07.05.2014 Views

iconography daVid MACH - Opera Gallery

iconography daVid MACH - Opera Gallery

iconography daVid MACH - Opera Gallery

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

1<br />

<strong>daVid</strong> <strong>MACH</strong><br />

<strong>iconography</strong>


2<br />

3<br />

<strong>daVid</strong> <strong>MACH</strong><br />

<strong>iconography</strong><br />

For the first time in the history of the gallery, <strong>Opera</strong> <strong>Gallery</strong> will host a solo exhibition of Scottish artist David<br />

Mach.<br />

We have taken immense pleasure in assembling “Iconography”, an exhibition that we think is a unique<br />

occasion to discover the complex and exciting work of David Mach.<br />

Initially a sculptor, David Mach’s style consists of elegant assemblages and accumulations of mass-produced<br />

items brought together to create a unique piece of art. We strongly believe that he is an exceptionally<br />

creative artist whose work is both a genuine tribute to the 20 th century’s icons and a smart homage to<br />

contemporaneousness.<br />

For this exhibition, we have carefully selected a range of sculpture-installations and collages that are charged<br />

with energy and an unmistakable visual statement on our society.<br />

World-renowned artist and an Academician from the Royal Academy of Arts, David Mach is undoubtedly<br />

one of the most up and coming European artists.<br />

As for “Iconography”, it is our modest attempt to give an insight of his multifaceted talent and creativity.<br />

Gilles Dyan<br />

<strong>Opera</strong> <strong>Gallery</strong> Group<br />

Founder and Chairman<br />

Jean-David Malat<br />

<strong>Opera</strong> <strong>Gallery</strong><br />

Director, London


4 5<br />

bioGRAPHY Part 1<br />

Born in 1956, in Methil, Fife, Mach joined Duncan of Jordanstone College of Art in 1974 where he experimented with many of the techniques<br />

and ideas, which he has continued to develop. After graduating he was awarded a place at the Royal College of Art in London, emerging with<br />

a Masters degree in 1982. In 1988 he was nominated for the Turner Prize and ten years later he was made a Fellow of the Royal Academy<br />

of Arts, and later as a Professor of Sculpture.<br />

Over the years he has made his mark with a hectic output and a range of major art works including the Temple of Tyre in Edinburgh, the<br />

Sumo Wrestler, the Brick Train at Darlington, the Acropolis of magazines, the Big Heids off the M8, the UK’s Self Portrait - an epic collage,<br />

commissioned for the Millennium Dome, a representation of the first moonwalk in wire coat hangers and many more. A pair of Mach collages<br />

on a football theme currently feature centre space in Edinburgh’s new and highly acclaimed Weston Link, joining the Royal Scottish Academy<br />

and the National <strong>Gallery</strong> of Scotland.<br />

Mach’s artistic style is based on flowing assemblages of mass-produced found art objects. Typically these include magazines, vicious teddy<br />

bears, newspapers, car tyres, match sticks and coat hangers. One of his earliest magazine pieces, Adding Fuel to the Fire, was an installation<br />

in Barcelona, assembled from an old truck and several cars surrounded and subsumed by approximately 100 tons of magazines, individually<br />

arranged to create the impression that the vehicles were being caught in an explosion of flames and billowing smoke.<br />

In the early 1980s Mach started to produce some smaller-scale works assembled out of unstruck match sticks. These mostly took the form of<br />

human or animalistic heads and masks, with the coloured tips of the match heads arranged to construct the patterned surface of the face.<br />

An early influential sculpture, for example, was Polaris, exhibited outside the Royal Festival Hall, South Bank Centre, London in 1983. This<br />

consisted of some 6000 car tyres arranged as a lifesize replica of a Polaris submarine. Mach intended it as a protest against the nuclear<br />

arms race meant to stir controversy. A member of the public who took exception to the piece tried to burn it down, which led Mach suffering<br />

severe burns as he got caught in the fire.<br />

A second strand to his monumental installations from industrial objects, David Mach also works on his collage pieces. Partly as a result of<br />

having access to thousands of reproduced images in the magazines left over from many of his installations, Mach began to experiment with<br />

producing collages. So far, this has culminated in National Portrait, a 3 metres by 70 metres collage for the Millennium Dome that featured<br />

many images of British people at work and at play. The impressive busts His’n’Hers, created in 1999, and The Spaceman, presented in<br />

2000 in Paris and in The Hague, both demonstrate Mach’s great talent.<br />

Some of his permanent public works include Out of Order in Kingston upon Thames, the Brick Train (a depiction of an LNER Class A4 steam<br />

engine made from 185000 bricks, which can be seen near a supermarket on the A66 just outside Darlington) and the Big Heids visible from<br />

the M8 between Glasgow and Edinburgh.<br />

In October 2006, one of the highlights of the monumental sculptures shown in the Jardins des Tuileries in Paris, during the FIAC was It Takes<br />

Two, made out of two giant Sumos and one container.<br />

The leading contemporary artist and sculptor is also now the University of Dundee’s first Visiting Professor of Inspiration and Discovery.<br />

(David Mach: “This is going to be an incredible source of inspiration and discovery for me. The Life Sciences at the University of Dundee are<br />

so exciting I am sure I will be exposed to an unimaginable range of visuals and ideas. What luck to be involved in such a project.”)<br />

Mach has enormous passion, energy and a refreshingly modest approach to his work and is not afraid to court controversy.<br />

David Mach lives and works in London with his wife Lesley.


6 7<br />

bioGRAPHY Part 2<br />

1956 - Born in Methil, Fife (Scotland).<br />

1974/79 - Studies at the Duncan of Jordanston College of Art, Dundee, Scotland.<br />

1975 - Pat Holmes Memorial Award.<br />

1976/78- Travels abroad within the Duncan of Drumfork Travelling Scholarship, then within some SED minor and major travelling<br />

scholarships.<br />

1979/82 - Studies at the Royal College of Art (RCA), London.<br />

1982 - Drawing Prize of RCA.<br />

1988 - Nomination for the Turner Award, Tate <strong>Gallery</strong>, London.<br />

1989/91 - Contributor in the Contemporary Art Summer Seminar, Kitakyushu.<br />

1992 - Lord Provost Award, RGI, Glasgow.<br />

1994/97 - Commissioned by Darlington Borough Council, Northern Arts (U.K) and Wm Morrison Supermarkets for a large-scale<br />

sculpture, entitled Train, settled up on the site of Darlington, to commemorate the first British railway. Measuring 40 metres long, Train<br />

is the biggest outdoor sculpture ever realised in England, and was unveiled on June 24, 1997 - First personal exhibition entitled The Last<br />

Detail at the Galerie Jérôme de Noirmont, Paris.<br />

1998 - David Mach is elected Member of The Royal Academy of Arts, London. He is selected to participate in the M8 Project, consisting in<br />

monumental sculpture installations along the M8 highway, connecting Glasgow to Edinburgh. Solo exhibition at the Cincinnati Contemporary<br />

Arts Center, USA.<br />

1999 - David Mach unveils his monumental sculptures Lanark I, Lanark II and Lanark III along the M8 Highway. Presentation of His n’Hers,<br />

two wide coat hangers busts, in The Hague within the outdoors show Den Haag Sculptuur. Realises a monumental collage-mural of more<br />

than 75 metres long, commemorating the XX th century for the millennium celebrations at the Millennium Dome, in London.<br />

2000 - Presentation of Spaceman, a wide coat hangers sculpture almost 2.5 metres high, within the exhibition L’Homme qui Marche in<br />

the Gardens of the Palais Royal, Paris, and then within the new edition of the outdoor exhibition Den Haag Sculptuur, The Hague.<br />

Second exhibition solely devoted to his sculpture at the Galerie Jérôme de Noirmont, Paris.<br />

Appointed Professor of Sculpture, Royal Academy, London.<br />

2002 - Honorary Doctor of Laws, University of Dundee.<br />

2003 - Third personal exhibition at the Galerie Jérôme de Noirmont, Paris.<br />

2004 - Made Honorary Member of the Royal Scottish Academy.<br />

First Visiting Professor of Inspiration and Discovery at University of Dundee (Scotland).<br />

2007 - In Seine, tarpaulin based on a collage realised with the support of the Galerie Jérôme de Noirmont for the National <strong>Opera</strong><br />

of Paris, exhibited on the façade of the Palais Garnier.<br />

New personnal exhibition at the Galerie Jérôme de Noirmont, Paris.<br />

2008 - David Mach’s works are featured in London’s Royal Academy of Arts group exhibition “New Prints from the Royal College of Art<br />

Selected by Chris Orr RA”. The same year, the Jill George <strong>Gallery</strong> in London hosts a solo exhibition of the artist, entitled “Tête à Tête”.<br />

2009 - The sculptor is featured in London’s Royal Academy of Arts’ Summer Exhibition as well as in the group exhibition “Vraoum ! trésors<br />

de la bande dessinée et art contemporain” at La Maison Rouge in Paris.<br />

2010 - Once again, David Mach makes the headlines with an impressive gorilla made out of metal coat hangers (Silver streak) displayed at<br />

the Royal Academy Summer Exhibition in London.


8 9<br />

Red hat / Yellow face<br />

Mixed media postcards on wood • 152,5 x 152,5 cm - 60 x 60 in.<br />

Blue hat / Pale face<br />

Mixed media postcards on wood • 152,5 x 152,5 cm - 60 x 60 in.


10 11<br />

Pussy Galore<br />

Mixed media postcards on wood • 152,5 x 152,5 cm - 60 x 60 in.<br />

Black magic woman<br />

Mixed media postcards on wood • 152,5 x 152,5 cm - 60 x 60 in.


12 13<br />

Mouth to mouth<br />

Mixed media postcards on wood • 152,5 x 152,5 cm - 60 x 60 in.<br />

American beauty<br />

Mixed media postcards on wood • 152,5 x 152,5 cm - 60 x 60 in.


14 15<br />

Fat Betty<br />

Mixed media postcards on wood • 152,5 x 152,5 cm - 60 x 60 in.<br />

Private dancer<br />

Mixed media postcards on wood • 152,5 x 152,5 cm - 60 x 60 in.


16 17<br />

Blue belle<br />

Mixed media postcards on wood • 183 x 183 cm - 72 x 72 in.<br />

Call girl<br />

Mixed media postcards on wood • 152,5 x 152,5 cm - 60 x 60 in.


18<br />

19<br />

Silver streak<br />

Coat hangers • 302 x 240 x 160 cm - 119 x 94.5 x 63 in.


20 21<br />

Eastern promise<br />

Mixed media postcards on wood • 183 x 183 cm - 72 x 72 in.<br />

Sherene<br />

Mixed media postcards on wood • 183 x 183 cm - 72 x 72 in.


22 23<br />

Donnie Darko<br />

Mixed media postcards on wood • 152,5 x 152,5 cm - 60 x 60 in.<br />

Tricky Mickey<br />

Mixed media postcards on wood • 152,5 x 152,5 cm - 60 x 60 in.


24 25<br />

Double Dutch<br />

Mixed media postcards on wood • 183 x 183 cm - 72 x 72 in.<br />

Rain man<br />

Mixed media postcards on wood • 152,5 x 152,5 cm - 60 x 60 in.


26 27<br />

Full stop<br />

Mixed media postcards on wood • 152,5 x 152,5 cm - 60 x 60 in.<br />

Spot on<br />

Mixed media postcards on wood • 183 x 183 cm - 72 x 72 in.


28 29<br />

The ring master<br />

Mixed media postcards on wood • 152,5 x 152,5 cm - 60 x 60 in.<br />

Danielle<br />

Mixed media postcards on wood • 183 x 183 cm - 72 x 72 in.


30<br />

Cocktail<br />

Mixed media postcards on wood • 152,5 x 152,5 cm - 60 x 60 in.

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!