Selected fur<strong>the</strong>r read<strong>in</strong>g • J. K. Brackett, “The Florent<strong>in</strong>e Onestà and <strong>the</strong> Control of Prostitution, 1403-1680,” The Sixteenth Century Journal 24, no. 2 (1993): 273-300. • J. Brown & R. Davis, eds, Gender and Society <strong>in</strong> <strong>Renaissance</strong> Italy, Longman, 1998. • R. Crum & J. Paoletti, eds, <strong>Renaissance</strong> Florence: A <strong>Social</strong> History, Cambridge University Press, 2006. • N. Debby, “Visual Rhetoric: Images of Saracens <strong>in</strong> Florent<strong>in</strong>e Churches,” Anuario de Estudios Medievales 42, no. 1 (2012): 7-28. • T. Earle & K. Lowe, Black Africans <strong>in</strong> <strong>Renaissance</strong> Europe, Cambridge University Press, 2005. • Y. Elet, “Seats of Power: The Outdoor Benches of Early Modern Florence,” Journal of <strong>the</strong> Society of Architectural Historians 61, no. 4 (2002): 444-469. • Michael Jacoff, The Horses of San Marco and <strong>the</strong> Quadriga of <strong>the</strong> Lord, Pr<strong>in</strong>ceton University Press, 1993. • S. Milner, ed., At <strong>the</strong> Marg<strong>in</strong>s: M<strong>in</strong>ority Groups <strong>in</strong> Premodern Italy, University of M<strong>in</strong>nesota Press, 2005. • R.I. Moore, The Formation of a Persecut<strong>in</strong>g Society: Power and Deviance <strong>in</strong> Western Europe, 950 – 1250. First published Basil Blackwell: Oxford, 1987. • M. Rocke, Forbidden Friendships: Homosexuality and Male Culture <strong>in</strong> <strong>Renaissance</strong> Florence, Oxford University Press, 1996. • J. Woolfson, Palgrave Advances <strong>in</strong> <strong>Renaissance</strong> Historiography, Palgrave MacMillan, 2005.
What do you th<strong>in</strong>k? • In what sense were ‘foreigners, prostitutes and homosexuals’ a marg<strong>in</strong>alised group? • Are <strong>the</strong>re o<strong>the</strong>rs you would <strong>in</strong>clude <strong>in</strong> this category? • How central are <strong>the</strong>se or o<strong>the</strong>r marg<strong>in</strong>alised groups to your own tell<strong>in</strong>g of <strong>Renaissance</strong> history? How could <strong>the</strong>y become so?