Oak Knoll Press - Oak Knoll Books
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Oak Knoll Press - Oak Knoll Books
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<strong>Oak</strong> <strong>Knoll</strong> <strong>Press</strong><br />
Fall 2010
OAK KNOLL PRESS<br />
PUBLISHERS OF FINE BIBLIOGRAPHIES<br />
& OTHER BOOKS ABOUT BOOKS<br />
Member, Association of American Publishers<br />
Welcome to our newest publishing catalogue, featuring new and upcoming titles. For a complete list of our books (close to 1500), visit<br />
our website at www.oakknoll.com/publishing. In addition to titles we’ve published, this catalogue also includes new works that we are distributing<br />
for other publishers. <strong>Oak</strong> <strong>Knoll</strong> continues to act as the exclusive distributor for many important bibliographical organizations, such<br />
as the Bibliographical Society of America, American Antiquarian Society, and John Carter Brown Library. In this catalogue, we are pleased<br />
to present books from three new distribution partners: AdVenture Publishing, Greece, HES & DE GRAAF Publishers, the Netherlands,<br />
and the Center for Book Arts, New York City.<br />
We are also pleased to introduce the newest member of the <strong>Oak</strong> <strong>Knoll</strong> publishing team, Danielle Burcham. Danielle is a recent graduate<br />
from Wilmington University, where she studied Broadcast Journalism and Print. In her role as Publishing and Marketing Assistant, she<br />
plans, designs, and sends marketing materials and assists Publishing Director Laura Williams with various tasks. She is happy to present her<br />
first catalogue.<br />
This year, <strong>Oak</strong> <strong>Knoll</strong> and three other booksellers (Between the Covers Rare<br />
<strong>Books</strong>, The Kelmscott <strong>Books</strong>hop, and the Old <strong>Books</strong>hop of Bordentown) opened<br />
The <strong>Books</strong>hop in Old New Castle. This new bookshop, located on the second floor<br />
of <strong>Oak</strong> <strong>Knoll</strong>, sells books on all subjects from each store’s inventory. The <strong>Books</strong>hop<br />
in Old New Castle and <strong>Oak</strong> <strong>Knoll</strong> <strong>Books</strong> are open Monday through Saturday.<br />
Best wishes,<br />
Robert D. Fleck, Publisher<br />
Front cover: Engraving of the great gallery of St. Geneviève’s library signed by Lagardette; Back cover: Isidore of Seville, Etymologiae. Parchment codex written in northern Italy in the 8th c.<br />
Wolfenbüttel, Herzog-August-Bibliotheck; Both images are from The History of the Library in Western Civilization, Volume IV, page 3 of this catalogue.<br />
Order on our website at www.oakknoll.com, by phone at 800-996-2556, by fax at 302-328-7274,<br />
by email at orders@oakknoll.com, or visit our store at 310 Delaware Street, New Castle, DE 19720<br />
For US orders, please add $7.50 for the first volume and $1.00 for each additional volume. We ship US orders via USPS Ground unless otherwise instructed. For<br />
Canadian orders, add $8.00 for the first volume. For orders outside the US and Canada, add $9.00 for the first volume. Additional shipping costs will be based on<br />
weight. Special delivery services are available at extra charge. Payment with Visa, MasterCard, American Express and Discover; wire transfers in US dollars; and checks<br />
in US dollars drawn on a US bank or in English pounds. Proforma invoices are sent for all prepaid and non-established accounts. Your order should be shipped within<br />
five business days after it is received. Sales rights: If sales rights are listed, we can only sell the title in the area noted. If you are outside our sales area, please consult the<br />
distributor listed for your area. If you do not know who distributes our books in your area, call us and we may be able to help.<br />
UK DISTRIBUTOR<br />
(for books not co-published with The British Library)<br />
Scott Brinded Antiquarian <strong>Books</strong><br />
17 Greenbanks, Lyminge,<br />
Kent CT18 8HG<br />
United Kingdom<br />
Phone: +44 01303 862258<br />
Fax: +44 01303 862660<br />
Payment with Visa, MasterCard and checks in English pounds<br />
are accepted. Will add £3.50 on all orders weighing up to 10<br />
kg. Will add £6.00 on orders weighing up to 30 kg.<br />
ALSO IN THE UK<br />
(for books co-published with The British Library)<br />
The British Library <strong>Books</strong>hop<br />
96 Euston Road<br />
London NW1 2DB<br />
United Kingdom<br />
Phone: +44 (020) 7412 7735<br />
Fax: +44 (020) 7412 7172<br />
Email: bl-bookshop@bl.uk<br />
Web: www.bl.uk/bookshop<br />
AUSTRALIAN DISTRIBUTOR<br />
Kay Craddock, Antiquarian <strong>Books</strong>eller<br />
The Assembly Hall Building<br />
156 Collins Street<br />
Melbourne, Victoria 3000<br />
Australia<br />
Phone:+61 3 9654 8506<br />
Fax: +61 3 9654 7351<br />
Email: books@kaycraddock.com<br />
Web: www.kaycraddock.com<br />
Payment with American Express, Diners, Bankcard,<br />
MasterCard and Visa. Checks also accepted. A full postal<br />
service is available. Packing, postage and insurance charges are<br />
Payment with Access, MasterCard, Eurocard, Visa and<br />
American Express; and checks payable to The British Library<br />
<strong>Books</strong>hop. Postage and packaging is £3.00 for one book and<br />
an additional £0.75 for each book after that.<br />
extra. Prices are available upon request.<br />
800-996-2556 www.oakknoll.com oakknoll@oakknoll.com
<strong>Oak</strong> <strong>Knoll</strong> <strong>Press</strong> 3<br />
THe History of the library in<br />
Western civilization, volume IV<br />
From Cassiodorus to Furnival<br />
by Konstantinos Sp. Staikos<br />
This fourth volume unfolds the events that influenced the tradition<br />
of libraries in the West beginning when Christianity was imposed as the<br />
official religion of the Empire.<br />
The first chapter includes the realignment of populations of the<br />
North, the formation of new kingdoms, and the emergence of new<br />
intellectual centres in relation to books. Chapter two presents the practices<br />
of authorship and publication, the reproduction of books, and<br />
their availability movement according to St. Jerome.<br />
The third chapter is devoted to the British Isles: their conversion to<br />
Christianity and the nature of the education cultivated in the monastic<br />
centres of the period. The fourth chapter deals with the Carolingian<br />
era, Charlemagne’s contribution to upgrading schooling, the foundation<br />
of a considerable number of monastic centres based on books, and<br />
the chronicle of the founding of Charlemagne’s personal library.<br />
Chapter five assesses the influence exerted by the Carolingian period<br />
in the diffusion of knowledge and books in general and the birth of<br />
the university in all the European countries is the subject of the sixth chapter. Interests of eminent men of letters are outlined<br />
in chapter seven, in the matter of books and the genesis of the French royal library, with a chronicle of the papal library at<br />
Avignon and at Hereford Cathedral.<br />
Finally, chapter eight is an overview of the installation of the library as architecture. The diverse bookstands serving as<br />
diminutive ‘libraries’ are described, up to the time when chambers were set aside to function as libraries.<br />
2010, hardcover, dust jacket, 8.5 x 11.5 inches, 500 pages<br />
ISBN 9781584561811, Order No. 76544, $75.00<br />
Available in Europe from HES & DE GRAAF<br />
Deluxe Edition with leather publisher’s slipcase<br />
ISBN 9781584561835, Order No. 76545, $275.00<br />
The Complete History of the Library Series<br />
Volume I: From Minos to<br />
Cleopatra<br />
2004, hardcover, 8.5 x 11.5 inches, 374 pages<br />
ISBN 9781584561149, Order No. 74805, $75.00<br />
Deluxe full-leather edition:<br />
ISBN 9781584561507, Order No. 75831, $275.00<br />
Volume IV: The Medieval<br />
World in the West From<br />
Cassiodorus to Furnival<br />
2009, hardcover, 8.5 x 11.5 inches, 400 pages<br />
ISBN 9781584561811, Order No. 76544, $75.00<br />
Deluxe full-leather edition:<br />
ISBN 9781584561835, Order No. 76545, $275.00<br />
Volume II: The Roman World<br />
From Cicero to Hadrian<br />
2005, hardcover, 8.5 x 11.5 inches, 364 pages<br />
ISBN 9781584561484, Order No. 76540, $75.00<br />
Deluxe full-leather edition:<br />
ISBN 9781584561514, Order No. 76541, $275.00<br />
Volume V: The Renaissance<br />
From Petrarch to<br />
Michelangelo<br />
Est. 2011, hardcover, 8.5 x 11.5 inches, 400 pages<br />
ISBN 9781584561828, Order No. 76546, $75.00<br />
Deluxe full-leather edition:<br />
ISBN 9781584561842, Order No. 76547, $275.00<br />
Volume III: The Byzantine<br />
World From Constantine The<br />
Great to Cardinal Bessarion<br />
2007, hardcover, 8.5 x 11.5 inches, 608 pages<br />
ISBN 9781584561491, Order No. 76542, $75.00<br />
Deluxe full-leather edition:<br />
ISBN 9781584561521, Order No. 76543, $275.00<br />
Volume VI: Index and<br />
Bibliography<br />
Est. 2012, hardcover, 8.5 x 11.5 inches, 125 pages<br />
ISBN 9781584561859, Order No. 90190, $45.00<br />
Deluxe full-leather edition:<br />
ISBN 9781584561866, Order No. 90191, $275.00<br />
800-996-2556 www.oakknoll.com oakknoll@oakknoll.com
4 <strong>Oak</strong> <strong>Knoll</strong> <strong>Press</strong><br />
Greek Library<br />
The Konstantinos Sp. Staikos Book Collection<br />
henceforth The Alexander S. Onassis Public<br />
Benefit Foundation Library<br />
by Konstantinos Sp. Staikos<br />
The Konstantinos Staikos Book Collection is a bibliography of the works<br />
of Konstantinos Sp. Staikos located in the Library of the Alexander S.<br />
Onassis Public Benefit Foundation. This collection represents the entire<br />
spectrum of the intellectual pursuits of the Greeks of the Diaspora,<br />
extending over a period from the Early Renaissance until the late years<br />
of Neo-Hellenic Enlightenment. The books in this collection not only<br />
enhance Greek printing and publishing activities, but they demonstrate<br />
the participation of Greeks in international politics and religious matters<br />
in the courts of empires such as Russia and Austria.<br />
The collection includes more than 1,200 titles divided into five sections.<br />
The first section, Renaissance-Humanism, discusses first editions<br />
of Greek literature, grammaires, and Lexikons. The other sections examine<br />
Neo-Hellenic literature, liturgies, theology, and the Neo-Hellenic<br />
Enlightenment. Among these<br />
sections, poetry, novels, mythistories,<br />
gospels, psalters, the Old<br />
and New Testament, Works of the Greek Fathers, Dogmatic works, translations of<br />
European literature, and specimens of Greek typography in many places are examined.<br />
The total number of Greek titles, classified in the Hellenic Bibliography, representing<br />
publications in Latin or other European languages dealing with the works and<br />
days of the Greeks, amounts to 7,000.<br />
For each listed book, full bibliographical notes, the identity according to the<br />
standard bibliographies, provenance, comments, notes, and descriptions by the writer<br />
are provided.<br />
There are over<br />
700 printers’<br />
marks listed,<br />
as well as many<br />
title pages and<br />
portraits of<br />
writers, publishers,<br />
and editors. A general introduction, introductions<br />
for each section, a general index, and an index of<br />
printers are also included.<br />
2011, hardcover, dust jacket, 9 x 12.25 inches, 600 pages<br />
ISBN 9781584562887, Order No. 104816, $195.00<br />
Available January 2011<br />
800-996-2556 www.oakknoll.com oakknoll@oakknoll.com
<strong>Oak</strong> <strong>Knoll</strong> <strong>Press</strong> 5<br />
I classici Che hanno fatto l’Italia<br />
The Classics That Have Made Italy<br />
by Fabrizio Govi<br />
Each work explained in the<br />
book calls special attention to editorial<br />
strategies such as format, font,<br />
illustrations, dedications, etc. The<br />
book is not just a list of prominent<br />
texts defining Italian history or a<br />
history of the Italian book from a typographic standpoint, but also a chronological overview<br />
of known printed texts.<br />
I Classici Che Hanno Fatto L’talia (or The Classics That Have Made Italy) offers<br />
itself as a counterpart to the great work Printing and the Mind of Man, illustrating<br />
the history of the Italian culture through a selection of works by Italian<br />
authors (by birth or adoption) from the thirteenth-century to the present.<br />
The publishing history of a text, whether a masterpiece, or the work<br />
of a pioneering era, can be broken into two parts: information on receiving<br />
and dissemination of works such as print runs, reprints, counterfeits, privileges,<br />
and trade agreements; and the<br />
mutual relationship between the<br />
press and the readers, showing how<br />
the printed book has influenced the<br />
way man reads and writes.<br />
The Classics That Have Made Italy<br />
provides the edition, background<br />
information, references, historical<br />
and cultural significance of<br />
each work, brief biography of the author, and an index. An essay by John<br />
Ragone examining the transformation of Italy from the fifteenth century<br />
is included. The book is written in Italian and accompanied by an English<br />
translation of the introduction.<br />
Fabrizio Govi, who graduated from Bologna in 1997 with a degree in<br />
literature, is an antiquarian bookseller in Modena. John Ragone teaches<br />
at the University of Rome La Sapienza and has contributed to a number<br />
of books, including Publishing in Italy, and Umberto Pregliasco works at an<br />
antiquarian bookshop in Turin and is the author of several articles on the<br />
protection of antique books.<br />
2010, hardcover, dust jacket, 8.25 x 11.25 inches, 415 pages<br />
ISBN 9788896656143, Order No. 104769, $95.00<br />
Distributed for Giorgio Regnani Editore<br />
800-996-2556 www.oakknoll.com oakknoll@oakknoll.com
6 <strong>Oak</strong> <strong>Knoll</strong> <strong>Press</strong><br />
The Complete Illustrative Work of<br />
Thomas Bewick<br />
by Nigel Tattersfield<br />
Thomas Bewick can be called one of the best English enthusiasts of<br />
wood engraving. Born in 1753, he grew up on a small farm, where his chores<br />
came second to his interest in the countryside, fishing, and watching birds<br />
and animals. These early passions set the stage for his future endeavors.<br />
His early work of cutting soft wood for woodcuts eventually turned into<br />
fine detailed designs into hard wood. Beginning in the late 1700s onwards,<br />
Thomas illustrated many children’s books with one of his most famous<br />
books, The History of British Birds. The book contained bird engravings and<br />
wood cuts and was an immediate success. Other major publications that<br />
helped solidify Bewick’s success include The Chillingham Bull, Waiting for Death,<br />
A General History of Quadrupeds, and The Fables of Aesop and Others.<br />
Bewick’s celebrated histories of quadrupeds and birds of 1790, 1797,<br />
and 1804 have obscured the immense number of other books of all denominations<br />
illustrated in his modest workshop. From its inception in 1765 until<br />
its demise in 1849, the workshop provided illustrations to books, pamphlets,<br />
periodicals, and newspapers. The range of illustrations encompassed<br />
natural histories, children’s storybooks,<br />
cookery books, religious tracts, spelling<br />
books, mathematical treatises, Bibles, agricultural manuals, local town and county<br />
histories, joke books, and even a book of sermons.<br />
Generously illustrated and arranged alphabetically, this book details some 750 titles,<br />
over 450 of which are unrecorded in earlier bibliographies. In addition it provides sections<br />
on newspaper mastheads, book cover designs, copy-book covers, maps, and large<br />
single prints. Whether appealing to the Bewick aficionado, book historian, art historian,<br />
provincial printing enthusiast, or admirer of engraving on wood or copper, this will be an<br />
indispensable work.<br />
Nigel Tattersfield is the author of<br />
Bookplates by Beilby and Bewick, published<br />
by <strong>Oak</strong> <strong>Knoll</strong> <strong>Press</strong> and The British<br />
Library and John Bewick: Engraver on<br />
Wood, published by <strong>Oak</strong> <strong>Knoll</strong> <strong>Press</strong>.<br />
2010, hardcover, 7.5 x 11.75 inches, 3 volumes, 1564 pages<br />
ISBN 9781584562733, Order No. 102274, $265.00<br />
Available outside North and South America from The British Library<br />
Available December 2010<br />
800-996-2556 www.oakknoll.com oakknoll@oakknoll.com
Dermot McGuinne gained<br />
his primary degree and early experience<br />
as a graphic designer in<br />
the United States where he later<br />
held the position of Art Director<br />
at the University of Iowa <strong>Press</strong><br />
before returning to Ireland. He<br />
was awarded his doctorate from<br />
Trinity College Dublin for work<br />
completed on the subject of the<br />
“Irish Character in Print” and is the<br />
author of various articles on the<br />
topic. He has been the head of the departments of Visual Communication<br />
and of Fine Arts at the Dublin Institute of Technology.<br />
2010, hardcover, dust jacket, 7.5 x 9.5 inches, 236 pages<br />
ISBN 9780954379957, Order No. 104562, $55.00<br />
paperback: ISBN 9780954379964, Order No. 104563, $35.00<br />
Available outside North and South America from the National Print Museum, Dublin<br />
<strong>Oak</strong> <strong>Knoll</strong> <strong>Press</strong> 7<br />
Irish type design<br />
A History of Printing Types in the Irish Character<br />
by Dermot McGuinne<br />
The designing of special type for printing Irish language texts<br />
began in the late sixteenth century and lasted into our own day,<br />
attracting the attention of many leading political and religious figures—Elizabeth<br />
I; Irish Franciscans in exile on the Continent; and<br />
at one point even Napoleon I— as well as scholars such as John<br />
O’Donovan, Eugene Curry, George Petri and John Henry Newman.<br />
More recently, internationally renowned designers Stanley Morison,<br />
Victor Hammer, and Eric Gill have made significant contributions<br />
to Irish type design.<br />
Irish typography came after the demise of the late Graceo-<br />
Roman uncials and semi-uncials, preceded by late Gothic, Roman,<br />
Italic, and Greek types. It was considered a ‘sacred’ script for the purpose<br />
of studying Scripture.<br />
Dermot McGuinne’s book is the most comprehensive published<br />
on this subject and has become a standard work of reference.<br />
It contains more than 150 illustrations of Irish types spanning over four<br />
centuries. McGuinne covers Irish types including Queen Elizabeth’s<br />
Irish type, the Rome Irish type, the Paris and Parker types, and others.<br />
Throughout eleven chapters, McGuinne provides a comprehensive account of every<br />
Irish font in its cultural, religious, and political context. This expanded second edition<br />
also includes a new foreword by Hendrik D.L. Vervliet and a new chapter on Louvain<br />
Irish type.<br />
800-996-2556 www.oakknoll.com oakknoll@oakknoll.com
8 <strong>Oak</strong> <strong>Knoll</strong> <strong>Press</strong><br />
JOhn Rodker’s ovid <strong>Press</strong><br />
A Bibliographical History<br />
by Gerald W. Cloud<br />
This book is primarily a bibliographical study of all the known works<br />
printed and published by John Rodker (1894–1955) at the Ovid <strong>Press</strong>,<br />
London, 1919–1922, and the associated projects connected to his second<br />
imprint, the Casanova Society. The Ovid <strong>Press</strong>’s output was not prolific—17<br />
known items were produced—but the nature of the works and the<br />
context in which they were created reveals a great deal about both Rodker<br />
and several central figures of modernist literature and art, including T.S.<br />
Eliot, Henri Gaudier-Brzeska, James Joyce, Wyndham Lewis, Ezra Pound,<br />
and Edward Wadsworth.<br />
The book’s introduction includes a biographical account of Rodker’s<br />
life, focusing especially on his early life and his printing activities at the<br />
Ovid <strong>Press</strong>, which he operated with some participation from his then<br />
wife, the British novelist Mary Butts (1890–1937). Relying heavily on<br />
correspondence and other archival sources, such as Rodker’s personal and<br />
professional papers and his diary, the introduction documents the production<br />
of many of the Ovid <strong>Press</strong> titles and Rodker’s interaction with his<br />
authors.<br />
The descriptive bibliography, which follows the introductory matter,<br />
includes full collations, detailed, copy-specific notes on each item, institutional locations for Ovid <strong>Press</strong> publications, and<br />
attempts to reconcile the discrepancies between Rodker’s colophon statements and the books he actually printed—based on<br />
careful analysis of extant copies of Ovid <strong>Press</strong> titles. The book accounts for a number<br />
of unrecorded bibliographical details in these works and clarifies Rodker’s role<br />
in the production of Ezra Pound’s “Bel<br />
Esprit” and the errata sheets for Joyce’s<br />
Ulysses (Egoist <strong>Press</strong>/John Rodker, 1922).<br />
Gerald W. Cloud is Curator for<br />
Literature in Columbia University’s Rare<br />
Book & Manuscript Library and Lecturer<br />
in English and Comparative Literature at<br />
Columbia where he teaches Bibliography<br />
and the History of the Book. He earned<br />
his Ph.D. at the University of Delaware<br />
(2005) and has served as a lab instructor<br />
for “Introduction to the Principles of<br />
Bibliographical Description” at Rare Book<br />
School, University of Virginia since 2004.<br />
2010, hardcover, dust jacket, 7 x 10 inches, 152 pages<br />
ISBN 9781584562863, Order No. 104083, $55.00<br />
Available October 2010<br />
800-996-2556 www.oakknoll.com oakknoll@oakknoll.com
<strong>Oak</strong> <strong>Knoll</strong> <strong>Press</strong> 9<br />
The kelmscott chaucer<br />
A Census<br />
by William S. Peterson and Sylvia Holton Peterson<br />
When William Morris founded the Kelmscott <strong>Press</strong>, his celebrated<br />
private press, in 1891, one of the books he intended to print<br />
was an edition of the writings of Geoffrey Chaucer. Because of<br />
its size and complexity, The Works of Geoffrey Chaucer did not emerge<br />
from the press until June 1896, shortly before Morris’s death. Even<br />
at the time of publication, there was almost universal recognition<br />
that it was the most ambitious and remarkable book produced in<br />
the nineteenth century. Morris himself designed the type, initials,<br />
and borders. His old friend Sir<br />
Edward Burne-Jones created the<br />
eighty-seven wood-engraved illustrations,<br />
and the book was printed<br />
on a hand-press with ink, paper,<br />
and vellum made to Morris’ exact<br />
specifications.<br />
According to Sydney<br />
Cockerell, the second Secretary<br />
of the Kelmscott <strong>Press</strong>, Morris<br />
printed 425 copies of the Chaucer book on paper and thirteen on vellum. This Census<br />
locates and describes as many of those books (which are now scattered all over the world) as<br />
possible and reconstructs their complicated history of ownership, supplying a narrative of<br />
the fortunes of each known copy that came off the press in 1896. New information about<br />
unlocated copies, copies that have been sold by book dealers and auction houses, and the<br />
binders who have subsequently rebound many of the copies is also included. Three substantial appendices record the copies<br />
sold by Bernard Quaritch (the London bookseller most closely<br />
associated with the production of the Chaucer), the mailing list<br />
of the Kelmscott <strong>Press</strong>, and other unpublished contemporary<br />
documents.<br />
2011, hardcover, dust jacket, 8.5 x 11 inches, 300 pages<br />
ISBN 9781584562894, Order No. 103887, $95.00<br />
Available January 2011<br />
William S. Peterson (Professor of English Emeritus,<br />
University of Maryland) has written extensively about the<br />
Kelmscott <strong>Press</strong> and other aspects of fine printing in Britain<br />
and America. He is currently the editor of Printing History, the<br />
journal of the American Printing History Association. Sylvia<br />
Holton Peterson (Professor of English Emeritus, University<br />
of the District of Columbia) is a medievalist and the co-author<br />
(with Jackson Campbell Boswell) of Chaucer’s Fame in England: STC<br />
Chauceriana, 1475–1540 (2004).<br />
800-996-2556 www.oakknoll.com oakknoll@oakknoll.com
10 <strong>Oak</strong> <strong>Knoll</strong> <strong>Press</strong><br />
John fuller and the sycamore press<br />
A Bibliographic History<br />
by Ryan Roberts<br />
Set up in 1968, John Fuller’s Sycamore <strong>Press</strong> published some of the most<br />
influential and critically acclaimed writers of the past half-century. Operating<br />
from a garage, the press published established authors such as W. H. Auden,<br />
Philip Larkin, and Peter Porter, as well as promoting young poets including<br />
James Fenton and Alan Hollinghurst. The Sycamore <strong>Press</strong> ceased operations<br />
in 1992, but remains an excellent example of the unique qualities associated<br />
with the small press movement in England.<br />
In addition to a full descriptive bibliography, the book includes an evocative<br />
foreword by John Fuller, who wryly describes the trials and tribulations<br />
of ‘garage’ publishing. In<br />
a transcribed interview<br />
with the author, Fuller<br />
explains why a pamphlet<br />
of poems took almost<br />
a year to produce as he<br />
experimented with letterpress<br />
technology.<br />
Personal reflections by<br />
Sycamore <strong>Press</strong> authors such as Andrew Motion and Thom Gunn illuminate<br />
the publishing process further and show what a powerful role John<br />
Fuller played in the lives of young poets lucky enough to be published by<br />
him. While this book is full of entertaining anecdotes about the hazards<br />
of small book publishing,<br />
it also provides invaluable<br />
advice for small press<br />
printers.<br />
Ryan Roberts is a<br />
Professor and Librarian at<br />
Lincoln Land Community<br />
College in Springfield,<br />
Illinois. He also maintains<br />
the official websites for Ian<br />
McEwan, Julian Barnes,<br />
Hermione Lee, and James<br />
Fenton. He is co-editor of a volume of interviews with Julian Barnes and editor<br />
of a volume of interviews with Ian McEwan for the University <strong>Press</strong> of<br />
Mississippi’s Literary Conversations Series.<br />
2010, hardcover, dust jacket, 6 x 9 inches, 160 pages<br />
ISBN 9781584562818, Order No. 104085, $49.95<br />
Available outside North and South America from The Bodleian Library<br />
800-996-2556 www.oakknoll.com oakknoll@oakknoll.com
<strong>Oak</strong> <strong>Knoll</strong> <strong>Press</strong> 11<br />
Tom Stoppard<br />
A Bibliographical History<br />
by William Baker and Gerald N. Wachs<br />
Tom Stoppard, whose writing career spans over half a century, is one<br />
of the most prolific of living British authors. This bibliographical history<br />
provides a comprehensive account of the print-published writings,<br />
and texts in other media, which he has wholly or partially authored. It<br />
will be an indispensable resource for all who have a scholarly interest in<br />
modern British literature, drama and cinematic scripts.<br />
As a creator of texts<br />
in dramatic form for live<br />
theatre, radio, television or<br />
cinema, Stoppard has won<br />
Tony awards and Oscars.<br />
He has composed short<br />
stories, a novel, and a large<br />
number of non-fictional<br />
prose writings, such as essays,<br />
articles, published speeches<br />
and letters to periodicals.<br />
This bibliography records<br />
for the first time his innumerable articles including investigative journalism, and<br />
film and theatre reviews penned as a young working journalist. Also included are<br />
interviews—recorded in print or other media—and interview-based articles. The<br />
bibliography documents other texts generated from Stoppard’s interests in literary<br />
projects, human<br />
rights, and<br />
other causes<br />
as a champion<br />
of freedom of<br />
expression, with<br />
forewords to books, short notes, jointly authored letters,<br />
signatures to petitions, declarations and other material.<br />
A Bibliographic History provides a guide to Tom Stoppard’s<br />
obsessive creative revisions and also documents the countless<br />
translations of his work.<br />
William Baker is a Board of Trustees Professor and<br />
Distinguished Research Professor at Northern Illinois<br />
University. His interest in bibliography and librarianship<br />
resulted in his gaining the MLS degree from the University<br />
of Loughborough. He is the recipient of fellowships from the Bibliographical Society of America, the American Philosophical<br />
Society and the National Endowment for the Humanities. Gerald N. Wachs, MD, is an eminent New York based dermatologist<br />
and book-collector with a unique Stoppard Collection upon which this bibliographical history is based.<br />
2010, hardcover, 7 x 10 inches, 496 pages , plus CD-ROM with images<br />
ISBN 9781584562856, Order No. 104817, $79.95 Available December 2010<br />
Available outside North and South America from The British Library<br />
800-996-2556 www.oakknoll.com oakknoll@oakknoll.com
12 <strong>Oak</strong> <strong>Knoll</strong> <strong>Press</strong><br />
The iliad and odyssey<br />
As translated by Alexander Pope<br />
by Homer<br />
An original twopart<br />
introduction by the esteemed Pope scholar Steven Shankman reflects on<br />
and investigates Pope’s majestic poems through a scholarly lens focused on the<br />
timeless Homeric themes of war and peace. Professor Shankman also elaborates<br />
on “How To Read Homer,” an aid to understanding the philosophical and historical<br />
context of the Homeric epics.<br />
Acclaimed by Samuel Johnson as “a performance which no age or<br />
nation could hope to equal,” Alexander Pope’s translation of the Iliad<br />
and Odyssey stands as one of the glories of English Literature.<br />
The Chester River <strong>Press</strong> edition of the Iliad and Odyssey of<br />
Homer is designed and printed to reflect the epic proportions of this<br />
famous translation and offers both the Greek and English translations<br />
for the general reader and scholar alike. More than 50 color<br />
drawings in Greek<br />
vase styles by Avery<br />
Lawrence were commissioned<br />
by the<br />
<strong>Press</strong>. Every drawing<br />
portrays a specific<br />
scene from each of the<br />
48 books making up<br />
the Iliad and Odyssey,<br />
with smaller medallions<br />
adorning pages<br />
throughout.<br />
The Iliad and Odyssey are presented as a companion, slipcased set and bound in black<br />
Dutch cloth with dust jackets.<br />
2009, hardcover, dust jacket, 12.5 x 14.5 inches, 2 volumes, 984 pages<br />
ISBN 9780982340325, Order No. 104249, $350.00<br />
Distributed for the Chester River <strong>Press</strong><br />
800-996-2556 www.oakknoll.com oakknoll@oakknoll.com
Distributed for AdVenture Publishing, Athens<br />
<strong>Oak</strong> <strong>Knoll</strong> <strong>Press</strong> 13<br />
A catalogue of printed maps of greece, 1477–1800<br />
by Christos G. Zacharakis<br />
In its third edition, this catalogue covers a period of more than 300 years of printed<br />
European cartography concerning Greece. With nearly 4,000 maps listed alphabetically by<br />
the makers’ names and 500 black-and-white illustrations, this is the most inclusive cartographic<br />
bibliography produced about Greece from 1477 to 1800.<br />
Maps are listed in alphabetical order under the name of the particular cartographer,<br />
publisher, and engraver. Variant maps also show some of the inaccuracies of the time<br />
including the Ptolemaic style of cartography for Greece.<br />
2009, hardcover, dust jacket, 9.75 x 13.25 inches, 358 pages<br />
ISBN 9789608779242, Order No. 104502, $215.00<br />
All three titles available in Greece & the UK from AdVenture Publishing<br />
Antonio Millo Isolario<br />
by Agamemnon Tselikas<br />
Millo’s earliest dated Isolario (a manuscript description of an island and its corresponding<br />
maps) comes from the collection of Sylvia Ioannous that was devoted to the<br />
history of her homeland, Cyprus. The Isolario was chosen specifically from the collection<br />
to portray the intellect, experience, and magic of the Eastern Mediterranean. This book,<br />
translated into both Greek and English, details over 200 maps, each containing specific<br />
information about an island and its reefs, sandbanks, ports, and cities. Also included are its<br />
perimeters, the depth of waters, anchorage, locations of drinking water, and the distances<br />
and routes from one place to another. Longitudes and latitudes, as well as the voyage from<br />
Tripopli of Syria to the city of Venice are examined. Each passage explains in great detail<br />
the nautical terms of the time that may no longer be used or are unfamiliar to the reader.<br />
2006, hardcover, dust jacket, 8.5 x 11.25 inches, 352 pages<br />
ISBN 9789608779228, Order No. 104500, $115.00<br />
sweet land of cyprus<br />
The European Cartography of Cyprus (15th to 19th Century)<br />
by Sylvia Ioannou<br />
This book contains five units comprising the whole of the Sylvia Ioannous collection<br />
of maps about her homeland, Cyprus. The first three units encompass Frankish and<br />
Venetian rule. Maps and rare loose sheets illustrate the Frankish walls of Nicosia, the philosophical<br />
concept of the world as depicted by the cosmographers, and pages of atlases that<br />
made their first appearance while Cyprus was enslaved by the Ottoman Empire. The fourth<br />
unit, containing nautical charts, also has the “jewel” of the collection—the manuscript isolario<br />
of Antonio Millo. The whole set is completed by the fifth unit, combining the cartography<br />
of the Age of Enlightenment with the scientific compilation of nautical charts.<br />
2003, paperback, 9.75 x 12.5 inches, 240 pages<br />
ISBN 9608779219, Order No. 104503, $75.00<br />
800-996-2556 www.oakknoll.com oakknoll@oakknoll.com
14 <strong>Oak</strong> <strong>Knoll</strong> <strong>Press</strong><br />
Distributed for hes & de graaf Publishers<br />
HES & DE GRAAF publishes scholarly works on books, the history and production of books, and any topic<br />
related to manuscripts or the printed book, as well as a wide variety of subjects including fine arts, cartography, travel<br />
and navigation, and history of sciences. They also have rare reprints and classics on many well-known works.<br />
The two 15th ILAB Breslauer Prize for Bibliography Winners<br />
Catalogue of books<br />
printed in the xvth<br />
century now in the<br />
British library<br />
BMC, Part XI England<br />
by Lotte Hellinga<br />
The eleventh volume in the series<br />
covers England and responds to the<br />
special circumstances of early printing<br />
in England, giving particular attention<br />
to textual transmission by systematically<br />
following each text from source or copy<br />
to print whenever possible. This work includes descriptions of 323 copies<br />
of books, representing 221 editions of items printed in England,<br />
out of a total of 395 known to date, extensive introductions, and 52<br />
full-size plates accompanying the descriptions of printing types. With<br />
four full-color and numerous black-and-white illustrations of type and<br />
watermarks.<br />
2007, hardcover, 11.25 x 15.25 inches, 518 pages<br />
ISBN 9789061943792, Order No. 103198, $1,985.00<br />
covens & mortier<br />
A Map Publishing House in<br />
Amsterdam 1685–1866<br />
by Marco van Egmond<br />
This work is an extensive carto-bibliography<br />
with maps published by Covens<br />
& Mortier with 500 full-color images. It<br />
includes a genealogy of Covens & Mortier,<br />
estate inventories, catalogues of maps and<br />
copperplates, and references to Covens &<br />
Mortier in contemporary periodicals and<br />
booksellers’ books.<br />
2009, hardcover, dust jacket, 9.5 x 12.5 inches, 600 pages plus CD-ROM<br />
ISBN 9789061942207 , Order No. 103234, $240.00<br />
Dutch decorated<br />
bookbinding in<br />
the eighteenth<br />
century<br />
by Jan Storm van Leeuwen<br />
This classic ranks among<br />
the standard works on the<br />
subject of bookbinding. Vol. I:<br />
General historical introduction;<br />
Noord Holland; Vol. IIa: Zuid<br />
Holland; Vol. IIb: Zeeland, Province of Utrecht, Friesland, Province of<br />
Groningen, Drente, Overijssel, Gelderland, Noord-Brabant and Limburg;<br />
Place unknown or irrelevant and Bindings in exceptional materials;<br />
Vol. III: Catalogue of bindings in the Koninklijke Bibliotheek and the<br />
Museum Meermanno-Westreenianum; List of Bindings in other collections;<br />
Overview of Rubbings important for identification; Diagrams;<br />
<strong>Books</strong> referred to with abbreviated titles; Index to the text; Index to<br />
Catalogue and List. About 10,000 rubbings of tools and ornaments,<br />
black and white illustrations, and a color section in each volume.<br />
2006, hardcover, dust jacket, 8.25 x 11 inches, 4 volumes, 4000 pages<br />
ISBN 9789061943693, Order No. 103679, $2,375.00<br />
Sailing for the east<br />
History and Catalogue of<br />
Manuscript Charts of the Dutch<br />
East India Company (VOC) on<br />
Vellum 1602–1799<br />
by Gunter Schilder and Hans Kok<br />
This book presents a never-before<br />
published overview of chart material used<br />
on a VOC (Dutch East India Company)<br />
ship. All navigation charts of the VOC in<br />
the seventeenth and eighteenth centuries<br />
are drawn on vellum, and described and<br />
analyzed in this illustrated carto-bibliography.<br />
2010, hardcover, dust jacket, 9.5 x 12.5 inches, 750 pages<br />
ISBN 9789061942603 , Order No. 104493, $250.00<br />
Printing the Classical<br />
Text<br />
by Howard Jones<br />
2004, hardcover, 6.25 x 9.75 inches, 238 pages<br />
ISBN 9789061942795, Order No. 103669, $200.00<br />
All available outside North America from HES & DE GRAAF Publishers<br />
Technique & Design in the<br />
History of printing<br />
by Frans A. Janssen<br />
2004, hardcover, dust jacket, 7 x 9.75 inches, 380 pages<br />
ISBN 9789061942894, Order No. 103672, $220.00<br />
Globi Neerlandici<br />
The Production of Globes in the Low<br />
Countries<br />
by P. van der Krogt<br />
800-996-2556 www.oakknoll.com oakknoll@oakknoll.com<br />
1993, hardcover, dust jacket, 9.5 x 12.25 in., 648 pages<br />
ISBN 9789061941385, Order No. 103608, $645.00
<strong>Oak</strong> <strong>Knoll</strong> <strong>Press</strong> 15<br />
Distributed for The Center for Book Arts<br />
The Center for Book Arts in New York City is committed to exploring and cultivating contemporary aesthetic<br />
interpretations of the book as an art object while invigorating traditional artistic practices of the art of the book.<br />
The Center seeks to facilitate communication between the book arts community and the larger spheres of contemporary<br />
art and literature. Founded in 1974, it was the first organization of its kind in the nation and has since become a<br />
model for others around the world.<br />
New world suite<br />
number three<br />
by Robert Bringhurst<br />
Edition limited to 75<br />
signed and numbered copies,<br />
including five artist proofs,<br />
with only 25 copies for sale.<br />
A poem for three voices, to<br />
be performed by three people<br />
simultaneously. The display<br />
type was set by hand, and the<br />
text was printed by the Center’s<br />
Master Printer, Barbara Henry at their Jane Mead Timken Printshop in<br />
three separate colors in Monotype Dante, with composition by the Bixler<br />
Foundry in Skaneateles, NY. Mr. Bringhurst created the typographic<br />
design for the book and the text; Hedi Kyle designed the innovative binding<br />
structure.<br />
2005, black cloth with paper label, 17 x 17 inches<br />
four 8.5 x 11 books, three at 28 pages, one at 20 pages<br />
Order No. 103052, $3,500.00<br />
center broadsides<br />
reading series<br />
Limited to an edition of 75.<br />
This boxed set was designed,<br />
printed letterpress, and created<br />
at the Center for Book Arts to<br />
commemorate the reading held<br />
in New York on Friday, March 3,<br />
2006 celebrating the fifth anniversary<br />
of the Center Broadsides<br />
Reading Series. Each of the ten<br />
poems presented is represented by an image in the set. Printed by Delphi<br />
Basilicato. The boxes were produced by Sarah McDermott and Nicole<br />
Trigg under the supervision of Ana Cordeiro.<br />
2006, 5.75 x 7.5 inches<br />
10 loose sheet poems contained in a red, cloth-covered matchbox style container<br />
with cloth covered flaps on inner sliding tray to protect contents<br />
Order No. 103156, $350.00<br />
The Diary of a Madman<br />
by Nicolai Gogol<br />
1998, 7.25 x 11 inches<br />
hardcover with clamshell box, 56 pages<br />
Order No. 103057, $2,000.00<br />
Ticket licket<br />
by Benjamin D. Rinehart<br />
2001, 10.25 x 5.75 inches<br />
portfolio, six woodcut images printed on both sides<br />
Order No. 103059, $1,250.00<br />
istoriato<br />
by Mare Blocker<br />
2001, 11 x 11 inches<br />
case bound concertina<br />
with round-shaped case, printed navy Irish cloth on<br />
book, book covers, and lidded clamshell box<br />
Order No. 103051, $1,250.00<br />
cinnamon bay sonnets<br />
by Andrew Kaufman<br />
1996, softcover, 7 x 9 inches, 30 pages<br />
Order No. 103160, $100.00<br />
center broadsides<br />
2008 Reading Series<br />
2008, 13 x 15 inches<br />
paper letterpress printed with rectangles<br />
in shades of lime green; front<br />
flap opens to form a box shape made<br />
from hunter green book cloth faced<br />
with white paper<br />
Order No. 103158, $500.00<br />
the present<br />
Twelve Poems<br />
by Jane Hirshfield<br />
2007, hardcover, 5 x 7 inches, 32 pages<br />
Order No. 103170, $100.00<br />
Hedi Kyle & Her<br />
influence<br />
1977–1993<br />
1993, hardcover, 9 x 12 in., 8 pages<br />
Order No. 103927, $10.00<br />
Paper, art and the book<br />
1996, paperback, 5 x 7.25 inches, 36 pages<br />
Order No. 103181, $10.00<br />
coptic and collage<br />
Ancient technique, modern application<br />
1997, paperback, 6.5 x 9 inches, 24 pages<br />
Order No. 103174, $10.00<br />
800-996-2556 www.oakknoll.com oakknoll@oakknoll.com
16 <strong>Oak</strong> <strong>Knoll</strong> <strong>Press</strong><br />
The thread that binds<br />
Interviews with Private Practice Bookbinders<br />
by Pamela Train Leutz<br />
All independent bookbinders have a “story”—significant, fascinating and unique—<br />
that reveals their path to bookbinding and sustains them as they continue their craft.<br />
What was it that brought them to bookbinding? Where did they learn the craft? What<br />
made them choose private practice? How do they ensure a living? How hard do they<br />
work? After years of bookbinding, do they still like what they are doing? Where do they<br />
get clients? What advice would they give to someone interested in becoming a bookbinder?<br />
What common threads do these folks share? The Thread That Binds documents<br />
Pamela Leutz’s quest to learn about the lives of representatives of this field. The book is<br />
comprised of 21 interviews with independent bookbinders, with introductions written<br />
by Pamela Leutz, including a special interview with Don Etherington. It includes images<br />
that offer a closer look at these bookbinders’ studios, as well as photographs of the binders<br />
themselves. This is an excellent book for those considering working on their own in<br />
the field of bookbinding or for those simply interested in its history.<br />
2010, 6 x 9 inches, 352 pages<br />
Hardcover, dust jacket: ISBN 9781584562764, Order No. 103924, $55.00<br />
Paperback: ISBN 9781584562740, Order No. 103885, $34.95<br />
Also available as unbound sheets: Order No. 103925, $24.95<br />
“There is a behind-the-scenes aspect to this book that propels the essentially disparate interviews into a compelling whole.”<br />
- Jeffrey S. Peachey, The Bonefolder<br />
Bookbinding and Conservation<br />
A Sixty-Year Odyssey of Art and Craft<br />
by Don Etherington<br />
This new autobiography by renowned bookbinder Don Etherington takes the<br />
reader through his lifelong journey of bookbinding and conservation. Etherington<br />
documents his experiences teaching these trades and traveling throughout Europe and<br />
to the United States. He tells of his generous contribution to the conservation effort in<br />
Florence, Italy, following the great flood that caused incredible damage to thousands of<br />
books. Bookbinding and Conservation is a unique account of the personal and professional<br />
life of this important figure in the world of binding and conservation. The memoirs<br />
contain numerous personal photographs that richly illustrate his story. The autobiography<br />
is followed by a pictorial catalogue of many of Etherington’s fine bindings. This<br />
book is an excellent pick for anyone interested in bookbinding and the lives of major<br />
bookbinders.<br />
2010, hardcover, dust jacket, 8.5 x 11 inches, 180 pages<br />
ISBN 9781584562771, Order No. 102815, $49.95<br />
Also available as unbound sheets: Order No. 104070, $24.95<br />
“Mr. Etherington is a good writer, and the account he tells of his long career is interesting and telling, from his hard but rewarding<br />
apprenticeship to the fine work he presently does.” - Sandy Cohen, Guild of Bookworkers<br />
800-996-2556 www.oakknoll.com oakknoll@oakknoll.com
<strong>Oak</strong> <strong>Knoll</strong> <strong>Press</strong> 17<br />
The Henry Davis Gift<br />
A Collection of Bookbindings<br />
Volume III: A Catalogue of South European Bindings<br />
by Mirjam M. Foot<br />
This much anticipated third and final volume of The Henry Davis Gift focuses on<br />
South and East European fine bindings, with additional sections on Oriental and<br />
American bindings. It includes many new identifications, and owners and binders are<br />
discussed comprehensively. Not only have the decorative features of every binding<br />
been described and illustrated, details of structure have also been described, and consequently,<br />
it is now possible to compare and contrast bookbinders’ practices in the<br />
various countries, as evident from this splendid collection of fine bindings. Although<br />
this volume focuses on Southern Europe, it also includes bindings from the Middle<br />
East, Mexico, and the United States. Two bindings overlooked in Volume II are also<br />
included. As in Volume II, this volume has been arranged according to country, and<br />
then further organized chronologically. In the introduction, Foot explains how her<br />
views and methods have changed and how, as a result, she has altered specific descriptions<br />
and structural elements. The text also contains indices of binders and of owners.<br />
This is an invaluable book for all academic libraries, for antiquarian booksellers,<br />
for collectors, and for all interested in the history of the book.<br />
2010, hardcover, 8.5 x 10.75 inches, 528 pages Volume II: 1983, hardcover, 8.5 x 10.75 inches, 368 pages<br />
ISBN 9781584562726, Order No. 102273, $125.00 ISBN 9780904654738, Order No. 104824, $140.00<br />
Available outside North America from our co-publisher The British Library<br />
2009, paperback, 9 x 9.75 inches, 216 pages<br />
ISBN 9781584562689, Order No. 102152, $59.95<br />
Available outside North and South America from our co-publisher The British Library<br />
Fine Bookbinding<br />
A Technical Guide<br />
by Jen Lindsay<br />
The purpose of this book is to guide the reader through the sequence<br />
of operations involved in creating a book bound in leather, or a “fine binding.”<br />
The author defines a fine binding as a book fully covered in leather, with<br />
leather-jointed endpapers, gilt edges, and leather doublures. Although a basic<br />
knowledge of bookbinding terms and techniques is assumed, this book is<br />
meant for both novice and experienced bookmakers. The book is intended to<br />
be used as an active guide during the process of fine binding. It is arranged into<br />
sixteen sections, in the order of how they are to be undertaken (or a “sequence<br />
of operations”), beginning with preliminary work and ending with preparing<br />
and putting in leather doublures. Each section includes appropriately numbered<br />
instructions so that the user can find his or her place in the sequence of<br />
operations and have a reference for what step is next. There are also numbered<br />
explanatory sections that include a rationale (why you do it) and technique<br />
(how you do it). The work includes close to 300 black-and-white illustrations,<br />
four appendices, and a bibliography.<br />
“An outstanding, detailed, step-by-step manual that ...<br />
has set the bar high for future fine binding manuals.”<br />
- Frank Lehmann, Guild of Bookworkers<br />
800-996-2556 www.oakknoll.com oakknoll@oakknoll.com
18 <strong>Oak</strong> <strong>Knoll</strong> <strong>Press</strong><br />
A Place in my chronicle<br />
A New Edition of the Diary of Christopher Columbus<br />
Baldwin, 1829–1835<br />
edited by Jack Larkin and Caroline Sloat<br />
The text of Baldwin’s diary is a virtual trip back in time, and this edition<br />
with its lively illustrations and helpful identification of the hundreds of<br />
people he meets along the way takes the reader back into Massachusetts in the<br />
years between 1829 and 1835. Numerous illustrations and pictures expand<br />
the descriptions Baldwin gives readers in his entries. Additionally, Larkin and<br />
Sloat use footnotes to explain information, such as dates or places that audiences<br />
may be unfamiliar with. Baldwin’s entries detail a wide variety of subjects<br />
including everyday occurrences in his life as a lawyer and librarian, as well as<br />
the obscure and unusual things that amused him. Also discussed are people<br />
Baldwin met (with an index in the back describing every person in detail) in<br />
addition to his feelings on important subjects such as slavery, religion, politics,<br />
and art, and his passion for books and reading. Baldwin was an inveterate collector<br />
of books and this diary is an account of building a library before librarianship<br />
was established as a profession.<br />
2010, hardcover, dust jacket, 8.5 x 11.5 inches, 322 pages<br />
ISBN 9781929545643, Order No. 104667, $55.00<br />
Distributed for the American Antiquarian Society<br />
Doing Something for Australia<br />
George Robertson and the Early Years of Angus and<br />
Robertson, Publishers, 1888–1900<br />
by Jennifer Alison<br />
From tentative beginnings in 1888, Angus and Robertson soon hit their<br />
stride as publishers with the publication of Banjo Paterson’s verses The Man<br />
from Snowy River. From this foundation, Angus and Robertson went on to publish<br />
books for the Australian community for the better part of the next hundred<br />
years. The powerful force in the early publishing was George Robertson,<br />
who devoted himself to the task and who, with the continuing success of the<br />
firm’s many books, truly believed he was “doing something for Australia.”This<br />
book tells the story of how Angus and Robertson operated as a business to<br />
achieve their success, which in effect tells the story of George Robertson himself.<br />
It highlights the success of Angus and Robertson within Australia and<br />
acknowledges their powerful marketing and advertising methods. Lastly, it<br />
includes a complete list of Angus and Robertson publications between 1888<br />
and 1900, as well as images of the early bookshop and its publications.<br />
2009, hardcover, 6.75 x 9.75 inches, 332 pages<br />
ISBN 9780975150030, Order No. 104149, $49.95<br />
Available in Australia and New Zealand from the Bibliographical Society of Australia and New Zealand<br />
800-996-2556 www.oakknoll.com oakknoll@oakknoll.com
<strong>Oak</strong> <strong>Knoll</strong> <strong>Press</strong> 19<br />
Small <strong>Books</strong> for the common man<br />
A Descriptive Bibliography<br />
edited by John Meriton with the assistance of Carlo Dumontet<br />
The hundred years prior to the mid-nineteenth century saw a flowering of<br />
ephemeral publishing often referred to by the shorthand “chapbooks.” This book is<br />
an analytical bibliography of the National Art Library’s collection of literary ephemera<br />
of the period; that is, histories, tales, verse collections, primers, and alphabets.<br />
Nearly 800 titles are described here in significant bibliographical detail to allow<br />
accurate comparison and verification with editions, variants, and states in other<br />
collections. Examples of illustrations from all the books described are reproduced<br />
here, providing a visual feast and resource. The book will appeal to libraries with<br />
collections containing literary and educational ephemera. It will provide support<br />
for current research into literary studies and work on literacy and language development.<br />
John Meriton is Librarian of the National Art Library and Deputy Keeper<br />
of the Word and Image Department, Victoria and Albert Museum, London. Carlo<br />
Dumontet is the National Art Library’s Special Collections Bibliographer.<br />
2010, hardcover, dust jacket, 7 x 10 inches, 1008 pages<br />
ISBN 9781584562542, Order No. 99759, $115.00<br />
Available outside North and South America from our co-publisher The British Library<br />
Illustrated Periodicals of the 1860s<br />
Contexts & Collaborations<br />
by Simon Cooke<br />
Illustrated Periodicals of the 1860s provides a new and informative approach to the<br />
study of “sixties” periodicals, revealing the previously unstudied area of the complex<br />
interrelationships between the various parties involved in the production of these<br />
magazines: publishers, editors, artists, engravers, and authors. The book considers<br />
the effects of these relationships on creative output, both artistic and literary, and in<br />
doing so provides a detailed, historical reconstruction of the essential character of the<br />
periodicals of that era. The book includes over 120 reproductions of engravings and<br />
preparatory drawings, almost all of them original size. Additionally, the text contains<br />
two appendices; the first includes a reflection of the work that goes into collecting<br />
and researching these periodicals. The second lists the key illustrators, engravers, publishers,<br />
editors, as well as magazines mentioned throughout the text, each including a<br />
brief description. This work is an informative and colorful choice for those interested<br />
in the history of periodicals, the production of magazines, and art.<br />
2010, hardcover, 7.25 x 10.75 inches, 224 pages<br />
ISBN 9781584562757, Order No. 103919, $75.00<br />
Co-published with The Private Libraries Association and The British Library<br />
Available outside North America from The British Library<br />
800-996-2556 www.oakknoll.com oakknoll@oakknoll.com
20 <strong>Oak</strong> <strong>Knoll</strong> <strong>Press</strong><br />
Ernest Hemingway<br />
A Descriptive Bibliography<br />
by Edgar Grissom<br />
Ernest Hemingway: A Descriptive Bibliography is the culmination of all previous<br />
endeavors in Hemingway bibliography. Grissom corrects the work of previous bibliographers,<br />
adding numerous editions and printings to the periods they covered and<br />
addressing the years 1975–2009, which had previously been left untouched. This is<br />
the only Hemingway bibliography to classify edition, printing, issue, and state, and<br />
provide a classical bibliographical description. It is also the only text that provides and<br />
describes every printing of every edition, as well as a comprehensive list of the parent<br />
editions of the primary works. Additionally, the text supplies the locations of the<br />
copies it describes. In addition to a number of useful appendices, Grissom has created<br />
sections with reviews and epigraphs containing material by Hemingway, interviews<br />
with Hemingway, as well as lists of plays, television productions, and films adapted<br />
from Hemingway’s works. The bibliography includes hundreds of illustrations,<br />
including over 50 images of Hemingway’s signature from 1908 to 1960. Appendix<br />
8, which is part of Volume II (on the attached CD-ROM), provides comprehensive<br />
imaging in color of selected items from specific sections, all arranged chronologically.<br />
2010, hardcover, dust jacket, 8.5 x 11 inches<br />
Approx. 600 pages, plus 600 more on CD-ROM<br />
ISBN 9781584562788, Order No. 102275, $225.00<br />
Available November 2010<br />
Rudyard Kipling<br />
A Bibliography<br />
by David Alan Richards<br />
2010, hardcover, dust jacket, 8.5 x 11 inches, 504 pages, plus 446 on CD-ROM<br />
ISBN 9781584562429, Order No. 96675, $195.00<br />
Available in the UK from our co-publisher The British Library<br />
This new bibliography of Rudyard Kipling, the first English-language author<br />
to win the Nobel Prize for Literature, is the first to appear in fifty years and the first<br />
to incorporate modern standards of collation, binding cloth description, publication<br />
dates and prices, and dust jacket description. It fully describes 480 first editions,<br />
authorized and unauthorized, appearing as books, pamphlets, leaflets and broadsides<br />
from 1881 through 2008 in British India, England, the United States, Canada, New<br />
Zealand, South Africa, and Chile. This work also includes 127 titles of books with<br />
contributions from Kipling, 17 titles containing prefaces, introductory letters and<br />
forewords by Kipling, and 123 titles first printing his private letters. Also described<br />
are all important association and presentation copies of Kipling’s earliest works.<br />
Significant innovations in this bibliography include the first complete chronological<br />
list of all of Kipling’s newspaper and periodical appearances and the first examination<br />
of all English and American auction sale catalogues with lots of his editions and<br />
separate listings of unauthorized private editions and private editions as first editions.<br />
Further appendices include a chronology of the author’s life and major works, and<br />
titles of biographical studies of Rudyard and his immediate family.<br />
800-996-2556 www.oakknoll.com oakknoll@oakknoll.com
<strong>Oak</strong> <strong>Knoll</strong> <strong>Press</strong> 21<br />
the last of the great swashbucklers<br />
A Bio-Bibliography of Rafael Sabatini<br />
by Jesse F. Knight and Stephen Darley<br />
A biography and comprehensive bibliography of Rafael Sabatini and his works<br />
is being presented for the first time anywhere. Sabatini is one of the most prolific and<br />
widely read novelists who specialized in making history live again through his fictional<br />
characterizations. He had a unique ability to use history as a background for fiction.<br />
Sabatini was the master of romantic historical novels and has rightly been called<br />
by Jesse Knight, “The Last of the Great Swashbucklers.” Not only did he write interesting<br />
and well-told stories of romance and adventure, but the movies that followed<br />
were just as popular as his books. No author has better captured the imagination of<br />
so many with fiction filled with intrigues, escapes, romantic loves, devilish plots, and<br />
sword play. This new book includes a thirty page biography of the life of Sabatini<br />
written by the late Jesse F. Knight. It also contains a bibliography of the first US and<br />
UK editions (as well as other significant editions) of all forty-seven of his books, prepared<br />
by Stephen Darley. The bibliography also describes the dust jackets, with color<br />
photos of many of them, which are important to collectors and sellers.<br />
2010, hardcover, dust jacket, 6 x 9 inches, 200 pages<br />
ISBN 9781584562795, Order No. 102816, $65.00<br />
Field & Tuer, The Leadenhall <strong>Press</strong><br />
A Checklist, With an Appreciation of Andrew White Tuer<br />
by Matthew McLennan Young<br />
This book is the first comprehensive bibliographic study of the London partnership<br />
of Field & Tuer and their publishing imprint, Leadenhall <strong>Press</strong>. Known today<br />
primarily for old-style facsimile reprints and a few outstanding works such as Tuer’s<br />
own History of the Horn-Book, the Leadenhall <strong>Press</strong> in fact published hundreds of titles<br />
in almost every subject area, from sixpenny pamphlets to vellum-bound limited editions.<br />
The book includes a revealing portrait of Andrew Tuer as a man of energy,<br />
curiosity, and wit: a successful businessman, inventor, advocate for fine printing,<br />
publisher, designer, collector, author, and correspondent. The annotated checklist<br />
describes nearly 450 publications issued by Field & Tuer and the Leadenhall <strong>Press</strong><br />
from 1863 to 1913. Listing details include month and year of publication, publisher’s<br />
job number, listed price, brief description of format and cover design, important<br />
aspects of content and publication, and location of scarce and noteworthy copies.<br />
Appendices cover Andrew Tuer’s writings, ephemera, series titles, and institutional<br />
collections of special interest. A color section and illustrations in the text complete<br />
the story of an important link in the development of printing between the Chiswick<br />
<strong>Press</strong> of Charles Whittingham II and the celebrated publishers of the 1890s.<br />
2010, hardcover, dust jacket, 7 x 10 inches, 176 pages<br />
ISBN 9781584562801, Order No. 103886, $59.95<br />
Available in the UK from The British Library<br />
800-996-2556 www.oakknoll.com oakknoll@oakknoll.com
22 <strong>Oak</strong> <strong>Knoll</strong> <strong>Press</strong><br />
French Renaissance Printing Types<br />
A Conspectus<br />
by Hendrik D.L. Vervliet<br />
This conspectus exhaustively surveys all Roman, Italic, Greek, Hebrew,<br />
and Arabic typefaces made in France during the sixteenth century. Such a survey<br />
will be of interest to historians, bibliographers, and philologists wishing to<br />
identify the types used in the imprints they are investigating, as well as to type<br />
historians or type designers wishing to base their attributions on documentary<br />
evidence. The conspectus consists of introductory chapters on the sources<br />
available, the evolution of sixteenth-century type-casting and letter-engraving,<br />
biographical notices of 17 punchcutters (both famous ones, such as Colines,<br />
Garamont, Granjon, and lesser known ones, such as Vatel, Gryphius, or Du<br />
Boys) and the methodology used. The main part of the book consists of the<br />
facsimiles of 409 typefaces (216 Romans, 88 Italics, 61 Greeks, 41 Hebrews,<br />
2 Arabics, and one phonetic) each with a short identifying notice, describing<br />
their letter family, size, punchcutter (or eponym), their first appearance in<br />
books or type-specimens, the surviving materials such as punches or matrices,<br />
and finally (for about two-thirds of them), the recent literature. Every typeface<br />
has been illustrated, several with multiple examples of their use.<br />
2010, hardcover, 8.5 x 11.5 inches, 472 pages<br />
ISBN 9781584562719, Order No. 103920, $120.00<br />
Co-published with The Bibliographical Society and The Printing Historical Society; available in the UK from The Bibliographical Society<br />
2009, hardcover, dust jacket, 11.75 x 12.75 inches, 204 pages<br />
ISBN 9781584562672, Order No. 102011, $85.00<br />
Distributed for The American Historical Print Collectors Society<br />
interpretive wood-engraving<br />
The Story of the Society of American Wood-Engravers<br />
by William H. Brandt<br />
In the late nineteenth century, wood-engraving was the principle medium<br />
of illustration employed by publishers. From this beginning, print collector<br />
Bill Brandt goes on to recount the story of the Society of American<br />
Wood-Engravers. The lost art of interpretive wood-engraving comes to life<br />
in Brandt’s detailed account. The fifty prints reproduced on these pages,<br />
scanned from Brandt’s extensive collection with most produced at full size,<br />
highlight the astonishing skill and painstaking craftsmanship required of a<br />
wood-engraving artist of the golden age. The author profiles many leading<br />
personalities on the American wood-engraving scene, including Alexander<br />
Anderson,William J. Linton, Anna Botsford Comstock, General Rush C.<br />
Hawkins, Timothy Cole, and Elbridge Kingsley. Brandt tells how the Society<br />
of American Wood-Engravers burned brightly for almost twenty years, and<br />
then faded away in the early days of photoreproductions. Readers, glimpsing<br />
the warm glow of a remarkable era, will take pride in this little-known period<br />
of American art history.<br />
800-996-2556 www.oakknoll.com oakknoll@oakknoll.com
<strong>Oak</strong> <strong>Knoll</strong> <strong>Press</strong> 23<br />
PRINTErs’ & publishers’ marks in books for<br />
the greek world (1494–1821)<br />
by Konstantinos Sp. Staikos<br />
This book contains reproductions of the printers’ and publishers’ marks of all<br />
those—both Greeks and non-Greeks—who printed or published books for Greek<br />
readers from the dawn of typography until just before the outbreak of the Greek<br />
War of Independence in 1821. Also reproduced here are the crests and coats of arms<br />
of the rulers of the Danubian principalities who actively supported the publication<br />
and dissemination of Greek books in the East. Some of the devices are the marks<br />
of well-known printing houses, where Greek scholars and calligraphers were largely<br />
responsible for the accuracy of the texts and the visual appearance of the book, such<br />
as the firms of Aldus Manutius in Venice and Robert Estienne in Paris. The marks are<br />
illustrated and described in all their variant forms, complete with bibliographical references,<br />
identifications, a general index, and an index of printers and printing houses.<br />
They are shown at actual size and presented chronologically. Includes a brief message<br />
to the reader by the author, as well as an extensive and detailed introduction.<br />
2009, hardcover, dust jacket, 8.75 x 12.25 inches, 254 pages<br />
ISBN 9781584562702 , Order No. 102238, $125.00<br />
Available in Europe from our co-publisher HES & DE GRAAF<br />
Printed cookbooks in Europe, 1470–1700<br />
A Bibliography of Early Modern Culinary Literature<br />
by Henry Notaker<br />
This is the first bibliography to list all known editions of printed cookbooks<br />
published in Europe before 1700. More than a hundred titles in at least 650 editions<br />
were printed in fourteen different languages. Some household encyclopedias<br />
with culinary sections have also been included. Many of the editions described have<br />
never before been listed in modern bibliographies. Cookbooks from this period are<br />
no longer only of interest to collectors and antiquarians: food history is taught as an<br />
academic subject in an increasing number of universities. Information provided here<br />
about the locations of known copies, modern reprints, and facsimile editions will<br />
facilitate these studies. The bibliography gives the full title and physical description<br />
of each work. Annotations provide details about contents, biographical data about<br />
authors and publishers, information about the sources of the recipes, translations,<br />
and plagiarisms. A historical introduction analyzes the development of the cookbook<br />
as a genre during the first two centuries of printing, with reference to authorship,<br />
publishing history, didactic methods, culinary processes, and differences in gender.<br />
2010, hardcover, dust jacket, 8.5 x 11 inches, 416 pages<br />
ISBN 9781584562535, Order No. 96680, $125.00<br />
Available in Europe from our co-publisher HES & DE GRAAF<br />
800-996-2556 www.oakknoll.com oakknoll@oakknoll.com
24 <strong>Oak</strong> <strong>Knoll</strong> <strong>Press</strong><br />
line, shade and shadow<br />
The Fabrication and Preservation of Architectural Drawings<br />
by Lois Olcott Price<br />
2010, hardcover, dust jacket, 9 x 11 inches, 432 pages<br />
ISBN 9781584562375, Order No. 96676, $95.00<br />
Co-published with the Winterthur Museum and HES & DE GRAAF; available in Europe from HES & DE GRAAF<br />
Available October 2010<br />
This book explores the materials and techniques used in the fabrication of architectural<br />
drawings while illustrating their evolution from the eighteenth through the<br />
twentieth century. It provides a comprehensive look at both the problems and the<br />
solutions and it is beautifully illustrated with examples from major collections with<br />
extensive source citations. The first three chapters discuss the development of drafting-specific<br />
drawing, detail, and tracing papers and cloths; the changing media and<br />
techniques used in drafting, rendering, and mounting working, detail, and presentation<br />
drawings; the use of drawing instruments and correction and copying methods;<br />
and the introduction, development, and identification of blueprints and other photoreproduction<br />
processes, including the history, chemistry, and working procedure for<br />
each process. The fourth and final chapter includes an introduction to preservation,<br />
collection management, storage, and exhibition specifically for architectural drawings<br />
and photo-reproductions; and descriptions of specific conservation treatments with<br />
an assessment of their appropriateness for different deterioration issues and types of<br />
drawings.<br />
2009, paperback, 8 x 10 inches, 140 pages<br />
ISBN 9781584562160, Order No. 94208, $49.95<br />
Co-published with the New York Botanical Garden<br />
ARCHITECTURAL PHOTOREPRODUCTIONS<br />
A Manual for Identification and Care<br />
by Eléonore Kissel and Erin Vigneau<br />
Second edition, with corrections. This manual is designed for professional conservators,<br />
librarians, private collectors and researchers who want practical, contemporary<br />
insight into preserving architectural plans and drawings. The authors provide<br />
detailed methods for identifying architectural photoreproductions based on visual<br />
examination. The manual discusses twelve distinct processes and offers additional<br />
information on several other methods commonly used in North American architectural<br />
practice from 1860 to approximately 1960. One of the manual’s important<br />
features is the flowchart, an outline using a series of questions leading the reader<br />
to a preliminary identification. Each process is described in a separate chapter with<br />
numerous color illustrations of general and magnified views of select photoreproductions.<br />
Each chapter includes sections on how to identify a print, trade names and<br />
synonyms, the history and use of the printing process, how a print was manufactured,<br />
and degradation and storage considerations. The 54 illustrations, critical for identifying<br />
a document’s state of condition and extent of damage, have been carefully photographed<br />
and checked to ensure correct color representation. Appendices give information<br />
on storage, handling, and exhibition and current methods of reproduction.<br />
800-996-2556 www.oakknoll.com oakknoll@oakknoll.com
<strong>Books</strong> about Book Collecting<br />
<strong>Oak</strong> <strong>Knoll</strong> <strong>Press</strong> 25<br />
THE BALTIMORE<br />
BIBLIOPHILES AT FIFTY<br />
1954–2004<br />
with “Children’s <strong>Books</strong> in<br />
Bygone Baltimore”<br />
An Essay and a Catalogue<br />
by Linda F. Lapides<br />
edited by Donald Farren and<br />
August A. Imholtz, Jr.<br />
With this volume, the Baltimore<br />
Bibliophiles celebrate the 50th anniversary<br />
of their founding, demonstrating<br />
the flourishing of bibliophily<br />
in Baltimore and the vigor of the<br />
organization. Included in the book<br />
are an account and catalogue of early children’s books in Baltimore by<br />
Linda F. Lapides. A separate section presents the organization’s historical<br />
record. This book contains 16 black-and-white photographs of children’s<br />
books in the catalogue, 3 portrait photographs of principal members of<br />
the Baltimore Bibliophiles, and a color frontispiece.<br />
2009, hardcover, 6 x 9 inches, 176 pages<br />
ISBN 9781584562511, Order No. 101279, $55.00<br />
Distributed for the Baltimore Bibliophiles<br />
ABC FOR BOOK COLLECTORS<br />
by John Carter and Nicolas Barker<br />
Revised and re-set, with additional information and an<br />
introduction by Nicolas Barker. Can you define: shaken,<br />
unsophisticated, Harleian style, fingerprint and dentelle? If<br />
not, this is the book for you! John Carter’s classic has long<br />
been the most enjoyable and useful reference book in the<br />
field. 490 alphabetical entries define and analyze the terms<br />
used in book collecting and bibliography. Retains its humorous character as<br />
an indispensable guide, while keeping us up-to-date with current terminology.<br />
2004, hardcover, dust jacket, 5 x 8 inches, 232 pages<br />
ISBN 9781584561125, Order No. 75338, $29.95<br />
The Literature of collecting<br />
& Other Essays<br />
by Richard Wendorf<br />
A ground-breaking investigation of the relationship<br />
between the theoretical and fictional texts devoted to collecting.<br />
Wendorf shows how the critical arguments posed by<br />
Benjamin, Baudrillard, Muensterberger and others play out<br />
in these modern literary texts—and how, in turn, these fictional works complicate<br />
the ways in which we think about what it means to be a collector.<br />
2008, hardcover, dust jacket, 6 x 9 inches, 376 pages<br />
ISBN 9781584562306, Order No. 96668, $49.95<br />
Co-published with the Boston Athenaeum<br />
<strong>Books</strong> as History<br />
The Importance of <strong>Books</strong> Beyond Their Texts<br />
by David Pearson<br />
David Pearson explores the way books have been printed,<br />
bound, annotated, beautified, or defaced. He uses examples<br />
of books from the Middle Ages to the present day to show<br />
why books may be interesting beyond their texts. As the<br />
format of the book becomes history, we can recognize that books are also<br />
history in another significant way. <strong>Books</strong> provide evidence about the way<br />
they were used, making them an indispensable part of our cultural heritage.<br />
Extensively illustrated.<br />
2008, hardcover, dust jacket, 8.75 x 9.5 inches, 208 pages<br />
ISBN 9781584562337, Order No. 96664, $49.95<br />
Available outside North and South America from The British Library<br />
provenance research in book<br />
history<br />
A Handbook<br />
by David Pearson<br />
This handbook offers a compendium of information on<br />
the ways of recognizing and identifying marks of ownership,<br />
and on placing that knowledge in a wider context. Topics<br />
covered include inscriptions; mottos; bookplates; book labels and book<br />
stamps; armorials; sales catalogues; catalogues and lists of private libraries;<br />
provenance indices; heraldry and paleography.<br />
1998, hardcover, dust jacket, 6 x 9 inches, 340 pages<br />
ISBN 9781884718793, Order No. 53851, $49.95<br />
Available in the UK from The British Library<br />
<strong>Books</strong> about Book History<br />
the <strong>Books</strong> of Venice<br />
Il Libro Veneziano<br />
edited by Lisa Pon and<br />
Craig Kallendorf<br />
The <strong>Books</strong> of Venice (Il libro Veneziano)<br />
contains a series of essays (in English<br />
and Italian) exploring Venetian<br />
book history from the Quattrocento<br />
through current production, books<br />
printed “in the shadow of Aldus<br />
Manutius.” Most of the papers from<br />
a conference held in Venice in March<br />
2007 are included here, providing a<br />
survey of the high spots of Venetian<br />
printing from the fifteenth century<br />
through the twenty-first. Case studies focus on outstanding individuals,<br />
and other essays discuss the role of anonymous buyers, readers, and<br />
performers, and analyses of archival documents and marks in the books<br />
themselves are complemented by studies of how Venetian books arrived<br />
in collections throughout Europe. The <strong>Books</strong> of Venice contains essays that<br />
set Peter Koch’s deluxe edition of “Watermark” into the tradition of fine<br />
press printing in Italy.<br />
2009, paperback, dust jacket, 6.75 x 9.5 inches, 632 pages<br />
ISBN 9781584562573, Order No. 100392, $85.00<br />
Co-published with Biblioteca Nazionale Marciana and La Musa Talìa<br />
Available in Italy from La Musa Talìa<br />
800-996-2556 www.oakknoll.com oakknoll@oakknoll.com
26 <strong>Oak</strong> <strong>Knoll</strong> <strong>Press</strong>—Book History<br />
THE GREAT LIBRARIES<br />
From Antiquity to the Renaissance<br />
by Konstantinos Sp. Staikos<br />
This monumental work chronicles the development of<br />
the library from 300 B.C. to 1600 A.D. Staikos reveals the<br />
majesty of Western literature within these great depositories<br />
of human knowledge. Includes hundreds of beautifully photographed<br />
interiors of legendary libraries and their treasures.<br />
2000, hardcover, dust jacket, 9.5 x 13 inches, 600 pages<br />
ISBN 9781584560180, Order No. 58026, $125.00<br />
THE ENCYCLOPEDIA OF THE BOOK<br />
by Geoffrey Ashall Glaister<br />
This extensive work defines almost 4,000 terms used in<br />
the book trades. Includes information on printers, authors,<br />
bookbinders, bibliophiles, equipment, famous books, printing<br />
societies, customs of the trade and other related information.<br />
A well-illustrated reprint of the 1979 second edition.<br />
2001, 7 x 10 inches, 576 pages<br />
Hardcover, dust jacket: ISBN 9781884718151, Order No. 42509, $75.00<br />
Paperback: ISBN 9781884718144, Order No. 42510, $49.95<br />
Available in the UK from The British Library<br />
<strong>Books</strong> about Bookbinding<br />
THE REPAIR OF CLOTH BINDINGS<br />
by Arthur W. Johnson<br />
One of the leading designer bookbinders in Great Britain,<br />
Arthur Johnson has used his extensive knowledge of book<br />
construction to provide a reference manual for the repair and<br />
reconstruction of cloth bindings. Each process is explained<br />
in detail with clear text, in order to give the worker confidence<br />
in this exacting skill. Using more than 90 hand-drawn illustrations,<br />
Johnson explains his procedures for sound repair.<br />
2002, hardcover, dust jacket, 6 x 9 inches, 140 pages<br />
ISBN 9781584560784, Order No. 70933, $35.00<br />
Available in the UK from The British Library<br />
ABC OF LEATHER BOOKBINDING<br />
A Manual for Traditional Craftsmanship<br />
by Edward R. Lhotka<br />
This work is an illustrated manual that shows step-bystep<br />
the art and science of fine leather bookbinding. The<br />
author learned the ancient craft from one of England’s foremost<br />
binders, Alfred de Sauty. In this important work, he<br />
takes the reader through the intricacies of traditional leather binding.<br />
2005, paperback, 7 x 10 inches, 142 pages<br />
ISBN 9781584561637, Order No. 79690, $19.95<br />
BOOKBINDING &<br />
CONSERVATION BY<br />
HAND<br />
A Working Guide<br />
by Laura S. Young<br />
This book is designed as a<br />
working guide in the field of hand<br />
bookbinding and book conservation.<br />
It is intended as a practical manual<br />
for teachers and their students, as<br />
an instruction guide to be followed<br />
by the beginner attempting to learn<br />
binding on his or her own, and as<br />
a ready reference for experienced<br />
binders, book collectors, book dealers, and librarians. The techniques<br />
described in this volume follow in principle the German school, and to<br />
the best of the author’s knowledge, this is the first book in which these<br />
binding practices have appeared in English. The heart of this working<br />
guide is the three chapters dealing with techniques and the chapter on<br />
conservation. A list of materials needed precedes the step-by-step instructions<br />
for a given section or techniques.<br />
1995, paperback, 7 x 10 inches, 288 pages<br />
ISBN 9781884718113, Order No. 42513, $24.95<br />
THE RESTORATION OF LEATHER<br />
BINDINGS<br />
by Bernard C. Middleton<br />
Fourth edition, revised from the 1998 edition. New<br />
additions include a section on identifying leather and marbled<br />
papers and an updated listing of binders’ suppliers. The<br />
book has chapters concerning definitions of terms, tools, materials, cleaning<br />
and all phases of reconstruction. Middleton’s work is a comprehensive handbook<br />
for practitioner and student alike. Well-illustrated and with eight new<br />
color plate pages.<br />
2003, hardcover, dust jacket, 8.5 x 11 inches, 334 pages<br />
ISBN 9781584561194, Order No. 75328, $45.00<br />
Available in the UK from The British Library<br />
HEADBANDS<br />
How to Work Them<br />
by Jane Greenfield and Jenny Hille<br />
Third printing of the second, revised and corrected<br />
edition. A topic that is often overlooked is how to create<br />
headbands—those decorative bands of silk or cotton which<br />
can be found fastened inside the top of the spine of a book.<br />
At last, two experienced hand bookbinders have produced an<br />
easy to use, step-by-step guide showing how to create fourteen different styles<br />
of headbands. Written for both beginners and experienced binders alike, it<br />
has established itself as one of the classic manuals for the hand bookbinder.<br />
1990, paperback, 6 x 9 inches, 96 pages<br />
ISBN 0938768514, Order No. 43018, $14.95<br />
800-996-2556 www.oakknoll.com oakknoll@oakknoll.com
<strong>Oak</strong> <strong>Knoll</strong> <strong>Press</strong>—Bookbinding 27<br />
ABC OF BOOKBINDING<br />
A Unique Glossary with<br />
over 700 Illustrations for<br />
Collectors and Librarians<br />
by Jane Greenfield<br />
Reprint of the first edition of<br />
1997. Jane Greenfield provides a<br />
unique glossary of terms, styles,<br />
structures, and names related to conservation<br />
and bookbinding through<br />
the ages illustrated with over 700<br />
line drawings. Locating accurate<br />
descriptions of bookbindings from<br />
various periods has previously been<br />
frustrating for those who work with<br />
rare and antiquarian books, especially conservators, librarians, book collectors<br />
and antiquarian book specialists. However, this frustration will<br />
abate as Greenfield’s work takes place alongside John Carter’s ABC For<br />
Book Collectors as well as Don Etherington’s and Matt T. Roberts’ Bookbinding<br />
and Conservation of <strong>Books</strong>. Greenfield has provided names and drawings for<br />
almost every conceivable part of the book as well as a multitude of styles,<br />
bindings, and decorations. She literally takes apart the structure of the<br />
book and illustrates the many and varied facets and definitions that clearly<br />
outline the historical development of the book’s structures and styles.<br />
2002, hardcover, 8.5 x 11 inches, 180 pages<br />
ISBN 9781884718410, Order No. 49915, $49.95<br />
BOOKBINDERS AT WORK<br />
Their Roles and Methods<br />
by Mirjam M. Foot<br />
The role of the bookbinder in the production of books<br />
and the significance of the binding in all its details have<br />
often been disregarded by bibliographers. In this book,<br />
Mirjam Foot reverses this trend by establishing binders, their<br />
materials and tools as essential parts of the production cycle; she reveals<br />
the inadequacy of bibliographical descriptions that lack essential binding<br />
information.<br />
2006, hardcover, 6.5 x 9.5 inches, 171 pages<br />
ISBN 9781584561682, Order No. 87274, $59.95<br />
Available outside North and South America from The British Library<br />
ELOQUENT WITNESSES<br />
Bookbindings and Their History<br />
edited by Mirjam M. Foot<br />
This work is a collection of essays that demonstrate the<br />
new directions the study of bookbinding has taken. Much of<br />
the work is based on observation of bookbinding techniques<br />
and materials, as well as a close study of decorative tools and<br />
the ways in which they were used to reflect the styles and fashions of their day.<br />
Includes 101 black-and-white pictures and eight color plates.<br />
2004, hardcover, dust jacket, 6 x 9.75 inches, 328 pages<br />
ISBN 9781584561170, Order No. 76293, $65.00<br />
Co-published with The Bibliographical Society and The British Library<br />
Available outside North and South America from The British Library<br />
A History of English Craft<br />
Bookbinding Technique<br />
by Bernard C. Middleton<br />
A classic work on decorative and commercial English<br />
bookbinding techniques. Chapters include the following<br />
topics: beating and pressing; sewing endpapers; gluing the<br />
spine; rounding and backing; edge-trimming and decoration;<br />
covering, finishing, siding and pasting down; and repair and restoration of<br />
books. Includes appendices on the background and history of the London<br />
bookbinding trade, working conditions and the growth of binderies.<br />
1996, hardcover, dust jacket, 5.75 x 9 inches, 386 pages<br />
ISBN 9781884718281, Order No. 44862, $65.00<br />
Available in the UK from The British Library<br />
TRADE BOOKBINDING IN THE<br />
BRITISH ISLES, 1660–1800<br />
by Stuart Bennett<br />
In 1930, Michael Sadleir declared that, “the bookseller-publisher<br />
from 1730 to 1770 issued his books either<br />
in loose quires, or stitched, or at most in a plain paper<br />
wrapper.” Bennett, however, presents new documentary and<br />
visual evidence that books were sold ready-bound in sheep, calf, and goat as<br />
well as boards and wrappers. Over 200 color illustrations show these bindings<br />
and their evolution.<br />
2004, hardcover, dust jacket, 9 x 12 inches, 176 pages<br />
ISBN 9781584561309, Order No. 75432, $85.00<br />
Available in the UK from The British Library<br />
American Signed Bindings<br />
through 1876<br />
by Willman Spawn and Thomas E. Kinsella<br />
Willman Spawn and Thomas E. Kinsella describe and<br />
illustrate 315 bookbinder’s tickets, stamps and engraved<br />
designations dating from the 1750 s through 1876. Two<br />
hundred and thirty-three binders are represented, many with multiple designations.<br />
The strength of the study is in its attention to nineteenth-century<br />
trade binders. The volume has two introductory essays and is well-indexed.<br />
2007, hardcover, 8.5 x 11 inches, 300 pages<br />
ISBN 9781584562085, Order No. 93148, $85.00<br />
Co-published with Bryn Mawr College Library<br />
TICKETED BOOKBINDINGS FROM<br />
NINETEENTH-CENTURY BRITAIN<br />
by Willman Spawn and Thomas E. Kinsella<br />
Well-illustrated exhibition catalogue including plates in<br />
color. The first 219 bindings are described in great detail.<br />
This is followed by shorter descriptions of 485 ticketed<br />
bindings also in the collection but not pictured. Includes an essay by Bernard<br />
Middleton.<br />
1999, 8.5 x 11 inches, 206 pages<br />
Hardcover: ISBN 9781884718984, Order No. 54990, $65.00<br />
Paperback: ISBN 9781884718953, Order No. 54991, $45.00<br />
Unbound: ISBN 9781884718953, Order No. 54992, $35.00<br />
Co-published with Bryn Mawr College Library<br />
800-996-2556 www.oakknoll.com oakknoll@oakknoll.com
28 <strong>Oak</strong> <strong>Knoll</strong> <strong>Press</strong><br />
<strong>Books</strong> about Papermaking<br />
DER VOLLKOMMNE<br />
PAPIERFÄRBER<br />
The Accomplished Paper<br />
Colorer<br />
translated by Richard J. Wolfe<br />
This new work, limited to 300<br />
copies, is a facsimile reproduction<br />
and translation of an important<br />
early German manual on decorated<br />
and marbled paper. In the historical<br />
introduction to his translation of<br />
this work, Richard J. Wolfe summarizes<br />
the professional literature<br />
on marbling and paper coloring that<br />
began to appear in Germany at the beginning of the nineteenth century.<br />
Der Vollkommne Papierfärber, published around 1823, is the earliest work of<br />
its kind that has survived. Wolfe shares his experience with a seemingly<br />
unique copy of this rare and seminal treatise that he initially encountered<br />
in Leipzig in 1987. The story has a somewhat surprising ending.<br />
Following the introduction, the book displays the facsimile on the left<br />
page and a parallel translation on the opposing page.<br />
2008, hardcover, 5 x 7.5 inches, 180 pages<br />
ISBN 9781584562436, Order No. 99499, $60.00<br />
EDWARD SEYMOUR & THE FANCY<br />
PAPER COMPANY<br />
The Story of a British Marbled Paper<br />
Manufacturer<br />
by Sidney E. Berger<br />
In this limited edition, Berger shares the vicissitudes of<br />
the Fancy Paper Company’s fortunes, the personal lives of its owners, and<br />
the touching correspondence he found among its business records. With 20<br />
tipped-in, original examples of their many fancy papers, this work is a wellresearched<br />
text about one of the last marbled paper manufacturing firms.<br />
2006, hardcover with slipcase, 6 x 9 inches, 104 pages<br />
ISBN 9781584561897, Order No. 90944, $150.00<br />
paper mould and mouldmaker<br />
by E.G. Loeber<br />
This book covers the development and handling of paper<br />
mould, the mouldmaker, the deckle, the wire profile, and<br />
variants of the European mould and deckle. It also includes<br />
illustrations, various appendices, and sections on studying<br />
paper and watermarks.<br />
1982, hardcover, 8 x 12.5 inches, 83 pages<br />
ISBN n/a, Order No. 70709, $100.00<br />
LETTERPRESS PRINTING<br />
A Manual for Modern Fine <strong>Press</strong> Printers<br />
by Paul Maravelas<br />
The comprehensive text for beginning and intermediate<br />
letterpress printers. Using clear explanations and more than<br />
80 illustrations, the manual describes presses, ink, paper,<br />
press operation, type and photopolymer plates. Includes glossaries of terms<br />
relating to paper and printing. An up-to-date work for students and fine press<br />
printers.<br />
2005, 8.5 x 11 inches, 220 pages<br />
Hardcover, dust jacket: ISBN 9781584561675, Order No. 88731, $65.00<br />
Paperback: ISBN 9781584561743, Order No. 88733, $24.95<br />
Available in the UK from The British Library<br />
FIVE HUNDRED YEARS OF PRINTING<br />
by S.H. Steinberg<br />
Fully revised and updated by John Trevitt; republished<br />
in a larger format, with over 100 superb illustrations chosen<br />
afresh from the rich collections of The British Library. This<br />
volume is essential reading for book collectors, cultural historians,<br />
book designers and students.<br />
2001, 7 x 10 inches, 272 pages<br />
Hardcover, dust jacket: ISBN 9781884718199, Order No. 43776, $45.00<br />
Paperback: ISBN 9781884718205, Order No. 43777, $29.95<br />
Available outside North and South America from The British Library<br />
<strong>Books</strong> about Printing & Publishing<br />
PERIODICALS AND<br />
PUBLISHERS<br />
The Newspaper and Journal<br />
Trade, 1740–1914<br />
Part of the Print Network<br />
Series<br />
edited by John Hinks, Catherine<br />
Armstrong, and Matthew Day<br />
This tenth volume contains<br />
eleven exciting chapters from<br />
scholars working on provincial<br />
periodicals and newspapers in<br />
England, Scotland and Ireland.<br />
The topics focus on the book<br />
trades between 1740 and 1914,<br />
and include case studies of<br />
individual publishers and their<br />
experiences in the print market. This volume demonstrates the cultural<br />
and political significance of newspapers and periodicals and their producers.<br />
The main theme emerging from the papers is that of provinciality and<br />
specifically the relationship of producers and consumers of print who live<br />
and work in the provinces to each other and to London. Examination of<br />
the question of provinciality in this volume helps to illuminate the connections<br />
between book trade people in all parts of the British Isles.<br />
2009, hardcover, dust jacket, 6 x 9 inches, 256 pages<br />
ISBN 9781584562665, Order No. 100486, $49.95<br />
Available in the UK from The British Library<br />
800-996-2556 www.oakknoll.com oakknoll@oakknoll.com
<strong>Oak</strong> <strong>Knoll</strong> <strong>Press</strong>—Printing & Publishing 29<br />
The Design and Printing<br />
of Ephemera in Britain and<br />
America, 1720–1920<br />
by Graham Hudson<br />
This is the first book to discuss ephemera as an aspect of<br />
design history, showing how function, production process<br />
and time period have affected the changing appearance of billheads, trade<br />
cards, flyers, playbills and other ephemera. The book explores the closely<br />
interwoven printing histories of Britain and America. It is richly illustrated<br />
with letterforms, engravings, drawings and the reproduction of over 200<br />
items of ephemera, many in full color.<br />
2008, hardcover, dust jacket, 8.5 x 11 inches, 160 pages<br />
ISBN 9781584562245, Order No. 95868, $65.00<br />
Available outside North and South America from The British Library<br />
early printing in Saint Vincent<br />
The Island’s First Printers and their work, With<br />
a List of Saint Vincent Imprints, 1767–1834<br />
by Gregory Frohnsdorff<br />
foreword by Donald N. Mott<br />
This book traces its history from the first printing in<br />
Kingstown, as early as 1767 through 1834, the year slavery was abolished<br />
in the British West Indies. Several early printers are identified, and details<br />
about them and some of their publications are provided. It includes an annotated<br />
list of more than 250 items printed in Saint Vincent prior to 1835.<br />
Illustrated in black and white.<br />
2009, hardcover, 8.5 x 11 inches, 120 pages<br />
ISBN 9781584562580, Order No. 100465, $45.00<br />
BE MERRY AND WISE<br />
Origins of Children’s Book Publishing in<br />
England, 1650–1850<br />
by Brian Alderson and Felix de Marez Oyens<br />
When did children come to be seen as a special readership?<br />
Child readership is the subject of this bibliographical<br />
study, in which the authors show how creative talents<br />
appealed directly to children and how the publishing industry realized that<br />
children were a profitable market.<br />
2006, hardcover, 9 x 12 inches, 320 pages<br />
ISBN 9781584561804, Order No. 90644, $115.00<br />
Co-published with The Pierpont Morgan Library, The Bibliographical Society of America,<br />
& The British Library; available outside North & South America from The British Library<br />
The printed Greek book<br />
15th to 19th Century<br />
edited by K. Staikos and T. Sklavenitis<br />
An International Congress on the History of Greek<br />
Printing was held in Delphi, Greece where leading scholars<br />
presented over 40 papers pertaining to dissemination of the<br />
Greek language via manuscripts, books and documents. The<br />
collection of essays compiled in this book is the publication of these learned<br />
papers. The essays appear in a broad variety of languages, and many are<br />
printed in Greek. There is a useful appendix that contains abstracts in English<br />
for all 30 of the essays in Greek.<br />
2004, hardcover, 6.5 x 9.5 inches, 710 pages<br />
ISBN 9781584561422, Order No. 76423, $95.00<br />
Co-published with Kotinos Publications, Athens, Greece<br />
<strong>Books</strong> for Sale<br />
The Advertising and<br />
Promotion of Print since the<br />
Fifteenth Century<br />
Part of the Publishing<br />
Pathways Series<br />
edited by Robin Myers, Michael<br />
Harris, and Giles Mandelbrote<br />
This volume of eight original<br />
essays, with contributions by specialists<br />
in the promotion and marketing<br />
of print, as well as by leading<br />
historians of the book, explores<br />
themes that include the advertising<br />
and marketing techniques of booksellers<br />
and publishers across early<br />
modern Europe, the increasing use<br />
of newspaper and periodical advertisements in England and Ireland during<br />
the eighteenth and nineteenth centuries, and the dramatic impact of<br />
online marketing on the book trade. Other promotional tools discussed<br />
range from the illustrated trade cards of eighteenth-century Paris to the<br />
rise of the book jacket and the cult of literary prizes in the twentieth<br />
century.<br />
2009, hardcover, dust jacket, 6 x 9 inches, 208 pages<br />
ISBN 9781584562658, Order No. 100485, $49.95<br />
Available in the UK from The British Library<br />
BENJAMIN FRANKLIN<br />
Writer and Printer<br />
by James N. Green and Peter Stallybrass<br />
This work focuses on Franklin as a printer, from his<br />
apprenticeship to his retirement, by which time his was the<br />
largest printing business in colonial America. His success as<br />
a printer was based not only on his newspaper and popular almanacs, but also<br />
on his own writings, first for his brother’s press in Boston and then for his<br />
own press in Philadelphia.<br />
2006, hardcover, dust jacket, 8.5 x 11 inches, 192 pages<br />
ISBN 9781584561873, Order No. 90643, $49.95<br />
Co-published with the Library Company of Philadelphia and The British Library;<br />
available in the UK from The British Library<br />
Disbound and dispersed<br />
The Leaf Book Considered<br />
This is the first in-depth examination of a bibliophilic<br />
phenomenon that began in the early nineteenth century and<br />
continues today. A leaf book is one that contains an original<br />
leaf from an imperfect copy of an historic book bound with<br />
an essay about the significance of the historic book. As such<br />
they provide a unique medium for both learning the history of books while<br />
providing the opportunity to inspect (or own) a specimen of the original.<br />
Includes 242 leaf books, and 41 images, many in color.<br />
2005, hardcover, dust jacket, 8.25 x 10.5 inches, 160 pages<br />
ISBN 9781584561613, Order No. 79481, $45.00<br />
Distributed for the Caxton Club<br />
800-996-2556 www.oakknoll.com oakknoll@oakknoll.com
30 <strong>Oak</strong> <strong>Knoll</strong> <strong>Press</strong>—Printing & Publishing<br />
The Fanfrolico<br />
<strong>Press</strong><br />
Satyrs, Fauns and Fine<br />
<strong>Books</strong><br />
by John Arnold<br />
This work consists of a<br />
detailed history of the Fanfrolico<br />
<strong>Press</strong> and a full bibliography of<br />
its publications and ephemera,<br />
tracing the venture from its<br />
origins in Sydney, Australia in<br />
the early 1920s, to success in<br />
London from 1926, and its final<br />
dissolution in 1930. The <strong>Press</strong><br />
was notable for the literary input<br />
of its proprietor Jack Lindsay and illustrations by his father, Norman<br />
Lindsay, as well as by Edward Bawden, Hal Collins, Lionel Ellis, and others.<br />
Jack Lindsay was responsible for the typographical design (initially<br />
with Kirtley) that brought a distinctive style to the books of the <strong>Press</strong>.<br />
This book has been designed by Paul W. Nash, with a design inspired by a<br />
Fanfrolico publication. There are 96 illustrations.<br />
2009, hardcover, 7.25 x 10.75 inches, 328 pages<br />
ISBN 9780900002977, Order No. 101286, $65.00<br />
Distributed for the Private Libraries Association; available in the UK from the Private<br />
Libraries Association and in Australia from Kay Craddock<br />
the paradox of prosperity<br />
The Leiden <strong>Books</strong>ellers’ Guild and the<br />
Distribution of <strong>Books</strong> in Early Modern Europe<br />
by Laura Cruz<br />
Laura Cruz explores the world of the book trades as it<br />
was constructed in Leiden in the decades after the Revolt<br />
against Spanish rule. This book gives new insights to the<br />
culture of the young Republic that are based not only on the thoughts and<br />
dreams of individuals, but also on the behavior and aspirations of groups and<br />
the constraints and opportunities presented by institutions.<br />
2009, hardcover, dust jacket, 6 x 9 inches, 256 pages<br />
ISBN 9781584562351, Order No. 96671, $55.00<br />
books about books<br />
A History and Bibliography of <strong>Oak</strong> <strong>Knoll</strong> <strong>Press</strong>,<br />
1978–2008<br />
by Robert D. Fleck<br />
A comprehensive history and bibliography of the press,<br />
from its beginning in 1978 through the fall of 2008. Bob<br />
Fleck, founder, owner, and president of the <strong>Press</strong>, begins<br />
with a history of the press, that is illustrated with more than fifty images. The<br />
history is followed by the bibliography, which lists 320 books in order of<br />
publication.<br />
2008, 6 x 9 inches, 238 pages<br />
Hardcover, dust jacket: ISBN 9781584562498, Order No. 99582, $45.00<br />
Paperback: ISBN 9781584562481, Order No. 99583, $25.00<br />
the Book as a work of art<br />
The Cranach <strong>Press</strong> of Count Harry Kessler<br />
edited by John Dieter Brinks<br />
The Cranach <strong>Press</strong>, though located in Germany, was<br />
inspired by and became an integral product of the English<br />
private press movement. The <strong>Press</strong>’s work is recorded in this<br />
lavishly illustrated book. It includes Essays by John Dreyfus, Anne Hyde<br />
Greet, Gunnar Kaldewey, J.D. Brinks, Lindsay Newman, among others, with<br />
extensive documentation and a new and illustrated bibliography of the<br />
Cranach <strong>Press</strong>.<br />
2005, hardcover with slipcase, 9.5 x 12 inches, 456 pages<br />
ISBN 3935518669, Order No. 88729, $290.00<br />
Distributed for Triton Verlag, Berlin, Germany and Chapin Library of Williams<br />
College, Williamstown, MA<br />
A history of longmans and<br />
their books 1724–1990<br />
Longevity in Publishing<br />
by Asa Briggs<br />
Longmans is the oldest commercial publisher in the<br />
United Kingdom, founded in 1724 by Thomas Longman.<br />
Throughout its history, Longmans has published a variety of works, covering<br />
religion, law, medicine, science, and sports and has been a major publisher of<br />
dictionaries and reference books.<br />
2008, hardcover, dust jacket, 7.5 x 9.75 inches, 624 pages<br />
ISBN 9781584562344, Order No. 96667, $110.00<br />
Available outside North and South America from The British Library<br />
ARTHUR W. RUSHMORE & THE<br />
GOLDEN HIND PRESS<br />
by Monroe S. Causley<br />
First edition, limited to 200 copies, numbered and signed<br />
by author. A short biography of Arthur Rushmore and a<br />
comprehensive bibliography of his works. This edition was<br />
hand-set in Monotype, printed on an old Heidelberg press,<br />
quarter-leather bound and gold stamped for the discriminating collector.<br />
The bibliography covers all known works designed and printed by Rushmore<br />
from his days at Harper & Brothers to his death, and titles printed by his wife<br />
thereafter.<br />
2005, Quarter Leather, slipcase, 8.5 x 11 inches, 120 pages<br />
ISBN 9781584561415, Order No. 79692, $150.00<br />
Co-published with Kotinos, Athens<br />
THE VALE PRESS<br />
Charles Ricketts, A Publisher in Earnest<br />
by Maureen M. Watry<br />
The Vale <strong>Press</strong> is the story of typographer, publisher, and<br />
wood engraver, Charles Ricketts and his famous press.<br />
Ricketts was a versatile and innovative practitioner of the<br />
printing arts who exerted a powerful influence on modern<br />
book design. The Vale <strong>Press</strong> reveals the nature of Ricketts’ collaboration with<br />
the master printer Charles McCall of the Ballantyne <strong>Press</strong>. Includes a complete<br />
bibliography.<br />
2004, hardcover, dust jacket, 8.5 x 11 inches, 256 pages<br />
ISBN 9781584560722, Order No. 76292, $95.00<br />
Available in UK from The British Library<br />
800-996-2556 www.oakknoll.com oakknoll@oakknoll.com
<strong>Books</strong> about Type Design<br />
<strong>Oak</strong> <strong>Knoll</strong> <strong>Press</strong> 31<br />
AMERICAN metal typefaces of<br />
the twentieth century<br />
by Mac McGrew<br />
Reprint of the second, revised edition, with 300 more<br />
typefaces in a clean, attractive format. Discover 1,600 classical<br />
as well as bizarre typefaces in one of the most massive<br />
tributes to the history of printing and metal types. Includes alphabeticallylisted<br />
type families and typefaces and their variant forms are shown in full<br />
alphabets—upper and lower case with numerals and punctuation. The specimens<br />
are cleanly reproduced from metal types for maximum clarity.<br />
1993, paperback, 9 x 12 inches, 398 pages<br />
ISBN 9780938768395, Order No. 34980, $65.00<br />
AMERICAN PROPRIETARY TYPEFACES<br />
edited by David Pankow<br />
This book is a fascinating survey of typefaces developed<br />
in America after 1892. It includes essays on American Arts<br />
& Crafts typefaces, the Merrymount <strong>Press</strong>, Bruce Rogers’<br />
Centaur type, Dard Hunter’s typefaces, and many others.<br />
Limited to 600 regular edition copies set in Monotype<br />
Centaur and Bembo, with text printed letterpress and illustrations printed by<br />
offset lithography at The Stinehour <strong>Press</strong>. Includes 66 illustrations at the end<br />
of the book.<br />
1998, hardcover, 6 x 9.25 inches, 218 pages<br />
ISBN n/a, Order No. 97457, $50.00<br />
typeforms<br />
A History<br />
by Alan Bartram<br />
In this work, nearly 75 different letterforms types are<br />
shown in their original metal forms and placed in their<br />
historical context. By including photographs of contemporary<br />
inscriptions on buildings and monuments, Alan Bartram explores the<br />
relationship between printed and architectural letterforms and their parallel<br />
course from the Renaissance until Victorian times. Without an understanding<br />
of the visual make-up of letterforms, designers cannot fully exploit the<br />
potential of type.<br />
2007, hardcover, dust jacket, 9.5 x 10 inches, 128 pages<br />
ISBN 9781584562221, Order No. 95866, $55.00<br />
Available outside North and South America from The British Library<br />
PRINTING TYPES<br />
Their History, Forms, and Use<br />
by Daniel Berkeley Updike<br />
Explores the art of typography from the dawn of moveable<br />
type to the twentieth century. The two-volume set is<br />
combined into one, containing the original 367 illustrations.<br />
Updike’s text constitutes a running commentary on the historical<br />
and artistic significance of these illustrations.<br />
2001, 6.5 x 9 inches, 1088 pages<br />
Hardcover: ISBN 9781584560562, Order No. 63429, $85.00<br />
Paperback: ISBN 9781584560609, Order No. 63431, $49.95<br />
Available in the UK from our co-publisher The British Library<br />
NINETEENTH-<br />
CENTURY AMER-<br />
ICAN DESIGNERS<br />
AND ENGRAVERS<br />
OF TYPE<br />
by William E. Loy<br />
edited by Alastair Johnston<br />
and Stephen Saxe<br />
In 1896, William E. Loy, a<br />
San Francisco printing equipment<br />
salesman and scholar,<br />
wrote a series of profiles of<br />
type designers, recognizing the<br />
importance of documenting<br />
the men in the background<br />
who created the nineteenth<br />
century’s fanciful types. Here is the behind-the-scenes story: biographies<br />
of artists, sportsmen, blacksmiths, soldiers, even a game warden, who were<br />
the creators of innovative types. Loy traces their personal stories adding<br />
much incidental detail about the politics and business practices of the<br />
time and the innovations of each. Typographical historians Johnston and<br />
Saxe have realized Loy’s vision, fully illustrated and annotated, with over<br />
800 illustrations of typefaces designed by the craftsmen he discusses.<br />
2009, hardcover, dust jacket, 9 x 12 inches, 164 pages<br />
ISBN 9781584562610, Order No. 96679, $59.95<br />
Hamilton Wood Type<br />
A History in Headlines<br />
by Bill Moran, Robert Style, Dennis Ichiyama, and<br />
Richard Zauft<br />
A 65-page book outlining the history of the<br />
Hamilton Wood Type Company, the importance of<br />
wood type to the growth of printing world-wide, and the role the Museum<br />
plays in the education of today’s design professionals. The book includes a<br />
foreword by Jim Sherraden and five chapters on the history of Hamilton as a<br />
company and a museum. Well illustrated in full color.<br />
2004, paperback, 8.5 x 8.5 inches, 65 pages<br />
ISBN 0972392718, Order No. 99663, $20.00<br />
Distributed for the Hamilton Wood Type and Printing Museum<br />
MACKELLAR, SMITHS & JORDAN<br />
Typographic Tastemakers of the Late<br />
Nineteenth-Century<br />
by Doug Clouse<br />
This study of America’s leading type foundry of the<br />
nineteenth century emphasizes the design of the hundreds of<br />
typefaces that were produced from its inception in the 1860s until its merger<br />
with most other American foundries at the end of the century. This study<br />
proposes that the earlier styles were successful in their own time and should<br />
be judged on that basis. An illustrated appendix showing MS&J’s original<br />
typeface designs accompanies the text.<br />
2008, hardcover, dust jacket, 8.5 x 11 inches, 176 pages<br />
ISBN 9781584562320, Order No. 96669, $65.00<br />
800-996-2556 www.oakknoll.com oakknoll@oakknoll.com
32 <strong>Oak</strong> <strong>Knoll</strong> <strong>Press</strong><br />
<strong>Books</strong> about Book Design & Typography<br />
Book art object<br />
edited by David Jury<br />
with a foreword by Peter Koch<br />
Book Art Object is a record of<br />
the first biennial Codex Book<br />
Fair and Symposium: “The Fate<br />
of the Art,” Berkeley, California,<br />
2007. The event showcased<br />
contemporary artist books and<br />
fine press and fine art editions<br />
produced by some of the world’s<br />
most esteemed printers, designers,<br />
book artists, and artisans. The<br />
book includes transcripts of the<br />
following lectures: Sarah Bodman,<br />
Research Fellow, Centre for Fine<br />
Print Research, UWE, Bristol:<br />
“The hybrid lexicon: an overview of contemporary artists publishing in<br />
the UK”; Robert Bringhurst, poet, translator, and typographer: “Spiritual<br />
geometry: the book as a work of art”; and Felipe Ehrenberg, artist,<br />
Mexican diplomat, former publisher of the Beau Geste <strong>Press</strong>, London:<br />
“Cutting and pasting: metaphor of life.” The volume is illustrated in full<br />
color throughout.<br />
2008, hardcover, dust jacket, 9 x 12 inches, 448 pages<br />
ISBN 9780981791401, Order No. 100395, $150.00<br />
Distributed for the Codex Foundation<br />
BOOK TYPOGRAPHY<br />
A Designer’s Manual<br />
by Michael Mitchell and Susan Wightman<br />
A comprehensive guide to typography and typesetting,<br />
describing the principles of good design, why they exist and<br />
how to put them to practice. The organization of text and<br />
the handling of images are explained in detail, and advice is given on work<br />
progression and print management. Contains over a thousand examples and<br />
illustrations showing typographic principles put into practice, as well as an<br />
extensive glossary.<br />
2005, paperback, 7.25 x 9.25 inches, 434 pages<br />
ISBN 0948021667, Order No. 92771, $69.95<br />
Distributed for Libanus <strong>Press</strong><br />
Available in Europe and the UK from Libanus <strong>Press</strong><br />
BOOK TYPOGRAPHY<br />
by Ari Rafaeli<br />
Rafaeli’s book examines how maximum-quality typography<br />
consistent with traditional standards can be achieved<br />
through modern technology. Word-division, letter-space,<br />
punctuation, footnotes and endnotes, symbols and special<br />
characters, dashes, quoted passages, folios and running<br />
heads are studied with reference to renowned authorities. Surveys the famous<br />
Monotype and Linotype book faces in their historical contexts with remarks<br />
on the quality of the current digital versions. Illustrated.<br />
2005, hardcover, 8.5 x 11 inches, 160 pages<br />
ISBN 9781584561576, Order No. 79445, $34.95<br />
Available in the UK from The British Library<br />
code(x) + 1 Monograph series<br />
2008–09<br />
This monograph series is devoted to the celebration<br />
of the book and print culture. This set contains the first<br />
three in the series, printed in an edition of 500 copies by<br />
Peter Koch on a Heidelberg cylinder press. Individual<br />
books include Why There are Pages and Why They Must Turn,<br />
Art: Definition Five (and Other Writings), and Each New Book.<br />
The covers were printed from antique wood and metal types in the Koch<br />
collection.<br />
Complete Set: 2008, paperback, 5.5 x 7.75 inches, 64 pages<br />
ISBN n/a, Order No. 102906, $100.00<br />
Distributed for the Codex Foundation<br />
AMERICAN BOOK DESIGN AND<br />
WILLIAM MORRIS<br />
by Susan Otis Thompson<br />
Reprint of the first edition with additional illustrations<br />
and a new foreword by Jean-Francois Vilain. With his<br />
Kelmscott <strong>Press</strong> and associations with the Arts and Crafts<br />
Movement, William Morris helped raise the public’s awareness of fine books<br />
to new heights. This landmark study documents the true extent of Morris’s<br />
influence on American bookmaking.<br />
1996, paperback, 8.5 x 11 inches, 318 pages<br />
ISBN 9781884718267, Order No. 44931, $34.95<br />
Available in the UK from The British Library<br />
The Typographic<br />
Desk Reference<br />
by Theodore Rosendorf<br />
with a foreword by Ellen Lupton<br />
The Typographic Desk Reference (aka<br />
TDR) is comprised of a thousand<br />
facts on the form of Latin-based<br />
writing systems. The book includes<br />
the following four main sections:<br />
Terms—definitions of format, measurements,<br />
practice, standards, tools,<br />
and industry lingo; Glyphs—the list<br />
of standard ISO and extended Latin<br />
characters, symbols, diacritics, marks,<br />
and various forms of typographic<br />
furniture; Anatomy & Form—letter<br />
stroke parts and the variations of impression and space used in Latinbased<br />
writing systems; and Classification & Specimens—an historical line<br />
with examples of form from blackletter to contemporary sans serif types.<br />
Designed for quick consultation, entries are concise and factual, making it<br />
handy for the desk.<br />
2009, hardcover, 5.5 x 8.5 inches, 152 pages<br />
ISBN 9781584562313, Order No. 96672, $45.00<br />
800-996-2556 www.oakknoll.com oakknoll@oakknoll.com
<strong>Books</strong> about Writing & Calligraphy<br />
<strong>Oak</strong> <strong>Knoll</strong> <strong>Press</strong> 33<br />
AN ELEGANT HAND<br />
The Golden Age of American Penmanship &<br />
Calligraphy<br />
by William E. Henning, edited by Paul Melzer<br />
Guides the reader through the careers of some of the<br />
most important American penmen, including Rogers<br />
Spencer and his gifted student George A. Gaskell, whose books and periodicals<br />
reached thousands of students in the second half of the 1800s. Paul<br />
Melzer added more than 400 examples taken from original specimens to<br />
illustrate Henning’s manuscript.<br />
2006, hardcover, dust jacket, 8.5 x 11 inches, 320 pages<br />
ISBN 9781584560678, Order No. 68991, $59.95<br />
Pen, Ink & Evidence<br />
A Study of Writing and Writing Materials for<br />
Penman, Collector and Document Detective<br />
by Joe Nickell<br />
Second printing with corrections. An excellent study of<br />
writing and writing materials for the penman, collector, and<br />
document detective. The author traces the development of<br />
writing and writing materials from the ancient cuneiform tablet to today’s<br />
historical documents. This work is essential for all calligraphers, archivists,<br />
literary historians and document examiners. Over one hundred illustrations.<br />
2003, paperback, 8.5 x 11 inches, 238 pages<br />
ISBN 9781584560920, Order No. 71215, $29.95<br />
<strong>Books</strong> about Illustration<br />
HISTORICAL<br />
SCRIPTS<br />
From Classical Times to<br />
the Renaissance<br />
by Stan Knight<br />
Up to the time of the<br />
Renaissance, calligraphy was the<br />
only means of preserving literature,<br />
and therefore played a vital<br />
role in the spread of learning,<br />
culture, and religion. Historical<br />
scripts were not rigidly-fixed<br />
styles, but the high peaks in an<br />
endlessly shifting landscape.<br />
Throughout the centuries,<br />
styles of writing were continually<br />
developed in response to various influences. Revised and expanded,<br />
this book is an excellent survey of bookhands with full-page, enlarged<br />
illustrations and solidly researched sources. It is useful for studying the<br />
history of manuscripts as well as the details of letter construction. This<br />
work also helps one make judgments about the technical condition of letter<br />
writing and its qualities of rhythm and movement, possible only when<br />
consulting an original manuscript.<br />
1998, hardcover, dust jacket, 9 x 12 inches, 110 pages<br />
ISBN 9781884718564, Order No. 52752, $39.95<br />
Frank E.<br />
Schoonover<br />
Catalogue<br />
Raisonné<br />
by John Schoonover and<br />
Louise Schoonover Smith<br />
with LeeAnn Dean<br />
Frank E. Schoonover is<br />
recognized as one of the<br />
foremost illustrators of<br />
his time. His contribution<br />
to American illustration<br />
spanned over 40 years and<br />
included more than 2,200<br />
illustrations. The twovolume<br />
slip-cased Catalogue Raisonné embodies Schoonover’s entire oeuvre,<br />
from his earliest sketches to his last easel paintings. The book is chronologically<br />
organized with the numeration based on his daybook entries.<br />
Included are over 3,000 images, most in full color, a detailed biography<br />
with accompanying time line, information about his models and students,<br />
lists of exhibitions and magazines, bibliographies, and indices.<br />
2009, hardcover, dust jacket, slipcase, 9 x 12 inches, 2 volumes, 846 pages<br />
ISBN 9781584562382, Order No. 96681, $195.00<br />
Co-published with the Frank E. Schoonover Fund, Inc.<br />
CARL LARSSON<br />
An Annotated Bibliography<br />
by Ann J. Topjon<br />
This is the first comprehensive bibliography on Larsson<br />
and, with approximately 5,900 entries, encompasses all his<br />
known works, including albums, book illustrations and articles<br />
he wrote and/or illustrated in all languages and countries. The bibliography<br />
also documents and annotates the plethora of materials about him in all<br />
languages, including monographs, incidental books, encyclopedia articles and<br />
exhibition catalogs, as well as the numerous journal and newspaper articles<br />
written about him during his lifetime and up to the present.<br />
2008, hardcover, dust jacket, 8.5 x 11 inches, 454 pages<br />
ISBN 9781584562108, Order No. 94200, $135.00<br />
HOWARD PYLE<br />
His Life – His Work<br />
by Paul Preston Davis<br />
This book celebrates the enduring and far-reaching<br />
achievements of Howard Pyle, America’s most famous and<br />
influential illustrator at the dawn of the twentieth century.<br />
Illustrated with over 3,300 images, this important research tool represents<br />
the most complete record of Pyle illustrations. For the first time, full-color<br />
images of each of Pyle’s published and unpublished works are provided in a<br />
single source. Indexed and cross-indexed.<br />
2004, hardcover, dust jacket, 9 x 12 inches, 2 volumes, 906 pages<br />
ISBN 9781584561330, Order No. 75317, $149.95<br />
Co-published with The Delaware Art Museum<br />
800-996-2556 www.oakknoll.com oakknoll@oakknoll.com
34 <strong>Oak</strong> <strong>Knoll</strong> <strong>Press</strong>—Illustration<br />
AMOS DOOLITTLE<br />
Engraver of the New Republic<br />
by Donald C. O’Brien<br />
As a copperplate engraver, Amos Doolittle (1754–1832)<br />
played an important role during the American colonies’<br />
war for independence and the early years of the new nation.<br />
There are chapters on various types of Doolittle’s work, including tunebooks,<br />
maps, illustrations, bank notes and more. The book also includes two<br />
useful appendices, cataloguing books that contain his engravings, and references<br />
to him and his work.<br />
2008, hardcover, dust jacket, 8.5 x 11 inches, 192 pages<br />
ISBN 9781584562061, Order No. 93957, $65.00<br />
Co-published with the American Historical Print Collectors Society<br />
A GUIDE TO THE PRINTED WORK OF<br />
JESSIE M. KING<br />
by Colin White<br />
Jessie M. King was the foremost Scottish book designer<br />
and illustrator of the twentieth century. In this work, every<br />
known item has been annotated, classified, and catalogued,<br />
and a further section lists over 100 publications containing<br />
reproductions of works by the artist. An appendix discusses King’s work for<br />
the German publisher Globus, and a second appendix investigates her designs<br />
for Routledge’s series of children’s classics.<br />
2007, hardcover, dust jacket, 7 x 10 inches, 238 pages<br />
ISBN 9781584562047, Order No. 93073, $90.00<br />
Available outside North and South America from our co-publisher The British Library<br />
ALEXANDER ANDERSON 1775–1870<br />
Wood Engraver & Illustrator, An Annotated<br />
Bibliography<br />
by Jane R. Pomeroy<br />
This comprehensive bibliography focuses on the<br />
American wood engraver and illustrator Alexander<br />
Anderson. The work contains a well-written and<br />
researched biography on his life, a bibliography with over<br />
2,322 entries illustrated with over 1,000 engravings and three indexes.<br />
2005, hardcover, slipcase, 8.5 x 11 inches, 3 volumes, 2616 pages<br />
ISBN 9781584561620, Order No. 88121, $350.00<br />
Co-published with The American Antiquarian Society<br />
SEVEN PERSPECTIVES Of THE<br />
WOODCUT<br />
Presentations from a Heavenly Craft Symposium<br />
and Exhibition<br />
edited by Daniel De Simone<br />
This book covers issues related to bookmaking in the fifteenth<br />
and sixteenth centuries. The analyses of the art of the<br />
woodcut presented here originated at the exhibition “A Heavenly Craft: The<br />
Woodcut in Early Printed <strong>Books</strong>,” which opened at the Library of Congress<br />
in April 2005. Corresponding images of woodcuts as well as photographs of<br />
original woodblocks appear throughout the volume.<br />
2008, paperback, 7 x 10 inches, 108 pages<br />
ISBN 9780844411835, Order No. 100570, $15.95<br />
Distributed for the Library of Congress<br />
<strong>Books</strong> about Bibliography<br />
the gilded page<br />
The History and Technique of<br />
Manuscript Gilding<br />
by Kathleen P. Whitley<br />
Second edition; revised, with the<br />
addition of color plates and new information<br />
on ancient Egyptian Papyrus<br />
gilding. The Gilded Page traces the history<br />
of gilding from ancient Egypt and<br />
Babylon through Rome, the Near East,<br />
Medieval and Renaissance Europe,<br />
and finally into the modern day studio.<br />
Learn step-by-step methods of applying<br />
and burnishing gold, described in<br />
a sensible and easy-to-understand way.<br />
Learn about the tools, methods, and materials employed in flat, raised,<br />
and pattern gilding for manuscripts and paintings, along with historical<br />
mordants such as Gesso Sottile, Gum Ammoniac, Gum Arabic, and<br />
Garlic Juice; and modern mordants such as Acrylic Gesso and White<br />
Glue.<br />
2010, 6 x 9 inches, 238 pages<br />
Hardcover, dust jacket: ISBN 9781584562399, Order No. 94207, $49.95<br />
Paperback: ISBN 9781584562412, Order No. 98228, $34.95<br />
Available outside North and South America from The British Library<br />
PRINCIPLES OF BIBLIOGRAPHICAL<br />
DESCRIPTION<br />
by Fredson Bowers<br />
One of the indisputable classics of twentieth-century<br />
scholarship, Bowers’ work is one of the standard guides<br />
on the subject, providing a comprehensive manual for the<br />
description of printed books as physical objects. Although<br />
there has been much activity in descriptive bibliography since then, Principles<br />
still holds its place as the central book to which those engaged in bibliographical<br />
work continually return.<br />
2005, paperback, 6 x 9 inches, 521 pages<br />
ISBN 9781884718007, Order No. 40520, $39.95<br />
A NEW INTRODUCTION TO<br />
BIBLIOGRAPHY<br />
by Philip Gaskell<br />
In this book, Gaskell incorporates work done since the<br />
publication of Ronald McKerrow’s Introduction to Bibliography<br />
on the history of the printing technology from the handpress<br />
period through the present day. In recent years, there<br />
has been an increasing interest in the textual problems of the eighteenth<br />
through twentieth centuries, which are covered in this book.<br />
2000, 6 x 9 inches, 488 pages<br />
Hardcover: ISBN 9781584560364, Order No. 60423, $65.00<br />
Paperback: ISBN 9781884718137, Order No. 42436, $39.95<br />
800-996-2556 www.oakknoll.com oakknoll@oakknoll.com
Bibliography<br />
<strong>Oak</strong> <strong>Knoll</strong> <strong>Press</strong> 35<br />
The British Book<br />
TradE 1475–1890<br />
A Bibliography<br />
edited by T.H. Howard-Hill<br />
This superbly comprehensive and<br />
detailed bibliography of the British<br />
book trade supersedes all bibliographies<br />
on British authors and authorship, bibliography<br />
itself, book collecting, bookbinding,<br />
book illustration, bookselling,<br />
censorship, copyright, libraries, literacy,<br />
papermaking, printing, publishing,<br />
textual criticism, and typography until<br />
1890. More than 24,000 items are<br />
lightly annotated and arranged in classified<br />
chronological order, to illustrate<br />
the social and technological development<br />
of British book crafts and industries. Items are minutely indexed on<br />
the accompanying CD-ROM. Large areas of the history and practices of<br />
the British book trades are opened to scholarly study for the first time.<br />
2009, hardcover, 7.5 x 9.75 inches, 2 volumes, 1876 pages<br />
(plus index on CD-ROM)<br />
ISBN 9781584562559, Order No. 96665, $175.00<br />
Available outside North and South America from The British Library<br />
BOOKS ON ART IN EARLY AMERICA<br />
<strong>Books</strong> on Art, Aesthetics and Instruction<br />
Available in American Libraries and <strong>Books</strong>tore<br />
through 1815<br />
by Janice G. Schimmelman<br />
This bibliography covers a broad range of books on art<br />
in early America, including not only art treatises and instruction<br />
manuals, but books related to drawing, painting, engraving, sculpture,<br />
artist biography and the history of art. The checklist includes 183 titles, each<br />
with a full bibliographic description, followed by a full catalogue reference of<br />
the booksellers and/or libraries that listed the book. Includes five appendices.<br />
2007, hardcover, dust jacket, 6 x 9 inches, 292 pages<br />
ISBN 9781584562146, Order No. 94205, $65.00<br />
A SHORT-TITLE CATALOGUE OF<br />
BOOKS PRINTED IN ENGLAND,<br />
SCOTLAND & IRELAND<br />
by A.W. Pollard and G.R. Redgrave<br />
This is the second edition, revised and enlarged. The<br />
work consists of three volumes begun by W.A. Jackson and<br />
F.S. Ferguson and completed by Katharine F. Pantzer. The third volume<br />
includes a printers’ and publishers’ index, other indices and appendices.<br />
1976, 1986, 1991, hardcover, 9 x 12 inches, 3 volumes, 1602 pages<br />
ISBN 0197217915, Order No. 60371, $795.00<br />
Distributed for The Bibliographical Society<br />
the dark page ii<br />
<strong>Books</strong> that Inspired<br />
American Film Noir,<br />
1950–1965<br />
by Kevin Johnson<br />
with a foreword by Guy Maddin<br />
Following up on his wellreceived<br />
bibliography of first<br />
edition sources for American film<br />
noir of the 1940s, this volume<br />
covers the second half of the classic<br />
American period, 1950–1965.<br />
The reverse influence of the film<br />
industry on the book industry<br />
increased as well, with stories<br />
being snatched up as film options as soon as they first appeared. The second<br />
volume of The Dark Page is an essential volume in a continuing series<br />
of references that are projected to cover American screwball comedies,<br />
European film noir, and American crime films and dramas of the late<br />
1960s and 1970s. Full-color photos of each first edition are featured,<br />
as well as bibliographical points for each book, and a bounty of factual<br />
information surrounding both the origins of the books and their subsequent<br />
film adaptations.<br />
2009, hardcover, dust jacket, 9 x 12 inches, 272 pages<br />
ISBN 9781584562597, Order No. 100483, $95.00<br />
Deluxe edition signed by Guy Maddin & Kevin Johnson, with slipcase<br />
ISBN 9781584562603, Order No. 100484, $375.00<br />
The literature of the lewis and<br />
clark expedition<br />
A Bibliography and Essays<br />
by Stephen Dow Beckham<br />
This first comprehensive bibliography of Lewis and<br />
Clark expedition publications in a century. Introductory<br />
historical essays survey the large cast of characters who<br />
have contributed to the expedition story; bibliographies for each section list<br />
all known publications, with full annotated descriptions of primary texts.<br />
Lavishly illustrated with twenty-four full-page color plates and numerous<br />
black-and-white images from Lewis & Clark College’s collection.<br />
2003, hardcover, dust jacket, 8 x 12 inches, 316 pages<br />
ISBN 0963086618, Order No. 73443, $75.00<br />
THE DARK PAGE<br />
<strong>Books</strong> that Inspired American Film Noir<br />
1940–1949<br />
by Kevin Johnson, with a foreword by Paul Schrader<br />
Identifying every 1940s American film noir with a<br />
published literary source, The Dark Page provides concise<br />
but fact-filled accounts of the authors, books and filmmakers that came<br />
together—often in unlikely combinations—to create a unique and cherished<br />
period in film history. Tapping the wells of film historians and cinemanistas<br />
from around the world, Johnson has compiled an unprecedented dossier of<br />
rare first edition book images.<br />
2007, hardcover, dust jacket, 9 x 12 inches, 384 pages<br />
ISBN 9781584562177, Order No. 98426, $95.00<br />
Deluxe edition signed by Paul Schrader & Kevin Johnson, with slipcase<br />
ISBN 9781584562184, Order No. 95436, $450.00<br />
800-996-2556 www.oakknoll.com oakknoll@oakknoll.com
36 <strong>Oak</strong> <strong>Knoll</strong> <strong>Press</strong>—Bibliography<br />
MR. LINCOLN’S BOOK<br />
Publishing the Lincoln-<br />
Douglas Debates<br />
With a Census of Signed Copies<br />
by David H. Leroy<br />
Here, for the first time in a<br />
detailed account focusing on<br />
Lincoln’s personal involvement, Dave<br />
Leroy writes the full story of the<br />
Lincoln-Douglas debates with original<br />
correspondence, contemporary<br />
newspaper accounts, and illustrations<br />
of the day. In 1954, historian<br />
Harry Pratt located and described<br />
eighteen inscribed copies of the<br />
Lincoln-Douglas debates. In this new work, Leroy describes 37 such volumes.<br />
Ultimately, Mr. Lincoln’s Book asks the reader to resolve the century<br />
and a half old debate: was Lincoln an author? Leroy leaves the final decision<br />
up to the reader. The printed volume is accompanied by a CD-ROM<br />
containing a complete copy of Lincoln’s scrapbook of the debates, copies<br />
and transcriptions of Lincoln’s correspondence, political cartoons, and<br />
photographs.<br />
2009, hardcover, dust jacket, 6 x 9 inches, 228 pages<br />
ISBN 9781584562443, Order No. 99275, $49.95<br />
Co-published with the Abraham Lincoln Book Shop<br />
A CATALOGUE<br />
OF THE JUNIUS<br />
SPENCER MORGAN<br />
COLLECTION OF<br />
VIRGIL IN THE<br />
PRINCETON<br />
UNIVERSITY<br />
LIBRARY<br />
by Craig Kallendorf<br />
The collection that this book<br />
is based on consists of over 700<br />
titles of editions of the Roman<br />
poet Virgil, with items ranging<br />
from the first printed edition<br />
(Rome, 1469) to the present, focusing on material published in the early<br />
modern period. This collection was formed by Junius Spencer Morgan,<br />
the nephew of the financier J.P. Morgan. Morgan’s interest in Virgil was<br />
undoubtedly encouraged during his student days at Princeton and reflects<br />
his efforts to obtain the best copies he could find of items noteworthy for<br />
their scholarship, their illustrations, or their place in publishing history.<br />
The result is one of the largest collections of early printed editions of<br />
Virgil in the world, a collection whose balance and integrity make it the<br />
proper beginning place for research in this field.<br />
2009, hardcover, dust jacket, 8.5 x 11 inches, 544 pages<br />
ISBN 9781584562634, Order No. 100481, $95.00<br />
GORE VIDAL<br />
A Bibliography, 1940–2009<br />
by Steven Abbott<br />
This bibliography documents all phases of Vidal’s ongoing<br />
work, focusing on Vidal from 1940 through June 2009.<br />
More than 400 of his contributions to periodicals are listed.<br />
The appendices include a chronology of Vidal’s life, a table of essay titles, a<br />
table of small press appearances, a selection of critical works about him, and<br />
a listing of his work as an actor. Close to 700 images of covers and title pages<br />
are included in grayscale in Volume I, and more than 1,000 are included in<br />
color on the accompanying CD-ROM.<br />
2009, hardcover, dust jacket, 8.5 x 11 inches, 516 pages plus CD-ROM<br />
ISBN 9781584562207, Order No. 96674, $195.00<br />
Series Americana<br />
Post Depression-Era<br />
Regional Literature,<br />
1938–1980<br />
A Descriptive Bibliography<br />
by Carol Fitzgerald<br />
The thirteen series highlighted<br />
in this book were published<br />
from 1940 to 1980 and<br />
contain 163 titles, providing a<br />
broad representation of series<br />
Americana published during<br />
this span. Taken together,<br />
they constitute a unique and<br />
compelling self-portrait of<br />
America. Each of the thirteen sections contains an introduction and publishing<br />
history, brief biographical sketches of the series editors, authors,<br />
and illustrators, a precise bibliographical description of the first edition/<br />
first printing of each title in the series, a tabulation of the number of<br />
reprints, and a listing of other works by the book’s author. There are 242<br />
biographical sketches altogether. With this wealth of relevant information,<br />
the books in these series function as guides to the regions or subjects<br />
they address.<br />
2009, hardcover, dust jacket, 6 x 9 inches, 2 volumes, 1028 pages<br />
ISBN 9781584562528, Order No. 96683, $125.00<br />
Co-published with the Library of Congress Center for the Book<br />
The Rivers of America<br />
A Descriptive Bibliography<br />
by Carol Fitzgerald<br />
This bibliography is the most comprehensive work<br />
ever published on the historical series of books called The<br />
Rivers of America. This important series of sixty-five titles<br />
was published from 1937 to 1974, and most have been reprinted, some of<br />
them many times. Each book focused on one of the nation’s major rivers or<br />
river systems and captured its spirit, folklore and history as never before. This<br />
work presents complete bibliographical descriptions of the nearly 400 printings<br />
of the 65 titles that make up the series.<br />
2001, hardcover, dust jacket, 6 x 9 inches, 2 volumes, 1002 pages<br />
ISBN 9781584560326, Order No. 61955, $125.00<br />
Co-published with the Library of Congress Center for the Book<br />
800-996-2556 www.oakknoll.com oakknoll@oakknoll.com
<strong>Oak</strong> <strong>Knoll</strong> <strong>Press</strong>—Bibliography 37<br />
JOHN UPDIKE<br />
A Bibliography of Primary and Secondary<br />
Materials, 1948–2007<br />
by Jack De Bellis and Michael Broomfield<br />
with a foreword by John Updike<br />
This definitive guide to materials by and about this prolific<br />
American author consists of a printed first volume and<br />
a second volume on CD-ROM. The printed volume lists all primary source<br />
material and features over 500 images of book covers. Volume II contains<br />
entries for material about Updike, several appendices, and full-color versions<br />
of images appearing in the printed volume.<br />
2007, hardcover, dust jacket, 8.5 x 11 inches, 624 pages<br />
ISBN 9781584561958, Order No. 92254, $195.00<br />
J.R.R. Tolkien<br />
A Descriptive Bibliography<br />
by Wayne G. Hammond<br />
This is the first descriptive bibliography of J.R.R. Tolkien,<br />
one of the most popular writers of the twentieth century.<br />
There are eight pages of plates, a chronology and an index.<br />
This bibliography will become a standard reference book for<br />
scholars, librarians, booksellers and collectors whose already keen interest in<br />
Tolkien continues to grow.<br />
2002, hardcover, 6 x 9 inches, 448 pages<br />
ISBN 9780938768425, Order No. 36406, $94.00<br />
BIBLIOGRAPHIA OZIANA<br />
A Concise Bibliographical Checklist of the Oz<br />
<strong>Books</strong> by L. Frank Baum and his Successors<br />
by Peter E. Hanff and Douglas G. Greene<br />
Serves as the standard reference work that sorts out the<br />
complex printing history of each of the original forty Oz<br />
books by L. Frank Baum and his successors. In addition, this<br />
book includes full descriptions of their Oz-related works. 136 photographic<br />
illustrations complement the textual descriptions, making it particularly helpful<br />
to those who are new to the field.<br />
2002, paperback, 5.5 x 8.5 inches, 146 pages<br />
ISBN 1930764022, Order No. 86827, $30.00<br />
Distributed for the International Wizard of Oz Club<br />
James ingram Merrill<br />
A Descriptive Bibliography<br />
by Jack W.C. Hagstrom and Bill Morgan<br />
This comprehensive bibliography, covering James<br />
Merrill's entire life, was prepared with the cooperation of the<br />
poet himself. All books, periodicals, recordings, translations,<br />
critical and biographical appearances are listed here. A special feature of the<br />
book also reproduces the full text of previous uncollected poems and prose<br />
by Merrill.<br />
2009, hardcover, 8.5 x 11 inches, 436 pages<br />
ISBN 9781584562641, Order No. 100482, $95.00<br />
Other <strong>Books</strong> about <strong>Books</strong><br />
The mysterious<br />
marbler<br />
With an Introduction, Notes<br />
on the English Marbling<br />
Tradition, and Thirteen<br />
Original Marbled Samples by<br />
Richard J. Wolfe<br />
by James Sumner<br />
This printing of James Sumner’s<br />
1854 marbling manual includes a<br />
new preface by Richard J. Wolfe.<br />
A further note on the English<br />
marbling tradition and thirteen<br />
tipped-in original examples of<br />
marbled papers by Wolfe have also<br />
been added. Sumner discusses the<br />
little-known history of paper marbling prior to the nineteenth century.<br />
Sumner’s text includes specific information on various types of marbling<br />
and precise recipes for their creation. Sumner’s original pamphlet had no<br />
exhibit samples attached. Wolfe added thirteen samples of marbled paper<br />
that were possibly created by Sumner himself, or by John Hargreaves, his<br />
associate, for the 1976 printing. The cover is a facsimile reproduction<br />
of an original nineteenth-century English marbled paper in the editor’s<br />
collection.<br />
2009, hardcover, 5.25 x 7.75 inches, 132 pages<br />
ISBN 9781584562696, Order No. 103080, $60.00<br />
The peaceable<br />
and prosperous<br />
regiment of<br />
blessed queene<br />
elisabeth<br />
A Facsimile from<br />
Holinshed’s Chronicles (1587)<br />
edited with introduction<br />
by Cyndia Susan Clegg<br />
with textual commentary<br />
by Randall McLeod<br />
Holinshed’s Chronicles contains<br />
one of the few accounts<br />
of Elizabeth’s reign written<br />
during her lifetime. This facsimile<br />
edition, a compilation<br />
based on this portion of the Chronicles in copies in the Huntington’s collection<br />
as well as the British Library and Cambridge University Library,<br />
documents the censorship and demonstrates that it occurred in three stages.<br />
The Chronicles is also a rich source for the study of printing practices.<br />
The base text chosen by the editors, an unusual copy in the Huntington<br />
Library, contains the largest sample of proofmarkings that survive from<br />
the sixteenth century.<br />
2005, hardcover, 12.25 x 16.25 inches, 580 pages<br />
ISBN 9780873281614, Order No. 103769, $325.00<br />
Distributed for the Huntington Library<br />
800-996-2556 www.oakknoll.com oakknoll@oakknoll.com
38 <strong>Oak</strong> <strong>Knoll</strong> <strong>Press</strong>—Other <strong>Books</strong> about <strong>Books</strong><br />
“ The good<br />
education of<br />
youth”<br />
Worlds of Learning in the<br />
Age of Franklin, An Essay<br />
Collection and Exhibition<br />
Catalogue with a Photo<br />
Essay, “Early Schoolhouses<br />
in the Delaware Valley”<br />
edited and with an introduction<br />
by John H. Pollack<br />
The essays in this collection<br />
look in detail at Franklin’s<br />
projects for education alongside<br />
educational plans by and for<br />
Quakers, African Americans,<br />
women, German Americans, and the other populations of Pennsylvania<br />
and the region from the colonial era through the early national period.<br />
The exhibition surveys the educational landscape of the period and provides<br />
a vital context for understanding the importance, originality, and<br />
ongoing relevance of Franklin’s vision. An accompanying photographic<br />
essay assembles for the first time images of numerous surviving school<br />
buildings in the Delaware Valley.<br />
2009, hardcover, dust jacket, 8.5 x 11 inches, 352 pages<br />
ISBN 9781584562627, Order No. 100470, $49.95<br />
Co-published with The University of Pennsylvania Libraries<br />
FROM FLOCK BEDS TO<br />
PROFESSIONALISM<br />
A History of Index-Makers<br />
by Hazel K. Bell<br />
with a preface by David Crystal<br />
Hazel Bell presents brief biographies of 65 individual<br />
practitioners, the makers of indexes, from the fifteenth to the<br />
twentieth century, considering their working methods, techniques, training,<br />
remuneration, lives, and personalities. Bell outlines in “Banding Together” the<br />
history of groups and societies of indexers up to 1995, the year she sees as<br />
the end of print-only indexing.<br />
2008, hardcover, dust jacket, 6 x 9 inches, 348 pages<br />
ISBN 9781584562283, Order No. 96599, $95.00<br />
Available in the UK from HKB <strong>Press</strong><br />
Following Pausanias<br />
The Quest for Greek Antiquity<br />
edited by Maria Georgopoulou, Celine Guilmet, Yanis<br />
A. Pikoulas, Konstantinos Sp. Staikos and George Tolias<br />
Following Pausanias is a study of Pausanias’s ten-book<br />
travelogue Hellados Periegesis, which describes Greece as he<br />
experienced it in the second century. The volume is beautifully produced and<br />
illustrated, with color or black-and-white images. The work concludes with a<br />
useful bibliography and index. English translation by Deborah Kazazi.<br />
2007, hardcover, 8.5 x 11 inches, 253 pages<br />
ISBN 9781584562092, Order No. 94929, $75.00<br />
Co-published with Kotinos Publications, Athens.<br />
Martino Publishing<br />
www.martinopublishing.com<br />
Martino Publishing issued its first reprint in 1990. Over fifteen years and more than 500 titles later, they are still engaged in the<br />
reprinting of out-of-print reference books for the antiquarian book trade, at a rate of approximately 50–75 titles per year.<br />
HISTORIA Y BIBLIOGRAFIA DE<br />
LA IMPRENTA EN EL ANTIGUO<br />
VIREINATO DEL RIO DE LA PLATA<br />
by Jose Toribio Medina<br />
This volume is a comprehensive bibliography<br />
of colonial imprints in Paraguay, Cordoba del<br />
Tucuman, Buenos Aires, and Montevideo.<br />
2009, hardcover, 8.25 x 11 inches, 674 pages<br />
Order No. 104108, $110.00<br />
HISTORY OF PRINTING IN<br />
COLONIAL MARYLAND 1686–1776<br />
by Lawrence C. Wroth<br />
This is a reprint of one of the most exhaustive<br />
studies of the printing press and literature of<br />
Colonial Maryland. This work will rank as one<br />
of the great contributions to the history of colonial<br />
American literature. 372 items are meticulously<br />
described.<br />
2010, hardcover, 6.5 x 9 inches, 275 pages<br />
Order No. 104674, $60.00<br />
HAND-LISTS OF BOOKS PRINTED<br />
BY LONDON PRINTERS, 1501–1556<br />
by E.G. Duff, W.W. Greg, R.B. McKerrow,<br />
H.R. Plomer, A.W. Pollard, and R. Proctor<br />
This reprint of the 1913 first edition lists all<br />
known printers active in the London book trade<br />
from 1501–1556. This bibliography describes<br />
hundreds of books by author, title, date and<br />
location.<br />
2009, hardcover, 6.5 x 10 inches, 214 pages<br />
Order No. 104103, $60.00<br />
CATALOGUE OF BOOKS IN THE<br />
LIBRARY OF THE ALPINE CLUB<br />
Reprint of 1899 edition published by<br />
Edinburgh University <strong>Press</strong>. The Alpine Club has<br />
one of the most extensive collections of Alpine<br />
books. This catalogue describes 2,500 books in<br />
the collection.<br />
2009, hardcover, 6.5 x 9 inches, 223 pages<br />
Order No. 104290, $65.00<br />
800-996-2556 www.oakknoll.com oakknoll@oakknoll.com<br />
DICTIONNAIRE DES OUVRAGES<br />
ANONYMES ET PSEUDONYMES<br />
PUBLIÉS PAR DES RELIGIEUX DE<br />
LA COMPAGNIE DE JÉSUS<br />
by Carlos Sommervogel<br />
Reprint of the 1884 first edition . Carlos<br />
Sommervogel was a French Jesuit scholar. He<br />
was author of the monumental Bibliothèque<br />
de la Compagnie de Jésus, which served as one<br />
of the major references for the editors of the<br />
Catholic Encyclopedia. In 1884, he published his<br />
Dictionnaire des ouvrages anonymes et pseudonymes publiés<br />
par des religieux de la Compagnie de Jésus. This bibliography<br />
contains 7,500 entries that cover authors<br />
and their publications.<br />
2009, hardcover, 6.5 x 9 inches, 1398 pages<br />
Order No. 104675, $85.00
Index<br />
Abbott, Steven 36<br />
ABC for Book Collectors 25<br />
ABC of Bookbinding 27<br />
ABC of Leather Bookbinding 26<br />
Accomplished Paper Colorer 28<br />
AdVenture Publishing 13<br />
Alderson, Brian 29<br />
Alexander Anderson 34<br />
Alison, Jennifer 18<br />
American Antiquarian Society<br />
18, 34<br />
American Book Design & William<br />
Morris 32<br />
American Historical Print Collectors<br />
Society 22, 34<br />
American Metal Typefaces 31<br />
American Proprietary Typefaces 31<br />
American Signed Bindings through<br />
1876 27<br />
Amos Doolittle 34<br />
Angus and Robertson 18<br />
Antonio Millo Isolario 13<br />
Architectural Photoreproductions 24<br />
Armstrong, Catherine 28<br />
Arnold, John 30<br />
Arthur W. Rushmore 30<br />
Baker, William 11<br />
Baldwin, Christopher Columbus<br />
18<br />
Baltimore Bibliophiles at Fifty 25<br />
Barker, Nicolas 25<br />
Bartram, Alan 31<br />
Be Merry and Wise 29<br />
Beckham, Stephen Dow 35<br />
Bell, Hazel K. 38<br />
Benjamin Franklin 29<br />
Bennett, Stuart 27<br />
Berger, Sidney E. 28<br />
Bewick, Thomas 6<br />
Bibliographia Oziana 37<br />
Bibliographical Society 22, 27<br />
Bibliographical Society of Australia<br />
and New Zealand 18<br />
Biblioteca Nazionale Marciana<br />
25<br />
Blocker, Mare 15<br />
Bodleian Library 10<br />
Book Art Object 31<br />
Book as a Work of Art 30<br />
Book Typography 32<br />
Book Typography: A Designer’s<br />
Manual 32<br />
Bookbinders at Work 27<br />
Bookbinding & Conservation 16<br />
Bookbinding & Conservation by<br />
Hand 26<br />
<strong>Books</strong> about <strong>Books</strong> 30<br />
<strong>Books</strong> as History 25<br />
<strong>Books</strong> for Sale 29<br />
<strong>Books</strong> of Venice 25<br />
<strong>Books</strong> on Art in Early America 35<br />
Boston Athenaeum 25<br />
Bowers, Fredson 34<br />
Brandt, William H. 22<br />
Briggs, Asa 30<br />
Bringhurst, Robert 15<br />
Brinks, John Dieter 30<br />
British Book Trade 35<br />
British Library 6, 11, 17, 19-<br />
22, 25-32, 34-5<br />
Broomfield, Michael 37<br />
Bryn Mawr College Library 27<br />
Carl Larsson 33<br />
Carter, John 25<br />
Catalogue of <strong>Books</strong> in the Library of<br />
the Alpine Club 38<br />
Catalogue of <strong>Books</strong> Printed in the<br />
XVth Century 14<br />
Catalogue of Printed Maps of Greece<br />
13<br />
Catalogue of the Collection of Virgil<br />
36<br />
Causley, Monroe S. 30<br />
Center Broadsides Reading Series 15<br />
Center for Book Arts 15<br />
Chester River <strong>Press</strong> 12<br />
Cinnamon Bay Sonnets 15<br />
Classici Che Hanno Fatto L’Italia 5<br />
Clegg, Cyndia Susan 37<br />
Cloud, Gerald 8<br />
Clouse, Doug 31<br />
Code(X)+1 Monograph Series 32<br />
Complete Work of Thomas Bewick 6<br />
Cooke, Simon 19<br />
Coptic and Collage 15<br />
Covens & Mortier 14<br />
Cruz, Laura 30<br />
Dark Page, Dark Page II 35<br />
Darley, Stephen 21<br />
Davis, Paul Preston 33<br />
Day, Matthew 28<br />
De Bellis, Jack 37<br />
De Simone, Daniel 34<br />
Design and Printing of Ephemera 29<br />
Diary of a Madman 15<br />
Dictionnaire Des Ouvrages Anonymes<br />
38<br />
Disbound and Dispersed 29<br />
Doing Something for Australia 18<br />
Dow Beckham, Stephen 35<br />
Dumontet, Carlo 19<br />
Dutch Decorated Bookbinding 14<br />
Early Printing in Saint Vincent 29<br />
Edward Seymour 28<br />
Egmond, Marco Van 14<br />
Elegant Hand 33<br />
Eloquent Witnesses 27<br />
Encyclopedia of the Book 26<br />
Ernest Hemingway 20<br />
Etherington, Don 16<br />
Fanfrolico <strong>Press</strong> 30<br />
Farren, Donald 25<br />
Field & Tuer 21<br />
Fine Bookbinding 17<br />
Fitzgerald, Carol 36<br />
Five Hundred Years of Printing 28<br />
Fleck, Robert D. 30<br />
Following Pausanias 38<br />
Foot, Mirjam M. 17, 27<br />
Frank E. Schoonover Catalogue<br />
Raisonne 33<br />
French Renaissance Printing Types 22<br />
Frohnsdorff, Gregory 29<br />
From Flock Beds to Professionalism<br />
38<br />
Fuller, John 10<br />
Gaskell, Philip 34<br />
Georgopoulou, Maria 38<br />
Gilded Page 34<br />
Giorgio Regnani Editore 5<br />
Glaister, Geoffrey Ashall 26<br />
Globi Neerlandici 14<br />
Gogol, Nicolai 15<br />
Good Education of Youth 38<br />
Gore Vidal 36<br />
Govi, Fabrizio 5<br />
Great Libraries 26<br />
Greek Library 4<br />
Green, James N. 29<br />
Greene, Douglas G. 37<br />
Greenfield, Jane 26-7<br />
Grissom, Edgar 20<br />
Guide to the Work of Jessie M. King<br />
34<br />
Hagstrom, Jack W.C. 37<br />
Hamilton Wood Type 31<br />
Hammond, Wayne G. 37<br />
Hand-Lists of <strong>Books</strong> by London<br />
Printers 38<br />
Hanff, Peter E. 37<br />
Harris, Michael 29<br />
Headbands 26<br />
Hedi Kyle 15<br />
Hellinga, Lotte 14<br />
Hemingway, Ernest 20<br />
Henning, William E. 33<br />
Henry Davis Gift 17<br />
HES & DE GRAAF 3, 14,<br />
23-4<br />
Hille, Jenny 26<br />
Hinks, John 28<br />
Hirshfield, Jane 15<br />
Historia y Bibliografia de la Imprenta<br />
38<br />
Historical Scripts 33<br />
History of English Craft Bookbinding<br />
27<br />
History of Longmans and Their<br />
<strong>Books</strong> 30<br />
History of Printing in Colonial<br />
Maryland 38<br />
History of the Library 3<br />
Homer 12<br />
Howard Pyle 33<br />
Howard-Hill, T.H. 35<br />
Hudson, Graham 29<br />
Ichiyama, Dennis 31<br />
Iliad and Odyssey 12<br />
Illustrated Periodicals of the 1860s<br />
19<br />
Imholtz, August A., Jr. 25<br />
Interpretive Wood-Engraving 22<br />
Ioannou, Sylvia 13<br />
Irish Type Design 7<br />
Istoriato 15<br />
J.R.R. Tolkien 37<br />
James Ingram Merrill 37<br />
Janssen, Frans A. 14<br />
John Fuller & the Sycamore <strong>Press</strong> 10<br />
John Rodker’s Ovid <strong>Press</strong> 8<br />
John Updike 37<br />
Johnson, Arthur W. 26<br />
Johnson, Kevin 35<br />
Johnston, Alastair M. 31<br />
Jones, Howard 14<br />
Jury, David 32<br />
Kallendorf, Craig 36<br />
Kaufman, Andrew 15<br />
Kelmscott Chaucer Census 9<br />
Kinsella, Thomas E. 27<br />
Kipling, Rudyard 20<br />
Kissel, Eléonore 24<br />
Knight, Jesse F. 21<br />
Knight, Stan 33<br />
Koch, Peter 32<br />
Kok, Hans 14<br />
Krogt, P. van der 14<br />
Larkin, Jack 18<br />
Last of the Great Swashbucklers 21<br />
Leadenhall <strong>Press</strong> 21<br />
Leroy, David H. 36<br />
Letterpress Printing 28<br />
Leutz, Pamela Train 16<br />
Lhotka, Edward R. 26<br />
Lindsay, Jen 17<br />
Line, Shade and Shadow 24<br />
Literature of Collecting 25<br />
Literature of the Lewis and Clark<br />
Expedition 35<br />
Loeber, E.G. 28<br />
Loy, William E. 31<br />
Mackellar, Smiths & Jordan 31<br />
Mandelbrote, Giles 29<br />
Maravelas, Paul 28<br />
McGrew, Mac 31<br />
McGuinne, Dermot 7<br />
Medina, Jose Toribio 38<br />
Meriton, John 19<br />
Middleton, Bernard C. 26-7<br />
Mitchell, Michael 32<br />
Moran, Bill 31<br />
Morgan, Bill 37<br />
Mr. Lincoln’s Book 36<br />
Musa Talia 25<br />
Myers, Robin 29<br />
Mysterious Marbler 37<br />
National Print Museum 7<br />
New Introduction to Bibliography 34<br />
New World Suite Number Three 15<br />
New York Botanical Garden 24<br />
Nickell, Joe 33<br />
Nineteenth-Century American<br />
Designers 31<br />
Notaker, Henry 23<br />
O’Brien, Donald C. 34<br />
Ovid <strong>Press</strong> 8<br />
Oyens, Felix de Marez 29<br />
Pankow, David 31<br />
Paper Mould and Mouldmaker 28<br />
Paper, Art and the Book 15<br />
Paradox of Prosperity 30<br />
Peaceable and Prosperous Regiment 37<br />
Pearson, David 25<br />
Pen, Ink, & Evidence 33<br />
Periodicals and Publishers 28<br />
Peterson, Sylvia Holton 9<br />
Peterson, William S. 9<br />
Place in My Chronicle 18<br />
Pollack, John H. 38<br />
Pollard, A.W. 35<br />
Pomeroy, Jane R. 34<br />
Pon, Lisa 25<br />
Pope, Alexander 12<br />
Present: Twelve Poems 15<br />
Price, Lois Olcott 24<br />
Principles of Bibliographical Description<br />
34<br />
Printed Cookbooks in Europe 23<br />
Printed Greek Book 29<br />
Printers’ & Publishers’ Marks in<br />
<strong>Books</strong> 23<br />
Printing Historical Society 22<br />
Printing the Classical Text 14<br />
Printing Types 31<br />
Private Libraries Association 30<br />
Provenance Research in Book History<br />
25<br />
Rafaeli, Ari 32<br />
Redgrave, G.R. 35<br />
Repair of Cloth Bindings 26<br />
Restoration of Leather Bindings 26<br />
Richards, David Alan 20<br />
Rinehart, Benjamin D. 15<br />
Rivers of America 36<br />
Roberts, Ryan 10<br />
Robertson, George 18<br />
Rodker, John 8<br />
Rosendorf, Theodore 32<br />
Rudyard Kipling 20<br />
Sabatini, Rafael 21<br />
Sailing for the East 14<br />
Saxe, Stephen O. 31<br />
Schilder, Gunter 14<br />
Schimmelman, Janice G. 35<br />
Schoonover, John 33<br />
Series Americana 36<br />
Seven Perspectives of the Woodcut 34<br />
Short-Title Catalogue of <strong>Books</strong> 35<br />
Sklavenitis, T. 29<br />
Sloat, Caroline 18<br />
Small <strong>Books</strong> for the Common Man 19<br />
Smith, Louise Schoonover 33<br />
Sommervogel, Carlos 38<br />
Spawn, Willman 27<br />
Staikos, Konstantinos Sp. 3-4,<br />
23, 26, 29, 38<br />
Stallybrass, Peter 29<br />
Steinberg, S.H. 28<br />
Stoppard, Tom 11<br />
Storm Van Leeuwen, Jan 14<br />
Style, Robert 31<br />
Sumner, James 37<br />
Sweet Land of Cyprus 13<br />
Sycamore <strong>Press</strong> 10<br />
Tattersfield, Nigel 6<br />
Technique & Design in the History of<br />
Printing 14<br />
Thompson, Susan Otis 32<br />
Thread That Binds 16<br />
Ticket Licket 15<br />
Ticketed Bookbindings 27<br />
Tom Stoppard 11<br />
Topjon, Ann J. 33<br />
Trade Bookbinding in the British<br />
Isles 27<br />
Tselikas, Agamemnon 13<br />
Typeforms: A History 31<br />
Typographic Desk Reference 32<br />
Updike, Daniel Berkeley 31<br />
Vale <strong>Press</strong> 30<br />
Vervliet, Hendrik D.L. 7, 22<br />
Vigneaur, Erin 24<br />
Vollkommne Papierfärber 28<br />
Wachs, Gerald N. 11<br />
Watry, Maureen M. 30<br />
Wendorf, Richard 25<br />
White, Colin 34<br />
Whitley, Kathleen P. 34<br />
Wightman, Susan 32<br />
Winterthur Museum 24<br />
Wolfe, Richard J. 28, 37<br />
Wroth, Lawrence C. 38<br />
Young, Laura S. 26<br />
Young, Matthew McLennan 21<br />
Zacharakis, Christos G. 13<br />
Zauft, Richard 31<br />
800-996-2556 www.oakknoll.com oakknoll@oakknoll.com
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