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View PDF finding aid (688.86 KB) - New York Public Library

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Katharine Cornell Papers<br />

Biographical Note<br />

Katharine Cornell was born on February 16, 1893, in Berlin, where her father, Peter<br />

Cortelyou Cornell, a distant relation of Cornell University founder Ezra Cornell, was<br />

studying medicine. Later in 1893, Peter Cornell and his wife Alice Gardner Plimpton<br />

returned to their native city, Buffalo, <strong>New</strong> <strong>York</strong> with their daughter, Katharine. Her<br />

father practiced medicine in Buffalo, for several years, but he found his time and interest<br />

increasingly taken up with the family hobby. His father, S. Douglas Cornell had been an<br />

active member of a theatrical group called the Buffalo Amateurs and Peter and his<br />

brother Douglas and sister Lydia also participated in many of the group’s performances.<br />

In 1901 Peter Cornell gave up medicine to devote himself full time to the management of<br />

the Star Theatre. Early exposure to the productions her family was involved in, as well as<br />

touring companies that passed through Buffalo, particularly Maude Adams in Peter Pan,<br />

developed the beginnings in Katharine Cornell of a lifelong passion with the theater.<br />

After attending private schools in Buffalo, Cornell went to Oaksmere School, in<br />

Mamaroneck, <strong>New</strong> <strong>York</strong>, where she participated in many theatrical productions.<br />

Determined to pursue a career on the stage, she moved to <strong>New</strong> <strong>York</strong> in 1916. After<br />

unsuccessfully auditioning for a role with the Washington Square Players—an<br />

organization which would later become the Theatre Guild, Cornell was allowed to sit in<br />

on their rehearsals as an apprentice. When an actress playing the bit part of the mother in<br />

Bushido: A Japanese Tragedy failed to show up for rehearsals, the company managers<br />

gave the one-line part to the young actress who’d become a constant presence at the<br />

rehearsals, and Katharine Cornell made her <strong>New</strong> <strong>York</strong> debut.<br />

After small roles in a few other Washington Square Players productions, such as Plots<br />

and Playwrights and The Life of Man, Cornell was hired by an actress she’d met years<br />

earlier in Buffalo, Jessie Bonstelle, to join her stock touring company in 1919. One of<br />

Cornell’s earliest triumphs came when she played Jo in the 1920 London production of<br />

Little Women. However, in the United States she still wasn’t a star and continued touring<br />

with the Jessie Bonstelle Company, by now she was playing leads in plays such as The<br />

Man Outside in 1920.<br />

Guthrie McClintic was born in Seattle, Washington on August 6, 1893. A sickly child,<br />

with a delicate constitution that prevented him from developing any interest in sports,<br />

McClintic was fascinated by the theater. He saw both touring companies and the local<br />

Seattle groups, including the Charles Taylor Company, where he was especially<br />

impressed by the manager’s wife, the young actress Laurette Taylor. Even though<br />

McClintic’s father was unsympathetic to his ambitions toward the stage, he eventually<br />

prevailed upon his parents to send him east in 1910 for theatrical training at <strong>New</strong> <strong>York</strong>’s<br />

Academy for Dramatic Arts.<br />

McClintic found some work as an actor, appearing in a tour of Oliver Twist as well as on<br />

Broadway in such plays as The Truth (1914), Major Barbara (1916) and Captain<br />

Brassbound’s Conversion (1916). However, he gradually realized that although he still<br />

loved the stage, he might belong behind, rather than on it. To this end, he got a job in the<br />

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