Make a Difference - Ideas for including disabled people in ... - Ofcom
Make a Difference - Ideas for including disabled people in ... - Ofcom
Make a Difference - Ideas for including disabled people in ... - Ofcom
You also want an ePaper? Increase the reach of your titles
YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.
8<br />
9<br />
Disabled <strong>people</strong> as presenters<br />
“Dur<strong>in</strong>g my time as a television reporter and presenter my disability has<br />
never been an issue. There has always been an assumption that I can do<br />
pretty well anyth<strong>in</strong>g and everyth<strong>in</strong>g. Travell<strong>in</strong>g by plane or tra<strong>in</strong> requires<br />
a bit of pre-plann<strong>in</strong>g because I use a powered wheelchair - but apart from<br />
that we always f<strong>in</strong>d a way of gett<strong>in</strong>g the job done.”<br />
Presenter/BCIDN Disabled Associate<br />
• Interview or audition at least one presenter with a disability as part of a new<br />
presenter team<br />
• <strong>Make</strong> sure one presenter <strong>in</strong> the new generation present<strong>in</strong>g team is <strong>disabled</strong><br />
• Create a programme vehicle <strong>for</strong> a specific <strong>disabled</strong> person<br />
• Feature <strong>disabled</strong> presenters without reference to their disability<br />
The Office, BBC<br />
Disabled <strong>people</strong> as cast members<br />
“It was a conscious decision to <strong>in</strong>clude a <strong>disabled</strong> character <strong>in</strong> the second<br />
series of The Office. The Brent-Meister General’s world of fake PC was an<br />
ideal environment <strong>in</strong> which to explore this territory.”<br />
Ricky Gervais, actor and writer<br />
“TV is a great way of gett<strong>in</strong>g <strong>people</strong> to th<strong>in</strong>k about disability. If <strong>people</strong><br />
see <strong>disabled</strong> <strong>people</strong> on Coronation Street, they get used to see<strong>in</strong>g them<br />
and eventually they become part of the fabric of all programmes.”<br />
Elspeth Morrison, disability equality tra<strong>in</strong>er<br />
• Look at series development criteria and <strong>in</strong>clude disability;<br />
• Create a character with a disability <strong>in</strong> a soap, or allow an<br />
exist<strong>in</strong>g character to acquire a disability, then play the story <strong>for</strong> realism;<br />
• Encourage writers to <strong>in</strong>clude disability <strong>in</strong> a drama/soap – especially parts<br />
<strong>for</strong> <strong>disabled</strong> actors;<br />
• Cast <strong>disabled</strong> actors as leads, <strong>in</strong>cidental characters or as extras, not just as a plot device;<br />
• Include disability criteria <strong>in</strong> select<strong>in</strong>g writers <strong>for</strong> writ<strong>in</strong>g development schemes;<br />
• Use the Spotlight directory of <strong>disabled</strong> talent to f<strong>in</strong>d <strong>disabled</strong> actors who<br />
are Equity members (see page 23);<br />
• Set up or lobby <strong>for</strong> a <strong>disabled</strong> per<strong>for</strong>mers’ database <strong>in</strong> your company;<br />
• Actively look out <strong>for</strong> <strong>disabled</strong> actors and then try to develop a part <strong>for</strong> them;<br />
• Encourage agents to represent <strong>disabled</strong> as well as non-<strong>disabled</strong> artists and extras;<br />
• Tell agents that you are keen to <strong>in</strong>clude <strong>disabled</strong> talent <strong>in</strong> your programmes;<br />
• <strong>Make</strong> sure your audition and rehearsal spaces and studios are accessible;<br />
• Consider reasonable adjustments such as <strong>in</strong>terpreters, or scripts <strong>in</strong> large pr<strong>in</strong>t.