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INTERNATIONALNEWS<br />
Carrying Light Across<br />
The Pont Du Gard<br />
NIMES, FRANCE—Le Pont du Gard, the ancient Roman aqueduct near Nimes, France,<br />
was recently feted with a 20-minute spectacle of lighting, video, fireworks and music, designed<br />
by Group F. Sixty-eight PixelLine 110s and 12 PixelBricks were installed on the third<br />
level of the bridge and eight PixelLine 1044s were installed on the ground. All the lighting<br />
was supplied by Montpellier-based Texen and the extra PixelLines were sub-hired from<br />
the Waldeck Organisation Aix en Provence.<br />
Don’t Cry For<br />
White Light<br />
LONDON—White Light is supplying the<br />
lighting equipment to the first West End revival<br />
of Tim Rice and Andrew Lloyd Webber’s<br />
hit musical Evita, which opened at the Adelphi<br />
Theatre on June 24.<br />
Directed by Michael Grandage, designed<br />
by Christopher Oram and with choreography<br />
by Rob Ashford, Evita is being lit by twotime<br />
Vari*Lite VL1000s and VL3000Q Wash units,<br />
ETC Revolutions, and Clay Paky Alpha Halo<br />
Wash lights.<br />
The final moving light was created by<br />
White Light’s Technical Director Dave Isherwood<br />
in response to Paule Constable’s<br />
request for, effectively, a moving version<br />
of an aero-style beamlight. “We adapted<br />
Olivier Award winner Paule Constable. the Amptown Washlights,” <strong>com</strong>mented<br />
Constable’s design includes a diverse range Isherwood, “replacing the bulb and optical<br />
of lighting equipment, with one particular<br />
system with a low-voltage aero-<br />
light created by White Light specifically for<br />
the production.<br />
The conventional rig includes ETC Source<br />
Fours and Source Four PARs, Strand Alto and<br />
Cadenza PCs, Alto Fresnels and Strand and Arri<br />
5kW Fresnels, PAR64s and ADB Svoboda battens<br />
plus two hundred Rainbow Pro scrollers<br />
in a range of sizes. The show is also using two<br />
Foxie and two Korrigan follow-spots from<br />
Robert Juliat.<br />
Complementing the conventional rig is a<br />
moving light rig that is one of the first to use<br />
Vari-Lite’s new VL500 washlight, in its pastel-color<br />
version. The VL500s work alongside<br />
lamp to give Paule exactly the kind of beam<br />
she needed”.<br />
Working with Paule Constable on Evita are<br />
associate lighting designer Jon Clark, lighting<br />
programmer Vic Smerdon, controlling the entire<br />
rig from a Strand 500-series console, production<br />
electrician Gerry Amies and his team<br />
including Martin Chisnall and Chris Dunford<br />
plus the Adelphi Theatre crew; the show’s<br />
production manager is Richard Bullimore. The<br />
lighting team’s work on the show has already<br />
received praise from its <strong>com</strong>poser, who described<br />
it as “beautifully lit” in a recent Radio<br />
2 interview.<br />
Wel<strong>com</strong>ing Changing Seasons With Light<br />
FUJIMINO CITY, JAPAN—Cocone Kamifukuoka,<br />
a multi-use <strong>com</strong>plex in Fujimino<br />
City, Saitama Prefecture, Japan, located<br />
north of Tokyo has installed new, dynamic<br />
façade illumination.<br />
The shopping center’s façade, a five story<br />
construction that houses a large parking garage,<br />
features a color changing illumination<br />
from 11 Martin Architectural Exterior 200<br />
Long Barrel color changing luminaires. The<br />
IP 65 rated fixtures, mounted with 12° lenses<br />
and spaced equally atop the structure, focus<br />
a narrow beam of seasonal shades vertically<br />
across the metal surface of the building,<br />
creating a captivating effect that livens up<br />
the entire area. The dynamic color changing<br />
solution was supplied by Martin<br />
Professional Japan.<br />
The lighting scheme was designed by<br />
Reiko Chikada Lighting Design Inc. and features<br />
a selection of LightJockey programmed<br />
scenes that change monthly. Color changes<br />
(as short as every 0.1 seconds) <strong>com</strong>municate<br />
an original yet subtle story as neighbors<br />
and visitors alike experience a taste of the<br />
current season.<br />
Each lighting scene begins with a color<br />
changing sequence followed by a static<br />
color display for the first 15 minutes. Next<br />
<strong>com</strong>es a sequence that emulates train<br />
movement and finally static color is again<br />
displayed to <strong>com</strong>plete another 15 minutes.<br />
One scene lasts 30 minutes, and although<br />
the concept remains the same for all scenes,<br />
colors may change according to the time<br />
of year. For instance, a <strong>com</strong>bination of red<br />
and white stripes wel<strong>com</strong>es the New Year<br />
in January when color changes race up and<br />
down the façade. In June, a rain and thunder<br />
effect increases in intensity followed<br />
by a multi-colored rainbow. In October, autumn<br />
leaves blow away, and in December<br />
a Christmas tree, together with shooting<br />
stars, wel<strong>com</strong>e Santa Claus.<br />
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International<br />
News, send<br />
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Genlyte Acquires Strand<br />
continued from cover<br />
The Strand business segments included<br />
in this transaction reported 2005<br />
sales of approximately $31 million. The<br />
transaction purchase price includes a<br />
cash price of $8.5 million plus the assumption<br />
of approximately $5.0 million<br />
in trade payables and notes payable of<br />
the US and Hong Kong operations. Approximately<br />
80 Strand US employees<br />
located in Los Angeles and 22 employees<br />
in Hong Kong will join the Genlyte<br />
organization.<br />
Larry K. Powers, President and Chief<br />
Executive Officer of Genlyte Group<br />
<strong>com</strong>mented, “We are pleased with<br />
the strategic benefits of this acquisition.<br />
This business will <strong>com</strong>plement<br />
Genlyte’s current Vari-Lite, Entertainment<br />
Technology, and Lightolier Controls<br />
product offerings. In addition, it<br />
broadens our presence in the Asian<br />
theatrical and entertainment lighting<br />
markets. We plan to operate Strand<br />
Lighting as a stand-alone business reporting<br />
to Steve Carson the Vice-President<br />
and General Manager of Genlyte’s<br />
Controls, Vari-Lite and Entertainment<br />
Technology Division.<br />
“We believe that this acquisition<br />
will break-even at the EBIT level, but<br />
it will be slightly dilutive after interest<br />
expense and taxes through the remainder<br />
of 2006. We anticipate that the<br />
acquisition will be accretive during<br />
2007 after we <strong>com</strong>plete the restructuring<br />
activities.”<br />
Strand was founded in 1916 as a<br />
manufacturer of entertainment lighting<br />
and lighting systems. Steve Carson<br />
said, “We are excited about the opportunity<br />
to add the Strand Lighting<br />
brand and technologies to our portfolio.<br />
The addition of the Strand product<br />
line for the theatrical and architectural<br />
lighting markets <strong>com</strong>pletes our product<br />
package with excellent synergism<br />
and little overlap. While we look to expand<br />
our overall market penetration,<br />
we plan to continue to sell the Strand<br />
products through the existing Strand<br />
distribution and sales organizations.<br />
Genlyte’s Vari-Lite and ET product<br />
lines have a significant presence in<br />
the European, Asian, and US markets.<br />
The Strand acquisition will enhance<br />
our product offering throughout<br />
the world. “<br />
16 <strong>PLSN</strong> AUGUST 2006<br />
www.<strong>PLSN</strong>.<strong>com</strong>