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PRESS CONTACTS:<br />

Eileen Andrews Jackson, 410.783.8020<br />

ejackson@BSOmusic.org<br />

Michelle Pendoley, 410.783.8024<br />

mpendoley@BSOmusic.org<br />

<strong>Baltimore</strong> <strong>Symphony</strong>, <strong>Soulful</strong> <strong>Symphony</strong>, <strong>Morgan</strong> <strong>State</strong><br />

<strong>University</strong> Choir Unite to Celebrate Dr. Martin Luther King, Jr.,<br />

Tuesday, January 15<br />

<strong>State</strong> of Maryland’s 22 nd annual tribute to civil rights leader<br />

includes homage to music of <strong>Baltimore</strong>’s Dr. Nathan Carter<br />

<strong>Baltimore</strong>, Md. (December 18, 2007)—On Tuesday, January 15, 2008, at the Joseph Meyerhoff<br />

<strong>Symphony</strong> Hall, three of Maryland’s acclaimed musical ensembles—the <strong>Baltimore</strong> <strong>Symphony</strong><br />

Orchestra, <strong>Soulful</strong> <strong>Symphony</strong> and the <strong>Morgan</strong> <strong>State</strong> <strong>University</strong> Choir—come together for the <strong>State</strong> of<br />

Maryland’s 22 nd Annual Tribute to Dr. Martin Luther King, Jr. Hosted by <strong>Soulful</strong> <strong>Symphony</strong> founder<br />

Darin Atwater, the concert celebrates the life and legacy of the great civil rights leader. Presented in<br />

cooperation with Maryland’s Commission on African American History and Culture, this year’s tribute<br />

features arrangements by Dr. Nathan Carter (1936‐2004), the renowned Maryland arts leader and long‐<br />

time music director of the <strong>Morgan</strong> <strong>State</strong> <strong>University</strong> Choir (MSU). See below for biographies and complete<br />

program information.<br />

BSO‐Peabody Conducting Fellow Joseph Young will conduct the musicians of the BSO and <strong>Soulful</strong><br />

<strong>Symphony</strong> on the first half of the program, which includes works by such prominent African‐American<br />

composers as Adolphus Hailstork, Duke Ellington, William Grant Still and <strong>Baltimore</strong>’s own James Lee, a<br />

professor of music at <strong>Morgan</strong> <strong>State</strong> <strong>University</strong>. Current MSU Choir Director Eric Conway conducts his


choir, accompanied by the BSO and <strong>Soulful</strong> <strong>Symphony</strong>, on the second half of the program, which is<br />

dedicated to the music of Dr. Carter.<br />

“This concert is a testament to Dr. King’s vision of unity through common ground. As we find common<br />

ground in our music and in our cultural heritage, I can think of no better way for our state to honor his<br />

memory than this musical celebration” commented program host Darin Atwater. “I am especially moved<br />

by this year’s program, which is dedicated to the profound contributions of my own mentor, Dr. Nathan<br />

Carter.” Mr. Atwater studied under Dr. Carter as a student at MSU.<br />

A musical prodigy, Dr. Nathan Carter was raised in Selma, Alabama, and went on to earn his master’s<br />

degree from the Juilliard School and his doctorate from <strong>Baltimore</strong>’s Peabody Institute. As the music<br />

director of <strong>Morgan</strong> <strong>State</strong> <strong>University</strong>’s choir, a position he held for 34 years, Dr. Carter raised the ensemble<br />

to international prominence, leading the group on multiple tours of Europe and Africa. In 2004, under his<br />

guidance, the <strong>Morgan</strong> <strong>State</strong> <strong>University</strong> Choir was named America’s Best Choir by Reader’s Digest. Dr.<br />

Carter also spearheaded collaborations between his choir and the <strong>Baltimore</strong> <strong>Symphony</strong> Orchestra. In<br />

January 2004, just months before his passing, Dr. Carter led his choir on a tour of Russia with the<br />

<strong>Baltimore</strong> <strong>Symphony</strong> and then‐BSO Music Director Yuri Temirkanov in concert performances of Porgy<br />

and Bess, as well as African‐American spirituals.<br />

On the evening of the concert, the Meyerhoff lobby will feature a life‐sized wax sculpture of Dr. Carter,<br />

along with those of distinguished African‐American civil rights leaders. All are on loan from <strong>Baltimore</strong>’s<br />

National Great Blacks in Wax Museum.<br />

<strong>Soulful</strong> <strong>Symphony</strong><br />

Founded in 2000 by composer and artistic director Darin Atwater, <strong>Soulful</strong> <strong>Symphony</strong> is among the<br />

nationʹs most prominent African‐American symphony orchestras. Featuring a culturally diverse<br />

ensemble of 75 musicians and vocalists, <strong>Soulful</strong> <strong>Symphony</strong> blends rhythm and blues, jazz and gospel<br />

music, all within a symphonic framework for orchestra.<br />

As a not‐for‐profit arts organization, <strong>Soulful</strong> <strong>Symphony</strong> is dedicated to the preservation of African‐<br />

American cultural expression and to the presentation of symphonic music. <strong>Soulful</strong> <strong>Symphony</strong> is a<br />

repository for the exploration of diverse musical expressions: classical, jazz, gospel and popular forms<br />

capturing a universal language that gives all cultures common ground.<br />

In 2004, the <strong>Baltimore</strong> <strong>Symphony</strong> Orchestra forged an historic joint venture with <strong>Soulful</strong> <strong>Symphony</strong>,<br />

partnering with the organization to bring their unique brand of music to new and diverse audiences


throughout Maryland. Since partnering with the BSO, <strong>Soulful</strong> <strong>Symphony</strong> has performed to sell‐out<br />

houses at both the Joseph Meyerhoff <strong>Symphony</strong> Hall in <strong>Baltimore</strong> and the Music Center at Strathmore in<br />

North Bethesda.<br />

Darin Atwater, host; founder and artistic director of <strong>Soulful</strong> <strong>Symphony</strong><br />

Composer, conductor and pianist Darin Atwater is regarded as one of the leading artists of his<br />

generation. His skills in the idioms of classical, jazz and sacred music have earned him a distinguished<br />

international reputation. Born in Washington D.C. and raised in Prince Georgeʹs County, Md., Mr.<br />

Atwater made his orchestral debut as both composer and pianist in May 1995 with the National<br />

<strong>Symphony</strong> Orchestra, premiering Maschil for piano and orchestra. Engagements with major orchestras, a<br />

European tour and world premieres of his numerous compositions followed. In June of 1998, Mr.<br />

Atwater, welcomed by former President and Mrs. Clinton, performed with the <strong>Morgan</strong> <strong>State</strong> <strong>University</strong><br />

Choir in a celebration of gospel on the south lawn of the White House.<br />

February 2000 marked the premiere of Song in a Strange Land, a contemporary exploration of Spirituals<br />

that featured Wynton Marsalis, Karen Clark‐Sheard, Kim Burrell and the debut of <strong>Soulful</strong> <strong>Symphony</strong>.<br />

Praise has been unanimous: The New York Times described Mr. Atwater as a composer with a ʺmuscular<br />

imagination,ʺ and The <strong>Baltimore</strong> Sun wrote that ʺAtwater has an uncommon ear for instrumental coloring<br />

and the urban beat.ʺ<br />

Mr. Atwater is the founder and artistic director of <strong>Soulful</strong> <strong>Symphony</strong>. Among his many honors and<br />

recognitions, Ebony magazine dubbed him one of the ʺ30 Leaders of the Future,ʺ and the <strong>Baltimore</strong><br />

Business Journal placed him on their exclusive ʺ40 under 40ʺ list. Mr. Atwater is a trustee of Maryland<br />

Citizens for the Arts and also serves on the music team at Celebration Church in Columbia, Md.<br />

<strong>Morgan</strong> <strong>State</strong> <strong>University</strong> Choir<br />

The <strong>Morgan</strong> <strong>State</strong> <strong>University</strong> Choir is one of the nation’s most prestigious university choral ensembles.<br />

While classical, gospel, and contemporary popular music comprise the choir’s repertoire, the choir is<br />

particularly noted for its emphasis on preserving the heritage of the spiritual, especially in the historic<br />

practices of performance. In their May 2004 issue, Reader’s Digest named the MSU Choir the “Best<br />

College Choir in the U.S.<br />

The <strong>Morgan</strong> <strong>State</strong> <strong>University</strong> Choir has performed for audiences around the world, including Virgin<br />

Islands, Canary Islands, Canada, Africa, Asia and Europe. The Choir has appeared at the Kennedy<br />

Center, the Lincoln Center and Carnegie Hall on numerous occasions. One of the Choir’s most historic<br />

moments came with the opportunity to sing under the baton of Robert Shaw, conducting the Orchestra of<br />

St. Lukes and joined by Jessye Norman and others in Carnegie Hall’s One‐Hundredth Birthday Tribute to<br />

Marian Anderson.<br />

The <strong>Morgan</strong> <strong>State</strong> <strong>University</strong> Choir has shared its musical gifts on many grand stages all over the world,<br />

making them cultural ambassadors for <strong>Morgan</strong> <strong>State</strong> <strong>University</strong>, the City of <strong>Baltimore</strong>, the <strong>State</strong> of<br />

Maryland and the United <strong>State</strong>s. Most recently, in August 2007, the choir embarked on a tour of Ghana,<br />

performing at the invitation of the country’s U.S. Ambassador to help that country celebrate its 50 th year<br />

of independence.


Dr. Eric Conway, MSU Choir music director<br />

Eric Conway is currently the Director of the <strong>Morgan</strong> <strong>State</strong> <strong>University</strong> Choir as well as Chairperson of the<br />

Fine Arts Department. He has served as Associate Conductor and principal accompanist for the <strong>Morgan</strong><br />

<strong>State</strong> <strong>University</strong> Choir for the past twenty years under the leadership of the late Nathan Carter.<br />

Dr. Conway’s choral accomplishments include working closely with some of the greatest conductors of<br />

the 20th Century including Robert Shaw, Sir Neville Mariner, and Donald Neuen. In June of 2006, Dr.<br />

Conway was Chorusmaster for performances of Mahler <strong>Symphony</strong> No. 2, ending the tenure of <strong>Baltimore</strong><br />

<strong>Symphony</strong>’s music director, Yuri Temirkanov.<br />

Dr. Conway is also sought after as a collaborative artist. He has worked with several leading artists<br />

including Trevor Wye, Hillary Hahn, Daniel Heifetz, William Brown, Janice Chandler, to name a few. He<br />

is also an orchestral pianist for the <strong>Baltimore</strong> <strong>Symphony</strong>. In 1994 and 1997, he toured with the orchestra<br />

to Eastern Asia. Some of his significant accomplishments as pianist include a tour of Eastern Africa,<br />

sponsored by the United <strong>State</strong>s Information Agency.<br />

Dr. Carter received his Doctor of Musical Arts Degree from the Peabody Conservatory of the Johns<br />

Hopkins <strong>University</strong> where he majored in Piano Performance and minored in Conducting.<br />

Joseph Young, BSO‐Peabody Conducting Fellow<br />

A native of Charleston, South Carolina, Joseph Fitzpatrick Young is the first BSO‐Peabody Conducting<br />

Fellow. He recently completed his third year teaching at D.W. Daniel High School in Central, South<br />

Carolina, where he has built an award‐winning music program.<br />

Mr. Young graduated from Goose Creek High School outside of Charleston. Upon graduation, he<br />

attended Newberry College and continued his education at the <strong>University</strong> of South Carolina in Columbia,<br />

where he studied trumpet with Keith Amstutz, conducting with William Moody, and composition with<br />

Samuel Douglas.<br />

In February 2006, he was a participant in the American <strong>Symphony</strong> Orchestra League’s Donald Thulean<br />

Conducting Workshop in Los Angeles, where his mentors were Michael <strong>Morgan</strong> and Daniel Lewis. In the<br />

summer of 2006, he participated in the Cabrillo Music Festival Conductor Workshop where he first met<br />

Marin Alsop.<br />

Mr. Young is a member of the Music Educators National Conference, the South Carolina Band Director’s<br />

Association and the Conductor’s Guild.<br />

Joseph Young’s BSO‐Peabody Conducting Fellowship is affiliated with the American Conducting Fellows Program,<br />

a national program developed and managed by The League of American Orchestras. The program is supported by<br />

funding provided through a generous grant from the Mellon Foundation.


PROGRAM INFORMATION<br />

The <strong>State</strong> of Maryland’s 22 nd Annual Tribute to Dr. Martin Luther King, Jr.<br />

Tuesday, January 15, 2008 at 8:00 p.m.—Joseph Meyerhoff <strong>Symphony</strong> Hall<br />

<strong>Baltimore</strong> <strong>Symphony</strong> Orchestra<br />

<strong>Soulful</strong> <strong>Symphony</strong><br />

<strong>Morgan</strong> <strong>State</strong> <strong>University</strong> Choir<br />

Darin Atwater, host<br />

Founder and Artistic Director, <strong>Soulful</strong> <strong>Symphony</strong><br />

Joseph Young, conductor<br />

BSO‐Peabody Conducting Fellow<br />

Dr. Eric Conway, conductor<br />

Music Director, <strong>Morgan</strong> <strong>State</strong> <strong>University</strong> Choir<br />

Media sponsorship provided by Magic 95.9 FM.<br />

Hailstork—Celebration!<br />

Ellington—“Giggling Rapids” from The River<br />

James Lee III—Hiddekel: Third from Life from Beyond Rivers of Vision<br />

William Grant Still—Afro‐American <strong>Symphony</strong>, mvt. IV<br />

James P. Johnson—Victory Stride<br />

Arr. Nathan Carter—“His Light Still Shines”<br />

“If I Can Help Somebody”<br />

“The Lord Be Praised”<br />

“It Is Well”<br />

“Great Is Thy Faithfulness”<br />

Smallwood (arr. Atwater)—“Total Praise”<br />

Tickets for this concert range from $15 to $55 and are on sale now through the BSO Ticket Office,<br />

410.783.8000 or BSOmusic.org.<br />

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