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The Use and Application of Proverbs in Basotho Accordion Music ...

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Peer-Reviewed Paper JMM: <strong>The</strong> Journal <strong>of</strong> <strong>Music</strong> <strong>and</strong> Mean<strong>in</strong>g, vol. 11, 2012/2013<br />

<strong>The</strong> paper has highlighted the frequent use <strong>of</strong> proverbs <strong>in</strong> accordion music as evidence<br />

<strong>of</strong> their cont<strong>in</strong>ued use <strong>in</strong> <strong>Basotho</strong> culture. This challenges accounts <strong>of</strong> accordion music as a<br />

mere form <strong>of</strong> enterta<strong>in</strong>ment advocat<strong>in</strong>g that it is a genre worthy <strong>of</strong> closer academic <strong>and</strong><br />

musicological scrut<strong>in</strong>y, particularly with regard to its use <strong>and</strong> application <strong>of</strong> proverbs. <strong>The</strong><br />

artists <strong>in</strong>volved <strong>in</strong> this music are teachers <strong>of</strong> oral literature <strong>in</strong> that they apply <strong>and</strong> use proverbs<br />

contextually. As such, they promote the use <strong>and</strong> underst<strong>and</strong><strong>in</strong>g <strong>of</strong> proverbs among younger<br />

generations. Accord<strong>in</strong>g to Phafoli (1999:9) <strong>Basotho</strong> accordion music should, therefore, be<br />

treated as one verbal art that changes with times <strong>and</strong> verbally transmits oral literature from<br />

one generation to another This paper <strong>in</strong>vites the public to reconsider the status <strong>of</strong> <strong>Basotho</strong><br />

accordion music, not as a mere form <strong>of</strong> enterta<strong>in</strong>ment but as an art form that conveys some <strong>of</strong><br />

the customary <strong>and</strong> cultural aspects which a nation wishes to reta<strong>in</strong> for its survival <strong>and</strong> identity.<br />

<strong>Accordion</strong> music could be seen as one <strong>of</strong> the reservoirs <strong>of</strong> oral literature worth preserv<strong>in</strong>g for<br />

future generations. Its artists need special attention <strong>and</strong> respect from both public <strong>and</strong><br />

academics.<br />

References<br />

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Johannesburg: Raven Press.<br />

— 1995. Lyrics <strong>of</strong> <strong>Basotho</strong> Migrants. Madison: University <strong>of</strong> Wiscons<strong>in</strong>.<br />

Ellenberger, D. F. 1912. History <strong>of</strong> the <strong>Basotho</strong>, Ancient & Modern. Morija: Morija Pr<strong>in</strong>t<strong>in</strong>g<br />

Works.<br />

F<strong>in</strong>negan, R. 1970. Oral Poetry: Its Nature, Significance <strong>and</strong> Social Context. London:<br />

Cambridge University Press.<br />

— 1984. Oral Literature <strong>in</strong> Africa. London: Oxford University Press.<br />

Gill, S. J. 1993. A Short History <strong>of</strong> Lesotho. Morija: Morija Museum & Archives.<br />

Guma S. M. 1967. <strong>The</strong> Form, Content <strong>and</strong> Technique <strong>of</strong> Traditional Literature <strong>in</strong> Southern<br />

Sotho. Pretoria: Van Schaik.<br />

Lesotho Population Census: 2006 Maseru: Government Pr<strong>in</strong>t<strong>in</strong>g, Lesotho.<br />

Mielder W. 1993. <strong>Proverbs</strong> Are Never out <strong>of</strong> Season. New York: Oxford University Press.<br />

Moitse, S. 1994. <strong>The</strong> Ethnomusicology <strong>of</strong> the <strong>Basotho</strong>. National University <strong>of</strong> Lesotho:<br />

Institute <strong>of</strong> Southern African Studies.<br />

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