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Road Test: Clay Paky Sharpy, page 36<br />

PROJECTION<br />

CONNECTION<br />

Starts on page 37<br />

Vol. 12.5<br />

JUNE<br />

2011<br />

Richard Anderson<br />

Nightclubs Nightclubs Nightclubs!<br />

Penthouse Club in Reno, NV<br />

John Lyons calls nightclub lighting a “double-edged sword” because “there are no real rules.” Michael<br />

Meacham agrees that nightclubs let designers be “as creative as you want.” And Stephen Lieberman adds<br />

that “each project is unique.” Their insights are on <strong>PLSN</strong>’s Roundtable Interview (page 44). Also turn to page<br />

20 for a feature on Club Nikki, a 15,000 square foot nightclub that’s part of the new Nikki Beach Club at Tropicana<br />

Las Vegas. On page 28, read about the lighting and video support for big-name acts at 450-capacity<br />

Belly Up in Aspen, CO. And the Buyers Guide on page 33 covers club lighting effects fixtures.<br />

Jim Fackert to Receive Parnelli Visionary Award<br />

LAS VEGAS — The Parnelli<br />

Awards Board of Directors<br />

announced that Jim<br />

Fackert will receive the Parnelli<br />

Visionary Award honoring<br />

his influential career<br />

in the live entertainment<br />

Jim Fackert<br />

industry.<br />

In the 1970s, serving first as a pro audio engineer<br />

for bands like Grand Funk Railroad, working with Stefan<br />

Graf, he went on to create the forerunner of the moving<br />

light, and his custom lighting boards spurred a <strong>com</strong>pany,<br />

Leprecon. Later he founded Littlite.<br />

“Jim Fackert is the MacGyver of the entertainment<br />

business,” states Bob Peterson, owner of Real World<br />

Lighting, and formerly with Upstaging, Inc., where he<br />

worked with Fackert for decades. “With an idea, a pile of<br />

parts, and a tube of RTV, anything could happen. Many<br />

things did. Cyclops, color changers, parametric EQ for<br />

audio consoles, bump<br />

continued on page 6<br />

PRG Acquires Nocturne,<br />

Forms PRG Nocturne<br />

Productions Inc.<br />

ARMONK, NY — Production<br />

Resource Group, LLC (PRG) has acquired<br />

Nocturne Productions, a leading<br />

touring video provider, through<br />

its newly-formed subsidiary, PRG<br />

Nocturne Productions Inc.<br />

The new PRG subsidiary will be<br />

led by Nocturne’s Bob Brigham and<br />

Ron Proesel, both serving as copresident,<br />

and with Nocturne’s Paul<br />

Becher as executive vice president.<br />

PRG chairman & CEO Jeremiah<br />

“Jere” Harris, PRG CEO Kevin Baxley<br />

and Nocturne Productions co-CEO<br />

Bob Brigham jointly made the announcement<br />

June 2.<br />

Sharp’s McLaughlin<br />

Announces Plan to<br />

Step Down<br />

M A H WA H ,<br />

NJ — Edward<br />

M c L a u g h l i n ,<br />

president of<br />

Sharp Imaging<br />

and Information<br />

Company<br />

Edward McLaughlin<br />

of America (SIICA) and director of<br />

Sharp Electronics Corporation (SEC),<br />

is stepping down.<br />

McLaughlin will maintain an advisory<br />

role with SEC, but will pursue<br />

independent consulting opportunities<br />

that, under an agreement with<br />

Sharp, won’t conflict with Sharp’s<br />

business objectives. He will also assist<br />

in the search for his successor.<br />

“Ed has contributed greatly to<br />

Sharp’s leadership position in the<br />

document industry,” said SEC chairman<br />

and CEO Kozo Takahashi, <strong>com</strong>continued<br />

on page 6<br />

47<br />

48<br />

4Wall Hits<br />

the Beach<br />

Club Nikki, the 15,000-squarefoot<br />

nightclub that ac<strong>com</strong>panies<br />

Tropicana Las Vegas’ Nikki Beach<br />

Club, relied upon 4Wall Las Vegas<br />

for dimming, control integration,<br />

and, ultimately, the visual design<br />

for “the sexiest dance floor on the<br />

Vegas Strip.” By the time the design<br />

was <strong>com</strong>plete, the lighting and video<br />

system relied upon nine DMX<br />

universes for control.<br />

For more, turn to page 20.<br />

The Biz<br />

A sudden storm in Hershey, PA<br />

gave Chaos Visual Productions a<br />

dramatic reminder last summer<br />

on the need for tour insurance.<br />

Feeding the Machines<br />

Why automated lighting programmers<br />

need to grasp the<br />

dual concepts of tracking and<br />

state.<br />

PRO LIGHTING SPACE<br />

hew burney<br />

www.ProLightingSpace.<strong>com</strong>/join

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