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Katharine Cornell Papers<br />
Biographical Note<br />
Katharine Cornell was born on February 16, 1893, in Berlin, where her father, Peter<br />
Cortelyou Cornell, a distant relation of Cornell University founder Ezra Cornell, was<br />
studying medicine. Later in 1893, Peter Cornell and his wife Alice Gardner Plimpton<br />
returned to their native city, Buffalo, <strong>New</strong> <strong>York</strong> with their daughter, Katharine. Her<br />
father practiced medicine in Buffalo, for several years, but he found his time and interest<br />
increasingly taken up with the family hobby. His father, S. Douglas Cornell had been an<br />
active member of a theatrical group called the Buffalo Amateurs and Peter and his<br />
brother Douglas and sister Lydia also participated in many of the group’s performances.<br />
In 1901 Peter Cornell gave up medicine to devote himself full time to the management of<br />
the Star Theatre. Early exposure to the productions her family was involved in, as well as<br />
touring companies that passed through Buffalo, particularly Maude Adams in Peter Pan,<br />
developed the beginnings in Katharine Cornell of a lifelong passion with the theater.<br />
After attending private schools in Buffalo, Cornell went to Oaksmere School, in<br />
Mamaroneck, <strong>New</strong> <strong>York</strong>, where she participated in many theatrical productions.<br />
Determined to pursue a career on the stage, she moved to <strong>New</strong> <strong>York</strong> in 1916. After<br />
unsuccessfully auditioning for a role with the Washington Square Players—an<br />
organization which would later become the Theatre Guild, Cornell was allowed to sit in<br />
on their rehearsals as an apprentice. When an actress playing the bit part of the mother in<br />
Bushido: A Japanese Tragedy failed to show up for rehearsals, the company managers<br />
gave the one-line part to the young actress who’d become a constant presence at the<br />
rehearsals, and Katharine Cornell made her <strong>New</strong> <strong>York</strong> debut.<br />
After small roles in a few other Washington Square Players productions, such as Plots<br />
and Playwrights and The Life of Man, Cornell was hired by an actress she’d met years<br />
earlier in Buffalo, Jessie Bonstelle, to join her stock touring company in 1919. One of<br />
Cornell’s earliest triumphs came when she played Jo in the 1920 London production of<br />
Little Women. However, in the United States she still wasn’t a star and continued touring<br />
with the Jessie Bonstelle Company, by now she was playing leads in plays such as The<br />
Man Outside in 1920.<br />
Guthrie McClintic was born in Seattle, Washington on August 6, 1893. A sickly child,<br />
with a delicate constitution that prevented him from developing any interest in sports,<br />
McClintic was fascinated by the theater. He saw both touring companies and the local<br />
Seattle groups, including the Charles Taylor Company, where he was especially<br />
impressed by the manager’s wife, the young actress Laurette Taylor. Even though<br />
McClintic’s father was unsympathetic to his ambitions toward the stage, he eventually<br />
prevailed upon his parents to send him east in 1910 for theatrical training at <strong>New</strong> <strong>York</strong>’s<br />
Academy for Dramatic Arts.<br />
McClintic found some work as an actor, appearing in a tour of Oliver Twist as well as on<br />
Broadway in such plays as The Truth (1914), Major Barbara (1916) and Captain<br />
Brassbound’s Conversion (1916). However, he gradually realized that although he still<br />
loved the stage, he might belong behind, rather than on it. To this end, he got a job in the<br />
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