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Road Test: Clay Paky Sharpy, page 36<br />
PROJECTION<br />
CONNECTION<br />
Starts on page 37<br />
Vol. 12.5<br />
JUNE<br />
2011<br />
Richard Anderson<br />
Nightclubs Nightclubs Nightclubs!<br />
Penthouse Club in Reno, NV<br />
John Lyons calls nightclub lighting a “double-edged sword” because “there are no real rules.” Michael<br />
Meacham agrees that nightclubs let designers be “as creative as you want.” And Stephen Lieberman adds<br />
that “each project is unique.” Their insights are on <strong>PLSN</strong>’s Roundtable Interview (page 44). Also turn to page<br />
20 for a feature on Club Nikki, a 15,000 square foot nightclub that’s part of the new Nikki Beach Club at Tropicana<br />
Las Vegas. On page 28, read about the lighting and video support for big-name acts at 450-capacity<br />
Belly Up in Aspen, CO. And the Buyers Guide on page 33 covers club lighting effects fixtures.<br />
Jim Fackert to Receive Parnelli Visionary Award<br />
LAS VEGAS — The Parnelli<br />
Awards Board of Directors<br />
announced that Jim<br />
Fackert will receive the Parnelli<br />
Visionary Award honoring<br />
his influential career<br />
in the live entertainment<br />
Jim Fackert<br />
industry.<br />
In the 1970s, serving first as a pro audio engineer<br />
for bands like Grand Funk Railroad, working with Stefan<br />
Graf, he went on to create the forerunner of the moving<br />
light, and his custom lighting boards spurred a <strong>com</strong>pany,<br />
Leprecon. Later he founded Littlite.<br />
“Jim Fackert is the MacGyver of the entertainment<br />
business,” states Bob Peterson, owner of Real World<br />
Lighting, and formerly with Upstaging, Inc., where he<br />
worked with Fackert for decades. “With an idea, a pile of<br />
parts, and a tube of RTV, anything could happen. Many<br />
things did. Cyclops, color changers, parametric EQ for<br />
audio consoles, bump<br />
continued on page 6<br />
PRG Acquires Nocturne,<br />
Forms PRG Nocturne<br />
Productions Inc.<br />
ARMONK, NY — Production<br />
Resource Group, LLC (PRG) has acquired<br />
Nocturne Productions, a leading<br />
touring video provider, through<br />
its newly-formed subsidiary, PRG<br />
Nocturne Productions Inc.<br />
The new PRG subsidiary will be<br />
led by Nocturne’s Bob Brigham and<br />
Ron Proesel, both serving as copresident,<br />
and with Nocturne’s Paul<br />
Becher as executive vice president.<br />
PRG chairman & CEO Jeremiah<br />
“Jere” Harris, PRG CEO Kevin Baxley<br />
and Nocturne Productions co-CEO<br />
Bob Brigham jointly made the announcement<br />
June 2.<br />
Sharp’s McLaughlin<br />
Announces Plan to<br />
Step Down<br />
M A H WA H ,<br />
NJ — Edward<br />
M c L a u g h l i n ,<br />
president of<br />
Sharp Imaging<br />
and Information<br />
Company<br />
Edward McLaughlin<br />
of America (SIICA) and director of<br />
Sharp Electronics Corporation (SEC),<br />
is stepping down.<br />
McLaughlin will maintain an advisory<br />
role with SEC, but will pursue<br />
independent consulting opportunities<br />
that, under an agreement with<br />
Sharp, won’t conflict with Sharp’s<br />
business objectives. He will also assist<br />
in the search for his successor.<br />
“Ed has contributed greatly to<br />
Sharp’s leadership position in the<br />
document industry,” said SEC chairman<br />
and CEO Kozo Takahashi, <strong>com</strong>continued<br />
on page 6<br />
47<br />
48<br />
4Wall Hits<br />
the Beach<br />
Club Nikki, the 15,000-squarefoot<br />
nightclub that ac<strong>com</strong>panies<br />
Tropicana Las Vegas’ Nikki Beach<br />
Club, relied upon 4Wall Las Vegas<br />
for dimming, control integration,<br />
and, ultimately, the visual design<br />
for “the sexiest dance floor on the<br />
Vegas Strip.” By the time the design<br />
was <strong>com</strong>plete, the lighting and video<br />
system relied upon nine DMX<br />
universes for control.<br />
For more, turn to page 20.<br />
The Biz<br />
A sudden storm in Hershey, PA<br />
gave Chaos Visual Productions a<br />
dramatic reminder last summer<br />
on the need for tour insurance.<br />
Feeding the Machines<br />
Why automated lighting programmers<br />
need to grasp the<br />
dual concepts of tracking and<br />
state.<br />
PRO LIGHTING SPACE<br />
hew burney<br />
www.ProLightingSpace.<strong>com</strong>/join