Head of Playwriting - Columbia Stages

new Plays now 

2012 

Columbia university sChool of the arts 

theatre arts

Allow me to introduce eleven bold, brave playwrights 

challenging what it is to make theatre in this new century 

both in terms of who and what they write about and 

the form they choose to write it in. 

Don’t look for one kind of play, but a collection of plays as 

diverse as New York itself. And don’t look for one kind 

of playwright. Think of them as an international collective 

that’s been meeting up at Columbia these past few 

years bashing out work driven by passion rather than seeking 

to conform to easy definition. They are as diverse as 

this list of their mentors, chosen by this year’s playwrights 

individually, including: David Auburn, Leslie Ayvazian, 

Lee Breuer, Sidi Larbi Cherkaoui, David Grimm, Tina Howe, 

Lisa Kron, David Lindsay-Abaire, and Craig Lucas. 

We hope you’ll see the work of these artists premiering 

this spring at the Annex at New York Theatre Workshop 

(East 4th Street Theatre). 

Chuck Mee, Head of Playwriting 

Columbia University School of the Arts 

ii

CONTENTS 

2 simone marie martelle, Damaged (april 4–7) 

3 Kyoung h. Park, Tala (april 8–10) 

4 marine sialelli, Looking for Beethoven (april 11–15) 

5 tatiana rivera, Finding Damascus (april 12–15) 

6 Danny mitarotondo, Orchestra (april 13–17) 

7 David rosar stearns, Conversations in the Mermaid Café (april 18–22) 

8 Julia may Jonas, Lake Coordination (april 19–22) 

9 samantha Chanse, Marian Jean (april 20–24) 

10 Caroline Prugh, Betwixt Them Made (april 25–28) 

11 lila feinberg, Vertebrae (april 26–28) 

12 naïma Kristel Phillips, Birthday Triage (march 7–10) 

13 festival Calendar 

Columbia University School of the Arts presents an 

annual festival of new plays by emerging artists from 

the MFA Theatre Arts Program. Taught by a faculty 

of internationally renowned creators, practitioners, 

producers, and scholars, the program provides students 

with the foundation for a career in professional 

theatre, with programs in acting, directing, playwriting, 

dramaturgy, stage management, and theatre manage- 

ment and producing. Presented annually, these 

productions are a laboratory for students’ dramatic 

experimentation and a glimpse—for theatre-goers— 

of what’s next. 

New Plays Now is made possible with the generous 

donations of: 

The Howard Stein New Play Fund 

The Edward John Noble Foundation 

The Katherine and Gilbert Miller Fund 

Columbia Stages is the producing arm of the 

Oscar Hammerstein II Center for Theatre Studies at 

Columbia University School of the Arts. 

Unless otherwise noted, performances are held at 

4th Street Theatre 

83 East 4th Street 

New York, NY 10003 

All performances are free and open to the public. 

You may make reservations for all events at 

www.columbiastages.org. 

All photos by Jörg Meyer 

1

Fine wine, finger foods, and silly 

affairs: this is what occupies the lives 

of Richard and Kathy as they entertain 

friends for their own self-interests. 

Meanwhile upstairs, a secret will 

fester and grow, threatening to leave 

nothing left but stale appetizers. 

Wednesday, April 4 at 2:30pm 

Thursday, April 5 at 7:30pm 

Saturday, April 7 at 7:30pm 

2 

Damaged 

New Plays Now 

SimONE mariE marTEllE 

Simone loves animals, reading about international 

affairs, learning to cook and daydreaming about 

traveling. She loves to write plays, movies, books and 

articles about the world. As a challenge, she tries 

to find a way to incorporate animals, food and her 

hometowns in every play she writes. 

by simone marie martelle — mentored by DaviD linDsay-abaire 

Writer, director, and journalist, Simone Marie Martelle 

grew up in Toulouse, France, received her BSc. in 

International Relations from the London School of 

Economics. Other work: The Three Bears (SF Fringe 

Fest; Kitchen Dog Finalist; Manhattan Rep), 

Pro Patria Mori (Manhattan Rep), Adieu My Sunshine 

(Outstanding Play Award - Curan Rep; Hovey 

Players Summer Shorts), Runs in the Family (Finalist- 

Minnesota Short Play Fest 2010), Fugue for the 

Condemned (Columbia Schapiro), Kill (Kennedy 

Center Nominee 2009), Not Figs (13th Street Rep), 

The Big Carrot, Café Americain and Leaving Wadena. 

Memberships: Dramatist Guild (Student), The 

Playwright Center & TCG (Individual Member). 

Simone has interned at The New Group, TCG, WOR 

710 NewsTalk Radio, Condé Nast Traveler magazine 

and Bon Appétit. She currently works as a Staff Writer 

& Theatre Columnist at Inside New York and writes 

the blog, The Outside Observer (www.the-outsideobserver.com). 

After finishing her MFA at Columbia, 

Simone will spend the upcoming year getting her 

second masters in Journalism. For more info about her, 

visit www.simonemartelle.com.

KyOuNg H. ParK 

Kyoung was born and raised in Santiago, Chile and 

moved to New York in 2000. The War on Terror and 

9/11 led him to write political plays; he is currently 

expanding his artistic discipline to include writing 

multi-cultural dialogue and directing interdisciplinary 

collaborations for the theatre. 

Tala 

Written and Directed by Kyoung h. ParK — mentored by lee breuer 

Rafael, Natalia, and Daniel are three 

actors rehearsing Tala, a play about 

Kyoung, a playwright struggling 

to direct his play about Pepe and Lupe, 

two Chilean lovers who are out on a 

date, in the middle of a desert in 

the island of Chiloé. Tala is an absurd 

tragicomedy—a surreal collage 

of satirical sketches based on Samuel 

Beckett’s works and letters; poems 

written by Chilean poets Pablo Neruda 

and Gabriela Mistral; and autobiographical 

monologues. 

Sunday, April 8 at 7:30 pm 

Monday, April 9 at 2:30 pm 

Tuesday, April 10 at 7:30 pm 

The Mabou Mines Studio at PS 122 

150 First Avenue at East 9th Street 

Reservations: amanda@pacificbeatcollective.org 

Kyoung H. Park is author of Sex and Hunger (Access 

Theater), disOriented (Theatre C, Princess Grace 

Special Projects Grant), Walkabout Yeolha (Columbia 

Stages), Heartbreak/India (Soho Theatre attachment), 

The Diamond Trade (La MaMa Moves!), and many 

short plays including Mina (upcoming publication 

in Seven Contemporary Korean Plays from the Korean 

Diaspora in the Americas, Duke Univ. Press). His plays 

have been presented Off/Off-Broadway by EST, Vital 

Theatre, Ma-Yi Theatre, Diverse City, 2G, and the 

Royal Court Theatre in London. A UNESCO-Aschberg 

Laureate, Kyoung has received the Edward Albee, 

Global Arts Village, and Theater of the Oppressed 

fellowships as well as grants from the Arvon, GK foundation, 

and Vermont Studio Center, and he is currently 

a Dean’s Fellow at Columbia University School of 

the Arts. He is a member of the Ma-Yi Writer’s Lab, 

EST’s Youngblood, and Soho Theater’s Hub, and 

he holds a BFA in dramatic writing from NYU and an 

MA in peace and global governance from Kyung Hee 

University in Korea. Visit www.kyounghpark.com for 

more information. 

www.columbiastages.org 3

Hi there. People, I presume? 

You’re people, right? Hi. 

So. What’s going on in this play? 

Excellent question. 

This is the center of the labyrinth. 

Ergo, the center of all things. 

You know, where God is supposed 

to be. But, unfortunately for us, 

God’s not here. So we’re going after 

the next best thing. 

Wednesday April 11 at 2:30pm 

Thursday April 12 at 7:30pm 

Sunday April 15 at 7:30pm 

4 

looking for Beethoven 

New Plays Now 

mariNE SialElli 

Size shoe is 8.5. Hates cheese. Recently discovered 

the work of Haruki Murakami and wonders 

how she could ever live without it. Thinks Jiri Kylian 

is a genius. Thinks Black Swan is abominable. 

Misses the creativity of the Ballet Russes very, very 

much. Really is the worst person to talk about herself. 

by marine sialelli — mentored by leslie ayvazian 

Coming from one of those small French villages nobody 

has ever heard of, Marine Sialelli is a playwright, dancer 

and choreographer who cannot seem to be able to do 

just one thing at a time. Recent credits include Ease on 

Down with Hinton Battle at Manhattan Movement & 

Arts Center in New York City, and Night Robbery with 

RebelYard Theatre Collective in Philadelphia.

TaTiaNa rivEra 

If I’m not lost in my art, then I’ll never find my way. 

An attempt to figure out when the 

hell I broke up with Jesus and 

whether or not that decision was 

for the best. 

The single greatest cause of atheism 

in the world today is Christians, 

who acknowledge Jesus with their lips, 

then walk out the door, and deny 

Him by their lifestyle. That is what an 

unbelieving world simply finds 

unbelievable. 

—Brennan Manning 



Sunday, April 15 at 2:30pm 

Finding Damascus 

by tatiana rivera — mentored by Craig luCas 

Tatiana Rivera is a sculptor, painter, singer, crafter, 

actor, and playwright. Plays include: Both. Sides. Now, or 

buttermilk pancakes (Schapiro Studio 2010); But What 

Are You Really Saying?, or The Boob Play (13th Street 

Rep); Mother Nature (Schapiro Studio); Current Events 

B*tch: The Musical! (Schapiro Theater) with David 

Rosar Stearns; and The Brain Plays: a series of five highly 

important topics. Acting credits include: Cabaret, Once 

Upon a Mattress; Urinetown; Underground Broadway; 

Soldado Razo; Plaza Suite. Artist credits include: puppet 

construction for Eleven (Schapiro Theater); and paper 

and mosaic work for Birthday Triage (Horace Mann 

Theater). She holds a BA in theatre from the University 

of California, San Diego. 


Orchestra is the story of the birth, 

death, and afterbirth of an orchestra of 

musicians and their conductor. Part 

Two, performed this April, is the play’s 

haunting conclusion: the final live 

interview with the broken-down conductor 

at the end of life, reconstructing 

hope. The entirety of Orchestra will 

be performed this June. 

Friday, April 13 at 7:30pm 


Tuesday April 17 at 2:30pm 

6 

Orchestra 

New Plays Now 

DaNNy miTarOTONDO 

Danny was born in a crummy New Jersey town. 

As a kid, the American Dream was a real thing, not a 

concept. He wanted to be like Teddy Roosevelt. 

As soon as he could, he ran to New York to manifest 

destiny - like Teddy. 

Nine years strong, Danny is a New Yorker. He still 

believes in the American Dream. It’s just becoming a 

different America with a different dream. He hopes. 

by Danny mitarotonDo — mentored by DaviD Wiener 

Danny Mitarotondo is the founder and former artistic 

director of The Common Tongue, Inc. (TCT). Together 

with Edward Albee he produced and directed a re- 

analysis of Albee’s All Over at the Linda Gross Theater 

starring Marian Seldes and Kathleen Butler. Danny has 

also produced world-premiere plays by Lucy Thurber 

and Wendy Macleod at the Ars Nova Building, a 

play by award-winning writer Tom Cudworth at the 

Elephant in Los Angeles, as well as his own play What 

The Sparrow Said (dir. Jenna Worsham) in the New York 

International Fringe Festival. The original one-act of 

Sparrow was produced in Hanoi last summer and will 

be produced again in Romania this spring (dir. Shannon 

Fillion). Danny’s plays have been produced and developed 

at the Williamstown Theatre Festival, the Ars 

Nova Building, Theater for the New City, and Teatro 

Circulo. Danny is an Associate Teacher of Fitzmaurice 

Voicework®, an Edward F. Albee Writing Fellow, a 

Byrdcliffe artist in residence, and a graduate of the 

Atlantic Acting School and New York University. He is 

grateful to everyone who has believed in, supported, 

and collaborated with him—especially, mom.

DaviD rOSar STEarNS 

I am inspired by music, finding the stories inside the 

lyrics. I love all forms of theatre, but don’t always 

attend; I believe you have to be truly self oriented to be 

a writer. In my life I have had to write to survive and I 

survived because I write. 

Conversations in the mermaid Café 

by DaviD rosar stearns — mentored by DaviD grimm 

Ben returns to his late mother’s café 

to settle her modest estate, but things 

aren’t as simple as he thought they’d 

be. He comes to learn that the past 

is not always what we saw it as and 

the future path we think is the right 

one is not always the best for us. 



Sunday April 22 at 7:30pm 

David Rosar Stearns, originally from Buffalo, received 

his Bachelors in theatre from the University of Buffalo 

after which he moved to New York City. He worked for 

several years in all forms of theatre from directing 

to acting. Some of the companies he had the privilege 

of working with include Theater Breaking through 

Barriers, The Living Theater, The Bull, New Georges and 

the 13th Street Repertory Company. After graduation 

his plans include starting a nonprofit theatre company 

for physically and financially challenged children. 


When Linda offers shelter to homeless, 

hideous Annabelle, she fails to realize 

how the act will disrupt her retirement, 

her family, and her conceptions 

of herself as a kind, giving person. A 

play about the effects of the economy, 

the search for authenticity, strip clubs, 

book clubs, push-ups, and burqas, 

Lake Coordination examines the limits 

of compassion and asks, what is it 

we need from those whom we help? 



Sunday, April 22 at 2:30pm 

8 

lake Coordination 

New Plays Now 

Julia may JONaS 

I am interested in creating a unique idiom of theatre 

that is insightful and enthralling. 

I am interested in how one comes to impose order 

on her personal universe now that faith is not a 

mandate, but a choice. 

I try to make the work I want to see. 

by Julia may Jonas — mentored by tina hoWe 

Julia May Jonas has shown plays at venues throughout 

New York including the Ontological-Hysteric Incubator, 

PS 122, La MaMa, HERE Arts Center, Galapagos, 

BRIC, The Bushwick Starr, and University Settlement. 

Her solo show, Take Heart, the tragic tale of a child liar 

and her downfall, premiered at PS 122 in 2008. Her play 

For Artists Only premiered at the Ontological Hysteric 

Theater in 2009; it was called “Highbrow/Brilliant” 

by New York magazine and was a Backstage “Critics 

Pick.” Other full-length plays include No One is Excused 

from the Trouble of Living, The Penitent Hours, and 

Ugly Thing. Her short play Empire Today was published 

in The Brooklyn Review in 2009, and The Hanoi 

International Theater Society in Vietnam recently 

performed her one-act Somewhere in the Middle with 

Reciprocal Interest. Her 2007 play, School Days, was a 

semi-finalist for the Princess Grace Award and she was 

recently named a finalist for the 2011-12 Clubbed Thumb 

Biennial Commission. She is the artistic director of the 

company Nellie Tinder, which she founded 

in 2005 (www.nellietinder.org). With Nellie Tinder, 

her deconstructed musical, Evelyn, premiered at the 

Bushwick Starr in February of 2012. At Columbia, 

she is a recipient of the Liberace Scholarship and the 

Theatre Arts Fellowship.

SamaNTHa CHaNSE 

I’m drawn to the gray areas, contradictions, and 

under-esteemed spaces and people. I make theatre 

to explore, question, and connect with these underrepresented 

worlds. 

marian Jean 

by samantha Chanse — mentored by lisa Kron 

Benji Zhang is seeking refuge from 

her professional and personal failures 

on the green pastures of her grandmother’s 

retired dairy farm. But can 

she find any peace when mysterious 

events arrive around the anniversary 

of a childhood friend’s suicide? 

And why does it seem like the cows 

keep staring at her? Marian Jean is 

a play that questions what we believe, 

and how or why we continue. 

Friday, April 20 at 7:30pm 


Tuesday, April 24 at 2:30pm 

Samantha Chanse’s plays and performances have been 

presented with Ars Nova’s ANT Fest, Ma-Yi Theatre 

Company, Second Generation, FringeNYC, The Marsh, 

PlayGround in Residence at Berkeley Repertory 

Theater, Bowery Poetry Club, Kearny Street Workshop, 

Bindlestiff Studio, and other nonprofit art spaces & 

dimly-lit bars. A member playwright of the Ma-Yi 

Writers Lab, she is the recipient of an Individual Artist 

Commission from the San Francisco Arts Commission, 

an Artist In Motion residency from Footloose/Shotwell 

Studio, and an Emerging Artists Residency from 

Tofte Lake Center. She wrote and performed in two 

short films, Terra Cotta and Asian American Jesus, which 

have screened at film festivals nationally and internationally. 

Sam also teaches undergraduate writing at 

Columbia University, co-runs a bicoastal multidisciplinary 

artist salon called Laundry Party, and hosts an 

irregular podcast on WHFR.org. She served for a number 

of years as the artistic director of San Franciscobased 

arts nonprofit Kearny Street Workshop, and as 

co-director of Locus Arts. Her first solo play, Lydia’s 

Funeral Video, is forthcoming from Kaya Press. For more 

information, please visit www.samanthachanse.com. 


Summer 2011. Harrison Towers, 

Prospect Heights, Brooklyn. 

Two couples; one straight, one lesbian; 

early-mid thirties, no kids…yet. Driven 

by the desire to cook the perfect 

dinner and figure out life’s next chapter, 

Betwixt Them Made is a play 

about marriage and the boundaries of 

friendships, both new and old. 




10 

Betwixt Them made 

New Plays Now 

CarOliNE PrugH 

Caroline’s tastes are eclectic, from Broadway to BAM. 

To her a successful collaboration is one where 

everyone (including the playwright) strives to keep the 

interests of the play above all else. And remembers 

the audience. 

by Caroline Prugh — mentored by DaviD auburn 

Caroline Prugh is a playwright and songwriter. Plays 

include The Story About Penelope and Steven that 

Veronica Told, estate, At Daybreak, Highway Blue, Clear 

Cold Place, Night at the Big Chief Motel as well as 

the one acts Go Back, Terminal, Wonder Full, Motel 

Blue and Western Blue; and the dance/theatre pieces 

FAuLT LiNES and Evyproo’s Barbie-Q. Her short play 

Good Christian Wife was adapted for film by director 

Min Ding (Columbia University). Her work has been 

produced and/or developed in New York by Rattlestick 

Playwrights Theater, Royal Family Productions, 

Babel Theater Company, La MaMa Etc., Vital Theater, 

Captiva Arts, Random Access Theater, and Manhattan 

Shakespeare Project; regionally by Theater Offensive 

(Boston); and internationally by Nous Theater 

Productions (The Netherlands). Highway Blue was 

commissioned by Manhattan Shakespeare Project 

after a one-act version won their 2010 Emerging 

Female Playwrights Festival. Her play Night at the Big 

Chief Motel was a semi-finalist for both the 2010 

O’Neill Theater Conference and the Lark Playwrights’ 

Week. A graduate of Amherst College, before 

attending Columbia, she worked eleven years at Stuart 

Thompson Productions.

lila FEiNBErg 

It is the rocky topography of human relationships that 

intrigues Lila Feinberg. Many of her dark comedies 

are inspired by her changing address: an all-girl’s dorm; 

the room of a deceased teen; and presently, hospital 

housing for surgical residents. Her plays are like maps, 

finding the point where love, language, and locality 

intersect. 

When a group of former medical 

school friends reunite during Hurricane 

Irene weekend, the premature death 

of one of their classmates is brought 

into question. The search for answers 

forces each of them to examine the 

choices they’ve made, in the operating 

room and in the bedroom. Vertebrae 

takes a darkly comic look at commitment—in 

the face of engagement 

rings and Rx pads—when one mistake 

can have catastrophic results. 

Thursday April 26 at 2:30pm 

Friday April 27 at 7:30pm 


vertebrae 

by lila feinberg — mentored by Craig luCas 

Lila Feinberg is a playwright, screenwriter, and actress. 

Last summer, her commissioned play Night Float 

premiered at Playwrights Horizon’s Peter J. Sharp 

Theater, a process that was featured in the Wall Street 

Journal and the documentary Medicine As a Relational 

Act. Recent readings include: Monkey Bowl (Manhattan 

Theater Club studio); Heirloom (“Audience Award” 

at the Emerging Female Playwrights Voices Fest); Burnt 

Orange (Miller Theatre); The Stone Fidelity (mentored 

by Joe Kraemer and Julia Jordan); and an upcoming 

piece in The Flea’s Serials. An excerpt from her 

play Perched (Cherry Lane Studio) was published in 

the anthology What We Brought Back. She is last year’s 

recipient of the Gatsby Charitable Fund Grant and 

the Interdisciplinary Arts Council Grant. Currently, 

she is developing an adaptation for a film production 

company in LA, and a TV pilot. As an actress, she 

studied with the Moscow Art Theater, and performed 

new work at Primary Stages, Cherry Lane, 92nd St Y, 

and Symphony Space. She graduated summa cum 

laude from Barnard College. 


Presented in March as part of this 

year’s festival of directing theses, 

Birthday Triage is an interactive, multimedia 

performance in which the 

audience accompanies four characters 

on their personal journeys as their 

birthday worlds collapse and unveil 

their mythological dna. Four plays 

weave in and out of each other like dna 

strands as audience members 

glimpse into the shattered pieces of 

the characters’ lives. 

March 7–10, 2012 

Horace Mann Theatre 

Broadway between 120th and 121st streets 

12 

Birthday Triage 

New Plays Now 

Naïma KriSTEl PHilliPS 

To Naïma, theatre is about shaking the ground, making 

vibrations and being awed. It’s about portraying human 

existence, with equality among cultures, ethnicities 

and faiths. It’s about our sufferings and rejoicings, 

fantasies and fears. It’s about our need to be together… 

brief moments that last forever. 

by naïma Kristel PhilliPs — Directed by simón aDinia hanuKai 

Born and raised in Montreal, Canada, Naïma Kristel 

Phillips studied classical ballet before training as a 

performance artist at the Centre International des Arts 

de la Scène. She then moved to Paris for two years 

to practice voice performance and choreographic 

theatre with Enrique Pardo, Linda Wise, and the late 

Elizabeth Mayer at Pantheatre ACTS and the Roy Hart 

International Centre (Cévennes, France). Her playwriting 

credits include a main-stage production of her 

full-length Night Spell (Nextfest, Edmonton, Alberta) 

and My Artichoke Heart, a devised play (Dream Up 

Festival, Theater for the New City). Projects at 

Columbia include an anti-reading, installation of Time 

Suites: Camille and Rodin, and workshop presentations 

of 6 Variations in a Single Flutter, Murder of the Oak/ 

Reed and a reading of There Hangs the Knife. Naïma is 

currently writing a play for young audiences commissioned 

by the Black Theatre Workshop (Montreal, 

Quebec). She is a recipient of the 2010 Gloria Mitchell- 

Aleong Award and the Shubert Presidential Fellowship. 

Naïma is grateful to all those who made it possible for 

her to be here and feels honored to have been 

surrounded by such a thriving community of artists.

1 Sunday 

3 Tuesday 

WEEK 1 WEEK 2 

2 Monday 

Kick-Off Celebration 

Information at 

arts.columbia.edu/theatre 

4 Wednesday 

2:30pm 

Damaged, Martelle, p.2 

5 Thursday 

7:30pm 


6 Friday 

7 Saturday 

7:30pm 


8 Sunday 

7:30pm 

Tala*, Park, p.3 

9 Monday 

2:30pm 


10 Tuesday 

2:30pm 


11 Wednesday 

2:30pm 

Looking for Beethoven, 

Sialelli, p.4 

Unless otherwise noted, performances are held at 4th Street 

Theatre, 83 East 4th Street, New York, NY 10003. 

*Please note that performances of Tala are held at 

PS 122; see page 3 for details. 

Festival Calendar 

12 Thursday 

2:30pm 

Finding Damascus, Rivera, p.5 

7:30pm 


Sialelli, p.4 

13 Friday 

7:30pm 

Orchestra, Mitarotondo, p.6 

14 Saturday 

2:30pm 

Orchestra, Mitarotondo p.6 

7:30pm 

Finding Damascus, Rivera p.5 

WEEK 3 WEEK 4 

15 Sunday 

2:30pm 

Finding Damascus, Rivera, p.5 

7:30pm 


Sialelli, p.4 

16 Monday 

17 Tuesday 

2:30pm 

Orchestra, Mitarotondo, p.6 

18 Wednesday 

2:30pm 

Conversations in the Mermaid 

Café, Stearns, p.7 

19 Thursday 

2:30pm 

Lake Coordination, Jonas, p.8 

7:30pm 



20 Friday 

7:30pm 

Marian Jean, Chanse, p.9 

21 Saturday 

2:30pm 


7:30pm 


23 Monday 

25 Wednesday 

2:30pm 

Betwixt Them Made, 

Prugh, p.10 

All performances are free and open to the public. 

You may make reservations for all events at 

www.columbiastages.org. 

22 Sunday 

2:30pm 


7:30pm 



24 Tuesday 

2:30pm 


26 Thursday 

2:30pm 

Vertebrae, Feinberg, p.11 

7:30pm 


Prugh, p.10 

27 Friday 

7:30pm 


28 Saturday 

2:30pm 


7:30pm 


Prugh, p.10 

13

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New York, New York 10027 

14 

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Head of Playwriting - Columbia Stages

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