12.06.2014 Views

6| At Your Servery • 16|Titanic Belfast • 36|The ... - Rice University

6| At Your Servery • 16|Titanic Belfast • 36|The ... - Rice University

6| At Your Servery • 16|Titanic Belfast • 36|The ... - Rice University

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

6 | <strong>At</strong> <strong>Your</strong> <strong>Servery</strong> • 16 | Titanic <strong>Belfast</strong> • 36 | The Apostle of Stoke • 42 | Raid the Archive<br />

The Magazine of <strong>Rice</strong> <strong>University</strong> • No. 15 | 2013


F O R E W O R D<br />

SOME THOUGHTS ON SHADOW AND LIGHT<br />

Remember No. 100? In the fall issue’s blockbuster feature titled “100 Things We Love<br />

About <strong>Rice</strong>,” we asked you to complete the list by sending your own favorites. And send<br />

them you did, via email, handwritten letters and, notably, sheaves of typed pages with<br />

photocopies. You also sent a few things emphatically not loved about <strong>Rice</strong>. Fair enough.<br />

We appreciate the time you took to respond to this once-in-a-century list and being a part<br />

of our celebration.<br />

On Oct. 12, we gathered a new generation who “for this<br />

fair day worked and prayed and waited” to witness President<br />

David W. Leebron mark <strong>Rice</strong>’s 100th birthday with a speech<br />

that recalled President Edgar Odell Lovett’s inaugural address<br />

on the same day, a century before. We have included President<br />

Leebron’s speech in its entirety in this issue, a souvenir of a<br />

moment in time that perfectly linked our founding aspirations,<br />

a century of hard-won achievements and a bold vision for the<br />

future. Our pictorial wrap-up begins on Page 22.<br />

Later that weekend, this time under starry skies, crowds<br />

gathered again in the quad. We watched <strong>Rice</strong>’s history play out<br />

decade-by-decade in an imaginative, jaw-dropping light and<br />

sound performance. The show, intriguingly titled the Spectacle, opened with a moment of<br />

pure magic as the shadow of an owl in flight swept across the buildings. Curious? Go online<br />

(ricemagazine.info/134), then read the behind-the-scenes account of how it all happened by<br />

senior media relations specialist (and former rock band lighting designer) Mike Williams.<br />

Speaking of centennials, as the 100th anniversary of the Titanic’s sinking approached<br />

last spring, we received a letter from alumnus Eric Kuhne ’73. Kuhne, whose firm CivicArts<br />

is based in London, had helped design a new museum about the Titanic, one that aimed<br />

to reclaim <strong>Belfast</strong>’s shipbuilding heritage and revitalize the city center. <strong>At</strong> the museum’s<br />

entrance, the word Titanic is laser-cut into a 13-foot-high steel sign. The sun also writes<br />

the name in shadow on the plaza. We asked Houston native and freelance writer Steven<br />

Thomson, who happened to be in London working on an urban studies degree, to write the<br />

story. It was a process that led Kuhne to take a few trips down memory lane with his alma<br />

mater, even reconnecting with some of his former professors.<br />

When Seattle-based freelance writer Corinne Whiting pitched a story last spring about<br />

an alumnus who completed a news-making climb in the Sierra Nevada, we jumped, commissioning<br />

a brief profile of Ben Horne ’02. We were delighted to discover that another<br />

alumnus, Shay Har-Noy ’04, was also in the group that achieved the first winter ascent of<br />

Peter Croft’s Evolution Traverse. Just after Whiting turned in a draft last July, she received<br />

frightening news. Horne and another friend, Gil Weiss, were missing while climbing in<br />

Peru’s Cordillera Blanca range. A formal search confirmed the worst fears of their families<br />

and friends — an avalanche had claimed the lives of these two experienced climbers.<br />

Whiting, who is from the same town as the Horne family, continued with the story, which<br />

expanded into a feature about remembering a young man whose inspirational light lives on<br />

through the stories and memories of loved ones.<br />

We hope these stories touch you as they have touched us, and we wish you a happy<br />

and healthy 2013.<br />

Lynn Gosnell<br />

lynn.gosnell@rice.edu<br />

<strong>Rice</strong> Magazine<br />

No. 15<br />

Published by the<br />

Office of Public Affairs<br />

Linda Thrane, vice president<br />

Editor<br />

Lynn Gosnell<br />

Creative Services<br />

Jeff Cox, senior director<br />

Tracey Rhoades, editorial director<br />

Jenny W. Rozelle ’00, assistant editor<br />

Erick Delgado, associate director of design<br />

Dean Mackey, senior graphic designer<br />

Jackie Limbaugh, graphic designer<br />

Tommy LaVergne, university photographer<br />

Jeff Fitlow, asst. university photographer<br />

Contributing Staff<br />

Jade Boyd, news and media relations<br />

Jeff Falk, news and media relations<br />

Amy Hodges, news and media relations<br />

Mike Williams, news and media relations<br />

Freelance Contributors<br />

Andrew Clark<br />

David Gusakov<br />

Kelly Klaasmeyer<br />

Steven Thomson<br />

Corinne Whiting<br />

The <strong>Rice</strong> <strong>University</strong><br />

Board of Trustees<br />

James W. Crownover, chairman;<br />

Edward B. “Teddy” Adams Jr.;<br />

J.D. Bucky Allshouse; D. Kent Anderson;<br />

Keith T. Anderson; Laura Arnold;<br />

Subha Viswanathan Barry; Suzanne Deal<br />

Booth; Robert T. Brockman; Albert Chao;<br />

T. Jay Collins; Lynn Laverty Elsenhans;<br />

Lawrence Guffey; James T. Hackett;<br />

John Jaggers; Larry Kellner; R. Ralph Parks;<br />

Lee H. Rosenthal; Charles Szalkowski;<br />

Robert M. Taylor Jr.; Robert B. Tudor III;<br />

James S. Turley; Lewis “Rusty” Williams;<br />

Randa Duncan Williams.<br />

Administrative Officers<br />

David W. Leebron, president;<br />

George McLendon, provost; Kathy Collins,<br />

vice president for Finance; Kevin Kirby, vice<br />

president for Administration;<br />

Chris Muñoz, vice president for Enrollment;<br />

Allison Kendrick Thacker, vice president for<br />

Investments and treasurer; Linda Thrane,<br />

vice president for Public Affairs; Richard A.<br />

Zansitis, vice president and general counsel;<br />

Darrow Zeidenstein, vice president for<br />

Resource Development.<br />

<strong>Rice</strong> Magazine is published by the Office<br />

of Public Affairs of <strong>Rice</strong> <strong>University</strong> and<br />

is sent to university alumni, faculty, staff,<br />

parents of undergraduates and friends of<br />

the university.<br />

Editorial Offices<br />

Creative Services–MS 95<br />

P.O. Box 1892<br />

Houston, TX 77251-1892<br />

Fax: 713-348-6757<br />

Email: ricemagazine@rice.edu<br />

©JANUARY 2013 RICE UNIVERSITY<br />

ONLINE AT: WWW.ISSUU.COM/RICEUNIVERSITY


Features<br />

Through<br />

the Sallyport<br />

4 Read all about running a servery,<br />

the 100th commencement speaker,<br />

Guam’s spider problem, campus<br />

drama and other research news.<br />

Sports<br />

41 Women’s soccer scores a record<br />

season.<br />

22<br />

Arts<br />

16 Unsinkable City<br />

Alumnus Eric Kuhne ’73 is at the helm of<br />

<strong>Belfast</strong>’s new Titanic museum that showcases<br />

the city’s shipbuilding heritage and anchors<br />

an ambitious urban redevelopment plan.<br />

By Steven Thomson<br />

22 Highlights From the<br />

Centennial Celebration<br />

Our Centennial Celebration last October was<br />

filled with “the joy of high adventure.” Please<br />

enjoy these pictorial highlights and links to<br />

the remarkable events and programs that<br />

launched <strong>Rice</strong> into a second century. Read<br />

the full text of President David W. Leebron’s<br />

centennial speech.<br />

36 The Apostle of Stoke<br />

Alumnus Ben Horne ’02 is remembered with<br />

deep affection by <strong>Rice</strong> friends and family.<br />

Among Horne’s favorite quotes is one by<br />

climber Anatoli Boukreev: “Mountains are<br />

not stadiums where I satisfy my ambition<br />

to achieve; they are the cathedrals where I<br />

practice my religion.”<br />

By Corinne Whiting<br />

16<br />

36<br />

42 The <strong>Rice</strong> Media Center hosted<br />

“Raid the Archive: The de Menil<br />

Years at <strong>Rice</strong>,” commemorating<br />

the centennial as well as the Menil<br />

Collection’s 25th anniversary.<br />

43 And the Grammy for best opera<br />

recording goes to …<br />

Bookshelf<br />

44 Douglas Brinkley’s biography of<br />

Walter Cronkite shares the shelf<br />

with an examination of religion<br />

and race co-written by sociologist<br />

Michael Emerson, Justin Cronin’s<br />

“The Twelve” and a roundup of books<br />

by <strong>Rice</strong> alumni and faculty.<br />

Parting Words<br />

46 Can you complete this owlsome<br />

crossword puzzle?<br />

48 Alumnus Glenn Fuller ’50 traveled<br />

from Minneapolis to Houston for<br />

<strong>Rice</strong>’s centennial. And then …<br />

Cover: (Top) President Edgar Odell Lovett gives the inaugural address to open the <strong>Rice</strong> Institute,<br />

Oct. 12, 1912. Behind Lovett is the newly dedicated administration building that would one day bear his name.<br />

(Bottom) David W. Leebron, <strong>Rice</strong>’s seventh president, marks the 100th anniversary of <strong>Rice</strong> <strong>University</strong>,<br />

Oct. 12, 2012, in front of Lovett Hall. Photo by Jeff Fitlow. President Leebron’s address begins on Page 25.


Letters<br />

More Things We Love (and in some cases, do not love at all)<br />

Editor’s note:<br />

We received a smattering<br />

of feedback following<br />

our last issue of <strong>Rice</strong><br />

Magazine. Here are some<br />

of your comments.<br />

10 More Things I Loved About <strong>Rice</strong><br />

First, I loved your centennial issue. However, many of the items on your list<br />

didn’t exist during my time at <strong>Rice</strong>, from 1950 until 1955. I owe a great deal to<br />

<strong>Rice</strong>, for a fine professional education that allowed me to prosper for almost<br />

40 years as a practicing mechanical engineer, mostly designing large magnets,<br />

both resistive and superconducting, at physics research laboratories and one<br />

private corporation.<br />

Other faves of our era:<br />

■ Bum’s Rush — This was a hallowed blast sponsored by the Rally<br />

Club.<br />

■ Freshman/sophomore (hell) week — This was a favored institution<br />

of sophomores, though not perhaps of freshmen who, when caught,<br />

were hauled off in the dark and deposited at various lonely and often<br />

remote sites, where they were obliged to find their way back by<br />

whatever means they could.<br />

■ Paul Cochran’s ’54 iconic yellow 1954 <strong>Rice</strong> Campanile — It’s a classic!<br />

Cochran’s wit is sprinkled throughout as appropriate — or not.<br />

I was quite impressed with your ‘ginormous listicle.’ (Are you sure it is not a<br />

lead-in for listerine popsicle?) Super article, seriously. Keep up the good work.<br />

Bob Winship ’52<br />

(Bob Winship recently published an essay on Mark Twain’s autobiography in<br />

The Texas Review, a biannual literary journal.)<br />

I enjoyed the last issue of <strong>Rice</strong> Magazine. It covered many events, etc., which<br />

were not around when I attended <strong>Rice</strong>. It omitted some, such as the following:<br />

■ In 1943, <strong>Rice</strong> joined a larger number of universities to admit and house<br />

Naval cadets. The program was known as V-5 (for aviation cadets) and<br />

V-12 (for line officers). This benefited the university, and it introduced<br />

many students from out of Texas to <strong>Rice</strong>.<br />

■ Naval students were required to attend year-round. <strong>Rice</strong> went with a<br />

trimester school year to meet this requirement, which lasted for nine<br />

trimesters, resulting in <strong>Rice</strong> having two graduations in 1946.<br />

Ed Sharp ’49<br />

C.R.L.S. officers, 1957<br />

■ Fondren Library — This is where we often studied and sometimes<br />

fired spitballs at other students.<br />

■ Women’s literary societies — These were <strong>Rice</strong>’s equivalent of<br />

sororities.<br />

■ Slime parade<br />

■ <strong>Rice</strong> Senior Follies<br />

■ Elizabeth Baldwin Literary Society melodrama<br />

■ Kay’s Lounge on Bissonnet<br />

■ I have interpreted No. 64 regarding college associates differently.<br />

We bonded closely at <strong>Rice</strong>, both through classroom association and<br />

as my roommates, on the fifth floor of East Hall. I roomed with Kneel<br />

Ball ’54, Crayton Walker ’54, John Lyle ’54 and John McClintock ’55<br />

— a dear friend from earlier days. We styled ourselves as ‘apes’ and<br />

tended to behave accordingly, especially by ape-walking in the Roost<br />

and elsewhere. In fact, some 58 years later, we still convene every<br />

two years, most recently at John Lyle’s in Prescott, Ariz.<br />

John Stewart Alcorn ’54<br />

Navy initiation, 1943<br />

2 www.rice.edu/ricemagazine


Letters Policy<br />

Are you shocked and appalled? Do you beg to differ? Is there more to the story? Good. We celebrate the university as a marketplace of ideas. We want to hear from<br />

you. Please send us your note, letter or email, which we will edit for clarity and space considerations. If your letter or note elicits further responses from our readership,<br />

we may print those, too. After that, dear readers, you’ll have to take it outside. Our contact information is listed by the editor’s foreword.<br />

■ KTRU motto: “<strong>At</strong> 50 watts, less powerful than your average toaster.”<br />

■ Steam tunnels — an acquired taste.<br />

■ Owls from the chemistry building tower dive-bombing girls on their<br />

way back to Jones.<br />

■ The Fondren stacks.<br />

■ Beer team practice in my dorm room.<br />

■ Before RUPD officers, there were the Pinkies.<br />

Richard Pulley ’68<br />

Will <strong>Rice</strong> College<br />

Here are some of my favorite features of the <strong>Rice</strong> experience that I did not<br />

see in the current issue:<br />

■ Navy ROTC students in their summer whites.<br />

■ <strong>Rice</strong> <strong>University</strong> and college decals that fit on the inside of car<br />

windows, not the outside.<br />

■ The panoramic views from Sid Rich balconies sweeping across the<br />

Galleria to the downtown skyline and other points east.<br />

■ Intimate lunches with favorite faculty members at Cohen House.<br />

Brian Watson ’84<br />

Baker College<br />

How could you possibly omit my favorite thing about <strong>Rice</strong>? The <strong>Rice</strong> community.<br />

When I was there, all the students and all the faculty were interesting<br />

people in one way or another, with minds that were going somewhere, much<br />

more so than in the world at large. I presume this is still true.<br />

In the spirit of things fair and balanced, I would like to see a list of some<br />

things unloved about <strong>Rice</strong>. (Just like the Higgs particle, such a list might<br />

exist.)<br />

<strong>At</strong> the very top of any list of things I didn’t love about <strong>Rice</strong> would<br />

be the oppressive heat and humidity in the new, but unair-conditioned, Will<br />

<strong>Rice</strong> dorm rooms in the late 1950s.<br />

Charles Walpole ’60<br />

Will <strong>Rice</strong> College<br />

I think you should publish a booklet of this article and supply it to various<br />

high schools for recruitment. I plan to take mine to my alma mater.<br />

I recall that when I was a student, there was an intramural sports<br />

participation rate of nearly 90 percent. It would make a great addition to<br />

No. 23.<br />

Mark H. Friedman ’72<br />

Will <strong>Rice</strong> College<br />

I’m not sure where this should be ranked in the list, but I believe that<br />

student access to professors should be one of the ‘100 Things We Love<br />

About <strong>Rice</strong>.’ My personal example goes back to 1966, when I was an<br />

incoming freshman. I wanted to be a physicist, and I was so sure of myself<br />

that I was certain I would win a Nobel Prize by the time I was 25.<br />

Well, that didn’t happen. In fact, halfway though the semester, I was<br />

flunking Physics 101. After the second quiz, I went to the guy teaching the<br />

course, Professor Rorschach. He worked closely with me, giving me one of<br />

Hugh Brown ’69<br />

Will <strong>Rice</strong> College<br />

What a great article! However, there was just one thing I was looking for<br />

and did not find: ‘Hello, Hamlet!’ by George Greanias ’70, Wiess Tabletop<br />

Theater’s first production in 1970. A real <strong>Rice</strong> tradition, performed every four<br />

years.<br />

The only thing I hate about ‘Hello, Hamlet!’ is that I graduated<br />

eight years before George matriculated and missed the seminal<br />

experiences. However, I was offered the major role of Richard III when<br />

‘Hamlet’ was produced as a fundraiser for the author’s campaign for Houston<br />

City Council. The ‘big time,’ as it were. And, as we all agreed, ‘There is<br />

nothing like a Dane!’<br />

Barry Moore ’62<br />

Wiess College<br />

Physics department professors, 1953<br />

Professor Rorschach, 1968<br />

his other physics texts from which I was to work problems. In essence, he<br />

became my tutor. Ultimately, I passed the course.<br />

What I didn’t appreciate at the time was that my freshman physics<br />

course was taught by a full professor who was also chairman of the physics<br />

department! He not only taught the class of some 100 students, he took time<br />

to help those students understand and learn the material. I am absolutely<br />

certain that as a lowly freshman I would not have gotten that kind of access<br />

to such a ranked professor at any other school. Whenever I talk about <strong>Rice</strong>,<br />

Professor Rorschach’s name comes up, among others.<br />

And, by the way, I got my B.A. in physics in 1970 and was on the<br />

President’s Honor Roll.<br />

Julian A Levy Jr. ’70<br />

Hanszen College<br />

<strong>Rice</strong> Magazine • No. 15 • 2013 3


Bravo!<br />

A selection of honors, awards and notable<br />

achievements of students, faculty and staff<br />

The <strong>Rice</strong> School of Architecture has risen to No. 3 in a national<br />

ranking for undergraduate education in the Design Futures Council’s<br />

“America’s Best Architecture and Design Schools, 2013,” published by<br />

DesignIntelligence. <strong>Rice</strong> ranked No. 5 in the 2012 edition.<br />

Seven members of the Department of Mathematics have been<br />

selected for the inaugural class of fellows of the American<br />

Mathematical Society (AMS). The 30,000-member society announced<br />

1,119 fellows from more than<br />

600 institutions Nov. 1. <strong>Rice</strong>’s<br />

new AMS fellows are professors<br />

Michael Wolf, David Damanik<br />

and John Hempel; associate<br />

professor Shelly Harvey; adjunct<br />

research professor Michael Field;<br />

professor emeritus and research<br />

professor John Polking; and the<br />

Edgar Odell Lovett Professor of<br />

Mathematics William Veech.<br />

Pedro Alvarez, the George R.<br />

Brown Professor and chair of<br />

the Department of Civil and<br />

Environmental Engineering, has<br />

been awarded the prestigious<br />

<strong>At</strong>halie Richardson Irvine Clarke<br />

Prize for excellence in water<br />

science research by the National<br />

Water Research Institute. “The<br />

Clarke Prize is one of the greatest<br />

honors I’ve received in my life,”<br />

Alvarez said. “It’s an inspiration<br />

for generosity, integrity and world<br />

affirmation — the idea that the<br />

world can be a better place, and<br />

we can do something about it<br />

by making water safer and more<br />

affordable.”<br />

Yildiz Bayazitoglu, the Harry S.<br />

Cameron Professor of Mechanical<br />

Engineering, has been doubly recognized for her distinctive contributions<br />

to engineering. Bayazitoglu has received the Society of Women<br />

Engineers 2012 Achievement Award, its highest honor. The award is<br />

presented annually to a woman who has made an “outstanding contribution<br />

over a significant period of time in a field of engineering.”<br />

She also was elected an honorary member of the American Society of<br />

Mechanical Engineers.<br />

<strong>Rice</strong>’s 110,000-square-foot Brockman Hall for Physics recently earned<br />

Leadership in Energy and Environmental Design (LEED) Gold<br />

certification by the U.S. Green Building Council. Brockman is home<br />

to dozens of experimental, theoretical and applied physicists from the<br />

departments of Physics and Astronomy and Electrical and Computer<br />

Engineering. The building has energy-saving and environmental features<br />

that include an energy-recovery system — the largest in a single<br />

air unit in Texas — that saves as much as 30 percent of the energy<br />

needed to cool the building in the<br />

summer. Another green innovation<br />

is the building’s dehumidification<br />

system, which turns Houston’s<br />

legendary humidity into an asset<br />

by capturing and returning 100,000<br />

gallons of pure, clean water each<br />

year to <strong>Rice</strong>’s Central Plant.<br />

Brockman Hall for Physics<br />

<strong>Rice</strong> <strong>University</strong> President David<br />

W. Leebron has been appointed<br />

to the National Collegiate <strong>At</strong>hletic<br />

Association (NCAA) Division I<br />

board of directors as a representative<br />

of Conference USA. His term<br />

is effective through Aug. 31, 2016.<br />

Lanny Martin, associate professor<br />

of political science, won the 2012<br />

Richard F. Fenno, Jr. Prize for his<br />

book, “Parliaments and Coalitions:<br />

The Role of Legislative Institutions<br />

in Multiparty Governance,” coauthored<br />

with Georg Vanberg of<br />

the <strong>University</strong> of North Carolina at<br />

Chapel Hill. The American Political<br />

Science Association awards the<br />

prize annually for the best book<br />

on legislative studies.<br />

<strong>Rice</strong>’s newest residential colleges<br />

McMurtry College Commons — Duncan and McMurtry — are<br />

among 10 recipients across the<br />

country of the American Institute of Architects’ 2012 Housing Awards<br />

for Architecture. The awards recognize the best in housing design and<br />

“emphasize the importance of good housing as a necessity of life, a<br />

sanctuary for the human spirit and a valuable national resource.” The<br />

awards jury comments noted, “The communal spaces were really<br />

beautiful, and for a student residence, they act as magnets and seem<br />

to be exactly what residential living should be for college.”<br />

4 www.rice.edu/ricemagazine


THROUGH THE<br />

Sallyport<br />

Cheering for the Arts<br />

New Kinder Institute survey reveals widespread support for the arts in Harris County<br />

We love our football in Texas. And basketball, too. And baseball and<br />

soccer and, well, you get the picture. So the results of a new survey<br />

on the arts in Houston, conducted by <strong>Rice</strong>’s Kinder Institute for Urban<br />

Research, may be surprising. The first Houston Arts Survey revealed that,<br />

if given the choice of preserving either the arts or sports, 56 percent<br />

of Houstonians would choose the arts, compared with 35 percent who<br />

would preserve sports.<br />

“The survey participants express broad-based support for investments<br />

that will enhance the visibility and quality of the arts in this region,<br />

even if it means an increase in taxes,” said Stephen Klineberg, professor<br />

of sociology and co-director of the Kinder Institute. “The respondents<br />

are clear in their belief that the arts are important to Houston, that their<br />

Percent of Respondents<br />

“If Houston had to choose between having either excellent music and theater or great<br />

sports teams and stadiums, which would you most want to preserve? In other words,<br />

which would you miss most — music and theater (56%) or sports teams and stadiums<br />

(35%) — if one or the other were to disappear from Houston?”<br />

100%<br />

80%<br />

60%<br />

40%<br />

20%<br />

0%<br />

60%<br />

51%<br />

42%<br />

Male<br />

Female<br />

28%<br />

Music and theater<br />

50% 53% 53%<br />

41%<br />

Never involved with<br />

the arts as a child<br />

36% 36%<br />

Involved for two<br />

years or less<br />

availability and excellence are critical to the area’s quality of life and that<br />

arts instruction should be a part of every child’s education.”<br />

The study found that Houstonians are more likely than Americans<br />

in general to attend live arts performances and that the most important<br />

attendance predictors are education, household income and exposure to<br />

the arts in childhood. Ethnic background makes no difference at all in attendance<br />

rates: African-Americans, Latinos and Asians are just as likely as<br />

Anglos to report that they attended a live performance in the arts during<br />

the preceding 12 months.<br />

“The usual suspects — mainly costs, traffic, safety and no time —<br />

were among the reasons respondents do not attend arts performances,”<br />

Klineberg said.<br />

Americans today are far more likely to access<br />

Sports teams and stadiums<br />

63%<br />

27%<br />

Involved for more<br />

than two years<br />

the arts at home through the media than at live<br />

performances, but the respondents indicate that<br />

viewing or listening to the arts at home is more<br />

likely to increase than to decrease their interest<br />

in attending live arts performances.<br />

“If Houston is to succeed in the 21st century,<br />

it will need to nurture a far more educated<br />

work force, improve its overall quality of life and<br />

capitalize on its burgeoning ethnic and cultural<br />

diversity,” Klineberg said. “The survey findings<br />

bode well for the future of our region.” The<br />

study was funded by Houston Endowment Inc.<br />

and aided by an advisory panel of leading national<br />

and local arts experts.<br />

Read more:<br />

››› kinder.rice.edu/shea<br />

—Lynn Gosnell<br />

<strong>Rice</strong> Magazine • No. 15 • 2013 5


Running<br />

the Resort<br />

An interview with Julie Bogar<br />

How <strong>Rice</strong> feeds its masses has drastically changed over the years. The Central Kitchen, which used to produce all<br />

meals for the colleges and then transport them to each commons, is now home to the Oshman Engineering Design<br />

Kitchen, where recipes of a different kind are cooked up. Alumni can surely attest to how things were, as can Julie<br />

Bogar, who began working at <strong>Rice</strong> in 1990 as a residential dining manager, supervising the operations, menus and<br />

ordering for the first eight residential colleges.<br />

As Housing and Dining gradually opened<br />

the four larger serveries (cafeteria-style eateries<br />

with professional chefs that are attached<br />

to two to three colleges each) beginning in<br />

2002, the management and culinary staff increased.<br />

In 2010, <strong>Rice</strong> restructured its Housing<br />

and Dining staff to include four senior operations<br />

managers. Their time is divided between<br />

residential housing and dining responsibilities.<br />

Bogar oversees the South <strong>Servery</strong> and Sid,<br />

Wiess and Hanszen colleges.<br />

Describe your average day.<br />

I like to view my area as “the resort,” and<br />

I’m the manager. I begin my day by walking<br />

through the servery, checking the breakfast<br />

service and talking with students and staff.<br />

Another key area that I monitor is the work<br />

order system for repairs or services requested<br />

by residents in the South Colleges. I make sure<br />

they are completed and often follow up with<br />

the resident via email.<br />

I walk different areas of my three colleges<br />

doing visual safety and repair inspections<br />

each day. It’s also a good time to interact<br />

with the students who might have a particular<br />

concern. My average day, free of fire alarms,<br />

a broken sprinkler pipe, a college covered in<br />

chocolate syrup or a bird flying through the<br />

servery, also includes lots of ongoing communication<br />

via informal meetings or emails<br />

on issues pertaining to special events, college<br />

ambiance projects [projects that improve college<br />

public spaces], training, inspections or<br />

renovation projects.<br />

What are things like behind the scenes in the<br />

South <strong>Servery</strong>?<br />

Very organized. Chef Roger [Elkhouri] and<br />

Chef Kyle [Hardwick] run a very efficient,<br />

structured kitchen, which eliminates guesswork<br />

and increases efficiency. This is very<br />

evident in our staff’s satisfaction level. I hope<br />

they would all say that they enjoy their work<br />

and are constantly learning new things. Our<br />

newest venture, the Whoo Deli, a retail deli<br />

6 www.rice.edu/ricemagazine


with custom-designed sandwiches managed<br />

by Chef Ahmed [Mihabi], is doing very well<br />

and is also part of our operation.<br />

And the Centennial<br />

Commencement<br />

Speaker Is …<br />

How often do you get to interact with the<br />

students?<br />

All of the time. Sometimes I eavesdrop a little<br />

in the servery when I hear students talking<br />

about what they wish they could get, whether<br />

it’s a bowl of kiwi or a request for a favorite<br />

pie. We are all about customer service. That’s<br />

the key to enjoying my job at the resort. I’m<br />

also there to make copies for a term paper<br />

that’s due in five minutes or to provide props<br />

for a costume or help look for a missing passport<br />

in the trash. I love interacting with the<br />

students, as they are so appreciative of even<br />

the smallest things.<br />

What’s the weirdest experience you’ve had in<br />

the course of your job?<br />

We discovered that a snake and a scorpion<br />

were being kept in one of the college rooms,<br />

so we notified the students that that was<br />

against the housing policies and could result in<br />

a fine. The roommates claimed that the creatures<br />

must have found their way in on their<br />

own or were brought by someone else.<br />

How does your job change during the students’<br />

summer break?<br />

It gets even busier, and the days fly by. Most<br />

of my time is spent contracting and managing<br />

projects in my colleges, such as painting,<br />

new furniture, carpeting, remodeling, plumbing<br />

improvements, etc. I also work with the<br />

various summer groups staying in the South<br />

Colleges and assist with summer dining.<br />

World-renowned astrophysicist Neil deGrasse Tyson will give the commencement<br />

address at <strong>Rice</strong> <strong>University</strong>’s 100th graduation ceremony May<br />

11, 2013. Tyson is the Frederick P. Rose Director of the Hayden Planetarium<br />

at the American Museum of<br />

Natural History (AMNH) in<br />

New York City.<br />

Born and raised in New<br />

York City, Tyson was 9 years<br />

old the night he saw the Milky<br />

Way with “such clarity and majesty”<br />

at Hayden Planetarium’s<br />

sky theater in Manhattan that<br />

he knew he had been called<br />

to be an astrophysicist. “The<br />

study of the universe would<br />

be my career, and no force on<br />

Earth would stop me,” Tyson<br />

wrote in his memoir, “The Sky<br />

Is Not the Limit: Adventures of<br />

an Urban Astrophysicist.”<br />

“I am honored to deliver<br />

<strong>Rice</strong> <strong>University</strong>’s commencement<br />

address during a year<br />

that commemorates President<br />

Kennedy’s famous ‘We Choose<br />

to Go to the Moon’ speech<br />

Neil deGrasse Tyson<br />

given at <strong>Rice</strong> Stadium a half century ago,” Tyson said. “That speech not<br />

only established space exploration as a national goal, but it also forged<br />

space exploration as a national identity and secured <strong>Rice</strong> <strong>University</strong> and<br />

Houston’s Manned Spacecraft Center (later, Johnson Space Center) as the<br />

birthplace of that era. My wife, Alice Young ’79, happens to be a graduate<br />

of <strong>Rice</strong>, in physics, and so this trip will also serve as a homecoming for her.”<br />

Tyson wrote in his memoir that his life’s commitment is to bring people<br />

closer to the universe, and he has done that by writing books, giving<br />

lectures and appearing on television and radio to educate the public about<br />

astrophysics.<br />

—<strong>Rice</strong> News<br />

—Jenny Rozelle ’00<br />

<strong>Rice</strong> Magazine • No. 15 • 2013 7


<strong>Rice</strong> Launches Energy<br />

and Environment Initiative<br />

The mission is to engage researchers and scholars from every corner of campus<br />

to address the complex challenges of energy in the 21st century.<br />

<strong>Rice</strong>’s new Energy and Environment Initiative (E2I) will draw experts<br />

from every corner of the university to work with Houston’s<br />

energy industry to overcome barriers to the sustainable development<br />

and use of current and alternative forms of energy.<br />

<strong>Rice</strong> Provost George McLendon said E2I is unique among<br />

university activities because it recognizes that addressing challenges<br />

in energy requires more than just technological solutions.<br />

E2I researchers will study energy policy and markets, finance,<br />

“One of the most critical global issues of<br />

our time is the challenge of meeting the<br />

world population’s escalating need for<br />

energy and simultaneously safeguarding<br />

the environment.”<br />

—David W. Leebron<br />

and management, as well as the cultural and societal values that<br />

underpin and sometimes undermine public discussion about energy<br />

and the environment.<br />

E2I will be led by a committee chaired by Pedro Alvarez,<br />

<strong>Rice</strong>’s George R. Brown Professor and chair of the Department<br />

of Civil and Environmental Engineering. The committee members<br />

are Ken Medlock, the James A. Baker III and Susan G.<br />

Baker Fellow in Energy and Resource Economics at the Baker<br />

Institute for Public Policy and adjunct professor in economics;<br />

Alan Levander, <strong>Rice</strong>’s Carey Croneis Professor of Earth Science<br />

and director of <strong>Rice</strong>’s data analysis and visualization cyberinfrastructure<br />

(DAVinCI) project; Dominic Boyer, associate professor<br />

of anthropology; and William Arnold, professor in the practice of<br />

energy management at the Jones School. A national search for a<br />

permanent faculty director will begin in 2013.<br />

McLendon said <strong>Rice</strong> will invest about $1 million this fiscal<br />

year to start E2I seed-funding programs and establish an infrastructure<br />

to link existing activities across departments and<br />

schools. Future investments will be linked to research growth.<br />

“This is about building a bridge from today’s fossil fuel economy<br />

to an all-of-the-above energy future in which all sources of<br />

energy are used in concert,” he said. “Building this bridge is as<br />

much a political, economic and social challenge as a technical<br />

one.”<br />

“One of the most critical global issues of our time is the<br />

challenge of meeting the world population’s escalating need for<br />

energy and simultaneously safeguarding the environment,” said<br />

<strong>Rice</strong> President David Leebron. “<strong>Rice</strong>’s location in Houston, the<br />

global energy capital, uniquely positions us to serve both our<br />

city and our world by offering rich insights and practical but innovative<br />

solutions to this daunting challenge. Not only will we<br />

explore issues related to the safe harvesting and use of traditional<br />

hydrocarbons, but also advance the next generation of energy<br />

sources, from biofuels to solar.”<br />

8 www.rice.edu/ricemagazine


HELP FOR<br />

Brain Injuries<br />

A nanoparticle developed at <strong>Rice</strong> <strong>University</strong> and tested in<br />

collaboration with Baylor College of Medicine (BCM) may<br />

bring great benefits to the emergency treatment of brain-injury<br />

victims, even those with mild injuries.<br />

Combined polyethylene glycol-hydrophilic carbon clusters<br />

(PEG-HCC), already being tested to enhance cancer treatment,<br />

are also adept antioxidants. In animal studies, injections of PEG-<br />

HCC during initial treatment after an injury helped restore balance<br />

to the brain’s vascular system. A PEG-HCC infusion that<br />

quickly stabilizes blood flow in the brain would be a significant<br />

advance for emergency-care workers and battlefield medics,<br />

said <strong>Rice</strong> chemist and co-author James Tour.<br />

“This might be a first line of defense against reactive<br />

oxygen species (ROS) that are always overstimulated during a<br />

medical trauma, whether that be to an accident victim or an<br />

injured soldier,” said Tour, <strong>Rice</strong>’s T.T. and W.F. Chao Professor of<br />

Chemistry as well as a professor of mechanical engineering and<br />

materials science and of computer science. “They’re certainly<br />

exacerbated when there’s trauma with massive blood loss.”<br />

In a traumatic brain injury, cells release an excessive amount<br />

of an ROS known as superoxide into the blood. Superoxides<br />

are toxic free radicals, molecules with one unpaired electron,<br />

that the immune system normally uses to kill invading<br />

microorganisms.<br />

“There are many facets of brain injury that ultimately determine<br />

how much damage there will be,” said Thomas Kent, the<br />

paper’s co-author, a BCM professor of neurology and chief of<br />

neurology at the Michael E. DeBakey Veterans Affairs Medical<br />

Center in Houston. “One is the initial injury, and that’s pretty<br />

much done in minutes. But a number of things that happen later<br />

often make things worse, and that’s when we can intervene.”<br />

In tests, the researchers found PEG-HCC nanoparticles immediately<br />

and completely quenched superoxide activity and<br />

allowed the autoregulatory system to quickly<br />

regain its balance. “This is an occasion<br />

where a nano-sized package is<br />

doing something that no small<br />

drug or protein could do, underscoring<br />

the efficacy of<br />

active nano-based drugs,”<br />

said Tour. “This is the<br />

most remarkably effective<br />

thing I’ve ever seen,” Kent<br />

said.<br />

The research was<br />

funded by the Department<br />

of Defense’s Mission<br />

Connect Mild Traumatic<br />

Brain Injury Translational<br />

Research Consortium, the<br />

National Science Foundation,<br />

the National Institutes of Health,<br />

and the National Heart, Lung and<br />

Blood Institute.<br />

Predatory<br />

Bacteria<br />

Scientists ID a simple formula that allows<br />

bacteria to engulf food in waves.<br />

Move forward. High-five your neighbor. Turn around.<br />

Repeat.<br />

That’s the winning formula of one of the world’s smallest<br />

predators, the soil bacteria Myxococcus xanthus. A new<br />

study by scientists at <strong>Rice</strong> <strong>University</strong> and the <strong>University</strong> of<br />

Texas Health Science Center at Houston (UTHealth) Medical<br />

School shows how M. xanthus uses the formula to spread,<br />

engulf and devour other bacteria.<br />

Researchers found that simple motions of individual<br />

bacteria are amplified within colonies of M. xanthus to form<br />

millions-strong waves moving outward in unison. The findings<br />

answer long-standing questions about how the waves<br />

form and the competitive edge they provide M. xanthus.<br />

“When the cells at the edge of the colony are moving<br />

outward, they are unlikely to encounter another M. xanthus<br />

cell, so they keep moving forward,” said lead author<br />

Oleg Igoshin, assistant professor of bioengineering at <strong>Rice</strong>.<br />

“When they are traveling the other way, back toward the<br />

rest of the colony, they are likely to encounter other cells<br />

of their kind, and when they pass beside one of these and<br />

touch, they get the signal to turn around.”<br />

M. xanthus is an oft-studied model organism in biology,<br />

Igoshin said. As a computational biologist, Igoshin specializes<br />

in creating mathematical models that accurately<br />

describe the behavior of living systems. Such models are<br />

useful for understanding the cellular and even genetic basis<br />

of emergent phenomena. The research was supported<br />

by the National Science Foundation (NSF). The computer<br />

modeling was performed on three NSF-funded <strong>Rice</strong> supercomputers<br />

— STIC, SUG@R and DAVinCI — that are jointly<br />

managed and operated by <strong>Rice</strong>’s Ken Kennedy Institute for<br />

Information Technology and <strong>Rice</strong>’s Information Technology<br />

office.<br />

—Jade Boyd<br />

—Mike Williams<br />

<strong>Rice</strong> Magazine • No. 15 • 2013 9


Q&A:<br />

Architectronica<br />

Architectronica, the <strong>Rice</strong> School of Architecture’s<br />

epic public party, drew more than 1,000 students to<br />

Anderson Hall the evening of Oct. 13. Designated<br />

the official after-party of the centennial’s<br />

Spectacle, the event showcased a complex and<br />

visually stunning mix of digital media, all designed<br />

by RSA student Joshuah Howard ’13. The elaborate<br />

production featured a “custom projection-mapping<br />

installation that synchronizes to the music to trigger<br />

specific psycho-emotional effects,” Howard<br />

said. DJ Vivas Kumar ’14 presided over four hours<br />

of music, an eclectic mix of electronica and original<br />

tunes. The crowd favorite, Howard said, was a dub<br />

step remix of the “Bill Nye the Science Guy” theme.<br />

We asked Howard to answer a few questions about<br />

the production.<br />

How did you end up designing the light show<br />

for the party?<br />

I have a passion for allowing the digital world to<br />

leak out into our own, so when I attended Media<br />

Party (the precursor to Architectronica) for the first<br />

time in 2009, I began imagining ways to transform<br />

the room into a stagelike installation. Over the<br />

next two years, I dug deep into the world of audio/<br />

visual production on my own time — not just for<br />

Architectronica. Eventually I found a combination<br />

of programs that was capable of producing what I<br />

had in mind.<br />

When did you start working on the show?<br />

The show is in a constant state of development —<br />

even during the show I’m changing things around.<br />

I wish I had the time to prerecord the audio and<br />

video entirely before the event, but that level of<br />

production is not the kind of thing I could balance<br />

with classes.<br />

What is involved in designing a show of this<br />

magnitude?<br />

Lots. First of all there are other RSA officers that<br />

take care of RUPD, security, food and drinks. They<br />

take care of the logistics and leave the show and<br />

advertising to me. The show itself involves heavy<br />

amounts of tech and creativity.<br />

How many DJs were there and how did you<br />

coordinate with them?<br />

There was just one live DJ — Vivas Kumar —<br />

though there are plans to incorporate more <strong>Rice</strong><br />

DJs in the future. During the performances, Vivas<br />

controls the tempo for the whole show, so he’s<br />

free to speed up, slow down or even drop the beat<br />

entirely. His computer sends a tempo control signal<br />

via a LAN cable to mine, which then adjusts<br />

all my video triggers, layers sequencing, effects<br />

and other parameters according to the incoming<br />

tempo. This setup allows for us both to jam out<br />

while keeping the whole show coordinated to the<br />

millisecond.<br />

How would you describe the music this year?<br />

Our mission with Architectronica is to provide<br />

what the other public parties don’t, which is pretty<br />

easy since those parties just puke out top 40s every<br />

weekend. We avoid pop music like the plague<br />

unless it’s totally reinvented in a remix.<br />

What was the general reaction from students?<br />

The crowd loved the show. Normally people come<br />

to public parties for about 40 minutes and then<br />

leave to cool off or get a drink. It was actually impossible<br />

to get any more people into the room for<br />

most of the night.<br />

Do you see yourself working on light and<br />

media as a career?<br />

I want to continue my efforts in augmenting the<br />

real world with digital media, but there are countless<br />

ways to do this. I worked with URBANSCREEN<br />

(see Page 32) this summer during the development<br />

of the Spectacle and plan to go back for another<br />

internship this summer. I’m hoping to integrate<br />

this knowledge of light and media into my architectural<br />

designs, rather than work purely with the<br />

elements.<br />

—Lynn Gosnell<br />

New Interdisciplinary Ph.D. Program Launched<br />

<strong>Rice</strong> <strong>University</strong> has established a new doctoral program that encompasses several of the 21st century’s emergent<br />

research fields in life sciences. The Ph.D. degree in systems, synthetic and physical biology (SSPB) was approved last fall<br />

by <strong>Rice</strong>’s Faculty Senate and is set to enroll its first students in fall 2013. The SSPB program is a joint venture between the<br />

George R. Brown School of Engineering and the Wiess School of Natural Sciences.<br />

“Systems, synthetic and physical biology is a new field that combines experimental and theoretical approaches to<br />

solve both fundamental and applied problems in the biosciences, biotechnology and medicine,” said Michael Deem, <strong>Rice</strong>’s<br />

John W. Cox Professor of Biochemical and Genetic Engineering and professor of physics and astronomy. Deem will direct<br />

the new Ph.D. program.<br />

Read more:<br />

››› sspb.rice.edu/sspb<br />

10 www.rice.edu/ricemagazine


OMG!<br />

She’s Multitalented.<br />

Rebecca Carrington ’97 doesn’t fit the mold<br />

of a typical classically trained and accomplished<br />

cellist. For starters, she combines<br />

playing the cello with stand-up musical<br />

comedy. During those performances, she<br />

refers to her instrument, an 18th-century<br />

cello, by the name of Joe.<br />

For more than a decade, Carrington,<br />

who is English, has traversed the globe<br />

to perform her unique musical-comedy<br />

act. She has performed at the venerable<br />

Comedy Store in Los Angeles, at numerous<br />

festivals, and on TV and radio programs.<br />

Her performances have taken her<br />

on trans-<strong>At</strong>lantic cruises and to India, but<br />

she plays most frequently in Germany and<br />

throughout Europe. Now based in Berlin,<br />

Carrington spends more than half the year<br />

on the road and has performed up to 170<br />

shows in a year.<br />

“Looking back, I’ve always loved making<br />

people laugh. But it’s much different<br />

than it used to be now that I do it for a<br />

living,” Carrington said.<br />

It was during her days as a master’s<br />

student at the Shepherd School of Music<br />

that Carrington discovered her talent for<br />

stand-up comedy. It was also at <strong>Rice</strong> that<br />

she started performing in campus cabaret,<br />

including an hour-long show she developed<br />

for a P.D.Q. Bach evening at the<br />

Shepherd School of Music. While on a trip<br />

to New York as a student, a friend dared<br />

her to try performing at a comedy club.<br />

Carrington accepted and was<br />

hooked. Soon she was combining<br />

her talents — a thorough<br />

grounding in classical music,<br />

a love of cabaret and a knack<br />

for making others laugh —<br />

into a highly entertaining<br />

stage act.<br />

“If it wasn’t for going to<br />

America, I would have never had<br />

the confidence to go into comedy,”<br />

said Carrington, who won the university’s<br />

MasterCard Talent American<br />

Collegiate Search in 1996.<br />

During her performances,<br />

Carrington rattles jokes off with a manic<br />

energy, interspersed with cello playing<br />

and singing. She oscillates between<br />

voices, even languages, switching from<br />

English to French and German. Her topic<br />

“Looking back, I’ve always loved making people<br />

laugh. But it’s much different than it used to be<br />

now that I do it for a living.”<br />

—Rebecca Carrington<br />

matter is diverse, ranging from the idiosyncrasies<br />

of the world’s different cultures to<br />

song parodies.<br />

“I’ve found that in certain areas of the<br />

U.S. of A., I only need about three English<br />

words per day to express myself,” she begins<br />

in a bit during a show’s performance.<br />

Carrington then proceeds to use a mocking,<br />

ditzy voice to make fun of a woman<br />

in California who prefaced every sentence<br />

with “Oh my God.”<br />

“Oh my God, that is such a beautiful<br />

piece of furniture!” Carrington says, referring<br />

to her cello.<br />

It can get difficult<br />

trying to entertain<br />

people through two<br />

distinctly different<br />

mediums, Carrington<br />

acknowledged.<br />

“What happens is<br />

that you have to come<br />

up with ideas about how<br />

to arrange things for two<br />

different voices. Not only<br />

are you just playing<br />

your cello on stage.<br />

You need to prepare<br />

jokes to crack, as<br />

well.” She relishes<br />

the challenge.<br />

Since 2007, Carrington has<br />

been joined onstage by her husband,<br />

actor and singer Colin Brown.<br />

Her CDs and DVDs feature both her<br />

solo work and the duo’s collaboration as<br />

Carrington-Brown. When it comes to producing<br />

material, Carrington writes with her<br />

husband, whom she met while performing<br />

at the Edinburgh Fringe Festival. Brown<br />

adds a unique dynamic to Carrington’s<br />

performance, whether he is rapping along<br />

to her cello riffs or adding a monologue<br />

of his own. The duo has won a number of<br />

awards throughout Europe.<br />

Carrington and Brown will head to New<br />

York this year for an entertainment showcase.<br />

“We hope to make contacts and to be<br />

able to tour in the U.S. That is our goal.”<br />

—Andrew Clark<br />

Andrew Clark is a freelance writer and law student based in<br />

Boston, Mass. He can be reached at andrewclark87@gmail.com.<br />

Watch:<br />

››› rebeccacarrington.com/video.php<br />

<strong>Rice</strong> Magazine • No. 15 • 2013 11


First, Snakes. Now, Spiders.<br />

Ecologists have found as many as 40 times more spiders in Guam’s remote jungle<br />

than are found on nearby islands. In some places, dense spiderwebs fill gaps<br />

between trees in the jungle canopy.<br />

It sounds like something from a horror movie<br />

— a Pacific island infested with venomous<br />

tree-lounging snakes and dense thickets of<br />

spiderwebs. An island where the sound of<br />

birds has fallen silent. Welcome to Guam,<br />

where brown tree snakes have done untold<br />

damage to the U.S. territory since being accidentally<br />

introduced to the island in the late<br />

1940s. The snakes’ lack of natural predators<br />

combined with access to abundant food<br />

sources, in the form of native bird species<br />

and small mammals, has devastated native<br />

ecosystems.<br />

Credit: Isaac Chellman<br />

The ripple effect of this eco-disaster is<br />

the subject of a new study by biologists from<br />

<strong>Rice</strong> <strong>University</strong>, the <strong>University</strong> of Washington<br />

and the <strong>University</strong> of Guam.<br />

Because many birds consume spiders,<br />

compete with spiders for insect prey and use<br />

spiderwebs in their nests, Haldre Rogers,<br />

a Huxley Research Instructor in ecology<br />

and evolutionary biology at <strong>Rice</strong>, and her<br />

colleagues are investigating whether the loss<br />

of birds led to an increase in the spider population<br />

on Guam. Huxley fellows are recent<br />

Ph.D. recipients who are appointed to teach<br />

at <strong>Rice</strong> for two to three years.<br />

“You can’t walk through the jungles on<br />

Guam without a stick in your hand to knock<br />

down the spiderwebs,” said Rogers, the lead<br />

author of the study, which appeared in the<br />

journal PLOS ONE last fall.<br />

The results are some of the first to examine<br />

the indirect impact of the brown tree<br />

snake on Guam’s ecosystem. By the 1980s,<br />

10 of 12 native bird species had been wiped<br />

out, and the last two live only in small areas<br />

protected by intense snake-trapping.<br />

Counting spiderwebs on Guam and on<br />

nearby islands in the Marianas Islands chain<br />

was the first step in the study. Rogers and<br />

study co-authors Janneke Hille Ris Lambers<br />

and Josh Tewksbury of the <strong>University</strong> of<br />

Washington and Ross Miller of the <strong>University</strong><br />

of Guam found that spiders were between<br />

two times and 40 times more plentiful on<br />

Guam than on neighboring islands.<br />

Rogers has extensive experience studying<br />

the ripple effects of the tree snake invasion<br />

on Guam. Her first job out of college<br />

was to lead the U.S. Geological Survey’s<br />

brown tree snake rapid response team, a<br />

small group of snake hunters charged with<br />

capturing brown tree snakes that manage to<br />

get off the island.<br />

“When I was [on Guam’s nearby islands]<br />

searching for snakes at night, I spent a lot of<br />

time thinking about the differences between<br />

the forests I was walking through and the<br />

forests back on Guam,” said Rogers, recalling<br />

her field research. “The spiderwebs were just<br />

one difference. The lack of songbirds also<br />

make Guam’s forests eerily quiet during the<br />

day,” she said.<br />

“There isn’t any other place in the world<br />

that has lost all of its insect-eating birds,” she<br />

said. “There’s no other place you can look to<br />

see what happens when birds are removed<br />

over an entire landscape.”<br />

In future work, she plans to conduct experiments<br />

on neighboring islands that still<br />

have forest birds and compare those results<br />

with observations on Guam to determine the<br />

exact links between the lost forest birds and<br />

the spider population increases.<br />

“Ultimately, we aim to untangle the impact<br />

of bird loss on the entire food web, all<br />

the way down to plants,” she said. “For example,<br />

has the loss of birds also led to an increase<br />

in the number of plant-eating insects?<br />

Or can this increase in spiders compensate<br />

for the loss of birds?”<br />

Read the journal article:<br />

››› ricemagazine.info/131<br />

—Jade Boyd<br />

12 www.rice.edu/ricemagazine


Religious fraud! Comedy! Satire!<br />

It’s “Tartuffe.”<br />

Jake LaViola ’15 as Tartuffe has a moment<br />

with Hayley Jones ’14 as Elmire<br />

in the fall production of Molière’s<br />

comic masterpiece, “Tartuffe.” The <strong>Rice</strong><br />

<strong>University</strong> Theatre Program presented<br />

the play at Hamman Hall to rave reviews.<br />

“Molière gives us a farce with a scathing<br />

wit as he roasts religion, hypocrisy<br />

and sexual deceit,” said Christina Keefe,<br />

director of <strong>Rice</strong>’s Theatre Program. In<br />

addition to LaViola and Jones, the show<br />

starred Qingyang Peng ’15 as Orgon,<br />

staff member Alice Rhoades as Madame<br />

Pernelle, Tasneem Islam ’14 as Mariane<br />

and John Hagele ’16 as Damis. Director:<br />

Samuel Sparks. Production manager:<br />

Matt Schlief. Costume designer: Macy<br />

Perrone.<br />

Photo credit: Claire Elestwani ’15<br />

Everything’s Coming Up Roses<br />

<strong>Rice</strong> has always been lauded for its beautiful landscaping. Now we have one more<br />

site to be proud of — the Puddin Clarke Centennial Garden between Sewall Hall and<br />

Lovett Hall. According to David Rodd, university architect in Facilities Engineering and<br />

Planning, committee members for <strong>Rice</strong>’s Lynn R. Lowrey Arboretum first proposed the<br />

idea for the rose garden as a centennial project because Mary Ellen Lovett, wife of<br />

the university’s first president, Edgar Odell Lovett, nurtured roses on campus in <strong>Rice</strong>’s<br />

early days.<br />

When Robert Clarke ’63 heard about the rose garden, he generously volunteered to<br />

fund the project. “I thought it was a great idea to make the donation in memory of my<br />

wife,” said Clarke. “Although she wasn’t an alum, Puddin was very much a supporter<br />

of <strong>Rice</strong> and involved in a lot of things here. It seemed like a nice way to honor her.”<br />

Old Blush roses, a China hybrid, were selected because they were a favorite of the<br />

garden’s honoree.<br />

—Jenny Rozelle ’00<br />

<strong>Rice</strong> Magazine • No. 15 • 2013 13


NotedandQuoted<br />

“So when I was running around the world saying, ‘The world is flat! We’re all<br />

connected,’ Facebook didn’t exist, Twitter was still a sound, the Cloud was still in<br />

the sky, 4G was a parking place, LinkedIn was a prison, applications were what<br />

you sent to college and, for most people, Skype was a typo.”<br />

—Thomas Friedman<br />

Nov. 12, 2012, as quoted in an article that appeared in the <strong>Rice</strong> Thresher, Nov. 16, 2012<br />

“I was the altar boy of<br />

journalism. I was a<br />

fact-checker. And that in<br />

a way is something I’ve<br />

done my entire life. What<br />

is true?<br />

How can<br />

you prove<br />

that it’s<br />

true? How<br />

does it<br />

work? My parents were<br />

both scientists. I’ve spent<br />

my life trying to find<br />

out new things and tell<br />

people about them.”<br />

—Esther Dyson<br />

Oct. 11, 2012, Centennial Lecture Series<br />

“As we look to a future of true energy security<br />

by exploiting new unconventional fossil sources,<br />

augmented by alternative energy sources such<br />

as solar, wind and biofuels, the only way forward<br />

is through a government science policy that<br />

includes basic research support and thoughtful<br />

regulation. These are necessary if we are to<br />

have the energy security we want and the<br />

environmental stewardship we need.”<br />

—Shirley Ann Jackson<br />

Oct. 11, 2012, Centennial Lecture Series<br />

“Understanding your complete genome is very key<br />

to understanding inheritance. Everyone’s asked the<br />

questions: ‘Did I get this trait from my mother or father?<br />

Did I give this trait to my children?’ Now we have the<br />

tools to start to answer those questions because we can<br />

separate the DNA sequence into that from the parental<br />

chromosomes. One of the ways we do this … we can<br />

sequence a genome from a single sperm cell.”<br />

—J. Craig Venter<br />

Oct. 10, 2012, Centennial Lecture Series<br />

“History happens,<br />

history leaves its<br />

traces, and I have<br />

to say, I prefer<br />

history without<br />

preservation.”<br />

—Rem Koolhaas<br />

Oct. 11, 2012, Centennial Lecture Series<br />

“<strong>Rice</strong> has excelled in ways that even Lovett could not have guessed.<br />

I’m talking of course about <strong>Rice</strong>’s famous come-from-behind<br />

victory over heavily favored Colorado in the 1938 Cotton Bowl. It<br />

is at least famous in the halls of the Supreme Court, because until<br />

then unbeaten Colorado was led by future Supreme Court Justice<br />

Byron White. Despite a stellar offensive and defensive performance<br />

by White — he threw a touchdown pass, scored on an interception<br />

and kicked two extra points — the Owls prevailed by a final score<br />

of 28–14. Not even President Lovett could have foreseen that.”<br />

—Chief Justice of the United States John G. Roberts Jr.<br />

“A Conversation With the Chief Justice,” Oct. 17, 2012<br />

14 www.rice.edu/ricemagazine


On Oct. 11, 2012, Douglas Brinkley, professor of history and fellow in history at <strong>Rice</strong> <strong>University</strong>’s Baker Institute<br />

for Public Policy, interviewed President Barack Obama in the Oval Office at the White House for the Nov. 8 cover<br />

story in Rolling Stone magazine. The Obama cover story was Brinkley’s third for Rolling Stone. He also has profiled<br />

Hunter S. Thompson and Bob Dylan for the magazine.<br />

Pundit Watch<br />

Remember the primaries? The presidential debates? Doesn’t the<br />

election season seem like both half a life ago AND something<br />

that took up half our lives? No matter in which political tent<br />

one camped for the duration, the 2012 election season was<br />

both endless and endlessly frustrating. But at least, as ordinary<br />

citizens, we could confine our opinions and insights to our<br />

living rooms (and Facebook and Twitter feeds). For many of<br />

our distinguished <strong>Rice</strong> faculty, who were called upon day and<br />

night by the news media to provide topical insight, there was<br />

no rest for the weary. The news, after all, is a 24-hour affair. So,<br />

here’s a shout out to our hardworking historians, economists,<br />

political scientists and more who took the time to explain,<br />

correct, analyze and generally provide rational commentary for<br />

the American public. They worked from their offices, homes<br />

and cars, as well as from the Office of Public Affairs’ television<br />

studio in the basement of Allen Center.<br />

Mark<br />

Jones<br />

Douglas<br />

Brinkley<br />

Paul<br />

Brace<br />

Bob<br />

Stein<br />

Notable <strong>Rice</strong> experts who appeared in the media<br />

nationally and locally to discuss the elections include<br />

Douglas Brinkley, Mark Jones, Paul Brace and Bob Stein.<br />

The graph reflects the number of appearances in the<br />

media during the months of October and November.<br />

293<br />

596<br />

23<br />

52<br />

<strong>Rice</strong> Magazine • No. 15 • 2013 15


City<br />

Architect Eric Kuhne ’73 tells the<br />

story of <strong>Belfast</strong>’s maritime majesty<br />

with the new Titanic museum.<br />

16 www.rice.edu/ricemagazine


BY STEVEN THOMSON • PHOTOS COURTESY OF ERIC KUHNE, CIVICARTS AND THE TITANIC BELFAST.<br />

For a century following the sinking of the RMS Titanic, the tragedy was nary whispered within the Northern<br />

Ireland capital that saw the ship’s design and construction. Even in Great Britain, few are privy to the fact that<br />

in the early 20th century, nearly half of the tonnage on the seas took its maiden voyage from <strong>Belfast</strong>’s shipyards.<br />

When the Titanic embarked in 1912, <strong>Belfast</strong> laid claim to the largest shipyard in the world. Yet a sense<br />

of self-imposed ignominy after the disaster shrouded the city’s pride as a locus of maritime innovation. With<br />

the post-World War II growth of deep port container shipping and surge in air travel, the once robust image of<br />

<strong>Belfast</strong>’s shipyards descended into that of a postindustrial wasteland.<br />

Today, following decades of internal political strife and a recent<br />

crippling double-dip recession, <strong>Belfast</strong> is poised once again<br />

to embrace its heritage as one of the world’s shipbuilding epicenters.<br />

Enter Eric Kuhne ’73, who is leveraging a belief in architecture<br />

as diplomacy to help restore the grandeur of the city’s<br />

long-abandoned docks.<br />

Sitting in the library of his firm, CivicArts, in the architectural<br />

hub of Clerkenwell in east central London, Kuhne explained the<br />

gradual realization of his vision for a 185-acre urban revitalization<br />

of the wrench-shaped peninsula, Queen’s Island — renamed<br />

the Titanic Quarter — and its centerpiece, the monumental Titanic<br />

<strong>Belfast</strong> museum. Although the waterfront development will be<br />

the museum’s marine-grade aluminum cladding sparkles.<br />

“Most contemporary museums have lost that sense of wonder when you<br />

enter,” Kuhne said. Inside the Titanic <strong>Belfast</strong>, the hum of the 28,000 builders<br />

that once occupied the hoists and gangplanks of the <strong>Belfast</strong> shipyards<br />

is restored in an ecclesiastically scaled six-story atrium, crisscrossed by<br />

balconies, terraces and overlooks.<br />

Above, nine galleries provide the social context of shipbuilding in<br />

<strong>Belfast</strong>, house a ride through a reconstructed shipyard and detail the construction<br />

of the RMS Titanic. The project’s monumentality is tempered<br />

by documents of individual crew and passengers’ stories, while another<br />

gallery offers a critical eye toward the myths and legends that surround<br />

the disaster. Hard science finds its place in an exhibit on Robert Ballard’s<br />

Left: Architect Eric Kuhne stands in front of a map of the Titanic Quarter, the 185-acre waterfront redevelopment project now underway in <strong>Belfast</strong>, Northern Ireland. Kuhne’s firm,<br />

CivicArts, designed the project’s urban master plan, which combines residential, business, recreational and cultural elements, as well as parks and gardens. Middle: The Titanic<br />

<strong>Belfast</strong> museum is located on the site of the Harland and Wolff shipyard. Right: Kuhne’s early sketches play with images of ice crystals, a central motif in the Titanic <strong>Belfast</strong>’s design.<br />

Opposite: The White Star Line Titanic sets sail from Southampton, England, April 10, 1912. An architectural rendering of the exterior of the Titanic <strong>Belfast</strong> museum, which opened to<br />

the public March 31, 2012.<br />

years in the making, the museum opened in March 2012, just in time<br />

to mark the 100th anniversary of the tragedy. The visceral appeal of the<br />

Titanic in the public imagination endures, as evidenced by the museum’s<br />

more than 500,000 visitors in its first six months of operation.<br />

“We have worked on buildings all around the world, but nothing has<br />

gone viral like this,” Kuhne said.<br />

Drawing upon the water imagery that haunts the Titanic’s history,<br />

Kuhne studied the geometric process of ice crystal formation to conceive<br />

the museum’s faceted exterior, which resembles at once jutting icebergs<br />

and ships’ prows. The façade mimics the scales of the gigantic gantries<br />

system of timber and steel scaffolding built for the construction of the<br />

Titanic’s massive hull 100 years ago. When viewed from above, the building<br />

takes the form of a compass rose.<br />

The building plan also alludes to the trajectory of four centuries of shipbuilding<br />

innovation in <strong>Belfast</strong>: from timber and sail to iron and steam, followed<br />

by steel and turbine and culminating in aluminum and diesel. Most<br />

poignantly, the building’s height matches that of the storied cruise liner,<br />

allowing tourists and <strong>Belfast</strong> locals to consider head-on the optimism and<br />

opulence that the Titanic embodied. Even beneath <strong>Belfast</strong>’s mercurial skies,<br />

1985 <strong>At</strong>lantic expedition to record and recover the ship’s ruins, with<br />

a special focus on deep-sea microbiology.<br />

The museum, which cost $152 million to build, was funded through<br />

a partnership that included <strong>Belfast</strong> City Council, <strong>Belfast</strong> Harbour<br />

Commissioners, Northern Ireland Tourist Board and Titanic Quarter<br />

Limited (a company of Dublin-based Harcourt Developments Ltd.).<br />

“I think it’s a human story,” said Tim Husbands, CEO of Titanic<br />

<strong>Belfast</strong>. “The sinking was a disaster, but the ship itself was a fantastic<br />

feat of engineering and construction. The Titanic <strong>Belfast</strong> is<br />

about recovering the city’s roots, but it also presents a story that<br />

resonates internationally.” No doubt, the museum will far surpass<br />

the initial annual target of 425,000 visitors. Almost 70 percent of<br />

visitors are from outside of Northern Ireland.<br />

While the consensus is that it’s a crowd pleaser, the Titanic<br />

<strong>Belfast</strong> has faced criticism in the architectural press. It recently<br />

garnered a nomination for Building Design magazine’s Carbuncle<br />

Cup, a reader-nominated award for the ugliest building completed<br />

in the U.K. in the last 12 months. On the plus side, the museum<br />

also is a finalist for the International Interior Design of the<br />

<strong>Rice</strong> Magazine • No. 15 • 2013 17


Year award at the Leading European Architects Forum. Unfazed,<br />

Kuhne remains confident that the building is succeeding at telling<br />

the Titanic story to legions of visitors. “It was a huge backhanded<br />

compliment,” Kuhne said. “Very English.”<br />

Keep in mind that the museum is merely a cornerstone of the<br />

estimated $10 billion–$15 billion Titanic Quarter mixed-use development<br />

that will occupy the Queen’s Island area of <strong>Belfast</strong>.<br />

“The local authorities thought we were dreaming at the<br />

time,” said Pat Doherty, the chairman and founder of Harcourt<br />

Developments, recalling the process of acquiring the vast site nine<br />

years ago. “It was a clear site almost in the center of the city with<br />

the opportunity to do something very special, and Eric has a magical<br />

way of doing things.” Kuhne and Doherty worked with myriad<br />

government departments, harbor authorities and investors to make<br />

way for the development that’s changing the face of <strong>Belfast</strong>.<br />

Profit-driven inner-city revitalization schemes too often fall victim<br />

to blank banality. To break this trend, Kuhne, in his role as the<br />

lead concept architect on the project, consulted directly with the<br />

very people who had abandoned central <strong>Belfast</strong>’s blight and violent<br />

legacy for surrounding suburban hamlets.<br />

“We interviewed almost 100 people and asked them one simple<br />

thing: ‘What would it take for you to come back home?’ And they<br />

asked for me to build something like their villages in the center of<br />

<strong>Belfast</strong>,” Kuhne said.<br />

“Eric always had a humanistic commitment that has allowed him to<br />

abstract his project designs in such a striking way,” said former classmate<br />

Stephen Fox ’73, architectural historian and lecturer at the <strong>Rice</strong><br />

School of Architecture. A dedicated Renaissance man, Kuhne penned a<br />

Shakespearean sonnet for the real estate venture to pay homage to the<br />

city’s shipbuilding roots:<br />

TITANIC BELFAST:<br />

We were the best who worked these hallowed slips<br />

Bending iron, timber and steel ’to ships<br />

’Neath gantries and cranes with Biblical names<br />

Our sweat, our tears, and sweet salt air did raise<br />

Fleets for trade, exploration and mail,<br />

Liners, warships, and immigrants set sail —<br />

Navigating charts on rhumb-lined seas with<br />

Optimism! Opulence! at Godspeed!<br />

Four centuries measure our balancing<br />

Our will and Nature’s equanimity.<br />

Time once again to lead the charge: <strong>Belfast</strong>’s<br />

Sons and Daughters sing songs of these shipyards;<br />

Choirs of workers shout across the seas:<br />

Once where we built ships, now we build cities!<br />

Left to right: Inside the Titanic <strong>Belfast</strong>, massive chains denote the scale of the Titanic and its sister ships. Visitors take in a view of the ship as it now rests on the ocean floor. A cut-out<br />

steel sign in front of the museum. Children check out the interior galleries. Opposite: A view from the top-floor balcony of a large compass rose that locates the cardinal directions for<br />

visitors. Visitors peruse one of nine galleries featuring interactive exhibits on the museum’s opening day.<br />

The Titanic Quarter was then conceived around the idea of seven<br />

“villages,” each with their own Georgian square, in which courtyard<br />

gardens imbue a sense of safety to public space. When complete, the<br />

development will complement new condo blocks with an expanded<br />

campus of <strong>Belfast</strong> Metropolitan College and a bevy of retail distractions.<br />

Plans are afoot to incubate a new financial center for Europe,<br />

and new media is staking a claim via a cluster of budding film industry<br />

studios. Strung together by grand boulevards and a new tramline, each<br />

of the villages stands no more than two blocks away from the fresh air<br />

of water or park space.<br />

“Waterfronts all over Europe and North America are being transformed,”<br />

Kuhne said, “but none of them has this level of complexity<br />

of mixing new economies with housing, parks and gardens.” Northern<br />

Ireland still suffers from a shaky real estate market, so the Titanic<br />

Quarter developers are thinking long-term, with a projected completion<br />

date of 2030 or beyond.<br />

For all of the Titanic Quarter’s beguiling ambition, Kuhne understands<br />

the importance of historical context in design.<br />

This penchant for storytelling through architecture has brought<br />

Kuhne’s pedigree from Houston to 32 current projects spanning five<br />

continents, all informed by their local context. A new tower complex<br />

rising in Kuala Lumpur is ensconced in seven gardens representing<br />

the seven civilizations that have characterized Malaysia’s history,<br />

while a Buddhist pilgrimage site in Nepal takes its form from the<br />

three strands of the pocket of rice that Buddha wore.<br />

Kuhne’s studio walls showcase blueprints for a skyscraper in<br />

Kuwait that will top off at 1,001 meters — a nod to the region’s lionized<br />

collection of folk tales, “1001 Arabian Nights.”<br />

While these projects reach for the sky, the story on the ground<br />

of the Titanic Quarter is a narrative with big themes — resilience,<br />

rebirth and pride in a lost heritage. Eschewing a focus on urban<br />

trauma to honor innovation, the Titanic <strong>Belfast</strong> museum invites visitors<br />

to consider the pinnacle of human achievement — as well as<br />

hubris — and to launch a new story in <strong>Belfast</strong>’s history.<br />

18 www.rice.edu/ricemagazine


<strong>Rice</strong> Magazine • No. 15 • 2013 19


20 www.rice.edu/ricemagazine


Unsinkable City:<br />

Six questions for Eric Kuhne<br />

Q: Describe the experience of arriving as a freshman to the School of<br />

Architecture.<br />

A: I was terrified. I was born in San Antonio and spent the first five years<br />

of my life in Texas, so this was a kind of provincial return to the homeland<br />

and had all of the dramas associated with it. I’d been working in an<br />

engineer and architects’ office in Indiana since I was 14, so I had an exposure<br />

to the practical side of the field. On the second day I was at <strong>Rice</strong>,<br />

I went to see the director [of the School of Architecture], Anderson Todd.<br />

Andy had a stack of School of Architecture stationery cards along<br />

with a beautiful fountain pen and old ink well. He said, “Let me tell you<br />

about architecture,” and explained the Vitruvian triad: firmness, commodity<br />

and delight. So I said, “Mr. Todd, don’t you think it’s time we<br />

reinvent that?” He handed me the pen and I said, “I think an equilateral<br />

triangle and those things in balance is good for 2,000 years ago, but<br />

we’re at the threshold of a new millennium.<br />

So how about we add a<br />

fourth element and turn this into a<br />

tetrahedron, including volition and<br />

meaning?” He just burst out laughing<br />

and said, “You’re just going to<br />

be nothing but trouble for four<br />

years, aren’t you?”<br />

Left: Bird’s-eye panorama of the Titanic<br />

Quarter as viewed from the northeast.<br />

Inset: Eric Kuhne with his sketchpad.<br />

Q: What were some of the challenges<br />

you encountered as a<br />

student?<br />

A: I was shocked because I<br />

thought I had a good foundation<br />

in architecture, but it was just<br />

a foundation in construction. I<br />

had to get over that conceit of<br />

thinking that I knew more than<br />

I actually did. Looking back,<br />

<strong>Rice</strong> was hard — really, really<br />

hard for me. Elinor Evans,<br />

who was the first-year design<br />

studio teacher, was constantly<br />

getting us to have trust in the<br />

unknown as the safest place to go. Once you get the sense that<br />

you can do something that you never dreamed you could, you<br />

become intoxicated with discovery and the exploration of design<br />

as a way to see the world.<br />

Q: You suggest that the interdisciplinary research behind each<br />

of your projects is informed by your varied course choices while<br />

at <strong>Rice</strong>. How so?<br />

A: As it turned out, the classes that had the biggest impact on<br />

me were those that weren’t architectural. I took cognitive anthropology<br />

with Stephen Tyler, Tom McEvilley in comparative<br />

religions and this calculus professor [Howard Resnikoff] who<br />

just was a wizard. He said, “You won’t leave this class until you<br />

understand that calculus is poetry.” He would write formulas<br />

up on the board and read them as poems. It was just breathtaking.<br />

You never think when you’re a student that these conversations<br />

will stick with you for the rest of your life. Those<br />

talks across all topics changed the way I work here in the studio.<br />

<strong>Rice</strong> has sprinkled that magic dust of insatiable curiosity.<br />

Q: Of all of the opportunities that <strong>Rice</strong> afforded, which had the<br />

greatest impact on your education?<br />

A: There was a design competition for an industrial building in<br />

Seguin, Texas. I almost didn’t even apply for it, but then I decided<br />

to work on it for five hours every day. I would sketch and put it<br />

in a booklet and completely forget about it. I didn’t even go to the<br />

awards ceremony at the School of Architecture, but on that day, I<br />

was walking across campus and one of my classmates walks up to<br />

me and says, “Where have you been? Come on!” He dragged me<br />

over to the ceremony just as they were announcing that I had been<br />

awarded the William Ward Watkin Travel Fellowship. I couldn’t believe<br />

I had won it. Andy Todd and Bud Morehead were there, both<br />

laughing. It was one of the biggest surprises of my life.<br />

Q: What did you do with the fellowship?<br />

A: I visited some of the most remarkable thinkers on architecture and<br />

cities at the time: Jan Gehl invited me to swim in the Baltic Sea, and we<br />

discussed the choreography of public spaces. In Austria, I met with [art<br />

historian] Hans Sedlmayr, who was writing about the loss of the soul<br />

in architecture and cities. Aldo van Eyck invited me to his home, and<br />

we sat drawing until we worked out the plans for one of his churches.<br />

In Stockholm, Sven Hesselgren lectured me on restoring the pageantry<br />

of city life. <strong>At</strong> the time, some of these men were just beginning to have<br />

an impact on the profession. They all just opened their homes to me,<br />

and I would sit and have dinner with their families. And so my tour of<br />

Europe wasn’t just a tour of buildings; it was a tour of the cutting-edge<br />

thinkers of architecture. None of that would have happened without<br />

<strong>Rice</strong>, because these figures’ names were in every class.<br />

Q: In your career to date, what are the main changes you’ve seen in the<br />

practice itself of architecture?<br />

A: We’ve experienced an acceleration of drawing tools that has transformed<br />

the profession as much as the art. When I started at <strong>Rice</strong>, we<br />

used T-squares and Maylines [parallel bars]. What once took 30 people<br />

to produce a set of drawings in the ’60s became a team half that size in<br />

the ’70s and ’80s with computer-aided design programs. Now, we can<br />

produce a set of drawings with five people. Yet, while drawing production<br />

has accelerated, there is still a burning need for architects to draw, to<br />

sketch. The fountain pen and the tyranny of the blank white sheet of paper<br />

has not been replaced. The freedom and grace of a sketch, linked to the<br />

imagination, still outperforms any computer program. Yet once transferred<br />

to CAD, we can show our imagination to the world effortlessly. And the<br />

sheer quality of decisions made with this breadth of representation is the<br />

most profound adjustment to the profession in its history. ■<br />

Steven Thomson is a New York-based writer with a focus on art, architecture and urbanism.<br />

His work has appeared in Cite: The Architecture and Design Review of Houston. He<br />

recently completed a graduate degree in urban studies at <strong>University</strong> College London. He<br />

can be reached at sjt@stevenjamesthomson.com.<br />

<strong>Rice</strong> Magazine • No. 15 • 2013 21


22 www.rice.edu/ricemagazine


Wednesday, October<br />

10<br />

<strong>Rice</strong> Faculty and Staff Reception/<br />

Centennial Lecture Series ·<br />

Founder’s Court Tent/Tudor Fieldhouse<br />

<strong>Rice</strong> honored faculty and staff at a lavish reception<br />

in the centennial tent. J. Craig Venter, among the<br />

first to sequence the human genome, kicked off<br />

the lecture series.<br />

Highlights from the<br />

Centennial Celebration<br />

During one memorable week in October, <strong>Rice</strong> gathered its far-flung family — faculty and staff, students present<br />

and students past, community supporters and visitors alike — to commemorate its first century and march boldly<br />

and joyfully into its second. The schedule was as packed as it was varied, filled with festivities and feasts (both<br />

gustatory and intellectual), reunions and homecomings, ritual and rhetoric. Please enjoy these highlights and check<br />

out our centennial website (centennial.rice.edu) for more.<br />

PHOTOS by TOMMY LAVERGNE, JEFF FITLOW and ELI SPECTOR ’14<br />

<strong>Rice</strong> Magazine • No. 15 • 2013 23


Thursday, October<br />

11<br />

Centennial Lecture Series ·<br />

Tudor Fieldhouse<br />

<strong>Rice</strong> welcomed (clockwise from<br />

left) international angel investor<br />

Esther Dyson, Rensselaer<br />

Polytechnic Institute President and<br />

physicist Shirley Ann Jackson, and<br />

Pritzker Prize-winning architect<br />

Rem Koolhaas, as well as genomist<br />

J. Craig Venter and Chief Justice<br />

of the United States John G.<br />

Roberts Jr.<br />

e WATCH THE LECTURES ONLINE:<br />

ricemagazine.info/132<br />

World Premiere Concert<br />

by Shepherd School<br />

Orchestra ·<br />

Stude Concert Hall<br />

Commissioned by <strong>Rice</strong><br />

<strong>University</strong> in honor of its<br />

Centennial Celebration, the<br />

concert featured the world<br />

premiere of William Bolcom’s<br />

“Ninth Symphony.”<br />

24 www.rice.edu/ricemagazine


Centennial Address<br />

Friday, October<br />

12<br />

Academic Procession and Centennial Address · Academic Quadrangle<br />

Preceded by an academic procession with representatives of universities from around the world, President David W. Leebron’s keynote<br />

address harkened back to that of Edgar Odell Lovett at the formal opening of the <strong>Rice</strong> Institute in 1912.<br />

e WATCH THE PROCESSION AND KEYNOTE ADDRESS ONLINE: ricemagazine.info/133<br />

“In the joy of high adventure, in the hope of high achievement, in the<br />

faith of high endeavor, for this fair day we have worked and prayed and<br />

waited. … [W]e have asked for strength, and with the strength a vision,<br />

and with the vision courage. … [T]he <strong>Rice</strong> Institute, which was to be, in<br />

this its modest beginning, now has come to be.”<br />

And with these words, President Edgar Odell Lovett 100 years ago welcomed the first class of 59<br />

women and men and the 10 faculty members of the <strong>Rice</strong> Institute. Today, we gather to celebrate<br />

the realization of that hope, the rewarding of that faith and courage, and the continuation of<br />

that joy.<br />

We join today to reflect on a century of adventure and achievement, to honor our founders<br />

and forbearers whose vision and hard work resulted in the extraordinary university we know<br />

today, and to speak of our vision and ambitions for the future.<br />

<strong>Rice</strong> Magazine • No. 15 • 2013 25


Our path was set by the confluence of<br />

the legacies of three extraordinary men: a<br />

great man of commerce, a civic leader and a<br />

visionary academic. William Marsh <strong>Rice</strong> was<br />

the quintessential businessman of his time, a<br />

man of commercial acumen and philanthropic<br />

spirit. In the year 1891, the William Marsh <strong>Rice</strong><br />

Institute for the Advancement of Literature,<br />

Science and Art was formally incorporated<br />

with a modest initial endowment. After <strong>Rice</strong>’s<br />

untimely death in 1900, the substantial assets<br />

that <strong>Rice</strong> had bequeathed to his institute were<br />

rescued by his lawyer and the first chairman of<br />

the board of trustees, Capt. James A. Baker. The<br />

trustees then began in earnest to define what<br />

this new institute would be.<br />

Their vision was reflected in the choice of<br />

<strong>Rice</strong>’s first president, Edgar Odell Lovett, on<br />

the recommendation of Princeton’s president,<br />

Woodrow Wilson. And let me add how fitting<br />

it is, and how grateful we are, that Princeton’s<br />

current president, Shirley Tilghman, is with us<br />

on the platform today. President Lovett then<br />

traveled the world for more than nine months,<br />

visiting the great universities, studying both<br />

academic programs and architecture.<br />

When Lovett stood on this very spot a century<br />

ago, not far from the edge of a growing city<br />

with just 80,000 people, he could take pride at<br />

the launch of a new university that aspired to<br />

be among the best and set, in his words, no<br />

upper limit to its endeavors. As William Ward<br />

Watkin, the architect who supervised the construction<br />

of the first buildings, stated at Lovett’s<br />

retirement, out of “the marsh and swamps of<br />

this campus,” he built a university of “beauty<br />

and fineness.”<br />

Imagine yourselves here as Lovett spoke:<br />

Around you was mostly a vast empty plain<br />

with four lonely structures. There was the<br />

Administration Building, now named Lovett<br />

Hall. A bit in the distance was the Mechanical<br />

Laboratory and its campanile, and across the<br />

campus the residential hall and institute commons.<br />

Between then and now lies a century of<br />

ambition and achievement. All around us we<br />

see the architectural embodiment of growing<br />

intellectual ambition.<br />

Imagine in your mind’s eye that century<br />

of building our campus: first beginning near<br />

where you sit and then moving outward to a<br />

second quadrangle and then a third quadrangle<br />

and then beyond, and even jumping across<br />

<strong>University</strong> Boulevard to where the BioScience<br />

Research Collaborative now stands — eventually<br />

80 buildings over the course of a century,<br />

creating a campus of architectural distinction<br />

and harmony. The architecture is now complemented<br />

by recent campus art, culminating in<br />

our Centennial Pavilion, the Turrell Skyspace,<br />

which symbolizes not only our continued<br />

commitment to the beauty Lovett emphasized,<br />

but also our limitless aspirations. Truly, this<br />

is a campus that reflects our commitment to<br />

learning, to discovery, to beauty, to the nurturing<br />

of human potential and to a university that<br />

was from its foundation envisioned as a gift to<br />

the people of Houston.<br />

President Lovett served for another 34 years<br />

after the opening, with more than half that time<br />

occurring during two world wars and the Great<br />

Depression. And still the <strong>Rice</strong> Institute moved<br />

forward, expanding its community and growing<br />

its endeavor. As we approached our second<br />

half century, we changed our name from<br />

“Institute” to “<strong>University</strong>” to reflect that growth<br />

and broader ambition.<br />

<strong>At</strong> the time of our semicentennial, <strong>Rice</strong>,<br />

while on a strong trajectory, had not yet<br />

achieved its aspiration to be among the great<br />

research universities of the world. That was the<br />

challenge faced by President Kenneth Pitzer as<br />

he was inaugurated in our 50th year. As the<br />

new president then put it, he aimed for an institution<br />

that resembled Stanford without a medical<br />

school to a Westerner and Princeton with<br />

girls to an Easterner.<br />

President Pitzer led <strong>Rice</strong> into five decades<br />

of advancement as a research university. We<br />

realized that not charging tuition was not about<br />

a commitment to price, but a commitment to<br />

an ideal of opportunity — that we should be<br />

This is a campus<br />

that reflects our commitment<br />

to learning, to discovery,<br />

to beauty, to the nurturing<br />

of human potential and to a<br />

university that was from its<br />

foundation envisioned as a gift<br />

to the people of Houston.<br />

open to all, regardless of their financial means.<br />

That steadfast commitment continues to lie at<br />

the core of who we are. And we also sued to<br />

remove a stain of racial exclusion that was both<br />

fundamentally unfair and deeply inconsistent<br />

with our commitment to serving the people of<br />

Houston, of Texas and the nation.<br />

As <strong>Rice</strong> continued its progress toward<br />

becoming a more balanced university envisaged<br />

by Lovett, new schools sprouted in the<br />

1970s, including the Shepherd School of Music,<br />

the Jones School of Business, what is now<br />

the Glasscock School of Continuing Studies,<br />

and the creation of separate schools of Social<br />

Sciences and the Humanities. Our ascendancy<br />

into the top ranks of American higher education<br />

was recognized in 1985 when <strong>Rice</strong> became<br />

one of the 60 elite research universities in the<br />

Association of American Universities. Great<br />

milestones included the G7 summit in 1990,<br />

the establishment of the Baker Institute in 1993<br />

and the awarding of Nobel Prizes to Professors<br />

Curl and Smalley in 1996 for the discovery of<br />

the buckyball, which opened up new possibilities<br />

for materials and medicine. And in 2003,<br />

the <strong>Rice</strong> Owls emerged as national champions<br />

from the College Baseball World Series. Out of<br />

our Sallyport have passed more than 65,000<br />

graduates — 46,000 of whom are the living<br />

<strong>Rice</strong> alumni community of today, a global community<br />

that magnifies every day the contributions<br />

that we make as a university.<br />

Throughout our first century, we have become<br />

an ever greater university, driven to provide<br />

opportunity for our students and knowledge<br />

for the world. And here I want to pause<br />

and acknowledge the remarkable leaders present<br />

today who guided us to ascending achievement:<br />

our past chairmen, Charles Duncan and<br />

Bill Barnett, and our current chairman, Jim<br />

Crownover, who between them steered this<br />

university for the last three decades, and my<br />

extraordinary predecessors, Presidents George<br />

Rupp and Malcolm Gillis.<br />

WHEN WE LOOK AROUND at the <strong>Rice</strong> of<br />

today, it is very different of course from that<br />

of 100 years ago, or 50 years ago or even 10<br />

years ago. We are larger; we are more diverse;<br />

we are more engaged with our city; we are<br />

more international; and we are more committed<br />

than ever to contributing to our world<br />

through research and service. The era of the<br />

ivory tower is long over. We do not come to<br />

the university to shake the cares of society, but<br />

to engage those cares in a different way. The<br />

university of today is porous, with a constant<br />

flow of people and ideas and contributions<br />

and relationships.<br />

We are very much the university that Lovett<br />

imagined and hoped for, and yet we are in<br />

many ways so much more. Today our university<br />

is counted among the very best in the United<br />

States. Whereas President Lovett traveled<br />

around the world to visit the great universities,<br />

today we receive visiting academic leaders from<br />

across the globe who wish to study and emulate<br />

<strong>Rice</strong>’s success.<br />

Much of our first century has been dedicated<br />

to catching up to our brethren — other<br />

leading American universities that in many<br />

cases are older, bigger, wealthier. We became<br />

more complex, added schools, improved the<br />

26 www.rice.edu/ricemagazine


quality of our student body and faculty, raised<br />

our aspirations and grew.<br />

But while we were becoming more competitive<br />

with other universities and in some<br />

ways more like them, we were also becoming<br />

quite distinctive. Even with our recent growth,<br />

we remain a distinctively small research university<br />

whose aspirations span the range of<br />

academic endeavor. Our emphasis on and<br />

commitment to undergraduate education are<br />

extraordinary. Our sense of being a single community,<br />

and the fostering of interdisciplinary relationships<br />

and conversations, are rare. Our college<br />

system, which creates strong communities<br />

across the undergraduate classes, has become<br />

the envy of others who seek to emulate it. The<br />

dedication of our staff to our faculty, students<br />

and the university, and our dedication to them,<br />

are defining attributes.<br />

As higher education both becomes ever<br />

more competitive and faces ever more daunting<br />

challenges, we must now lead with confidence<br />

in our own values and our own identity, as they<br />

have evolved over a century. Our strength as<br />

a university lies in part in choosing a different<br />

path from others, a different configuration for<br />

the university not just of today, but of tomorrow.<br />

Twenty years ago, Clark Kerr, the legendary<br />

president of the <strong>University</strong> of California and<br />

chancellor of Berkeley, wrote about two competing<br />

visions of the university — one in which<br />

the university is large and highly specialized in<br />

its parts, the other in which it is small and has<br />

a commonality of interests, or as he put it, “the<br />

best of Berkeley and the best of Swarthmore.”<br />

He expressed some pessimism that these visions<br />

were compatible.<br />

<strong>Rice</strong> has aspired to be the place where<br />

these visions become joined, compatible and<br />

synergistic, and we have succeeded. We must<br />

draw upon our strengths and turn perceived<br />

disadvantages into distinctive advantages. We<br />

can be, we must be, a leader in defining what<br />

a university can achieve and contribute both in<br />

education and knowledge.<br />

Fifty years ago, President Pitzer undertook<br />

a substantial expansion of the university. We<br />

have now completed the first major expansion<br />

of our student body since then. Our 30 percent<br />

growth has by almost every measure been a<br />

success: We have remained true to our commitment<br />

to make our education affordable and<br />

have attracted an extraordinary and diverse<br />

population along every dimension as our applications<br />

doubled. We do not intend to grow<br />

our undergraduate student body more in the<br />

coming decade, because we choose to remain<br />

a distinctively small university. Our size fosters<br />

an intimate sense of community and the special<br />

relationships between faculty and students<br />

that have defined the experience for so many<br />

of our graduates.<br />

Our intellectual ambitions, however, are not<br />

scaled to our size. We aim for excellence and<br />

impact on a global standard. Thus our path to<br />

success, more than most universities, lies in our<br />

ability to collaborate with others and thereby<br />

leverage our potential. We are too small to be<br />

arrogant. We must in a new time find new ways<br />

to build deeper and broader relationships with<br />

the remarkable institutions that surround us<br />

Our success<br />

in areas like nanotechnology is<br />

built not upon the endeavors<br />

of a single department, but<br />

upon the support, engagement<br />

and connection across a large<br />

swath of the university. We<br />

must infuse this collaborative<br />

spirit deep into our processes<br />

and personality if we are to<br />

continue our success.<br />

— the museums, the medical institutions, the<br />

Johnson Space Center and the great enterprises<br />

of Houston. We must also reach out across the<br />

world and build not merely bridges, but strong<br />

and deep bonds.<br />

That spirit of collaboration must be focused<br />

internally as well as externally. Our success<br />

in areas like nanotechnology is built not<br />

upon the endeavors of a single department,<br />

but upon the support, engagement and connection<br />

across a large swath of the university.<br />

We must infuse this collaborative spirit deep<br />

into our processes and personality if we are to<br />

continue our success. Ossified structures that<br />

impede our collaborations must be adapted<br />

or swept away, and we must be innovative in<br />

developing new relationships. Our size is an<br />

advantage when it allows us to be both collaborative<br />

in spirit and nimble in action. In the<br />

arts, biomedicine, neuroscience and other endeavors,<br />

we have extraordinary potential, but<br />

only if we seize the opportunities that exist<br />

through deeper engagement.<br />

I believe our university’s personality reflects<br />

not only our history, but also our location.<br />

We have renewed our sense of connection<br />

and commitment to our home city of Houston,<br />

both as our students experience it and as our<br />

researchers contribute to it. Even a century ago,<br />

President Lovett realized that Houston partakes<br />

of both the warm hospitality of the South and<br />

the dynamic and adventurous spirit of the West.<br />

Houston is an entrepreneurial city, and we are<br />

an entrepreneurial university. That spirit, which<br />

has some of its origins in our early strength in<br />

engineering, now finds its place in every corner<br />

of our university.<br />

The entrepreneurial imperative incorporates<br />

the desire to lead, to create, to innovate<br />

and to build. It is reflected in faculty who lead<br />

our students abroad to test in the field medical<br />

devices they have designed; in the studenttaught<br />

courses in our colleges; in the policy<br />

explorations of our Baker student fellows; in<br />

engineering and architecture students getting<br />

together to design a house that not only uses<br />

zero energy, but is actually affordable; in the<br />

creation and dissemination of digital educational<br />

materials for both college and now one<br />

million K–12 students; in building a research<br />

consortium with medical institutions to advance<br />

tissue regeneration that will save limbs<br />

and lives; in creating a multitude of student organizations,<br />

from Engineers Without Borders to<br />

our Emergency Medical Service; in the convening<br />

of conferences of experts to study biblical<br />

texts and to disseminate results; and so much<br />

more. We must nurture and support that spirit,<br />

both individually and collectively, among both<br />

students and faculty. President Lovett spoke of<br />

the pleasures of teaching and the privileges of<br />

research. But today we must do that and more.<br />

An entrepreneurial university empowers our<br />

students and embarks them on a life of difference<br />

and impact, regardless of their chosen<br />

disciplines and professions.<br />

I WANT FOR A MOMENT to speak more<br />

broadly about the role of the university and how<br />

it ought to define our mission at <strong>Rice</strong> and our<br />

path forward. It has been 2,500 years since the<br />

founding of Plato’s Academy, 2,000 years since<br />

the founding of the ancient religious universities<br />

in India and Egypt, more than 900 since<br />

the founding of the <strong>University</strong> of Bologna, now<br />

the oldest university in continuous existence,<br />

almost 380 years since the establishment of the<br />

first American institution of higher education.<br />

The modern research university emerged in the<br />

19th century and set the stage for the explosion<br />

of knowledge that universities have produced.<br />

When we look back at the last century,<br />

we see knowledge that has emerged from our<br />

universities and transformed our world: the<br />

fundamental structure of matter, the biological<br />

building blocks of life, the electronics that have<br />

revolutionized our ability to communicate, connect,<br />

analyze and understand. The early embers<br />

of the great ideas of our age, such as universal<br />

human rights, were fanned in the great<br />

universities. Powerful ideals, such as equality<br />

of opportunity, were given content and understanding<br />

by the work done in universities, and<br />

our graduates were inspired to pursue them.<br />

<strong>Rice</strong> Magazine • No. 15 • 2013 27


There is hardly an aspect of modern life that<br />

has not been greatly influenced and enhanced<br />

by the work done in universities. Indeed, one<br />

former university president declared the university<br />

to be the most significant creation of the<br />

second millennium.<br />

And yet, at the beginning of this third millennium,<br />

the historic idea of the university is<br />

facing both challenge and attack. The very<br />

word “university,” coined at the founding of<br />

Bologna nine centuries ago, embodies a sense<br />

of both oneness and universality — that we<br />

are a single entity that encompasses the totality<br />

of academic endeavor. As resources are constrained,<br />

there are calls to focus our endeavors,<br />

to limit ourselves to what we already do well.<br />

Great universities, universities many times our<br />

size, are choosing to eliminate scholarly endeavors,<br />

to focus on their specific strengths, to<br />

do what is practical.<br />

There is no doubt that we, like they, must<br />

focus and be strategic, but I believe we must<br />

do so in a different way. We must seize upon<br />

those truly important endeavors that require<br />

us to bring together participants from across<br />

our campus to work together, to understand<br />

our world more deeply, and to help solve<br />

its problems of today and in the future. Our<br />

strength lies significantly in our ability to draw<br />

upon and integrate different disciplines and<br />

perspectives as we seek to contribute, in pursuance<br />

of our mission, to the betterment of<br />

our world. We know that technology alone<br />

does not solve problems, but rather science<br />

and technology complemented by a comprehensive<br />

understanding of how to achieve innovation<br />

and change in the context of human<br />

culture and institutions.<br />

President Lovett spoke of the faith he asked<br />

of those assembled at the first matriculation:<br />

“They must believe in the value of human reason;<br />

they must be enthusiastic for their fellowmen.<br />

They must believe that it is possible to<br />

learn and also that it is possible to teach.”<br />

I believe that universities are built upon<br />

an additional faith — a faith in the power of<br />

knowledge and discovery and creativity to improve<br />

the lives of people everywhere and build<br />

a better future. That faith must be buttressed by<br />

a recognition that universities remain distinctive<br />

institutions that contribute to our society<br />

in ways no other institutions can or do. Our<br />

commitment must be to advance the frontiers<br />

of knowledge, understanding and creativity<br />

and to produce graduates trained and inspired<br />

to make great contributions as if the world depended<br />

upon it, for it surely does.<br />

The challenges of our world lie before us:<br />

to address our interconnected global needs for<br />

food, energy, water and a safe environment; to<br />

improve human health here and around the<br />

world; to harness the extraordinary flow of<br />

information for our benefit through better understanding<br />

and decision-making; to raise the<br />

These<br />

dichotomies<br />

challenge us —<br />

to be separate and apart, yet<br />

open and engaged. To be<br />

fast and yet also to be slow.<br />

To embrace an unthrottled<br />

cosmopolitanism and still strive<br />

to be distinctively American.<br />

human spirit through the study of culture and<br />

creativity; and to bring peace and prosperity to<br />

the peoples of our planet.<br />

These are large and daunting challenges,<br />

but that ultimately is what universities are for.<br />

Confronted by these challenges, universities<br />

must not be bastions of cynicism but citadels of<br />

optimism. Optimism, that if we work to understand<br />

the nature of religious tolerance, we can<br />

bring harmony. That if we work to understand<br />

conflict between nations, we can bring peace.<br />

That if we work to understand the origins of<br />

disease, we can bring health. That if we work<br />

to understand the sources of famine, we can<br />

bring nourishment. That if we work to understand<br />

the fundamentals of matter and energy,<br />

we can bring prosperity and a higher standard<br />

of life to people all over our world.<br />

Like other great universities, <strong>Rice</strong> must be<br />

cosmopolitan and international in their truest<br />

sense. We embrace a community of faculty,<br />

staff and students who come from all over the<br />

world. While committed to a strong, supportive<br />

and deep relationship with our great city,<br />

our ambitions to learn and to contribute reach<br />

beyond the borders of our state and country.<br />

Our commitment is to all humanity, and we<br />

seek the advancement of knowledge for their<br />

benefit.<br />

And yet, at the same time, we are a distinctively<br />

American university steeped in American<br />

ideals — ideals of human equality and potential,<br />

of political rights and participation, of<br />

free inquiry and free expression, of religious<br />

freedom and tolerance, of diversity and inclusion,<br />

of creativity and innovation, and of the<br />

possibilities of hard work and economic opportunity.<br />

These ideals are reflected deeply not<br />

merely in the values we convey, but in how we<br />

choose to carry out our mission.<br />

Universities have been and remain unusual<br />

institutions. We are separate and apart and<br />

yet open and engaged. The periphery of our<br />

campus, consisting of hedges and vegetation<br />

punctured frequently by paths and open gates,<br />

incorporates this idea. It is an avowedly porous<br />

border, and not a barrier, that both separates<br />

us from the surrounding city and yet welcomes<br />

those who wish to enjoy our contemplative<br />

spaces and intellectual engagements, as it also<br />

beckons the <strong>Rice</strong> community to engage with<br />

and contribute to our city.<br />

In our rapidly changing world, and recognizing<br />

that the knowledge we generate can<br />

sometimes be quickly developed to benefit<br />

others, universities must change some of their<br />

ways and be prepared to act with urgency. That<br />

is not something we are traditionally known<br />

for; indeed, it is fair to say that we are known<br />

for our slowness. But universities at their best<br />

are both fast and slow. That slowness, that<br />

willingness to put reflection and analysis and<br />

deep understanding above achieving quick<br />

conclusions or results, is an essential part of<br />

our ability to contribute in ways that are different<br />

and important. Our defining commitment<br />

to fundamental research — research that over<br />

centuries has proven its worth — depends on<br />

patience and on that faith that the expansion<br />

of understanding leads to unforeseen benefits<br />

to mankind.<br />

We take, for example, immense pride in<br />

the role that <strong>Rice</strong> played in putting men into<br />

space, but the voyage to the moon did not start<br />

with a historic speech in <strong>Rice</strong> Stadium. It started<br />

with Copernicus and Kepler and Galileo<br />

and Newton. The lesson of putting a man<br />

on the moon is not only that a focused and<br />

concentrated effort involving government and<br />

universities and industry can achieve remarkable<br />

progress, but that centuries of inspiring<br />

teaching and curiosity-driven discovery can<br />

make possible things that could not even have<br />

been imagined.<br />

These dichotomies challenge us — to be<br />

separate and apart, yet open and engaged. To<br />

be fast and yet also to be slow. To embrace an<br />

unthrottled cosmopolitanism and still strive to<br />

be distinctively American. And yet, these are<br />

the attributes that make the modern university<br />

a vital and irreplaceable contributor to human<br />

society. The ivory tower image of the university<br />

has been replaced by our shimmering beacon<br />

on Main Street, but we must maintain our<br />

unusual qualities and commitments if we are<br />

to contribute in the century ahead as we have<br />

in the past.<br />

We must make no mistake; we are in disruptive<br />

times for higher education. Our most<br />

basic concept of the university, as a defined<br />

space that brings teachers and students into<br />

physical proximity, is in the process of being<br />

upended. We now have more students registered<br />

for <strong>Rice</strong> online courses than graduates<br />

28 www.rice.edu/ricemagazine


over our entire century. Not since the invention<br />

of the printing press has the dissemination<br />

of knowledge been so changed as in the<br />

last quarter century, and it will change again<br />

as much in the decades ahead. These changes<br />

have the potential to undermine the sense of<br />

community that has been a hallmark of our<br />

colleges and universities and of <strong>Rice</strong> in particular.<br />

But if we embrace these changes and determine<br />

how they can be used to enhance the<br />

strengths of the physical university while extending<br />

some of its benefits to a virtual global<br />

community, <strong>Rice</strong> will seize a new opportunity<br />

to lead as we enter our next century.<br />

We must embark upon a reimagining of<br />

university education in ways that take advantage<br />

of new technologies of learning, while increasing<br />

our commitment here on our campus<br />

to the personal relationship between teacher<br />

and student. We must dedicate ourselves anew<br />

to our teaching mission and yet be guided by<br />

the ancient Confucian understanding of education:<br />

Tell me and I will forget; show me and I<br />

may remember; involve me and I will understand.<br />

More than ever, we will seize the opportunity<br />

to involve our students and be more<br />

effective teachers.<br />

As we commemorate the end of our first<br />

century today, it is not easy to discern what<br />

lies ahead for our second. Think of the circumstances<br />

and undiscerned future as President<br />

Lovett spoke a century ago. Mass production<br />

of the automobile was a new phenomenon,<br />

and the first commercial airplane flight was<br />

just over a year away. The sun never set on<br />

the British Empire, and World War I lay around<br />

the corner. Oil had been discovered in Texas<br />

a decade earlier, but no one knew what that<br />

would mean for our city or our world. And<br />

Houston’s first air conditioning, dare I add, was<br />

still a decade away.<br />

We have every reason to expect that the<br />

political, societal and technological changes<br />

of the next century will be just as dramatic<br />

as the last, if indeed not more so. We cannot<br />

now see those changes. What we can commit<br />

to and what we can believe in is the power of<br />

the university, of <strong>Rice</strong> <strong>University</strong>, to make that<br />

a better future through teaching and learning<br />

and discovering and creating.<br />

A century ago, a group of students, faculty,<br />

university staff and citizens of Houston sat just<br />

where you sit now to witness the launching<br />

of the first institution of higher education in<br />

the city of Houston. <strong>Rice</strong> set forth with a vision<br />

of greatness, with a commitment to both<br />

importance and excellence, but with little objective<br />

reason to think that such a new university<br />

could really join the great universities<br />

of America. And yet, this endeavor was begun<br />

and sustained with confidence and commitment,<br />

with optimism and faith, even in the<br />

darkest and most difficult of times.<br />

As we enter our second century, we do so<br />

with no less confidence, no less commitment,<br />

no less optimism and no less willingness to<br />

work hard to achieve our highest aspirations.<br />

We are already more than Lovett imagined; today<br />

we embark upon the course that will lead<br />

us to be ever so much more than we might<br />

even be able to imagine today.<br />

Fifty years ago, President Kennedy said at<br />

<strong>Rice</strong> that we must above all be bold if we’re<br />

to achieve the ambition of putting a man on<br />

the moon. As we enter our second century<br />

and face the opportunities ahead, we must be<br />

bold; we must be entrepreneurial; we must<br />

be collaborative; we must be fast and slow;<br />

we must be international yet distinctively<br />

American; we must be the great research<br />

university that preserved its dedication to its<br />

students; we must be <strong>Rice</strong>.<br />

—President David W. Leebron<br />

Oct. 12, 2012<br />

Three Decades of <strong>Rice</strong> <strong>University</strong><br />

Executive Leadership · Tudor Fieldhouse<br />

This panel discussion included President David W.<br />

Leebron, former <strong>Rice</strong> presidents Malcolm Gillis and<br />

George Rupp, <strong>Rice</strong> Board of Trustees Chairman<br />

James Crownover and former <strong>Rice</strong> Board chairs<br />

E. William Barnett and Charles Duncan, and<br />

moderator Professor Allen Matusow.<br />

<strong>Rice</strong> Magazine • No. 15 • 2013 29


Saturday, October<br />

Centennial Picnic · Central Quadrangle<br />

A centennial picnic and celebration brought<br />

together 5,000 students, faculty, staff, alumni<br />

and academic procession delegates.<br />

13<br />

Edgar Odell Lovett Statue Dedication · Keck Hall<br />

The bronze statue of Edgar Odell Lovett, created by<br />

sculptor Bruce Wolfe, was formally dedicated Oct. 13.<br />

Many of Lovett’s descendants were in attendance, and<br />

the statue was unveiled by the founding president’s<br />

great-great-grandchildren.<br />

30 www.rice.edu/ricemagazine


Homecoming Game<br />

Centennial and Homecoming Football Game ·<br />

<strong>Rice</strong> Stadium<br />

The <strong>Rice</strong> Owls took on the <strong>University</strong> of Texas at San<br />

Antonio’s Roadrunners in the homecoming football<br />

game. The Owls won, 34–14 — <strong>Rice</strong>’s eighth-straight<br />

homecoming game victory. The semicentennial class gave<br />

a record-breaking $6.7 million class donation at halftime.<br />

<strong>Rice</strong> Magazine • No. 15 • 2013 31


Inside<br />

the<br />

Spectacle<br />

32 www.rice.edu/ricemagazine


A year’s worth of under-the-radar planning went into an<br />

unforgettable light and sound show marking <strong>Rice</strong>’s centennial.<br />

Thorsten Bauer went straight for the heart.<br />

As creative director and co-founder of<br />

URBANSCREEN, the Germany-based company<br />

that creates and stages description-defying<br />

light and sound projections on architectural<br />

settings, Bauer led the artists and technicians<br />

who brought Lovett, Sewall and Herzstein<br />

halls to life for a series of performances during<br />

<strong>Rice</strong>’s Centennial Celebration. The performances<br />

were billed as “the Spectacle.”<br />

“We wanted to make it an experience for<br />

the audience,” he said. “It’s not as much about<br />

teaching them as it is about touching them.”<br />

Thousands experienced the awe-inspiring<br />

performance over three perfect autumn evenings<br />

inside <strong>Rice</strong>’s Academic Quadrangle.<br />

The URBANSCREEN team flew to <strong>Rice</strong>, its<br />

first American client, charged with creating an<br />

event that would tell the story of the university’s<br />

first century to the extended community of<br />

students, faculty, staff, alumni and visitors attending<br />

the extensive series of events the campus<br />

hosted during the Centennial Celebration.<br />

The artists’ strategy was to let <strong>Rice</strong>’s distinctive<br />

architecture do the talking.<br />

“Our first question was, ‘Who is telling this<br />

story?’ We decided the architecture itself is the<br />

only living witness to the entire history,” Bauer<br />

said. “The images come from the inside of the<br />

building to the outside for a few seconds, and<br />

then go back.”<br />

For the three-segment production, the<br />

team created a three-dimensional video keyed<br />

brick-by-brick to the buildings.<br />

“We think of a building as a diva, because<br />

it demands so many things,” said Till<br />

Botterweck, an URBANSCREEN art director, at<br />

a lecture for <strong>Rice</strong> architecture students the day<br />

after the final performance. “This one (Lovett<br />

Hall) was even more of a diva.” The ornate<br />

building presented many challenges. For one,<br />

Bauer said, the team’s original production<br />

drawings were based on architectural plans<br />

that go back to <strong>Rice</strong>’s beginnings. When they<br />

came to <strong>Rice</strong> for the show, they discovered<br />

Lovett Hall’s construction crew didn’t always<br />

adhere to the plan. “They were a few inches<br />

off here, a few inches there, but we were able<br />

to adjust,” he said.<br />

From the beginning of the process, the owl<br />

served as inspiration. Bauer’s imitation of an<br />

owl as he described his ideas during his initial<br />

meeting at <strong>Rice</strong> convinced the Spectacle committee<br />

that URBANSCREEN was right for the<br />

job, said Molly Hipp Hubbard, university art director<br />

and committee co-chair. “We fell in love<br />

with them at that moment, because we knew<br />

they got it. We knew they would be able to get<br />

<strong>Rice</strong> completely and engage and integrate all<br />

the stories.”<br />

The opening of the show featured the<br />

sound of insects followed by the image of<br />

a giant owl in shadow flying across the façade<br />

of the three buildings. The sound of its<br />

wings — ultimately, created with a wet towel<br />

waved in front of a microphone — grew out<br />

of a prairie soundscape. The owl circled and<br />

dropped a feather at the Sallyport, where the<br />

<strong>Rice</strong> Institute took root. A fanciful opening revelation<br />

of the architectural details served as a<br />

segue to the main segment, in which the artists<br />

bent the architecture to their will as the buildings<br />

revealed the university’s colorful history,<br />

with each decade in turn crackling to life.<br />

“This is not like a PowerPoint presentation,”<br />

Bauer said of the art form his company<br />

refers to as “lumentecture.”<br />

“There are often many things happening<br />

at the same time, bubbling up, falling to the<br />

surface and disappearing again,” he said. “We<br />

created the visuals to reflect the design principles<br />

of the decades they represent.” The surround<br />

soundscape enticed viewers to look this<br />

way and that, ensuring that one could not see<br />

everything in a single viewing, and probably<br />

not even multiple viewings.<br />

Bauer and the URBANSCREEN team had<br />

been stealing in and out of <strong>Rice</strong> for a year<br />

<strong>Rice</strong> Magazine • No. 15 • 2013 33


to plan the nearly 20-minute show that not<br />

so much told the history of <strong>Rice</strong> to audience<br />

members as folded them inside it. The 270-degree<br />

projections were a first for the company<br />

that has wrapped a number of buildings in<br />

fanciful animations, most notably the Sydney<br />

Opera House earlier in 2012.<br />

Because details of the performance were<br />

to remain a deep, dark secret until the premiere<br />

the night of the Centennial Gala, Bauer,<br />

Botterweck, art director Max Goergen and<br />

producer Manuel Engels often came to campus<br />

under aliases. Sometimes they posed as the<br />

German cousins of <strong>Rice</strong> School of Architecture<br />

Dean Sarah Whiting, co-chair of the <strong>Rice</strong>-side<br />

production committee, to conduct interviews<br />

for their “research project.”<br />

“More than once, people came up and<br />

said, ‘Hey, I met your German cousins today!’”<br />

Whiting said, laughing. The pressure to keep<br />

quiet was even greater on architecture senior<br />

Joshuah Howard, whom Whiting sent to intern<br />

with URBANSCREEN for a month last summer.<br />

“He couldn’t tell anyone what he was<br />

doing, even what town in Germany he was in,”<br />

Whiting said.<br />

Whiting noted the considerable challenge<br />

of “getting everyone excited about something<br />

we couldn’t talk about.”<br />

The committee that also included<br />

Centennial Director Kathleen Boyd, Senior<br />

Project Manager for the BioScience Research<br />

Collaborative Kathy Jones and Associate Vice<br />

President for Development Kevin Foyle set a<br />

baseline of historic events that had to be part<br />

of the performance, based on Public Affairs’<br />

centennial banners that line <strong>Rice</strong>’s Inner Loop.<br />

Otherwise, Bauer said, “We collected tons of<br />

photos and tons of text, read all the books<br />

about the history of <strong>Rice</strong> and ended up with a<br />

huge amount of information that was far more<br />

than we could use.”<br />

In fact, Bauer used an astounding 30,000<br />

photos during the five shows and one unplanned<br />

encore. Hubbard said that after<br />

the final unadvertised performance for the<br />

<strong>Rice</strong> Design Alliance gala Oct. 14, hundreds<br />

of people were still pouring into the quad.<br />

“One student came up to Thorsten and asked,<br />

‘What time is the show?’ and he said, ‘I’m<br />

sorry, we’re done. We just did the last show.’<br />

And he said she burst into tears,” Hubbard<br />

said. “Ten minutes later they decided to run it<br />

one more time.”<br />

Editing the images to fit the buildings’ façades<br />

took months, with tests viewed in the<br />

company’s computers and on a small mock-up<br />

of the quad. With a projection that measured,<br />

in technical terms, 10,000 pixels wide and<br />

2,000 pixels high, there was plenty of room for<br />

Bauer to maneuver as he oversaw the flow of<br />

artwork in two and three dimensions, matching<br />

it to the electronic score that also was composed<br />

and produced by the company.<br />

“It was the most challenging production for<br />

URBANSCREEN so far because of the amount<br />

of content, the number of effects, the ratio, the<br />

resolution and also because our partners here<br />

were very diverse,” he said. “There was no one<br />

art director from <strong>Rice</strong> confronting us; there<br />

were many cooks — intellectual cooks. But I<br />

liked it, because everybody gave their input,<br />

they put things on the table and then they took<br />

their hands away. They really trusted us.”<br />

The German crew traveled to Houston<br />

for centennial week with only data — 800<br />

gigabytes’ worth — as their cargo. The rest<br />

of the gear was leased from Houston-based<br />

LD Systems, a lighting-and-sound production<br />

company started and still operated by <strong>Rice</strong><br />

alumnus Rob McKinley ’81. The company built<br />

and installed the unique two-stage mask that<br />

occluded the Sallyport without blocking traffic,<br />

and also provided the 12 20,000-watt projectors<br />

and the immersive sound system.<br />

Sound was most critical to what Bauer<br />

called the show’s epilogue, when history had<br />

caught up to the present day. “Our decision<br />

was to swap the narration line from the visual<br />

in the 100-years part to the auditory,” he said<br />

of the segment that features the layered voices<br />

of dozens of <strong>Rice</strong> students coming from every<br />

direction. All the while, at first slowly and<br />

then in massive waves, bricks of light flow<br />

around and about the arches that support the<br />

three buildings.<br />

Rather than a visual representation of<br />

buildings and plans, Bauer said the finale, representing<br />

the future, “is built out of the wishes,<br />

fears and hopes of the students of today.” He<br />

conducted 12 hours’ worth of interviews for<br />

the collage that concludes the show.<br />

The segment was inspired by a comment<br />

President David Leebron made early<br />

in the process. “He said in one interview,<br />

‘You know, <strong>Rice</strong> is one of the last refuges<br />

of people whose ambition is to change the<br />

world,’” Bauer recalled. “As I worked more<br />

and more with <strong>Rice</strong>, I saw this more clearly.<br />

This changed me. This kind of inspiration is<br />

the fire in this community, and I found that in<br />

every interview I did.”<br />

The light may have faded, but the fire<br />

remains. “As I left the architecture lecture, I<br />

heard two students talking in the quad as the<br />

projection tower was coming down,” Hubbard<br />

said. “One of them looked at it and said, ‘I can’t<br />

believe that it’s gone. I’ll never be able to look<br />

at Lovett Hall the same way again.’”<br />

—Mike Williams<br />

The Spectacle · Academic Quadrangle<br />

The Spectacle was conceived for <strong>Rice</strong>’s centennial and<br />

performed under the stars in the Academic Quadrangle.<br />

The German artist group URBANSCREEN designed the<br />

performance, which was projected onto three of <strong>Rice</strong>’s<br />

historic buildings.<br />

e WATCH THE SPECTACLE ONLINE: ricemagazine.info/134<br />

34 www.rice.edu/ricemagazine


Wednesday, October<br />

17<br />

Centennial Lecture Series · Tudor Fieldhouse<br />

Chief Justice of the United States John G. Roberts Jr.<br />

was our final Centennial Lecture Series speaker.<br />

e WATCH THE LECTURES ONLINE: ricemagazine.info/132<br />

“Now when President Lovett spoke 100 years ago, the newspapers in this state and around the nation took due<br />

note that something big was happening in Texas. The New York Times reported that President Lovett had attracted<br />

an array of learning such as has seldom been assembled in the United States. The Dallas Morning News waxed<br />

almost mystically. It observed that President Lovett’s speech coincided with the early evening appearance of both<br />

Jupiter and Venus and suggested that the evening sky was an augury of a bright future for the institute. Not every<br />

newspaper was as perceptive or transcendent. One local journal reported the founding of <strong>Rice</strong> in the same column<br />

as the news that Congo, the world’s largest circus elephant, was coming to town. But we now know 100 years later<br />

that those who bet on the future greatness of <strong>Rice</strong>, bet right.”<br />

—Chief Justice of the United States John G. Roberts Jr.<br />

<strong>Rice</strong> Magazine • No. 15 • 2013 35


The Apostle<br />

of Stoke<br />

REMEMBERING<br />

Ben<br />

Horne<br />

’02<br />

By Corinne Whiting<br />

36 www.rice.edu/ricemagazine


LAST SUMMER, BEN HORNE ’02, ALONG WITH HIS FRIEND GIL WEISS, DIED IN A MOUNTAIN CLIMBING ACCIDENT IN THE<br />

CORDILLERA BLANCA RANGE OF THE PERUVIAN ANDES. SINCE THEN, A VAST COMMUNITY OF FAMILY AND FRIENDS HAS<br />

GATHERED IN THE PLACES HORNE LOVED BEST — ON MOUNTAINS AND TRAILS, IN CHURCHES AND PARKS, IN THE HOMES<br />

OF FRIENDS AND FAMILY, AND ON RICE’S CAMPUS — TO REMEMBER AND CELEBRATE A LIFE LIVED WITH UNCOMMON JOY<br />

AND ACCOMPLISHMENT. DURING ONE OF THOSE SERVICES HELD IN SAN DIEGO LAST SUMMER, BEN’S CLOSE FRIEND SKYE<br />

SCHELL ’05 SUMMED UP HIS THOUGHTS: “BEN WAS INSPIRATION. THAT’S WHAT HE WAS TO ALL OF US. HE BROUGHT THE<br />

MESSAGE OF STOKE. SINCE WE’RE HERE IN CHURCH, WE COULD SAY HE WAS AN APOSTLE OF STOKE.”<br />

ONE • FAMILY FOUNDATIONS<br />

<strong>At</strong> 6 feet 2 inches and approximately 185<br />

pounds, Ben Horne stood tall and strong. His<br />

most defining features: a curly blond mop,<br />

sparkly blue eyes and an expansive smile. As<br />

evidenced by the entries in his blog, Zoom<br />

Loco, Horne was a prolific chronicler of his<br />

life’s experiences. By way of introduction<br />

there, he wrote, “My heroes are Tank Man,<br />

Tolstoy and Jesus Christ. I do believe that a<br />

better world is coming. My goal is to be the<br />

most complete person I can be. Full stop.”<br />

When Horne’s friends and family describe<br />

his life, the same adjectives are uttered time<br />

and again — inspiring, passionate, authentic.<br />

He loved mountains and sunsets. To a great<br />

extent, these traits can be traced to Horne’s<br />

early years, growing up in a warm and loving<br />

family, the oldest of Gary and Chris Horne’s<br />

four children. “Ben felt he had the best childhood<br />

experience because he lived in the<br />

country as a young kid, on a six-acre farm in<br />

south central Pennsylvania, moved to Hawaii<br />

and then close to D.C., so that he experienced<br />

all the benefits of a rural and suburban life,”<br />

Chris said.<br />

Horne learned basic hiking and backpacking<br />

skills by participating in the Boy Scouts,<br />

with great encouragement from Gary. The<br />

family often vacationed in the national parks<br />

of the American West and enjoyed family<br />

nights playing board games. Their religious<br />

faith played a large part in the family members’<br />

lives, no doubt motivating Ben, as an adult,<br />

to seek out the divine in all he did — from<br />

rock climbing to his studies. His Catholic faith<br />

served as foundation for his pursuit of peace<br />

and conflict resolution in his future career.<br />

To his younger siblings (Eric, 30; Math,<br />

26; and Liz, 22), “Ben was the big brother<br />

that all three looked up to,” said Chris Horne.<br />

He drove his younger brother Eric to school,<br />

loyally attended sporting events, and spent<br />

countless hours talking politics and music. He<br />

recorded songs with Math and, having always<br />

served as a mentor to Liz, shared his love of<br />

other cultures with her during a joint trip to<br />

Central America.<br />

In one of many eulogies delivered at<br />

Horne’s funeral in Virginia last August, Math<br />

said, “Ben’s week beats your year. He climbs<br />

unclimbable peaks after running inhuman distances<br />

only stopping to write, rap, pray or read<br />

up on how to start the revolution. He never<br />

settles or merely copes. People might say,<br />

wholehearted. Unrelenting. He maintains the<br />

light. Persistent. Deliberate. He says it’s his 100<br />

percent raw Lithuanian beef. I call it guts.”<br />

MATH’S EULOGY: ricemagazine.info/135<br />

TWO • WIESSMAN<br />

Because of Horne’s love for the mountains<br />

and outdoor pursuits, attending a school in<br />

Houston seemed a long shot — after all, it is<br />

flat. His parents remember that their son was<br />

won over by the bucolic tree-canopied campus<br />

and diverse student body, and so Horne<br />

entered the Class of 2002.<br />

He found a home at Wiess College,<br />

where current Dean of Undergraduates John<br />

Hutchinson and his wife, Paula, were then<br />

masters. On the academic side, Horne studied<br />

economics, math and political science. Soon<br />

enough, he made a name for himself as both<br />

the life of the party (though his drink of choice<br />

was orange juice) and a citizen-philosopher<br />

deeply engaged in service.<br />

Between his sophomore and junior years<br />

at <strong>Rice</strong>, Horne hiked the Appalachian Trail<br />

end-to-end by himself and at a near-recordsetting<br />

pace. The experience of solo hiking<br />

at such an impressionable age (he turned 20<br />

en route) was transformative, he said. His<br />

journals from that time reveal a maturing and<br />

probing mind. In one prophetic passage, he<br />

wrote, “The goal of changing things for the<br />

better can be reached — the key is to inspire<br />

others, to affect other people in little ways,<br />

and they in turn will continue to pass it down.<br />

When we seek personal glory, we can achieve<br />

transient fame; if we seek to better the world,<br />

we can contribute to lasting results. If we<br />

don’t pass it on, it will fade as memories of<br />

us fade.”<br />

<strong>At</strong> <strong>Rice</strong>, Horne felt immense pride for his<br />

work with KTRU, the student radio station,<br />

what he called “one of the greatest things<br />

about the university” and a platform for<br />

“I am sure many stories about Ben have been told<br />

these last few weeks, and many more will be told in<br />

the years to come. Tell those stories. Ben loved stories.”<br />

—Eric Horne, Aug. 7, 2012, Annandale, Va.<br />

independent musicians. He was a DJ there for<br />

four years, the DJ director his junior year and<br />

station manager his senior year. Former station<br />

manager Johnny So ’01 credits Horne with<br />

changing the culture of the station, making it<br />

more open and accessible to the student body.<br />

<strong>At</strong> the dedication, So said, “Ben immediately<br />

stood out — here was a guy that was not only<br />

extremely involved in student life at <strong>Rice</strong>, he<br />

was actually popular! That alone was almost a<br />

disqualifier for working at KTRU.”<br />

When the 40-year-old station’s tower was<br />

sold in 2010 to the <strong>University</strong> of Houston,<br />

Horne, along with a dedicated group of KTRU<br />

alumni, opposed the sale. On savektru.org, he<br />

wrote, “KTRU is an idea. A philosophy. KTRU<br />

is not just a club. It is a cause. KTRU is, even,<br />

possibly a religion.” Ultimately the sale of the<br />

FM license went through, but the station survives<br />

as KTRU-HD radio, available through<br />

the Internet and mobile devices. To honor<br />

Horne’s advocacy and service, KTRU’s broadcast<br />

studio, located on the second floor of the<br />

<strong>Rice</strong> Memorial Center, was dedicated the Ben<br />

Horne Memorial Studio last October.<br />

During <strong>Rice</strong>’s centennial and reunion weekend<br />

(the 10th reunion for the Class of 2002), a<br />

group of Horne’s classmates and friends gathered<br />

in the Hindman Garden for an informal<br />

tribute of words and song. Horne’s parents<br />

flew in for this event, which was organized<br />

by Lizzie Taishoff Sweigart ’01. In a peaceful<br />

grove of giant live oaks, Dean Hutchinson,<br />

Liora Danan ’03, Adam Larson ’05, Josh Katz<br />

’01, Josh Hale ’02, Iris Hurtado Wingrove ’02,<br />

Saheel Sutaria ’02, So and others took turns<br />

sharing stories of their college years.<br />

Sutaria and Wingrove first met Horne during<br />

O-Week. Hale was Horne’s freshman-year<br />

roommate. Their voices conjured memories of<br />

Freshman One-Act plays and “Hello, Hamlet”;<br />

of beach trips, spontaneous road trips, flag<br />

football and water-gun fights; of chasing and<br />

<strong>Rice</strong> Magazine • No. 15 • 2013 37


“People say that Ben lived many lives’ worth in his 32 years, and not only in terms of the<br />

mountains he climbed, places he visited or miles he ran — but also in the number of people<br />

he loved, and how deeply he loved them.”<br />

—Anne Chmilewski, Aug. 14, 2012, San Diego<br />

catching squirrels; having philosophical discussions; being recruited to<br />

work at the radio station; and attending every kind of cultural celebration<br />

on campus.<br />

Danan met Horne when he was working at KTRU and she was<br />

the senior news editor at the Thresher. Their long relationship had just<br />

begun as Horne graduated college — they lived in four different cities at<br />

the same time and traveled to 22 countries together. They got engaged,<br />

and though they ended their engagement last fall, the two remained<br />

best friends.<br />

<strong>At</strong> the <strong>Rice</strong> service, Danan said, “I believe that Ben’s greatest strength,<br />

what allowed him to inspire us all, was his willingness to fail. This was a<br />

core value for him, a direct reflection of his deep faith. Ben was keenly<br />

aware of his own failings and limitations, and he was exceptionally willing<br />

to fight the inner struggle because he knew it was worth fighting. He<br />

believed in humanity precisely because it is broken.”<br />

DEDICATION OF THE BEN HORNE MEMORIAL STUDIO: ricemagazine.info/136<br />

THREE • ASCENDING AND TRAVERSING<br />

After <strong>Rice</strong>, Horne joined the Peace Corps and went to Kyrgyzstan.<br />

Already an adept outdoorsman, it was there that he learned the sport of<br />

alpine climbing and became “spoiled, climbing some world-class mountains,”<br />

he said last June. Although he liked soloing, Horne also enjoyed<br />

the dynamic of group climbing, which forces participants to overlook<br />

fears, egos, personality quirks and bad moods. In such settings, Horne<br />

said, “You have one objective. You’re all helping one another with a<br />

common goal.” He likened climbing to an ancient practice like hunting.<br />

“In the most primal sense,” he said, “you’re tapping into something that<br />

humans have been doing for hundreds and thousands of years.”<br />

It was the “mighty Sierra Nevada” that provided a triumphant experience<br />

last spring for Horne, Shay Har-Noy ’04 and Konstantin Stoletov.<br />

All were part of the loose confederation of climbing enthusiasts called<br />

Pullharder, a San Diego-based community of skilled climbers who share<br />

their experiences online.<br />

In March, the trio successfully completed the first-ever wintertime<br />

ascent of Peter Croft’s Evolution Traverse, a route that involved nine<br />

13,000-foot peaks and the traversing of more than eight miles of the<br />

Evolution subrange of the Eastern Sierra. Horne called this “one of the<br />

Lower 48’s greatest climbs,” yet it had only previously been completed<br />

about 15 times and never outside of prime season. The technical route<br />

took seven days from car to car (including one storm day) and involved<br />

four days on the actual route with 36 total hours of climbing.<br />

<strong>At</strong> times, the trio endured winds as high as 90 mph and temperatures<br />

as low as -7 F, making for a challenging environment in which to do<br />

such technical climbing. In a post-trip blog post, Horne admitted he was<br />

“stoked, but … tired.” Yet he also expressed great excitement for having<br />

accomplished this feat in his “home range,” at being associated with<br />

the route of one of his biggest inspirations (climber and mountaineer<br />

Peter Croft) and for the symbolism behind climbing a traverse named<br />

Evolution. In an interview last summer about the Evolution climb, Horne<br />

emphasized that this accomplishment was mostly personal.<br />

“The most important thing is that your motivation is internal,” Horne<br />

said, “If you’re doing something for external recognition, it’s just not<br />

as fulfilling. It leads to a strange culture in which [the achievement]<br />

becomes about bragging.”<br />

Horne physically held on to pieces of life experiences by way of<br />

souvenirs and ticket stubs. He also kept meticulous lists and Excel<br />

spreadsheets that not only helped him prepare for upcoming treks and<br />

climbs, but also recorded details of the number of countries he’d traveled<br />

(53 “real” visits; 62 if you count airport layovers), states he’d visited<br />

(49; only South Dakota remained), climbs completed, national parks<br />

explored, “bizarre experiences” endured. His page of “Top Ten Sights”<br />

reveals no fewer than 26 places, ranging from the Sistine Chapel and Taj<br />

Mahal to Havasu Falls and Joshua Tree.<br />

EVOLUTION TRAVERSE TRIP REPORT: ricemagazine.info/137<br />

FOUR • LITTLE THINGS<br />

Many remember Horne for the big things — his impressive academic<br />

achievements and astounding athletic accomplishments. Not long after<br />

the Evolution Traverse conquest and right before he set out for Peru,<br />

Horne ran an ultramarathon (100 miles) in less than 24 hours.<br />

“If Ben was going to do something,” Danan said, “he was going to<br />

do it all the way.” But it was the everyday things that mattered the most.<br />

In a eulogy delivered at his San Diego memorial service, she added,<br />

“Ben never wanted to be a superhero because of his physical achievements.<br />

In fact, he went out of his way to understate them. If we idealize<br />

his achievements, we are misunderstanding Ben.”<br />

While living in San Diego, Horne organized a series of discussion<br />

dinners around a potluck meal and an informal roundtable. He invited<br />

those representing different backgrounds and beliefs who he thought<br />

would benefit most from the conversations; together they covered topics<br />

from race and the environment to religion. Commented Har-Noy,<br />

“Oftentimes you have people who aren’t intellectually honest; they<br />

think they’re smart but don’t listen to anybody else. They shut off the<br />

willingness to accept someone. Ben fundamentally sought out alternative<br />

opinions on how things work.”<br />

Since 2007, Horne had been pursuing a Ph.D. in economics at the<br />

<strong>University</strong> of California at San Diego (UCSD) and completing his studies<br />

of conflict resolution and mediation. Eli Berman, professor of economics<br />

at UCSD, also taught economics at <strong>Rice</strong>. Horne was one of his students<br />

there. When both landed at UCSD, Horne once again studied under<br />

Berman, who ultimately served as his dissertation adviser. Horne’s<br />

research focused on the role of mediation in international conflict and<br />

how third parties can intercede to make peace agreements possible that<br />

would not otherwise happen.<br />

“Ben’s interest in this question, as far as I can tell, came from a<br />

wonderful place,” Berman said. “He cared deeply about people and<br />

believed in mediation among individuals. He also had a deep concern<br />

for the human suffering caused by unresolved conflicts. Ben’s research<br />

made substantial progress on the theory of mediation, which we hope<br />

will be of use to practitioners.” <strong>At</strong> present, UCSD faculty are working to<br />

give recognition to his research and encourage others to continue what<br />

Horne started.<br />

FIVE • PERU<br />

On pullharder.org, Horne’s in-progress trip report titled “The Peruvian<br />

Chronicles” detailed the first climbs he and Weiss completed in the<br />

Cordillera Blanca last July. In the post, he chronicles the weather, the<br />

challenges, the lows and the highs in characteristic self-deprecating and<br />

humorous fashion. The post is accompanied by an image of a sunset<br />

of wondrous beauty. Their next destination was Palcaraju Oeste, where<br />

they would attempt (and succeed) in putting up a first-ever ascent of a<br />

new route on the mountain’s south face. On July 13, on the way back<br />

38 www.rice.edu/ricemagazine


Left to right: Alexei Angelides ‘98, Sarah Pitre ‘01, Horne and Dennis Lee ‘05 in the KTRU studio in 2000; <strong>Rice</strong> graduation with siblings Matthew and Elizabeth Horne,<br />

2002; Elizabeth and Ben in Guatemala, 2007. Below: Climbing Evolution Traverse with Shay Har-Noy ‘04 and Konstantin Stoletov, March 2012.<br />

“I GREW UP IN THE APPALACHIANS, THEN LIVED<br />

FOR SPELLS IN THE TIEN SHAN (KYRGYZSTAN)<br />

AND THE ROCKIES. I LOVE MOUNTAINS AND<br />

MOST EVERYTHING ABOUT THEM. NOW I LIVE BY<br />

THE SEA IN LA JOLLA, CALIFORNIA, WITH THE<br />

MIGHTY SIERRA NEVADA VERY CLOSE BY.”<br />

—Ben Horne, zoomloco.wordpress.com<br />

Below: Horne and friends Saheel Sutaria ‘02 and Kristen Stecher ’02; Liora Danan ‘03 and Horne, San Miguel, Mexico, 2011.<br />

<strong>Rice</strong> Magazine • No. 15 • 2013 39


“The day I found out they found Ben’s body, I was on safari in<br />

Malawi. I watched the most spectacular sunset I’ve ever seen<br />

that night, sitting in a vast grassland with wild animals around<br />

and good friends by my side. It sounds like a lot of Ben’s friends<br />

and family felt this way and had a similar experience that night,<br />

but I nonetheless felt like he was watching the sunset with<br />

me that night, saying goodbye in his own extreme, spectacular,<br />

poignant way.”<br />

—Brigitte Zimmerman, maintainthelight.org<br />

down from the peak, rescuers speculate that the fragile ridge where they were walking<br />

simply collapsed.<br />

After Horne and Weiss were reported missing, stunned friends and family watched in<br />

disbelief as the search unfolded in real time. Climbing websites and listservs posted updates<br />

for friends and family. Har-Noy’s company obtained satellite imagery and employed<br />

crowd-sourcing techniques to try and find the two. [See sidebar.] On Saturday morning,<br />

July 28, Gary Horne received a call from the rescue coordinator. Their bodies had been<br />

found at the bottom of the mountain. Accompanied by Danan, the two flew to Peru to<br />

bring Ben home.<br />

SIX • MAINTAIN THE LIGHT<br />

Since Horne’s death, Gary has poured himself into creating maintainthelight.org, a memorial<br />

website dedicated to his son, named for a motto Ben adopted to honor his grandmother.<br />

One section pays honor to Horne by linking to dozens of heartfelt eulogies and letters as<br />

well as examples of Horne’s prolific writings, photos and academic work.<br />

The second part of the website conveys a mission: How can we who remain here on<br />

Earth ‘maintain the light’? On the website, friends commit to living into their strengths and<br />

hopes and to do something inspired by Horne. Playing the piano, serving God, connecting<br />

with people, viewing sunsets, participating in an Ironman competition, climbing, running,<br />

refraining from judgment and simply living life are some of the promises Horne’s friends<br />

and family have made. “Ben was deeply affected in his childhood by stories from people<br />

who said they had waited until it was too late, for whatever it was that mattered to them,”<br />

Danan said. “Ben did not wait. He was always setting goals, always training, in all categories<br />

of his life. Ben practiced his religion in the cathedrals of mountains and church pews<br />

and backyard BBQs and rock concerts and overcrowded buses in foreign countries.” The<br />

site’s content serves as daily inspiration for all those who remain deeply grateful for the<br />

example of Horne’s life. Full stop. ■<br />

“Last year for my birthday, Grandmom sent me a<br />

card with a photo of Denali on the front. I climbed<br />

Denali for the first time 2 weeks after her death,<br />

still grieved. The emotion definitely spurred me to<br />

press on. A few years before she sent me a card of<br />

a lighthouse with the words ‘Maintain the Light.’<br />

I do believe death is a part of life, and that her light<br />

can shine on through us.”<br />

—Ben Horne, June 23, 2011<br />

TOMNOD: PULLING<br />

TOGETHER<br />

Though they didn’t know each<br />

other at <strong>Rice</strong>, Shay Har-Noy<br />

’04 and Ben Horne ’02 had<br />

become acquainted while<br />

both were in grad school at<br />

the <strong>University</strong> of California at<br />

San Diego (UCSD), ultimately<br />

forging a strong friendship<br />

based on their mutual love<br />

Shay Har-Noy ’04<br />

of climbing in the Sierra Nevada. Har-Noy earned<br />

degrees in economics and electrical and computer<br />

engineering at <strong>Rice</strong>; at UCSD, he earned a master’s<br />

and a Ph.D. in electrical engineering. His day job is<br />

CEO of Tomnod, a young tech company that provides<br />

distribution and analysis of current satellite images<br />

for a variety of clients.<br />

On July 25, 2012, Har-Noy got an email with a<br />

personal and urgent bent — good friends Horne and<br />

Gil Weiss, who had been mountain climbing in the<br />

Peruvian Andes, were missing. The team reached<br />

out to their professional contacts at DigitalGlobe and<br />

GeoEye to ask for archival imagery of the mountain.<br />

Tomnod (meaning “big eye” in Mongolian)<br />

requested that the next time the satellite passed<br />

overhead, it focus on the section of the mountain<br />

where Horne and Weiss had been climbing. Within a<br />

couple of hours, the team had received and processed<br />

the image and put it online, inviting friends and<br />

family to help search for clues in the snow patterns.<br />

On the map, images were flagged and marked<br />

after several people reached a consensus that they<br />

saw the same thing. Within 15 minutes, hopes<br />

soared when taggers identified three black dots<br />

(on the otherwise white snow) as rescuers headed<br />

up the glacier. “I was psyched,” said Har-Noy. “We<br />

were in go mode. I was thinking, if these guys are<br />

anywhere in this picture, we’re going to find them.”<br />

This flurry of excitement pervaded social media as<br />

family and friends clung to the possibility that the<br />

two were merely injured or stranded. Over the next<br />

four hours, more than 800 people logged in to scour<br />

small sections of the mountain’s image.<br />

Before a search plane took off for the<br />

mountain, Har-Noy sent the air and ground<br />

rescue teams detailed imagery of what<br />

they identified as the top four search<br />

locations. The ground team had<br />

independently arrived at the same<br />

conclusion, and the climbers’ bodies<br />

were found below their last tracks in<br />

the imagery. “Our efforts to find Ben<br />

and Gil really emphasize the power of<br />

timely satellite imagery and our technology<br />

in critical situations,” Har-Noy said.<br />

A devastated Pullharder community announced<br />

the death of their two dear friends on their website.<br />

“These are two of the finest climbers we have ever<br />

known … embodying the spirit of the mountains<br />

with everything they did. Many of us have had the<br />

honor of sharing in their love for the wilderness,<br />

and that lives on.”<br />

40 www.rice.edu/ricemagazine


RICEOW L S.COM<br />

A Winning Season<br />

<strong>Rice</strong> Soccer Shares C-USA Regular-Season Title<br />

Sports<br />

With 11 wins, six losses and three ties, the<br />

<strong>Rice</strong> soccer team scored its best regular season<br />

record in program history. The winning<br />

season earned the team, under head coach<br />

Nicky Adams, a C-USA co-championship<br />

title with Colorado College. <strong>Rice</strong> was eliminated<br />

in the opening round of the C-USA<br />

Tournament.<br />

The Owls debuted a dynamic freshman<br />

scoring duo of Lauren Hughes and Holly<br />

Hargreaves, who combined for 19 goals<br />

during the season. Hargreaves and sophomore<br />

midfielder Quinney Truong were both<br />

named First-Team All-Conference USA, and<br />

Hargreaves was named C-USA Freshman of<br />

the Year.<br />

Hargreaves totaled 10 goals as a starter<br />

for all 21 games. She tied for seventh in the<br />

nation with six game-winning goals and<br />

ranked among the NCAA and C-USA statistical<br />

leaders in goals (10), points (23) and<br />

shots (76). The rookie scored a <strong>Rice</strong> record<br />

game-winning goal in four-straight games in<br />

September.<br />

Truong was fourth on the team in minutes<br />

as a starter in the midfield, playing 92<br />

percent of the team’s total time. The Fort<br />

Worth, Texas, standout scored the gametying<br />

goal against Big 12 power Oklahoma<br />

and also had a goal on the road at <strong>University</strong><br />

of Alabama at Birmingham. She assisted on<br />

game-winning goals in back-to-back games<br />

vs. Sam Houston State and Tulsa while maintaining<br />

a .400 shots-on-goal percentage.<br />

Seniors and team captains Julia Barrow<br />

and Lauren LaGro were named to the C-USA<br />

All-Academic team for success in the classroom<br />

and on the soccer field. Barrow has<br />

maintained a 3.92 GPA as an English major<br />

with a minor in poverty, justice and human<br />

capabilities. She led the Owls with four assists<br />

and rarely came out of a game, playing<br />

all 90 or more minutes 13 times.<br />

A three-time C-USA All-Academic<br />

honoree who has maintained a 3.87 GPA<br />

as a kinesiology major, LaGro started all 21<br />

matches and helped the Owls to a share of<br />

the 2012 conference regular-season title.<br />

LaGro often was assigned to cover the opposing<br />

team’s top scoring threat. Overall, the<br />

<strong>Rice</strong> backline helped hold opponents to just<br />

11.7 shots per game.<br />

<strong>Rice</strong> Magazine • No. 15 • 2013 41


Arts<br />

<strong>Rice</strong>’s de Menil Years<br />

“ Raid the Archive: The de Menil Years at <strong>Rice</strong>”<br />

commemorated the 100th anniversary of <strong>Rice</strong><br />

<strong>University</strong> as well as the Menil Collection’s<br />

25th anniversary.<br />

Clockwise from left: Installation view of “The<br />

Machine as Seen at the End of the Mechanical<br />

Age,” <strong>Rice</strong> Museum, 1969; exhibition poster;<br />

Dominique de Menil, 1979. (Photo credits:<br />

Hickey-Robertson and Geoff Winningham ’65)<br />

The de Menil years at <strong>Rice</strong> began in 1969 with<br />

the exhibition “The Machine as Seen at the End<br />

of the Mechanical Age” at the just-completed<br />

<strong>Rice</strong> Museum. This stunning collection of works<br />

from the 15th to the 20th century explored the<br />

intersections of art and technology. Among the<br />

200 works were a replica of a da Vinci flying<br />

machine, Buckminster Fuller’s Dymaxion car,<br />

Jean Tinguely’s ball producing and consuming<br />

Rotozaza, and Claes Oldenburg’s giant floppy<br />

desk fan. It also was apparently the first exhibition<br />

to show video art, created by the very<br />

young Nam June Paik.<br />

Decades-old exhibitions don’t usually age<br />

well. Ideas or works that were cutting-edge or<br />

contemporary 40 years ago can seem quaint<br />

and dated later on. But “The Machine” was a<br />

show many people would be thrilled to see<br />

today, and it’s not unique in the repertoire of<br />

exhibitions, projects and events that took place<br />

at the <strong>Rice</strong> Media Center and the <strong>Rice</strong> Museum<br />

(dubbed the “Art Barn”). Established by John<br />

and Dominique de Menil in 1969 along with<br />

<strong>Rice</strong>’s Institute for the Arts (now the Department of Visual and<br />

Dramatic Arts, Department of Art History and <strong>Rice</strong> Cinema program),<br />

Experimental<br />

exhibitions continue<br />

on at <strong>Rice</strong> ... . And<br />

the de Menils’<br />

involvement and<br />

interest in <strong>Rice</strong><br />

through the years<br />

helped set it all in<br />

motion.<br />

both venues went on to present an astounding<br />

array of groundbreaking exhibitions, films and<br />

events.<br />

“Raid the Archive,” on view Oct. 12–Nov. 9<br />

in the <strong>Rice</strong> Media Center, included exhibition<br />

and opening photographs, letters, notes and<br />

other ephemera and was accompanied by film<br />

screenings and panel discussions. The centennial<br />

exhibition was curated by John Sparagana,<br />

professor of painting and drawing and chair of<br />

the Department of Visual and Dramatic Arts,<br />

and Katia Zavistovski, a Ph.D. candidate in the<br />

Department of Art History. The title is taken<br />

from “Raid the Icebox 1 with Andy Warhol,”<br />

a 1969 <strong>Rice</strong> Museum show in which the de<br />

Menils asked Andy Warhol to curate an exhibition<br />

selected from the storage vaults of the<br />

Rhode Island School of Design’s museum.<br />

The “Raid the Archive” film series screened<br />

“Tinguely In Motion.” Filmed in 1969 for the<br />

<strong>Rice</strong> Institute by Bill Colville, the film captured<br />

Jean Tinguely’s time in Houston constructing a<br />

sculpture specifically for “The Machine” exhibition.<br />

It shows the Swiss artist moving (and dancing) through a<br />

Houston junkyard, clad in a pressed white shirt and black blazer,<br />

42 www.rice.edu/ricemagazine


Students Arts<br />

The Matter<br />

of Music<br />

Quick, before this year’s<br />

Grammy Awards ceremony,<br />

check out one of last year’s<br />

winners.<br />

Clockwise from top left: Opening night for “Raid the Archive: The de Menil Years at <strong>Rice</strong>,” <strong>Rice</strong> <strong>University</strong> Media Center, 2012;<br />

view of “Edward and Nancy Reddin Kienholz: The Art Show,” <strong>Rice</strong> Museum, 1984–85; “The Machine” exhibit, <strong>Rice</strong> Museum, 1969.<br />

(Photo credits: Carolyn Van Wingerden, Hickey-Robertson, Geoff Winningham ’65)<br />

smoking and casually selecting materials for his sculpture. He talks about how much he enjoys it<br />

when his sculptures break and have to be repaired, reveling in the chance and chaos of the whole<br />

thing. Comments from the artist and his decidedly nonprofessional welder assistant were intercut<br />

with commentary from the beleaguered conservator sent along from MOMA to keep the sculptures<br />

in working repair. Not only is the film an insight into the artist’s work, it is also an insight into an<br />

artistic climate that continues today in Houston, where artists often draw on and collaborate with<br />

industry to execute projects.<br />

During the de Menil years, the Media Center brought in the likes of Jean-Luc Godard, Sam<br />

Peckinpah and Henri Langlois. Francis Ford Coppola and George Lucas came into town to screen<br />

“THX 1138” as well. For <strong>Rice</strong> students and the Houston community to have had this kind of access<br />

is stunning. In one of many memorable events, Dennis Hopper came in 1983 to speak about a new<br />

film, but instead bused the audience out to the Big H Speedway to see him “blow himself up” in the<br />

Russian Dynamite Death Chair Act — i.e., a chair with dynamite under it. View the video online at<br />

timeline.centennial.rice.edu/entry/368/.<br />

Those years were a lively, experimental and provocative time. The de Menils, in supporting and<br />

establishing the arts at <strong>Rice</strong> <strong>University</strong>, involved a number of students and young people in their<br />

endeavors, many of whom, like artist Mel Chin, would go on to become significant contributors to<br />

the art world in their own right. The de Menils were also instrumental in bringing in young and<br />

influential faculty like William Camfield, the Joseph and Joanna Nazro Mullen Professor Emeritus<br />

of Art History, and Thomas McEvilley, Distinguished Lecturer Emeritus of Art History and critic.<br />

Dominique de Menil would leave the university to establish the Menil Collection, but experimental<br />

exhibitions continue on at <strong>Rice</strong> in the site-specific installation program of <strong>Rice</strong> Gallery; in<br />

the art department’s new experimental exhibition spaces EMERGEncy Room and Matchbox Gallery;<br />

and in the continuing activities of the <strong>Rice</strong> Media Center. And the de Menils’ involvement and interest<br />

in <strong>Rice</strong> through the years helped set it all in motion.<br />

—Kelly Klaasmeyer<br />

The winner of the 2012 Grammy for Best<br />

Opera Recording is “Doctor <strong>At</strong>omic,”<br />

a Sony DVD recording of a 2008 production<br />

at the Metropolitan Opera,<br />

conducted by Alan Gilbert. Shepherd<br />

School alumna Sasha<br />

Cooke ’04 starred as Kitty<br />

Oppenheimer opposite<br />

Gerald Finley as J. Robert<br />

Oppenheimer. The contemporary<br />

opera is by<br />

American composer John<br />

Adams, with libretto by<br />

Peter Sellars. The opera<br />

tells the story of the<br />

Manhattan Project scientists<br />

who created and tested the atomic<br />

bomb at Los Alamos. In a New York<br />

Times review of the production, critic<br />

Anthony Tommasini had plenty of praise<br />

for Cooke, writing, “The scenes with<br />

Oppenheimer’s wife, Kitty, sung with<br />

aching, wistful intensity by the mezzosoprano<br />

Sasha Cooke, are beautifully<br />

rendered.”<br />

<strong>Rice</strong> <strong>Rice</strong> Magazine • No. • No. 15 7 • 2013 • 2010 43


ON THE<br />

Bookshelf<br />

“Blacks and Whites in Christian America:<br />

How Racial Discrimination Shapes Religious<br />

Convictions” (New York <strong>University</strong> Press,<br />

2012) is co-authored by Emerson, the Allyn<br />

and Gladys Cline Professor of Sociology and<br />

co-director of the Kinder Institute for Urban<br />

Research, and Jason Shelton, an assistant professor<br />

of sociology and anthropology at the<br />

<strong>University</strong> of Texas at Arlington.<br />

“We often hear the term ‘the black church,’”<br />

Emerson said. “We really wanted to find out,<br />

what is the black church? We wanted to know<br />

how black Protestants — who comprise 93<br />

percent of black churchgoers — differ from<br />

“Ultimately,<br />

these religious<br />

differences play<br />

a substantial role<br />

in U.S. life, from<br />

identity politics<br />

to working for<br />

racial justice and<br />

reconciliation.”<br />

<strong>Rice</strong> Sociologist Examines<br />

Race, Religion in America<br />

A new book co-authored by <strong>Rice</strong> sociologist Michael<br />

Emerson assesses racial differences in how black and<br />

white Protestants practice their faith.<br />

their white counterparts. We wanted to see if<br />

there’s anything unique about how they practice<br />

their faith.” Emerson said that while their<br />

research, including interviews with numerous<br />

black pastors, showed that there are “absolutely<br />

no differences” between blacks and<br />

whites when it comes to the core beliefs (for<br />

example, the Apostles’ Creed) of Protestants, it<br />

revealed “stunning” differences about how the<br />

two groups go about their faith.<br />

“<strong>At</strong> the very core, in the fundamental<br />

beliefs of Christianity — that God exists,<br />

for example — black and white Protestants<br />

do not differ,” Emerson said. “But on almost<br />

everything else, even the terms they use to<br />

describe who God is, they do differ and often<br />

dramatically so.”<br />

All of these differences were conceptualized<br />

by Emerson and Shelton into what they<br />

call the five building blocks of the black<br />

Protestant faith. The building blocks include:<br />

• Experiential: Black Protestant faith is active<br />

and experiential; it is less concerned<br />

with precise doctrinal contours than is<br />

white mainline or evangelical Christianity.<br />

• Survival: Their faith is critical to survival<br />

and helps individuals cope with suffering<br />

associated with everyday trials and<br />

tribulations.<br />

• Mystery: Black Protestant faith is mystical<br />

and expresses an appreciation for the mystery<br />

in life; it includes folklore and cultural<br />

components driving from the African diaspora,<br />

the consequences of racial inequality<br />

in America and non-Christian religions.<br />

• Miraculous: Black Protestant faith is confident<br />

and comprehensive; the miraculous<br />

is ordinary and the ordinary is miraculous.<br />

• Justice: Their faith is committed to social<br />

justice and equality for all individuals and<br />

groups in society.<br />

Emerson noted that all of these differences<br />

remain after accounting for differences<br />

in education, income, age, gender and region<br />

of residence. These differences were found<br />

even when comparing black Protestants to<br />

the more zealous arm of white Protestantism,<br />

white evangelicals.<br />

Emerson believes that the differences between<br />

black and white Protestants are rooted<br />

directly in the country’s history of racial<br />

discrimination.<br />

“It’s based on personal and communal<br />

experiences,” Emerson said. “White Protestant<br />

faith has never been about survival, whereas<br />

black faith from the start has been. Slavery<br />

isn’t here anymore, but that idea of who God<br />

is has not changed for African-Americans.”<br />

Emerson said he hopes the book will<br />

bring greater understanding to the differences<br />

in how white and black Protestants approach<br />

religion.<br />

“Ultimately, these religious differences<br />

play a substantial role in U.S. life, from identity<br />

politics to working for racial justice and<br />

reconciliation,” Emerson said. “By going about<br />

faith differently, valuing different aspects of<br />

the Christian God and having divergent religious<br />

histories, black and white Protestants<br />

vote overwhelmingly opposite of one another,<br />

and often work against each other in efforts<br />

toward racial equity and cohesion. For real<br />

progress to be made, these groups will need<br />

to truly understand one another.”<br />

— Amy Hodges<br />

44 www.rice.edu/ricemagazine


ON THE<br />

Bookshelf<br />

he joined CBS News, where he anchored the Sunday<br />

“ That’s the way it is.” night news and the 1952 presidential conventions and<br />

hosted “You Are There,” a show that re-enacted historical<br />

events.<br />

Brinkley Chronicles Cronkite<br />

Cronkite became the anchor of the “CBS Evening<br />

In “Cronkite,” the first full-life biography News” in 1962. The 1963 assassination of Kennedy<br />

inserted Cronkite into the national consciousness,<br />

of the legendary CBS newsman Walter Brinkley said. Other notable moments in his broadcast<br />

Cronkite, author Douglas Brinkley chronicles career included his 1968 declaration that the Vietnam<br />

War was “mired in stalemate,” which President Lyndon<br />

the life of one of the most influential news<br />

Johnson thought moved national opinion, and his coverage<br />

of the moon landings. Cronkite was, in fact, the<br />

anchors in television history — a life that<br />

included formative years spent in Houston. unofficial voice of the American space program during<br />

its early heyday, a role than garnered him renown<br />

but also some media criticism, Brinkley<br />

Brinkley, a <strong>Rice</strong> <strong>University</strong> history<br />

found. “Walter had so bought into<br />

professor and fellow at <strong>Rice</strong>’s Baker<br />

space that any criticism of the moon<br />

Institute for Public Policy, wrote the<br />

launch in 1969 was anathema to him,”<br />

biography with the cooperation of<br />

recalled Bill Plante who, as part of<br />

Cronkite’s family. The book examines<br />

CBS’s coverage of Apollo 11, reported<br />

the newsman’s role in the latter half of<br />

on how some people on the street in<br />

the 20th century — from Vietnam and<br />

New York thought the space agency’s<br />

the space missions to reporting to the<br />

efforts were a waste of money.<br />

nation the death of President John F.<br />

Cronkite retired as anchor in 1981<br />

Kennedy.<br />

at age 64, widely hailed as the “most<br />

Born in 1916, Cronkite grew up<br />

trusted man in America.”<br />

in Kansas City, Mo., and Houston’s<br />

Brinkley said the idea for a definitive<br />

biography was triggered about<br />

Montrose neighborhood, where his father<br />

worked as a dentist. He dropped<br />

nine years ago by fellow historian and<br />

out of the <strong>University</strong> of Texas at Austin<br />

friend David Halberstam. During a<br />

during the Great Depression to take<br />

drive with Brinkley to the Louisiana<br />

the first in a series of radio jobs in<br />

Book Festival, Halberstam remarked<br />

Oklahoma and Missouri.<br />

that Cronkite was the most significant journalist of the<br />

Cronkite joined United Press International in 1937, second half of the 20th century, but no author had adequately<br />

tackled his life and times. Brinkley has also<br />

and when World War II broke out, he covered battles in<br />

Africa and Europe, parachuted with the 101st Airborne authored books on Gerald Ford, Teddy Roosevelt and<br />

into Holland and witnessed the Battle of the Bulge. Jimmy Carter.<br />

After the war, he covered the Nuremberg Trials. In 1950,<br />

—Jeff Falk<br />

Viral Doom Returns<br />

Justin Cronin, a distinguished faculty fellow<br />

at <strong>Rice</strong> <strong>University</strong>, has followed up<br />

his best-seller “The Passage” with “The<br />

Twelve,” released last fall. It is the second<br />

book in his postapocalyptic trilogy.<br />

In “The Twelve,” Cronin picks up the<br />

story, taking readers on a 592-page journey<br />

interweaving characters from “year<br />

zero,” when the vampires first escaped<br />

from a secret Colorado lab, with flashes<br />

forward to 79 and 97 years in the future.<br />

The narrative follows bands of survivors<br />

as they search for fuel, food and protection<br />

and cope with the<br />

unthinkable that has<br />

devastated civilization<br />

as they knew<br />

it. The reader meets<br />

Lila, a doctor stricken<br />

with posttraumatic<br />

stress syndrome, and<br />

Kittridge, a war veteran<br />

and sniper who<br />

helps save a band of<br />

refugees. A less likeable<br />

new character is<br />

Horace Guilder, a selfinterested,<br />

high-level<br />

government bureaucrat<br />

at the helm when<br />

the crisis originally unfolded. Guilder was<br />

able to ensure his own escape, but he’s<br />

not a figure one would root for. Returning<br />

characters include Alicia, an army lieutenant<br />

and loner, and Amy, a supernatural<br />

heroine, who with others continue<br />

their hunt for the original 12 “virals.”<br />

—Jeff Falk<br />

“Dad to Dad: Parenting Like a<br />

Pro,” by David L. Hill ’90 (American<br />

Academy of Pediatrics, 2012). Hill<br />

is a pediatrician and father of<br />

three who practices medicine in<br />

Wilmington, N.C.<br />

“Drugs for Life: How<br />

Pharmaceutical Companies<br />

Define Our Health,” by Joseph<br />

Dumit ’89, (Duke <strong>University</strong> Press,<br />

2012). Dumit is director of science<br />

and technology studies and<br />

professor of anthropology at the<br />

<strong>University</strong> of California at Davis.<br />

“From the Stage to the Studio:<br />

How Fine Musicians Become<br />

Great Teachers,” by Cornelia<br />

Watkins and Laurie Scott (Oxford<br />

<strong>University</strong> Press, 2012). Watkins is a<br />

lecturer of music in <strong>Rice</strong>’s Shepherd<br />

School of Music. This is her second<br />

book about teaching music.<br />

“Exclusions: Practicing Prejudice<br />

in French Law and Medicine,<br />

1920–1945,” by Julie Fette (Cornell<br />

<strong>University</strong> Press, 2012). Fette<br />

is an associate professor in the<br />

Department of French Studies at<br />

<strong>Rice</strong>.<br />

<strong>Rice</strong> Magazine • No. 15 • 2013 45


On My Honor<br />

Try your luck at this <strong>Rice</strong>-themed crossword. No cheating!<br />

1<br />

2<br />

3<br />

4<br />

5<br />

6<br />

7<br />

8<br />

9<br />

10<br />

11<br />

12<br />

13<br />

14<br />

15<br />

16<br />

17<br />

18<br />

Across<br />

19<br />

23<br />

27<br />

31<br />

0<br />

0<br />

51<br />

56<br />

60<br />

69<br />

0<br />

0<br />

83<br />

89<br />

95<br />

0<br />

109<br />

115<br />

119<br />

123<br />

0<br />

43<br />

74<br />

0<br />

84<br />

0<br />

110<br />

0<br />

44<br />

0<br />

85<br />

99<br />

0<br />

45<br />

77<br />

0<br />

90<br />

32<br />

36<br />

0<br />

0<br />

61 62<br />

86<br />

0 91<br />

96<br />

100<br />

0 116<br />

0 120<br />

0 124<br />

20<br />

24<br />

28<br />

0<br />

52<br />

57<br />

0<br />

78<br />

97<br />

0<br />

46<br />

0<br />

70<br />

75<br />

0<br />

111<br />

0<br />

47<br />

0<br />

71<br />

0<br />

112<br />

0<br />

48<br />

63<br />

0<br />

0<br />

92<br />

101<br />

0<br />

0<br />

0<br />

0<br />

0<br />

33 34<br />

37<br />

0<br />

64 65<br />

0 79<br />

87<br />

102<br />

0 113<br />

117<br />

121<br />

125<br />

21<br />

25<br />

29<br />

0<br />

38<br />

53<br />

58<br />

0<br />

80<br />

0<br />

103<br />

0<br />

39<br />

0<br />

81<br />

0<br />

104<br />

35<br />

0<br />

72<br />

76<br />

0<br />

98<br />

0<br />

49<br />

66<br />

0<br />

0<br />

93<br />

0<br />

0<br />

0<br />

0<br />

22<br />

26<br />

30<br />

0 0<br />

40 41 42<br />

50<br />

54 0 55<br />

59 0 0 0<br />

67 68 0<br />

73<br />

82<br />

88<br />

94<br />

0<br />

0 0 0 0<br />

105 106 107 108<br />

114<br />

118<br />

122<br />

126<br />

1 The first freshman ___ parade was in<br />

1921.<br />

6 ___ balloon fight (Beer Bike kickoff)<br />

11 Sally___ (with 124 Across)<br />

15 Baker Institute’s Edward Djerejian is an<br />

expert on the ___ Spring.<br />

19 ___ the Barbarian<br />

20 “Doe ___”<br />

21 ___ Shawkat of “Arrested Development”<br />

22 Plaster ingredient<br />

23 “A World ___”<br />

24 Young adult novelist Sonya ______<br />

25 Altoids come in ______<br />

26 Copycat<br />

27 <strong>Rice</strong>’s student-faculty ___ is less than 6:1.<br />

28 Quoting Hamlet, after an ORGO exam:<br />

“___ is me.”<br />

29 ____ Humperdinck<br />

31 Conduit for graffiti and clandestine<br />

exploration<br />

35 Descendant of Indo-European speakers<br />

36 Studied by comp sci majors<br />

37 ___ Tigers<br />

40 Eastern potentates<br />

43 Accumulate<br />

46 It’s between St. Paul and Eau Claire<br />

50 1990 Dead album, “Without ___”<br />

51 Bryce Canyon locale<br />

52 With 66 Across, first <strong>Rice</strong> president, ____<br />

Lovett<br />

53 ___ Loop<br />

55 Gentile<br />

56 Sound prefix<br />

57 One from Eastern Europe<br />

58 Native of Budapest<br />

60 Where many <strong>Rice</strong> students are in the<br />

summer<br />

63 F. Scott Fitzgerald was one (abbr.)<br />

66 See 52 Across<br />

69 With 110 Down, the theme of this issue<br />

74 Houston’s METRO runs on these<br />

75 Beginning<br />

46 www.rice.edu/ricemagazine


76 Wash off again<br />

77 What <strong>Rice</strong> students eat on March 14:____<br />

ice cream<br />

79 Nihilistic art movement<br />

82 “___ go <strong>Rice</strong>!”<br />

83 UK Luftwaffe counter<br />

86 Psychic Edgar<br />

87 ___balls<br />

88 “___ go Bragh”<br />

89 T-shirt size<br />

91 Dining hall semester vouchers<br />

93 “Hey you!”<br />

95 Pianist studied by students at the Shepherd<br />

School (Hint: Schumann)<br />

97 College quads are nice outdoor ____.<br />

98 Beatles’ German release “___ Liebt Dich”<br />

99 Mythical Scottish beast (var.)<br />

101 Baker 13 cover-up<br />

109 They’re the best.<br />

113 Soy paste<br />

114 Come-on<br />

115 Texting shorthand for “Ah, that’s clear”<br />

116 City of Edvard Munch<br />

117 He’s Horrible in the comics.<br />

118 Pastrami _____<br />

119 President Leebron is on its board.<br />

120 Architect van der Rohe<br />

121 One of the “45º 90º 180º” rocks is ___.<br />

122 Rent out again<br />

123 Home of Lady Vols (abbr.)<br />

124 See 11 Across<br />

125 ___Week<br />

126 Juan’s ___ sense<br />

Down<br />

1 Trauma residue<br />

2 1950s Yankee pitcher Eddie (“the Junk<br />

Man”)<br />

3 Germ ending<br />

4 “I just met a girl named ___.”<br />

5 Buries<br />

6 Had left<br />

7 Column heading<br />

8 Mortise partner<br />

9 Jolly Green Giant shoe width<br />

10 There are four in Monopoly (abbr.)<br />

11 ___ de foie gras<br />

12 “Unbearable Lightness of Being” actress<br />

Lena<br />

13 “Silver Bells” sound<br />

14 It hits with a charge.<br />

15 <strong>Rice</strong> opponent of infamous sideline tackle<br />

16 Maturing<br />

17 McLean’s “___ Pie” (abbr.)<br />

18 Ernie’s pal<br />

30 Caustic soda<br />

32 “__ the season”<br />

33 Reading direction (abbr.)<br />

34 Defense against the Scud<br />

38 Jacques’ “my bad”<br />

39 Inherent<br />

41 ___ Speedwagon<br />

42 With 93 Down, was by the original<br />

Administration Building<br />

43 One wanting to make amends<br />

44 Tomorrow in Tijuana<br />

45 It’s desirable at the track.<br />

46 16th-century date<br />

47 River of Estella, Spain<br />

48 They may be innies.<br />

49 Pooh pal<br />

51 Top amateur athletics group<br />

52 Sports site<br />

54 Weathermen’s tool<br />

59 Spruces up the bathroom<br />

61 Old object<br />

62 Tailor’s length<br />

64 Mountain bike race format<br />

65 Dog and cat, perhaps<br />

67 They’re found in trash cans.<br />

68 What Will <strong>Rice</strong> did in the men’s Beer Bike<br />

race last year<br />

70 Transport of the future?<br />

71 When repeated, Speedy Gonzalez mantra<br />

72 Donkey sound<br />

73 Where to hear the Red Sox<br />

78 Sailor’s acknowledgment<br />

80 When doubled, flak<br />

81 Code of Copenhagen (and others)<br />

83 Students love <strong>Rice</strong>’s new ___ Center.<br />

84 ___ Rose<br />

85 Boys Town founder Father Ed ___<br />

87 Heat forward Chris<br />

90 ___ urn (<strong>Rice</strong> diploma text shape)<br />

92 Given to some at <strong>Rice</strong> Commencement<br />

93 See 42 Down<br />

94 Zones<br />

96 “___ the Expert”<br />

98 Given to loud nasal exhalations<br />

100 Leaf pore<br />

102 Famed violin maker<br />

103 Watch<br />

104 “Love ___ you need.” (Beatles)<br />

105 ___ Zellweger<br />

106 ___ “The Pearl” (and others)<br />

107 Till now<br />

108 “___ tall dark stranger”<br />

109 Resumed (abbr.)<br />

110 See 69 Across<br />

111 Actor Baldwin<br />

112 Sometimes found at a <strong>Rice</strong> party: ___ pit<br />

117 “Left turn” for Mr. Ed<br />

Answers<br />

1<br />

2<br />

3<br />

4<br />

5<br />

6<br />

7<br />

8<br />

9<br />

10<br />

Crossword by David Gusakov<br />

S L I M E W A T E R P O R T A R A B<br />

19<br />

20<br />

21<br />

22<br />

C O N A N A D E E R N A L I A N L I M E<br />

23<br />

24<br />

25<br />

26<br />

A P A R T N S O N E S N T I N S N A P E R<br />

27<br />

28<br />

0<br />

29<br />

30<br />

R A T I O N O W O E N N E N G E L B E R T<br />

31<br />

32<br />

33 34 0 0 35<br />

0 0<br />

S T E A M T U N N E L S N N A R Y A N N N<br />

0 0 0 0 36<br />

0 0 0 37<br />

38 39<br />

0 40 41 42<br />

N N N N B I T N N N T A M I L N E M I R S<br />

0 43 44 45<br />

0 46 47 48<br />

49<br />

50<br />

N A M A S S N M E N O M O N I E N A N E T<br />

51<br />

0<br />

52<br />

53<br />

54 0 55<br />

U T A H N N E D G A R N I N N E R N G O Y<br />

56<br />

0<br />

57<br />

0<br />

58<br />

59 0 0 0<br />

S O N O N N S L A V N N M A G Y A R N N N<br />

60<br />

61 62<br />

0 0 63 64 65<br />

0 66<br />

67 68 0<br />

O N A T R I P N N E X P A T N O D E L L N<br />

69<br />

70 71<br />

72<br />

73<br />

C E N T E N N I A L C E L E B R A T I O N<br />

0 74<br />

0 75<br />

0 0 76<br />

N R A I L S N O N S E T N N R E R I N S E<br />

0 0 0 77<br />

78<br />

0 0 79<br />

80 81<br />

0<br />

82<br />

N N N P I E A N D N N D A D A N N L E T S<br />

83 84 85 0 86<br />

0 87<br />

0<br />

88<br />

R A F N C A Y C E N B U C K Y N N E R I N<br />

89<br />

90 0 91<br />

92<br />

0 93 94<br />

0<br />

E X L G N M E A L B O O K S N P S S S T N<br />

95<br />

96<br />

97<br />

0 0 98<br />

0 0 0 0<br />

C L A R A N A R E A S N N N S I E N N N N<br />

0 0 99<br />

100 0 0 101<br />

102 103 104<br />

105 106 107 108<br />

N N N E S S Y N N S H A V I N G C R E A M<br />

109 110<br />

111 112 0 0 113<br />

0 114<br />

C R A C K T E A M N N M I S O N T E A S E<br />

115<br />

0 116<br />

0 117<br />

0 118<br />

O I G I N O S L O N H A G A R N O N R Y E<br />

119<br />

0 120<br />

0 121<br />

0 122<br />

N C A A N M I E S N A T I L T N R E L E T<br />

123<br />

0 124<br />

0 125<br />

0 126<br />

T E N N N A R C H N W I L L Y N S E S T A<br />

11<br />

12<br />

13<br />

14<br />

15<br />

16<br />

17<br />

18<br />

<strong>Rice</strong> Magazine • No. 15 • 2013 47


defining<br />

Moments<br />

An alum shares his family’s experience<br />

from <strong>Rice</strong>’s Centennial Celebration.<br />

Dear President Leebron,<br />

Many voices have told you how wonderful<br />

the <strong>Rice</strong> Centennial Celebration was, I’m<br />

sure! But perhaps not many of them drove<br />

1,200 miles to Houston from Minneapolis<br />

with their wife, Marlys, and daughter,<br />

Brynne, in confidence that it would be<br />

totally worthwhile. …<br />

My <strong>Rice</strong> residence was East Hall — a<br />

name unknown to anyone on the <strong>Rice</strong><br />

campus today. While East Hall was a mystery<br />

to them, the name of every other building on<br />

the campus was a mystery to us. In getting<br />

around the magnificent <strong>Rice</strong> campus, we<br />

were dependent upon bus drivers, police,<br />

student volunteers and maps to reach four<br />

days of venues on time. Everyone whom we<br />

asked for information was cordial, interested<br />

and helpful.<br />

The lecture by J. Craig Venter on the<br />

cutting edge of his science specialty was wonderful.<br />

Too bad we will not be around when<br />

“people will have a computer with a little box<br />

attached so that when they order a pill online<br />

it will show up in their box about 1/5 of a<br />

second later.”<br />

The Shepherd School of Music Centennial<br />

Concert on Thursday was truly magnificent.<br />

Jon Kimura Parker on the piano gave me<br />

goose bumps; his play was so exciting.<br />

The orchestra was as good as any I have<br />

ever heard. … We congratulate the Shepherd<br />

School staff and their music director<br />

Larry Rachleff.<br />

The academic procession and your<br />

centennial address was indicative that the<br />

academic world and <strong>Rice</strong> <strong>University</strong> are<br />

thriving and will continue to do so.<br />

My lifetime “R” membership card<br />

came in handy at the football game as we<br />

Minnesotans were not too thrilled about the<br />

idea of sitting out in the Texas sun with no<br />

shade for two or three hours. We walked up<br />

to the “R” room and I presented my card.<br />

Even though we were not on any list of<br />

names, they graciously let us in. We enjoyed<br />

the game in air-conditioned comfort.<br />

I’m saving the most wonderful thing that<br />

happened to us for last.<br />

Certainly the Finale and the Spectacle<br />

were super events. But what happened after<br />

the Spectacle when people were getting up<br />

off the grass was the best event of all: A<br />

young lady just ahead of us turned around.<br />

She told us she had graduated from <strong>Rice</strong> last<br />

year. She wondered how we liked the centennial<br />

events. She wondered where we were<br />

from, whether any of us had gone to <strong>Rice</strong>.<br />

When I told her we had driven down from<br />

Minnesota, and I had graduated in mechanical<br />

engineering in 1950, she just lit up. She<br />

was so excited that anyone could care enough<br />

about <strong>Rice</strong> to drive down from Minnesota 62<br />

years after their graduation. It comforted her<br />

to know that she had gone to a university that<br />

warranted love and dedication throughout<br />

her life, because other people had felt that<br />

way before her. It was one of life’s defining<br />

moments for me.<br />

My wife, daughter and I enjoyed every<br />

minute of the four days we were on the <strong>Rice</strong><br />

campus during its Centennial Celebration.<br />

We thank you for planning, organizing and<br />

executing it so well.<br />

Very sincerely yours,<br />

Glenn A. Fuller ’50<br />

B.S., mechanical engineering<br />

“R” winner — Baseball (1948, 1949)<br />

48 www.rice.edu/ricemagazine


The Centennial Campaign<br />

No Upper Limit. Still.<br />

A Gift for the Long Run<br />

For runners in the Boston Marathon, trekking up the 88-foot Heartbreak Hill 20 miles into the race can be like<br />

climbing Mount Everest. But when Linda and Bob Shepherd ’70 began heading up the slope April 21, 1997,<br />

determination and months of careful planning propelled them up the hill and across the finish line.<br />

The Shepherds are approaching their retirement in a similar way, carefully planning a deferred gift annuity<br />

that will help them meet their financial goals while honoring Bob’s mother through the creation of an endowed<br />

scholarship. Bob and Linda were among the first in their families to earn college degrees and credit their mothers’<br />

commitment to education with making their achievements possible. “We give to universities to honor our moms,”<br />

Bob remarked. “And I give to <strong>Rice</strong> because I appreciate what <strong>Rice</strong> did for me.”<br />

Bob, a radiologist who earned a B.A. and M.S. in chemical engineering from <strong>Rice</strong>, says the solid academic<br />

foundation he received as an undergraduate gave him the flexibility to enter any field. Now, by establishing<br />

the Lurlene Shepherd Endowed Scholarship, the Shepherds are ensuring that female undergraduates receive an<br />

equally strong education. By funding the scholarship with a deferred gift annuity, they also guarantee themselves<br />

a steady stream of income for the long run.<br />

[ Deferred Gift Annuities Enhance <strong>Your</strong> Retirement ]<br />

Setting up a deferred gift annuity is a great way to ensure a secure income during your retirement<br />

while supporting <strong>Rice</strong>. To learn more about this type of gift, please contact the Office of Gift Planning.<br />

Phone: 713-348-4624 • Email: giftplan@rice.edu • Website: www.rice.planyourlegacy.org


<strong>Rice</strong> <strong>University</strong>, Creative Services–MS 95<br />

P.O. Box 1892, Houston, TX 77251-1892<br />

Nonprofit Organization<br />

U.S. Postage<br />

PAID<br />

Permit #7549<br />

Houston, Texas<br />

Owls Beat Air Force in the Armed Forces Bowl<br />

The <strong>Rice</strong> Owls scored 26 unanswered points in the second half of the Bell Helicopter Armed Forces Bowl to beat the Air Force<br />

Falcons 33−14 Dec. 29, 2012, at Amon G. Carter Stadium in Fort Worth, Texas. The Owls closed out the year with their fifth<br />

consecutive win and their sixth win in the last seven, completing a remarkable reversal to a season that saw the team start 1−5.<br />

Sophomore wide receiver Jordan Taylor earned the bowl’s MVP award.<br />

Watch more: ››› ricemagazine.info/138

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!