<strong>in</strong>g<br />

zeal and confusion <strong>of</strong> the <strong>Ant</strong>iquarians;<br />

his <strong>History</strong> <strong>of</strong> <strong>Ancient</strong> Art <strong>in</strong> 1764 marked<br />

the emergence <strong>of</strong> a genu<strong>in</strong>e history <strong>of</strong><br />

antique art;<br />

this work had great <strong>in</strong>fluence on 19th C<br />

th<strong>in</strong>kers on history, anthropology and<br />

archaeology;


c. ref<strong>in</strong>ement <strong>of</strong> stylistic criticism: late 19 th<br />

Century<br />

Began to shift the view away from Athenian<br />

classicism be<strong>in</strong>g the high po<strong>in</strong>t <strong>of</strong> Greek<br />

art;<br />

the different periods <strong>of</strong> Greek art appeared <strong>in</strong><br />

all their <strong>in</strong>dividuality, and from then on the<br />

orig<strong>in</strong>ality <strong>of</strong> regional styles <strong>in</strong> all periods<br />

were recognized;


3. Sites and „material culture‟: predatory<br />

archaeology<br />

the enthusiasm for antique objects led to<br />

their systematic research, firstly <strong>in</strong> Italy<br />

and then <strong>in</strong> <strong>Greece</strong> and the Near East;


In 1801-3, Lord Elg<strong>in</strong> removed from Athens<br />

sculptures and blocks <strong>of</strong> architecture from<br />

the Acropolis and these were bought by<br />

the British Museum <strong>in</strong> 1816;


the transfer <strong>of</strong> artifacts and whole<br />

monuments to the great European<br />

museums only came to a halt with the<br />

formation <strong>of</strong> national states<br />

<strong>Greece</strong>: 1832<br />

Italy: 1860<br />

Turkey: 1920


New Approaches to classical archaeology<br />

By the end <strong>of</strong> the 19th C, excavations at<br />

Olympia marked the beg<strong>in</strong>n<strong>in</strong>gs <strong>of</strong><br />

stratigraphy;<br />

s<strong>in</strong>ce WWII, the <strong>in</strong>creas<strong>in</strong>gly detailed work<br />

<strong>of</strong> excavation has turned public <strong>in</strong>terest<br />

towards social and economic history;<br />

it is now the „archaeology <strong>of</strong> society‟;


a. techniques<br />

• data process<strong>in</strong>g<br />

• remote sens<strong>in</strong>g<br />

• trace element analysis<br />

• GIS


. ongo<strong>in</strong>g frictions<br />

there is a lively discussion between<br />

supporters <strong>of</strong> the new social quantitative<br />

archeology and the upholders <strong>of</strong> traditional<br />

archaeology, oriented to literary sources,<br />

artifacts and monuments;

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