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Volunteers - Center for Puppetry Arts

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Welcome to the Puppet Shop!<br />

“People often ask, ‘Where do you get all those puppets?’<br />

said Jason von Hinezmeyer, the <strong>Center</strong>’s Resident Puppet Builder.<br />

‘We build all this stuff here.’ ”<br />

~ The Atlanta Journal-Constitution<br />

The puppets used in <strong>Center</strong> Company shows are designed, built, painted, and<br />

costumed by hand in the on-site Puppet Shop. During interviews with The<br />

Atlanta-Journal Constitution and Atlanta Magazine, Jason von Hinezmeyer, Resident<br />

Puppet Builder, and Jon Ludwig, Artistic Director, talked about what it’s like to<br />

create the <strong>Center</strong>’s per<strong>for</strong>mance puppets.<br />

Puppet Builder Nate Wilson paints the shoes<br />

on a puppet <strong>for</strong> Cinderella Della Circus<br />

Photo by Alan Louis<br />

How much does it cost to<br />

create the average puppet?<br />

Jason: From $20 to hundreds<br />

of thousands of dollars. A lot<br />

of times, it’s not the materials,<br />

it’s the time that goes into it.<br />

Jon: It’s the craftsmanship.<br />

You can build them out of<br />

papier-mâché and wood and<br />

stuff out of the junk yard, and<br />

it’ll cost hardly anything, but<br />

it’s the labor involved − and<br />

the artistry. There aren’t many<br />

good builders. Jason’s one of<br />

the best in the country.<br />

What is the most<br />

challenging part of<br />

your job?<br />

Jason: There are so many<br />

different things you have to<br />

know how to do − sewing,<br />

sculpting, casting, painting.<br />

Builders also have to deal<br />

with the size and weight of<br />

the puppet, not to mention<br />

the challenges of budgets<br />

and deadlines.<br />

What do you learn to<br />

prepare <strong>for</strong> this kind<br />

of career?<br />

Jason: One of the important<br />

things about the University<br />

of Connecticut [the only U.S.<br />

university to offer a degree in<br />

puppetry] is that every class<br />

is about building AND<br />

per<strong>for</strong>ming.<br />

Jon: To me, the true definition<br />

of a puppeteer is somebody<br />

that can do it all: build it,<br />

per<strong>for</strong>m it, write <strong>for</strong> it − and<br />

that’s the attraction.<br />

New Directions Series (NDS) by the <strong>Center</strong> Company<br />

The Ghastly Dreadfuls’ Compendium of<br />

Graveyard Tales and Other Curiosities<br />

By Jason von Hinezmeyer & Jon Ludwig<br />

October 11-28, 2007<br />

Ages 16 & up<br />

Anne Frank: Within & Without<br />

By Bobby Box<br />

January 22 - February 17, 2008<br />

Ages 12 & up<br />

Presented in cooperation with the Georgia Commission on<br />

the Holocaust and the Anne Frank in the World:1929-1945<br />

exhibit, under the auspices of the Anne Frank <strong>Center</strong> USA.<br />

Photos and text courtesy of the Anne Frank <strong>Center</strong>, USA-<br />

New York; the Anne Frank House - Amsterdam; and the Anne<br />

Frank - Fonds, Basel.<br />

The original production of Anne Frank: Within & Without was<br />

made possible in part by grants from The Jim Henson<br />

Foundation, Puppeteers of America and The Rich<br />

Foundation, Inc.<br />

19

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