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<strong>Oak</strong> <strong>Knoll</strong> <strong>Press</strong><br />

Fall 2010


OAK KNOLL PRESS<br />

PUBLISHERS OF FINE BIBLIOGRAPHIES<br />

& OTHER BOOKS ABOUT BOOKS<br />

Member, Association of American Publishers<br />

Welcome to our newest publishing catalogue, featuring new and upcoming titles. For a complete list of our books (close to 1500), visit<br />

our website at www.oakknoll.com/publishing. In addition to titles we’ve published, this catalogue also includes new works that we are distributing<br />

for other publishers. <strong>Oak</strong> <strong>Knoll</strong> continues to act as the exclusive distributor for many important bibliographical organizations, such<br />

as the Bibliographical Society of America, American Antiquarian Society, and John Carter Brown Library. In this catalogue, we are pleased<br />

to present books from three new distribution partners: AdVenture Publishing, Greece, HES & DE GRAAF Publishers, the Netherlands,<br />

and the Center for Book Arts, New York City.<br />

We are also pleased to introduce the newest member of the <strong>Oak</strong> <strong>Knoll</strong> publishing team, Danielle Burcham. Danielle is a recent graduate<br />

from Wilmington University, where she studied Broadcast Journalism and Print. In her role as Publishing and Marketing Assistant, she<br />

plans, designs, and sends marketing materials and assists Publishing Director Laura Williams with various tasks. She is happy to present her<br />

first catalogue.<br />

This year, <strong>Oak</strong> <strong>Knoll</strong> and three other booksellers (Between the Covers Rare<br />

<strong>Books</strong>, The Kelmscott <strong>Books</strong>hop, and the Old <strong>Books</strong>hop of Bordentown) opened<br />

The <strong>Books</strong>hop in Old New Castle. This new bookshop, located on the second floor<br />

of <strong>Oak</strong> <strong>Knoll</strong>, sells books on all subjects from each store’s inventory. The <strong>Books</strong>hop<br />

in Old New Castle and <strong>Oak</strong> <strong>Knoll</strong> <strong>Books</strong> are open Monday through Saturday.<br />

Best wishes,<br />

Robert D. Fleck, Publisher<br />

Front cover: Engraving of the great gallery of St. Geneviève’s library signed by Lagardette; Back cover: Isidore of Seville, Etymologiae. Parchment codex written in northern Italy in the 8th c.<br />

Wolfenbüttel, Herzog-August-Bibliotheck; Both images are from The History of the Library in Western Civilization, Volume IV, page 3 of this catalogue.<br />

Order on our website at www.oakknoll.com, by phone at 800-996-2556, by fax at 302-328-7274,<br />

by email at orders@oakknoll.com, or visit our store at 310 Delaware Street, New Castle, DE 19720<br />

For US orders, please add $7.50 for the first volume and $1.00 for each additional volume. We ship US orders via USPS Ground unless otherwise instructed. For<br />

Canadian orders, add $8.00 for the first volume. For orders outside the US and Canada, add $9.00 for the first volume. Additional shipping costs will be based on<br />

weight. Special delivery services are available at extra charge. Payment with Visa, MasterCard, American Express and Discover; wire transfers in US dollars; and checks<br />

in US dollars drawn on a US bank or in English pounds. Proforma invoices are sent for all prepaid and non-established accounts. Your order should be shipped within<br />

five business days after it is received. Sales rights: If sales rights are listed, we can only sell the title in the area noted. If you are outside our sales area, please consult the<br />

distributor listed for your area. If you do not know who distributes our books in your area, call us and we may be able to help.<br />

UK DISTRIBUTOR<br />

(for books not co-published with The British Library)<br />

Scott Brinded Antiquarian <strong>Books</strong><br />

17 Greenbanks, Lyminge,<br />

Kent CT18 8HG<br />

United Kingdom<br />

Phone: +44 01303 862258<br />

Fax: +44 01303 862660<br />

Payment with Visa, MasterCard and checks in English pounds<br />

are accepted. Will add £3.50 on all orders weighing up to 10<br />

kg. Will add £6.00 on orders weighing up to 30 kg.<br />

ALSO IN THE UK<br />

(for books co-published with The British Library)<br />

The British Library <strong>Books</strong>hop<br />

96 Euston Road<br />

London NW1 2DB<br />

United Kingdom<br />

Phone: +44 (020) 7412 7735<br />

Fax: +44 (020) 7412 7172<br />

Email: bl-bookshop@bl.uk<br />

Web: www.bl.uk/bookshop<br />

AUSTRALIAN DISTRIBUTOR<br />

Kay Craddock, Antiquarian <strong>Books</strong>eller<br />

The Assembly Hall Building<br />

156 Collins Street<br />

Melbourne, Victoria 3000<br />

Australia<br />

Phone:+61 3 9654 8506<br />

Fax: +61 3 9654 7351<br />

Email: books@kaycraddock.com<br />

Web: www.kaycraddock.com<br />

Payment with American Express, Diners, Bankcard,<br />

MasterCard and Visa. Checks also accepted. A full postal<br />

service is available. Packing, postage and insurance charges are<br />

Payment with Access, MasterCard, Eurocard, Visa and<br />

American Express; and checks payable to The British Library<br />

<strong>Books</strong>hop. Postage and packaging is £3.00 for one book and<br />

an additional £0.75 for each book after that.<br />

extra. Prices are available upon request.<br />

800-996-2556 www.oakknoll.com oakknoll@oakknoll.com


<strong>Oak</strong> <strong>Knoll</strong> <strong>Press</strong> 3<br />

THe History of the library in<br />

Western civilization, volume IV<br />

From Cassiodorus to Furnival<br />

by Konstantinos Sp. Staikos<br />

This fourth volume unfolds the events that influenced the tradition<br />

of libraries in the West beginning when Christianity was imposed as the<br />

official religion of the Empire.<br />

The first chapter includes the realignment of populations of the<br />

North, the formation of new kingdoms, and the emergence of new<br />

intellectual centres in relation to books. Chapter two presents the practices<br />

of authorship and publication, the reproduction of books, and<br />

their availability movement according to St. Jerome.<br />

The third chapter is devoted to the British Isles: their conversion to<br />

Christianity and the nature of the education cultivated in the monastic<br />

centres of the period. The fourth chapter deals with the Carolingian<br />

era, Charlemagne’s contribution to upgrading schooling, the foundation<br />

of a considerable number of monastic centres based on books, and<br />

the chronicle of the founding of Charlemagne’s personal library.<br />

Chapter five assesses the influence exerted by the Carolingian period<br />

in the diffusion of knowledge and books in general and the birth of<br />

the university in all the European countries is the subject of the sixth chapter. Interests of eminent men of letters are outlined<br />

in chapter seven, in the matter of books and the genesis of the French royal library, with a chronicle of the papal library at<br />

Avignon and at Hereford Cathedral.<br />

Finally, chapter eight is an overview of the installation of the library as architecture. The diverse bookstands serving as<br />

diminutive ‘libraries’ are described, up to the time when chambers were set aside to function as libraries.<br />

2010, hardcover, dust jacket, 8.5 x 11.5 inches, 500 pages<br />

ISBN 9781584561811, Order No. 76544, $75.00<br />

Available in Europe from HES & DE GRAAF<br />

Deluxe Edition with leather publisher’s slipcase<br />

ISBN 9781584561835, Order No. 76545, $275.00<br />

The Complete History of the Library Series<br />

Volume I: From Minos to<br />

Cleopatra<br />

2004, hardcover, 8.5 x 11.5 inches, 374 pages<br />

ISBN 9781584561149, Order No. 74805, $75.00<br />

Deluxe full-leather edition:<br />

ISBN 9781584561507, Order No. 75831, $275.00<br />

Volume IV: The Medieval<br />

World in the West From<br />

Cassiodorus to Furnival<br />

2009, hardcover, 8.5 x 11.5 inches, 400 pages<br />

ISBN 9781584561811, Order No. 76544, $75.00<br />

Deluxe full-leather edition:<br />

ISBN 9781584561835, Order No. 76545, $275.00<br />

Volume II: The Roman World<br />

From Cicero to Hadrian<br />

2005, hardcover, 8.5 x 11.5 inches, 364 pages<br />

ISBN 9781584561484, Order No. 76540, $75.00<br />

Deluxe full-leather edition:<br />

ISBN 9781584561514, Order No. 76541, $275.00<br />

Volume V: The Renaissance<br />

From Petrarch to<br />

Michelangelo<br />

Est. 2011, hardcover, 8.5 x 11.5 inches, 400 pages<br />

ISBN 9781584561828, Order No. 76546, $75.00<br />

Deluxe full-leather edition:<br />

ISBN 9781584561842, Order No. 76547, $275.00<br />

Volume III: The Byzantine<br />

World From Constantine The<br />

Great to Cardinal Bessarion<br />

2007, hardcover, 8.5 x 11.5 inches, 608 pages<br />

ISBN 9781584561491, Order No. 76542, $75.00<br />

Deluxe full-leather edition:<br />

ISBN 9781584561521, Order No. 76543, $275.00<br />

Volume VI: Index and<br />

Bibliography<br />

Est. 2012, hardcover, 8.5 x 11.5 inches, 125 pages<br />

ISBN 9781584561859, Order No. 90190, $45.00<br />

Deluxe full-leather edition:<br />

ISBN 9781584561866, Order No. 90191, $275.00<br />

800-996-2556 www.oakknoll.com oakknoll@oakknoll.com


4 <strong>Oak</strong> <strong>Knoll</strong> <strong>Press</strong><br />

Greek Library<br />

The Konstantinos Sp. Staikos Book Collection<br />

henceforth The Alexander S. Onassis Public<br />

Benefit Foundation Library<br />

by Konstantinos Sp. Staikos<br />

The Konstantinos Staikos Book Collection is a bibliography of the works<br />

of Konstantinos Sp. Staikos located in the Library of the Alexander S.<br />

Onassis Public Benefit Foundation. This collection represents the entire<br />

spectrum of the intellectual pursuits of the Greeks of the Diaspora,<br />

extending over a period from the Early Renaissance until the late years<br />

of Neo-Hellenic Enlightenment. The books in this collection not only<br />

enhance Greek printing and publishing activities, but they demonstrate<br />

the participation of Greeks in international politics and religious matters<br />

in the courts of empires such as Russia and Austria.<br />

The collection includes more than 1,200 titles divided into five sections.<br />

The first section, Renaissance-Humanism, discusses first editions<br />

of Greek literature, grammaires, and Lexikons. The other sections examine<br />

Neo-Hellenic literature, liturgies, theology, and the Neo-Hellenic<br />

Enlightenment. Among these<br />

sections, poetry, novels, mythistories,<br />

gospels, psalters, the Old<br />

and New Testament, Works of the Greek Fathers, Dogmatic works, translations of<br />

European literature, and specimens of Greek typography in many places are examined.<br />

The total number of Greek titles, classified in the Hellenic Bibliography, representing<br />

publications in Latin or other European languages dealing with the works and<br />

days of the Greeks, amounts to 7,000.<br />

For each listed book, full bibliographical notes, the identity according to the<br />

standard bibliographies, provenance, comments, notes, and descriptions by the writer<br />

are provided.<br />

There are over<br />

700 printers’<br />

marks listed,<br />

as well as many<br />

title pages and<br />

portraits of<br />

writers, publishers,<br />

and editors. A general introduction, introductions<br />

for each section, a general index, and an index of<br />

printers are also included.<br />

2011, hardcover, dust jacket, 9 x 12.25 inches, 600 pages<br />

ISBN 9781584562887, Order No. 104816, $195.00<br />

Available January 2011<br />

800-996-2556 www.oakknoll.com oakknoll@oakknoll.com


<strong>Oak</strong> <strong>Knoll</strong> <strong>Press</strong> 5<br />

I classici Che hanno fatto l’Italia<br />

The Classics That Have Made Italy<br />

by Fabrizio Govi<br />

Each work explained in the<br />

book calls special attention to editorial<br />

strategies such as format, font,<br />

illustrations, dedications, etc. The<br />

book is not just a list of prominent<br />

texts defining Italian history or a<br />

history of the Italian book from a typographic standpoint, but also a chronological overview<br />

of known printed texts.<br />

I Classici Che Hanno Fatto L’talia (or The Classics That Have Made Italy) offers<br />

itself as a counterpart to the great work Printing and the Mind of Man, illustrating<br />

the history of the Italian culture through a selection of works by Italian<br />

authors (by birth or adoption) from the thirteenth-century to the present.<br />

The publishing history of a text, whether a masterpiece, or the work<br />

of a pioneering era, can be broken into two parts: information on receiving<br />

and dissemination of works such as print runs, reprints, counterfeits, privileges,<br />

and trade agreements; and the<br />

mutual relationship between the<br />

press and the readers, showing how<br />

the printed book has influenced the<br />

way man reads and writes.<br />

The Classics That Have Made Italy<br />

provides the edition, background<br />

information, references, historical<br />

and cultural significance of<br />

each work, brief biography of the author, and an index. An essay by John<br />

Ragone examining the transformation of Italy from the fifteenth century<br />

is included. The book is written in Italian and accompanied by an English<br />

translation of the introduction.<br />

Fabrizio Govi, who graduated from Bologna in 1997 with a degree in<br />

literature, is an antiquarian bookseller in Modena. John Ragone teaches<br />

at the University of Rome La Sapienza and has contributed to a number<br />

of books, including Publishing in Italy, and Umberto Pregliasco works at an<br />

antiquarian bookshop in Turin and is the author of several articles on the<br />

protection of antique books.<br />

2010, hardcover, dust jacket, 8.25 x 11.25 inches, 415 pages<br />

ISBN 9788896656143, Order No. 104769, $95.00<br />

Distributed for Giorgio Regnani Editore<br />

800-996-2556 www.oakknoll.com oakknoll@oakknoll.com


6 <strong>Oak</strong> <strong>Knoll</strong> <strong>Press</strong><br />

The Complete Illustrative Work of<br />

Thomas Bewick<br />

by Nigel Tattersfield<br />

Thomas Bewick can be called one of the best English enthusiasts of<br />

wood engraving. Born in 1753, he grew up on a small farm, where his chores<br />

came second to his interest in the countryside, fishing, and watching birds<br />

and animals. These early passions set the stage for his future endeavors.<br />

His early work of cutting soft wood for woodcuts eventually turned into<br />

fine detailed designs into hard wood. Beginning in the late 1700s onwards,<br />

Thomas illustrated many children’s books with one of his most famous<br />

books, The History of British Birds. The book contained bird engravings and<br />

wood cuts and was an immediate success. Other major publications that<br />

helped solidify Bewick’s success include The Chillingham Bull, Waiting for Death,<br />

A General History of Quadrupeds, and The Fables of Aesop and Others.<br />

Bewick’s celebrated histories of quadrupeds and birds of 1790, 1797,<br />

and 1804 have obscured the immense number of other books of all denominations<br />

illustrated in his modest workshop. From its inception in 1765 until<br />

its demise in 1849, the workshop provided illustrations to books, pamphlets,<br />

periodicals, and newspapers. The range of illustrations encompassed<br />

natural histories, children’s storybooks,<br />

cookery books, religious tracts, spelling<br />

books, mathematical treatises, Bibles, agricultural manuals, local town and county<br />

histories, joke books, and even a book of sermons.<br />

Generously illustrated and arranged alphabetically, this book details some 750 titles,<br />

over 450 of which are unrecorded in earlier bibliographies. In addition it provides sections<br />

on newspaper mastheads, book cover designs, copy-book covers, maps, and large<br />

single prints. Whether appealing to the Bewick aficionado, book historian, art historian,<br />

provincial printing enthusiast, or admirer of engraving on wood or copper, this will be an<br />

indispensable work.<br />

Nigel Tattersfield is the author of<br />

Bookplates by Beilby and Bewick, published<br />

by <strong>Oak</strong> <strong>Knoll</strong> <strong>Press</strong> and The British<br />

Library and John Bewick: Engraver on<br />

Wood, published by <strong>Oak</strong> <strong>Knoll</strong> <strong>Press</strong>.<br />

2010, hardcover, 7.5 x 11.75 inches, 3 volumes, 1564 pages<br />

ISBN 9781584562733, Order No. 102274, $265.00<br />

Available outside North and South America from The British Library<br />

Available December 2010<br />

800-996-2556 www.oakknoll.com oakknoll@oakknoll.com


Dermot McGuinne gained<br />

his primary degree and early experience<br />

as a graphic designer in<br />

the United States where he later<br />

held the position of Art Director<br />

at the University of Iowa <strong>Press</strong><br />

before returning to Ireland. He<br />

was awarded his doctorate from<br />

Trinity College Dublin for work<br />

completed on the subject of the<br />

“Irish Character in Print” and is the<br />

author of various articles on the<br />

topic. He has been the head of the departments of Visual Communication<br />

and of Fine Arts at the Dublin Institute of Technology.<br />

2010, hardcover, dust jacket, 7.5 x 9.5 inches, 236 pages<br />

ISBN 9780954379957, Order No. 104562, $55.00<br />

paperback: ISBN 9780954379964, Order No. 104563, $35.00<br />

Available outside North and South America from the National Print Museum, Dublin<br />

<strong>Oak</strong> <strong>Knoll</strong> <strong>Press</strong> 7<br />

Irish type design<br />

A History of Printing Types in the Irish Character<br />

by Dermot McGuinne<br />

The designing of special type for printing Irish language texts<br />

began in the late sixteenth century and lasted into our own day,<br />

attracting the attention of many leading political and religious figures—Elizabeth<br />

I; Irish Franciscans in exile on the Continent; and<br />

at one point even Napoleon I— as well as scholars such as John<br />

O’Donovan, Eugene Curry, George Petri and John Henry Newman.<br />

More recently, internationally renowned designers Stanley Morison,<br />

Victor Hammer, and Eric Gill have made significant contributions<br />

to Irish type design.<br />

Irish typography came after the demise of the late Graceo-<br />

Roman uncials and semi-uncials, preceded by late Gothic, Roman,<br />

Italic, and Greek types. It was considered a ‘sacred’ script for the purpose<br />

of studying Scripture.<br />

Dermot McGuinne’s book is the most comprehensive published<br />

on this subject and has become a standard work of reference.<br />

It contains more than 150 illustrations of Irish types spanning over four<br />

centuries. McGuinne covers Irish types including Queen Elizabeth’s<br />

Irish type, the Rome Irish type, the Paris and Parker types, and others.<br />

Throughout eleven chapters, McGuinne provides a comprehensive account of every<br />

Irish font in its cultural, religious, and political context. This expanded second edition<br />

also includes a new foreword by Hendrik D.L. Vervliet and a new chapter on Louvain<br />

Irish type.<br />

800-996-2556 www.oakknoll.com oakknoll@oakknoll.com


8 <strong>Oak</strong> <strong>Knoll</strong> <strong>Press</strong><br />

JOhn Rodker’s ovid <strong>Press</strong><br />

A Bibliographical History<br />

by Gerald W. Cloud<br />

This book is primarily a bibliographical study of all the known works<br />

printed and published by John Rodker (1894–1955) at the Ovid <strong>Press</strong>,<br />

London, 1919–1922, and the associated projects connected to his second<br />

imprint, the Casanova Society. The Ovid <strong>Press</strong>’s output was not prolific—17<br />

known items were produced—but the nature of the works and the<br />

context in which they were created reveals a great deal about both Rodker<br />

and several central figures of modernist literature and art, including T.S.<br />

Eliot, Henri Gaudier-Brzeska, James Joyce, Wyndham Lewis, Ezra Pound,<br />

and Edward Wadsworth.<br />

The book’s introduction includes a biographical account of Rodker’s<br />

life, focusing especially on his early life and his printing activities at the<br />

Ovid <strong>Press</strong>, which he operated with some participation from his then<br />

wife, the British novelist Mary Butts (1890–1937). Relying heavily on<br />

correspondence and other archival sources, such as Rodker’s personal and<br />

professional papers and his diary, the introduction documents the production<br />

of many of the Ovid <strong>Press</strong> titles and Rodker’s interaction with his<br />

authors.<br />

The descriptive bibliography, which follows the introductory matter,<br />

includes full collations, detailed, copy-specific notes on each item, institutional locations for Ovid <strong>Press</strong> publications, and<br />

attempts to reconcile the discrepancies between Rodker’s colophon statements and the books he actually printed—based on<br />

careful analysis of extant copies of Ovid <strong>Press</strong> titles. The book accounts for a number<br />

of unrecorded bibliographical details in these works and clarifies Rodker’s role<br />

in the production of Ezra Pound’s “Bel<br />

Esprit” and the errata sheets for Joyce’s<br />

Ulysses (Egoist <strong>Press</strong>/John Rodker, 1922).<br />

Gerald W. Cloud is Curator for<br />

Literature in Columbia University’s Rare<br />

Book & Manuscript Library and Lecturer<br />

in English and Comparative Literature at<br />

Columbia where he teaches Bibliography<br />

and the History of the Book. He earned<br />

his Ph.D. at the University of Delaware<br />

(2005) and has served as a lab instructor<br />

for “Introduction to the Principles of<br />

Bibliographical Description” at Rare Book<br />

School, University of Virginia since 2004.<br />

2010, hardcover, dust jacket, 7 x 10 inches, 152 pages<br />

ISBN 9781584562863, Order No. 104083, $55.00<br />

Available October 2010<br />

800-996-2556 www.oakknoll.com oakknoll@oakknoll.com


<strong>Oak</strong> <strong>Knoll</strong> <strong>Press</strong> 9<br />

The kelmscott chaucer<br />

A Census<br />

by William S. Peterson and Sylvia Holton Peterson<br />

When William Morris founded the Kelmscott <strong>Press</strong>, his celebrated<br />

private press, in 1891, one of the books he intended to print<br />

was an edition of the writings of Geoffrey Chaucer. Because of<br />

its size and complexity, The Works of Geoffrey Chaucer did not emerge<br />

from the press until June 1896, shortly before Morris’s death. Even<br />

at the time of publication, there was almost universal recognition<br />

that it was the most ambitious and remarkable book produced in<br />

the nineteenth century. Morris himself designed the type, initials,<br />

and borders. His old friend Sir<br />

Edward Burne-Jones created the<br />

eighty-seven wood-engraved illustrations,<br />

and the book was printed<br />

on a hand-press with ink, paper,<br />

and vellum made to Morris’ exact<br />

specifications.<br />

According to Sydney<br />

Cockerell, the second Secretary<br />

of the Kelmscott <strong>Press</strong>, Morris<br />

printed 425 copies of the Chaucer book on paper and thirteen on vellum. This Census<br />

locates and describes as many of those books (which are now scattered all over the world) as<br />

possible and reconstructs their complicated history of ownership, supplying a narrative of<br />

the fortunes of each known copy that came off the press in 1896. New information about<br />

unlocated copies, copies that have been sold by book dealers and auction houses, and the<br />

binders who have subsequently rebound many of the copies is also included. Three substantial appendices record the copies<br />

sold by Bernard Quaritch (the London bookseller most closely<br />

associated with the production of the Chaucer), the mailing list<br />

of the Kelmscott <strong>Press</strong>, and other unpublished contemporary<br />

documents.<br />

2011, hardcover, dust jacket, 8.5 x 11 inches, 300 pages<br />

ISBN 9781584562894, Order No. 103887, $95.00<br />

Available January 2011<br />

William S. Peterson (Professor of English Emeritus,<br />

University of Maryland) has written extensively about the<br />

Kelmscott <strong>Press</strong> and other aspects of fine printing in Britain<br />

and America. He is currently the editor of Printing History, the<br />

journal of the American Printing History Association. Sylvia<br />

Holton Peterson (Professor of English Emeritus, University<br />

of the District of Columbia) is a medievalist and the co-author<br />

(with Jackson Campbell Boswell) of Chaucer’s Fame in England: STC<br />

Chauceriana, 1475–1540 (2004).<br />

800-996-2556 www.oakknoll.com oakknoll@oakknoll.com


10 <strong>Oak</strong> <strong>Knoll</strong> <strong>Press</strong><br />

John fuller and the sycamore press<br />

A Bibliographic History<br />

by Ryan Roberts<br />

Set up in 1968, John Fuller’s Sycamore <strong>Press</strong> published some of the most<br />

influential and critically acclaimed writers of the past half-century. Operating<br />

from a garage, the press published established authors such as W. H. Auden,<br />

Philip Larkin, and Peter Porter, as well as promoting young poets including<br />

James Fenton and Alan Hollinghurst. The Sycamore <strong>Press</strong> ceased operations<br />

in 1992, but remains an excellent example of the unique qualities associated<br />

with the small press movement in England.<br />

In addition to a full descriptive bibliography, the book includes an evocative<br />

foreword by John Fuller, who wryly describes the trials and tribulations<br />

of ‘garage’ publishing. In<br />

a transcribed interview<br />

with the author, Fuller<br />

explains why a pamphlet<br />

of poems took almost<br />

a year to produce as he<br />

experimented with letterpress<br />

technology.<br />

Personal reflections by<br />

Sycamore <strong>Press</strong> authors such as Andrew Motion and Thom Gunn illuminate<br />

the publishing process further and show what a powerful role John<br />

Fuller played in the lives of young poets lucky enough to be published by<br />

him. While this book is full of entertaining anecdotes about the hazards<br />

of small book publishing,<br />

it also provides invaluable<br />

advice for small press<br />

printers.<br />

Ryan Roberts is a<br />

Professor and Librarian at<br />

Lincoln Land Community<br />

College in Springfield,<br />

Illinois. He also maintains<br />

the official websites for Ian<br />

McEwan, Julian Barnes,<br />

Hermione Lee, and James<br />

Fenton. He is co-editor of a volume of interviews with Julian Barnes and editor<br />

of a volume of interviews with Ian McEwan for the University <strong>Press</strong> of<br />

Mississippi’s Literary Conversations Series.<br />

2010, hardcover, dust jacket, 6 x 9 inches, 160 pages<br />

ISBN 9781584562818, Order No. 104085, $49.95<br />

Available outside North and South America from The Bodleian Library<br />

800-996-2556 www.oakknoll.com oakknoll@oakknoll.com


<strong>Oak</strong> <strong>Knoll</strong> <strong>Press</strong> 11<br />

Tom Stoppard<br />

A Bibliographical History<br />

by William Baker and Gerald N. Wachs<br />

Tom Stoppard, whose writing career spans over half a century, is one<br />

of the most prolific of living British authors. This bibliographical history<br />

provides a comprehensive account of the print-published writings,<br />

and texts in other media, which he has wholly or partially authored. It<br />

will be an indispensable resource for all who have a scholarly interest in<br />

modern British literature, drama and cinematic scripts.<br />

As a creator of texts<br />

in dramatic form for live<br />

theatre, radio, television or<br />

cinema, Stoppard has won<br />

Tony awards and Oscars.<br />

He has composed short<br />

stories, a novel, and a large<br />

number of non-fictional<br />

prose writings, such as essays,<br />

articles, published speeches<br />

and letters to periodicals.<br />

This bibliography records<br />

for the first time his innumerable articles including investigative journalism, and<br />

film and theatre reviews penned as a young working journalist. Also included are<br />

interviews—recorded in print or other media—and interview-based articles. The<br />

bibliography documents other texts generated from Stoppard’s interests in literary<br />

projects, human<br />

rights, and<br />

other causes<br />

as a champion<br />

of freedom of<br />

expression, with<br />

forewords to books, short notes, jointly authored letters,<br />

signatures to petitions, declarations and other material.<br />

A Bibliographic History provides a guide to Tom Stoppard’s<br />

obsessive creative revisions and also documents the countless<br />

translations of his work.<br />

William Baker is a Board of Trustees Professor and<br />

Distinguished Research Professor at Northern Illinois<br />

University. His interest in bibliography and librarianship<br />

resulted in his gaining the MLS degree from the University<br />

of Loughborough. He is the recipient of fellowships from the Bibliographical Society of America, the American Philosophical<br />

Society and the National Endowment for the Humanities. Gerald N. Wachs, MD, is an eminent New York based dermatologist<br />

and book-collector with a unique Stoppard Collection upon which this bibliographical history is based.<br />

2010, hardcover, 7 x 10 inches, 496 pages , plus CD-ROM with images<br />

ISBN 9781584562856, Order No. 104817, $79.95 Available December 2010<br />

Available outside North and South America from The British Library<br />

800-996-2556 www.oakknoll.com oakknoll@oakknoll.com


12 <strong>Oak</strong> <strong>Knoll</strong> <strong>Press</strong><br />

The iliad and odyssey<br />

As translated by Alexander Pope<br />

by Homer<br />

An original twopart<br />

introduction by the esteemed Pope scholar Steven Shankman reflects on<br />

and investigates Pope’s majestic poems through a scholarly lens focused on the<br />

timeless Homeric themes of war and peace. Professor Shankman also elaborates<br />

on “How To Read Homer,” an aid to understanding the philosophical and historical<br />

context of the Homeric epics.<br />

Acclaimed by Samuel Johnson as “a performance which no age or<br />

nation could hope to equal,” Alexander Pope’s translation of the Iliad<br />

and Odyssey stands as one of the glories of English Literature.<br />

The Chester River <strong>Press</strong> edition of the Iliad and Odyssey of<br />

Homer is designed and printed to reflect the epic proportions of this<br />

famous translation and offers both the Greek and English translations<br />

for the general reader and scholar alike. More than 50 color<br />

drawings in Greek<br />

vase styles by Avery<br />

Lawrence were commissioned<br />

by the<br />

<strong>Press</strong>. Every drawing<br />

portrays a specific<br />

scene from each of the<br />

48 books making up<br />

the Iliad and Odyssey,<br />

with smaller medallions<br />

adorning pages<br />

throughout.<br />

The Iliad and Odyssey are presented as a companion, slipcased set and bound in black<br />

Dutch cloth with dust jackets.<br />

2009, hardcover, dust jacket, 12.5 x 14.5 inches, 2 volumes, 984 pages<br />

ISBN 9780982340325, Order No. 104249, $350.00<br />

Distributed for the Chester River <strong>Press</strong><br />

800-996-2556 www.oakknoll.com oakknoll@oakknoll.com


Distributed for AdVenture Publishing, Athens<br />

<strong>Oak</strong> <strong>Knoll</strong> <strong>Press</strong> 13<br />

A catalogue of printed maps of greece, 1477–1800<br />

by Christos G. Zacharakis<br />

In its third edition, this catalogue covers a period of more than 300 years of printed<br />

European cartography concerning Greece. With nearly 4,000 maps listed alphabetically by<br />

the makers’ names and 500 black-and-white illustrations, this is the most inclusive cartographic<br />

bibliography produced about Greece from 1477 to 1800.<br />

Maps are listed in alphabetical order under the name of the particular cartographer,<br />

publisher, and engraver. Variant maps also show some of the inaccuracies of the time<br />

including the Ptolemaic style of cartography for Greece.<br />

2009, hardcover, dust jacket, 9.75 x 13.25 inches, 358 pages<br />

ISBN 9789608779242, Order No. 104502, $215.00<br />

All three titles available in Greece & the UK from AdVenture Publishing<br />

Antonio Millo Isolario<br />

by Agamemnon Tselikas<br />

Millo’s earliest dated Isolario (a manuscript description of an island and its corresponding<br />

maps) comes from the collection of Sylvia Ioannous that was devoted to the<br />

history of her homeland, Cyprus. The Isolario was chosen specifically from the collection<br />

to portray the intellect, experience, and magic of the Eastern Mediterranean. This book,<br />

translated into both Greek and English, details over 200 maps, each containing specific<br />

information about an island and its reefs, sandbanks, ports, and cities. Also included are its<br />

perimeters, the depth of waters, anchorage, locations of drinking water, and the distances<br />

and routes from one place to another. Longitudes and latitudes, as well as the voyage from<br />

Tripopli of Syria to the city of Venice are examined. Each passage explains in great detail<br />

the nautical terms of the time that may no longer be used or are unfamiliar to the reader.<br />

2006, hardcover, dust jacket, 8.5 x 11.25 inches, 352 pages<br />

ISBN 9789608779228, Order No. 104500, $115.00<br />

sweet land of cyprus<br />

The European Cartography of Cyprus (15th to 19th Century)<br />

by Sylvia Ioannou<br />

This book contains five units comprising the whole of the Sylvia Ioannous collection<br />

of maps about her homeland, Cyprus. The first three units encompass Frankish and<br />

Venetian rule. Maps and rare loose sheets illustrate the Frankish walls of Nicosia, the philosophical<br />

concept of the world as depicted by the cosmographers, and pages of atlases that<br />

made their first appearance while Cyprus was enslaved by the Ottoman Empire. The fourth<br />

unit, containing nautical charts, also has the “jewel” of the collection—the manuscript isolario<br />

of Antonio Millo. The whole set is completed by the fifth unit, combining the cartography<br />

of the Age of Enlightenment with the scientific compilation of nautical charts.<br />

2003, paperback, 9.75 x 12.5 inches, 240 pages<br />

ISBN 9608779219, Order No. 104503, $75.00<br />

800-996-2556 www.oakknoll.com oakknoll@oakknoll.com


14 <strong>Oak</strong> <strong>Knoll</strong> <strong>Press</strong><br />

Distributed for hes & de graaf Publishers<br />

HES & DE GRAAF publishes scholarly works on books, the history and production of books, and any topic<br />

related to manuscripts or the printed book, as well as a wide variety of subjects including fine arts, cartography, travel<br />

and navigation, and history of sciences. They also have rare reprints and classics on many well-known works.<br />

The two 15th ILAB Breslauer Prize for Bibliography Winners<br />

Catalogue of books<br />

printed in the xvth<br />

century now in the<br />

British library<br />

BMC, Part XI England<br />

by Lotte Hellinga<br />

The eleventh volume in the series<br />

covers England and responds to the<br />

special circumstances of early printing<br />

in England, giving particular attention<br />

to textual transmission by systematically<br />

following each text from source or copy<br />

to print whenever possible. This work includes descriptions of 323 copies<br />

of books, representing 221 editions of items printed in England,<br />

out of a total of 395 known to date, extensive introductions, and 52<br />

full-size plates accompanying the descriptions of printing types. With<br />

four full-color and numerous black-and-white illustrations of type and<br />

watermarks.<br />

2007, hardcover, 11.25 x 15.25 inches, 518 pages<br />

ISBN 9789061943792, Order No. 103198, $1,985.00<br />

covens & mortier<br />

A Map Publishing House in<br />

Amsterdam 1685–1866<br />

by Marco van Egmond<br />

This work is an extensive carto-bibliography<br />

with maps published by Covens<br />

& Mortier with 500 full-color images. It<br />

includes a genealogy of Covens & Mortier,<br />

estate inventories, catalogues of maps and<br />

copperplates, and references to Covens &<br />

Mortier in contemporary periodicals and<br />

booksellers’ books.<br />

2009, hardcover, dust jacket, 9.5 x 12.5 inches, 600 pages plus CD-ROM<br />

ISBN 9789061942207 , Order No. 103234, $240.00<br />

Dutch decorated<br />

bookbinding in<br />

the eighteenth<br />

century<br />

by Jan Storm van Leeuwen<br />

This classic ranks among<br />

the standard works on the<br />

subject of bookbinding. Vol. I:<br />

General historical introduction;<br />

Noord Holland; Vol. IIa: Zuid<br />

Holland; Vol. IIb: Zeeland, Province of Utrecht, Friesland, Province of<br />

Groningen, Drente, Overijssel, Gelderland, Noord-Brabant and Limburg;<br />

Place unknown or irrelevant and Bindings in exceptional materials;<br />

Vol. III: Catalogue of bindings in the Koninklijke Bibliotheek and the<br />

Museum Meermanno-Westreenianum; List of Bindings in other collections;<br />

Overview of Rubbings important for identification; Diagrams;<br />

<strong>Books</strong> referred to with abbreviated titles; Index to the text; Index to<br />

Catalogue and List. About 10,000 rubbings of tools and ornaments,<br />

black and white illustrations, and a color section in each volume.<br />

2006, hardcover, dust jacket, 8.25 x 11 inches, 4 volumes, 4000 pages<br />

ISBN 9789061943693, Order No. 103679, $2,375.00<br />

Sailing for the east<br />

History and Catalogue of<br />

Manuscript Charts of the Dutch<br />

East India Company (VOC) on<br />

Vellum 1602–1799<br />

by Gunter Schilder and Hans Kok<br />

This book presents a never-before<br />

published overview of chart material used<br />

on a VOC (Dutch East India Company)<br />

ship. All navigation charts of the VOC in<br />

the seventeenth and eighteenth centuries<br />

are drawn on vellum, and described and<br />

analyzed in this illustrated carto-bibliography.<br />

2010, hardcover, dust jacket, 9.5 x 12.5 inches, 750 pages<br />

ISBN 9789061942603 , Order No. 104493, $250.00<br />

Printing the Classical<br />

Text<br />

by Howard Jones<br />

2004, hardcover, 6.25 x 9.75 inches, 238 pages<br />

ISBN 9789061942795, Order No. 103669, $200.00<br />

All available outside North America from HES & DE GRAAF Publishers<br />

Technique & Design in the<br />

History of printing<br />

by Frans A. Janssen<br />

2004, hardcover, dust jacket, 7 x 9.75 inches, 380 pages<br />

ISBN 9789061942894, Order No. 103672, $220.00<br />

Globi Neerlandici<br />

The Production of Globes in the Low<br />

Countries<br />

by P. van der Krogt<br />

800-996-2556 www.oakknoll.com oakknoll@oakknoll.com<br />

1993, hardcover, dust jacket, 9.5 x 12.25 in., 648 pages<br />

ISBN 9789061941385, Order No. 103608, $645.00


<strong>Oak</strong> <strong>Knoll</strong> <strong>Press</strong> 15<br />

Distributed for The Center for Book Arts<br />

The Center for Book Arts in New York City is committed to exploring and cultivating contemporary aesthetic<br />

interpretations of the book as an art object while invigorating traditional artistic practices of the art of the book.<br />

The Center seeks to facilitate communication between the book arts community and the larger spheres of contemporary<br />

art and literature. Founded in 1974, it was the first organization of its kind in the nation and has since become a<br />

model for others around the world.<br />

New world suite<br />

number three<br />

by Robert Bringhurst<br />

Edition limited to 75<br />

signed and numbered copies,<br />

including five artist proofs,<br />

with only 25 copies for sale.<br />

A poem for three voices, to<br />

be performed by three people<br />

simultaneously. The display<br />

type was set by hand, and the<br />

text was printed by the Center’s<br />

Master Printer, Barbara Henry at their Jane Mead Timken Printshop in<br />

three separate colors in Monotype Dante, with composition by the Bixler<br />

Foundry in Skaneateles, NY. Mr. Bringhurst created the typographic<br />

design for the book and the text; Hedi Kyle designed the innovative binding<br />

structure.<br />

2005, black cloth with paper label, 17 x 17 inches<br />

four 8.5 x 11 books, three at 28 pages, one at 20 pages<br />

Order No. 103052, $3,500.00<br />

center broadsides<br />

reading series<br />

Limited to an edition of 75.<br />

This boxed set was designed,<br />

printed letterpress, and created<br />

at the Center for Book Arts to<br />

commemorate the reading held<br />

in New York on Friday, March 3,<br />

2006 celebrating the fifth anniversary<br />

of the Center Broadsides<br />

Reading Series. Each of the ten<br />

poems presented is represented by an image in the set. Printed by Delphi<br />

Basilicato. The boxes were produced by Sarah McDermott and Nicole<br />

Trigg under the supervision of Ana Cordeiro.<br />

2006, 5.75 x 7.5 inches<br />

10 loose sheet poems contained in a red, cloth-covered matchbox style container<br />

with cloth covered flaps on inner sliding tray to protect contents<br />

Order No. 103156, $350.00<br />

The Diary of a Madman<br />

by Nicolai Gogol<br />

1998, 7.25 x 11 inches<br />

hardcover with clamshell box, 56 pages<br />

Order No. 103057, $2,000.00<br />

Ticket licket<br />

by Benjamin D. Rinehart<br />

2001, 10.25 x 5.75 inches<br />

portfolio, six woodcut images printed on both sides<br />

Order No. 103059, $1,250.00<br />

istoriato<br />

by Mare Blocker<br />

2001, 11 x 11 inches<br />

case bound concertina<br />

with round-shaped case, printed navy Irish cloth on<br />

book, book covers, and lidded clamshell box<br />

Order No. 103051, $1,250.00<br />

cinnamon bay sonnets<br />

by Andrew Kaufman<br />

1996, softcover, 7 x 9 inches, 30 pages<br />

Order No. 103160, $100.00<br />

center broadsides<br />

2008 Reading Series<br />

2008, 13 x 15 inches<br />

paper letterpress printed with rectangles<br />

in shades of lime green; front<br />

flap opens to form a box shape made<br />

from hunter green book cloth faced<br />

with white paper<br />

Order No. 103158, $500.00<br />

the present<br />

Twelve Poems<br />

by Jane Hirshfield<br />

2007, hardcover, 5 x 7 inches, 32 pages<br />

Order No. 103170, $100.00<br />

Hedi Kyle & Her<br />

influence<br />

1977–1993<br />

1993, hardcover, 9 x 12 in., 8 pages<br />

Order No. 103927, $10.00<br />

Paper, art and the book<br />

1996, paperback, 5 x 7.25 inches, 36 pages<br />

Order No. 103181, $10.00<br />

coptic and collage<br />

Ancient technique, modern application<br />

1997, paperback, 6.5 x 9 inches, 24 pages<br />

Order No. 103174, $10.00<br />

800-996-2556 www.oakknoll.com oakknoll@oakknoll.com


16 <strong>Oak</strong> <strong>Knoll</strong> <strong>Press</strong><br />

The thread that binds<br />

Interviews with Private Practice Bookbinders<br />

by Pamela Train Leutz<br />

All independent bookbinders have a “story”—significant, fascinating and unique—<br />

that reveals their path to bookbinding and sustains them as they continue their craft.<br />

What was it that brought them to bookbinding? Where did they learn the craft? What<br />

made them choose private practice? How do they ensure a living? How hard do they<br />

work? After years of bookbinding, do they still like what they are doing? Where do they<br />

get clients? What advice would they give to someone interested in becoming a bookbinder?<br />

What common threads do these folks share? The Thread That Binds documents<br />

Pamela Leutz’s quest to learn about the lives of representatives of this field. The book is<br />

comprised of 21 interviews with independent bookbinders, with introductions written<br />

by Pamela Leutz, including a special interview with Don Etherington. It includes images<br />

that offer a closer look at these bookbinders’ studios, as well as photographs of the binders<br />

themselves. This is an excellent book for those considering working on their own in<br />

the field of bookbinding or for those simply interested in its history.<br />

2010, 6 x 9 inches, 352 pages<br />

Hardcover, dust jacket: ISBN 9781584562764, Order No. 103924, $55.00<br />

Paperback: ISBN 9781584562740, Order No. 103885, $34.95<br />

Also available as unbound sheets: Order No. 103925, $24.95<br />

“There is a behind-the-scenes aspect to this book that propels the essentially disparate interviews into a compelling whole.”<br />

- Jeffrey S. Peachey, The Bonefolder<br />

Bookbinding and Conservation<br />

A Sixty-Year Odyssey of Art and Craft<br />

by Don Etherington<br />

This new autobiography by renowned bookbinder Don Etherington takes the<br />

reader through his lifelong journey of bookbinding and conservation. Etherington<br />

documents his experiences teaching these trades and traveling throughout Europe and<br />

to the United States. He tells of his generous contribution to the conservation effort in<br />

Florence, Italy, following the great flood that caused incredible damage to thousands of<br />

books. Bookbinding and Conservation is a unique account of the personal and professional<br />

life of this important figure in the world of binding and conservation. The memoirs<br />

contain numerous personal photographs that richly illustrate his story. The autobiography<br />

is followed by a pictorial catalogue of many of Etherington’s fine bindings. This<br />

book is an excellent pick for anyone interested in bookbinding and the lives of major<br />

bookbinders.<br />

2010, hardcover, dust jacket, 8.5 x 11 inches, 180 pages<br />

ISBN 9781584562771, Order No. 102815, $49.95<br />

Also available as unbound sheets: Order No. 104070, $24.95<br />

“Mr. Etherington is a good writer, and the account he tells of his long career is interesting and telling, from his hard but rewarding<br />

apprenticeship to the fine work he presently does.” - Sandy Cohen, Guild of Bookworkers<br />

800-996-2556 www.oakknoll.com oakknoll@oakknoll.com


<strong>Oak</strong> <strong>Knoll</strong> <strong>Press</strong> 17<br />

The Henry Davis Gift<br />

A Collection of Bookbindings<br />

Volume III: A Catalogue of South European Bindings<br />

by Mirjam M. Foot<br />

This much anticipated third and final volume of The Henry Davis Gift focuses on<br />

South and East European fine bindings, with additional sections on Oriental and<br />

American bindings. It includes many new identifications, and owners and binders are<br />

discussed comprehensively. Not only have the decorative features of every binding<br />

been described and illustrated, details of structure have also been described, and consequently,<br />

it is now possible to compare and contrast bookbinders’ practices in the<br />

various countries, as evident from this splendid collection of fine bindings. Although<br />

this volume focuses on Southern Europe, it also includes bindings from the Middle<br />

East, Mexico, and the United States. Two bindings overlooked in Volume II are also<br />

included. As in Volume II, this volume has been arranged according to country, and<br />

then further organized chronologically. In the introduction, Foot explains how her<br />

views and methods have changed and how, as a result, she has altered specific descriptions<br />

and structural elements. The text also contains indices of binders and of owners.<br />

This is an invaluable book for all academic libraries, for antiquarian booksellers,<br />

for collectors, and for all interested in the history of the book.<br />

2010, hardcover, 8.5 x 10.75 inches, 528 pages Volume II: 1983, hardcover, 8.5 x 10.75 inches, 368 pages<br />

ISBN 9781584562726, Order No. 102273, $125.00 ISBN 9780904654738, Order No. 104824, $140.00<br />

Available outside North America from our co-publisher The British Library<br />

2009, paperback, 9 x 9.75 inches, 216 pages<br />

ISBN 9781584562689, Order No. 102152, $59.95<br />

Available outside North and South America from our co-publisher The British Library<br />

Fine Bookbinding<br />

A Technical Guide<br />

by Jen Lindsay<br />

The purpose of this book is to guide the reader through the sequence<br />

of operations involved in creating a book bound in leather, or a “fine binding.”<br />

The author defines a fine binding as a book fully covered in leather, with<br />

leather-jointed endpapers, gilt edges, and leather doublures. Although a basic<br />

knowledge of bookbinding terms and techniques is assumed, this book is<br />

meant for both novice and experienced bookmakers. The book is intended to<br />

be used as an active guide during the process of fine binding. It is arranged into<br />

sixteen sections, in the order of how they are to be undertaken (or a “sequence<br />

of operations”), beginning with preliminary work and ending with preparing<br />

and putting in leather doublures. Each section includes appropriately numbered<br />

instructions so that the user can find his or her place in the sequence of<br />

operations and have a reference for what step is next. There are also numbered<br />

explanatory sections that include a rationale (why you do it) and technique<br />

(how you do it). The work includes close to 300 black-and-white illustrations,<br />

four appendices, and a bibliography.<br />

“An outstanding, detailed, step-by-step manual that ...<br />

has set the bar high for future fine binding manuals.”<br />

- Frank Lehmann, Guild of Bookworkers<br />

800-996-2556 www.oakknoll.com oakknoll@oakknoll.com


18 <strong>Oak</strong> <strong>Knoll</strong> <strong>Press</strong><br />

A Place in my chronicle<br />

A New Edition of the Diary of Christopher Columbus<br />

Baldwin, 1829–1835<br />

edited by Jack Larkin and Caroline Sloat<br />

The text of Baldwin’s diary is a virtual trip back in time, and this edition<br />

with its lively illustrations and helpful identification of the hundreds of<br />

people he meets along the way takes the reader back into Massachusetts in the<br />

years between 1829 and 1835. Numerous illustrations and pictures expand<br />

the descriptions Baldwin gives readers in his entries. Additionally, Larkin and<br />

Sloat use footnotes to explain information, such as dates or places that audiences<br />

may be unfamiliar with. Baldwin’s entries detail a wide variety of subjects<br />

including everyday occurrences in his life as a lawyer and librarian, as well as<br />

the obscure and unusual things that amused him. Also discussed are people<br />

Baldwin met (with an index in the back describing every person in detail) in<br />

addition to his feelings on important subjects such as slavery, religion, politics,<br />

and art, and his passion for books and reading. Baldwin was an inveterate collector<br />

of books and this diary is an account of building a library before librarianship<br />

was established as a profession.<br />

2010, hardcover, dust jacket, 8.5 x 11.5 inches, 322 pages<br />

ISBN 9781929545643, Order No. 104667, $55.00<br />

Distributed for the American Antiquarian Society<br />

Doing Something for Australia<br />

George Robertson and the Early Years of Angus and<br />

Robertson, Publishers, 1888–1900<br />

by Jennifer Alison<br />

From tentative beginnings in 1888, Angus and Robertson soon hit their<br />

stride as publishers with the publication of Banjo Paterson’s verses The Man<br />

from Snowy River. From this foundation, Angus and Robertson went on to publish<br />

books for the Australian community for the better part of the next hundred<br />

years. The powerful force in the early publishing was George Robertson,<br />

who devoted himself to the task and who, with the continuing success of the<br />

firm’s many books, truly believed he was “doing something for Australia.”This<br />

book tells the story of how Angus and Robertson operated as a business to<br />

achieve their success, which in effect tells the story of George Robertson himself.<br />

It highlights the success of Angus and Robertson within Australia and<br />

acknowledges their powerful marketing and advertising methods. Lastly, it<br />

includes a complete list of Angus and Robertson publications between 1888<br />

and 1900, as well as images of the early bookshop and its publications.<br />

2009, hardcover, 6.75 x 9.75 inches, 332 pages<br />

ISBN 9780975150030, Order No. 104149, $49.95<br />

Available in Australia and New Zealand from the Bibliographical Society of Australia and New Zealand<br />

800-996-2556 www.oakknoll.com oakknoll@oakknoll.com


<strong>Oak</strong> <strong>Knoll</strong> <strong>Press</strong> 19<br />

Small <strong>Books</strong> for the common man<br />

A Descriptive Bibliography<br />

edited by John Meriton with the assistance of Carlo Dumontet<br />

The hundred years prior to the mid-nineteenth century saw a flowering of<br />

ephemeral publishing often referred to by the shorthand “chapbooks.” This book is<br />

an analytical bibliography of the National Art Library’s collection of literary ephemera<br />

of the period; that is, histories, tales, verse collections, primers, and alphabets.<br />

Nearly 800 titles are described here in significant bibliographical detail to allow<br />

accurate comparison and verification with editions, variants, and states in other<br />

collections. Examples of illustrations from all the books described are reproduced<br />

here, providing a visual feast and resource. The book will appeal to libraries with<br />

collections containing literary and educational ephemera. It will provide support<br />

for current research into literary studies and work on literacy and language development.<br />

John Meriton is Librarian of the National Art Library and Deputy Keeper<br />

of the Word and Image Department, Victoria and Albert Museum, London. Carlo<br />

Dumontet is the National Art Library’s Special Collections Bibliographer.<br />

2010, hardcover, dust jacket, 7 x 10 inches, 1008 pages<br />

ISBN 9781584562542, Order No. 99759, $115.00<br />

Available outside North and South America from our co-publisher The British Library<br />

Illustrated Periodicals of the 1860s<br />

Contexts & Collaborations<br />

by Simon Cooke<br />

Illustrated Periodicals of the 1860s provides a new and informative approach to the<br />

study of “sixties” periodicals, revealing the previously unstudied area of the complex<br />

interrelationships between the various parties involved in the production of these<br />

magazines: publishers, editors, artists, engravers, and authors. The book considers<br />

the effects of these relationships on creative output, both artistic and literary, and in<br />

doing so provides a detailed, historical reconstruction of the essential character of the<br />

periodicals of that era. The book includes over 120 reproductions of engravings and<br />

preparatory drawings, almost all of them original size. Additionally, the text contains<br />

two appendices; the first includes a reflection of the work that goes into collecting<br />

and researching these periodicals. The second lists the key illustrators, engravers, publishers,<br />

editors, as well as magazines mentioned throughout the text, each including a<br />

brief description. This work is an informative and colorful choice for those interested<br />

in the history of periodicals, the production of magazines, and art.<br />

2010, hardcover, 7.25 x 10.75 inches, 224 pages<br />

ISBN 9781584562757, Order No. 103919, $75.00<br />

Co-published with The Private Libraries Association and The British Library<br />

Available outside North America from The British Library<br />

800-996-2556 www.oakknoll.com oakknoll@oakknoll.com


20 <strong>Oak</strong> <strong>Knoll</strong> <strong>Press</strong><br />

Ernest Hemingway<br />

A Descriptive Bibliography<br />

by Edgar Grissom<br />

Ernest Hemingway: A Descriptive Bibliography is the culmination of all previous<br />

endeavors in Hemingway bibliography. Grissom corrects the work of previous bibliographers,<br />

adding numerous editions and printings to the periods they covered and<br />

addressing the years 1975–2009, which had previously been left untouched. This is<br />

the only Hemingway bibliography to classify edition, printing, issue, and state, and<br />

provide a classical bibliographical description. It is also the only text that provides and<br />

describes every printing of every edition, as well as a comprehensive list of the parent<br />

editions of the primary works. Additionally, the text supplies the locations of the<br />

copies it describes. In addition to a number of useful appendices, Grissom has created<br />

sections with reviews and epigraphs containing material by Hemingway, interviews<br />

with Hemingway, as well as lists of plays, television productions, and films adapted<br />

from Hemingway’s works. The bibliography includes hundreds of illustrations,<br />

including over 50 images of Hemingway’s signature from 1908 to 1960. Appendix<br />

8, which is part of Volume II (on the attached CD-ROM), provides comprehensive<br />

imaging in color of selected items from specific sections, all arranged chronologically.<br />

2010, hardcover, dust jacket, 8.5 x 11 inches<br />

Approx. 600 pages, plus 600 more on CD-ROM<br />

ISBN 9781584562788, Order No. 102275, $225.00<br />

Available November 2010<br />

Rudyard Kipling<br />

A Bibliography<br />

by David Alan Richards<br />

2010, hardcover, dust jacket, 8.5 x 11 inches, 504 pages, plus 446 on CD-ROM<br />

ISBN 9781584562429, Order No. 96675, $195.00<br />

Available in the UK from our co-publisher The British Library<br />

This new bibliography of Rudyard Kipling, the first English-language author<br />

to win the Nobel Prize for Literature, is the first to appear in fifty years and the first<br />

to incorporate modern standards of collation, binding cloth description, publication<br />

dates and prices, and dust jacket description. It fully describes 480 first editions,<br />

authorized and unauthorized, appearing as books, pamphlets, leaflets and broadsides<br />

from 1881 through 2008 in British India, England, the United States, Canada, New<br />

Zealand, South Africa, and Chile. This work also includes 127 titles of books with<br />

contributions from Kipling, 17 titles containing prefaces, introductory letters and<br />

forewords by Kipling, and 123 titles first printing his private letters. Also described<br />

are all important association and presentation copies of Kipling’s earliest works.<br />

Significant innovations in this bibliography include the first complete chronological<br />

list of all of Kipling’s newspaper and periodical appearances and the first examination<br />

of all English and American auction sale catalogues with lots of his editions and<br />

separate listings of unauthorized private editions and private editions as first editions.<br />

Further appendices include a chronology of the author’s life and major works, and<br />

titles of biographical studies of Rudyard and his immediate family.<br />

800-996-2556 www.oakknoll.com oakknoll@oakknoll.com


<strong>Oak</strong> <strong>Knoll</strong> <strong>Press</strong> 21<br />

the last of the great swashbucklers<br />

A Bio-Bibliography of Rafael Sabatini<br />

by Jesse F. Knight and Stephen Darley<br />

A biography and comprehensive bibliography of Rafael Sabatini and his works<br />

is being presented for the first time anywhere. Sabatini is one of the most prolific and<br />

widely read novelists who specialized in making history live again through his fictional<br />

characterizations. He had a unique ability to use history as a background for fiction.<br />

Sabatini was the master of romantic historical novels and has rightly been called<br />

by Jesse Knight, “The Last of the Great Swashbucklers.” Not only did he write interesting<br />

and well-told stories of romance and adventure, but the movies that followed<br />

were just as popular as his books. No author has better captured the imagination of<br />

so many with fiction filled with intrigues, escapes, romantic loves, devilish plots, and<br />

sword play. This new book includes a thirty page biography of the life of Sabatini<br />

written by the late Jesse F. Knight. It also contains a bibliography of the first US and<br />

UK editions (as well as other significant editions) of all forty-seven of his books, prepared<br />

by Stephen Darley. The bibliography also describes the dust jackets, with color<br />

photos of many of them, which are important to collectors and sellers.<br />

2010, hardcover, dust jacket, 6 x 9 inches, 200 pages<br />

ISBN 9781584562795, Order No. 102816, $65.00<br />

Field & Tuer, The Leadenhall <strong>Press</strong><br />

A Checklist, With an Appreciation of Andrew White Tuer<br />

by Matthew McLennan Young<br />

This book is the first comprehensive bibliographic study of the London partnership<br />

of Field & Tuer and their publishing imprint, Leadenhall <strong>Press</strong>. Known today<br />

primarily for old-style facsimile reprints and a few outstanding works such as Tuer’s<br />

own History of the Horn-Book, the Leadenhall <strong>Press</strong> in fact published hundreds of titles<br />

in almost every subject area, from sixpenny pamphlets to vellum-bound limited editions.<br />

The book includes a revealing portrait of Andrew Tuer as a man of energy,<br />

curiosity, and wit: a successful businessman, inventor, advocate for fine printing,<br />

publisher, designer, collector, author, and correspondent. The annotated checklist<br />

describes nearly 450 publications issued by Field & Tuer and the Leadenhall <strong>Press</strong><br />

from 1863 to 1913. Listing details include month and year of publication, publisher’s<br />

job number, listed price, brief description of format and cover design, important<br />

aspects of content and publication, and location of scarce and noteworthy copies.<br />

Appendices cover Andrew Tuer’s writings, ephemera, series titles, and institutional<br />

collections of special interest. A color section and illustrations in the text complete<br />

the story of an important link in the development of printing between the Chiswick<br />

<strong>Press</strong> of Charles Whittingham II and the celebrated publishers of the 1890s.<br />

2010, hardcover, dust jacket, 7 x 10 inches, 176 pages<br />

ISBN 9781584562801, Order No. 103886, $59.95<br />

Available in the UK from The British Library<br />

800-996-2556 www.oakknoll.com oakknoll@oakknoll.com


22 <strong>Oak</strong> <strong>Knoll</strong> <strong>Press</strong><br />

French Renaissance Printing Types<br />

A Conspectus<br />

by Hendrik D.L. Vervliet<br />

This conspectus exhaustively surveys all Roman, Italic, Greek, Hebrew,<br />

and Arabic typefaces made in France during the sixteenth century. Such a survey<br />

will be of interest to historians, bibliographers, and philologists wishing to<br />

identify the types used in the imprints they are investigating, as well as to type<br />

historians or type designers wishing to base their attributions on documentary<br />

evidence. The conspectus consists of introductory chapters on the sources<br />

available, the evolution of sixteenth-century type-casting and letter-engraving,<br />

biographical notices of 17 punchcutters (both famous ones, such as Colines,<br />

Garamont, Granjon, and lesser known ones, such as Vatel, Gryphius, or Du<br />

Boys) and the methodology used. The main part of the book consists of the<br />

facsimiles of 409 typefaces (216 Romans, 88 Italics, 61 Greeks, 41 Hebrews,<br />

2 Arabics, and one phonetic) each with a short identifying notice, describing<br />

their letter family, size, punchcutter (or eponym), their first appearance in<br />

books or type-specimens, the surviving materials such as punches or matrices,<br />

and finally (for about two-thirds of them), the recent literature. Every typeface<br />

has been illustrated, several with multiple examples of their use.<br />

2010, hardcover, 8.5 x 11.5 inches, 472 pages<br />

ISBN 9781584562719, Order No. 103920, $120.00<br />

Co-published with The Bibliographical Society and The Printing Historical Society; available in the UK from The Bibliographical Society<br />

2009, hardcover, dust jacket, 11.75 x 12.75 inches, 204 pages<br />

ISBN 9781584562672, Order No. 102011, $85.00<br />

Distributed for The American Historical Print Collectors Society<br />

interpretive wood-engraving<br />

The Story of the Society of American Wood-Engravers<br />

by William H. Brandt<br />

In the late nineteenth century, wood-engraving was the principle medium<br />

of illustration employed by publishers. From this beginning, print collector<br />

Bill Brandt goes on to recount the story of the Society of American<br />

Wood-Engravers. The lost art of interpretive wood-engraving comes to life<br />

in Brandt’s detailed account. The fifty prints reproduced on these pages,<br />

scanned from Brandt’s extensive collection with most produced at full size,<br />

highlight the astonishing skill and painstaking craftsmanship required of a<br />

wood-engraving artist of the golden age. The author profiles many leading<br />

personalities on the American wood-engraving scene, including Alexander<br />

Anderson,William J. Linton, Anna Botsford Comstock, General Rush C.<br />

Hawkins, Timothy Cole, and Elbridge Kingsley. Brandt tells how the Society<br />

of American Wood-Engravers burned brightly for almost twenty years, and<br />

then faded away in the early days of photoreproductions. Readers, glimpsing<br />

the warm glow of a remarkable era, will take pride in this little-known period<br />

of American art history.<br />

800-996-2556 www.oakknoll.com oakknoll@oakknoll.com


<strong>Oak</strong> <strong>Knoll</strong> <strong>Press</strong> 23<br />

PRINTErs’ & publishers’ marks in books for<br />

the greek world (1494–1821)<br />

by Konstantinos Sp. Staikos<br />

This book contains reproductions of the printers’ and publishers’ marks of all<br />

those—both Greeks and non-Greeks—who printed or published books for Greek<br />

readers from the dawn of typography until just before the outbreak of the Greek<br />

War of Independence in 1821. Also reproduced here are the crests and coats of arms<br />

of the rulers of the Danubian principalities who actively supported the publication<br />

and dissemination of Greek books in the East. Some of the devices are the marks<br />

of well-known printing houses, where Greek scholars and calligraphers were largely<br />

responsible for the accuracy of the texts and the visual appearance of the book, such<br />

as the firms of Aldus Manutius in Venice and Robert Estienne in Paris. The marks are<br />

illustrated and described in all their variant forms, complete with bibliographical references,<br />

identifications, a general index, and an index of printers and printing houses.<br />

They are shown at actual size and presented chronologically. Includes a brief message<br />

to the reader by the author, as well as an extensive and detailed introduction.<br />

2009, hardcover, dust jacket, 8.75 x 12.25 inches, 254 pages<br />

ISBN 9781584562702 , Order No. 102238, $125.00<br />

Available in Europe from our co-publisher HES & DE GRAAF<br />

Printed cookbooks in Europe, 1470–1700<br />

A Bibliography of Early Modern Culinary Literature<br />

by Henry Notaker<br />

This is the first bibliography to list all known editions of printed cookbooks<br />

published in Europe before 1700. More than a hundred titles in at least 650 editions<br />

were printed in fourteen different languages. Some household encyclopedias<br />

with culinary sections have also been included. Many of the editions described have<br />

never before been listed in modern bibliographies. Cookbooks from this period are<br />

no longer only of interest to collectors and antiquarians: food history is taught as an<br />

academic subject in an increasing number of universities. Information provided here<br />

about the locations of known copies, modern reprints, and facsimile editions will<br />

facilitate these studies. The bibliography gives the full title and physical description<br />

of each work. Annotations provide details about contents, biographical data about<br />

authors and publishers, information about the sources of the recipes, translations,<br />

and plagiarisms. A historical introduction analyzes the development of the cookbook<br />

as a genre during the first two centuries of printing, with reference to authorship,<br />

publishing history, didactic methods, culinary processes, and differences in gender.<br />

2010, hardcover, dust jacket, 8.5 x 11 inches, 416 pages<br />

ISBN 9781584562535, Order No. 96680, $125.00<br />

Available in Europe from our co-publisher HES & DE GRAAF<br />

800-996-2556 www.oakknoll.com oakknoll@oakknoll.com


24 <strong>Oak</strong> <strong>Knoll</strong> <strong>Press</strong><br />

line, shade and shadow<br />

The Fabrication and Preservation of Architectural Drawings<br />

by Lois Olcott Price<br />

2010, hardcover, dust jacket, 9 x 11 inches, 432 pages<br />

ISBN 9781584562375, Order No. 96676, $95.00<br />

Co-published with the Winterthur Museum and HES & DE GRAAF; available in Europe from HES & DE GRAAF<br />

Available October 2010<br />

This book explores the materials and techniques used in the fabrication of architectural<br />

drawings while illustrating their evolution from the eighteenth through the<br />

twentieth century. It provides a comprehensive look at both the problems and the<br />

solutions and it is beautifully illustrated with examples from major collections with<br />

extensive source citations. The first three chapters discuss the development of drafting-specific<br />

drawing, detail, and tracing papers and cloths; the changing media and<br />

techniques used in drafting, rendering, and mounting working, detail, and presentation<br />

drawings; the use of drawing instruments and correction and copying methods;<br />

and the introduction, development, and identification of blueprints and other photoreproduction<br />

processes, including the history, chemistry, and working procedure for<br />

each process. The fourth and final chapter includes an introduction to preservation,<br />

collection management, storage, and exhibition specifically for architectural drawings<br />

and photo-reproductions; and descriptions of specific conservation treatments with<br />

an assessment of their appropriateness for different deterioration issues and types of<br />

drawings.<br />

2009, paperback, 8 x 10 inches, 140 pages<br />

ISBN 9781584562160, Order No. 94208, $49.95<br />

Co-published with the New York Botanical Garden<br />

ARCHITECTURAL PHOTOREPRODUCTIONS<br />

A Manual for Identification and Care<br />

by Eléonore Kissel and Erin Vigneau<br />

Second edition, with corrections. This manual is designed for professional conservators,<br />

librarians, private collectors and researchers who want practical, contemporary<br />

insight into preserving architectural plans and drawings. The authors provide<br />

detailed methods for identifying architectural photoreproductions based on visual<br />

examination. The manual discusses twelve distinct processes and offers additional<br />

information on several other methods commonly used in North American architectural<br />

practice from 1860 to approximately 1960. One of the manual’s important<br />

features is the flowchart, an outline using a series of questions leading the reader<br />

to a preliminary identification. Each process is described in a separate chapter with<br />

numerous color illustrations of general and magnified views of select photoreproductions.<br />

Each chapter includes sections on how to identify a print, trade names and<br />

synonyms, the history and use of the printing process, how a print was manufactured,<br />

and degradation and storage considerations. The 54 illustrations, critical for identifying<br />

a document’s state of condition and extent of damage, have been carefully photographed<br />

and checked to ensure correct color representation. Appendices give information<br />

on storage, handling, and exhibition and current methods of reproduction.<br />

800-996-2556 www.oakknoll.com oakknoll@oakknoll.com


<strong>Books</strong> about Book Collecting<br />

<strong>Oak</strong> <strong>Knoll</strong> <strong>Press</strong> 25<br />

THE BALTIMORE<br />

BIBLIOPHILES AT FIFTY<br />

1954–2004<br />

with “Children’s <strong>Books</strong> in<br />

Bygone Baltimore”<br />

An Essay and a Catalogue<br />

by Linda F. Lapides<br />

edited by Donald Farren and<br />

August A. Imholtz, Jr.<br />

With this volume, the Baltimore<br />

Bibliophiles celebrate the 50th anniversary<br />

of their founding, demonstrating<br />

the flourishing of bibliophily<br />

in Baltimore and the vigor of the<br />

organization. Included in the book<br />

are an account and catalogue of early children’s books in Baltimore by<br />

Linda F. Lapides. A separate section presents the organization’s historical<br />

record. This book contains 16 black-and-white photographs of children’s<br />

books in the catalogue, 3 portrait photographs of principal members of<br />

the Baltimore Bibliophiles, and a color frontispiece.<br />

2009, hardcover, 6 x 9 inches, 176 pages<br />

ISBN 9781584562511, Order No. 101279, $55.00<br />

Distributed for the Baltimore Bibliophiles<br />

ABC FOR BOOK COLLECTORS<br />

by John Carter and Nicolas Barker<br />

Revised and re-set, with additional information and an<br />

introduction by Nicolas Barker. Can you define: shaken,<br />

unsophisticated, Harleian style, fingerprint and dentelle? If<br />

not, this is the book for you! John Carter’s classic has long<br />

been the most enjoyable and useful reference book in the<br />

field. 490 alphabetical entries define and analyze the terms<br />

used in book collecting and bibliography. Retains its humorous character as<br />

an indispensable guide, while keeping us up-to-date with current terminology.<br />

2004, hardcover, dust jacket, 5 x 8 inches, 232 pages<br />

ISBN 9781584561125, Order No. 75338, $29.95<br />

The Literature of collecting<br />

& Other Essays<br />

by Richard Wendorf<br />

A ground-breaking investigation of the relationship<br />

between the theoretical and fictional texts devoted to collecting.<br />

Wendorf shows how the critical arguments posed by<br />

Benjamin, Baudrillard, Muensterberger and others play out<br />

in these modern literary texts—and how, in turn, these fictional works complicate<br />

the ways in which we think about what it means to be a collector.<br />

2008, hardcover, dust jacket, 6 x 9 inches, 376 pages<br />

ISBN 9781584562306, Order No. 96668, $49.95<br />

Co-published with the Boston Athenaeum<br />

<strong>Books</strong> as History<br />

The Importance of <strong>Books</strong> Beyond Their Texts<br />

by David Pearson<br />

David Pearson explores the way books have been printed,<br />

bound, annotated, beautified, or defaced. He uses examples<br />

of books from the Middle Ages to the present day to show<br />

why books may be interesting beyond their texts. As the<br />

format of the book becomes history, we can recognize that books are also<br />

history in another significant way. <strong>Books</strong> provide evidence about the way<br />

they were used, making them an indispensable part of our cultural heritage.<br />

Extensively illustrated.<br />

2008, hardcover, dust jacket, 8.75 x 9.5 inches, 208 pages<br />

ISBN 9781584562337, Order No. 96664, $49.95<br />

Available outside North and South America from The British Library<br />

provenance research in book<br />

history<br />

A Handbook<br />

by David Pearson<br />

This handbook offers a compendium of information on<br />

the ways of recognizing and identifying marks of ownership,<br />

and on placing that knowledge in a wider context. Topics<br />

covered include inscriptions; mottos; bookplates; book labels and book<br />

stamps; armorials; sales catalogues; catalogues and lists of private libraries;<br />

provenance indices; heraldry and paleography.<br />

1998, hardcover, dust jacket, 6 x 9 inches, 340 pages<br />

ISBN 9781884718793, Order No. 53851, $49.95<br />

Available in the UK from The British Library<br />

<strong>Books</strong> about Book History<br />

the <strong>Books</strong> of Venice<br />

Il Libro Veneziano<br />

edited by Lisa Pon and<br />

Craig Kallendorf<br />

The <strong>Books</strong> of Venice (Il libro Veneziano)<br />

contains a series of essays (in English<br />

and Italian) exploring Venetian<br />

book history from the Quattrocento<br />

through current production, books<br />

printed “in the shadow of Aldus<br />

Manutius.” Most of the papers from<br />

a conference held in Venice in March<br />

2007 are included here, providing a<br />

survey of the high spots of Venetian<br />

printing from the fifteenth century<br />

through the twenty-first. Case studies focus on outstanding individuals,<br />

and other essays discuss the role of anonymous buyers, readers, and<br />

performers, and analyses of archival documents and marks in the books<br />

themselves are complemented by studies of how Venetian books arrived<br />

in collections throughout Europe. The <strong>Books</strong> of Venice contains essays that<br />

set Peter Koch’s deluxe edition of “Watermark” into the tradition of fine<br />

press printing in Italy.<br />

2009, paperback, dust jacket, 6.75 x 9.5 inches, 632 pages<br />

ISBN 9781584562573, Order No. 100392, $85.00<br />

Co-published with Biblioteca Nazionale Marciana and La Musa Talìa<br />

Available in Italy from La Musa Talìa<br />

800-996-2556 www.oakknoll.com oakknoll@oakknoll.com


26 <strong>Oak</strong> <strong>Knoll</strong> <strong>Press</strong>—Book History<br />

THE GREAT LIBRARIES<br />

From Antiquity to the Renaissance<br />

by Konstantinos Sp. Staikos<br />

This monumental work chronicles the development of<br />

the library from 300 B.C. to 1600 A.D. Staikos reveals the<br />

majesty of Western literature within these great depositories<br />

of human knowledge. Includes hundreds of beautifully photographed<br />

interiors of legendary libraries and their treasures.<br />

2000, hardcover, dust jacket, 9.5 x 13 inches, 600 pages<br />

ISBN 9781584560180, Order No. 58026, $125.00<br />

THE ENCYCLOPEDIA OF THE BOOK<br />

by Geoffrey Ashall Glaister<br />

This extensive work defines almost 4,000 terms used in<br />

the book trades. Includes information on printers, authors,<br />

bookbinders, bibliophiles, equipment, famous books, printing<br />

societies, customs of the trade and other related information.<br />

A well-illustrated reprint of the 1979 second edition.<br />

2001, 7 x 10 inches, 576 pages<br />

Hardcover, dust jacket: ISBN 9781884718151, Order No. 42509, $75.00<br />

Paperback: ISBN 9781884718144, Order No. 42510, $49.95<br />

Available in the UK from The British Library<br />

<strong>Books</strong> about Bookbinding<br />

THE REPAIR OF CLOTH BINDINGS<br />

by Arthur W. Johnson<br />

One of the leading designer bookbinders in Great Britain,<br />

Arthur Johnson has used his extensive knowledge of book<br />

construction to provide a reference manual for the repair and<br />

reconstruction of cloth bindings. Each process is explained<br />

in detail with clear text, in order to give the worker confidence<br />

in this exacting skill. Using more than 90 hand-drawn illustrations,<br />

Johnson explains his procedures for sound repair.<br />

2002, hardcover, dust jacket, 6 x 9 inches, 140 pages<br />

ISBN 9781584560784, Order No. 70933, $35.00<br />

Available in the UK from The British Library<br />

ABC OF LEATHER BOOKBINDING<br />

A Manual for Traditional Craftsmanship<br />

by Edward R. Lhotka<br />

This work is an illustrated manual that shows step-bystep<br />

the art and science of fine leather bookbinding. The<br />

author learned the ancient craft from one of England’s foremost<br />

binders, Alfred de Sauty. In this important work, he<br />

takes the reader through the intricacies of traditional leather binding.<br />

2005, paperback, 7 x 10 inches, 142 pages<br />

ISBN 9781584561637, Order No. 79690, $19.95<br />

BOOKBINDING &<br />

CONSERVATION BY<br />

HAND<br />

A Working Guide<br />

by Laura S. Young<br />

This book is designed as a<br />

working guide in the field of hand<br />

bookbinding and book conservation.<br />

It is intended as a practical manual<br />

for teachers and their students, as<br />

an instruction guide to be followed<br />

by the beginner attempting to learn<br />

binding on his or her own, and as<br />

a ready reference for experienced<br />

binders, book collectors, book dealers, and librarians. The techniques<br />

described in this volume follow in principle the German school, and to<br />

the best of the author’s knowledge, this is the first book in which these<br />

binding practices have appeared in English. The heart of this working<br />

guide is the three chapters dealing with techniques and the chapter on<br />

conservation. A list of materials needed precedes the step-by-step instructions<br />

for a given section or techniques.<br />

1995, paperback, 7 x 10 inches, 288 pages<br />

ISBN 9781884718113, Order No. 42513, $24.95<br />

THE RESTORATION OF LEATHER<br />

BINDINGS<br />

by Bernard C. Middleton<br />

Fourth edition, revised from the 1998 edition. New<br />

additions include a section on identifying leather and marbled<br />

papers and an updated listing of binders’ suppliers. The<br />

book has chapters concerning definitions of terms, tools, materials, cleaning<br />

and all phases of reconstruction. Middleton’s work is a comprehensive handbook<br />

for practitioner and student alike. Well-illustrated and with eight new<br />

color plate pages.<br />

2003, hardcover, dust jacket, 8.5 x 11 inches, 334 pages<br />

ISBN 9781584561194, Order No. 75328, $45.00<br />

Available in the UK from The British Library<br />

HEADBANDS<br />

How to Work Them<br />

by Jane Greenfield and Jenny Hille<br />

Third printing of the second, revised and corrected<br />

edition. A topic that is often overlooked is how to create<br />

headbands—those decorative bands of silk or cotton which<br />

can be found fastened inside the top of the spine of a book.<br />

At last, two experienced hand bookbinders have produced an<br />

easy to use, step-by-step guide showing how to create fourteen different styles<br />

of headbands. Written for both beginners and experienced binders alike, it<br />

has established itself as one of the classic manuals for the hand bookbinder.<br />

1990, paperback, 6 x 9 inches, 96 pages<br />

ISBN 0938768514, Order No. 43018, $14.95<br />

800-996-2556 www.oakknoll.com oakknoll@oakknoll.com


<strong>Oak</strong> <strong>Knoll</strong> <strong>Press</strong>—Bookbinding 27<br />

ABC OF BOOKBINDING<br />

A Unique Glossary with<br />

over 700 Illustrations for<br />

Collectors and Librarians<br />

by Jane Greenfield<br />

Reprint of the first edition of<br />

1997. Jane Greenfield provides a<br />

unique glossary of terms, styles,<br />

structures, and names related to conservation<br />

and bookbinding through<br />

the ages illustrated with over 700<br />

line drawings. Locating accurate<br />

descriptions of bookbindings from<br />

various periods has previously been<br />

frustrating for those who work with<br />

rare and antiquarian books, especially conservators, librarians, book collectors<br />

and antiquarian book specialists. However, this frustration will<br />

abate as Greenfield’s work takes place alongside John Carter’s ABC For<br />

Book Collectors as well as Don Etherington’s and Matt T. Roberts’ Bookbinding<br />

and Conservation of <strong>Books</strong>. Greenfield has provided names and drawings for<br />

almost every conceivable part of the book as well as a multitude of styles,<br />

bindings, and decorations. She literally takes apart the structure of the<br />

book and illustrates the many and varied facets and definitions that clearly<br />

outline the historical development of the book’s structures and styles.<br />

2002, hardcover, 8.5 x 11 inches, 180 pages<br />

ISBN 9781884718410, Order No. 49915, $49.95<br />

BOOKBINDERS AT WORK<br />

Their Roles and Methods<br />

by Mirjam M. Foot<br />

The role of the bookbinder in the production of books<br />

and the significance of the binding in all its details have<br />

often been disregarded by bibliographers. In this book,<br />

Mirjam Foot reverses this trend by establishing binders, their<br />

materials and tools as essential parts of the production cycle; she reveals<br />

the inadequacy of bibliographical descriptions that lack essential binding<br />

information.<br />

2006, hardcover, 6.5 x 9.5 inches, 171 pages<br />

ISBN 9781584561682, Order No. 87274, $59.95<br />

Available outside North and South America from The British Library<br />

ELOQUENT WITNESSES<br />

Bookbindings and Their History<br />

edited by Mirjam M. Foot<br />

This work is a collection of essays that demonstrate the<br />

new directions the study of bookbinding has taken. Much of<br />

the work is based on observation of bookbinding techniques<br />

and materials, as well as a close study of decorative tools and<br />

the ways in which they were used to reflect the styles and fashions of their day.<br />

Includes 101 black-and-white pictures and eight color plates.<br />

2004, hardcover, dust jacket, 6 x 9.75 inches, 328 pages<br />

ISBN 9781584561170, Order No. 76293, $65.00<br />

Co-published with The Bibliographical Society and The British Library<br />

Available outside North and South America from The British Library<br />

A History of English Craft<br />

Bookbinding Technique<br />

by Bernard C. Middleton<br />

A classic work on decorative and commercial English<br />

bookbinding techniques. Chapters include the following<br />

topics: beating and pressing; sewing endpapers; gluing the<br />

spine; rounding and backing; edge-trimming and decoration;<br />

covering, finishing, siding and pasting down; and repair and restoration of<br />

books. Includes appendices on the background and history of the London<br />

bookbinding trade, working conditions and the growth of binderies.<br />

1996, hardcover, dust jacket, 5.75 x 9 inches, 386 pages<br />

ISBN 9781884718281, Order No. 44862, $65.00<br />

Available in the UK from The British Library<br />

TRADE BOOKBINDING IN THE<br />

BRITISH ISLES, 1660–1800<br />

by Stuart Bennett<br />

In 1930, Michael Sadleir declared that, “the bookseller-publisher<br />

from 1730 to 1770 issued his books either<br />

in loose quires, or stitched, or at most in a plain paper<br />

wrapper.” Bennett, however, presents new documentary and<br />

visual evidence that books were sold ready-bound in sheep, calf, and goat as<br />

well as boards and wrappers. Over 200 color illustrations show these bindings<br />

and their evolution.<br />

2004, hardcover, dust jacket, 9 x 12 inches, 176 pages<br />

ISBN 9781584561309, Order No. 75432, $85.00<br />

Available in the UK from The British Library<br />

American Signed Bindings<br />

through 1876<br />

by Willman Spawn and Thomas E. Kinsella<br />

Willman Spawn and Thomas E. Kinsella describe and<br />

illustrate 315 bookbinder’s tickets, stamps and engraved<br />

designations dating from the 1750 s through 1876. Two<br />

hundred and thirty-three binders are represented, many with multiple designations.<br />

The strength of the study is in its attention to nineteenth-century<br />

trade binders. The volume has two introductory essays and is well-indexed.<br />

2007, hardcover, 8.5 x 11 inches, 300 pages<br />

ISBN 9781584562085, Order No. 93148, $85.00<br />

Co-published with Bryn Mawr College Library<br />

TICKETED BOOKBINDINGS FROM<br />

NINETEENTH-CENTURY BRITAIN<br />

by Willman Spawn and Thomas E. Kinsella<br />

Well-illustrated exhibition catalogue including plates in<br />

color. The first 219 bindings are described in great detail.<br />

This is followed by shorter descriptions of 485 ticketed<br />

bindings also in the collection but not pictured. Includes an essay by Bernard<br />

Middleton.<br />

1999, 8.5 x 11 inches, 206 pages<br />

Hardcover: ISBN 9781884718984, Order No. 54990, $65.00<br />

Paperback: ISBN 9781884718953, Order No. 54991, $45.00<br />

Unbound: ISBN 9781884718953, Order No. 54992, $35.00<br />

Co-published with Bryn Mawr College Library<br />

800-996-2556 www.oakknoll.com oakknoll@oakknoll.com


28 <strong>Oak</strong> <strong>Knoll</strong> <strong>Press</strong><br />

<strong>Books</strong> about Papermaking<br />

DER VOLLKOMMNE<br />

PAPIERFÄRBER<br />

The Accomplished Paper<br />

Colorer<br />

translated by Richard J. Wolfe<br />

This new work, limited to 300<br />

copies, is a facsimile reproduction<br />

and translation of an important<br />

early German manual on decorated<br />

and marbled paper. In the historical<br />

introduction to his translation of<br />

this work, Richard J. Wolfe summarizes<br />

the professional literature<br />

on marbling and paper coloring that<br />

began to appear in Germany at the beginning of the nineteenth century.<br />

Der Vollkommne Papierfärber, published around 1823, is the earliest work of<br />

its kind that has survived. Wolfe shares his experience with a seemingly<br />

unique copy of this rare and seminal treatise that he initially encountered<br />

in Leipzig in 1987. The story has a somewhat surprising ending.<br />

Following the introduction, the book displays the facsimile on the left<br />

page and a parallel translation on the opposing page.<br />

2008, hardcover, 5 x 7.5 inches, 180 pages<br />

ISBN 9781584562436, Order No. 99499, $60.00<br />

EDWARD SEYMOUR & THE FANCY<br />

PAPER COMPANY<br />

The Story of a British Marbled Paper<br />

Manufacturer<br />

by Sidney E. Berger<br />

In this limited edition, Berger shares the vicissitudes of<br />

the Fancy Paper Company’s fortunes, the personal lives of its owners, and<br />

the touching correspondence he found among its business records. With 20<br />

tipped-in, original examples of their many fancy papers, this work is a wellresearched<br />

text about one of the last marbled paper manufacturing firms.<br />

2006, hardcover with slipcase, 6 x 9 inches, 104 pages<br />

ISBN 9781584561897, Order No. 90944, $150.00<br />

paper mould and mouldmaker<br />

by E.G. Loeber<br />

This book covers the development and handling of paper<br />

mould, the mouldmaker, the deckle, the wire profile, and<br />

variants of the European mould and deckle. It also includes<br />

illustrations, various appendices, and sections on studying<br />

paper and watermarks.<br />

1982, hardcover, 8 x 12.5 inches, 83 pages<br />

ISBN n/a, Order No. 70709, $100.00<br />

LETTERPRESS PRINTING<br />

A Manual for Modern Fine <strong>Press</strong> Printers<br />

by Paul Maravelas<br />

The comprehensive text for beginning and intermediate<br />

letterpress printers. Using clear explanations and more than<br />

80 illustrations, the manual describes presses, ink, paper,<br />

press operation, type and photopolymer plates. Includes glossaries of terms<br />

relating to paper and printing. An up-to-date work for students and fine press<br />

printers.<br />

2005, 8.5 x 11 inches, 220 pages<br />

Hardcover, dust jacket: ISBN 9781584561675, Order No. 88731, $65.00<br />

Paperback: ISBN 9781584561743, Order No. 88733, $24.95<br />

Available in the UK from The British Library<br />

FIVE HUNDRED YEARS OF PRINTING<br />

by S.H. Steinberg<br />

Fully revised and updated by John Trevitt; republished<br />

in a larger format, with over 100 superb illustrations chosen<br />

afresh from the rich collections of The British Library. This<br />

volume is essential reading for book collectors, cultural historians,<br />

book designers and students.<br />

2001, 7 x 10 inches, 272 pages<br />

Hardcover, dust jacket: ISBN 9781884718199, Order No. 43776, $45.00<br />

Paperback: ISBN 9781884718205, Order No. 43777, $29.95<br />

Available outside North and South America from The British Library<br />

<strong>Books</strong> about Printing & Publishing<br />

PERIODICALS AND<br />

PUBLISHERS<br />

The Newspaper and Journal<br />

Trade, 1740–1914<br />

Part of the Print Network<br />

Series<br />

edited by John Hinks, Catherine<br />

Armstrong, and Matthew Day<br />

This tenth volume contains<br />

eleven exciting chapters from<br />

scholars working on provincial<br />

periodicals and newspapers in<br />

England, Scotland and Ireland.<br />

The topics focus on the book<br />

trades between 1740 and 1914,<br />

and include case studies of<br />

individual publishers and their<br />

experiences in the print market. This volume demonstrates the cultural<br />

and political significance of newspapers and periodicals and their producers.<br />

The main theme emerging from the papers is that of provinciality and<br />

specifically the relationship of producers and consumers of print who live<br />

and work in the provinces to each other and to London. Examination of<br />

the question of provinciality in this volume helps to illuminate the connections<br />

between book trade people in all parts of the British Isles.<br />

2009, hardcover, dust jacket, 6 x 9 inches, 256 pages<br />

ISBN 9781584562665, Order No. 100486, $49.95<br />

Available in the UK from The British Library<br />

800-996-2556 www.oakknoll.com oakknoll@oakknoll.com


<strong>Oak</strong> <strong>Knoll</strong> <strong>Press</strong>—Printing & Publishing 29<br />

The Design and Printing<br />

of Ephemera in Britain and<br />

America, 1720–1920<br />

by Graham Hudson<br />

This is the first book to discuss ephemera as an aspect of<br />

design history, showing how function, production process<br />

and time period have affected the changing appearance of billheads, trade<br />

cards, flyers, playbills and other ephemera. The book explores the closely<br />

interwoven printing histories of Britain and America. It is richly illustrated<br />

with letterforms, engravings, drawings and the reproduction of over 200<br />

items of ephemera, many in full color.<br />

2008, hardcover, dust jacket, 8.5 x 11 inches, 160 pages<br />

ISBN 9781584562245, Order No. 95868, $65.00<br />

Available outside North and South America from The British Library<br />

early printing in Saint Vincent<br />

The Island’s First Printers and their work, With<br />

a List of Saint Vincent Imprints, 1767–1834<br />

by Gregory Frohnsdorff<br />

foreword by Donald N. Mott<br />

This book traces its history from the first printing in<br />

Kingstown, as early as 1767 through 1834, the year slavery was abolished<br />

in the British West Indies. Several early printers are identified, and details<br />

about them and some of their publications are provided. It includes an annotated<br />

list of more than 250 items printed in Saint Vincent prior to 1835.<br />

Illustrated in black and white.<br />

2009, hardcover, 8.5 x 11 inches, 120 pages<br />

ISBN 9781584562580, Order No. 100465, $45.00<br />

BE MERRY AND WISE<br />

Origins of Children’s Book Publishing in<br />

England, 1650–1850<br />

by Brian Alderson and Felix de Marez Oyens<br />

When did children come to be seen as a special readership?<br />

Child readership is the subject of this bibliographical<br />

study, in which the authors show how creative talents<br />

appealed directly to children and how the publishing industry realized that<br />

children were a profitable market.<br />

2006, hardcover, 9 x 12 inches, 320 pages<br />

ISBN 9781584561804, Order No. 90644, $115.00<br />

Co-published with The Pierpont Morgan Library, The Bibliographical Society of America,<br />

& The British Library; available outside North & South America from The British Library<br />

The printed Greek book<br />

15th to 19th Century<br />

edited by K. Staikos and T. Sklavenitis<br />

An International Congress on the History of Greek<br />

Printing was held in Delphi, Greece where leading scholars<br />

presented over 40 papers pertaining to dissemination of the<br />

Greek language via manuscripts, books and documents. The<br />

collection of essays compiled in this book is the publication of these learned<br />

papers. The essays appear in a broad variety of languages, and many are<br />

printed in Greek. There is a useful appendix that contains abstracts in English<br />

for all 30 of the essays in Greek.<br />

2004, hardcover, 6.5 x 9.5 inches, 710 pages<br />

ISBN 9781584561422, Order No. 76423, $95.00<br />

Co-published with Kotinos Publications, Athens, Greece<br />

<strong>Books</strong> for Sale<br />

The Advertising and<br />

Promotion of Print since the<br />

Fifteenth Century<br />

Part of the Publishing<br />

Pathways Series<br />

edited by Robin Myers, Michael<br />

Harris, and Giles Mandelbrote<br />

This volume of eight original<br />

essays, with contributions by specialists<br />

in the promotion and marketing<br />

of print, as well as by leading<br />

historians of the book, explores<br />

themes that include the advertising<br />

and marketing techniques of booksellers<br />

and publishers across early<br />

modern Europe, the increasing use<br />

of newspaper and periodical advertisements in England and Ireland during<br />

the eighteenth and nineteenth centuries, and the dramatic impact of<br />

online marketing on the book trade. Other promotional tools discussed<br />

range from the illustrated trade cards of eighteenth-century Paris to the<br />

rise of the book jacket and the cult of literary prizes in the twentieth<br />

century.<br />

2009, hardcover, dust jacket, 6 x 9 inches, 208 pages<br />

ISBN 9781584562658, Order No. 100485, $49.95<br />

Available in the UK from The British Library<br />

BENJAMIN FRANKLIN<br />

Writer and Printer<br />

by James N. Green and Peter Stallybrass<br />

This work focuses on Franklin as a printer, from his<br />

apprenticeship to his retirement, by which time his was the<br />

largest printing business in colonial America. His success as<br />

a printer was based not only on his newspaper and popular almanacs, but also<br />

on his own writings, first for his brother’s press in Boston and then for his<br />

own press in Philadelphia.<br />

2006, hardcover, dust jacket, 8.5 x 11 inches, 192 pages<br />

ISBN 9781584561873, Order No. 90643, $49.95<br />

Co-published with the Library Company of Philadelphia and The British Library;<br />

available in the UK from The British Library<br />

Disbound and dispersed<br />

The Leaf Book Considered<br />

This is the first in-depth examination of a bibliophilic<br />

phenomenon that began in the early nineteenth century and<br />

continues today. A leaf book is one that contains an original<br />

leaf from an imperfect copy of an historic book bound with<br />

an essay about the significance of the historic book. As such<br />

they provide a unique medium for both learning the history of books while<br />

providing the opportunity to inspect (or own) a specimen of the original.<br />

Includes 242 leaf books, and 41 images, many in color.<br />

2005, hardcover, dust jacket, 8.25 x 10.5 inches, 160 pages<br />

ISBN 9781584561613, Order No. 79481, $45.00<br />

Distributed for the Caxton Club<br />

800-996-2556 www.oakknoll.com oakknoll@oakknoll.com


30 <strong>Oak</strong> <strong>Knoll</strong> <strong>Press</strong>—Printing & Publishing<br />

The Fanfrolico<br />

<strong>Press</strong><br />

Satyrs, Fauns and Fine<br />

<strong>Books</strong><br />

by John Arnold<br />

This work consists of a<br />

detailed history of the Fanfrolico<br />

<strong>Press</strong> and a full bibliography of<br />

its publications and ephemera,<br />

tracing the venture from its<br />

origins in Sydney, Australia in<br />

the early 1920s, to success in<br />

London from 1926, and its final<br />

dissolution in 1930. The <strong>Press</strong><br />

was notable for the literary input<br />

of its proprietor Jack Lindsay and illustrations by his father, Norman<br />

Lindsay, as well as by Edward Bawden, Hal Collins, Lionel Ellis, and others.<br />

Jack Lindsay was responsible for the typographical design (initially<br />

with Kirtley) that brought a distinctive style to the books of the <strong>Press</strong>.<br />

This book has been designed by Paul W. Nash, with a design inspired by a<br />

Fanfrolico publication. There are 96 illustrations.<br />

2009, hardcover, 7.25 x 10.75 inches, 328 pages<br />

ISBN 9780900002977, Order No. 101286, $65.00<br />

Distributed for the Private Libraries Association; available in the UK from the Private<br />

Libraries Association and in Australia from Kay Craddock<br />

the paradox of prosperity<br />

The Leiden <strong>Books</strong>ellers’ Guild and the<br />

Distribution of <strong>Books</strong> in Early Modern Europe<br />

by Laura Cruz<br />

Laura Cruz explores the world of the book trades as it<br />

was constructed in Leiden in the decades after the Revolt<br />

against Spanish rule. This book gives new insights to the<br />

culture of the young Republic that are based not only on the thoughts and<br />

dreams of individuals, but also on the behavior and aspirations of groups and<br />

the constraints and opportunities presented by institutions.<br />

2009, hardcover, dust jacket, 6 x 9 inches, 256 pages<br />

ISBN 9781584562351, Order No. 96671, $55.00<br />

books about books<br />

A History and Bibliography of <strong>Oak</strong> <strong>Knoll</strong> <strong>Press</strong>,<br />

1978–2008<br />

by Robert D. Fleck<br />

A comprehensive history and bibliography of the press,<br />

from its beginning in 1978 through the fall of 2008. Bob<br />

Fleck, founder, owner, and president of the <strong>Press</strong>, begins<br />

with a history of the press, that is illustrated with more than fifty images. The<br />

history is followed by the bibliography, which lists 320 books in order of<br />

publication.<br />

2008, 6 x 9 inches, 238 pages<br />

Hardcover, dust jacket: ISBN 9781584562498, Order No. 99582, $45.00<br />

Paperback: ISBN 9781584562481, Order No. 99583, $25.00<br />

the Book as a work of art<br />

The Cranach <strong>Press</strong> of Count Harry Kessler<br />

edited by John Dieter Brinks<br />

The Cranach <strong>Press</strong>, though located in Germany, was<br />

inspired by and became an integral product of the English<br />

private press movement. The <strong>Press</strong>’s work is recorded in this<br />

lavishly illustrated book. It includes Essays by John Dreyfus, Anne Hyde<br />

Greet, Gunnar Kaldewey, J.D. Brinks, Lindsay Newman, among others, with<br />

extensive documentation and a new and illustrated bibliography of the<br />

Cranach <strong>Press</strong>.<br />

2005, hardcover with slipcase, 9.5 x 12 inches, 456 pages<br />

ISBN 3935518669, Order No. 88729, $290.00<br />

Distributed for Triton Verlag, Berlin, Germany and Chapin Library of Williams<br />

College, Williamstown, MA<br />

A history of longmans and<br />

their books 1724–1990<br />

Longevity in Publishing<br />

by Asa Briggs<br />

Longmans is the oldest commercial publisher in the<br />

United Kingdom, founded in 1724 by Thomas Longman.<br />

Throughout its history, Longmans has published a variety of works, covering<br />

religion, law, medicine, science, and sports and has been a major publisher of<br />

dictionaries and reference books.<br />

2008, hardcover, dust jacket, 7.5 x 9.75 inches, 624 pages<br />

ISBN 9781584562344, Order No. 96667, $110.00<br />

Available outside North and South America from The British Library<br />

ARTHUR W. RUSHMORE & THE<br />

GOLDEN HIND PRESS<br />

by Monroe S. Causley<br />

First edition, limited to 200 copies, numbered and signed<br />

by author. A short biography of Arthur Rushmore and a<br />

comprehensive bibliography of his works. This edition was<br />

hand-set in Monotype, printed on an old Heidelberg press,<br />

quarter-leather bound and gold stamped for the discriminating collector.<br />

The bibliography covers all known works designed and printed by Rushmore<br />

from his days at Harper & Brothers to his death, and titles printed by his wife<br />

thereafter.<br />

2005, Quarter Leather, slipcase, 8.5 x 11 inches, 120 pages<br />

ISBN 9781584561415, Order No. 79692, $150.00<br />

Co-published with Kotinos, Athens<br />

THE VALE PRESS<br />

Charles Ricketts, A Publisher in Earnest<br />

by Maureen M. Watry<br />

The Vale <strong>Press</strong> is the story of typographer, publisher, and<br />

wood engraver, Charles Ricketts and his famous press.<br />

Ricketts was a versatile and innovative practitioner of the<br />

printing arts who exerted a powerful influence on modern<br />

book design. The Vale <strong>Press</strong> reveals the nature of Ricketts’ collaboration with<br />

the master printer Charles McCall of the Ballantyne <strong>Press</strong>. Includes a complete<br />

bibliography.<br />

2004, hardcover, dust jacket, 8.5 x 11 inches, 256 pages<br />

ISBN 9781584560722, Order No. 76292, $95.00<br />

Available in UK from The British Library<br />

800-996-2556 www.oakknoll.com oakknoll@oakknoll.com


<strong>Books</strong> about Type Design<br />

<strong>Oak</strong> <strong>Knoll</strong> <strong>Press</strong> 31<br />

AMERICAN metal typefaces of<br />

the twentieth century<br />

by Mac McGrew<br />

Reprint of the second, revised edition, with 300 more<br />

typefaces in a clean, attractive format. Discover 1,600 classical<br />

as well as bizarre typefaces in one of the most massive<br />

tributes to the history of printing and metal types. Includes alphabeticallylisted<br />

type families and typefaces and their variant forms are shown in full<br />

alphabets—upper and lower case with numerals and punctuation. The specimens<br />

are cleanly reproduced from metal types for maximum clarity.<br />

1993, paperback, 9 x 12 inches, 398 pages<br />

ISBN 9780938768395, Order No. 34980, $65.00<br />

AMERICAN PROPRIETARY TYPEFACES<br />

edited by David Pankow<br />

This book is a fascinating survey of typefaces developed<br />

in America after 1892. It includes essays on American Arts<br />

& Crafts typefaces, the Merrymount <strong>Press</strong>, Bruce Rogers’<br />

Centaur type, Dard Hunter’s typefaces, and many others.<br />

Limited to 600 regular edition copies set in Monotype<br />

Centaur and Bembo, with text printed letterpress and illustrations printed by<br />

offset lithography at The Stinehour <strong>Press</strong>. Includes 66 illustrations at the end<br />

of the book.<br />

1998, hardcover, 6 x 9.25 inches, 218 pages<br />

ISBN n/a, Order No. 97457, $50.00<br />

typeforms<br />

A History<br />

by Alan Bartram<br />

In this work, nearly 75 different letterforms types are<br />

shown in their original metal forms and placed in their<br />

historical context. By including photographs of contemporary<br />

inscriptions on buildings and monuments, Alan Bartram explores the<br />

relationship between printed and architectural letterforms and their parallel<br />

course from the Renaissance until Victorian times. Without an understanding<br />

of the visual make-up of letterforms, designers cannot fully exploit the<br />

potential of type.<br />

2007, hardcover, dust jacket, 9.5 x 10 inches, 128 pages<br />

ISBN 9781584562221, Order No. 95866, $55.00<br />

Available outside North and South America from The British Library<br />

PRINTING TYPES<br />

Their History, Forms, and Use<br />

by Daniel Berkeley Updike<br />

Explores the art of typography from the dawn of moveable<br />

type to the twentieth century. The two-volume set is<br />

combined into one, containing the original 367 illustrations.<br />

Updike’s text constitutes a running commentary on the historical<br />

and artistic significance of these illustrations.<br />

2001, 6.5 x 9 inches, 1088 pages<br />

Hardcover: ISBN 9781584560562, Order No. 63429, $85.00<br />

Paperback: ISBN 9781584560609, Order No. 63431, $49.95<br />

Available in the UK from our co-publisher The British Library<br />

NINETEENTH-<br />

CENTURY AMER-<br />

ICAN DESIGNERS<br />

AND ENGRAVERS<br />

OF TYPE<br />

by William E. Loy<br />

edited by Alastair Johnston<br />

and Stephen Saxe<br />

In 1896, William E. Loy, a<br />

San Francisco printing equipment<br />

salesman and scholar,<br />

wrote a series of profiles of<br />

type designers, recognizing the<br />

importance of documenting<br />

the men in the background<br />

who created the nineteenth<br />

century’s fanciful types. Here is the behind-the-scenes story: biographies<br />

of artists, sportsmen, blacksmiths, soldiers, even a game warden, who were<br />

the creators of innovative types. Loy traces their personal stories adding<br />

much incidental detail about the politics and business practices of the<br />

time and the innovations of each. Typographical historians Johnston and<br />

Saxe have realized Loy’s vision, fully illustrated and annotated, with over<br />

800 illustrations of typefaces designed by the craftsmen he discusses.<br />

2009, hardcover, dust jacket, 9 x 12 inches, 164 pages<br />

ISBN 9781584562610, Order No. 96679, $59.95<br />

Hamilton Wood Type<br />

A History in Headlines<br />

by Bill Moran, Robert Style, Dennis Ichiyama, and<br />

Richard Zauft<br />

A 65-page book outlining the history of the<br />

Hamilton Wood Type Company, the importance of<br />

wood type to the growth of printing world-wide, and the role the Museum<br />

plays in the education of today’s design professionals. The book includes a<br />

foreword by Jim Sherraden and five chapters on the history of Hamilton as a<br />

company and a museum. Well illustrated in full color.<br />

2004, paperback, 8.5 x 8.5 inches, 65 pages<br />

ISBN 0972392718, Order No. 99663, $20.00<br />

Distributed for the Hamilton Wood Type and Printing Museum<br />

MACKELLAR, SMITHS & JORDAN<br />

Typographic Tastemakers of the Late<br />

Nineteenth-Century<br />

by Doug Clouse<br />

This study of America’s leading type foundry of the<br />

nineteenth century emphasizes the design of the hundreds of<br />

typefaces that were produced from its inception in the 1860s until its merger<br />

with most other American foundries at the end of the century. This study<br />

proposes that the earlier styles were successful in their own time and should<br />

be judged on that basis. An illustrated appendix showing MS&J’s original<br />

typeface designs accompanies the text.<br />

2008, hardcover, dust jacket, 8.5 x 11 inches, 176 pages<br />

ISBN 9781584562320, Order No. 96669, $65.00<br />

800-996-2556 www.oakknoll.com oakknoll@oakknoll.com


32 <strong>Oak</strong> <strong>Knoll</strong> <strong>Press</strong><br />

<strong>Books</strong> about Book Design & Typography<br />

Book art object<br />

edited by David Jury<br />

with a foreword by Peter Koch<br />

Book Art Object is a record of<br />

the first biennial Codex Book<br />

Fair and Symposium: “The Fate<br />

of the Art,” Berkeley, California,<br />

2007. The event showcased<br />

contemporary artist books and<br />

fine press and fine art editions<br />

produced by some of the world’s<br />

most esteemed printers, designers,<br />

book artists, and artisans. The<br />

book includes transcripts of the<br />

following lectures: Sarah Bodman,<br />

Research Fellow, Centre for Fine<br />

Print Research, UWE, Bristol:<br />

“The hybrid lexicon: an overview of contemporary artists publishing in<br />

the UK”; Robert Bringhurst, poet, translator, and typographer: “Spiritual<br />

geometry: the book as a work of art”; and Felipe Ehrenberg, artist,<br />

Mexican diplomat, former publisher of the Beau Geste <strong>Press</strong>, London:<br />

“Cutting and pasting: metaphor of life.” The volume is illustrated in full<br />

color throughout.<br />

2008, hardcover, dust jacket, 9 x 12 inches, 448 pages<br />

ISBN 9780981791401, Order No. 100395, $150.00<br />

Distributed for the Codex Foundation<br />

BOOK TYPOGRAPHY<br />

A Designer’s Manual<br />

by Michael Mitchell and Susan Wightman<br />

A comprehensive guide to typography and typesetting,<br />

describing the principles of good design, why they exist and<br />

how to put them to practice. The organization of text and<br />

the handling of images are explained in detail, and advice is given on work<br />

progression and print management. Contains over a thousand examples and<br />

illustrations showing typographic principles put into practice, as well as an<br />

extensive glossary.<br />

2005, paperback, 7.25 x 9.25 inches, 434 pages<br />

ISBN 0948021667, Order No. 92771, $69.95<br />

Distributed for Libanus <strong>Press</strong><br />

Available in Europe and the UK from Libanus <strong>Press</strong><br />

BOOK TYPOGRAPHY<br />

by Ari Rafaeli<br />

Rafaeli’s book examines how maximum-quality typography<br />

consistent with traditional standards can be achieved<br />

through modern technology. Word-division, letter-space,<br />

punctuation, footnotes and endnotes, symbols and special<br />

characters, dashes, quoted passages, folios and running<br />

heads are studied with reference to renowned authorities. Surveys the famous<br />

Monotype and Linotype book faces in their historical contexts with remarks<br />

on the quality of the current digital versions. Illustrated.<br />

2005, hardcover, 8.5 x 11 inches, 160 pages<br />

ISBN 9781584561576, Order No. 79445, $34.95<br />

Available in the UK from The British Library<br />

code(x) + 1 Monograph series<br />

2008–09<br />

This monograph series is devoted to the celebration<br />

of the book and print culture. This set contains the first<br />

three in the series, printed in an edition of 500 copies by<br />

Peter Koch on a Heidelberg cylinder press. Individual<br />

books include Why There are Pages and Why They Must Turn,<br />

Art: Definition Five (and Other Writings), and Each New Book.<br />

The covers were printed from antique wood and metal types in the Koch<br />

collection.<br />

Complete Set: 2008, paperback, 5.5 x 7.75 inches, 64 pages<br />

ISBN n/a, Order No. 102906, $100.00<br />

Distributed for the Codex Foundation<br />

AMERICAN BOOK DESIGN AND<br />

WILLIAM MORRIS<br />

by Susan Otis Thompson<br />

Reprint of the first edition with additional illustrations<br />

and a new foreword by Jean-Francois Vilain. With his<br />

Kelmscott <strong>Press</strong> and associations with the Arts and Crafts<br />

Movement, William Morris helped raise the public’s awareness of fine books<br />

to new heights. This landmark study documents the true extent of Morris’s<br />

influence on American bookmaking.<br />

1996, paperback, 8.5 x 11 inches, 318 pages<br />

ISBN 9781884718267, Order No. 44931, $34.95<br />

Available in the UK from The British Library<br />

The Typographic<br />

Desk Reference<br />

by Theodore Rosendorf<br />

with a foreword by Ellen Lupton<br />

The Typographic Desk Reference (aka<br />

TDR) is comprised of a thousand<br />

facts on the form of Latin-based<br />

writing systems. The book includes<br />

the following four main sections:<br />

Terms—definitions of format, measurements,<br />

practice, standards, tools,<br />

and industry lingo; Glyphs—the list<br />

of standard ISO and extended Latin<br />

characters, symbols, diacritics, marks,<br />

and various forms of typographic<br />

furniture; Anatomy & Form—letter<br />

stroke parts and the variations of impression and space used in Latinbased<br />

writing systems; and Classification & Specimens—an historical line<br />

with examples of form from blackletter to contemporary sans serif types.<br />

Designed for quick consultation, entries are concise and factual, making it<br />

handy for the desk.<br />

2009, hardcover, 5.5 x 8.5 inches, 152 pages<br />

ISBN 9781584562313, Order No. 96672, $45.00<br />

800-996-2556 www.oakknoll.com oakknoll@oakknoll.com


<strong>Books</strong> about Writing & Calligraphy<br />

<strong>Oak</strong> <strong>Knoll</strong> <strong>Press</strong> 33<br />

AN ELEGANT HAND<br />

The Golden Age of American Penmanship &<br />

Calligraphy<br />

by William E. Henning, edited by Paul Melzer<br />

Guides the reader through the careers of some of the<br />

most important American penmen, including Rogers<br />

Spencer and his gifted student George A. Gaskell, whose books and periodicals<br />

reached thousands of students in the second half of the 1800s. Paul<br />

Melzer added more than 400 examples taken from original specimens to<br />

illustrate Henning’s manuscript.<br />

2006, hardcover, dust jacket, 8.5 x 11 inches, 320 pages<br />

ISBN 9781584560678, Order No. 68991, $59.95<br />

Pen, Ink & Evidence<br />

A Study of Writing and Writing Materials for<br />

Penman, Collector and Document Detective<br />

by Joe Nickell<br />

Second printing with corrections. An excellent study of<br />

writing and writing materials for the penman, collector, and<br />

document detective. The author traces the development of<br />

writing and writing materials from the ancient cuneiform tablet to today’s<br />

historical documents. This work is essential for all calligraphers, archivists,<br />

literary historians and document examiners. Over one hundred illustrations.<br />

2003, paperback, 8.5 x 11 inches, 238 pages<br />

ISBN 9781584560920, Order No. 71215, $29.95<br />

<strong>Books</strong> about Illustration<br />

HISTORICAL<br />

SCRIPTS<br />

From Classical Times to<br />

the Renaissance<br />

by Stan Knight<br />

Up to the time of the<br />

Renaissance, calligraphy was the<br />

only means of preserving literature,<br />

and therefore played a vital<br />

role in the spread of learning,<br />

culture, and religion. Historical<br />

scripts were not rigidly-fixed<br />

styles, but the high peaks in an<br />

endlessly shifting landscape.<br />

Throughout the centuries,<br />

styles of writing were continually<br />

developed in response to various influences. Revised and expanded,<br />

this book is an excellent survey of bookhands with full-page, enlarged<br />

illustrations and solidly researched sources. It is useful for studying the<br />

history of manuscripts as well as the details of letter construction. This<br />

work also helps one make judgments about the technical condition of letter<br />

writing and its qualities of rhythm and movement, possible only when<br />

consulting an original manuscript.<br />

1998, hardcover, dust jacket, 9 x 12 inches, 110 pages<br />

ISBN 9781884718564, Order No. 52752, $39.95<br />

Frank E.<br />

Schoonover<br />

Catalogue<br />

Raisonné<br />

by John Schoonover and<br />

Louise Schoonover Smith<br />

with LeeAnn Dean<br />

Frank E. Schoonover is<br />

recognized as one of the<br />

foremost illustrators of<br />

his time. His contribution<br />

to American illustration<br />

spanned over 40 years and<br />

included more than 2,200<br />

illustrations. The twovolume<br />

slip-cased Catalogue Raisonné embodies Schoonover’s entire oeuvre,<br />

from his earliest sketches to his last easel paintings. The book is chronologically<br />

organized with the numeration based on his daybook entries.<br />

Included are over 3,000 images, most in full color, a detailed biography<br />

with accompanying time line, information about his models and students,<br />

lists of exhibitions and magazines, bibliographies, and indices.<br />

2009, hardcover, dust jacket, slipcase, 9 x 12 inches, 2 volumes, 846 pages<br />

ISBN 9781584562382, Order No. 96681, $195.00<br />

Co-published with the Frank E. Schoonover Fund, Inc.<br />

CARL LARSSON<br />

An Annotated Bibliography<br />

by Ann J. Topjon<br />

This is the first comprehensive bibliography on Larsson<br />

and, with approximately 5,900 entries, encompasses all his<br />

known works, including albums, book illustrations and articles<br />

he wrote and/or illustrated in all languages and countries. The bibliography<br />

also documents and annotates the plethora of materials about him in all<br />

languages, including monographs, incidental books, encyclopedia articles and<br />

exhibition catalogs, as well as the numerous journal and newspaper articles<br />

written about him during his lifetime and up to the present.<br />

2008, hardcover, dust jacket, 8.5 x 11 inches, 454 pages<br />

ISBN 9781584562108, Order No. 94200, $135.00<br />

HOWARD PYLE<br />

His Life – His Work<br />

by Paul Preston Davis<br />

This book celebrates the enduring and far-reaching<br />

achievements of Howard Pyle, America’s most famous and<br />

influential illustrator at the dawn of the twentieth century.<br />

Illustrated with over 3,300 images, this important research tool represents<br />

the most complete record of Pyle illustrations. For the first time, full-color<br />

images of each of Pyle’s published and unpublished works are provided in a<br />

single source. Indexed and cross-indexed.<br />

2004, hardcover, dust jacket, 9 x 12 inches, 2 volumes, 906 pages<br />

ISBN 9781584561330, Order No. 75317, $149.95<br />

Co-published with The Delaware Art Museum<br />

800-996-2556 www.oakknoll.com oakknoll@oakknoll.com


34 <strong>Oak</strong> <strong>Knoll</strong> <strong>Press</strong>—Illustration<br />

AMOS DOOLITTLE<br />

Engraver of the New Republic<br />

by Donald C. O’Brien<br />

As a copperplate engraver, Amos Doolittle (1754–1832)<br />

played an important role during the American colonies’<br />

war for independence and the early years of the new nation.<br />

There are chapters on various types of Doolittle’s work, including tunebooks,<br />

maps, illustrations, bank notes and more. The book also includes two<br />

useful appendices, cataloguing books that contain his engravings, and references<br />

to him and his work.<br />

2008, hardcover, dust jacket, 8.5 x 11 inches, 192 pages<br />

ISBN 9781584562061, Order No. 93957, $65.00<br />

Co-published with the American Historical Print Collectors Society<br />

A GUIDE TO THE PRINTED WORK OF<br />

JESSIE M. KING<br />

by Colin White<br />

Jessie M. King was the foremost Scottish book designer<br />

and illustrator of the twentieth century. In this work, every<br />

known item has been annotated, classified, and catalogued,<br />

and a further section lists over 100 publications containing<br />

reproductions of works by the artist. An appendix discusses King’s work for<br />

the German publisher Globus, and a second appendix investigates her designs<br />

for Routledge’s series of children’s classics.<br />

2007, hardcover, dust jacket, 7 x 10 inches, 238 pages<br />

ISBN 9781584562047, Order No. 93073, $90.00<br />

Available outside North and South America from our co-publisher The British Library<br />

ALEXANDER ANDERSON 1775–1870<br />

Wood Engraver & Illustrator, An Annotated<br />

Bibliography<br />

by Jane R. Pomeroy<br />

This comprehensive bibliography focuses on the<br />

American wood engraver and illustrator Alexander<br />

Anderson. The work contains a well-written and<br />

researched biography on his life, a bibliography with over<br />

2,322 entries illustrated with over 1,000 engravings and three indexes.<br />

2005, hardcover, slipcase, 8.5 x 11 inches, 3 volumes, 2616 pages<br />

ISBN 9781584561620, Order No. 88121, $350.00<br />

Co-published with The American Antiquarian Society<br />

SEVEN PERSPECTIVES Of THE<br />

WOODCUT<br />

Presentations from a Heavenly Craft Symposium<br />

and Exhibition<br />

edited by Daniel De Simone<br />

This book covers issues related to bookmaking in the fifteenth<br />

and sixteenth centuries. The analyses of the art of the<br />

woodcut presented here originated at the exhibition “A Heavenly Craft: The<br />

Woodcut in Early Printed <strong>Books</strong>,” which opened at the Library of Congress<br />

in April 2005. Corresponding images of woodcuts as well as photographs of<br />

original woodblocks appear throughout the volume.<br />

2008, paperback, 7 x 10 inches, 108 pages<br />

ISBN 9780844411835, Order No. 100570, $15.95<br />

Distributed for the Library of Congress<br />

<strong>Books</strong> about Bibliography<br />

the gilded page<br />

The History and Technique of<br />

Manuscript Gilding<br />

by Kathleen P. Whitley<br />

Second edition; revised, with the<br />

addition of color plates and new information<br />

on ancient Egyptian Papyrus<br />

gilding. The Gilded Page traces the history<br />

of gilding from ancient Egypt and<br />

Babylon through Rome, the Near East,<br />

Medieval and Renaissance Europe,<br />

and finally into the modern day studio.<br />

Learn step-by-step methods of applying<br />

and burnishing gold, described in<br />

a sensible and easy-to-understand way.<br />

Learn about the tools, methods, and materials employed in flat, raised,<br />

and pattern gilding for manuscripts and paintings, along with historical<br />

mordants such as Gesso Sottile, Gum Ammoniac, Gum Arabic, and<br />

Garlic Juice; and modern mordants such as Acrylic Gesso and White<br />

Glue.<br />

2010, 6 x 9 inches, 238 pages<br />

Hardcover, dust jacket: ISBN 9781584562399, Order No. 94207, $49.95<br />

Paperback: ISBN 9781584562412, Order No. 98228, $34.95<br />

Available outside North and South America from The British Library<br />

PRINCIPLES OF BIBLIOGRAPHICAL<br />

DESCRIPTION<br />

by Fredson Bowers<br />

One of the indisputable classics of twentieth-century<br />

scholarship, Bowers’ work is one of the standard guides<br />

on the subject, providing a comprehensive manual for the<br />

description of printed books as physical objects. Although<br />

there has been much activity in descriptive bibliography since then, Principles<br />

still holds its place as the central book to which those engaged in bibliographical<br />

work continually return.<br />

2005, paperback, 6 x 9 inches, 521 pages<br />

ISBN 9781884718007, Order No. 40520, $39.95<br />

A NEW INTRODUCTION TO<br />

BIBLIOGRAPHY<br />

by Philip Gaskell<br />

In this book, Gaskell incorporates work done since the<br />

publication of Ronald McKerrow’s Introduction to Bibliography<br />

on the history of the printing technology from the handpress<br />

period through the present day. In recent years, there<br />

has been an increasing interest in the textual problems of the eighteenth<br />

through twentieth centuries, which are covered in this book.<br />

2000, 6 x 9 inches, 488 pages<br />

Hardcover: ISBN 9781584560364, Order No. 60423, $65.00<br />

Paperback: ISBN 9781884718137, Order No. 42436, $39.95<br />

800-996-2556 www.oakknoll.com oakknoll@oakknoll.com


Bibliography<br />

<strong>Oak</strong> <strong>Knoll</strong> <strong>Press</strong> 35<br />

The British Book<br />

TradE 1475–1890<br />

A Bibliography<br />

edited by T.H. Howard-Hill<br />

This superbly comprehensive and<br />

detailed bibliography of the British<br />

book trade supersedes all bibliographies<br />

on British authors and authorship, bibliography<br />

itself, book collecting, bookbinding,<br />

book illustration, bookselling,<br />

censorship, copyright, libraries, literacy,<br />

papermaking, printing, publishing,<br />

textual criticism, and typography until<br />

1890. More than 24,000 items are<br />

lightly annotated and arranged in classified<br />

chronological order, to illustrate<br />

the social and technological development<br />

of British book crafts and industries. Items are minutely indexed on<br />

the accompanying CD-ROM. Large areas of the history and practices of<br />

the British book trades are opened to scholarly study for the first time.<br />

2009, hardcover, 7.5 x 9.75 inches, 2 volumes, 1876 pages<br />

(plus index on CD-ROM)<br />

ISBN 9781584562559, Order No. 96665, $175.00<br />

Available outside North and South America from The British Library<br />

BOOKS ON ART IN EARLY AMERICA<br />

<strong>Books</strong> on Art, Aesthetics and Instruction<br />

Available in American Libraries and <strong>Books</strong>tore<br />

through 1815<br />

by Janice G. Schimmelman<br />

This bibliography covers a broad range of books on art<br />

in early America, including not only art treatises and instruction<br />

manuals, but books related to drawing, painting, engraving, sculpture,<br />

artist biography and the history of art. The checklist includes 183 titles, each<br />

with a full bibliographic description, followed by a full catalogue reference of<br />

the booksellers and/or libraries that listed the book. Includes five appendices.<br />

2007, hardcover, dust jacket, 6 x 9 inches, 292 pages<br />

ISBN 9781584562146, Order No. 94205, $65.00<br />

A SHORT-TITLE CATALOGUE OF<br />

BOOKS PRINTED IN ENGLAND,<br />

SCOTLAND & IRELAND<br />

by A.W. Pollard and G.R. Redgrave<br />

This is the second edition, revised and enlarged. The<br />

work consists of three volumes begun by W.A. Jackson and<br />

F.S. Ferguson and completed by Katharine F. Pantzer. The third volume<br />

includes a printers’ and publishers’ index, other indices and appendices.<br />

1976, 1986, 1991, hardcover, 9 x 12 inches, 3 volumes, 1602 pages<br />

ISBN 0197217915, Order No. 60371, $795.00<br />

Distributed for The Bibliographical Society<br />

the dark page ii<br />

<strong>Books</strong> that Inspired<br />

American Film Noir,<br />

1950–1965<br />

by Kevin Johnson<br />

with a foreword by Guy Maddin<br />

Following up on his wellreceived<br />

bibliography of first<br />

edition sources for American film<br />

noir of the 1940s, this volume<br />

covers the second half of the classic<br />

American period, 1950–1965.<br />

The reverse influence of the film<br />

industry on the book industry<br />

increased as well, with stories<br />

being snatched up as film options as soon as they first appeared. The second<br />

volume of The Dark Page is an essential volume in a continuing series<br />

of references that are projected to cover American screwball comedies,<br />

European film noir, and American crime films and dramas of the late<br />

1960s and 1970s. Full-color photos of each first edition are featured,<br />

as well as bibliographical points for each book, and a bounty of factual<br />

information surrounding both the origins of the books and their subsequent<br />

film adaptations.<br />

2009, hardcover, dust jacket, 9 x 12 inches, 272 pages<br />

ISBN 9781584562597, Order No. 100483, $95.00<br />

Deluxe edition signed by Guy Maddin & Kevin Johnson, with slipcase<br />

ISBN 9781584562603, Order No. 100484, $375.00<br />

The literature of the lewis and<br />

clark expedition<br />

A Bibliography and Essays<br />

by Stephen Dow Beckham<br />

This first comprehensive bibliography of Lewis and<br />

Clark expedition publications in a century. Introductory<br />

historical essays survey the large cast of characters who<br />

have contributed to the expedition story; bibliographies for each section list<br />

all known publications, with full annotated descriptions of primary texts.<br />

Lavishly illustrated with twenty-four full-page color plates and numerous<br />

black-and-white images from Lewis & Clark College’s collection.<br />

2003, hardcover, dust jacket, 8 x 12 inches, 316 pages<br />

ISBN 0963086618, Order No. 73443, $75.00<br />

THE DARK PAGE<br />

<strong>Books</strong> that Inspired American Film Noir<br />

1940–1949<br />

by Kevin Johnson, with a foreword by Paul Schrader<br />

Identifying every 1940s American film noir with a<br />

published literary source, The Dark Page provides concise<br />

but fact-filled accounts of the authors, books and filmmakers that came<br />

together—often in unlikely combinations—to create a unique and cherished<br />

period in film history. Tapping the wells of film historians and cinemanistas<br />

from around the world, Johnson has compiled an unprecedented dossier of<br />

rare first edition book images.<br />

2007, hardcover, dust jacket, 9 x 12 inches, 384 pages<br />

ISBN 9781584562177, Order No. 98426, $95.00<br />

Deluxe edition signed by Paul Schrader & Kevin Johnson, with slipcase<br />

ISBN 9781584562184, Order No. 95436, $450.00<br />

800-996-2556 www.oakknoll.com oakknoll@oakknoll.com


36 <strong>Oak</strong> <strong>Knoll</strong> <strong>Press</strong>—Bibliography<br />

MR. LINCOLN’S BOOK<br />

Publishing the Lincoln-<br />

Douglas Debates<br />

With a Census of Signed Copies<br />

by David H. Leroy<br />

Here, for the first time in a<br />

detailed account focusing on<br />

Lincoln’s personal involvement, Dave<br />

Leroy writes the full story of the<br />

Lincoln-Douglas debates with original<br />

correspondence, contemporary<br />

newspaper accounts, and illustrations<br />

of the day. In 1954, historian<br />

Harry Pratt located and described<br />

eighteen inscribed copies of the<br />

Lincoln-Douglas debates. In this new work, Leroy describes 37 such volumes.<br />

Ultimately, Mr. Lincoln’s Book asks the reader to resolve the century<br />

and a half old debate: was Lincoln an author? Leroy leaves the final decision<br />

up to the reader. The printed volume is accompanied by a CD-ROM<br />

containing a complete copy of Lincoln’s scrapbook of the debates, copies<br />

and transcriptions of Lincoln’s correspondence, political cartoons, and<br />

photographs.<br />

2009, hardcover, dust jacket, 6 x 9 inches, 228 pages<br />

ISBN 9781584562443, Order No. 99275, $49.95<br />

Co-published with the Abraham Lincoln Book Shop<br />

A CATALOGUE<br />

OF THE JUNIUS<br />

SPENCER MORGAN<br />

COLLECTION OF<br />

VIRGIL IN THE<br />

PRINCETON<br />

UNIVERSITY<br />

LIBRARY<br />

by Craig Kallendorf<br />

The collection that this book<br />

is based on consists of over 700<br />

titles of editions of the Roman<br />

poet Virgil, with items ranging<br />

from the first printed edition<br />

(Rome, 1469) to the present, focusing on material published in the early<br />

modern period. This collection was formed by Junius Spencer Morgan,<br />

the nephew of the financier J.P. Morgan. Morgan’s interest in Virgil was<br />

undoubtedly encouraged during his student days at Princeton and reflects<br />

his efforts to obtain the best copies he could find of items noteworthy for<br />

their scholarship, their illustrations, or their place in publishing history.<br />

The result is one of the largest collections of early printed editions of<br />

Virgil in the world, a collection whose balance and integrity make it the<br />

proper beginning place for research in this field.<br />

2009, hardcover, dust jacket, 8.5 x 11 inches, 544 pages<br />

ISBN 9781584562634, Order No. 100481, $95.00<br />

GORE VIDAL<br />

A Bibliography, 1940–2009<br />

by Steven Abbott<br />

This bibliography documents all phases of Vidal’s ongoing<br />

work, focusing on Vidal from 1940 through June 2009.<br />

More than 400 of his contributions to periodicals are listed.<br />

The appendices include a chronology of Vidal’s life, a table of essay titles, a<br />

table of small press appearances, a selection of critical works about him, and<br />

a listing of his work as an actor. Close to 700 images of covers and title pages<br />

are included in grayscale in Volume I, and more than 1,000 are included in<br />

color on the accompanying CD-ROM.<br />

2009, hardcover, dust jacket, 8.5 x 11 inches, 516 pages plus CD-ROM<br />

ISBN 9781584562207, Order No. 96674, $195.00<br />

Series Americana<br />

Post Depression-Era<br />

Regional Literature,<br />

1938–1980<br />

A Descriptive Bibliography<br />

by Carol Fitzgerald<br />

The thirteen series highlighted<br />

in this book were published<br />

from 1940 to 1980 and<br />

contain 163 titles, providing a<br />

broad representation of series<br />

Americana published during<br />

this span. Taken together,<br />

they constitute a unique and<br />

compelling self-portrait of<br />

America. Each of the thirteen sections contains an introduction and publishing<br />

history, brief biographical sketches of the series editors, authors,<br />

and illustrators, a precise bibliographical description of the first edition/<br />

first printing of each title in the series, a tabulation of the number of<br />

reprints, and a listing of other works by the book’s author. There are 242<br />

biographical sketches altogether. With this wealth of relevant information,<br />

the books in these series function as guides to the regions or subjects<br />

they address.<br />

2009, hardcover, dust jacket, 6 x 9 inches, 2 volumes, 1028 pages<br />

ISBN 9781584562528, Order No. 96683, $125.00<br />

Co-published with the Library of Congress Center for the Book<br />

The Rivers of America<br />

A Descriptive Bibliography<br />

by Carol Fitzgerald<br />

This bibliography is the most comprehensive work<br />

ever published on the historical series of books called The<br />

Rivers of America. This important series of sixty-five titles<br />

was published from 1937 to 1974, and most have been reprinted, some of<br />

them many times. Each book focused on one of the nation’s major rivers or<br />

river systems and captured its spirit, folklore and history as never before. This<br />

work presents complete bibliographical descriptions of the nearly 400 printings<br />

of the 65 titles that make up the series.<br />

2001, hardcover, dust jacket, 6 x 9 inches, 2 volumes, 1002 pages<br />

ISBN 9781584560326, Order No. 61955, $125.00<br />

Co-published with the Library of Congress Center for the Book<br />

800-996-2556 www.oakknoll.com oakknoll@oakknoll.com


<strong>Oak</strong> <strong>Knoll</strong> <strong>Press</strong>—Bibliography 37<br />

JOHN UPDIKE<br />

A Bibliography of Primary and Secondary<br />

Materials, 1948–2007<br />

by Jack De Bellis and Michael Broomfield<br />

with a foreword by John Updike<br />

This definitive guide to materials by and about this prolific<br />

American author consists of a printed first volume and<br />

a second volume on CD-ROM. The printed volume lists all primary source<br />

material and features over 500 images of book covers. Volume II contains<br />

entries for material about Updike, several appendices, and full-color versions<br />

of images appearing in the printed volume.<br />

2007, hardcover, dust jacket, 8.5 x 11 inches, 624 pages<br />

ISBN 9781584561958, Order No. 92254, $195.00<br />

J.R.R. Tolkien<br />

A Descriptive Bibliography<br />

by Wayne G. Hammond<br />

This is the first descriptive bibliography of J.R.R. Tolkien,<br />

one of the most popular writers of the twentieth century.<br />

There are eight pages of plates, a chronology and an index.<br />

This bibliography will become a standard reference book for<br />

scholars, librarians, booksellers and collectors whose already keen interest in<br />

Tolkien continues to grow.<br />

2002, hardcover, 6 x 9 inches, 448 pages<br />

ISBN 9780938768425, Order No. 36406, $94.00<br />

BIBLIOGRAPHIA OZIANA<br />

A Concise Bibliographical Checklist of the Oz<br />

<strong>Books</strong> by L. Frank Baum and his Successors<br />

by Peter E. Hanff and Douglas G. Greene<br />

Serves as the standard reference work that sorts out the<br />

complex printing history of each of the original forty Oz<br />

books by L. Frank Baum and his successors. In addition, this<br />

book includes full descriptions of their Oz-related works. 136 photographic<br />

illustrations complement the textual descriptions, making it particularly helpful<br />

to those who are new to the field.<br />

2002, paperback, 5.5 x 8.5 inches, 146 pages<br />

ISBN 1930764022, Order No. 86827, $30.00<br />

Distributed for the International Wizard of Oz Club<br />

James ingram Merrill<br />

A Descriptive Bibliography<br />

by Jack W.C. Hagstrom and Bill Morgan<br />

This comprehensive bibliography, covering James<br />

Merrill's entire life, was prepared with the cooperation of the<br />

poet himself. All books, periodicals, recordings, translations,<br />

critical and biographical appearances are listed here. A special feature of the<br />

book also reproduces the full text of previous uncollected poems and prose<br />

by Merrill.<br />

2009, hardcover, 8.5 x 11 inches, 436 pages<br />

ISBN 9781584562641, Order No. 100482, $95.00<br />

Other <strong>Books</strong> about <strong>Books</strong><br />

The mysterious<br />

marbler<br />

With an Introduction, Notes<br />

on the English Marbling<br />

Tradition, and Thirteen<br />

Original Marbled Samples by<br />

Richard J. Wolfe<br />

by James Sumner<br />

This printing of James Sumner’s<br />

1854 marbling manual includes a<br />

new preface by Richard J. Wolfe.<br />

A further note on the English<br />

marbling tradition and thirteen<br />

tipped-in original examples of<br />

marbled papers by Wolfe have also<br />

been added. Sumner discusses the<br />

little-known history of paper marbling prior to the nineteenth century.<br />

Sumner’s text includes specific information on various types of marbling<br />

and precise recipes for their creation. Sumner’s original pamphlet had no<br />

exhibit samples attached. Wolfe added thirteen samples of marbled paper<br />

that were possibly created by Sumner himself, or by John Hargreaves, his<br />

associate, for the 1976 printing. The cover is a facsimile reproduction<br />

of an original nineteenth-century English marbled paper in the editor’s<br />

collection.<br />

2009, hardcover, 5.25 x 7.75 inches, 132 pages<br />

ISBN 9781584562696, Order No. 103080, $60.00<br />

The peaceable<br />

and prosperous<br />

regiment of<br />

blessed queene<br />

elisabeth<br />

A Facsimile from<br />

Holinshed’s Chronicles (1587)<br />

edited with introduction<br />

by Cyndia Susan Clegg<br />

with textual commentary<br />

by Randall McLeod<br />

Holinshed’s Chronicles contains<br />

one of the few accounts<br />

of Elizabeth’s reign written<br />

during her lifetime. This facsimile<br />

edition, a compilation<br />

based on this portion of the Chronicles in copies in the Huntington’s collection<br />

as well as the British Library and Cambridge University Library,<br />

documents the censorship and demonstrates that it occurred in three stages.<br />

The Chronicles is also a rich source for the study of printing practices.<br />

The base text chosen by the editors, an unusual copy in the Huntington<br />

Library, contains the largest sample of proofmarkings that survive from<br />

the sixteenth century.<br />

2005, hardcover, 12.25 x 16.25 inches, 580 pages<br />

ISBN 9780873281614, Order No. 103769, $325.00<br />

Distributed for the Huntington Library<br />

800-996-2556 www.oakknoll.com oakknoll@oakknoll.com


38 <strong>Oak</strong> <strong>Knoll</strong> <strong>Press</strong>—Other <strong>Books</strong> about <strong>Books</strong><br />

“ The good<br />

education of<br />

youth”<br />

Worlds of Learning in the<br />

Age of Franklin, An Essay<br />

Collection and Exhibition<br />

Catalogue with a Photo<br />

Essay, “Early Schoolhouses<br />

in the Delaware Valley”<br />

edited and with an introduction<br />

by John H. Pollack<br />

The essays in this collection<br />

look in detail at Franklin’s<br />

projects for education alongside<br />

educational plans by and for<br />

Quakers, African Americans,<br />

women, German Americans, and the other populations of Pennsylvania<br />

and the region from the colonial era through the early national period.<br />

The exhibition surveys the educational landscape of the period and provides<br />

a vital context for understanding the importance, originality, and<br />

ongoing relevance of Franklin’s vision. An accompanying photographic<br />

essay assembles for the first time images of numerous surviving school<br />

buildings in the Delaware Valley.<br />

2009, hardcover, dust jacket, 8.5 x 11 inches, 352 pages<br />

ISBN 9781584562627, Order No. 100470, $49.95<br />

Co-published with The University of Pennsylvania Libraries<br />

FROM FLOCK BEDS TO<br />

PROFESSIONALISM<br />

A History of Index-Makers<br />

by Hazel K. Bell<br />

with a preface by David Crystal<br />

Hazel Bell presents brief biographies of 65 individual<br />

practitioners, the makers of indexes, from the fifteenth to the<br />

twentieth century, considering their working methods, techniques, training,<br />

remuneration, lives, and personalities. Bell outlines in “Banding Together” the<br />

history of groups and societies of indexers up to 1995, the year she sees as<br />

the end of print-only indexing.<br />

2008, hardcover, dust jacket, 6 x 9 inches, 348 pages<br />

ISBN 9781584562283, Order No. 96599, $95.00<br />

Available in the UK from HKB <strong>Press</strong><br />

Following Pausanias<br />

The Quest for Greek Antiquity<br />

edited by Maria Georgopoulou, Celine Guilmet, Yanis<br />

A. Pikoulas, Konstantinos Sp. Staikos and George Tolias<br />

Following Pausanias is a study of Pausanias’s ten-book<br />

travelogue Hellados Periegesis, which describes Greece as he<br />

experienced it in the second century. The volume is beautifully produced and<br />

illustrated, with color or black-and-white images. The work concludes with a<br />

useful bibliography and index. English translation by Deborah Kazazi.<br />

2007, hardcover, 8.5 x 11 inches, 253 pages<br />

ISBN 9781584562092, Order No. 94929, $75.00<br />

Co-published with Kotinos Publications, Athens.<br />

Martino Publishing<br />

www.martinopublishing.com<br />

Martino Publishing issued its first reprint in 1990. Over fifteen years and more than 500 titles later, they are still engaged in the<br />

reprinting of out-of-print reference books for the antiquarian book trade, at a rate of approximately 50–75 titles per year.<br />

HISTORIA Y BIBLIOGRAFIA DE<br />

LA IMPRENTA EN EL ANTIGUO<br />

VIREINATO DEL RIO DE LA PLATA<br />

by Jose Toribio Medina<br />

This volume is a comprehensive bibliography<br />

of colonial imprints in Paraguay, Cordoba del<br />

Tucuman, Buenos Aires, and Montevideo.<br />

2009, hardcover, 8.25 x 11 inches, 674 pages<br />

Order No. 104108, $110.00<br />

HISTORY OF PRINTING IN<br />

COLONIAL MARYLAND 1686–1776<br />

by Lawrence C. Wroth<br />

This is a reprint of one of the most exhaustive<br />

studies of the printing press and literature of<br />

Colonial Maryland. This work will rank as one<br />

of the great contributions to the history of colonial<br />

American literature. 372 items are meticulously<br />

described.<br />

2010, hardcover, 6.5 x 9 inches, 275 pages<br />

Order No. 104674, $60.00<br />

HAND-LISTS OF BOOKS PRINTED<br />

BY LONDON PRINTERS, 1501–1556<br />

by E.G. Duff, W.W. Greg, R.B. McKerrow,<br />

H.R. Plomer, A.W. Pollard, and R. Proctor<br />

This reprint of the 1913 first edition lists all<br />

known printers active in the London book trade<br />

from 1501–1556. This bibliography describes<br />

hundreds of books by author, title, date and<br />

location.<br />

2009, hardcover, 6.5 x 10 inches, 214 pages<br />

Order No. 104103, $60.00<br />

CATALOGUE OF BOOKS IN THE<br />

LIBRARY OF THE ALPINE CLUB<br />

Reprint of 1899 edition published by<br />

Edinburgh University <strong>Press</strong>. The Alpine Club has<br />

one of the most extensive collections of Alpine<br />

books. This catalogue describes 2,500 books in<br />

the collection.<br />

2009, hardcover, 6.5 x 9 inches, 223 pages<br />

Order No. 104290, $65.00<br />

800-996-2556 www.oakknoll.com oakknoll@oakknoll.com<br />

DICTIONNAIRE DES OUVRAGES<br />

ANONYMES ET PSEUDONYMES<br />

PUBLIÉS PAR DES RELIGIEUX DE<br />

LA COMPAGNIE DE JÉSUS<br />

by Carlos Sommervogel<br />

Reprint of the 1884 first edition . Carlos<br />

Sommervogel was a French Jesuit scholar. He<br />

was author of the monumental Bibliothèque<br />

de la Compagnie de Jésus, which served as one<br />

of the major references for the editors of the<br />

Catholic Encyclopedia. In 1884, he published his<br />

Dictionnaire des ouvrages anonymes et pseudonymes publiés<br />

par des religieux de la Compagnie de Jésus. This bibliography<br />

contains 7,500 entries that cover authors<br />

and their publications.<br />

2009, hardcover, 6.5 x 9 inches, 1398 pages<br />

Order No. 104675, $85.00


Index<br />

Abbott, Steven 36<br />

ABC for Book Collectors 25<br />

ABC of Bookbinding 27<br />

ABC of Leather Bookbinding 26<br />

Accomplished Paper Colorer 28<br />

AdVenture Publishing 13<br />

Alderson, Brian 29<br />

Alexander Anderson 34<br />

Alison, Jennifer 18<br />

American Antiquarian Society<br />

18, 34<br />

American Book Design & William<br />

Morris 32<br />

American Historical Print Collectors<br />

Society 22, 34<br />

American Metal Typefaces 31<br />

American Proprietary Typefaces 31<br />

American Signed Bindings through<br />

1876 27<br />

Amos Doolittle 34<br />

Angus and Robertson 18<br />

Antonio Millo Isolario 13<br />

Architectural Photoreproductions 24<br />

Armstrong, Catherine 28<br />

Arnold, John 30<br />

Arthur W. Rushmore 30<br />

Baker, William 11<br />

Baldwin, Christopher Columbus<br />

18<br />

Baltimore Bibliophiles at Fifty 25<br />

Barker, Nicolas 25<br />

Bartram, Alan 31<br />

Be Merry and Wise 29<br />

Beckham, Stephen Dow 35<br />

Bell, Hazel K. 38<br />

Benjamin Franklin 29<br />

Bennett, Stuart 27<br />

Berger, Sidney E. 28<br />

Bewick, Thomas 6<br />

Bibliographia Oziana 37<br />

Bibliographical Society 22, 27<br />

Bibliographical Society of Australia<br />

and New Zealand 18<br />

Biblioteca Nazionale Marciana<br />

25<br />

Blocker, Mare 15<br />

Bodleian Library 10<br />

Book Art Object 31<br />

Book as a Work of Art 30<br />

Book Typography 32<br />

Book Typography: A Designer’s<br />

Manual 32<br />

Bookbinders at Work 27<br />

Bookbinding & Conservation 16<br />

Bookbinding & Conservation by<br />

Hand 26<br />

<strong>Books</strong> about <strong>Books</strong> 30<br />

<strong>Books</strong> as History 25<br />

<strong>Books</strong> for Sale 29<br />

<strong>Books</strong> of Venice 25<br />

<strong>Books</strong> on Art in Early America 35<br />

Boston Athenaeum 25<br />

Bowers, Fredson 34<br />

Brandt, William H. 22<br />

Briggs, Asa 30<br />

Bringhurst, Robert 15<br />

Brinks, John Dieter 30<br />

British Book Trade 35<br />

British Library 6, 11, 17, 19-<br />

22, 25-32, 34-5<br />

Broomfield, Michael 37<br />

Bryn Mawr College Library 27<br />

Carl Larsson 33<br />

Carter, John 25<br />

Catalogue of <strong>Books</strong> in the Library of<br />

the Alpine Club 38<br />

Catalogue of <strong>Books</strong> Printed in the<br />

XVth Century 14<br />

Catalogue of Printed Maps of Greece<br />

13<br />

Catalogue of the Collection of Virgil<br />

36<br />

Causley, Monroe S. 30<br />

Center Broadsides Reading Series 15<br />

Center for Book Arts 15<br />

Chester River <strong>Press</strong> 12<br />

Cinnamon Bay Sonnets 15<br />

Classici Che Hanno Fatto L’Italia 5<br />

Clegg, Cyndia Susan 37<br />

Cloud, Gerald 8<br />

Clouse, Doug 31<br />

Code(X)+1 Monograph Series 32<br />

Complete Work of Thomas Bewick 6<br />

Cooke, Simon 19<br />

Coptic and Collage 15<br />

Covens & Mortier 14<br />

Cruz, Laura 30<br />

Dark Page, Dark Page II 35<br />

Darley, Stephen 21<br />

Davis, Paul Preston 33<br />

Day, Matthew 28<br />

De Bellis, Jack 37<br />

De Simone, Daniel 34<br />

Design and Printing of Ephemera 29<br />

Diary of a Madman 15<br />

Dictionnaire Des Ouvrages Anonymes<br />

38<br />

Disbound and Dispersed 29<br />

Doing Something for Australia 18<br />

Dow Beckham, Stephen 35<br />

Dumontet, Carlo 19<br />

Dutch Decorated Bookbinding 14<br />

Early Printing in Saint Vincent 29<br />

Edward Seymour 28<br />

Egmond, Marco Van 14<br />

Elegant Hand 33<br />

Eloquent Witnesses 27<br />

Encyclopedia of the Book 26<br />

Ernest Hemingway 20<br />

Etherington, Don 16<br />

Fanfrolico <strong>Press</strong> 30<br />

Farren, Donald 25<br />

Field & Tuer 21<br />

Fine Bookbinding 17<br />

Fitzgerald, Carol 36<br />

Five Hundred Years of Printing 28<br />

Fleck, Robert D. 30<br />

Following Pausanias 38<br />

Foot, Mirjam M. 17, 27<br />

Frank E. Schoonover Catalogue<br />

Raisonne 33<br />

French Renaissance Printing Types 22<br />

Frohnsdorff, Gregory 29<br />

From Flock Beds to Professionalism<br />

38<br />

Fuller, John 10<br />

Gaskell, Philip 34<br />

Georgopoulou, Maria 38<br />

Gilded Page 34<br />

Giorgio Regnani Editore 5<br />

Glaister, Geoffrey Ashall 26<br />

Globi Neerlandici 14<br />

Gogol, Nicolai 15<br />

Good Education of Youth 38<br />

Gore Vidal 36<br />

Govi, Fabrizio 5<br />

Great Libraries 26<br />

Greek Library 4<br />

Green, James N. 29<br />

Greene, Douglas G. 37<br />

Greenfield, Jane 26-7<br />

Grissom, Edgar 20<br />

Guide to the Work of Jessie M. King<br />

34<br />

Hagstrom, Jack W.C. 37<br />

Hamilton Wood Type 31<br />

Hammond, Wayne G. 37<br />

Hand-Lists of <strong>Books</strong> by London<br />

Printers 38<br />

Hanff, Peter E. 37<br />

Harris, Michael 29<br />

Headbands 26<br />

Hedi Kyle 15<br />

Hellinga, Lotte 14<br />

Hemingway, Ernest 20<br />

Henning, William E. 33<br />

Henry Davis Gift 17<br />

HES & DE GRAAF 3, 14,<br />

23-4<br />

Hille, Jenny 26<br />

Hinks, John 28<br />

Hirshfield, Jane 15<br />

Historia y Bibliografia de la Imprenta<br />

38<br />

Historical Scripts 33<br />

History of English Craft Bookbinding<br />

27<br />

History of Longmans and Their<br />

<strong>Books</strong> 30<br />

History of Printing in Colonial<br />

Maryland 38<br />

History of the Library 3<br />

Homer 12<br />

Howard Pyle 33<br />

Howard-Hill, T.H. 35<br />

Hudson, Graham 29<br />

Ichiyama, Dennis 31<br />

Iliad and Odyssey 12<br />

Illustrated Periodicals of the 1860s<br />

19<br />

Imholtz, August A., Jr. 25<br />

Interpretive Wood-Engraving 22<br />

Ioannou, Sylvia 13<br />

Irish Type Design 7<br />

Istoriato 15<br />

J.R.R. Tolkien 37<br />

James Ingram Merrill 37<br />

Janssen, Frans A. 14<br />

John Fuller & the Sycamore <strong>Press</strong> 10<br />

John Rodker’s Ovid <strong>Press</strong> 8<br />

John Updike 37<br />

Johnson, Arthur W. 26<br />

Johnson, Kevin 35<br />

Johnston, Alastair M. 31<br />

Jones, Howard 14<br />

Jury, David 32<br />

Kallendorf, Craig 36<br />

Kaufman, Andrew 15<br />

Kelmscott Chaucer Census 9<br />

Kinsella, Thomas E. 27<br />

Kipling, Rudyard 20<br />

Kissel, Eléonore 24<br />

Knight, Jesse F. 21<br />

Knight, Stan 33<br />

Koch, Peter 32<br />

Kok, Hans 14<br />

Krogt, P. van der 14<br />

Larkin, Jack 18<br />

Last of the Great Swashbucklers 21<br />

Leadenhall <strong>Press</strong> 21<br />

Leroy, David H. 36<br />

Letterpress Printing 28<br />

Leutz, Pamela Train 16<br />

Lhotka, Edward R. 26<br />

Lindsay, Jen 17<br />

Line, Shade and Shadow 24<br />

Literature of Collecting 25<br />

Literature of the Lewis and Clark<br />

Expedition 35<br />

Loeber, E.G. 28<br />

Loy, William E. 31<br />

Mackellar, Smiths & Jordan 31<br />

Mandelbrote, Giles 29<br />

Maravelas, Paul 28<br />

McGrew, Mac 31<br />

McGuinne, Dermot 7<br />

Medina, Jose Toribio 38<br />

Meriton, John 19<br />

Middleton, Bernard C. 26-7<br />

Mitchell, Michael 32<br />

Moran, Bill 31<br />

Morgan, Bill 37<br />

Mr. Lincoln’s Book 36<br />

Musa Talia 25<br />

Myers, Robin 29<br />

Mysterious Marbler 37<br />

National Print Museum 7<br />

New Introduction to Bibliography 34<br />

New World Suite Number Three 15<br />

New York Botanical Garden 24<br />

Nickell, Joe 33<br />

Nineteenth-Century American<br />

Designers 31<br />

Notaker, Henry 23<br />

O’Brien, Donald C. 34<br />

Ovid <strong>Press</strong> 8<br />

Oyens, Felix de Marez 29<br />

Pankow, David 31<br />

Paper Mould and Mouldmaker 28<br />

Paper, Art and the Book 15<br />

Paradox of Prosperity 30<br />

Peaceable and Prosperous Regiment 37<br />

Pearson, David 25<br />

Pen, Ink, & Evidence 33<br />

Periodicals and Publishers 28<br />

Peterson, Sylvia Holton 9<br />

Peterson, William S. 9<br />

Place in My Chronicle 18<br />

Pollack, John H. 38<br />

Pollard, A.W. 35<br />

Pomeroy, Jane R. 34<br />

Pon, Lisa 25<br />

Pope, Alexander 12<br />

Present: Twelve Poems 15<br />

Price, Lois Olcott 24<br />

Principles of Bibliographical Description<br />

34<br />

Printed Cookbooks in Europe 23<br />

Printed Greek Book 29<br />

Printers’ & Publishers’ Marks in<br />

<strong>Books</strong> 23<br />

Printing Historical Society 22<br />

Printing the Classical Text 14<br />

Printing Types 31<br />

Private Libraries Association 30<br />

Provenance Research in Book History<br />

25<br />

Rafaeli, Ari 32<br />

Redgrave, G.R. 35<br />

Repair of Cloth Bindings 26<br />

Restoration of Leather Bindings 26<br />

Richards, David Alan 20<br />

Rinehart, Benjamin D. 15<br />

Rivers of America 36<br />

Roberts, Ryan 10<br />

Robertson, George 18<br />

Rodker, John 8<br />

Rosendorf, Theodore 32<br />

Rudyard Kipling 20<br />

Sabatini, Rafael 21<br />

Sailing for the East 14<br />

Saxe, Stephen O. 31<br />

Schilder, Gunter 14<br />

Schimmelman, Janice G. 35<br />

Schoonover, John 33<br />

Series Americana 36<br />

Seven Perspectives of the Woodcut 34<br />

Short-Title Catalogue of <strong>Books</strong> 35<br />

Sklavenitis, T. 29<br />

Sloat, Caroline 18<br />

Small <strong>Books</strong> for the Common Man 19<br />

Smith, Louise Schoonover 33<br />

Sommervogel, Carlos 38<br />

Spawn, Willman 27<br />

Staikos, Konstantinos Sp. 3-4,<br />

23, 26, 29, 38<br />

Stallybrass, Peter 29<br />

Steinberg, S.H. 28<br />

Stoppard, Tom 11<br />

Storm Van Leeuwen, Jan 14<br />

Style, Robert 31<br />

Sumner, James 37<br />

Sweet Land of Cyprus 13<br />

Sycamore <strong>Press</strong> 10<br />

Tattersfield, Nigel 6<br />

Technique & Design in the History of<br />

Printing 14<br />

Thompson, Susan Otis 32<br />

Thread That Binds 16<br />

Ticket Licket 15<br />

Ticketed Bookbindings 27<br />

Tom Stoppard 11<br />

Topjon, Ann J. 33<br />

Trade Bookbinding in the British<br />

Isles 27<br />

Tselikas, Agamemnon 13<br />

Typeforms: A History 31<br />

Typographic Desk Reference 32<br />

Updike, Daniel Berkeley 31<br />

Vale <strong>Press</strong> 30<br />

Vervliet, Hendrik D.L. 7, 22<br />

Vigneaur, Erin 24<br />

Vollkommne Papierfärber 28<br />

Wachs, Gerald N. 11<br />

Watry, Maureen M. 30<br />

Wendorf, Richard 25<br />

White, Colin 34<br />

Whitley, Kathleen P. 34<br />

Wightman, Susan 32<br />

Winterthur Museum 24<br />

Wolfe, Richard J. 28, 37<br />

Wroth, Lawrence C. 38<br />

Young, Laura S. 26<br />

Young, Matthew McLennan 21<br />

Zacharakis, Christos G. 13<br />

Zauft, Richard 31<br />

800-996-2556 www.oakknoll.com oakknoll@oakknoll.com


<strong>Oak</strong> <strong>Knoll</strong> <strong>Press</strong><br />

310 Delaware Street<br />

New Castle, DE 19720<br />

www.oakknoll.com

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