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Porgy and Bess Program [pdf] - American Repertory Theater

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VISIT<br />

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Member FDIC Member DIF<br />

22 AMERICAN REPERTORY THEATER<br />

program notes (continued)<br />

Pearl Bailey, reviews cite the film’s “loss of<br />

authenticity” from the stage versions.<br />

June 25, 1970:<br />

Municipal<br />

Auditorium,<br />

Charleston, South<br />

Carolina<br />

As a featured event<br />

in Charleston’s Tricentennial<br />

celebration,<br />

<strong>Porgy</strong> <strong>and</strong> <strong>Bess</strong> is performed<br />

in the town of its<br />

setting for the first time.<br />

1959 <strong>Porgy</strong> <strong>and</strong> <strong>Bess</strong><br />

film poster<br />

September 26, 1976:<br />

Houston Gr<strong>and</strong> Opera, Texas<br />

Directors Jack O’Brien <strong>and</strong> John DeMain restore<br />

many of the cuts that had been made to <strong>Porgy</strong><br />

<strong>and</strong> <strong>Bess</strong> since the Boston opening in 1935.<br />

This exp<strong>and</strong>ed three-hour production becomes<br />

the first opera to win a Tony Award.<br />

February 6, 1985:<br />

Metropolitan Opera, New York City<br />

Fifty years after the premiere, Anne Brown <strong>and</strong> Todd<br />

Duncan meet with the leads, Simon Estes <strong>and</strong> Grace<br />

Bumbry, of the Metropolitan Opera production, 1985<br />

Fifty years after its Broadway premiere, <strong>Porgy</strong><br />

<strong>and</strong> <strong>Bess</strong> is finally performed at the Met. The<br />

production features Grace Bumbry <strong>and</strong> Simon<br />

Estes in the title roles. James Levine, who<br />

served as music director <strong>and</strong> conductor for<br />

the production, describes <strong>Porgy</strong> <strong>and</strong> <strong>Bess</strong> as<br />

having “everything great opera has—great<br />

music, great drama <strong>and</strong> a psychological <strong>and</strong><br />

social milieu that is as involving as the milieu<br />

of Don Giovanni or Boris Godunov.”<br />

July 5, 1986:<br />

Glyndebourne Festival, Engl<strong>and</strong><br />

British director Trevor Nunn mounts a nearly<br />

four-hour production, which is later scenically<br />

exp<strong>and</strong>ed <strong>and</strong> filmed for television in 1993.<br />

The George <strong>and</strong> Ira Gershwin<br />

Collection, Library of Congress<br />

Winnie Klotz, photographer,<br />

Metropolitan Opera Association, Inc.,<br />

Lincoln Center, New York, NY 10023

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