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6 | <strong>At</strong> <strong>Your</strong> <strong>Servery</strong> • 16 | Titanic <strong>Belfast</strong> • 36 | The Apostle of Stoke • 42 | Raid the Archive<br />
The Magazine of <strong>Rice</strong> <strong>University</strong> • No. 15 | 2013
F O R E W O R D<br />
SOME THOUGHTS ON SHADOW AND LIGHT<br />
Remember No. 100? In the fall issue’s blockbuster feature titled “100 Things We Love<br />
About <strong>Rice</strong>,” we asked you to complete the list by sending your own favorites. And send<br />
them you did, via email, handwritten letters and, notably, sheaves of typed pages with<br />
photocopies. You also sent a few things emphatically not loved about <strong>Rice</strong>. Fair enough.<br />
We appreciate the time you took to respond to this once-in-a-century list and being a part<br />
of our celebration.<br />
On Oct. 12, we gathered a new generation who “for this<br />
fair day worked and prayed and waited” to witness President<br />
David W. Leebron mark <strong>Rice</strong>’s 100th birthday with a speech<br />
that recalled President Edgar Odell Lovett’s inaugural address<br />
on the same day, a century before. We have included President<br />
Leebron’s speech in its entirety in this issue, a souvenir of a<br />
moment in time that perfectly linked our founding aspirations,<br />
a century of hard-won achievements and a bold vision for the<br />
future. Our pictorial wrap-up begins on Page 22.<br />
Later that weekend, this time under starry skies, crowds<br />
gathered again in the quad. We watched <strong>Rice</strong>’s history play out<br />
decade-by-decade in an imaginative, jaw-dropping light and<br />
sound performance. The show, intriguingly titled the Spectacle, opened with a moment of<br />
pure magic as the shadow of an owl in flight swept across the buildings. Curious? Go online<br />
(ricemagazine.info/134), then read the behind-the-scenes account of how it all happened by<br />
senior media relations specialist (and former rock band lighting designer) Mike Williams.<br />
Speaking of centennials, as the 100th anniversary of the Titanic’s sinking approached<br />
last spring, we received a letter from alumnus Eric Kuhne ’73. Kuhne, whose firm CivicArts<br />
is based in London, had helped design a new museum about the Titanic, one that aimed<br />
to reclaim <strong>Belfast</strong>’s shipbuilding heritage and revitalize the city center. <strong>At</strong> the museum’s<br />
entrance, the word Titanic is laser-cut into a 13-foot-high steel sign. The sun also writes<br />
the name in shadow on the plaza. We asked Houston native and freelance writer Steven<br />
Thomson, who happened to be in London working on an urban studies degree, to write the<br />
story. It was a process that led Kuhne to take a few trips down memory lane with his alma<br />
mater, even reconnecting with some of his former professors.<br />
When Seattle-based freelance writer Corinne Whiting pitched a story last spring about<br />
an alumnus who completed a news-making climb in the Sierra Nevada, we jumped, commissioning<br />
a brief profile of Ben Horne ’02. We were delighted to discover that another<br />
alumnus, Shay Har-Noy ’04, was also in the group that achieved the first winter ascent of<br />
Peter Croft’s Evolution Traverse. Just after Whiting turned in a draft last July, she received<br />
frightening news. Horne and another friend, Gil Weiss, were missing while climbing in<br />
Peru’s Cordillera Blanca range. A formal search confirmed the worst fears of their families<br />
and friends — an avalanche had claimed the lives of these two experienced climbers.<br />
Whiting, who is from the same town as the Horne family, continued with the story, which<br />
expanded into a feature about remembering a young man whose inspirational light lives on<br />
through the stories and memories of loved ones.<br />
We hope these stories touch you as they have touched us, and we wish you a happy<br />
and healthy 2013.<br />
Lynn Gosnell<br />
lynn.gosnell@rice.edu<br />
<strong>Rice</strong> Magazine<br />
No. 15<br />
Published by the<br />
Office of Public Affairs<br />
Linda Thrane, vice president<br />
Editor<br />
Lynn Gosnell<br />
Creative Services<br />
Jeff Cox, senior director<br />
Tracey Rhoades, editorial director<br />
Jenny W. Rozelle ’00, assistant editor<br />
Erick Delgado, associate director of design<br />
Dean Mackey, senior graphic designer<br />
Jackie Limbaugh, graphic designer<br />
Tommy LaVergne, university photographer<br />
Jeff Fitlow, asst. university photographer<br />
Contributing Staff<br />
Jade Boyd, news and media relations<br />
Jeff Falk, news and media relations<br />
Amy Hodges, news and media relations<br />
Mike Williams, news and media relations<br />
Freelance Contributors<br />
Andrew Clark<br />
David Gusakov<br />
Kelly Klaasmeyer<br />
Steven Thomson<br />
Corinne Whiting<br />
The <strong>Rice</strong> <strong>University</strong><br />
Board of Trustees<br />
James W. Crownover, chairman;<br />
Edward B. “Teddy” Adams Jr.;<br />
J.D. Bucky Allshouse; D. Kent Anderson;<br />
Keith T. Anderson; Laura Arnold;<br />
Subha Viswanathan Barry; Suzanne Deal<br />
Booth; Robert T. Brockman; Albert Chao;<br />
T. Jay Collins; Lynn Laverty Elsenhans;<br />
Lawrence Guffey; James T. Hackett;<br />
John Jaggers; Larry Kellner; R. Ralph Parks;<br />
Lee H. Rosenthal; Charles Szalkowski;<br />
Robert M. Taylor Jr.; Robert B. Tudor III;<br />
James S. Turley; Lewis “Rusty” Williams;<br />
Randa Duncan Williams.<br />
Administrative Officers<br />
David W. Leebron, president;<br />
George McLendon, provost; Kathy Collins,<br />
vice president for Finance; Kevin Kirby, vice<br />
president for Administration;<br />
Chris Muñoz, vice president for Enrollment;<br />
Allison Kendrick Thacker, vice president for<br />
Investments and treasurer; Linda Thrane,<br />
vice president for Public Affairs; Richard A.<br />
Zansitis, vice president and general counsel;<br />
Darrow Zeidenstein, vice president for<br />
Resource Development.<br />
<strong>Rice</strong> Magazine is published by the Office<br />
of Public Affairs of <strong>Rice</strong> <strong>University</strong> and<br />
is sent to university alumni, faculty, staff,<br />
parents of undergraduates and friends of<br />
the university.<br />
Editorial Offices<br />
Creative Services–MS 95<br />
P.O. Box 1892<br />
Houston, TX 77251-1892<br />
Fax: 713-348-6757<br />
Email: ricemagazine@rice.edu<br />
©JANUARY 2013 RICE UNIVERSITY<br />
ONLINE AT: WWW.ISSUU.COM/RICEUNIVERSITY
Features<br />
Through<br />
the Sallyport<br />
4 Read all about running a servery,<br />
the 100th commencement speaker,<br />
Guam’s spider problem, campus<br />
drama and other research news.<br />
Sports<br />
41 Women’s soccer scores a record<br />
season.<br />
22<br />
Arts<br />
16 Unsinkable City<br />
Alumnus Eric Kuhne ’73 is at the helm of<br />
<strong>Belfast</strong>’s new Titanic museum that showcases<br />
the city’s shipbuilding heritage and anchors<br />
an ambitious urban redevelopment plan.<br />
By Steven Thomson<br />
22 Highlights From the<br />
Centennial Celebration<br />
Our Centennial Celebration last October was<br />
filled with “the joy of high adventure.” Please<br />
enjoy these pictorial highlights and links to<br />
the remarkable events and programs that<br />
launched <strong>Rice</strong> into a second century. Read<br />
the full text of President David W. Leebron’s<br />
centennial speech.<br />
36 The Apostle of Stoke<br />
Alumnus Ben Horne ’02 is remembered with<br />
deep affection by <strong>Rice</strong> friends and family.<br />
Among Horne’s favorite quotes is one by<br />
climber Anatoli Boukreev: “Mountains are<br />
not stadiums where I satisfy my ambition<br />
to achieve; they are the cathedrals where I<br />
practice my religion.”<br />
By Corinne Whiting<br />
16<br />
36<br />
42 The <strong>Rice</strong> Media Center hosted<br />
“Raid the Archive: The de Menil<br />
Years at <strong>Rice</strong>,” commemorating<br />
the centennial as well as the Menil<br />
Collection’s 25th anniversary.<br />
43 And the Grammy for best opera<br />
recording goes to …<br />
Bookshelf<br />
44 Douglas Brinkley’s biography of<br />
Walter Cronkite shares the shelf<br />
with an examination of religion<br />
and race co-written by sociologist<br />
Michael Emerson, Justin Cronin’s<br />
“The Twelve” and a roundup of books<br />
by <strong>Rice</strong> alumni and faculty.<br />
Parting Words<br />
46 Can you complete this owlsome<br />
crossword puzzle?<br />
48 Alumnus Glenn Fuller ’50 traveled<br />
from Minneapolis to Houston for<br />
<strong>Rice</strong>’s centennial. And then …<br />
Cover: (Top) President Edgar Odell Lovett gives the inaugural address to open the <strong>Rice</strong> Institute,<br />
Oct. 12, 1912. Behind Lovett is the newly dedicated administration building that would one day bear his name.<br />
(Bottom) David W. Leebron, <strong>Rice</strong>’s seventh president, marks the 100th anniversary of <strong>Rice</strong> <strong>University</strong>,<br />
Oct. 12, 2012, in front of Lovett Hall. Photo by Jeff Fitlow. President Leebron’s address begins on Page 25.
Letters<br />
More Things We Love (and in some cases, do not love at all)<br />
Editor’s note:<br />
We received a smattering<br />
of feedback following<br />
our last issue of <strong>Rice</strong><br />
Magazine. Here are some<br />
of your comments.<br />
10 More Things I Loved About <strong>Rice</strong><br />
First, I loved your centennial issue. However, many of the items on your list<br />
didn’t exist during my time at <strong>Rice</strong>, from 1950 until 1955. I owe a great deal to<br />
<strong>Rice</strong>, for a fine professional education that allowed me to prosper for almost<br />
40 years as a practicing mechanical engineer, mostly designing large magnets,<br />
both resistive and superconducting, at physics research laboratories and one<br />
private corporation.<br />
Other faves of our era:<br />
■ Bum’s Rush — This was a hallowed blast sponsored by the Rally<br />
Club.<br />
■ Freshman/sophomore (hell) week — This was a favored institution<br />
of sophomores, though not perhaps of freshmen who, when caught,<br />
were hauled off in the dark and deposited at various lonely and often<br />
remote sites, where they were obliged to find their way back by<br />
whatever means they could.<br />
■ Paul Cochran’s ’54 iconic yellow 1954 <strong>Rice</strong> Campanile — It’s a classic!<br />
Cochran’s wit is sprinkled throughout as appropriate — or not.<br />
I was quite impressed with your ‘ginormous listicle.’ (Are you sure it is not a<br />
lead-in for listerine popsicle?) Super article, seriously. Keep up the good work.<br />
Bob Winship ’52<br />
(Bob Winship recently published an essay on Mark Twain’s autobiography in<br />
The Texas Review, a biannual literary journal.)<br />
I enjoyed the last issue of <strong>Rice</strong> Magazine. It covered many events, etc., which<br />
were not around when I attended <strong>Rice</strong>. It omitted some, such as the following:<br />
■ In 1943, <strong>Rice</strong> joined a larger number of universities to admit and house<br />
Naval cadets. The program was known as V-5 (for aviation cadets) and<br />
V-12 (for line officers). This benefited the university, and it introduced<br />
many students from out of Texas to <strong>Rice</strong>.<br />
■ Naval students were required to attend year-round. <strong>Rice</strong> went with a<br />
trimester school year to meet this requirement, which lasted for nine<br />
trimesters, resulting in <strong>Rice</strong> having two graduations in 1946.<br />
Ed Sharp ’49<br />
C.R.L.S. officers, 1957<br />
■ Fondren Library — This is where we often studied and sometimes<br />
fired spitballs at other students.<br />
■ Women’s literary societies — These were <strong>Rice</strong>’s equivalent of<br />
sororities.<br />
■ Slime parade<br />
■ <strong>Rice</strong> Senior Follies<br />
■ Elizabeth Baldwin Literary Society melodrama<br />
■ Kay’s Lounge on Bissonnet<br />
■ I have interpreted No. 64 regarding college associates differently.<br />
We bonded closely at <strong>Rice</strong>, both through classroom association and<br />
as my roommates, on the fifth floor of East Hall. I roomed with Kneel<br />
Ball ’54, Crayton Walker ’54, John Lyle ’54 and John McClintock ’55<br />
— a dear friend from earlier days. We styled ourselves as ‘apes’ and<br />
tended to behave accordingly, especially by ape-walking in the Roost<br />
and elsewhere. In fact, some 58 years later, we still convene every<br />
two years, most recently at John Lyle’s in Prescott, Ariz.<br />
John Stewart Alcorn ’54<br />
Navy initiation, 1943<br />
2 www.rice.edu/ricemagazine
Letters Policy<br />
Are you shocked and appalled? Do you beg to differ? Is there more to the story? Good. We celebrate the university as a marketplace of ideas. We want to hear from<br />
you. Please send us your note, letter or email, which we will edit for clarity and space considerations. If your letter or note elicits further responses from our readership,<br />
we may print those, too. After that, dear readers, you’ll have to take it outside. Our contact information is listed by the editor’s foreword.<br />
■ KTRU motto: “<strong>At</strong> 50 watts, less powerful than your average toaster.”<br />
■ Steam tunnels — an acquired taste.<br />
■ Owls from the chemistry building tower dive-bombing girls on their<br />
way back to Jones.<br />
■ The Fondren stacks.<br />
■ Beer team practice in my dorm room.<br />
■ Before RUPD officers, there were the Pinkies.<br />
Richard Pulley ’68<br />
Will <strong>Rice</strong> College<br />
Here are some of my favorite features of the <strong>Rice</strong> experience that I did not<br />
see in the current issue:<br />
■ Navy ROTC students in their summer whites.<br />
■ <strong>Rice</strong> <strong>University</strong> and college decals that fit on the inside of car<br />
windows, not the outside.<br />
■ The panoramic views from Sid Rich balconies sweeping across the<br />
Galleria to the downtown skyline and other points east.<br />
■ Intimate lunches with favorite faculty members at Cohen House.<br />
Brian Watson ’84<br />
Baker College<br />
How could you possibly omit my favorite thing about <strong>Rice</strong>? The <strong>Rice</strong> community.<br />
When I was there, all the students and all the faculty were interesting<br />
people in one way or another, with minds that were going somewhere, much<br />
more so than in the world at large. I presume this is still true.<br />
In the spirit of things fair and balanced, I would like to see a list of some<br />
things unloved about <strong>Rice</strong>. (Just like the Higgs particle, such a list might<br />
exist.)<br />
<strong>At</strong> the very top of any list of things I didn’t love about <strong>Rice</strong> would<br />
be the oppressive heat and humidity in the new, but unair-conditioned, Will<br />
<strong>Rice</strong> dorm rooms in the late 1950s.<br />
Charles Walpole ’60<br />
Will <strong>Rice</strong> College<br />
I think you should publish a booklet of this article and supply it to various<br />
high schools for recruitment. I plan to take mine to my alma mater.<br />
I recall that when I was a student, there was an intramural sports<br />
participation rate of nearly 90 percent. It would make a great addition to<br />
No. 23.<br />
Mark H. Friedman ’72<br />
Will <strong>Rice</strong> College<br />
I’m not sure where this should be ranked in the list, but I believe that<br />
student access to professors should be one of the ‘100 Things We Love<br />
About <strong>Rice</strong>.’ My personal example goes back to 1966, when I was an<br />
incoming freshman. I wanted to be a physicist, and I was so sure of myself<br />
that I was certain I would win a Nobel Prize by the time I was 25.<br />
Well, that didn’t happen. In fact, halfway though the semester, I was<br />
flunking Physics 101. After the second quiz, I went to the guy teaching the<br />
course, Professor Rorschach. He worked closely with me, giving me one of<br />
Hugh Brown ’69<br />
Will <strong>Rice</strong> College<br />
What a great article! However, there was just one thing I was looking for<br />
and did not find: ‘Hello, Hamlet!’ by George Greanias ’70, Wiess Tabletop<br />
Theater’s first production in 1970. A real <strong>Rice</strong> tradition, performed every four<br />
years.<br />
The only thing I hate about ‘Hello, Hamlet!’ is that I graduated<br />
eight years before George matriculated and missed the seminal<br />
experiences. However, I was offered the major role of Richard III when<br />
‘Hamlet’ was produced as a fundraiser for the author’s campaign for Houston<br />
City Council. The ‘big time,’ as it were. And, as we all agreed, ‘There is<br />
nothing like a Dane!’<br />
Barry Moore ’62<br />
Wiess College<br />
Physics department professors, 1953<br />
Professor Rorschach, 1968<br />
his other physics texts from which I was to work problems. In essence, he<br />
became my tutor. Ultimately, I passed the course.<br />
What I didn’t appreciate at the time was that my freshman physics<br />
course was taught by a full professor who was also chairman of the physics<br />
department! He not only taught the class of some 100 students, he took time<br />
to help those students understand and learn the material. I am absolutely<br />
certain that as a lowly freshman I would not have gotten that kind of access<br />
to such a ranked professor at any other school. Whenever I talk about <strong>Rice</strong>,<br />
Professor Rorschach’s name comes up, among others.<br />
And, by the way, I got my B.A. in physics in 1970 and was on the<br />
President’s Honor Roll.<br />
Julian A Levy Jr. ’70<br />
Hanszen College<br />
<strong>Rice</strong> Magazine • No. 15 • 2013 3
Bravo!<br />
A selection of honors, awards and notable<br />
achievements of students, faculty and staff<br />
The <strong>Rice</strong> School of Architecture has risen to No. 3 in a national<br />
ranking for undergraduate education in the Design Futures Council’s<br />
“America’s Best Architecture and Design Schools, 2013,” published by<br />
DesignIntelligence. <strong>Rice</strong> ranked No. 5 in the 2012 edition.<br />
Seven members of the Department of Mathematics have been<br />
selected for the inaugural class of fellows of the American<br />
Mathematical Society (AMS). The 30,000-member society announced<br />
1,119 fellows from more than<br />
600 institutions Nov. 1. <strong>Rice</strong>’s<br />
new AMS fellows are professors<br />
Michael Wolf, David Damanik<br />
and John Hempel; associate<br />
professor Shelly Harvey; adjunct<br />
research professor Michael Field;<br />
professor emeritus and research<br />
professor John Polking; and the<br />
Edgar Odell Lovett Professor of<br />
Mathematics William Veech.<br />
Pedro Alvarez, the George R.<br />
Brown Professor and chair of<br />
the Department of Civil and<br />
Environmental Engineering, has<br />
been awarded the prestigious<br />
<strong>At</strong>halie Richardson Irvine Clarke<br />
Prize for excellence in water<br />
science research by the National<br />
Water Research Institute. “The<br />
Clarke Prize is one of the greatest<br />
honors I’ve received in my life,”<br />
Alvarez said. “It’s an inspiration<br />
for generosity, integrity and world<br />
affirmation — the idea that the<br />
world can be a better place, and<br />
we can do something about it<br />
by making water safer and more<br />
affordable.”<br />
Yildiz Bayazitoglu, the Harry S.<br />
Cameron Professor of Mechanical<br />
Engineering, has been doubly recognized for her distinctive contributions<br />
to engineering. Bayazitoglu has received the Society of Women<br />
Engineers 2012 Achievement Award, its highest honor. The award is<br />
presented annually to a woman who has made an “outstanding contribution<br />
over a significant period of time in a field of engineering.”<br />
She also was elected an honorary member of the American Society of<br />
Mechanical Engineers.<br />
<strong>Rice</strong>’s 110,000-square-foot Brockman Hall for Physics recently earned<br />
Leadership in Energy and Environmental Design (LEED) Gold<br />
certification by the U.S. Green Building Council. Brockman is home<br />
to dozens of experimental, theoretical and applied physicists from the<br />
departments of Physics and Astronomy and Electrical and Computer<br />
Engineering. The building has energy-saving and environmental features<br />
that include an energy-recovery system — the largest in a single<br />
air unit in Texas — that saves as much as 30 percent of the energy<br />
needed to cool the building in the<br />
summer. Another green innovation<br />
is the building’s dehumidification<br />
system, which turns Houston’s<br />
legendary humidity into an asset<br />
by capturing and returning 100,000<br />
gallons of pure, clean water each<br />
year to <strong>Rice</strong>’s Central Plant.<br />
Brockman Hall for Physics<br />
<strong>Rice</strong> <strong>University</strong> President David<br />
W. Leebron has been appointed<br />
to the National Collegiate <strong>At</strong>hletic<br />
Association (NCAA) Division I<br />
board of directors as a representative<br />
of Conference USA. His term<br />
is effective through Aug. 31, 2016.<br />
Lanny Martin, associate professor<br />
of political science, won the 2012<br />
Richard F. Fenno, Jr. Prize for his<br />
book, “Parliaments and Coalitions:<br />
The Role of Legislative Institutions<br />
in Multiparty Governance,” coauthored<br />
with Georg Vanberg of<br />
the <strong>University</strong> of North Carolina at<br />
Chapel Hill. The American Political<br />
Science Association awards the<br />
prize annually for the best book<br />
on legislative studies.<br />
<strong>Rice</strong>’s newest residential colleges<br />
McMurtry College Commons — Duncan and McMurtry — are<br />
among 10 recipients across the<br />
country of the American Institute of Architects’ 2012 Housing Awards<br />
for Architecture. The awards recognize the best in housing design and<br />
“emphasize the importance of good housing as a necessity of life, a<br />
sanctuary for the human spirit and a valuable national resource.” The<br />
awards jury comments noted, “The communal spaces were really<br />
beautiful, and for a student residence, they act as magnets and seem<br />
to be exactly what residential living should be for college.”<br />
4 www.rice.edu/ricemagazine
THROUGH THE<br />
Sallyport<br />
Cheering for the Arts<br />
New Kinder Institute survey reveals widespread support for the arts in Harris County<br />
We love our football in Texas. And basketball, too. And baseball and<br />
soccer and, well, you get the picture. So the results of a new survey<br />
on the arts in Houston, conducted by <strong>Rice</strong>’s Kinder Institute for Urban<br />
Research, may be surprising. The first Houston Arts Survey revealed that,<br />
if given the choice of preserving either the arts or sports, 56 percent<br />
of Houstonians would choose the arts, compared with 35 percent who<br />
would preserve sports.<br />
“The survey participants express broad-based support for investments<br />
that will enhance the visibility and quality of the arts in this region,<br />
even if it means an increase in taxes,” said Stephen Klineberg, professor<br />
of sociology and co-director of the Kinder Institute. “The respondents<br />
are clear in their belief that the arts are important to Houston, that their<br />
Percent of Respondents<br />
“If Houston had to choose between having either excellent music and theater or great<br />
sports teams and stadiums, which would you most want to preserve? In other words,<br />
which would you miss most — music and theater (56%) or sports teams and stadiums<br />
(35%) — if one or the other were to disappear from Houston?”<br />
100%<br />
80%<br />
60%<br />
40%<br />
20%<br />
0%<br />
60%<br />
51%<br />
42%<br />
Male<br />
Female<br />
28%<br />
Music and theater<br />
50% 53% 53%<br />
41%<br />
Never involved with<br />
the arts as a child<br />
36% 36%<br />
Involved for two<br />
years or less<br />
availability and excellence are critical to the area’s quality of life and that<br />
arts instruction should be a part of every child’s education.”<br />
The study found that Houstonians are more likely than Americans<br />
in general to attend live arts performances and that the most important<br />
attendance predictors are education, household income and exposure to<br />
the arts in childhood. Ethnic background makes no difference at all in attendance<br />
rates: African-Americans, Latinos and Asians are just as likely as<br />
Anglos to report that they attended a live performance in the arts during<br />
the preceding 12 months.<br />
“The usual suspects — mainly costs, traffic, safety and no time —<br />
were among the reasons respondents do not attend arts performances,”<br />
Klineberg said.<br />
Americans today are far more likely to access<br />
Sports teams and stadiums<br />
63%<br />
27%<br />
Involved for more<br />
than two years<br />
the arts at home through the media than at live<br />
performances, but the respondents indicate that<br />
viewing or listening to the arts at home is more<br />
likely to increase than to decrease their interest<br />
in attending live arts performances.<br />
“If Houston is to succeed in the 21st century,<br />
it will need to nurture a far more educated<br />
work force, improve its overall quality of life and<br />
capitalize on its burgeoning ethnic and cultural<br />
diversity,” Klineberg said. “The survey findings<br />
bode well for the future of our region.” The<br />
study was funded by Houston Endowment Inc.<br />
and aided by an advisory panel of leading national<br />
and local arts experts.<br />
Read more:<br />
››› kinder.rice.edu/shea<br />
—Lynn Gosnell<br />
<strong>Rice</strong> Magazine • No. 15 • 2013 5
Running<br />
the Resort<br />
An interview with Julie Bogar<br />
How <strong>Rice</strong> feeds its masses has drastically changed over the years. The Central Kitchen, which used to produce all<br />
meals for the colleges and then transport them to each commons, is now home to the Oshman Engineering Design<br />
Kitchen, where recipes of a different kind are cooked up. Alumni can surely attest to how things were, as can Julie<br />
Bogar, who began working at <strong>Rice</strong> in 1990 as a residential dining manager, supervising the operations, menus and<br />
ordering for the first eight residential colleges.<br />
As Housing and Dining gradually opened<br />
the four larger serveries (cafeteria-style eateries<br />
with professional chefs that are attached<br />
to two to three colleges each) beginning in<br />
2002, the management and culinary staff increased.<br />
In 2010, <strong>Rice</strong> restructured its Housing<br />
and Dining staff to include four senior operations<br />
managers. Their time is divided between<br />
residential housing and dining responsibilities.<br />
Bogar oversees the South <strong>Servery</strong> and Sid,<br />
Wiess and Hanszen colleges.<br />
Describe your average day.<br />
I like to view my area as “the resort,” and<br />
I’m the manager. I begin my day by walking<br />
through the servery, checking the breakfast<br />
service and talking with students and staff.<br />
Another key area that I monitor is the work<br />
order system for repairs or services requested<br />
by residents in the South Colleges. I make sure<br />
they are completed and often follow up with<br />
the resident via email.<br />
I walk different areas of my three colleges<br />
doing visual safety and repair inspections<br />
each day. It’s also a good time to interact<br />
with the students who might have a particular<br />
concern. My average day, free of fire alarms,<br />
a broken sprinkler pipe, a college covered in<br />
chocolate syrup or a bird flying through the<br />
servery, also includes lots of ongoing communication<br />
via informal meetings or emails<br />
on issues pertaining to special events, college<br />
ambiance projects [projects that improve college<br />
public spaces], training, inspections or<br />
renovation projects.<br />
What are things like behind the scenes in the<br />
South <strong>Servery</strong>?<br />
Very organized. Chef Roger [Elkhouri] and<br />
Chef Kyle [Hardwick] run a very efficient,<br />
structured kitchen, which eliminates guesswork<br />
and increases efficiency. This is very<br />
evident in our staff’s satisfaction level. I hope<br />
they would all say that they enjoy their work<br />
and are constantly learning new things. Our<br />
newest venture, the Whoo Deli, a retail deli<br />
6 www.rice.edu/ricemagazine
with custom-designed sandwiches managed<br />
by Chef Ahmed [Mihabi], is doing very well<br />
and is also part of our operation.<br />
And the Centennial<br />
Commencement<br />
Speaker Is …<br />
How often do you get to interact with the<br />
students?<br />
All of the time. Sometimes I eavesdrop a little<br />
in the servery when I hear students talking<br />
about what they wish they could get, whether<br />
it’s a bowl of kiwi or a request for a favorite<br />
pie. We are all about customer service. That’s<br />
the key to enjoying my job at the resort. I’m<br />
also there to make copies for a term paper<br />
that’s due in five minutes or to provide props<br />
for a costume or help look for a missing passport<br />
in the trash. I love interacting with the<br />
students, as they are so appreciative of even<br />
the smallest things.<br />
What’s the weirdest experience you’ve had in<br />
the course of your job?<br />
We discovered that a snake and a scorpion<br />
were being kept in one of the college rooms,<br />
so we notified the students that that was<br />
against the housing policies and could result in<br />
a fine. The roommates claimed that the creatures<br />
must have found their way in on their<br />
own or were brought by someone else.<br />
How does your job change during the students’<br />
summer break?<br />
It gets even busier, and the days fly by. Most<br />
of my time is spent contracting and managing<br />
projects in my colleges, such as painting,<br />
new furniture, carpeting, remodeling, plumbing<br />
improvements, etc. I also work with the<br />
various summer groups staying in the South<br />
Colleges and assist with summer dining.<br />
World-renowned astrophysicist Neil deGrasse Tyson will give the commencement<br />
address at <strong>Rice</strong> <strong>University</strong>’s 100th graduation ceremony May<br />
11, 2013. Tyson is the Frederick P. Rose Director of the Hayden Planetarium<br />
at the American Museum of<br />
Natural History (AMNH) in<br />
New York City.<br />
Born and raised in New<br />
York City, Tyson was 9 years<br />
old the night he saw the Milky<br />
Way with “such clarity and majesty”<br />
at Hayden Planetarium’s<br />
sky theater in Manhattan that<br />
he knew he had been called<br />
to be an astrophysicist. “The<br />
study of the universe would<br />
be my career, and no force on<br />
Earth would stop me,” Tyson<br />
wrote in his memoir, “The Sky<br />
Is Not the Limit: Adventures of<br />
an Urban Astrophysicist.”<br />
“I am honored to deliver<br />
<strong>Rice</strong> <strong>University</strong>’s commencement<br />
address during a year<br />
that commemorates President<br />
Kennedy’s famous ‘We Choose<br />
to Go to the Moon’ speech<br />
Neil deGrasse Tyson<br />
given at <strong>Rice</strong> Stadium a half century ago,” Tyson said. “That speech not<br />
only established space exploration as a national goal, but it also forged<br />
space exploration as a national identity and secured <strong>Rice</strong> <strong>University</strong> and<br />
Houston’s Manned Spacecraft Center (later, Johnson Space Center) as the<br />
birthplace of that era. My wife, Alice Young ’79, happens to be a graduate<br />
of <strong>Rice</strong>, in physics, and so this trip will also serve as a homecoming for her.”<br />
Tyson wrote in his memoir that his life’s commitment is to bring people<br />
closer to the universe, and he has done that by writing books, giving<br />
lectures and appearing on television and radio to educate the public about<br />
astrophysics.<br />
—<strong>Rice</strong> News<br />
—Jenny Rozelle ’00<br />
<strong>Rice</strong> Magazine • No. 15 • 2013 7
<strong>Rice</strong> Launches Energy<br />
and Environment Initiative<br />
The mission is to engage researchers and scholars from every corner of campus<br />
to address the complex challenges of energy in the 21st century.<br />
<strong>Rice</strong>’s new Energy and Environment Initiative (E2I) will draw experts<br />
from every corner of the university to work with Houston’s<br />
energy industry to overcome barriers to the sustainable development<br />
and use of current and alternative forms of energy.<br />
<strong>Rice</strong> Provost George McLendon said E2I is unique among<br />
university activities because it recognizes that addressing challenges<br />
in energy requires more than just technological solutions.<br />
E2I researchers will study energy policy and markets, finance,<br />
“One of the most critical global issues of<br />
our time is the challenge of meeting the<br />
world population’s escalating need for<br />
energy and simultaneously safeguarding<br />
the environment.”<br />
—David W. Leebron<br />
and management, as well as the cultural and societal values that<br />
underpin and sometimes undermine public discussion about energy<br />
and the environment.<br />
E2I will be led by a committee chaired by Pedro Alvarez,<br />
<strong>Rice</strong>’s George R. Brown Professor and chair of the Department<br />
of Civil and Environmental Engineering. The committee members<br />
are Ken Medlock, the James A. Baker III and Susan G.<br />
Baker Fellow in Energy and Resource Economics at the Baker<br />
Institute for Public Policy and adjunct professor in economics;<br />
Alan Levander, <strong>Rice</strong>’s Carey Croneis Professor of Earth Science<br />
and director of <strong>Rice</strong>’s data analysis and visualization cyberinfrastructure<br />
(DAVinCI) project; Dominic Boyer, associate professor<br />
of anthropology; and William Arnold, professor in the practice of<br />
energy management at the Jones School. A national search for a<br />
permanent faculty director will begin in 2013.<br />
McLendon said <strong>Rice</strong> will invest about $1 million this fiscal<br />
year to start E2I seed-funding programs and establish an infrastructure<br />
to link existing activities across departments and<br />
schools. Future investments will be linked to research growth.<br />
“This is about building a bridge from today’s fossil fuel economy<br />
to an all-of-the-above energy future in which all sources of<br />
energy are used in concert,” he said. “Building this bridge is as<br />
much a political, economic and social challenge as a technical<br />
one.”<br />
“One of the most critical global issues of our time is the<br />
challenge of meeting the world population’s escalating need for<br />
energy and simultaneously safeguarding the environment,” said<br />
<strong>Rice</strong> President David Leebron. “<strong>Rice</strong>’s location in Houston, the<br />
global energy capital, uniquely positions us to serve both our<br />
city and our world by offering rich insights and practical but innovative<br />
solutions to this daunting challenge. Not only will we<br />
explore issues related to the safe harvesting and use of traditional<br />
hydrocarbons, but also advance the next generation of energy<br />
sources, from biofuels to solar.”<br />
8 www.rice.edu/ricemagazine
HELP FOR<br />
Brain Injuries<br />
A nanoparticle developed at <strong>Rice</strong> <strong>University</strong> and tested in<br />
collaboration with Baylor College of Medicine (BCM) may<br />
bring great benefits to the emergency treatment of brain-injury<br />
victims, even those with mild injuries.<br />
Combined polyethylene glycol-hydrophilic carbon clusters<br />
(PEG-HCC), already being tested to enhance cancer treatment,<br />
are also adept antioxidants. In animal studies, injections of PEG-<br />
HCC during initial treatment after an injury helped restore balance<br />
to the brain’s vascular system. A PEG-HCC infusion that<br />
quickly stabilizes blood flow in the brain would be a significant<br />
advance for emergency-care workers and battlefield medics,<br />
said <strong>Rice</strong> chemist and co-author James Tour.<br />
“This might be a first line of defense against reactive<br />
oxygen species (ROS) that are always overstimulated during a<br />
medical trauma, whether that be to an accident victim or an<br />
injured soldier,” said Tour, <strong>Rice</strong>’s T.T. and W.F. Chao Professor of<br />
Chemistry as well as a professor of mechanical engineering and<br />
materials science and of computer science. “They’re certainly<br />
exacerbated when there’s trauma with massive blood loss.”<br />
In a traumatic brain injury, cells release an excessive amount<br />
of an ROS known as superoxide into the blood. Superoxides<br />
are toxic free radicals, molecules with one unpaired electron,<br />
that the immune system normally uses to kill invading<br />
microorganisms.<br />
“There are many facets of brain injury that ultimately determine<br />
how much damage there will be,” said Thomas Kent, the<br />
paper’s co-author, a BCM professor of neurology and chief of<br />
neurology at the Michael E. DeBakey Veterans Affairs Medical<br />
Center in Houston. “One is the initial injury, and that’s pretty<br />
much done in minutes. But a number of things that happen later<br />
often make things worse, and that’s when we can intervene.”<br />
In tests, the researchers found PEG-HCC nanoparticles immediately<br />
and completely quenched superoxide activity and<br />
allowed the autoregulatory system to quickly<br />
regain its balance. “This is an occasion<br />
where a nano-sized package is<br />
doing something that no small<br />
drug or protein could do, underscoring<br />
the efficacy of<br />
active nano-based drugs,”<br />
said Tour. “This is the<br />
most remarkably effective<br />
thing I’ve ever seen,” Kent<br />
said.<br />
The research was<br />
funded by the Department<br />
of Defense’s Mission<br />
Connect Mild Traumatic<br />
Brain Injury Translational<br />
Research Consortium, the<br />
National Science Foundation,<br />
the National Institutes of Health,<br />
and the National Heart, Lung and<br />
Blood Institute.<br />
Predatory<br />
Bacteria<br />
Scientists ID a simple formula that allows<br />
bacteria to engulf food in waves.<br />
Move forward. High-five your neighbor. Turn around.<br />
Repeat.<br />
That’s the winning formula of one of the world’s smallest<br />
predators, the soil bacteria Myxococcus xanthus. A new<br />
study by scientists at <strong>Rice</strong> <strong>University</strong> and the <strong>University</strong> of<br />
Texas Health Science Center at Houston (UTHealth) Medical<br />
School shows how M. xanthus uses the formula to spread,<br />
engulf and devour other bacteria.<br />
Researchers found that simple motions of individual<br />
bacteria are amplified within colonies of M. xanthus to form<br />
millions-strong waves moving outward in unison. The findings<br />
answer long-standing questions about how the waves<br />
form and the competitive edge they provide M. xanthus.<br />
“When the cells at the edge of the colony are moving<br />
outward, they are unlikely to encounter another M. xanthus<br />
cell, so they keep moving forward,” said lead author<br />
Oleg Igoshin, assistant professor of bioengineering at <strong>Rice</strong>.<br />
“When they are traveling the other way, back toward the<br />
rest of the colony, they are likely to encounter other cells<br />
of their kind, and when they pass beside one of these and<br />
touch, they get the signal to turn around.”<br />
M. xanthus is an oft-studied model organism in biology,<br />
Igoshin said. As a computational biologist, Igoshin specializes<br />
in creating mathematical models that accurately<br />
describe the behavior of living systems. Such models are<br />
useful for understanding the cellular and even genetic basis<br />
of emergent phenomena. The research was supported<br />
by the National Science Foundation (NSF). The computer<br />
modeling was performed on three NSF-funded <strong>Rice</strong> supercomputers<br />
— STIC, SUG@R and DAVinCI — that are jointly<br />
managed and operated by <strong>Rice</strong>’s Ken Kennedy Institute for<br />
Information Technology and <strong>Rice</strong>’s Information Technology<br />
office.<br />
—Jade Boyd<br />
—Mike Williams<br />
<strong>Rice</strong> Magazine • No. 15 • 2013 9
Q&A:<br />
Architectronica<br />
Architectronica, the <strong>Rice</strong> School of Architecture’s<br />
epic public party, drew more than 1,000 students to<br />
Anderson Hall the evening of Oct. 13. Designated<br />
the official after-party of the centennial’s<br />
Spectacle, the event showcased a complex and<br />
visually stunning mix of digital media, all designed<br />
by RSA student Joshuah Howard ’13. The elaborate<br />
production featured a “custom projection-mapping<br />
installation that synchronizes to the music to trigger<br />
specific psycho-emotional effects,” Howard<br />
said. DJ Vivas Kumar ’14 presided over four hours<br />
of music, an eclectic mix of electronica and original<br />
tunes. The crowd favorite, Howard said, was a dub<br />
step remix of the “Bill Nye the Science Guy” theme.<br />
We asked Howard to answer a few questions about<br />
the production.<br />
How did you end up designing the light show<br />
for the party?<br />
I have a passion for allowing the digital world to<br />
leak out into our own, so when I attended Media<br />
Party (the precursor to Architectronica) for the first<br />
time in 2009, I began imagining ways to transform<br />
the room into a stagelike installation. Over the<br />
next two years, I dug deep into the world of audio/<br />
visual production on my own time — not just for<br />
Architectronica. Eventually I found a combination<br />
of programs that was capable of producing what I<br />
had in mind.<br />
When did you start working on the show?<br />
The show is in a constant state of development —<br />
even during the show I’m changing things around.<br />
I wish I had the time to prerecord the audio and<br />
video entirely before the event, but that level of<br />
production is not the kind of thing I could balance<br />
with classes.<br />
What is involved in designing a show of this<br />
magnitude?<br />
Lots. First of all there are other RSA officers that<br />
take care of RUPD, security, food and drinks. They<br />
take care of the logistics and leave the show and<br />
advertising to me. The show itself involves heavy<br />
amounts of tech and creativity.<br />
How many DJs were there and how did you<br />
coordinate with them?<br />
There was just one live DJ — Vivas Kumar —<br />
though there are plans to incorporate more <strong>Rice</strong><br />
DJs in the future. During the performances, Vivas<br />
controls the tempo for the whole show, so he’s<br />
free to speed up, slow down or even drop the beat<br />
entirely. His computer sends a tempo control signal<br />
via a LAN cable to mine, which then adjusts<br />
all my video triggers, layers sequencing, effects<br />
and other parameters according to the incoming<br />
tempo. This setup allows for us both to jam out<br />
while keeping the whole show coordinated to the<br />
millisecond.<br />
How would you describe the music this year?<br />
Our mission with Architectronica is to provide<br />
what the other public parties don’t, which is pretty<br />
easy since those parties just puke out top 40s every<br />
weekend. We avoid pop music like the plague<br />
unless it’s totally reinvented in a remix.<br />
What was the general reaction from students?<br />
The crowd loved the show. Normally people come<br />
to public parties for about 40 minutes and then<br />
leave to cool off or get a drink. It was actually impossible<br />
to get any more people into the room for<br />
most of the night.<br />
Do you see yourself working on light and<br />
media as a career?<br />
I want to continue my efforts in augmenting the<br />
real world with digital media, but there are countless<br />
ways to do this. I worked with URBANSCREEN<br />
(see Page 32) this summer during the development<br />
of the Spectacle and plan to go back for another<br />
internship this summer. I’m hoping to integrate<br />
this knowledge of light and media into my architectural<br />
designs, rather than work purely with the<br />
elements.<br />
—Lynn Gosnell<br />
New Interdisciplinary Ph.D. Program Launched<br />
<strong>Rice</strong> <strong>University</strong> has established a new doctoral program that encompasses several of the 21st century’s emergent<br />
research fields in life sciences. The Ph.D. degree in systems, synthetic and physical biology (SSPB) was approved last fall<br />
by <strong>Rice</strong>’s Faculty Senate and is set to enroll its first students in fall 2013. The SSPB program is a joint venture between the<br />
George R. Brown School of Engineering and the Wiess School of Natural Sciences.<br />
“Systems, synthetic and physical biology is a new field that combines experimental and theoretical approaches to<br />
solve both fundamental and applied problems in the biosciences, biotechnology and medicine,” said Michael Deem, <strong>Rice</strong>’s<br />
John W. Cox Professor of Biochemical and Genetic Engineering and professor of physics and astronomy. Deem will direct<br />
the new Ph.D. program.<br />
Read more:<br />
››› sspb.rice.edu/sspb<br />
10 www.rice.edu/ricemagazine
OMG!<br />
She’s Multitalented.<br />
Rebecca Carrington ’97 doesn’t fit the mold<br />
of a typical classically trained and accomplished<br />
cellist. For starters, she combines<br />
playing the cello with stand-up musical<br />
comedy. During those performances, she<br />
refers to her instrument, an 18th-century<br />
cello, by the name of Joe.<br />
For more than a decade, Carrington,<br />
who is English, has traversed the globe<br />
to perform her unique musical-comedy<br />
act. She has performed at the venerable<br />
Comedy Store in Los Angeles, at numerous<br />
festivals, and on TV and radio programs.<br />
Her performances have taken her<br />
on trans-<strong>At</strong>lantic cruises and to India, but<br />
she plays most frequently in Germany and<br />
throughout Europe. Now based in Berlin,<br />
Carrington spends more than half the year<br />
on the road and has performed up to 170<br />
shows in a year.<br />
“Looking back, I’ve always loved making<br />
people laugh. But it’s much different<br />
than it used to be now that I do it for a<br />
living,” Carrington said.<br />
It was during her days as a master’s<br />
student at the Shepherd School of Music<br />
that Carrington discovered her talent for<br />
stand-up comedy. It was also at <strong>Rice</strong> that<br />
she started performing in campus cabaret,<br />
including an hour-long show she developed<br />
for a P.D.Q. Bach evening at the<br />
Shepherd School of Music. While on a trip<br />
to New York as a student, a friend dared<br />
her to try performing at a comedy club.<br />
Carrington accepted and was<br />
hooked. Soon she was combining<br />
her talents — a thorough<br />
grounding in classical music,<br />
a love of cabaret and a knack<br />
for making others laugh —<br />
into a highly entertaining<br />
stage act.<br />
“If it wasn’t for going to<br />
America, I would have never had<br />
the confidence to go into comedy,”<br />
said Carrington, who won the university’s<br />
MasterCard Talent American<br />
Collegiate Search in 1996.<br />
During her performances,<br />
Carrington rattles jokes off with a manic<br />
energy, interspersed with cello playing<br />
and singing. She oscillates between<br />
voices, even languages, switching from<br />
English to French and German. Her topic<br />
“Looking back, I’ve always loved making people<br />
laugh. But it’s much different than it used to be<br />
now that I do it for a living.”<br />
—Rebecca Carrington<br />
matter is diverse, ranging from the idiosyncrasies<br />
of the world’s different cultures to<br />
song parodies.<br />
“I’ve found that in certain areas of the<br />
U.S. of A., I only need about three English<br />
words per day to express myself,” she begins<br />
in a bit during a show’s performance.<br />
Carrington then proceeds to use a mocking,<br />
ditzy voice to make fun of a woman<br />
in California who prefaced every sentence<br />
with “Oh my God.”<br />
“Oh my God, that is such a beautiful<br />
piece of furniture!” Carrington says, referring<br />
to her cello.<br />
It can get difficult<br />
trying to entertain<br />
people through two<br />
distinctly different<br />
mediums, Carrington<br />
acknowledged.<br />
“What happens is<br />
that you have to come<br />
up with ideas about how<br />
to arrange things for two<br />
different voices. Not only<br />
are you just playing<br />
your cello on stage.<br />
You need to prepare<br />
jokes to crack, as<br />
well.” She relishes<br />
the challenge.<br />
Since 2007, Carrington has<br />
been joined onstage by her husband,<br />
actor and singer Colin Brown.<br />
Her CDs and DVDs feature both her<br />
solo work and the duo’s collaboration as<br />
Carrington-Brown. When it comes to producing<br />
material, Carrington writes with her<br />
husband, whom she met while performing<br />
at the Edinburgh Fringe Festival. Brown<br />
adds a unique dynamic to Carrington’s<br />
performance, whether he is rapping along<br />
to her cello riffs or adding a monologue<br />
of his own. The duo has won a number of<br />
awards throughout Europe.<br />
Carrington and Brown will head to New<br />
York this year for an entertainment showcase.<br />
“We hope to make contacts and to be<br />
able to tour in the U.S. That is our goal.”<br />
—Andrew Clark<br />
Andrew Clark is a freelance writer and law student based in<br />
Boston, Mass. He can be reached at andrewclark87@gmail.com.<br />
Watch:<br />
››› rebeccacarrington.com/video.php<br />
<strong>Rice</strong> Magazine • No. 15 • 2013 11
First, Snakes. Now, Spiders.<br />
Ecologists have found as many as 40 times more spiders in Guam’s remote jungle<br />
than are found on nearby islands. In some places, dense spiderwebs fill gaps<br />
between trees in the jungle canopy.<br />
It sounds like something from a horror movie<br />
— a Pacific island infested with venomous<br />
tree-lounging snakes and dense thickets of<br />
spiderwebs. An island where the sound of<br />
birds has fallen silent. Welcome to Guam,<br />
where brown tree snakes have done untold<br />
damage to the U.S. territory since being accidentally<br />
introduced to the island in the late<br />
1940s. The snakes’ lack of natural predators<br />
combined with access to abundant food<br />
sources, in the form of native bird species<br />
and small mammals, has devastated native<br />
ecosystems.<br />
Credit: Isaac Chellman<br />
The ripple effect of this eco-disaster is<br />
the subject of a new study by biologists from<br />
<strong>Rice</strong> <strong>University</strong>, the <strong>University</strong> of Washington<br />
and the <strong>University</strong> of Guam.<br />
Because many birds consume spiders,<br />
compete with spiders for insect prey and use<br />
spiderwebs in their nests, Haldre Rogers,<br />
a Huxley Research Instructor in ecology<br />
and evolutionary biology at <strong>Rice</strong>, and her<br />
colleagues are investigating whether the loss<br />
of birds led to an increase in the spider population<br />
on Guam. Huxley fellows are recent<br />
Ph.D. recipients who are appointed to teach<br />
at <strong>Rice</strong> for two to three years.<br />
“You can’t walk through the jungles on<br />
Guam without a stick in your hand to knock<br />
down the spiderwebs,” said Rogers, the lead<br />
author of the study, which appeared in the<br />
journal PLOS ONE last fall.<br />
The results are some of the first to examine<br />
the indirect impact of the brown tree<br />
snake on Guam’s ecosystem. By the 1980s,<br />
10 of 12 native bird species had been wiped<br />
out, and the last two live only in small areas<br />
protected by intense snake-trapping.<br />
Counting spiderwebs on Guam and on<br />
nearby islands in the Marianas Islands chain<br />
was the first step in the study. Rogers and<br />
study co-authors Janneke Hille Ris Lambers<br />
and Josh Tewksbury of the <strong>University</strong> of<br />
Washington and Ross Miller of the <strong>University</strong><br />
of Guam found that spiders were between<br />
two times and 40 times more plentiful on<br />
Guam than on neighboring islands.<br />
Rogers has extensive experience studying<br />
the ripple effects of the tree snake invasion<br />
on Guam. Her first job out of college<br />
was to lead the U.S. Geological Survey’s<br />
brown tree snake rapid response team, a<br />
small group of snake hunters charged with<br />
capturing brown tree snakes that manage to<br />
get off the island.<br />
“When I was [on Guam’s nearby islands]<br />
searching for snakes at night, I spent a lot of<br />
time thinking about the differences between<br />
the forests I was walking through and the<br />
forests back on Guam,” said Rogers, recalling<br />
her field research. “The spiderwebs were just<br />
one difference. The lack of songbirds also<br />
make Guam’s forests eerily quiet during the<br />
day,” she said.<br />
“There isn’t any other place in the world<br />
that has lost all of its insect-eating birds,” she<br />
said. “There’s no other place you can look to<br />
see what happens when birds are removed<br />
over an entire landscape.”<br />
In future work, she plans to conduct experiments<br />
on neighboring islands that still<br />
have forest birds and compare those results<br />
with observations on Guam to determine the<br />
exact links between the lost forest birds and<br />
the spider population increases.<br />
“Ultimately, we aim to untangle the impact<br />
of bird loss on the entire food web, all<br />
the way down to plants,” she said. “For example,<br />
has the loss of birds also led to an increase<br />
in the number of plant-eating insects?<br />
Or can this increase in spiders compensate<br />
for the loss of birds?”<br />
Read the journal article:<br />
››› ricemagazine.info/131<br />
—Jade Boyd<br />
12 www.rice.edu/ricemagazine
Religious fraud! Comedy! Satire!<br />
It’s “Tartuffe.”<br />
Jake LaViola ’15 as Tartuffe has a moment<br />
with Hayley Jones ’14 as Elmire<br />
in the fall production of Molière’s<br />
comic masterpiece, “Tartuffe.” The <strong>Rice</strong><br />
<strong>University</strong> Theatre Program presented<br />
the play at Hamman Hall to rave reviews.<br />
“Molière gives us a farce with a scathing<br />
wit as he roasts religion, hypocrisy<br />
and sexual deceit,” said Christina Keefe,<br />
director of <strong>Rice</strong>’s Theatre Program. In<br />
addition to LaViola and Jones, the show<br />
starred Qingyang Peng ’15 as Orgon,<br />
staff member Alice Rhoades as Madame<br />
Pernelle, Tasneem Islam ’14 as Mariane<br />
and John Hagele ’16 as Damis. Director:<br />
Samuel Sparks. Production manager:<br />
Matt Schlief. Costume designer: Macy<br />
Perrone.<br />
Photo credit: Claire Elestwani ’15<br />
Everything’s Coming Up Roses<br />
<strong>Rice</strong> has always been lauded for its beautiful landscaping. Now we have one more<br />
site to be proud of — the Puddin Clarke Centennial Garden between Sewall Hall and<br />
Lovett Hall. According to David Rodd, university architect in Facilities Engineering and<br />
Planning, committee members for <strong>Rice</strong>’s Lynn R. Lowrey Arboretum first proposed the<br />
idea for the rose garden as a centennial project because Mary Ellen Lovett, wife of<br />
the university’s first president, Edgar Odell Lovett, nurtured roses on campus in <strong>Rice</strong>’s<br />
early days.<br />
When Robert Clarke ’63 heard about the rose garden, he generously volunteered to<br />
fund the project. “I thought it was a great idea to make the donation in memory of my<br />
wife,” said Clarke. “Although she wasn’t an alum, Puddin was very much a supporter<br />
of <strong>Rice</strong> and involved in a lot of things here. It seemed like a nice way to honor her.”<br />
Old Blush roses, a China hybrid, were selected because they were a favorite of the<br />
garden’s honoree.<br />
—Jenny Rozelle ’00<br />
<strong>Rice</strong> Magazine • No. 15 • 2013 13
NotedandQuoted<br />
“So when I was running around the world saying, ‘The world is flat! We’re all<br />
connected,’ Facebook didn’t exist, Twitter was still a sound, the Cloud was still in<br />
the sky, 4G was a parking place, LinkedIn was a prison, applications were what<br />
you sent to college and, for most people, Skype was a typo.”<br />
—Thomas Friedman<br />
Nov. 12, 2012, as quoted in an article that appeared in the <strong>Rice</strong> Thresher, Nov. 16, 2012<br />
“I was the altar boy of<br />
journalism. I was a<br />
fact-checker. And that in<br />
a way is something I’ve<br />
done my entire life. What<br />
is true?<br />
How can<br />
you prove<br />
that it’s<br />
true? How<br />
does it<br />
work? My parents were<br />
both scientists. I’ve spent<br />
my life trying to find<br />
out new things and tell<br />
people about them.”<br />
—Esther Dyson<br />
Oct. 11, 2012, Centennial Lecture Series<br />
“As we look to a future of true energy security<br />
by exploiting new unconventional fossil sources,<br />
augmented by alternative energy sources such<br />
as solar, wind and biofuels, the only way forward<br />
is through a government science policy that<br />
includes basic research support and thoughtful<br />
regulation. These are necessary if we are to<br />
have the energy security we want and the<br />
environmental stewardship we need.”<br />
—Shirley Ann Jackson<br />
Oct. 11, 2012, Centennial Lecture Series<br />
“Understanding your complete genome is very key<br />
to understanding inheritance. Everyone’s asked the<br />
questions: ‘Did I get this trait from my mother or father?<br />
Did I give this trait to my children?’ Now we have the<br />
tools to start to answer those questions because we can<br />
separate the DNA sequence into that from the parental<br />
chromosomes. One of the ways we do this … we can<br />
sequence a genome from a single sperm cell.”<br />
—J. Craig Venter<br />
Oct. 10, 2012, Centennial Lecture Series<br />
“History happens,<br />
history leaves its<br />
traces, and I have<br />
to say, I prefer<br />
history without<br />
preservation.”<br />
—Rem Koolhaas<br />
Oct. 11, 2012, Centennial Lecture Series<br />
“<strong>Rice</strong> has excelled in ways that even Lovett could not have guessed.<br />
I’m talking of course about <strong>Rice</strong>’s famous come-from-behind<br />
victory over heavily favored Colorado in the 1938 Cotton Bowl. It<br />
is at least famous in the halls of the Supreme Court, because until<br />
then unbeaten Colorado was led by future Supreme Court Justice<br />
Byron White. Despite a stellar offensive and defensive performance<br />
by White — he threw a touchdown pass, scored on an interception<br />
and kicked two extra points — the Owls prevailed by a final score<br />
of 28–14. Not even President Lovett could have foreseen that.”<br />
—Chief Justice of the United States John G. Roberts Jr.<br />
“A Conversation With the Chief Justice,” Oct. 17, 2012<br />
14 www.rice.edu/ricemagazine
On Oct. 11, 2012, Douglas Brinkley, professor of history and fellow in history at <strong>Rice</strong> <strong>University</strong>’s Baker Institute<br />
for Public Policy, interviewed President Barack Obama in the Oval Office at the White House for the Nov. 8 cover<br />
story in Rolling Stone magazine. The Obama cover story was Brinkley’s third for Rolling Stone. He also has profiled<br />
Hunter S. Thompson and Bob Dylan for the magazine.<br />
Pundit Watch<br />
Remember the primaries? The presidential debates? Doesn’t the<br />
election season seem like both half a life ago AND something<br />
that took up half our lives? No matter in which political tent<br />
one camped for the duration, the 2012 election season was<br />
both endless and endlessly frustrating. But at least, as ordinary<br />
citizens, we could confine our opinions and insights to our<br />
living rooms (and Facebook and Twitter feeds). For many of<br />
our distinguished <strong>Rice</strong> faculty, who were called upon day and<br />
night by the news media to provide topical insight, there was<br />
no rest for the weary. The news, after all, is a 24-hour affair. So,<br />
here’s a shout out to our hardworking historians, economists,<br />
political scientists and more who took the time to explain,<br />
correct, analyze and generally provide rational commentary for<br />
the American public. They worked from their offices, homes<br />
and cars, as well as from the Office of Public Affairs’ television<br />
studio in the basement of Allen Center.<br />
Mark<br />
Jones<br />
Douglas<br />
Brinkley<br />
Paul<br />
Brace<br />
Bob<br />
Stein<br />
Notable <strong>Rice</strong> experts who appeared in the media<br />
nationally and locally to discuss the elections include<br />
Douglas Brinkley, Mark Jones, Paul Brace and Bob Stein.<br />
The graph reflects the number of appearances in the<br />
media during the months of October and November.<br />
293<br />
596<br />
23<br />
52<br />
<strong>Rice</strong> Magazine • No. 15 • 2013 15
City<br />
Architect Eric Kuhne ’73 tells the<br />
story of <strong>Belfast</strong>’s maritime majesty<br />
with the new Titanic museum.<br />
16 www.rice.edu/ricemagazine
BY STEVEN THOMSON • PHOTOS COURTESY OF ERIC KUHNE, CIVICARTS AND THE TITANIC BELFAST.<br />
For a century following the sinking of the RMS Titanic, the tragedy was nary whispered within the Northern<br />
Ireland capital that saw the ship’s design and construction. Even in Great Britain, few are privy to the fact that<br />
in the early 20th century, nearly half of the tonnage on the seas took its maiden voyage from <strong>Belfast</strong>’s shipyards.<br />
When the Titanic embarked in 1912, <strong>Belfast</strong> laid claim to the largest shipyard in the world. Yet a sense<br />
of self-imposed ignominy after the disaster shrouded the city’s pride as a locus of maritime innovation. With<br />
the post-World War II growth of deep port container shipping and surge in air travel, the once robust image of<br />
<strong>Belfast</strong>’s shipyards descended into that of a postindustrial wasteland.<br />
Today, following decades of internal political strife and a recent<br />
crippling double-dip recession, <strong>Belfast</strong> is poised once again<br />
to embrace its heritage as one of the world’s shipbuilding epicenters.<br />
Enter Eric Kuhne ’73, who is leveraging a belief in architecture<br />
as diplomacy to help restore the grandeur of the city’s<br />
long-abandoned docks.<br />
Sitting in the library of his firm, CivicArts, in the architectural<br />
hub of Clerkenwell in east central London, Kuhne explained the<br />
gradual realization of his vision for a 185-acre urban revitalization<br />
of the wrench-shaped peninsula, Queen’s Island — renamed<br />
the Titanic Quarter — and its centerpiece, the monumental Titanic<br />
<strong>Belfast</strong> museum. Although the waterfront development will be<br />
the museum’s marine-grade aluminum cladding sparkles.<br />
“Most contemporary museums have lost that sense of wonder when you<br />
enter,” Kuhne said. Inside the Titanic <strong>Belfast</strong>, the hum of the 28,000 builders<br />
that once occupied the hoists and gangplanks of the <strong>Belfast</strong> shipyards<br />
is restored in an ecclesiastically scaled six-story atrium, crisscrossed by<br />
balconies, terraces and overlooks.<br />
Above, nine galleries provide the social context of shipbuilding in<br />
<strong>Belfast</strong>, house a ride through a reconstructed shipyard and detail the construction<br />
of the RMS Titanic. The project’s monumentality is tempered<br />
by documents of individual crew and passengers’ stories, while another<br />
gallery offers a critical eye toward the myths and legends that surround<br />
the disaster. Hard science finds its place in an exhibit on Robert Ballard’s<br />
Left: Architect Eric Kuhne stands in front of a map of the Titanic Quarter, the 185-acre waterfront redevelopment project now underway in <strong>Belfast</strong>, Northern Ireland. Kuhne’s firm,<br />
CivicArts, designed the project’s urban master plan, which combines residential, business, recreational and cultural elements, as well as parks and gardens. Middle: The Titanic<br />
<strong>Belfast</strong> museum is located on the site of the Harland and Wolff shipyard. Right: Kuhne’s early sketches play with images of ice crystals, a central motif in the Titanic <strong>Belfast</strong>’s design.<br />
Opposite: The White Star Line Titanic sets sail from Southampton, England, April 10, 1912. An architectural rendering of the exterior of the Titanic <strong>Belfast</strong> museum, which opened to<br />
the public March 31, 2012.<br />
years in the making, the museum opened in March 2012, just in time<br />
to mark the 100th anniversary of the tragedy. The visceral appeal of the<br />
Titanic in the public imagination endures, as evidenced by the museum’s<br />
more than 500,000 visitors in its first six months of operation.<br />
“We have worked on buildings all around the world, but nothing has<br />
gone viral like this,” Kuhne said.<br />
Drawing upon the water imagery that haunts the Titanic’s history,<br />
Kuhne studied the geometric process of ice crystal formation to conceive<br />
the museum’s faceted exterior, which resembles at once jutting icebergs<br />
and ships’ prows. The façade mimics the scales of the gigantic gantries<br />
system of timber and steel scaffolding built for the construction of the<br />
Titanic’s massive hull 100 years ago. When viewed from above, the building<br />
takes the form of a compass rose.<br />
The building plan also alludes to the trajectory of four centuries of shipbuilding<br />
innovation in <strong>Belfast</strong>: from timber and sail to iron and steam, followed<br />
by steel and turbine and culminating in aluminum and diesel. Most<br />
poignantly, the building’s height matches that of the storied cruise liner,<br />
allowing tourists and <strong>Belfast</strong> locals to consider head-on the optimism and<br />
opulence that the Titanic embodied. Even beneath <strong>Belfast</strong>’s mercurial skies,<br />
1985 <strong>At</strong>lantic expedition to record and recover the ship’s ruins, with<br />
a special focus on deep-sea microbiology.<br />
The museum, which cost $152 million to build, was funded through<br />
a partnership that included <strong>Belfast</strong> City Council, <strong>Belfast</strong> Harbour<br />
Commissioners, Northern Ireland Tourist Board and Titanic Quarter<br />
Limited (a company of Dublin-based Harcourt Developments Ltd.).<br />
“I think it’s a human story,” said Tim Husbands, CEO of Titanic<br />
<strong>Belfast</strong>. “The sinking was a disaster, but the ship itself was a fantastic<br />
feat of engineering and construction. The Titanic <strong>Belfast</strong> is<br />
about recovering the city’s roots, but it also presents a story that<br />
resonates internationally.” No doubt, the museum will far surpass<br />
the initial annual target of 425,000 visitors. Almost 70 percent of<br />
visitors are from outside of Northern Ireland.<br />
While the consensus is that it’s a crowd pleaser, the Titanic<br />
<strong>Belfast</strong> has faced criticism in the architectural press. It recently<br />
garnered a nomination for Building Design magazine’s Carbuncle<br />
Cup, a reader-nominated award for the ugliest building completed<br />
in the U.K. in the last 12 months. On the plus side, the museum<br />
also is a finalist for the International Interior Design of the<br />
<strong>Rice</strong> Magazine • No. 15 • 2013 17
Year award at the Leading European Architects Forum. Unfazed,<br />
Kuhne remains confident that the building is succeeding at telling<br />
the Titanic story to legions of visitors. “It was a huge backhanded<br />
compliment,” Kuhne said. “Very English.”<br />
Keep in mind that the museum is merely a cornerstone of the<br />
estimated $10 billion–$15 billion Titanic Quarter mixed-use development<br />
that will occupy the Queen’s Island area of <strong>Belfast</strong>.<br />
“The local authorities thought we were dreaming at the<br />
time,” said Pat Doherty, the chairman and founder of Harcourt<br />
Developments, recalling the process of acquiring the vast site nine<br />
years ago. “It was a clear site almost in the center of the city with<br />
the opportunity to do something very special, and Eric has a magical<br />
way of doing things.” Kuhne and Doherty worked with myriad<br />
government departments, harbor authorities and investors to make<br />
way for the development that’s changing the face of <strong>Belfast</strong>.<br />
Profit-driven inner-city revitalization schemes too often fall victim<br />
to blank banality. To break this trend, Kuhne, in his role as the<br />
lead concept architect on the project, consulted directly with the<br />
very people who had abandoned central <strong>Belfast</strong>’s blight and violent<br />
legacy for surrounding suburban hamlets.<br />
“We interviewed almost 100 people and asked them one simple<br />
thing: ‘What would it take for you to come back home?’ And they<br />
asked for me to build something like their villages in the center of<br />
<strong>Belfast</strong>,” Kuhne said.<br />
“Eric always had a humanistic commitment that has allowed him to<br />
abstract his project designs in such a striking way,” said former classmate<br />
Stephen Fox ’73, architectural historian and lecturer at the <strong>Rice</strong><br />
School of Architecture. A dedicated Renaissance man, Kuhne penned a<br />
Shakespearean sonnet for the real estate venture to pay homage to the<br />
city’s shipbuilding roots:<br />
TITANIC BELFAST:<br />
We were the best who worked these hallowed slips<br />
Bending iron, timber and steel ’to ships<br />
’Neath gantries and cranes with Biblical names<br />
Our sweat, our tears, and sweet salt air did raise<br />
Fleets for trade, exploration and mail,<br />
Liners, warships, and immigrants set sail —<br />
Navigating charts on rhumb-lined seas with<br />
Optimism! Opulence! at Godspeed!<br />
Four centuries measure our balancing<br />
Our will and Nature’s equanimity.<br />
Time once again to lead the charge: <strong>Belfast</strong>’s<br />
Sons and Daughters sing songs of these shipyards;<br />
Choirs of workers shout across the seas:<br />
Once where we built ships, now we build cities!<br />
Left to right: Inside the Titanic <strong>Belfast</strong>, massive chains denote the scale of the Titanic and its sister ships. Visitors take in a view of the ship as it now rests on the ocean floor. A cut-out<br />
steel sign in front of the museum. Children check out the interior galleries. Opposite: A view from the top-floor balcony of a large compass rose that locates the cardinal directions for<br />
visitors. Visitors peruse one of nine galleries featuring interactive exhibits on the museum’s opening day.<br />
The Titanic Quarter was then conceived around the idea of seven<br />
“villages,” each with their own Georgian square, in which courtyard<br />
gardens imbue a sense of safety to public space. When complete, the<br />
development will complement new condo blocks with an expanded<br />
campus of <strong>Belfast</strong> Metropolitan College and a bevy of retail distractions.<br />
Plans are afoot to incubate a new financial center for Europe,<br />
and new media is staking a claim via a cluster of budding film industry<br />
studios. Strung together by grand boulevards and a new tramline, each<br />
of the villages stands no more than two blocks away from the fresh air<br />
of water or park space.<br />
“Waterfronts all over Europe and North America are being transformed,”<br />
Kuhne said, “but none of them has this level of complexity<br />
of mixing new economies with housing, parks and gardens.” Northern<br />
Ireland still suffers from a shaky real estate market, so the Titanic<br />
Quarter developers are thinking long-term, with a projected completion<br />
date of 2030 or beyond.<br />
For all of the Titanic Quarter’s beguiling ambition, Kuhne understands<br />
the importance of historical context in design.<br />
This penchant for storytelling through architecture has brought<br />
Kuhne’s pedigree from Houston to 32 current projects spanning five<br />
continents, all informed by their local context. A new tower complex<br />
rising in Kuala Lumpur is ensconced in seven gardens representing<br />
the seven civilizations that have characterized Malaysia’s history,<br />
while a Buddhist pilgrimage site in Nepal takes its form from the<br />
three strands of the pocket of rice that Buddha wore.<br />
Kuhne’s studio walls showcase blueprints for a skyscraper in<br />
Kuwait that will top off at 1,001 meters — a nod to the region’s lionized<br />
collection of folk tales, “1001 Arabian Nights.”<br />
While these projects reach for the sky, the story on the ground<br />
of the Titanic Quarter is a narrative with big themes — resilience,<br />
rebirth and pride in a lost heritage. Eschewing a focus on urban<br />
trauma to honor innovation, the Titanic <strong>Belfast</strong> museum invites visitors<br />
to consider the pinnacle of human achievement — as well as<br />
hubris — and to launch a new story in <strong>Belfast</strong>’s history.<br />
18 www.rice.edu/ricemagazine
<strong>Rice</strong> Magazine • No. 15 • 2013 19
20 www.rice.edu/ricemagazine
Unsinkable City:<br />
Six questions for Eric Kuhne<br />
Q: Describe the experience of arriving as a freshman to the School of<br />
Architecture.<br />
A: I was terrified. I was born in San Antonio and spent the first five years<br />
of my life in Texas, so this was a kind of provincial return to the homeland<br />
and had all of the dramas associated with it. I’d been working in an<br />
engineer and architects’ office in Indiana since I was 14, so I had an exposure<br />
to the practical side of the field. On the second day I was at <strong>Rice</strong>,<br />
I went to see the director [of the School of Architecture], Anderson Todd.<br />
Andy had a stack of School of Architecture stationery cards along<br />
with a beautiful fountain pen and old ink well. He said, “Let me tell you<br />
about architecture,” and explained the Vitruvian triad: firmness, commodity<br />
and delight. So I said, “Mr. Todd, don’t you think it’s time we<br />
reinvent that?” He handed me the pen and I said, “I think an equilateral<br />
triangle and those things in balance is good for 2,000 years ago, but<br />
we’re at the threshold of a new millennium.<br />
So how about we add a<br />
fourth element and turn this into a<br />
tetrahedron, including volition and<br />
meaning?” He just burst out laughing<br />
and said, “You’re just going to<br />
be nothing but trouble for four<br />
years, aren’t you?”<br />
Left: Bird’s-eye panorama of the Titanic<br />
Quarter as viewed from the northeast.<br />
Inset: Eric Kuhne with his sketchpad.<br />
Q: What were some of the challenges<br />
you encountered as a<br />
student?<br />
A: I was shocked because I<br />
thought I had a good foundation<br />
in architecture, but it was just<br />
a foundation in construction. I<br />
had to get over that conceit of<br />
thinking that I knew more than<br />
I actually did. Looking back,<br />
<strong>Rice</strong> was hard — really, really<br />
hard for me. Elinor Evans,<br />
who was the first-year design<br />
studio teacher, was constantly<br />
getting us to have trust in the<br />
unknown as the safest place to go. Once you get the sense that<br />
you can do something that you never dreamed you could, you<br />
become intoxicated with discovery and the exploration of design<br />
as a way to see the world.<br />
Q: You suggest that the interdisciplinary research behind each<br />
of your projects is informed by your varied course choices while<br />
at <strong>Rice</strong>. How so?<br />
A: As it turned out, the classes that had the biggest impact on<br />
me were those that weren’t architectural. I took cognitive anthropology<br />
with Stephen Tyler, Tom McEvilley in comparative<br />
religions and this calculus professor [Howard Resnikoff] who<br />
just was a wizard. He said, “You won’t leave this class until you<br />
understand that calculus is poetry.” He would write formulas<br />
up on the board and read them as poems. It was just breathtaking.<br />
You never think when you’re a student that these conversations<br />
will stick with you for the rest of your life. Those<br />
talks across all topics changed the way I work here in the studio.<br />
<strong>Rice</strong> has sprinkled that magic dust of insatiable curiosity.<br />
Q: Of all of the opportunities that <strong>Rice</strong> afforded, which had the<br />
greatest impact on your education?<br />
A: There was a design competition for an industrial building in<br />
Seguin, Texas. I almost didn’t even apply for it, but then I decided<br />
to work on it for five hours every day. I would sketch and put it<br />
in a booklet and completely forget about it. I didn’t even go to the<br />
awards ceremony at the School of Architecture, but on that day, I<br />
was walking across campus and one of my classmates walks up to<br />
me and says, “Where have you been? Come on!” He dragged me<br />
over to the ceremony just as they were announcing that I had been<br />
awarded the William Ward Watkin Travel Fellowship. I couldn’t believe<br />
I had won it. Andy Todd and Bud Morehead were there, both<br />
laughing. It was one of the biggest surprises of my life.<br />
Q: What did you do with the fellowship?<br />
A: I visited some of the most remarkable thinkers on architecture and<br />
cities at the time: Jan Gehl invited me to swim in the Baltic Sea, and we<br />
discussed the choreography of public spaces. In Austria, I met with [art<br />
historian] Hans Sedlmayr, who was writing about the loss of the soul<br />
in architecture and cities. Aldo van Eyck invited me to his home, and<br />
we sat drawing until we worked out the plans for one of his churches.<br />
In Stockholm, Sven Hesselgren lectured me on restoring the pageantry<br />
of city life. <strong>At</strong> the time, some of these men were just beginning to have<br />
an impact on the profession. They all just opened their homes to me,<br />
and I would sit and have dinner with their families. And so my tour of<br />
Europe wasn’t just a tour of buildings; it was a tour of the cutting-edge<br />
thinkers of architecture. None of that would have happened without<br />
<strong>Rice</strong>, because these figures’ names were in every class.<br />
Q: In your career to date, what are the main changes you’ve seen in the<br />
practice itself of architecture?<br />
A: We’ve experienced an acceleration of drawing tools that has transformed<br />
the profession as much as the art. When I started at <strong>Rice</strong>, we<br />
used T-squares and Maylines [parallel bars]. What once took 30 people<br />
to produce a set of drawings in the ’60s became a team half that size in<br />
the ’70s and ’80s with computer-aided design programs. Now, we can<br />
produce a set of drawings with five people. Yet, while drawing production<br />
has accelerated, there is still a burning need for architects to draw, to<br />
sketch. The fountain pen and the tyranny of the blank white sheet of paper<br />
has not been replaced. The freedom and grace of a sketch, linked to the<br />
imagination, still outperforms any computer program. Yet once transferred<br />
to CAD, we can show our imagination to the world effortlessly. And the<br />
sheer quality of decisions made with this breadth of representation is the<br />
most profound adjustment to the profession in its history. ■<br />
Steven Thomson is a New York-based writer with a focus on art, architecture and urbanism.<br />
His work has appeared in Cite: The Architecture and Design Review of Houston. He<br />
recently completed a graduate degree in urban studies at <strong>University</strong> College London. He<br />
can be reached at sjt@stevenjamesthomson.com.<br />
<strong>Rice</strong> Magazine • No. 15 • 2013 21
22 www.rice.edu/ricemagazine
Wednesday, October<br />
10<br />
<strong>Rice</strong> Faculty and Staff Reception/<br />
Centennial Lecture Series ·<br />
Founder’s Court Tent/Tudor Fieldhouse<br />
<strong>Rice</strong> honored faculty and staff at a lavish reception<br />
in the centennial tent. J. Craig Venter, among the<br />
first to sequence the human genome, kicked off<br />
the lecture series.<br />
Highlights from the<br />
Centennial Celebration<br />
During one memorable week in October, <strong>Rice</strong> gathered its far-flung family — faculty and staff, students present<br />
and students past, community supporters and visitors alike — to commemorate its first century and march boldly<br />
and joyfully into its second. The schedule was as packed as it was varied, filled with festivities and feasts (both<br />
gustatory and intellectual), reunions and homecomings, ritual and rhetoric. Please enjoy these highlights and check<br />
out our centennial website (centennial.rice.edu) for more.<br />
PHOTOS by TOMMY LAVERGNE, JEFF FITLOW and ELI SPECTOR ’14<br />
<strong>Rice</strong> Magazine • No. 15 • 2013 23
Thursday, October<br />
11<br />
Centennial Lecture Series ·<br />
Tudor Fieldhouse<br />
<strong>Rice</strong> welcomed (clockwise from<br />
left) international angel investor<br />
Esther Dyson, Rensselaer<br />
Polytechnic Institute President and<br />
physicist Shirley Ann Jackson, and<br />
Pritzker Prize-winning architect<br />
Rem Koolhaas, as well as genomist<br />
J. Craig Venter and Chief Justice<br />
of the United States John G.<br />
Roberts Jr.<br />
e WATCH THE LECTURES ONLINE:<br />
ricemagazine.info/132<br />
World Premiere Concert<br />
by Shepherd School<br />
Orchestra ·<br />
Stude Concert Hall<br />
Commissioned by <strong>Rice</strong><br />
<strong>University</strong> in honor of its<br />
Centennial Celebration, the<br />
concert featured the world<br />
premiere of William Bolcom’s<br />
“Ninth Symphony.”<br />
24 www.rice.edu/ricemagazine
Centennial Address<br />
Friday, October<br />
12<br />
Academic Procession and Centennial Address · Academic Quadrangle<br />
Preceded by an academic procession with representatives of universities from around the world, President David W. Leebron’s keynote<br />
address harkened back to that of Edgar Odell Lovett at the formal opening of the <strong>Rice</strong> Institute in 1912.<br />
e WATCH THE PROCESSION AND KEYNOTE ADDRESS ONLINE: ricemagazine.info/133<br />
“In the joy of high adventure, in the hope of high achievement, in the<br />
faith of high endeavor, for this fair day we have worked and prayed and<br />
waited. … [W]e have asked for strength, and with the strength a vision,<br />
and with the vision courage. … [T]he <strong>Rice</strong> Institute, which was to be, in<br />
this its modest beginning, now has come to be.”<br />
And with these words, President Edgar Odell Lovett 100 years ago welcomed the first class of 59<br />
women and men and the 10 faculty members of the <strong>Rice</strong> Institute. Today, we gather to celebrate<br />
the realization of that hope, the rewarding of that faith and courage, and the continuation of<br />
that joy.<br />
We join today to reflect on a century of adventure and achievement, to honor our founders<br />
and forbearers whose vision and hard work resulted in the extraordinary university we know<br />
today, and to speak of our vision and ambitions for the future.<br />
<strong>Rice</strong> Magazine • No. 15 • 2013 25
Our path was set by the confluence of<br />
the legacies of three extraordinary men: a<br />
great man of commerce, a civic leader and a<br />
visionary academic. William Marsh <strong>Rice</strong> was<br />
the quintessential businessman of his time, a<br />
man of commercial acumen and philanthropic<br />
spirit. In the year 1891, the William Marsh <strong>Rice</strong><br />
Institute for the Advancement of Literature,<br />
Science and Art was formally incorporated<br />
with a modest initial endowment. After <strong>Rice</strong>’s<br />
untimely death in 1900, the substantial assets<br />
that <strong>Rice</strong> had bequeathed to his institute were<br />
rescued by his lawyer and the first chairman of<br />
the board of trustees, Capt. James A. Baker. The<br />
trustees then began in earnest to define what<br />
this new institute would be.<br />
Their vision was reflected in the choice of<br />
<strong>Rice</strong>’s first president, Edgar Odell Lovett, on<br />
the recommendation of Princeton’s president,<br />
Woodrow Wilson. And let me add how fitting<br />
it is, and how grateful we are, that Princeton’s<br />
current president, Shirley Tilghman, is with us<br />
on the platform today. President Lovett then<br />
traveled the world for more than nine months,<br />
visiting the great universities, studying both<br />
academic programs and architecture.<br />
When Lovett stood on this very spot a century<br />
ago, not far from the edge of a growing city<br />
with just 80,000 people, he could take pride at<br />
the launch of a new university that aspired to<br />
be among the best and set, in his words, no<br />
upper limit to its endeavors. As William Ward<br />
Watkin, the architect who supervised the construction<br />
of the first buildings, stated at Lovett’s<br />
retirement, out of “the marsh and swamps of<br />
this campus,” he built a university of “beauty<br />
and fineness.”<br />
Imagine yourselves here as Lovett spoke:<br />
Around you was mostly a vast empty plain<br />
with four lonely structures. There was the<br />
Administration Building, now named Lovett<br />
Hall. A bit in the distance was the Mechanical<br />
Laboratory and its campanile, and across the<br />
campus the residential hall and institute commons.<br />
Between then and now lies a century of<br />
ambition and achievement. All around us we<br />
see the architectural embodiment of growing<br />
intellectual ambition.<br />
Imagine in your mind’s eye that century<br />
of building our campus: first beginning near<br />
where you sit and then moving outward to a<br />
second quadrangle and then a third quadrangle<br />
and then beyond, and even jumping across<br />
<strong>University</strong> Boulevard to where the BioScience<br />
Research Collaborative now stands — eventually<br />
80 buildings over the course of a century,<br />
creating a campus of architectural distinction<br />
and harmony. The architecture is now complemented<br />
by recent campus art, culminating in<br />
our Centennial Pavilion, the Turrell Skyspace,<br />
which symbolizes not only our continued<br />
commitment to the beauty Lovett emphasized,<br />
but also our limitless aspirations. Truly, this<br />
is a campus that reflects our commitment to<br />
learning, to discovery, to beauty, to the nurturing<br />
of human potential and to a university that<br />
was from its foundation envisioned as a gift to<br />
the people of Houston.<br />
President Lovett served for another 34 years<br />
after the opening, with more than half that time<br />
occurring during two world wars and the Great<br />
Depression. And still the <strong>Rice</strong> Institute moved<br />
forward, expanding its community and growing<br />
its endeavor. As we approached our second<br />
half century, we changed our name from<br />
“Institute” to “<strong>University</strong>” to reflect that growth<br />
and broader ambition.<br />
<strong>At</strong> the time of our semicentennial, <strong>Rice</strong>,<br />
while on a strong trajectory, had not yet<br />
achieved its aspiration to be among the great<br />
research universities of the world. That was the<br />
challenge faced by President Kenneth Pitzer as<br />
he was inaugurated in our 50th year. As the<br />
new president then put it, he aimed for an institution<br />
that resembled Stanford without a medical<br />
school to a Westerner and Princeton with<br />
girls to an Easterner.<br />
President Pitzer led <strong>Rice</strong> into five decades<br />
of advancement as a research university. We<br />
realized that not charging tuition was not about<br />
a commitment to price, but a commitment to<br />
an ideal of opportunity — that we should be<br />
This is a campus<br />
that reflects our commitment<br />
to learning, to discovery,<br />
to beauty, to the nurturing<br />
of human potential and to a<br />
university that was from its<br />
foundation envisioned as a gift<br />
to the people of Houston.<br />
open to all, regardless of their financial means.<br />
That steadfast commitment continues to lie at<br />
the core of who we are. And we also sued to<br />
remove a stain of racial exclusion that was both<br />
fundamentally unfair and deeply inconsistent<br />
with our commitment to serving the people of<br />
Houston, of Texas and the nation.<br />
As <strong>Rice</strong> continued its progress toward<br />
becoming a more balanced university envisaged<br />
by Lovett, new schools sprouted in the<br />
1970s, including the Shepherd School of Music,<br />
the Jones School of Business, what is now<br />
the Glasscock School of Continuing Studies,<br />
and the creation of separate schools of Social<br />
Sciences and the Humanities. Our ascendancy<br />
into the top ranks of American higher education<br />
was recognized in 1985 when <strong>Rice</strong> became<br />
one of the 60 elite research universities in the<br />
Association of American Universities. Great<br />
milestones included the G7 summit in 1990,<br />
the establishment of the Baker Institute in 1993<br />
and the awarding of Nobel Prizes to Professors<br />
Curl and Smalley in 1996 for the discovery of<br />
the buckyball, which opened up new possibilities<br />
for materials and medicine. And in 2003,<br />
the <strong>Rice</strong> Owls emerged as national champions<br />
from the College Baseball World Series. Out of<br />
our Sallyport have passed more than 65,000<br />
graduates — 46,000 of whom are the living<br />
<strong>Rice</strong> alumni community of today, a global community<br />
that magnifies every day the contributions<br />
that we make as a university.<br />
Throughout our first century, we have become<br />
an ever greater university, driven to provide<br />
opportunity for our students and knowledge<br />
for the world. And here I want to pause<br />
and acknowledge the remarkable leaders present<br />
today who guided us to ascending achievement:<br />
our past chairmen, Charles Duncan and<br />
Bill Barnett, and our current chairman, Jim<br />
Crownover, who between them steered this<br />
university for the last three decades, and my<br />
extraordinary predecessors, Presidents George<br />
Rupp and Malcolm Gillis.<br />
WHEN WE LOOK AROUND at the <strong>Rice</strong> of<br />
today, it is very different of course from that<br />
of 100 years ago, or 50 years ago or even 10<br />
years ago. We are larger; we are more diverse;<br />
we are more engaged with our city; we are<br />
more international; and we are more committed<br />
than ever to contributing to our world<br />
through research and service. The era of the<br />
ivory tower is long over. We do not come to<br />
the university to shake the cares of society, but<br />
to engage those cares in a different way. The<br />
university of today is porous, with a constant<br />
flow of people and ideas and contributions<br />
and relationships.<br />
We are very much the university that Lovett<br />
imagined and hoped for, and yet we are in<br />
many ways so much more. Today our university<br />
is counted among the very best in the United<br />
States. Whereas President Lovett traveled<br />
around the world to visit the great universities,<br />
today we receive visiting academic leaders from<br />
across the globe who wish to study and emulate<br />
<strong>Rice</strong>’s success.<br />
Much of our first century has been dedicated<br />
to catching up to our brethren — other<br />
leading American universities that in many<br />
cases are older, bigger, wealthier. We became<br />
more complex, added schools, improved the<br />
26 www.rice.edu/ricemagazine
quality of our student body and faculty, raised<br />
our aspirations and grew.<br />
But while we were becoming more competitive<br />
with other universities and in some<br />
ways more like them, we were also becoming<br />
quite distinctive. Even with our recent growth,<br />
we remain a distinctively small research university<br />
whose aspirations span the range of<br />
academic endeavor. Our emphasis on and<br />
commitment to undergraduate education are<br />
extraordinary. Our sense of being a single community,<br />
and the fostering of interdisciplinary relationships<br />
and conversations, are rare. Our college<br />
system, which creates strong communities<br />
across the undergraduate classes, has become<br />
the envy of others who seek to emulate it. The<br />
dedication of our staff to our faculty, students<br />
and the university, and our dedication to them,<br />
are defining attributes.<br />
As higher education both becomes ever<br />
more competitive and faces ever more daunting<br />
challenges, we must now lead with confidence<br />
in our own values and our own identity, as they<br />
have evolved over a century. Our strength as<br />
a university lies in part in choosing a different<br />
path from others, a different configuration for<br />
the university not just of today, but of tomorrow.<br />
Twenty years ago, Clark Kerr, the legendary<br />
president of the <strong>University</strong> of California and<br />
chancellor of Berkeley, wrote about two competing<br />
visions of the university — one in which<br />
the university is large and highly specialized in<br />
its parts, the other in which it is small and has<br />
a commonality of interests, or as he put it, “the<br />
best of Berkeley and the best of Swarthmore.”<br />
He expressed some pessimism that these visions<br />
were compatible.<br />
<strong>Rice</strong> has aspired to be the place where<br />
these visions become joined, compatible and<br />
synergistic, and we have succeeded. We must<br />
draw upon our strengths and turn perceived<br />
disadvantages into distinctive advantages. We<br />
can be, we must be, a leader in defining what<br />
a university can achieve and contribute both in<br />
education and knowledge.<br />
Fifty years ago, President Pitzer undertook<br />
a substantial expansion of the university. We<br />
have now completed the first major expansion<br />
of our student body since then. Our 30 percent<br />
growth has by almost every measure been a<br />
success: We have remained true to our commitment<br />
to make our education affordable and<br />
have attracted an extraordinary and diverse<br />
population along every dimension as our applications<br />
doubled. We do not intend to grow<br />
our undergraduate student body more in the<br />
coming decade, because we choose to remain<br />
a distinctively small university. Our size fosters<br />
an intimate sense of community and the special<br />
relationships between faculty and students<br />
that have defined the experience for so many<br />
of our graduates.<br />
Our intellectual ambitions, however, are not<br />
scaled to our size. We aim for excellence and<br />
impact on a global standard. Thus our path to<br />
success, more than most universities, lies in our<br />
ability to collaborate with others and thereby<br />
leverage our potential. We are too small to be<br />
arrogant. We must in a new time find new ways<br />
to build deeper and broader relationships with<br />
the remarkable institutions that surround us<br />
Our success<br />
in areas like nanotechnology is<br />
built not upon the endeavors<br />
of a single department, but<br />
upon the support, engagement<br />
and connection across a large<br />
swath of the university. We<br />
must infuse this collaborative<br />
spirit deep into our processes<br />
and personality if we are to<br />
continue our success.<br />
— the museums, the medical institutions, the<br />
Johnson Space Center and the great enterprises<br />
of Houston. We must also reach out across the<br />
world and build not merely bridges, but strong<br />
and deep bonds.<br />
That spirit of collaboration must be focused<br />
internally as well as externally. Our success<br />
in areas like nanotechnology is built not<br />
upon the endeavors of a single department,<br />
but upon the support, engagement and connection<br />
across a large swath of the university.<br />
We must infuse this collaborative spirit deep<br />
into our processes and personality if we are to<br />
continue our success. Ossified structures that<br />
impede our collaborations must be adapted<br />
or swept away, and we must be innovative in<br />
developing new relationships. Our size is an<br />
advantage when it allows us to be both collaborative<br />
in spirit and nimble in action. In the<br />
arts, biomedicine, neuroscience and other endeavors,<br />
we have extraordinary potential, but<br />
only if we seize the opportunities that exist<br />
through deeper engagement.<br />
I believe our university’s personality reflects<br />
not only our history, but also our location.<br />
We have renewed our sense of connection<br />
and commitment to our home city of Houston,<br />
both as our students experience it and as our<br />
researchers contribute to it. Even a century ago,<br />
President Lovett realized that Houston partakes<br />
of both the warm hospitality of the South and<br />
the dynamic and adventurous spirit of the West.<br />
Houston is an entrepreneurial city, and we are<br />
an entrepreneurial university. That spirit, which<br />
has some of its origins in our early strength in<br />
engineering, now finds its place in every corner<br />
of our university.<br />
The entrepreneurial imperative incorporates<br />
the desire to lead, to create, to innovate<br />
and to build. It is reflected in faculty who lead<br />
our students abroad to test in the field medical<br />
devices they have designed; in the studenttaught<br />
courses in our colleges; in the policy<br />
explorations of our Baker student fellows; in<br />
engineering and architecture students getting<br />
together to design a house that not only uses<br />
zero energy, but is actually affordable; in the<br />
creation and dissemination of digital educational<br />
materials for both college and now one<br />
million K–12 students; in building a research<br />
consortium with medical institutions to advance<br />
tissue regeneration that will save limbs<br />
and lives; in creating a multitude of student organizations,<br />
from Engineers Without Borders to<br />
our Emergency Medical Service; in the convening<br />
of conferences of experts to study biblical<br />
texts and to disseminate results; and so much<br />
more. We must nurture and support that spirit,<br />
both individually and collectively, among both<br />
students and faculty. President Lovett spoke of<br />
the pleasures of teaching and the privileges of<br />
research. But today we must do that and more.<br />
An entrepreneurial university empowers our<br />
students and embarks them on a life of difference<br />
and impact, regardless of their chosen<br />
disciplines and professions.<br />
I WANT FOR A MOMENT to speak more<br />
broadly about the role of the university and how<br />
it ought to define our mission at <strong>Rice</strong> and our<br />
path forward. It has been 2,500 years since the<br />
founding of Plato’s Academy, 2,000 years since<br />
the founding of the ancient religious universities<br />
in India and Egypt, more than 900 since<br />
the founding of the <strong>University</strong> of Bologna, now<br />
the oldest university in continuous existence,<br />
almost 380 years since the establishment of the<br />
first American institution of higher education.<br />
The modern research university emerged in the<br />
19th century and set the stage for the explosion<br />
of knowledge that universities have produced.<br />
When we look back at the last century,<br />
we see knowledge that has emerged from our<br />
universities and transformed our world: the<br />
fundamental structure of matter, the biological<br />
building blocks of life, the electronics that have<br />
revolutionized our ability to communicate, connect,<br />
analyze and understand. The early embers<br />
of the great ideas of our age, such as universal<br />
human rights, were fanned in the great<br />
universities. Powerful ideals, such as equality<br />
of opportunity, were given content and understanding<br />
by the work done in universities, and<br />
our graduates were inspired to pursue them.<br />
<strong>Rice</strong> Magazine • No. 15 • 2013 27
There is hardly an aspect of modern life that<br />
has not been greatly influenced and enhanced<br />
by the work done in universities. Indeed, one<br />
former university president declared the university<br />
to be the most significant creation of the<br />
second millennium.<br />
And yet, at the beginning of this third millennium,<br />
the historic idea of the university is<br />
facing both challenge and attack. The very<br />
word “university,” coined at the founding of<br />
Bologna nine centuries ago, embodies a sense<br />
of both oneness and universality — that we<br />
are a single entity that encompasses the totality<br />
of academic endeavor. As resources are constrained,<br />
there are calls to focus our endeavors,<br />
to limit ourselves to what we already do well.<br />
Great universities, universities many times our<br />
size, are choosing to eliminate scholarly endeavors,<br />
to focus on their specific strengths, to<br />
do what is practical.<br />
There is no doubt that we, like they, must<br />
focus and be strategic, but I believe we must<br />
do so in a different way. We must seize upon<br />
those truly important endeavors that require<br />
us to bring together participants from across<br />
our campus to work together, to understand<br />
our world more deeply, and to help solve<br />
its problems of today and in the future. Our<br />
strength lies significantly in our ability to draw<br />
upon and integrate different disciplines and<br />
perspectives as we seek to contribute, in pursuance<br />
of our mission, to the betterment of<br />
our world. We know that technology alone<br />
does not solve problems, but rather science<br />
and technology complemented by a comprehensive<br />
understanding of how to achieve innovation<br />
and change in the context of human<br />
culture and institutions.<br />
President Lovett spoke of the faith he asked<br />
of those assembled at the first matriculation:<br />
“They must believe in the value of human reason;<br />
they must be enthusiastic for their fellowmen.<br />
They must believe that it is possible to<br />
learn and also that it is possible to teach.”<br />
I believe that universities are built upon<br />
an additional faith — a faith in the power of<br />
knowledge and discovery and creativity to improve<br />
the lives of people everywhere and build<br />
a better future. That faith must be buttressed by<br />
a recognition that universities remain distinctive<br />
institutions that contribute to our society<br />
in ways no other institutions can or do. Our<br />
commitment must be to advance the frontiers<br />
of knowledge, understanding and creativity<br />
and to produce graduates trained and inspired<br />
to make great contributions as if the world depended<br />
upon it, for it surely does.<br />
The challenges of our world lie before us:<br />
to address our interconnected global needs for<br />
food, energy, water and a safe environment; to<br />
improve human health here and around the<br />
world; to harness the extraordinary flow of<br />
information for our benefit through better understanding<br />
and decision-making; to raise the<br />
These<br />
dichotomies<br />
challenge us —<br />
to be separate and apart, yet<br />
open and engaged. To be<br />
fast and yet also to be slow.<br />
To embrace an unthrottled<br />
cosmopolitanism and still strive<br />
to be distinctively American.<br />
human spirit through the study of culture and<br />
creativity; and to bring peace and prosperity to<br />
the peoples of our planet.<br />
These are large and daunting challenges,<br />
but that ultimately is what universities are for.<br />
Confronted by these challenges, universities<br />
must not be bastions of cynicism but citadels of<br />
optimism. Optimism, that if we work to understand<br />
the nature of religious tolerance, we can<br />
bring harmony. That if we work to understand<br />
conflict between nations, we can bring peace.<br />
That if we work to understand the origins of<br />
disease, we can bring health. That if we work<br />
to understand the sources of famine, we can<br />
bring nourishment. That if we work to understand<br />
the fundamentals of matter and energy,<br />
we can bring prosperity and a higher standard<br />
of life to people all over our world.<br />
Like other great universities, <strong>Rice</strong> must be<br />
cosmopolitan and international in their truest<br />
sense. We embrace a community of faculty,<br />
staff and students who come from all over the<br />
world. While committed to a strong, supportive<br />
and deep relationship with our great city,<br />
our ambitions to learn and to contribute reach<br />
beyond the borders of our state and country.<br />
Our commitment is to all humanity, and we<br />
seek the advancement of knowledge for their<br />
benefit.<br />
And yet, at the same time, we are a distinctively<br />
American university steeped in American<br />
ideals — ideals of human equality and potential,<br />
of political rights and participation, of<br />
free inquiry and free expression, of religious<br />
freedom and tolerance, of diversity and inclusion,<br />
of creativity and innovation, and of the<br />
possibilities of hard work and economic opportunity.<br />
These ideals are reflected deeply not<br />
merely in the values we convey, but in how we<br />
choose to carry out our mission.<br />
Universities have been and remain unusual<br />
institutions. We are separate and apart and<br />
yet open and engaged. The periphery of our<br />
campus, consisting of hedges and vegetation<br />
punctured frequently by paths and open gates,<br />
incorporates this idea. It is an avowedly porous<br />
border, and not a barrier, that both separates<br />
us from the surrounding city and yet welcomes<br />
those who wish to enjoy our contemplative<br />
spaces and intellectual engagements, as it also<br />
beckons the <strong>Rice</strong> community to engage with<br />
and contribute to our city.<br />
In our rapidly changing world, and recognizing<br />
that the knowledge we generate can<br />
sometimes be quickly developed to benefit<br />
others, universities must change some of their<br />
ways and be prepared to act with urgency. That<br />
is not something we are traditionally known<br />
for; indeed, it is fair to say that we are known<br />
for our slowness. But universities at their best<br />
are both fast and slow. That slowness, that<br />
willingness to put reflection and analysis and<br />
deep understanding above achieving quick<br />
conclusions or results, is an essential part of<br />
our ability to contribute in ways that are different<br />
and important. Our defining commitment<br />
to fundamental research — research that over<br />
centuries has proven its worth — depends on<br />
patience and on that faith that the expansion<br />
of understanding leads to unforeseen benefits<br />
to mankind.<br />
We take, for example, immense pride in<br />
the role that <strong>Rice</strong> played in putting men into<br />
space, but the voyage to the moon did not start<br />
with a historic speech in <strong>Rice</strong> Stadium. It started<br />
with Copernicus and Kepler and Galileo<br />
and Newton. The lesson of putting a man<br />
on the moon is not only that a focused and<br />
concentrated effort involving government and<br />
universities and industry can achieve remarkable<br />
progress, but that centuries of inspiring<br />
teaching and curiosity-driven discovery can<br />
make possible things that could not even have<br />
been imagined.<br />
These dichotomies challenge us — to be<br />
separate and apart, yet open and engaged. To<br />
be fast and yet also to be slow. To embrace an<br />
unthrottled cosmopolitanism and still strive to<br />
be distinctively American. And yet, these are<br />
the attributes that make the modern university<br />
a vital and irreplaceable contributor to human<br />
society. The ivory tower image of the university<br />
has been replaced by our shimmering beacon<br />
on Main Street, but we must maintain our<br />
unusual qualities and commitments if we are<br />
to contribute in the century ahead as we have<br />
in the past.<br />
We must make no mistake; we are in disruptive<br />
times for higher education. Our most<br />
basic concept of the university, as a defined<br />
space that brings teachers and students into<br />
physical proximity, is in the process of being<br />
upended. We now have more students registered<br />
for <strong>Rice</strong> online courses than graduates<br />
28 www.rice.edu/ricemagazine
over our entire century. Not since the invention<br />
of the printing press has the dissemination<br />
of knowledge been so changed as in the<br />
last quarter century, and it will change again<br />
as much in the decades ahead. These changes<br />
have the potential to undermine the sense of<br />
community that has been a hallmark of our<br />
colleges and universities and of <strong>Rice</strong> in particular.<br />
But if we embrace these changes and determine<br />
how they can be used to enhance the<br />
strengths of the physical university while extending<br />
some of its benefits to a virtual global<br />
community, <strong>Rice</strong> will seize a new opportunity<br />
to lead as we enter our next century.<br />
We must embark upon a reimagining of<br />
university education in ways that take advantage<br />
of new technologies of learning, while increasing<br />
our commitment here on our campus<br />
to the personal relationship between teacher<br />
and student. We must dedicate ourselves anew<br />
to our teaching mission and yet be guided by<br />
the ancient Confucian understanding of education:<br />
Tell me and I will forget; show me and I<br />
may remember; involve me and I will understand.<br />
More than ever, we will seize the opportunity<br />
to involve our students and be more<br />
effective teachers.<br />
As we commemorate the end of our first<br />
century today, it is not easy to discern what<br />
lies ahead for our second. Think of the circumstances<br />
and undiscerned future as President<br />
Lovett spoke a century ago. Mass production<br />
of the automobile was a new phenomenon,<br />
and the first commercial airplane flight was<br />
just over a year away. The sun never set on<br />
the British Empire, and World War I lay around<br />
the corner. Oil had been discovered in Texas<br />
a decade earlier, but no one knew what that<br />
would mean for our city or our world. And<br />
Houston’s first air conditioning, dare I add, was<br />
still a decade away.<br />
We have every reason to expect that the<br />
political, societal and technological changes<br />
of the next century will be just as dramatic<br />
as the last, if indeed not more so. We cannot<br />
now see those changes. What we can commit<br />
to and what we can believe in is the power of<br />
the university, of <strong>Rice</strong> <strong>University</strong>, to make that<br />
a better future through teaching and learning<br />
and discovering and creating.<br />
A century ago, a group of students, faculty,<br />
university staff and citizens of Houston sat just<br />
where you sit now to witness the launching<br />
of the first institution of higher education in<br />
the city of Houston. <strong>Rice</strong> set forth with a vision<br />
of greatness, with a commitment to both<br />
importance and excellence, but with little objective<br />
reason to think that such a new university<br />
could really join the great universities<br />
of America. And yet, this endeavor was begun<br />
and sustained with confidence and commitment,<br />
with optimism and faith, even in the<br />
darkest and most difficult of times.<br />
As we enter our second century, we do so<br />
with no less confidence, no less commitment,<br />
no less optimism and no less willingness to<br />
work hard to achieve our highest aspirations.<br />
We are already more than Lovett imagined; today<br />
we embark upon the course that will lead<br />
us to be ever so much more than we might<br />
even be able to imagine today.<br />
Fifty years ago, President Kennedy said at<br />
<strong>Rice</strong> that we must above all be bold if we’re<br />
to achieve the ambition of putting a man on<br />
the moon. As we enter our second century<br />
and face the opportunities ahead, we must be<br />
bold; we must be entrepreneurial; we must<br />
be collaborative; we must be fast and slow;<br />
we must be international yet distinctively<br />
American; we must be the great research<br />
university that preserved its dedication to its<br />
students; we must be <strong>Rice</strong>.<br />
—President David W. Leebron<br />
Oct. 12, 2012<br />
Three Decades of <strong>Rice</strong> <strong>University</strong><br />
Executive Leadership · Tudor Fieldhouse<br />
This panel discussion included President David W.<br />
Leebron, former <strong>Rice</strong> presidents Malcolm Gillis and<br />
George Rupp, <strong>Rice</strong> Board of Trustees Chairman<br />
James Crownover and former <strong>Rice</strong> Board chairs<br />
E. William Barnett and Charles Duncan, and<br />
moderator Professor Allen Matusow.<br />
<strong>Rice</strong> Magazine • No. 15 • 2013 29
Saturday, October<br />
Centennial Picnic · Central Quadrangle<br />
A centennial picnic and celebration brought<br />
together 5,000 students, faculty, staff, alumni<br />
and academic procession delegates.<br />
13<br />
Edgar Odell Lovett Statue Dedication · Keck Hall<br />
The bronze statue of Edgar Odell Lovett, created by<br />
sculptor Bruce Wolfe, was formally dedicated Oct. 13.<br />
Many of Lovett’s descendants were in attendance, and<br />
the statue was unveiled by the founding president’s<br />
great-great-grandchildren.<br />
30 www.rice.edu/ricemagazine
Homecoming Game<br />
Centennial and Homecoming Football Game ·<br />
<strong>Rice</strong> Stadium<br />
The <strong>Rice</strong> Owls took on the <strong>University</strong> of Texas at San<br />
Antonio’s Roadrunners in the homecoming football<br />
game. The Owls won, 34–14 — <strong>Rice</strong>’s eighth-straight<br />
homecoming game victory. The semicentennial class gave<br />
a record-breaking $6.7 million class donation at halftime.<br />
<strong>Rice</strong> Magazine • No. 15 • 2013 31
Inside<br />
the<br />
Spectacle<br />
32 www.rice.edu/ricemagazine
A year’s worth of under-the-radar planning went into an<br />
unforgettable light and sound show marking <strong>Rice</strong>’s centennial.<br />
Thorsten Bauer went straight for the heart.<br />
As creative director and co-founder of<br />
URBANSCREEN, the Germany-based company<br />
that creates and stages description-defying<br />
light and sound projections on architectural<br />
settings, Bauer led the artists and technicians<br />
who brought Lovett, Sewall and Herzstein<br />
halls to life for a series of performances during<br />
<strong>Rice</strong>’s Centennial Celebration. The performances<br />
were billed as “the Spectacle.”<br />
“We wanted to make it an experience for<br />
the audience,” he said. “It’s not as much about<br />
teaching them as it is about touching them.”<br />
Thousands experienced the awe-inspiring<br />
performance over three perfect autumn evenings<br />
inside <strong>Rice</strong>’s Academic Quadrangle.<br />
The URBANSCREEN team flew to <strong>Rice</strong>, its<br />
first American client, charged with creating an<br />
event that would tell the story of the university’s<br />
first century to the extended community of<br />
students, faculty, staff, alumni and visitors attending<br />
the extensive series of events the campus<br />
hosted during the Centennial Celebration.<br />
The artists’ strategy was to let <strong>Rice</strong>’s distinctive<br />
architecture do the talking.<br />
“Our first question was, ‘Who is telling this<br />
story?’ We decided the architecture itself is the<br />
only living witness to the entire history,” Bauer<br />
said. “The images come from the inside of the<br />
building to the outside for a few seconds, and<br />
then go back.”<br />
For the three-segment production, the<br />
team created a three-dimensional video keyed<br />
brick-by-brick to the buildings.<br />
“We think of a building as a diva, because<br />
it demands so many things,” said Till<br />
Botterweck, an URBANSCREEN art director, at<br />
a lecture for <strong>Rice</strong> architecture students the day<br />
after the final performance. “This one (Lovett<br />
Hall) was even more of a diva.” The ornate<br />
building presented many challenges. For one,<br />
Bauer said, the team’s original production<br />
drawings were based on architectural plans<br />
that go back to <strong>Rice</strong>’s beginnings. When they<br />
came to <strong>Rice</strong> for the show, they discovered<br />
Lovett Hall’s construction crew didn’t always<br />
adhere to the plan. “They were a few inches<br />
off here, a few inches there, but we were able<br />
to adjust,” he said.<br />
From the beginning of the process, the owl<br />
served as inspiration. Bauer’s imitation of an<br />
owl as he described his ideas during his initial<br />
meeting at <strong>Rice</strong> convinced the Spectacle committee<br />
that URBANSCREEN was right for the<br />
job, said Molly Hipp Hubbard, university art director<br />
and committee co-chair. “We fell in love<br />
with them at that moment, because we knew<br />
they got it. We knew they would be able to get<br />
<strong>Rice</strong> completely and engage and integrate all<br />
the stories.”<br />
The opening of the show featured the<br />
sound of insects followed by the image of<br />
a giant owl in shadow flying across the façade<br />
of the three buildings. The sound of its<br />
wings — ultimately, created with a wet towel<br />
waved in front of a microphone — grew out<br />
of a prairie soundscape. The owl circled and<br />
dropped a feather at the Sallyport, where the<br />
<strong>Rice</strong> Institute took root. A fanciful opening revelation<br />
of the architectural details served as a<br />
segue to the main segment, in which the artists<br />
bent the architecture to their will as the buildings<br />
revealed the university’s colorful history,<br />
with each decade in turn crackling to life.<br />
“This is not like a PowerPoint presentation,”<br />
Bauer said of the art form his company<br />
refers to as “lumentecture.”<br />
“There are often many things happening<br />
at the same time, bubbling up, falling to the<br />
surface and disappearing again,” he said. “We<br />
created the visuals to reflect the design principles<br />
of the decades they represent.” The surround<br />
soundscape enticed viewers to look this<br />
way and that, ensuring that one could not see<br />
everything in a single viewing, and probably<br />
not even multiple viewings.<br />
Bauer and the URBANSCREEN team had<br />
been stealing in and out of <strong>Rice</strong> for a year<br />
<strong>Rice</strong> Magazine • No. 15 • 2013 33
to plan the nearly 20-minute show that not<br />
so much told the history of <strong>Rice</strong> to audience<br />
members as folded them inside it. The 270-degree<br />
projections were a first for the company<br />
that has wrapped a number of buildings in<br />
fanciful animations, most notably the Sydney<br />
Opera House earlier in 2012.<br />
Because details of the performance were<br />
to remain a deep, dark secret until the premiere<br />
the night of the Centennial Gala, Bauer,<br />
Botterweck, art director Max Goergen and<br />
producer Manuel Engels often came to campus<br />
under aliases. Sometimes they posed as the<br />
German cousins of <strong>Rice</strong> School of Architecture<br />
Dean Sarah Whiting, co-chair of the <strong>Rice</strong>-side<br />
production committee, to conduct interviews<br />
for their “research project.”<br />
“More than once, people came up and<br />
said, ‘Hey, I met your German cousins today!’”<br />
Whiting said, laughing. The pressure to keep<br />
quiet was even greater on architecture senior<br />
Joshuah Howard, whom Whiting sent to intern<br />
with URBANSCREEN for a month last summer.<br />
“He couldn’t tell anyone what he was<br />
doing, even what town in Germany he was in,”<br />
Whiting said.<br />
Whiting noted the considerable challenge<br />
of “getting everyone excited about something<br />
we couldn’t talk about.”<br />
The committee that also included<br />
Centennial Director Kathleen Boyd, Senior<br />
Project Manager for the BioScience Research<br />
Collaborative Kathy Jones and Associate Vice<br />
President for Development Kevin Foyle set a<br />
baseline of historic events that had to be part<br />
of the performance, based on Public Affairs’<br />
centennial banners that line <strong>Rice</strong>’s Inner Loop.<br />
Otherwise, Bauer said, “We collected tons of<br />
photos and tons of text, read all the books<br />
about the history of <strong>Rice</strong> and ended up with a<br />
huge amount of information that was far more<br />
than we could use.”<br />
In fact, Bauer used an astounding 30,000<br />
photos during the five shows and one unplanned<br />
encore. Hubbard said that after<br />
the final unadvertised performance for the<br />
<strong>Rice</strong> Design Alliance gala Oct. 14, hundreds<br />
of people were still pouring into the quad.<br />
“One student came up to Thorsten and asked,<br />
‘What time is the show?’ and he said, ‘I’m<br />
sorry, we’re done. We just did the last show.’<br />
And he said she burst into tears,” Hubbard<br />
said. “Ten minutes later they decided to run it<br />
one more time.”<br />
Editing the images to fit the buildings’ façades<br />
took months, with tests viewed in the<br />
company’s computers and on a small mock-up<br />
of the quad. With a projection that measured,<br />
in technical terms, 10,000 pixels wide and<br />
2,000 pixels high, there was plenty of room for<br />
Bauer to maneuver as he oversaw the flow of<br />
artwork in two and three dimensions, matching<br />
it to the electronic score that also was composed<br />
and produced by the company.<br />
“It was the most challenging production for<br />
URBANSCREEN so far because of the amount<br />
of content, the number of effects, the ratio, the<br />
resolution and also because our partners here<br />
were very diverse,” he said. “There was no one<br />
art director from <strong>Rice</strong> confronting us; there<br />
were many cooks — intellectual cooks. But I<br />
liked it, because everybody gave their input,<br />
they put things on the table and then they took<br />
their hands away. They really trusted us.”<br />
The German crew traveled to Houston<br />
for centennial week with only data — 800<br />
gigabytes’ worth — as their cargo. The rest<br />
of the gear was leased from Houston-based<br />
LD Systems, a lighting-and-sound production<br />
company started and still operated by <strong>Rice</strong><br />
alumnus Rob McKinley ’81. The company built<br />
and installed the unique two-stage mask that<br />
occluded the Sallyport without blocking traffic,<br />
and also provided the 12 20,000-watt projectors<br />
and the immersive sound system.<br />
Sound was most critical to what Bauer<br />
called the show’s epilogue, when history had<br />
caught up to the present day. “Our decision<br />
was to swap the narration line from the visual<br />
in the 100-years part to the auditory,” he said<br />
of the segment that features the layered voices<br />
of dozens of <strong>Rice</strong> students coming from every<br />
direction. All the while, at first slowly and<br />
then in massive waves, bricks of light flow<br />
around and about the arches that support the<br />
three buildings.<br />
Rather than a visual representation of<br />
buildings and plans, Bauer said the finale, representing<br />
the future, “is built out of the wishes,<br />
fears and hopes of the students of today.” He<br />
conducted 12 hours’ worth of interviews for<br />
the collage that concludes the show.<br />
The segment was inspired by a comment<br />
President David Leebron made early<br />
in the process. “He said in one interview,<br />
‘You know, <strong>Rice</strong> is one of the last refuges<br />
of people whose ambition is to change the<br />
world,’” Bauer recalled. “As I worked more<br />
and more with <strong>Rice</strong>, I saw this more clearly.<br />
This changed me. This kind of inspiration is<br />
the fire in this community, and I found that in<br />
every interview I did.”<br />
The light may have faded, but the fire<br />
remains. “As I left the architecture lecture, I<br />
heard two students talking in the quad as the<br />
projection tower was coming down,” Hubbard<br />
said. “One of them looked at it and said, ‘I can’t<br />
believe that it’s gone. I’ll never be able to look<br />
at Lovett Hall the same way again.’”<br />
—Mike Williams<br />
The Spectacle · Academic Quadrangle<br />
The Spectacle was conceived for <strong>Rice</strong>’s centennial and<br />
performed under the stars in the Academic Quadrangle.<br />
The German artist group URBANSCREEN designed the<br />
performance, which was projected onto three of <strong>Rice</strong>’s<br />
historic buildings.<br />
e WATCH THE SPECTACLE ONLINE: ricemagazine.info/134<br />
34 www.rice.edu/ricemagazine
Wednesday, October<br />
17<br />
Centennial Lecture Series · Tudor Fieldhouse<br />
Chief Justice of the United States John G. Roberts Jr.<br />
was our final Centennial Lecture Series speaker.<br />
e WATCH THE LECTURES ONLINE: ricemagazine.info/132<br />
“Now when President Lovett spoke 100 years ago, the newspapers in this state and around the nation took due<br />
note that something big was happening in Texas. The New York Times reported that President Lovett had attracted<br />
an array of learning such as has seldom been assembled in the United States. The Dallas Morning News waxed<br />
almost mystically. It observed that President Lovett’s speech coincided with the early evening appearance of both<br />
Jupiter and Venus and suggested that the evening sky was an augury of a bright future for the institute. Not every<br />
newspaper was as perceptive or transcendent. One local journal reported the founding of <strong>Rice</strong> in the same column<br />
as the news that Congo, the world’s largest circus elephant, was coming to town. But we now know 100 years later<br />
that those who bet on the future greatness of <strong>Rice</strong>, bet right.”<br />
—Chief Justice of the United States John G. Roberts Jr.<br />
<strong>Rice</strong> Magazine • No. 15 • 2013 35
The Apostle<br />
of Stoke<br />
REMEMBERING<br />
Ben<br />
Horne<br />
’02<br />
By Corinne Whiting<br />
36 www.rice.edu/ricemagazine
LAST SUMMER, BEN HORNE ’02, ALONG WITH HIS FRIEND GIL WEISS, DIED IN A MOUNTAIN CLIMBING ACCIDENT IN THE<br />
CORDILLERA BLANCA RANGE OF THE PERUVIAN ANDES. SINCE THEN, A VAST COMMUNITY OF FAMILY AND FRIENDS HAS<br />
GATHERED IN THE PLACES HORNE LOVED BEST — ON MOUNTAINS AND TRAILS, IN CHURCHES AND PARKS, IN THE HOMES<br />
OF FRIENDS AND FAMILY, AND ON RICE’S CAMPUS — TO REMEMBER AND CELEBRATE A LIFE LIVED WITH UNCOMMON JOY<br />
AND ACCOMPLISHMENT. DURING ONE OF THOSE SERVICES HELD IN SAN DIEGO LAST SUMMER, BEN’S CLOSE FRIEND SKYE<br />
SCHELL ’05 SUMMED UP HIS THOUGHTS: “BEN WAS INSPIRATION. THAT’S WHAT HE WAS TO ALL OF US. HE BROUGHT THE<br />
MESSAGE OF STOKE. SINCE WE’RE HERE IN CHURCH, WE COULD SAY HE WAS AN APOSTLE OF STOKE.”<br />
ONE • FAMILY FOUNDATIONS<br />
<strong>At</strong> 6 feet 2 inches and approximately 185<br />
pounds, Ben Horne stood tall and strong. His<br />
most defining features: a curly blond mop,<br />
sparkly blue eyes and an expansive smile. As<br />
evidenced by the entries in his blog, Zoom<br />
Loco, Horne was a prolific chronicler of his<br />
life’s experiences. By way of introduction<br />
there, he wrote, “My heroes are Tank Man,<br />
Tolstoy and Jesus Christ. I do believe that a<br />
better world is coming. My goal is to be the<br />
most complete person I can be. Full stop.”<br />
When Horne’s friends and family describe<br />
his life, the same adjectives are uttered time<br />
and again — inspiring, passionate, authentic.<br />
He loved mountains and sunsets. To a great<br />
extent, these traits can be traced to Horne’s<br />
early years, growing up in a warm and loving<br />
family, the oldest of Gary and Chris Horne’s<br />
four children. “Ben felt he had the best childhood<br />
experience because he lived in the<br />
country as a young kid, on a six-acre farm in<br />
south central Pennsylvania, moved to Hawaii<br />
and then close to D.C., so that he experienced<br />
all the benefits of a rural and suburban life,”<br />
Chris said.<br />
Horne learned basic hiking and backpacking<br />
skills by participating in the Boy Scouts,<br />
with great encouragement from Gary. The<br />
family often vacationed in the national parks<br />
of the American West and enjoyed family<br />
nights playing board games. Their religious<br />
faith played a large part in the family members’<br />
lives, no doubt motivating Ben, as an adult,<br />
to seek out the divine in all he did — from<br />
rock climbing to his studies. His Catholic faith<br />
served as foundation for his pursuit of peace<br />
and conflict resolution in his future career.<br />
To his younger siblings (Eric, 30; Math,<br />
26; and Liz, 22), “Ben was the big brother<br />
that all three looked up to,” said Chris Horne.<br />
He drove his younger brother Eric to school,<br />
loyally attended sporting events, and spent<br />
countless hours talking politics and music. He<br />
recorded songs with Math and, having always<br />
served as a mentor to Liz, shared his love of<br />
other cultures with her during a joint trip to<br />
Central America.<br />
In one of many eulogies delivered at<br />
Horne’s funeral in Virginia last August, Math<br />
said, “Ben’s week beats your year. He climbs<br />
unclimbable peaks after running inhuman distances<br />
only stopping to write, rap, pray or read<br />
up on how to start the revolution. He never<br />
settles or merely copes. People might say,<br />
wholehearted. Unrelenting. He maintains the<br />
light. Persistent. Deliberate. He says it’s his 100<br />
percent raw Lithuanian beef. I call it guts.”<br />
MATH’S EULOGY: ricemagazine.info/135<br />
TWO • WIESSMAN<br />
Because of Horne’s love for the mountains<br />
and outdoor pursuits, attending a school in<br />
Houston seemed a long shot — after all, it is<br />
flat. His parents remember that their son was<br />
won over by the bucolic tree-canopied campus<br />
and diverse student body, and so Horne<br />
entered the Class of 2002.<br />
He found a home at Wiess College,<br />
where current Dean of Undergraduates John<br />
Hutchinson and his wife, Paula, were then<br />
masters. On the academic side, Horne studied<br />
economics, math and political science. Soon<br />
enough, he made a name for himself as both<br />
the life of the party (though his drink of choice<br />
was orange juice) and a citizen-philosopher<br />
deeply engaged in service.<br />
Between his sophomore and junior years<br />
at <strong>Rice</strong>, Horne hiked the Appalachian Trail<br />
end-to-end by himself and at a near-recordsetting<br />
pace. The experience of solo hiking<br />
at such an impressionable age (he turned 20<br />
en route) was transformative, he said. His<br />
journals from that time reveal a maturing and<br />
probing mind. In one prophetic passage, he<br />
wrote, “The goal of changing things for the<br />
better can be reached — the key is to inspire<br />
others, to affect other people in little ways,<br />
and they in turn will continue to pass it down.<br />
When we seek personal glory, we can achieve<br />
transient fame; if we seek to better the world,<br />
we can contribute to lasting results. If we<br />
don’t pass it on, it will fade as memories of<br />
us fade.”<br />
<strong>At</strong> <strong>Rice</strong>, Horne felt immense pride for his<br />
work with KTRU, the student radio station,<br />
what he called “one of the greatest things<br />
about the university” and a platform for<br />
“I am sure many stories about Ben have been told<br />
these last few weeks, and many more will be told in<br />
the years to come. Tell those stories. Ben loved stories.”<br />
—Eric Horne, Aug. 7, 2012, Annandale, Va.<br />
independent musicians. He was a DJ there for<br />
four years, the DJ director his junior year and<br />
station manager his senior year. Former station<br />
manager Johnny So ’01 credits Horne with<br />
changing the culture of the station, making it<br />
more open and accessible to the student body.<br />
<strong>At</strong> the dedication, So said, “Ben immediately<br />
stood out — here was a guy that was not only<br />
extremely involved in student life at <strong>Rice</strong>, he<br />
was actually popular! That alone was almost a<br />
disqualifier for working at KTRU.”<br />
When the 40-year-old station’s tower was<br />
sold in 2010 to the <strong>University</strong> of Houston,<br />
Horne, along with a dedicated group of KTRU<br />
alumni, opposed the sale. On savektru.org, he<br />
wrote, “KTRU is an idea. A philosophy. KTRU<br />
is not just a club. It is a cause. KTRU is, even,<br />
possibly a religion.” Ultimately the sale of the<br />
FM license went through, but the station survives<br />
as KTRU-HD radio, available through<br />
the Internet and mobile devices. To honor<br />
Horne’s advocacy and service, KTRU’s broadcast<br />
studio, located on the second floor of the<br />
<strong>Rice</strong> Memorial Center, was dedicated the Ben<br />
Horne Memorial Studio last October.<br />
During <strong>Rice</strong>’s centennial and reunion weekend<br />
(the 10th reunion for the Class of 2002), a<br />
group of Horne’s classmates and friends gathered<br />
in the Hindman Garden for an informal<br />
tribute of words and song. Horne’s parents<br />
flew in for this event, which was organized<br />
by Lizzie Taishoff Sweigart ’01. In a peaceful<br />
grove of giant live oaks, Dean Hutchinson,<br />
Liora Danan ’03, Adam Larson ’05, Josh Katz<br />
’01, Josh Hale ’02, Iris Hurtado Wingrove ’02,<br />
Saheel Sutaria ’02, So and others took turns<br />
sharing stories of their college years.<br />
Sutaria and Wingrove first met Horne during<br />
O-Week. Hale was Horne’s freshman-year<br />
roommate. Their voices conjured memories of<br />
Freshman One-Act plays and “Hello, Hamlet”;<br />
of beach trips, spontaneous road trips, flag<br />
football and water-gun fights; of chasing and<br />
<strong>Rice</strong> Magazine • No. 15 • 2013 37
“People say that Ben lived many lives’ worth in his 32 years, and not only in terms of the<br />
mountains he climbed, places he visited or miles he ran — but also in the number of people<br />
he loved, and how deeply he loved them.”<br />
—Anne Chmilewski, Aug. 14, 2012, San Diego<br />
catching squirrels; having philosophical discussions; being recruited to<br />
work at the radio station; and attending every kind of cultural celebration<br />
on campus.<br />
Danan met Horne when he was working at KTRU and she was<br />
the senior news editor at the Thresher. Their long relationship had just<br />
begun as Horne graduated college — they lived in four different cities at<br />
the same time and traveled to 22 countries together. They got engaged,<br />
and though they ended their engagement last fall, the two remained<br />
best friends.<br />
<strong>At</strong> the <strong>Rice</strong> service, Danan said, “I believe that Ben’s greatest strength,<br />
what allowed him to inspire us all, was his willingness to fail. This was a<br />
core value for him, a direct reflection of his deep faith. Ben was keenly<br />
aware of his own failings and limitations, and he was exceptionally willing<br />
to fight the inner struggle because he knew it was worth fighting. He<br />
believed in humanity precisely because it is broken.”<br />
DEDICATION OF THE BEN HORNE MEMORIAL STUDIO: ricemagazine.info/136<br />
THREE • ASCENDING AND TRAVERSING<br />
After <strong>Rice</strong>, Horne joined the Peace Corps and went to Kyrgyzstan.<br />
Already an adept outdoorsman, it was there that he learned the sport of<br />
alpine climbing and became “spoiled, climbing some world-class mountains,”<br />
he said last June. Although he liked soloing, Horne also enjoyed<br />
the dynamic of group climbing, which forces participants to overlook<br />
fears, egos, personality quirks and bad moods. In such settings, Horne<br />
said, “You have one objective. You’re all helping one another with a<br />
common goal.” He likened climbing to an ancient practice like hunting.<br />
“In the most primal sense,” he said, “you’re tapping into something that<br />
humans have been doing for hundreds and thousands of years.”<br />
It was the “mighty Sierra Nevada” that provided a triumphant experience<br />
last spring for Horne, Shay Har-Noy ’04 and Konstantin Stoletov.<br />
All were part of the loose confederation of climbing enthusiasts called<br />
Pullharder, a San Diego-based community of skilled climbers who share<br />
their experiences online.<br />
In March, the trio successfully completed the first-ever wintertime<br />
ascent of Peter Croft’s Evolution Traverse, a route that involved nine<br />
13,000-foot peaks and the traversing of more than eight miles of the<br />
Evolution subrange of the Eastern Sierra. Horne called this “one of the<br />
Lower 48’s greatest climbs,” yet it had only previously been completed<br />
about 15 times and never outside of prime season. The technical route<br />
took seven days from car to car (including one storm day) and involved<br />
four days on the actual route with 36 total hours of climbing.<br />
<strong>At</strong> times, the trio endured winds as high as 90 mph and temperatures<br />
as low as -7 F, making for a challenging environment in which to do<br />
such technical climbing. In a post-trip blog post, Horne admitted he was<br />
“stoked, but … tired.” Yet he also expressed great excitement for having<br />
accomplished this feat in his “home range,” at being associated with<br />
the route of one of his biggest inspirations (climber and mountaineer<br />
Peter Croft) and for the symbolism behind climbing a traverse named<br />
Evolution. In an interview last summer about the Evolution climb, Horne<br />
emphasized that this accomplishment was mostly personal.<br />
“The most important thing is that your motivation is internal,” Horne<br />
said, “If you’re doing something for external recognition, it’s just not<br />
as fulfilling. It leads to a strange culture in which [the achievement]<br />
becomes about bragging.”<br />
Horne physically held on to pieces of life experiences by way of<br />
souvenirs and ticket stubs. He also kept meticulous lists and Excel<br />
spreadsheets that not only helped him prepare for upcoming treks and<br />
climbs, but also recorded details of the number of countries he’d traveled<br />
(53 “real” visits; 62 if you count airport layovers), states he’d visited<br />
(49; only South Dakota remained), climbs completed, national parks<br />
explored, “bizarre experiences” endured. His page of “Top Ten Sights”<br />
reveals no fewer than 26 places, ranging from the Sistine Chapel and Taj<br />
Mahal to Havasu Falls and Joshua Tree.<br />
EVOLUTION TRAVERSE TRIP REPORT: ricemagazine.info/137<br />
FOUR • LITTLE THINGS<br />
Many remember Horne for the big things — his impressive academic<br />
achievements and astounding athletic accomplishments. Not long after<br />
the Evolution Traverse conquest and right before he set out for Peru,<br />
Horne ran an ultramarathon (100 miles) in less than 24 hours.<br />
“If Ben was going to do something,” Danan said, “he was going to<br />
do it all the way.” But it was the everyday things that mattered the most.<br />
In a eulogy delivered at his San Diego memorial service, she added,<br />
“Ben never wanted to be a superhero because of his physical achievements.<br />
In fact, he went out of his way to understate them. If we idealize<br />
his achievements, we are misunderstanding Ben.”<br />
While living in San Diego, Horne organized a series of discussion<br />
dinners around a potluck meal and an informal roundtable. He invited<br />
those representing different backgrounds and beliefs who he thought<br />
would benefit most from the conversations; together they covered topics<br />
from race and the environment to religion. Commented Har-Noy,<br />
“Oftentimes you have people who aren’t intellectually honest; they<br />
think they’re smart but don’t listen to anybody else. They shut off the<br />
willingness to accept someone. Ben fundamentally sought out alternative<br />
opinions on how things work.”<br />
Since 2007, Horne had been pursuing a Ph.D. in economics at the<br />
<strong>University</strong> of California at San Diego (UCSD) and completing his studies<br />
of conflict resolution and mediation. Eli Berman, professor of economics<br />
at UCSD, also taught economics at <strong>Rice</strong>. Horne was one of his students<br />
there. When both landed at UCSD, Horne once again studied under<br />
Berman, who ultimately served as his dissertation adviser. Horne’s<br />
research focused on the role of mediation in international conflict and<br />
how third parties can intercede to make peace agreements possible that<br />
would not otherwise happen.<br />
“Ben’s interest in this question, as far as I can tell, came from a<br />
wonderful place,” Berman said. “He cared deeply about people and<br />
believed in mediation among individuals. He also had a deep concern<br />
for the human suffering caused by unresolved conflicts. Ben’s research<br />
made substantial progress on the theory of mediation, which we hope<br />
will be of use to practitioners.” <strong>At</strong> present, UCSD faculty are working to<br />
give recognition to his research and encourage others to continue what<br />
Horne started.<br />
FIVE • PERU<br />
On pullharder.org, Horne’s in-progress trip report titled “The Peruvian<br />
Chronicles” detailed the first climbs he and Weiss completed in the<br />
Cordillera Blanca last July. In the post, he chronicles the weather, the<br />
challenges, the lows and the highs in characteristic self-deprecating and<br />
humorous fashion. The post is accompanied by an image of a sunset<br />
of wondrous beauty. Their next destination was Palcaraju Oeste, where<br />
they would attempt (and succeed) in putting up a first-ever ascent of a<br />
new route on the mountain’s south face. On July 13, on the way back<br />
38 www.rice.edu/ricemagazine
Left to right: Alexei Angelides ‘98, Sarah Pitre ‘01, Horne and Dennis Lee ‘05 in the KTRU studio in 2000; <strong>Rice</strong> graduation with siblings Matthew and Elizabeth Horne,<br />
2002; Elizabeth and Ben in Guatemala, 2007. Below: Climbing Evolution Traverse with Shay Har-Noy ‘04 and Konstantin Stoletov, March 2012.<br />
“I GREW UP IN THE APPALACHIANS, THEN LIVED<br />
FOR SPELLS IN THE TIEN SHAN (KYRGYZSTAN)<br />
AND THE ROCKIES. I LOVE MOUNTAINS AND<br />
MOST EVERYTHING ABOUT THEM. NOW I LIVE BY<br />
THE SEA IN LA JOLLA, CALIFORNIA, WITH THE<br />
MIGHTY SIERRA NEVADA VERY CLOSE BY.”<br />
—Ben Horne, zoomloco.wordpress.com<br />
Below: Horne and friends Saheel Sutaria ‘02 and Kristen Stecher ’02; Liora Danan ‘03 and Horne, San Miguel, Mexico, 2011.<br />
<strong>Rice</strong> Magazine • No. 15 • 2013 39
“The day I found out they found Ben’s body, I was on safari in<br />
Malawi. I watched the most spectacular sunset I’ve ever seen<br />
that night, sitting in a vast grassland with wild animals around<br />
and good friends by my side. It sounds like a lot of Ben’s friends<br />
and family felt this way and had a similar experience that night,<br />
but I nonetheless felt like he was watching the sunset with<br />
me that night, saying goodbye in his own extreme, spectacular,<br />
poignant way.”<br />
—Brigitte Zimmerman, maintainthelight.org<br />
down from the peak, rescuers speculate that the fragile ridge where they were walking<br />
simply collapsed.<br />
After Horne and Weiss were reported missing, stunned friends and family watched in<br />
disbelief as the search unfolded in real time. Climbing websites and listservs posted updates<br />
for friends and family. Har-Noy’s company obtained satellite imagery and employed<br />
crowd-sourcing techniques to try and find the two. [See sidebar.] On Saturday morning,<br />
July 28, Gary Horne received a call from the rescue coordinator. Their bodies had been<br />
found at the bottom of the mountain. Accompanied by Danan, the two flew to Peru to<br />
bring Ben home.<br />
SIX • MAINTAIN THE LIGHT<br />
Since Horne’s death, Gary has poured himself into creating maintainthelight.org, a memorial<br />
website dedicated to his son, named for a motto Ben adopted to honor his grandmother.<br />
One section pays honor to Horne by linking to dozens of heartfelt eulogies and letters as<br />
well as examples of Horne’s prolific writings, photos and academic work.<br />
The second part of the website conveys a mission: How can we who remain here on<br />
Earth ‘maintain the light’? On the website, friends commit to living into their strengths and<br />
hopes and to do something inspired by Horne. Playing the piano, serving God, connecting<br />
with people, viewing sunsets, participating in an Ironman competition, climbing, running,<br />
refraining from judgment and simply living life are some of the promises Horne’s friends<br />
and family have made. “Ben was deeply affected in his childhood by stories from people<br />
who said they had waited until it was too late, for whatever it was that mattered to them,”<br />
Danan said. “Ben did not wait. He was always setting goals, always training, in all categories<br />
of his life. Ben practiced his religion in the cathedrals of mountains and church pews<br />
and backyard BBQs and rock concerts and overcrowded buses in foreign countries.” The<br />
site’s content serves as daily inspiration for all those who remain deeply grateful for the<br />
example of Horne’s life. Full stop. ■<br />
“Last year for my birthday, Grandmom sent me a<br />
card with a photo of Denali on the front. I climbed<br />
Denali for the first time 2 weeks after her death,<br />
still grieved. The emotion definitely spurred me to<br />
press on. A few years before she sent me a card of<br />
a lighthouse with the words ‘Maintain the Light.’<br />
I do believe death is a part of life, and that her light<br />
can shine on through us.”<br />
—Ben Horne, June 23, 2011<br />
TOMNOD: PULLING<br />
TOGETHER<br />
Though they didn’t know each<br />
other at <strong>Rice</strong>, Shay Har-Noy<br />
’04 and Ben Horne ’02 had<br />
become acquainted while<br />
both were in grad school at<br />
the <strong>University</strong> of California at<br />
San Diego (UCSD), ultimately<br />
forging a strong friendship<br />
based on their mutual love<br />
Shay Har-Noy ’04<br />
of climbing in the Sierra Nevada. Har-Noy earned<br />
degrees in economics and electrical and computer<br />
engineering at <strong>Rice</strong>; at UCSD, he earned a master’s<br />
and a Ph.D. in electrical engineering. His day job is<br />
CEO of Tomnod, a young tech company that provides<br />
distribution and analysis of current satellite images<br />
for a variety of clients.<br />
On July 25, 2012, Har-Noy got an email with a<br />
personal and urgent bent — good friends Horne and<br />
Gil Weiss, who had been mountain climbing in the<br />
Peruvian Andes, were missing. The team reached<br />
out to their professional contacts at DigitalGlobe and<br />
GeoEye to ask for archival imagery of the mountain.<br />
Tomnod (meaning “big eye” in Mongolian)<br />
requested that the next time the satellite passed<br />
overhead, it focus on the section of the mountain<br />
where Horne and Weiss had been climbing. Within a<br />
couple of hours, the team had received and processed<br />
the image and put it online, inviting friends and<br />
family to help search for clues in the snow patterns.<br />
On the map, images were flagged and marked<br />
after several people reached a consensus that they<br />
saw the same thing. Within 15 minutes, hopes<br />
soared when taggers identified three black dots<br />
(on the otherwise white snow) as rescuers headed<br />
up the glacier. “I was psyched,” said Har-Noy. “We<br />
were in go mode. I was thinking, if these guys are<br />
anywhere in this picture, we’re going to find them.”<br />
This flurry of excitement pervaded social media as<br />
family and friends clung to the possibility that the<br />
two were merely injured or stranded. Over the next<br />
four hours, more than 800 people logged in to scour<br />
small sections of the mountain’s image.<br />
Before a search plane took off for the<br />
mountain, Har-Noy sent the air and ground<br />
rescue teams detailed imagery of what<br />
they identified as the top four search<br />
locations. The ground team had<br />
independently arrived at the same<br />
conclusion, and the climbers’ bodies<br />
were found below their last tracks in<br />
the imagery. “Our efforts to find Ben<br />
and Gil really emphasize the power of<br />
timely satellite imagery and our technology<br />
in critical situations,” Har-Noy said.<br />
A devastated Pullharder community announced<br />
the death of their two dear friends on their website.<br />
“These are two of the finest climbers we have ever<br />
known … embodying the spirit of the mountains<br />
with everything they did. Many of us have had the<br />
honor of sharing in their love for the wilderness,<br />
and that lives on.”<br />
40 www.rice.edu/ricemagazine
RICEOW L S.COM<br />
A Winning Season<br />
<strong>Rice</strong> Soccer Shares C-USA Regular-Season Title<br />
Sports<br />
With 11 wins, six losses and three ties, the<br />
<strong>Rice</strong> soccer team scored its best regular season<br />
record in program history. The winning<br />
season earned the team, under head coach<br />
Nicky Adams, a C-USA co-championship<br />
title with Colorado College. <strong>Rice</strong> was eliminated<br />
in the opening round of the C-USA<br />
Tournament.<br />
The Owls debuted a dynamic freshman<br />
scoring duo of Lauren Hughes and Holly<br />
Hargreaves, who combined for 19 goals<br />
during the season. Hargreaves and sophomore<br />
midfielder Quinney Truong were both<br />
named First-Team All-Conference USA, and<br />
Hargreaves was named C-USA Freshman of<br />
the Year.<br />
Hargreaves totaled 10 goals as a starter<br />
for all 21 games. She tied for seventh in the<br />
nation with six game-winning goals and<br />
ranked among the NCAA and C-USA statistical<br />
leaders in goals (10), points (23) and<br />
shots (76). The rookie scored a <strong>Rice</strong> record<br />
game-winning goal in four-straight games in<br />
September.<br />
Truong was fourth on the team in minutes<br />
as a starter in the midfield, playing 92<br />
percent of the team’s total time. The Fort<br />
Worth, Texas, standout scored the gametying<br />
goal against Big 12 power Oklahoma<br />
and also had a goal on the road at <strong>University</strong><br />
of Alabama at Birmingham. She assisted on<br />
game-winning goals in back-to-back games<br />
vs. Sam Houston State and Tulsa while maintaining<br />
a .400 shots-on-goal percentage.<br />
Seniors and team captains Julia Barrow<br />
and Lauren LaGro were named to the C-USA<br />
All-Academic team for success in the classroom<br />
and on the soccer field. Barrow has<br />
maintained a 3.92 GPA as an English major<br />
with a minor in poverty, justice and human<br />
capabilities. She led the Owls with four assists<br />
and rarely came out of a game, playing<br />
all 90 or more minutes 13 times.<br />
A three-time C-USA All-Academic<br />
honoree who has maintained a 3.87 GPA<br />
as a kinesiology major, LaGro started all 21<br />
matches and helped the Owls to a share of<br />
the 2012 conference regular-season title.<br />
LaGro often was assigned to cover the opposing<br />
team’s top scoring threat. Overall, the<br />
<strong>Rice</strong> backline helped hold opponents to just<br />
11.7 shots per game.<br />
<strong>Rice</strong> Magazine • No. 15 • 2013 41
Arts<br />
<strong>Rice</strong>’s de Menil Years<br />
“ Raid the Archive: The de Menil Years at <strong>Rice</strong>”<br />
commemorated the 100th anniversary of <strong>Rice</strong><br />
<strong>University</strong> as well as the Menil Collection’s<br />
25th anniversary.<br />
Clockwise from left: Installation view of “The<br />
Machine as Seen at the End of the Mechanical<br />
Age,” <strong>Rice</strong> Museum, 1969; exhibition poster;<br />
Dominique de Menil, 1979. (Photo credits:<br />
Hickey-Robertson and Geoff Winningham ’65)<br />
The de Menil years at <strong>Rice</strong> began in 1969 with<br />
the exhibition “The Machine as Seen at the End<br />
of the Mechanical Age” at the just-completed<br />
<strong>Rice</strong> Museum. This stunning collection of works<br />
from the 15th to the 20th century explored the<br />
intersections of art and technology. Among the<br />
200 works were a replica of a da Vinci flying<br />
machine, Buckminster Fuller’s Dymaxion car,<br />
Jean Tinguely’s ball producing and consuming<br />
Rotozaza, and Claes Oldenburg’s giant floppy<br />
desk fan. It also was apparently the first exhibition<br />
to show video art, created by the very<br />
young Nam June Paik.<br />
Decades-old exhibitions don’t usually age<br />
well. Ideas or works that were cutting-edge or<br />
contemporary 40 years ago can seem quaint<br />
and dated later on. But “The Machine” was a<br />
show many people would be thrilled to see<br />
today, and it’s not unique in the repertoire of<br />
exhibitions, projects and events that took place<br />
at the <strong>Rice</strong> Media Center and the <strong>Rice</strong> Museum<br />
(dubbed the “Art Barn”). Established by John<br />
and Dominique de Menil in 1969 along with<br />
<strong>Rice</strong>’s Institute for the Arts (now the Department of Visual and<br />
Dramatic Arts, Department of Art History and <strong>Rice</strong> Cinema program),<br />
Experimental<br />
exhibitions continue<br />
on at <strong>Rice</strong> ... . And<br />
the de Menils’<br />
involvement and<br />
interest in <strong>Rice</strong><br />
through the years<br />
helped set it all in<br />
motion.<br />
both venues went on to present an astounding<br />
array of groundbreaking exhibitions, films and<br />
events.<br />
“Raid the Archive,” on view Oct. 12–Nov. 9<br />
in the <strong>Rice</strong> Media Center, included exhibition<br />
and opening photographs, letters, notes and<br />
other ephemera and was accompanied by film<br />
screenings and panel discussions. The centennial<br />
exhibition was curated by John Sparagana,<br />
professor of painting and drawing and chair of<br />
the Department of Visual and Dramatic Arts,<br />
and Katia Zavistovski, a Ph.D. candidate in the<br />
Department of Art History. The title is taken<br />
from “Raid the Icebox 1 with Andy Warhol,”<br />
a 1969 <strong>Rice</strong> Museum show in which the de<br />
Menils asked Andy Warhol to curate an exhibition<br />
selected from the storage vaults of the<br />
Rhode Island School of Design’s museum.<br />
The “Raid the Archive” film series screened<br />
“Tinguely In Motion.” Filmed in 1969 for the<br />
<strong>Rice</strong> Institute by Bill Colville, the film captured<br />
Jean Tinguely’s time in Houston constructing a<br />
sculpture specifically for “The Machine” exhibition.<br />
It shows the Swiss artist moving (and dancing) through a<br />
Houston junkyard, clad in a pressed white shirt and black blazer,<br />
42 www.rice.edu/ricemagazine
Students Arts<br />
The Matter<br />
of Music<br />
Quick, before this year’s<br />
Grammy Awards ceremony,<br />
check out one of last year’s<br />
winners.<br />
Clockwise from top left: Opening night for “Raid the Archive: The de Menil Years at <strong>Rice</strong>,” <strong>Rice</strong> <strong>University</strong> Media Center, 2012;<br />
view of “Edward and Nancy Reddin Kienholz: The Art Show,” <strong>Rice</strong> Museum, 1984–85; “The Machine” exhibit, <strong>Rice</strong> Museum, 1969.<br />
(Photo credits: Carolyn Van Wingerden, Hickey-Robertson, Geoff Winningham ’65)<br />
smoking and casually selecting materials for his sculpture. He talks about how much he enjoys it<br />
when his sculptures break and have to be repaired, reveling in the chance and chaos of the whole<br />
thing. Comments from the artist and his decidedly nonprofessional welder assistant were intercut<br />
with commentary from the beleaguered conservator sent along from MOMA to keep the sculptures<br />
in working repair. Not only is the film an insight into the artist’s work, it is also an insight into an<br />
artistic climate that continues today in Houston, where artists often draw on and collaborate with<br />
industry to execute projects.<br />
During the de Menil years, the Media Center brought in the likes of Jean-Luc Godard, Sam<br />
Peckinpah and Henri Langlois. Francis Ford Coppola and George Lucas came into town to screen<br />
“THX 1138” as well. For <strong>Rice</strong> students and the Houston community to have had this kind of access<br />
is stunning. In one of many memorable events, Dennis Hopper came in 1983 to speak about a new<br />
film, but instead bused the audience out to the Big H Speedway to see him “blow himself up” in the<br />
Russian Dynamite Death Chair Act — i.e., a chair with dynamite under it. View the video online at<br />
timeline.centennial.rice.edu/entry/368/.<br />
Those years were a lively, experimental and provocative time. The de Menils, in supporting and<br />
establishing the arts at <strong>Rice</strong> <strong>University</strong>, involved a number of students and young people in their<br />
endeavors, many of whom, like artist Mel Chin, would go on to become significant contributors to<br />
the art world in their own right. The de Menils were also instrumental in bringing in young and<br />
influential faculty like William Camfield, the Joseph and Joanna Nazro Mullen Professor Emeritus<br />
of Art History, and Thomas McEvilley, Distinguished Lecturer Emeritus of Art History and critic.<br />
Dominique de Menil would leave the university to establish the Menil Collection, but experimental<br />
exhibitions continue on at <strong>Rice</strong> in the site-specific installation program of <strong>Rice</strong> Gallery; in<br />
the art department’s new experimental exhibition spaces EMERGEncy Room and Matchbox Gallery;<br />
and in the continuing activities of the <strong>Rice</strong> Media Center. And the de Menils’ involvement and interest<br />
in <strong>Rice</strong> through the years helped set it all in motion.<br />
—Kelly Klaasmeyer<br />
The winner of the 2012 Grammy for Best<br />
Opera Recording is “Doctor <strong>At</strong>omic,”<br />
a Sony DVD recording of a 2008 production<br />
at the Metropolitan Opera,<br />
conducted by Alan Gilbert. Shepherd<br />
School alumna Sasha<br />
Cooke ’04 starred as Kitty<br />
Oppenheimer opposite<br />
Gerald Finley as J. Robert<br />
Oppenheimer. The contemporary<br />
opera is by<br />
American composer John<br />
Adams, with libretto by<br />
Peter Sellars. The opera<br />
tells the story of the<br />
Manhattan Project scientists<br />
who created and tested the atomic<br />
bomb at Los Alamos. In a New York<br />
Times review of the production, critic<br />
Anthony Tommasini had plenty of praise<br />
for Cooke, writing, “The scenes with<br />
Oppenheimer’s wife, Kitty, sung with<br />
aching, wistful intensity by the mezzosoprano<br />
Sasha Cooke, are beautifully<br />
rendered.”<br />
<strong>Rice</strong> <strong>Rice</strong> Magazine • No. • No. 15 7 • 2013 • 2010 43
ON THE<br />
Bookshelf<br />
“Blacks and Whites in Christian America:<br />
How Racial Discrimination Shapes Religious<br />
Convictions” (New York <strong>University</strong> Press,<br />
2012) is co-authored by Emerson, the Allyn<br />
and Gladys Cline Professor of Sociology and<br />
co-director of the Kinder Institute for Urban<br />
Research, and Jason Shelton, an assistant professor<br />
of sociology and anthropology at the<br />
<strong>University</strong> of Texas at Arlington.<br />
“We often hear the term ‘the black church,’”<br />
Emerson said. “We really wanted to find out,<br />
what is the black church? We wanted to know<br />
how black Protestants — who comprise 93<br />
percent of black churchgoers — differ from<br />
“Ultimately,<br />
these religious<br />
differences play<br />
a substantial role<br />
in U.S. life, from<br />
identity politics<br />
to working for<br />
racial justice and<br />
reconciliation.”<br />
<strong>Rice</strong> Sociologist Examines<br />
Race, Religion in America<br />
A new book co-authored by <strong>Rice</strong> sociologist Michael<br />
Emerson assesses racial differences in how black and<br />
white Protestants practice their faith.<br />
their white counterparts. We wanted to see if<br />
there’s anything unique about how they practice<br />
their faith.” Emerson said that while their<br />
research, including interviews with numerous<br />
black pastors, showed that there are “absolutely<br />
no differences” between blacks and<br />
whites when it comes to the core beliefs (for<br />
example, the Apostles’ Creed) of Protestants, it<br />
revealed “stunning” differences about how the<br />
two groups go about their faith.<br />
“<strong>At</strong> the very core, in the fundamental<br />
beliefs of Christianity — that God exists,<br />
for example — black and white Protestants<br />
do not differ,” Emerson said. “But on almost<br />
everything else, even the terms they use to<br />
describe who God is, they do differ and often<br />
dramatically so.”<br />
All of these differences were conceptualized<br />
by Emerson and Shelton into what they<br />
call the five building blocks of the black<br />
Protestant faith. The building blocks include:<br />
• Experiential: Black Protestant faith is active<br />
and experiential; it is less concerned<br />
with precise doctrinal contours than is<br />
white mainline or evangelical Christianity.<br />
• Survival: Their faith is critical to survival<br />
and helps individuals cope with suffering<br />
associated with everyday trials and<br />
tribulations.<br />
• Mystery: Black Protestant faith is mystical<br />
and expresses an appreciation for the mystery<br />
in life; it includes folklore and cultural<br />
components driving from the African diaspora,<br />
the consequences of racial inequality<br />
in America and non-Christian religions.<br />
• Miraculous: Black Protestant faith is confident<br />
and comprehensive; the miraculous<br />
is ordinary and the ordinary is miraculous.<br />
• Justice: Their faith is committed to social<br />
justice and equality for all individuals and<br />
groups in society.<br />
Emerson noted that all of these differences<br />
remain after accounting for differences<br />
in education, income, age, gender and region<br />
of residence. These differences were found<br />
even when comparing black Protestants to<br />
the more zealous arm of white Protestantism,<br />
white evangelicals.<br />
Emerson believes that the differences between<br />
black and white Protestants are rooted<br />
directly in the country’s history of racial<br />
discrimination.<br />
“It’s based on personal and communal<br />
experiences,” Emerson said. “White Protestant<br />
faith has never been about survival, whereas<br />
black faith from the start has been. Slavery<br />
isn’t here anymore, but that idea of who God<br />
is has not changed for African-Americans.”<br />
Emerson said he hopes the book will<br />
bring greater understanding to the differences<br />
in how white and black Protestants approach<br />
religion.<br />
“Ultimately, these religious differences<br />
play a substantial role in U.S. life, from identity<br />
politics to working for racial justice and<br />
reconciliation,” Emerson said. “By going about<br />
faith differently, valuing different aspects of<br />
the Christian God and having divergent religious<br />
histories, black and white Protestants<br />
vote overwhelmingly opposite of one another,<br />
and often work against each other in efforts<br />
toward racial equity and cohesion. For real<br />
progress to be made, these groups will need<br />
to truly understand one another.”<br />
— Amy Hodges<br />
44 www.rice.edu/ricemagazine
ON THE<br />
Bookshelf<br />
he joined CBS News, where he anchored the Sunday<br />
“ That’s the way it is.” night news and the 1952 presidential conventions and<br />
hosted “You Are There,” a show that re-enacted historical<br />
events.<br />
Brinkley Chronicles Cronkite<br />
Cronkite became the anchor of the “CBS Evening<br />
In “Cronkite,” the first full-life biography News” in 1962. The 1963 assassination of Kennedy<br />
inserted Cronkite into the national consciousness,<br />
of the legendary CBS newsman Walter Brinkley said. Other notable moments in his broadcast<br />
Cronkite, author Douglas Brinkley chronicles career included his 1968 declaration that the Vietnam<br />
War was “mired in stalemate,” which President Lyndon<br />
the life of one of the most influential news<br />
Johnson thought moved national opinion, and his coverage<br />
of the moon landings. Cronkite was, in fact, the<br />
anchors in television history — a life that<br />
included formative years spent in Houston. unofficial voice of the American space program during<br />
its early heyday, a role than garnered him renown<br />
but also some media criticism, Brinkley<br />
Brinkley, a <strong>Rice</strong> <strong>University</strong> history<br />
found. “Walter had so bought into<br />
professor and fellow at <strong>Rice</strong>’s Baker<br />
space that any criticism of the moon<br />
Institute for Public Policy, wrote the<br />
launch in 1969 was anathema to him,”<br />
biography with the cooperation of<br />
recalled Bill Plante who, as part of<br />
Cronkite’s family. The book examines<br />
CBS’s coverage of Apollo 11, reported<br />
the newsman’s role in the latter half of<br />
on how some people on the street in<br />
the 20th century — from Vietnam and<br />
New York thought the space agency’s<br />
the space missions to reporting to the<br />
efforts were a waste of money.<br />
nation the death of President John F.<br />
Cronkite retired as anchor in 1981<br />
Kennedy.<br />
at age 64, widely hailed as the “most<br />
Born in 1916, Cronkite grew up<br />
trusted man in America.”<br />
in Kansas City, Mo., and Houston’s<br />
Brinkley said the idea for a definitive<br />
biography was triggered about<br />
Montrose neighborhood, where his father<br />
worked as a dentist. He dropped<br />
nine years ago by fellow historian and<br />
out of the <strong>University</strong> of Texas at Austin<br />
friend David Halberstam. During a<br />
during the Great Depression to take<br />
drive with Brinkley to the Louisiana<br />
the first in a series of radio jobs in<br />
Book Festival, Halberstam remarked<br />
Oklahoma and Missouri.<br />
that Cronkite was the most significant journalist of the<br />
Cronkite joined United Press International in 1937, second half of the 20th century, but no author had adequately<br />
tackled his life and times. Brinkley has also<br />
and when World War II broke out, he covered battles in<br />
Africa and Europe, parachuted with the 101st Airborne authored books on Gerald Ford, Teddy Roosevelt and<br />
into Holland and witnessed the Battle of the Bulge. Jimmy Carter.<br />
After the war, he covered the Nuremberg Trials. In 1950,<br />
—Jeff Falk<br />
Viral Doom Returns<br />
Justin Cronin, a distinguished faculty fellow<br />
at <strong>Rice</strong> <strong>University</strong>, has followed up<br />
his best-seller “The Passage” with “The<br />
Twelve,” released last fall. It is the second<br />
book in his postapocalyptic trilogy.<br />
In “The Twelve,” Cronin picks up the<br />
story, taking readers on a 592-page journey<br />
interweaving characters from “year<br />
zero,” when the vampires first escaped<br />
from a secret Colorado lab, with flashes<br />
forward to 79 and 97 years in the future.<br />
The narrative follows bands of survivors<br />
as they search for fuel, food and protection<br />
and cope with the<br />
unthinkable that has<br />
devastated civilization<br />
as they knew<br />
it. The reader meets<br />
Lila, a doctor stricken<br />
with posttraumatic<br />
stress syndrome, and<br />
Kittridge, a war veteran<br />
and sniper who<br />
helps save a band of<br />
refugees. A less likeable<br />
new character is<br />
Horace Guilder, a selfinterested,<br />
high-level<br />
government bureaucrat<br />
at the helm when<br />
the crisis originally unfolded. Guilder was<br />
able to ensure his own escape, but he’s<br />
not a figure one would root for. Returning<br />
characters include Alicia, an army lieutenant<br />
and loner, and Amy, a supernatural<br />
heroine, who with others continue<br />
their hunt for the original 12 “virals.”<br />
—Jeff Falk<br />
“Dad to Dad: Parenting Like a<br />
Pro,” by David L. Hill ’90 (American<br />
Academy of Pediatrics, 2012). Hill<br />
is a pediatrician and father of<br />
three who practices medicine in<br />
Wilmington, N.C.<br />
“Drugs for Life: How<br />
Pharmaceutical Companies<br />
Define Our Health,” by Joseph<br />
Dumit ’89, (Duke <strong>University</strong> Press,<br />
2012). Dumit is director of science<br />
and technology studies and<br />
professor of anthropology at the<br />
<strong>University</strong> of California at Davis.<br />
“From the Stage to the Studio:<br />
How Fine Musicians Become<br />
Great Teachers,” by Cornelia<br />
Watkins and Laurie Scott (Oxford<br />
<strong>University</strong> Press, 2012). Watkins is a<br />
lecturer of music in <strong>Rice</strong>’s Shepherd<br />
School of Music. This is her second<br />
book about teaching music.<br />
“Exclusions: Practicing Prejudice<br />
in French Law and Medicine,<br />
1920–1945,” by Julie Fette (Cornell<br />
<strong>University</strong> Press, 2012). Fette<br />
is an associate professor in the<br />
Department of French Studies at<br />
<strong>Rice</strong>.<br />
<strong>Rice</strong> Magazine • No. 15 • 2013 45
On My Honor<br />
Try your luck at this <strong>Rice</strong>-themed crossword. No cheating!<br />
1<br />
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Across<br />
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27<br />
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51<br />
56<br />
60<br />
69<br />
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109<br />
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84<br />
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110<br />
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85<br />
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45<br />
77<br />
0<br />
90<br />
32<br />
36<br />
0<br />
0<br />
61 62<br />
86<br />
0 91<br />
96<br />
100<br />
0 116<br />
0 120<br />
0 124<br />
20<br />
24<br />
28<br />
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78<br />
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47<br />
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71<br />
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48<br />
63<br />
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92<br />
101<br />
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33 34<br />
37<br />
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64 65<br />
0 79<br />
87<br />
102<br />
0 113<br />
117<br />
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125<br />
21<br />
25<br />
29<br />
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81<br />
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104<br />
35<br />
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72<br />
76<br />
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98<br />
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49<br />
66<br />
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93<br />
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22<br />
26<br />
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0 0<br />
40 41 42<br />
50<br />
54 0 55<br />
59 0 0 0<br />
67 68 0<br />
73<br />
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0<br />
0 0 0 0<br />
105 106 107 108<br />
114<br />
118<br />
122<br />
126<br />
1 The first freshman ___ parade was in<br />
1921.<br />
6 ___ balloon fight (Beer Bike kickoff)<br />
11 Sally___ (with 124 Across)<br />
15 Baker Institute’s Edward Djerejian is an<br />
expert on the ___ Spring.<br />
19 ___ the Barbarian<br />
20 “Doe ___”<br />
21 ___ Shawkat of “Arrested Development”<br />
22 Plaster ingredient<br />
23 “A World ___”<br />
24 Young adult novelist Sonya ______<br />
25 Altoids come in ______<br />
26 Copycat<br />
27 <strong>Rice</strong>’s student-faculty ___ is less than 6:1.<br />
28 Quoting Hamlet, after an ORGO exam:<br />
“___ is me.”<br />
29 ____ Humperdinck<br />
31 Conduit for graffiti and clandestine<br />
exploration<br />
35 Descendant of Indo-European speakers<br />
36 Studied by comp sci majors<br />
37 ___ Tigers<br />
40 Eastern potentates<br />
43 Accumulate<br />
46 It’s between St. Paul and Eau Claire<br />
50 1990 Dead album, “Without ___”<br />
51 Bryce Canyon locale<br />
52 With 66 Across, first <strong>Rice</strong> president, ____<br />
Lovett<br />
53 ___ Loop<br />
55 Gentile<br />
56 Sound prefix<br />
57 One from Eastern Europe<br />
58 Native of Budapest<br />
60 Where many <strong>Rice</strong> students are in the<br />
summer<br />
63 F. Scott Fitzgerald was one (abbr.)<br />
66 See 52 Across<br />
69 With 110 Down, the theme of this issue<br />
74 Houston’s METRO runs on these<br />
75 Beginning<br />
46 www.rice.edu/ricemagazine
76 Wash off again<br />
77 What <strong>Rice</strong> students eat on March 14:____<br />
ice cream<br />
79 Nihilistic art movement<br />
82 “___ go <strong>Rice</strong>!”<br />
83 UK Luftwaffe counter<br />
86 Psychic Edgar<br />
87 ___balls<br />
88 “___ go Bragh”<br />
89 T-shirt size<br />
91 Dining hall semester vouchers<br />
93 “Hey you!”<br />
95 Pianist studied by students at the Shepherd<br />
School (Hint: Schumann)<br />
97 College quads are nice outdoor ____.<br />
98 Beatles’ German release “___ Liebt Dich”<br />
99 Mythical Scottish beast (var.)<br />
101 Baker 13 cover-up<br />
109 They’re the best.<br />
113 Soy paste<br />
114 Come-on<br />
115 Texting shorthand for “Ah, that’s clear”<br />
116 City of Edvard Munch<br />
117 He’s Horrible in the comics.<br />
118 Pastrami _____<br />
119 President Leebron is on its board.<br />
120 Architect van der Rohe<br />
121 One of the “45º 90º 180º” rocks is ___.<br />
122 Rent out again<br />
123 Home of Lady Vols (abbr.)<br />
124 See 11 Across<br />
125 ___Week<br />
126 Juan’s ___ sense<br />
Down<br />
1 Trauma residue<br />
2 1950s Yankee pitcher Eddie (“the Junk<br />
Man”)<br />
3 Germ ending<br />
4 “I just met a girl named ___.”<br />
5 Buries<br />
6 Had left<br />
7 Column heading<br />
8 Mortise partner<br />
9 Jolly Green Giant shoe width<br />
10 There are four in Monopoly (abbr.)<br />
11 ___ de foie gras<br />
12 “Unbearable Lightness of Being” actress<br />
Lena<br />
13 “Silver Bells” sound<br />
14 It hits with a charge.<br />
15 <strong>Rice</strong> opponent of infamous sideline tackle<br />
16 Maturing<br />
17 McLean’s “___ Pie” (abbr.)<br />
18 Ernie’s pal<br />
30 Caustic soda<br />
32 “__ the season”<br />
33 Reading direction (abbr.)<br />
34 Defense against the Scud<br />
38 Jacques’ “my bad”<br />
39 Inherent<br />
41 ___ Speedwagon<br />
42 With 93 Down, was by the original<br />
Administration Building<br />
43 One wanting to make amends<br />
44 Tomorrow in Tijuana<br />
45 It’s desirable at the track.<br />
46 16th-century date<br />
47 River of Estella, Spain<br />
48 They may be innies.<br />
49 Pooh pal<br />
51 Top amateur athletics group<br />
52 Sports site<br />
54 Weathermen’s tool<br />
59 Spruces up the bathroom<br />
61 Old object<br />
62 Tailor’s length<br />
64 Mountain bike race format<br />
65 Dog and cat, perhaps<br />
67 They’re found in trash cans.<br />
68 What Will <strong>Rice</strong> did in the men’s Beer Bike<br />
race last year<br />
70 Transport of the future?<br />
71 When repeated, Speedy Gonzalez mantra<br />
72 Donkey sound<br />
73 Where to hear the Red Sox<br />
78 Sailor’s acknowledgment<br />
80 When doubled, flak<br />
81 Code of Copenhagen (and others)<br />
83 Students love <strong>Rice</strong>’s new ___ Center.<br />
84 ___ Rose<br />
85 Boys Town founder Father Ed ___<br />
87 Heat forward Chris<br />
90 ___ urn (<strong>Rice</strong> diploma text shape)<br />
92 Given to some at <strong>Rice</strong> Commencement<br />
93 See 42 Down<br />
94 Zones<br />
96 “___ the Expert”<br />
98 Given to loud nasal exhalations<br />
100 Leaf pore<br />
102 Famed violin maker<br />
103 Watch<br />
104 “Love ___ you need.” (Beatles)<br />
105 ___ Zellweger<br />
106 ___ “The Pearl” (and others)<br />
107 Till now<br />
108 “___ tall dark stranger”<br />
109 Resumed (abbr.)<br />
110 See 69 Across<br />
111 Actor Baldwin<br />
112 Sometimes found at a <strong>Rice</strong> party: ___ pit<br />
117 “Left turn” for Mr. Ed<br />
Answers<br />
1<br />
2<br />
3<br />
4<br />
5<br />
6<br />
7<br />
8<br />
9<br />
10<br />
Crossword by David Gusakov<br />
S L I M E W A T E R P O R T A R A B<br />
19<br />
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C O N A N A D E E R N A L I A N L I M E<br />
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A P A R T N S O N E S N T I N S N A P E R<br />
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R A T I O N O W O E N N E N G E L B E R T<br />
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S T E A M T U N N E L S N N A R Y A N N N<br />
0 0 0 0 36<br />
0 0 0 37<br />
38 39<br />
0 40 41 42<br />
N N N N B I T N N N T A M I L N E M I R S<br />
0 43 44 45<br />
0 46 47 48<br />
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50<br />
N A M A S S N M E N O M O N I E N A N E T<br />
51<br />
0<br />
52<br />
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54 0 55<br />
U T A H N N E D G A R N I N N E R N G O Y<br />
56<br />
0<br />
57<br />
0<br />
58<br />
59 0 0 0<br />
S O N O N N S L A V N N M A G Y A R N N N<br />
60<br />
61 62<br />
0 0 63 64 65<br />
0 66<br />
67 68 0<br />
O N A T R I P N N E X P A T N O D E L L N<br />
69<br />
70 71<br />
72<br />
73<br />
C E N T E N N I A L C E L E B R A T I O N<br />
0 74<br />
0 75<br />
0 0 76<br />
N R A I L S N O N S E T N N R E R I N S E<br />
0 0 0 77<br />
78<br />
0 0 79<br />
80 81<br />
0<br />
82<br />
N N N P I E A N D N N D A D A N N L E T S<br />
83 84 85 0 86<br />
0 87<br />
0<br />
88<br />
R A F N C A Y C E N B U C K Y N N E R I N<br />
89<br />
90 0 91<br />
92<br />
0 93 94<br />
0<br />
E X L G N M E A L B O O K S N P S S S T N<br />
95<br />
96<br />
97<br />
0 0 98<br />
0 0 0 0<br />
C L A R A N A R E A S N N N S I E N N N N<br />
0 0 99<br />
100 0 0 101<br />
102 103 104<br />
105 106 107 108<br />
N N N E S S Y N N S H A V I N G C R E A M<br />
109 110<br />
111 112 0 0 113<br />
0 114<br />
C R A C K T E A M N N M I S O N T E A S E<br />
115<br />
0 116<br />
0 117<br />
0 118<br />
O I G I N O S L O N H A G A R N O N R Y E<br />
119<br />
0 120<br />
0 121<br />
0 122<br />
N C A A N M I E S N A T I L T N R E L E T<br />
123<br />
0 124<br />
0 125<br />
0 126<br />
T E N N N A R C H N W I L L Y N S E S T A<br />
11<br />
12<br />
13<br />
14<br />
15<br />
16<br />
17<br />
18<br />
<strong>Rice</strong> Magazine • No. 15 • 2013 47
defining<br />
Moments<br />
An alum shares his family’s experience<br />
from <strong>Rice</strong>’s Centennial Celebration.<br />
Dear President Leebron,<br />
Many voices have told you how wonderful<br />
the <strong>Rice</strong> Centennial Celebration was, I’m<br />
sure! But perhaps not many of them drove<br />
1,200 miles to Houston from Minneapolis<br />
with their wife, Marlys, and daughter,<br />
Brynne, in confidence that it would be<br />
totally worthwhile. …<br />
My <strong>Rice</strong> residence was East Hall — a<br />
name unknown to anyone on the <strong>Rice</strong><br />
campus today. While East Hall was a mystery<br />
to them, the name of every other building on<br />
the campus was a mystery to us. In getting<br />
around the magnificent <strong>Rice</strong> campus, we<br />
were dependent upon bus drivers, police,<br />
student volunteers and maps to reach four<br />
days of venues on time. Everyone whom we<br />
asked for information was cordial, interested<br />
and helpful.<br />
The lecture by J. Craig Venter on the<br />
cutting edge of his science specialty was wonderful.<br />
Too bad we will not be around when<br />
“people will have a computer with a little box<br />
attached so that when they order a pill online<br />
it will show up in their box about 1/5 of a<br />
second later.”<br />
The Shepherd School of Music Centennial<br />
Concert on Thursday was truly magnificent.<br />
Jon Kimura Parker on the piano gave me<br />
goose bumps; his play was so exciting.<br />
The orchestra was as good as any I have<br />
ever heard. … We congratulate the Shepherd<br />
School staff and their music director<br />
Larry Rachleff.<br />
The academic procession and your<br />
centennial address was indicative that the<br />
academic world and <strong>Rice</strong> <strong>University</strong> are<br />
thriving and will continue to do so.<br />
My lifetime “R” membership card<br />
came in handy at the football game as we<br />
Minnesotans were not too thrilled about the<br />
idea of sitting out in the Texas sun with no<br />
shade for two or three hours. We walked up<br />
to the “R” room and I presented my card.<br />
Even though we were not on any list of<br />
names, they graciously let us in. We enjoyed<br />
the game in air-conditioned comfort.<br />
I’m saving the most wonderful thing that<br />
happened to us for last.<br />
Certainly the Finale and the Spectacle<br />
were super events. But what happened after<br />
the Spectacle when people were getting up<br />
off the grass was the best event of all: A<br />
young lady just ahead of us turned around.<br />
She told us she had graduated from <strong>Rice</strong> last<br />
year. She wondered how we liked the centennial<br />
events. She wondered where we were<br />
from, whether any of us had gone to <strong>Rice</strong>.<br />
When I told her we had driven down from<br />
Minnesota, and I had graduated in mechanical<br />
engineering in 1950, she just lit up. She<br />
was so excited that anyone could care enough<br />
about <strong>Rice</strong> to drive down from Minnesota 62<br />
years after their graduation. It comforted her<br />
to know that she had gone to a university that<br />
warranted love and dedication throughout<br />
her life, because other people had felt that<br />
way before her. It was one of life’s defining<br />
moments for me.<br />
My wife, daughter and I enjoyed every<br />
minute of the four days we were on the <strong>Rice</strong><br />
campus during its Centennial Celebration.<br />
We thank you for planning, organizing and<br />
executing it so well.<br />
Very sincerely yours,<br />
Glenn A. Fuller ’50<br />
B.S., mechanical engineering<br />
“R” winner — Baseball (1948, 1949)<br />
48 www.rice.edu/ricemagazine
The Centennial Campaign<br />
No Upper Limit. Still.<br />
A Gift for the Long Run<br />
For runners in the Boston Marathon, trekking up the 88-foot Heartbreak Hill 20 miles into the race can be like<br />
climbing Mount Everest. But when Linda and Bob Shepherd ’70 began heading up the slope April 21, 1997,<br />
determination and months of careful planning propelled them up the hill and across the finish line.<br />
The Shepherds are approaching their retirement in a similar way, carefully planning a deferred gift annuity<br />
that will help them meet their financial goals while honoring Bob’s mother through the creation of an endowed<br />
scholarship. Bob and Linda were among the first in their families to earn college degrees and credit their mothers’<br />
commitment to education with making their achievements possible. “We give to universities to honor our moms,”<br />
Bob remarked. “And I give to <strong>Rice</strong> because I appreciate what <strong>Rice</strong> did for me.”<br />
Bob, a radiologist who earned a B.A. and M.S. in chemical engineering from <strong>Rice</strong>, says the solid academic<br />
foundation he received as an undergraduate gave him the flexibility to enter any field. Now, by establishing<br />
the Lurlene Shepherd Endowed Scholarship, the Shepherds are ensuring that female undergraduates receive an<br />
equally strong education. By funding the scholarship with a deferred gift annuity, they also guarantee themselves<br />
a steady stream of income for the long run.<br />
[ Deferred Gift Annuities Enhance <strong>Your</strong> Retirement ]<br />
Setting up a deferred gift annuity is a great way to ensure a secure income during your retirement<br />
while supporting <strong>Rice</strong>. To learn more about this type of gift, please contact the Office of Gift Planning.<br />
Phone: 713-348-4624 • Email: giftplan@rice.edu • Website: www.rice.planyourlegacy.org
<strong>Rice</strong> <strong>University</strong>, Creative Services–MS 95<br />
P.O. Box 1892, Houston, TX 77251-1892<br />
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U.S. Postage<br />
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Permit #7549<br />
Houston, Texas<br />
Owls Beat Air Force in the Armed Forces Bowl<br />
The <strong>Rice</strong> Owls scored 26 unanswered points in the second half of the Bell Helicopter Armed Forces Bowl to beat the Air Force<br />
Falcons 33−14 Dec. 29, 2012, at Amon G. Carter Stadium in Fort Worth, Texas. The Owls closed out the year with their fifth<br />
consecutive win and their sixth win in the last seven, completing a remarkable reversal to a season that saw the team start 1−5.<br />
Sophomore wide receiver Jordan Taylor earned the bowl’s MVP award.<br />
Watch more: ››› ricemagazine.info/138