Oak Knoll Press - Oak Knoll Books

More documents

Recommendations

Info

8 Oak Knoll Press JOhn Rodker’s ovid Press A Bibliographical History by Gerald W. Cloud This book is primarily a bibliographical study of all the known works printed and published by John Rodker (1894–1955) at the Ovid Press, London, 1919–1922, and the associated projects connected to his second imprint, the Casanova Society. The Ovid Press’s output was not prolific—17 known items were produced—but the nature of the works and the context in which they were created reveals a great deal about both Rodker and several central figures of modernist literature and art, including T.S. Eliot, Henri Gaudier-Brzeska, James Joyce, Wyndham Lewis, Ezra Pound, and Edward Wadsworth. The book’s introduction includes a biographical account of Rodker’s life, focusing especially on his early life and his printing activities at the Ovid Press, which he operated with some participation from his then wife, the British novelist Mary Butts (1890–1937). Relying heavily on correspondence and other archival sources, such as Rodker’s personal and professional papers and his diary, the introduction documents the production of many of the Ovid Press titles and Rodker’s interaction with his authors. The descriptive bibliography, which follows the introductory matter, includes full collations, detailed, copy-specific notes on each item, institutional locations for Ovid Press publications, and attempts to reconcile the discrepancies between Rodker’s colophon statements and the books he actually printed—based on careful analysis of extant copies of Ovid Press titles. The book accounts for a number of unrecorded bibliographical details in these works and clarifies Rodker’s role in the production of Ezra Pound’s “Bel Esprit” and the errata sheets for Joyce’s Ulysses (Egoist Press/John Rodker, 1922). Gerald W. Cloud is Curator for Literature in Columbia University’s Rare Book & Manuscript Library and Lecturer in English and Comparative Literature at Columbia where he teaches Bibliography and the History of the Book. He earned his Ph.D. at the University of Delaware (2005) and has served as a lab instructor for “Introduction to the Principles of Bibliographical Description” at Rare Book School, University of Virginia since 2004. 2010, hardcover, dust jacket, 7 x 10 inches, 152 pages ISBN 9781584562863, Order No. 104083, $55.00 Available October 2010 800-996-2556 www.oakknoll.com oakknoll@oakknoll.com
Oak Knoll Press 9 The kelmscott chaucer A Census by William S. Peterson and Sylvia Holton Peterson When William Morris founded the Kelmscott Press, his celebrated private press, in 1891, one of the books he intended to print was an edition of the writings of Geoffrey Chaucer. Because of its size and complexity, The Works of Geoffrey Chaucer did not emerge from the press until June 1896, shortly before Morris’s death. Even at the time of publication, there was almost universal recognition that it was the most ambitious and remarkable book produced in the nineteenth century. Morris himself designed the type, initials, and borders. His old friend Sir Edward Burne-Jones created the eighty-seven wood-engraved illustrations, and the book was printed on a hand-press with ink, paper, and vellum made to Morris’ exact specifications. According to Sydney Cockerell, the second Secretary of the Kelmscott Press, Morris printed 425 copies of the Chaucer book on paper and thirteen on vellum. This Census locates and describes as many of those books (which are now scattered all over the world) as possible and reconstructs their complicated history of ownership, supplying a narrative of the fortunes of each known copy that came off the press in 1896. New information about unlocated copies, copies that have been sold by book dealers and auction houses, and the binders who have subsequently rebound many of the copies is also included. Three substantial appendices record the copies sold by Bernard Quaritch (the London bookseller most closely associated with the production of the Chaucer), the mailing list of the Kelmscott Press, and other unpublished contemporary documents. 2011, hardcover, dust jacket, 8.5 x 11 inches, 300 pages ISBN 9781584562894, Order No. 103887, $95.00 Available January 2011 William S. Peterson (Professor of English Emeritus, University of Maryland) has written extensively about the Kelmscott Press and other aspects of fine printing in Britain and America. He is currently the editor of Printing History, the journal of the American Printing History Association. Sylvia Holton Peterson (Professor of English Emeritus, University of the District of Columbia) is a medievalist and the co-author (with Jackson Campbell Boswell) of Chaucer’s Fame in England: STC Chauceriana, 1475–1540 (2004). 800-996-2556 www.oakknoll.com oakknoll@oakknoll.com
Page 1 and 2: Oak Knoll Press Fall 2010
Page 3 and 4: Oak Knoll Press 3 THe History of th
Page 5 and 6: Oak Knoll Press 5 I classici Che ha
Page 7: Dermot McGuinne gained his primary
Page 11 and 12: Oak Knoll Press 11 Tom Stoppard A B
Page 13 and 14: Distributed for AdVenture Publishin
Page 15 and 16: Oak Knoll Press 15 Distributed for
Page 17 and 18: Oak Knoll Press 17 The Henry Davis
Page 19 and 20: Oak Knoll Press 19 Small Books for
Page 21 and 22: Oak Knoll Press 21 the last of the
Page 23 and 24: Oak Knoll Press 23 PRINTErs’ & pu
Page 25 and 26: Books about Book Collecting Oak Kno
Page 27 and 28: Oak Knoll Press—Bookbinding 27 AB
Page 29 and 30: Oak Knoll Press—Printing & Publis
Page 31 and 32: Books about Type Design Oak Knoll P
Page 33 and 34: Books about Writing & Calligraphy O
Page 35 and 36: Bibliography Oak Knoll Press 35 The
Page 37 and 38: Oak Knoll Press—Bibliography 37 J
Page 39 and 40: Index Abbott, Steven 36 ABC for Boo

Oak Knoll Press - Oak Knoll Books

You also want an ePaper? Increase the reach of your titles

Delete template?

Save as template?