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INTERNATIONALNEWS<br />

Carrying Light Across<br />

The Pont Du Gard<br />

NIMES, FRANCE—Le Pont du Gard, the ancient Roman aqueduct near Nimes, France,<br />

was recently feted with a 20-minute spectacle of lighting, video, fireworks and music, designed<br />

by Group F. Sixty-eight PixelLine 110s and 12 PixelBricks were installed on the third<br />

level of the bridge and eight PixelLine 1044s were installed on the ground. All the lighting<br />

was supplied by Montpellier-based Texen and the extra PixelLines were sub-hired from<br />

the Waldeck Organisation Aix en Provence.<br />

Don’t Cry For<br />

White Light<br />

LONDON—White Light is supplying the<br />

lighting equipment to the first West End revival<br />

of Tim Rice and Andrew Lloyd Webber’s<br />

hit musical Evita, which opened at the Adelphi<br />

Theatre on June 24.<br />

Directed by Michael Grandage, designed<br />

by Christopher Oram and with choreography<br />

by Rob Ashford, Evita is being lit by twotime<br />

Vari*Lite VL1000s and VL3000Q Wash units,<br />

ETC Revolutions, and Clay Paky Alpha Halo<br />

Wash lights.<br />

The final moving light was created by<br />

White Light’s Technical Director Dave Isherwood<br />

in response to Paule Constable’s<br />

request for, effectively, a moving version<br />

of an aero-style beamlight. “We adapted<br />

Olivier Award winner Paule Constable. the Amptown Washlights,” <strong>com</strong>mented<br />

Constable’s design includes a diverse range Isherwood, “replacing the bulb and optical<br />

of lighting equipment, with one particular<br />

system with a low-voltage aero-<br />

light created by White Light specifically for<br />

the production.<br />

The conventional rig includes ETC Source<br />

Fours and Source Four PARs, Strand Alto and<br />

Cadenza PCs, Alto Fresnels and Strand and Arri<br />

5kW Fresnels, PAR64s and ADB Svoboda battens<br />

plus two hundred Rainbow Pro scrollers<br />

in a range of sizes. The show is also using two<br />

Foxie and two Korrigan follow-spots from<br />

Robert Juliat.<br />

Complementing the conventional rig is a<br />

moving light rig that is one of the first to use<br />

Vari-Lite’s new VL500 washlight, in its pastel-color<br />

version. The VL500s work alongside<br />

lamp to give Paule exactly the kind of beam<br />

she needed”.<br />

Working with Paule Constable on Evita are<br />

associate lighting designer Jon Clark, lighting<br />

programmer Vic Smerdon, controlling the entire<br />

rig from a Strand 500-series console, production<br />

electrician Gerry Amies and his team<br />

including Martin Chisnall and Chris Dunford<br />

plus the Adelphi Theatre crew; the show’s<br />

production manager is Richard Bullimore. The<br />

lighting team’s work on the show has already<br />

received praise from its <strong>com</strong>poser, who described<br />

it as “beautifully lit” in a recent Radio<br />

2 interview.<br />

Wel<strong>com</strong>ing Changing Seasons With Light<br />

FUJIMINO CITY, JAPAN—Cocone Kamifukuoka,<br />

a multi-use <strong>com</strong>plex in Fujimino<br />

City, Saitama Prefecture, Japan, located<br />

north of Tokyo has installed new, dynamic<br />

façade illumination.<br />

The shopping center’s façade, a five story<br />

construction that houses a large parking garage,<br />

features a color changing illumination<br />

from 11 Martin Architectural Exterior 200<br />

Long Barrel color changing luminaires. The<br />

IP 65 rated fixtures, mounted with 12° lenses<br />

and spaced equally atop the structure, focus<br />

a narrow beam of seasonal shades vertically<br />

across the metal surface of the building,<br />

creating a captivating effect that livens up<br />

the entire area. The dynamic color changing<br />

solution was supplied by Martin<br />

Professional Japan.<br />

The lighting scheme was designed by<br />

Reiko Chikada Lighting Design Inc. and features<br />

a selection of LightJockey programmed<br />

scenes that change monthly. Color changes<br />

(as short as every 0.1 seconds) <strong>com</strong>municate<br />

an original yet subtle story as neighbors<br />

and visitors alike experience a taste of the<br />

current season.<br />

Each lighting scene begins with a color<br />

changing sequence followed by a static<br />

color display for the first 15 minutes. Next<br />

<strong>com</strong>es a sequence that emulates train<br />

movement and finally static color is again<br />

displayed to <strong>com</strong>plete another 15 minutes.<br />

One scene lasts 30 minutes, and although<br />

the concept remains the same for all scenes,<br />

colors may change according to the time<br />

of year. For instance, a <strong>com</strong>bination of red<br />

and white stripes wel<strong>com</strong>es the New Year<br />

in January when color changes race up and<br />

down the façade. In June, a rain and thunder<br />

effect increases in intensity followed<br />

by a multi-colored rainbow. In October, autumn<br />

leaves blow away, and in December<br />

a Christmas tree, together with shooting<br />

stars, wel<strong>com</strong>e Santa Claus.<br />

To get<br />

listed in<br />

International<br />

News, send<br />

your info<br />

and pics to:<br />

pr@plsn.<strong>com</strong><br />

Genlyte Acquires Strand<br />

continued from cover<br />

The Strand business segments included<br />

in this transaction reported 2005<br />

sales of approximately $31 million. The<br />

transaction purchase price includes a<br />

cash price of $8.5 million plus the assumption<br />

of approximately $5.0 million<br />

in trade payables and notes payable of<br />

the US and Hong Kong operations. Approximately<br />

80 Strand US employees<br />

located in Los Angeles and 22 employees<br />

in Hong Kong will join the Genlyte<br />

organization.<br />

Larry K. Powers, President and Chief<br />

Executive Officer of Genlyte Group<br />

<strong>com</strong>mented, “We are pleased with<br />

the strategic benefits of this acquisition.<br />

This business will <strong>com</strong>plement<br />

Genlyte’s current Vari-Lite, Entertainment<br />

Technology, and Lightolier Controls<br />

product offerings. In addition, it<br />

broadens our presence in the Asian<br />

theatrical and entertainment lighting<br />

markets. We plan to operate Strand<br />

Lighting as a stand-alone business reporting<br />

to Steve Carson the Vice-President<br />

and General Manager of Genlyte’s<br />

Controls, Vari-Lite and Entertainment<br />

Technology Division.<br />

“We believe that this acquisition<br />

will break-even at the EBIT level, but<br />

it will be slightly dilutive after interest<br />

expense and taxes through the remainder<br />

of 2006. We anticipate that the<br />

acquisition will be accretive during<br />

2007 after we <strong>com</strong>plete the restructuring<br />

activities.”<br />

Strand was founded in 1916 as a<br />

manufacturer of entertainment lighting<br />

and lighting systems. Steve Carson<br />

said, “We are excited about the opportunity<br />

to add the Strand Lighting<br />

brand and technologies to our portfolio.<br />

The addition of the Strand product<br />

line for the theatrical and architectural<br />

lighting markets <strong>com</strong>pletes our product<br />

package with excellent synergism<br />

and little overlap. While we look to expand<br />

our overall market penetration,<br />

we plan to continue to sell the Strand<br />

products through the existing Strand<br />

distribution and sales organizations.<br />

Genlyte’s Vari-Lite and ET product<br />

lines have a significant presence in<br />

the European, Asian, and US markets.<br />

The Strand acquisition will enhance<br />

our product offering throughout<br />

the world. “<br />

16 <strong>PLSN</strong> AUGUST 2006<br />

www.<strong>PLSN</strong>.<strong>com</strong>

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