Aeration - Carolina Weekly Newspapers
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Arts & EntErtAinmEnt<br />
From table to stage, Connie Company’s “dream”<br />
by Ann Fletcher<br />
AandE@huntersvilleherald.com<br />
DAVIDSON – For 14 years, The Connie<br />
Company, the youth programming<br />
arm of Davidson Community Players,<br />
has produced dozens of children’s stage<br />
productions. But two years after moving<br />
into its Armour Street Theatre home and<br />
expanding programming to include yearround<br />
classes, the troupe sought a different<br />
teaching platform.<br />
“Little by little, we’ve been expanding<br />
and trying different things in our effort to<br />
find what’s going to resonate with people,<br />
what’s going to fit into youth’s schedules,”<br />
Artistic Director Melissa Ohlman-Roberge<br />
said.<br />
They sought creative ways to balance<br />
kids’ desire to perform with The Connie<br />
Company’s goal to teach the essentials of<br />
acting.<br />
“Producing plays is not necessarily the<br />
best way to train young actors,” Ohlman-<br />
Roberge said. Although plays give young<br />
actors experience, educational time is limited<br />
by the production process because a<br />
director’s responsibility is to put out the<br />
best possible production, while a theatre<br />
educator’s responsibility is to give each<br />
actor what they need at the level they need<br />
it.<br />
Courtesy of Lisa Brueggeman<br />
Director Wrenn Goodrum works with child actors during The<br />
Connie Company’s “Shakespeare Unplugged” workshop, which<br />
culminates in a free production of “A Midsummer Night’s<br />
Dream” Oct. 22-24 at Davidson’s Armour Street Theatre.<br />
“The two experiences are sometimes at<br />
cross-purposes,” she said.<br />
To address both, they’ve begun “Shakespeare<br />
Unplugged,” an intensive workshop<br />
led by veteran actor/director Wrenn Goodrum<br />
who founded and served as artistic<br />
director of All Children’s Theatre in Rhode<br />
Island for 22 years before moving to the<br />
Lake Norman area.<br />
The workshop culminates in free public<br />
performances of a multi-media version<br />
of Shakespeare’s “A Midsummer Night’s<br />
Dream,” and encompasses<br />
more in-depth study and<br />
behind-the-scenes work<br />
than is usually expected of<br />
young actors.<br />
The workshop involves<br />
13 students, grades 6-12,<br />
who meet three days per<br />
week, August through<br />
October, and are divided<br />
up into various committees,<br />
so they not only act,<br />
but also serve on teams<br />
from technical to props,<br />
tackling “both sides” of<br />
play production.<br />
More importantly, they<br />
expand their knowledge of<br />
Shakespeare beyond the<br />
study of a book.<br />
“They’ve been learning about the genre,<br />
the language, and spending the first three<br />
weeks ‘at the table,’” Ohlman-Roberge<br />
said.<br />
“Table work,” the first phase of putting<br />
together a play, is the time when casts<br />
gather to analyze the script, study the characters,<br />
their interactions and focus on the<br />
printed word. Actors try to find the meaning<br />
behind the script before they venture<br />
on stage to incorporate blocking, choreography,<br />
and all other elements of stage<br />
Want to go?<br />
The Connie Company presents free<br />
performances of “Shakespeare Unplugged:<br />
A Midsummer Night’s Dream”<br />
at Armour Street Theatre, 307 Armour<br />
Street, Davidson, Oct. 22 and 23 at 7<br />
pm and Oct. 24 at 2 pm. Ideal for ages<br />
10 and up. Donations welcome at the<br />
door to benefit future Connie Company<br />
Programming.<br />
performance, Ohlman-Roberge said.<br />
“(Goodrum) does a tremendous amount<br />
of table work at the start of this process<br />
through which she endeavors to teach<br />
them more about Shakespeare’s work and<br />
the genre of performing Shakespeare,” she<br />
said.<br />
The result will be a modernized version<br />
of Shakespeare’s “A Midsummer Night’s<br />
Dream, the comedy of four young lovers,<br />
a group of amateur actors, and the fairies<br />
that manipulate them all. Goodrum’s<br />
modernized version is a play within a play,<br />
through which actors produce a YouTube<br />
video of “A Midsummer Night’s Dream,”<br />
which is presented in the original Shakespearean<br />
version.<br />
“It’s very challenging,” Ohlman-Roberge<br />
said. “These are kids have never acted<br />
Shakespeare before. They’re doing a great<br />
job with it.” q<br />
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Page 42 • The Herald <strong>Weekly</strong> • Oct. 1-7, 2010<br />
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