15.06.2014 Views

James and the Giant Peach - The Rose

James and the Giant Peach - The Rose

James and the Giant Peach - The Rose

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

CLASS<br />

STUDY<br />

GUIDE<br />

Look Inside!<br />

Page 2<br />

Go behind-<strong>the</strong>-scenes<br />

Page 3<br />

Ideas for post-show activities<br />

Page 4<br />

References <strong>and</strong> additional information<br />

<strong>James</strong> <strong>and</strong> <strong>the</strong><br />

<strong>Giant</strong> <strong>Peach</strong><br />

Based on <strong>the</strong> book by Roald Dahl<br />

Adapted by David Wood<br />

Pre-Show Activities<br />

<strong>The</strong>ater Etiquette<br />

Go, Stop, Melt, Drop<br />

OUT-OF-CHAIR ACTIVITY • 15-20 MINUTES<br />

IN-CHAIR ACTIVITY • 5-10 MINUTES<br />

Objective: Students will actively explore proper <strong>the</strong>ater etiquette.<br />

Discussion: How should you behave when you see a play? Is it <strong>the</strong> same<br />

way you should behave when watching a movie or playing at recess? Is it<br />

okay to laugh during a play if you think it is funny?<br />

Brainstorming: As a class, create a list of good <strong>and</strong> bad <strong>the</strong>ater behaviors.<br />

Modeling: Invite one student to sit in a chair at <strong>the</strong> front of <strong>the</strong> class <strong>and</strong><br />

for ten seconds act out one of <strong>the</strong> poor behavior scenarios. Ask <strong>the</strong> class to<br />

discuss what was inappropriate about <strong>the</strong> behavior. Next, ask <strong>the</strong> student<br />

to change his/her actions to be proper <strong>the</strong>ater behavior for about ten<br />

seconds.<br />

Activity: Select various good <strong>and</strong> bad <strong>the</strong>ater behaviors from <strong>the</strong> list<br />

<strong>and</strong> ask students to act <strong>the</strong>m out individually from <strong>the</strong>ir seats. After each<br />

scenario is acted out, initiate a discussion about <strong>the</strong> behavior. When is it<br />

appropriate to behave like this? How would you react if o<strong>the</strong>r audience<br />

members around you did this? Conclude with <strong>the</strong> entire class acting as a<br />

good <strong>the</strong>ater audience.<br />

Objective: Students will be able to use <strong>the</strong>ir bodies, voices, <strong>and</strong> imaginations<br />

to create characters from <strong>James</strong> <strong>and</strong> <strong>the</strong> <strong>Giant</strong> <strong>Peach</strong>.<br />

Modeling: Clearing an open space in your classroom, ask students to each<br />

find his/her own place in <strong>the</strong> room. Begin explaining <strong>the</strong> rules to <strong>the</strong> students:<br />

when <strong>the</strong> teacher says “GO” that means you may move around <strong>the</strong> room <strong>and</strong><br />

talk or make sounds, when <strong>the</strong> teacher says “STOP” that means you freeze<br />

right where you are <strong>and</strong> are silent. Allow students a chance to explore <strong>the</strong>se<br />

two rules on your prompts. <strong>The</strong>n introduce <strong>the</strong> final two rules: when <strong>the</strong><br />

teacher says “MELT” that means you slowly melt into <strong>the</strong> ground, when <strong>the</strong><br />

teacher says “DROP” that means you safely <strong>and</strong> silently lay as flat as you<br />

can on <strong>the</strong> floor.<br />

Activity: After modeling, students should be lying flat on <strong>the</strong> floor. Give<br />

<strong>the</strong> students a character to become, e.g., “When I say ‘go,’ move around <strong>the</strong><br />

room like you are a spider.” Create different experiences for <strong>the</strong>se characters<br />

to encounter: meeting <strong>James</strong>, flying <strong>the</strong> peach, arriving in New York City.<br />

After exploring that character, have students drop, which allows <strong>the</strong>m to<br />

drop that character <strong>and</strong> introduce a new character. Fur<strong>the</strong>r <strong>James</strong> <strong>and</strong> <strong>the</strong><br />

<strong>Giant</strong> <strong>Peach</strong> character ideas: Earthworm, Centipede, Grasshopper, <strong>James</strong>, <strong>the</strong><br />

Aunts. Throughout <strong>the</strong> activity, you may use <strong>the</strong> four directions in any order<br />

you see fit.


Shining a Spotlight<br />

on Michael Miller<br />

Actor, Teaching Artist, <strong>and</strong> Literary Manager<br />

<strong>James</strong> <strong>and</strong> <strong>the</strong><br />

<strong>Giant</strong> <strong>Peach</strong><br />

Based on <strong>the</strong> book by Roald Dahl<br />

Adapted by David Wood<br />

Artistic Team<br />

Director...............................Susann Suprenant<br />

Music Director...................Satid Kippinberger<br />

Choreography...................Wai Yim<br />

Scenic Designer................Erik Diaz<br />

Costume Designer............Sherri Geerdes<br />

Lighting Designer.............Craig Moxon<br />

Props Master.....................Ronald L. Wells, Jr.<br />

Stage Manager.................Dani Taylor<br />

Asst. Stage Manager.......Chelsea Balzer<br />

Cast / Credits<br />

<strong>James</strong>..................................Eric L. Harris<br />

TV Cameraman <strong>and</strong><br />

Green Grasshopper..........Walter Shatley<br />

Aunt Spiker <strong>and</strong><br />

Miss Spider........................Kirstin Kluver<br />

<strong>Peach</strong> Visitor <strong>and</strong><br />

Centipede...........................Michael Miller<br />

Aunt Sponge <strong>and</strong><br />

Ladybug.............................Louisa Foster<br />

Old Man <strong>and</strong><br />

Earthworm.........................Wai Yim<br />

Narrator, TV Reporter,<br />

Puppeteer,<br />

Newscaster Voice.............Samantha Shatley<br />

Puppeteers.........................Hope Clarke,<br />

Kate Morgan,<br />

<strong>and</strong> Emily Boman<br />

<strong>James</strong> <strong>and</strong> <strong>the</strong> <strong>Giant</strong> <strong>Peach</strong> is presented by<br />

special arrangement with Samuel French, Inc.<br />

Michael is an actor <strong>and</strong> teaching artist at <strong>The</strong> <strong>Rose</strong> <strong>The</strong>ater, who also serves as <strong>the</strong><br />

organization’s literary manager. He has worked as an Arts Education Specialist with various<br />

Omaha cultural arts programs including <strong>the</strong> Nebraska Arts Council, Omaha <strong>The</strong>ater Company,<br />

Boys & Girls Clubs of Omaha, Omaha Performing Arts, Community Learning Centers of Omaha<br />

Public Schools, Omaha Community Playhouse, Children’s Square, <strong>the</strong> Kroc Center <strong>and</strong> Very<br />

Special Arts.<br />

Originally from Atlanta, Georgia, Michael holds a bachelor of arts degree in American Studies<br />

with a concentration on Educational Issues from Yale University <strong>and</strong> a master’s degree in Public<br />

Administration with a concentration in Nonprofit Management from <strong>the</strong> University of Nebraska<br />

at Omaha.<br />

Q: Can you tell us a bit about your character in <strong>James</strong> <strong>and</strong> <strong>the</strong> <strong>Giant</strong> <strong>Peach</strong>?<br />

A: I play <strong>the</strong> character of Centipede. He’s an insect—<strong>and</strong> a bit of a pest! Centipede is a bit<br />

sassy <strong>and</strong> has a little attitude. He gives some of <strong>the</strong> o<strong>the</strong>r characters—especially<br />

Earthworm, who is a bit of a worrier—a hard time. But when <strong>the</strong> o<strong>the</strong>rs on <strong>the</strong> journey need<br />

his help, Centipede is always willing to lend a h<strong>and</strong>. Or in his case a lot of legs!<br />

Q: What are some of <strong>the</strong> challenges of playing a non-human character?<br />

A: Well, it can be a lot of fun, but you do have to find a way to make your human being shape<br />

<strong>and</strong> voice somehow become more like an insect on stage. A centipede certainly wouldn’t<br />

walk like a person in real life. You have to use your imagination to think about how a bug<br />

moves <strong>and</strong> <strong>the</strong>n experiment <strong>and</strong> try out things using your own movements in a way that<br />

seems kind of like an insect.<br />

Q: How long have you been involved with <strong>the</strong>ater?<br />

A: I joined my high school’s Drama Club during my freshman year <strong>and</strong> mainly worked<br />

backstage. About halfway through high school, I was accepted to a summer school<br />

program where I spent six weeks working with o<strong>the</strong>r high school students who were really<br />

passionate about <strong>the</strong> arts. I went to study creative writing, but I ended up hanging out a lot<br />

with <strong>the</strong> <strong>the</strong>ater department kids <strong>and</strong> <strong>the</strong>y were such dynamic, interesting people with<br />

so many different talents! I decided I wanted to learn as much as I could about what <strong>the</strong>ater<br />

was all about. By <strong>the</strong> time I got to college, I knew that I wanted to have a career that would<br />

allow me to use <strong>the</strong>ater to help students learn more about <strong>the</strong> world around <strong>the</strong>m as well<br />

as <strong>the</strong>mselves.<br />

Q: What was your first acting experience?<br />

A: I started acting during my last couple of years of high school. Many people start acting<br />

younger than I did, but I was actually very shy <strong>and</strong> self-conscious when I was a kid.<br />

I liked drawing <strong>and</strong> painting <strong>and</strong> making o<strong>the</strong>r kinds of art, <strong>and</strong> I definitely loved SEEING<br />

<strong>the</strong>ater productions. Eventually I got to know more of <strong>the</strong> students who liked to act on<br />

stage <strong>and</strong> being friends with <strong>the</strong>m gave me <strong>the</strong> confidence to audition to be in a show.<br />

It was definitely a little scary at first, but I really enjoyed getting to pretend to be someone<br />

different than myself on stage. With time <strong>and</strong> more practice I got braver <strong>and</strong> eventually<br />

fell in love with ALL parts of putting toge<strong>the</strong>r a show. I love acting, but I also really like all<br />

<strong>the</strong> o<strong>the</strong>r art forms that go into producing a play—I still love to participate in <strong>the</strong><br />

“backstage” arts as much as I can, too.<br />

Q: What kind of education did you get to prepare you for your job?<br />

A: One of <strong>the</strong> first things I did was to get involved with <strong>the</strong>ater when I was a student in high<br />

school. I also took advantage of some classes at o<strong>the</strong>r arts programs so I could learn more<br />

about <strong>the</strong> arts <strong>and</strong> meet students from o<strong>the</strong>r schools that shared <strong>the</strong> same interests I had.<br />

(I really wish my town had a children’s <strong>the</strong>ater like <strong>The</strong> <strong>Rose</strong> <strong>The</strong>ater—I definitely would<br />

have signed up for classes <strong>the</strong>re!). When I got to college I took classes in all sorts of <strong>the</strong>ater<br />

arts so I could learn more about how to express my creative ideas <strong>and</strong> work with o<strong>the</strong>r<br />

artists to tell stories on <strong>the</strong> stage. Since I was always interested in using art as a way to<br />

teach, I also studied education. <strong>The</strong> more I learned, <strong>the</strong> more I believed that <strong>the</strong> arts offer a<br />

fantastic way to discover <strong>and</strong> underst<strong>and</strong> <strong>the</strong> world around us.<br />

2 STUDY GUIDE


Post-Show Activities<br />

Sculptors <strong>and</strong> Puppeteers<br />

OUT-OF-CHAIR ACTIVITY • 10-15 MINUTES<br />

Objective: Students will be able to fur<strong>the</strong>r explore <strong>the</strong> use of <strong>the</strong>ir bodies<br />

as an acting tool to become characters from <strong>James</strong> <strong>and</strong> <strong>the</strong> <strong>Giant</strong> <strong>Peach</strong>.<br />

Discussion: How did <strong>the</strong> actors become different characters from <strong>James</strong><br />

<strong>and</strong> <strong>the</strong> <strong>Giant</strong> <strong>Peach</strong>? What did <strong>the</strong>y do to change how <strong>the</strong>y looked <strong>and</strong><br />

how <strong>the</strong>y moved? Who were your favorite characters from <strong>the</strong> show?<br />

Why? What did he/she do during <strong>the</strong> show? How could you act like<br />

that character?<br />

Modeling: Ask one student to st<strong>and</strong> in front of <strong>the</strong> class in a neutral<br />

position (e.g., st<strong>and</strong>ing straight, facing forward, h<strong>and</strong>s at his/her side). Ask<br />

<strong>the</strong> rest of <strong>the</strong> class for ideas about how to change this person’s body <strong>and</strong><br />

face to look like <strong>the</strong> ladybug. With each suggestion, have <strong>the</strong> volunteer<br />

take <strong>the</strong> suggestion <strong>and</strong> change his/her body. Encourage students to<br />

think of ideas that build on previous ideas, ra<strong>the</strong>r than erasing <strong>the</strong> work<br />

already created. After taking a few suggestions, tie “invisible strings” to<br />

<strong>the</strong> volunteer’s h<strong>and</strong>s, head, <strong>and</strong> feet. Announce that you have now made<br />

a puppet. Now whenever you move a string, <strong>the</strong> puppet responds by<br />

moving <strong>the</strong> corresponding body part.<br />

Activity: Ask students to find a partner. In each pair, one partner is labeled<br />

“A” <strong>and</strong> <strong>the</strong> o<strong>the</strong>r is “B.” This is just to allow you to speak to <strong>the</strong> entire class<br />

<strong>and</strong> streamline directions. Partner A is <strong>the</strong> puppet first <strong>and</strong> Partner B is <strong>the</strong><br />

sculptor/puppeteer first. Partner A begins in a neutral position. Announce<br />

to Partner Bs that <strong>the</strong>ir job is to create a puppet for <strong>the</strong> grasshopper. Give<br />

Partner B a few moments to sculpt <strong>the</strong> puppet first, <strong>and</strong> <strong>the</strong>n ask <strong>the</strong>m to<br />

tie strings to <strong>the</strong>ir puppets. Partner B now uses <strong>the</strong> strings to move his/her<br />

puppet around <strong>the</strong> room. Switch roles for <strong>the</strong> partners: Partner B is now<br />

<strong>the</strong> puppet <strong>and</strong> Partner A is now <strong>the</strong> sculptor/puppeteer. This time have<br />

Partner A create an earthworm puppet. Repeat <strong>the</strong> activity with <strong>the</strong> many<br />

characters from <strong>James</strong> <strong>and</strong> <strong>the</strong> <strong>Giant</strong> <strong>Peach</strong>.<br />

You <strong>and</strong> <strong>the</strong> <strong>Giant</strong> Carrot<br />

OUT-OF-CHAIR ACTIVITY • 10 MINUTES<br />

Objective: Students will be able to use <strong>the</strong>ir bodies <strong>and</strong> imaginations to<br />

create <strong>the</strong>ir own magic <strong>and</strong> adventure.<br />

Discussion: In <strong>the</strong> show, what happened to <strong>the</strong> peach? How did it grow<br />

so large? Well, right in front of you is a small basket of magic tongues,<br />

just like <strong>the</strong> ones that enchanted <strong>the</strong> peach. Right next to that basket is<br />

a carrot. Sprinkle some of <strong>the</strong> magic tongues onto <strong>the</strong> carrot <strong>and</strong> watch<br />

it grow <strong>and</strong> change color. Allow students a chance to share <strong>the</strong> new<br />

color of <strong>the</strong>ir carrots. Now this enchanted carrot can help us change this<br />

classroom into a different location.<br />

Activity: Ask students to st<strong>and</strong> up <strong>and</strong> pick up <strong>the</strong>ir magic carrots. <strong>The</strong>n,<br />

place <strong>the</strong> carrot on <strong>the</strong> top of <strong>the</strong>ir heads. Now by rolling our heads in a<br />

circle, <strong>the</strong> ceiling will change into <strong>the</strong> sky/ceiling of someplace new. After<br />

a few circles, have <strong>the</strong> students remove <strong>the</strong> carrots <strong>and</strong> place <strong>the</strong>m on<br />

<strong>the</strong>ir bellies <strong>and</strong> move <strong>the</strong>ir bellies in a circle. This will get <strong>the</strong>m to change<br />

<strong>the</strong> view in front of <strong>the</strong>m. Now break <strong>the</strong> carrot in half <strong>and</strong> place one<br />

on each elbow, moving <strong>the</strong>ir elbows in a circle to magically change <strong>the</strong><br />

world around <strong>the</strong>m. Continue by placing <strong>the</strong> carrots on o<strong>the</strong>r body parts<br />

(i.e. knees, tongues, ears, feet) until <strong>the</strong> entire room has been transformed.<br />

Ask students to look around <strong>the</strong>m. What do you see in front of you? Above<br />

you? What does this new location feel like? Smell like?<br />

Extension: Ask each student to decide for him/herself where <strong>the</strong> giant<br />

carrot transported him/her. Once all students have an idea, go around <strong>the</strong><br />

room, asking each student to act out where he/she went with <strong>the</strong> giant<br />

carrot. For example, if <strong>the</strong> carrot transported you to <strong>the</strong> beach, you could<br />

build a s<strong>and</strong>castle <strong>and</strong> go swimming.<br />

Hot Seating<br />

IN-CHAIR ACTIVITY • 10-15 MINUTES<br />

Objective: Students will be able to fur<strong>the</strong>r underst<strong>and</strong> <strong>the</strong> thoughts <strong>and</strong><br />

feelings of <strong>the</strong> characters from <strong>James</strong> <strong>and</strong> <strong>the</strong> <strong>Giant</strong> <strong>Peach</strong>.<br />

Discussion: Who were your favorite characters from <strong>the</strong> show? How do<br />

<strong>the</strong>y move? Where do <strong>the</strong>y live? How do <strong>the</strong>y speak? How are <strong>the</strong>y different<br />

from you? How are <strong>the</strong>y similar? Ask students to brainstorm toge<strong>the</strong>r<br />

about Old Green Grasshopper. What makes a grasshopper different from<br />

a person? How can a person move to show that he/she is a grasshopper?<br />

How can you show that you are very old? As students give ideas, ask <strong>the</strong>m<br />

to also show it in <strong>the</strong>ir bodies.<br />

Modeling: Set a chair in front of <strong>the</strong> class. Ask one student to come to <strong>the</strong><br />

front of <strong>the</strong> class <strong>and</strong> st<strong>and</strong> in front of <strong>the</strong> chair. Explain to <strong>the</strong> class that as<br />

soon as he/she sits in this chair, he/she will become Old Green Grasshopper.<br />

After <strong>the</strong> student sits in <strong>the</strong> chair, ask Old Green Grasshopper open-ended<br />

questions about <strong>the</strong> adventures on <strong>the</strong> peach. What did you think about<br />

<strong>James</strong> coming into your peach? Were you scared as <strong>the</strong> peach flew? <strong>The</strong><br />

student playing Old Green Grasshopper will answer all <strong>the</strong> questions from<br />

<strong>the</strong> grasshopper’s point of view. After asking a few questions, allow that<br />

student to join <strong>the</strong> rest of <strong>the</strong> class.<br />

Activity: Now set five or six chairs in front of <strong>the</strong> class <strong>and</strong> ask volunteers<br />

to become different characters from <strong>the</strong> story. Once again, as soon as <strong>the</strong><br />

students sit in <strong>the</strong>se chairs, <strong>the</strong>y become those characters. After asking<br />

a few questions, open up <strong>the</strong> questioning to <strong>the</strong> rest of <strong>the</strong> students.<br />

Encourage <strong>the</strong>m to ask about <strong>the</strong> characters’ reactions <strong>and</strong> feelings<br />

to events in <strong>the</strong> story. Once <strong>the</strong> questioning has been finished, ask <strong>the</strong><br />

characters to st<strong>and</strong> up <strong>and</strong> become students again. Get ano<strong>the</strong>r panel of<br />

students to create more characters from throughout <strong>the</strong> show.<br />

Who’s Who on <strong>the</strong> <strong>Peach</strong><br />

IN-CHAIR ACTIVITY • 15-20 MINUTES<br />

Objective: Students will be able to listen to <strong>and</strong> respond to <strong>the</strong> re-creation<br />

of characters from <strong>James</strong> <strong>and</strong> <strong>the</strong> <strong>Giant</strong> <strong>Peach</strong>.<br />

Discussion: For this activity, one student will be an investigative reporter<br />

who is trying to learn more about <strong>the</strong> travelers on <strong>the</strong> giant peach <strong>and</strong><br />

o<strong>the</strong>r characters from <strong>the</strong> story. <strong>The</strong> reporter will ask questions of <strong>the</strong><br />

different characters <strong>and</strong> try to guess who he/she is interviewing. What did<br />

<strong>the</strong> actors from <strong>James</strong> <strong>and</strong> <strong>the</strong> <strong>Giant</strong> <strong>Peach</strong> do with <strong>the</strong>ir bodies <strong>and</strong> voices<br />

to show that <strong>the</strong>y were different characters? How could you tell who <strong>the</strong><br />

character was?<br />

Activity: Set four chairs in <strong>the</strong> front of <strong>the</strong> classroom. Ask one student (<strong>the</strong><br />

reporter) to step outside <strong>the</strong> classroom. Choose three more students to play<br />

<strong>the</strong> travelers or o<strong>the</strong>r characters. Each of <strong>the</strong> three students will choose a<br />

character from <strong>the</strong> play to become. <strong>The</strong>se students sit in three of <strong>the</strong> chairs,<br />

leaving <strong>the</strong> fourth for <strong>the</strong> reporter. As soon as <strong>the</strong>y sit down, <strong>the</strong>y will<br />

now sit <strong>and</strong> talk like <strong>the</strong> character (similar to <strong>the</strong> previous activity, “Hot<br />

Seating”). Invite <strong>the</strong> investigative reporter to come back into <strong>the</strong> classroom<br />

<strong>and</strong> sit in <strong>the</strong> chair. <strong>The</strong> reporter now has a chance to ask each character<br />

three questions to find out more about him/her. After each character has<br />

been asked three questions, <strong>the</strong> reporter must guess who he/she was<br />

interviewing.<br />

Extension: You may repeat <strong>the</strong> activity with a new reporter <strong>and</strong> different<br />

students playing o<strong>the</strong>r characters.<br />

STUDY GUIDE 3


Bring <strong>The</strong> <strong>Rose</strong> to<br />

Your Classroom<br />

<strong>The</strong> <strong>Rose</strong> offers a variety of classroom workshops,<br />

residencies, <strong>and</strong> touring productions! For your next<br />

engagement, please consider one of <strong>the</strong> following:<br />

• <strong>The</strong> Big (Not-So) Bad Wolf<br />

Students will be transfixed by <strong>the</strong> jolly-not-so-scary<br />

Big Bad Wolf portrayed by a professional <strong>Rose</strong><br />

teaching artist. This show features stories<br />

about wolves that have a “wolfish” edge to <strong>the</strong>m<br />

<strong>and</strong> provides a fun way to explore <strong>the</strong>mes<br />

such as honesty, trust, <strong>and</strong> good behavior.<br />

• <strong>The</strong> Wonderful World of Dr. Seuss<br />

<strong>The</strong> world of Dr. Seuss comes to life when <strong>The</strong> Cat in<br />

<strong>the</strong> Hat arrives to share <strong>the</strong> places he’s been. <strong>The</strong><br />

show features beloved songs <strong>and</strong> stories such as<br />

Green Eggs <strong>and</strong> Ham, <strong>The</strong> Sneetches, <strong>The</strong> Grinch,<br />

<strong>and</strong> of course, <strong>The</strong> Cat in <strong>the</strong> Hat.<br />

• <strong>The</strong> Bully Show<br />

<strong>The</strong> Bully Show was selected for <strong>The</strong> Kennedy<br />

Center’s prestigious New Visions/New Voices<br />

program. <strong>The</strong> play takes place at <strong>the</strong> taping of a new<br />

game show, YOU WANNA BE A BULLY!, with <strong>the</strong> kids<br />

acting as <strong>the</strong> studio audience <strong>and</strong> contestants. It<br />

challenges students to reconsider <strong>the</strong>ir assumptions<br />

about bullies, victims, <strong>and</strong> spectators.<br />

Three- to five-day curriculum based workshops are<br />

also available! Topics include Bringing Literature to Life,<br />

Acting & Characters, Tall Tales, <strong>and</strong> more! For more<br />

information, please contact <strong>James</strong> Larson at<br />

(402) 502-4618 or jamesl@rose<strong>the</strong>ater.org.<br />

Please feel free<br />

to contact us!<br />

Letters may be written to:<br />

Kate Morgan<br />

(or cast of <strong>James</strong> <strong>and</strong> <strong>the</strong> <strong>Giant</strong> <strong>Peach</strong> )<br />

2001 Farnam Street<br />

Omaha, NE 68102<br />

Emails may be sent to:<br />

Kate Morgan at<br />

katem@rose<strong>the</strong>ater.org<br />

Bibliography<br />

If you enjoyed <strong>the</strong> play, you might also enjoy <strong>the</strong>se great resources:<br />

Books for Kids<br />

Fantastic Mr. Fox by Roald Dahl<br />

In this book a fox, Mr. Fox, must steal chickens, ducks, <strong>and</strong> turkeys to feed his<br />

family. But he must try to avoid <strong>the</strong> farmers who are always trying to stop him.<br />

Charlie <strong>and</strong> <strong>the</strong> Chocolate Factory by Roald Dahl<br />

Willy Wonka is finally opening his fabled chocolate factory for a tour. But only<br />

five children are <strong>the</strong> lucky holders of <strong>the</strong> Golden Tickets: Augustus Gloop, Veruca<br />

Salt, Violet Beauregarde, Mike Teavee, <strong>and</strong> Charlie Bucket.<br />

Charlotte’s Web by E.B. White<br />

This beloved classic follows Wilbur as he learns about <strong>the</strong> harsh reality of life as<br />

a farm pig. With <strong>the</strong> help of his barnyard neighbors, such as <strong>the</strong> beautiful spider,<br />

Charlotte, he learns <strong>the</strong> value of friendship.<br />

Frog <strong>and</strong> Toad by Arnold Lobel<br />

This series follows amphibious friends, Frog <strong>and</strong> Toad. <strong>The</strong>se two best friends<br />

have had many adventures toge<strong>the</strong>r, as chronicled in <strong>the</strong>ir beloved books: Frog<br />

<strong>and</strong> Toad are Friends, Frog <strong>and</strong> Toad Toge<strong>the</strong>r, Frog <strong>and</strong> Toad All Year, <strong>and</strong> Days<br />

with Frog <strong>and</strong> Toad.<br />

<strong>The</strong> Wind in <strong>the</strong> Willows by Kenneth Grahame<br />

Join Toad, Rat, Mole, <strong>and</strong> Badger for some adventures on <strong>the</strong> English countryside.<br />

This classic piece of literature is character-driven <strong>and</strong> filled with fun antics of<br />

<strong>the</strong>se four friends <strong>and</strong> <strong>the</strong>ir neighbors.<br />

Web Sites for Kids<br />

www.roalddahl.com<br />

This fun website is <strong>the</strong> official website for Roald Dahl, author of <strong>James</strong> <strong>and</strong> <strong>the</strong><br />

<strong>Giant</strong> <strong>Peach</strong>, Charlie <strong>and</strong> <strong>the</strong> Chocolate Factory, <strong>and</strong> o<strong>the</strong>r great children’s books.<br />

It has interactive games including “<strong>The</strong> Flying <strong>Peach</strong> Game.”<br />

www.insects.org<br />

An informational website for those who love to learn more about insects. <strong>The</strong>re<br />

are facts, pictures, <strong>and</strong> folklore about a variety of bugs from all over <strong>the</strong> world.<br />

Web Sites for Teachers<br />

www.roalddahl.com<br />

<strong>The</strong> official website of author Roald Dahl. Discover more about <strong>the</strong> books <strong>and</strong> <strong>the</strong><br />

man behind <strong>the</strong> books. <strong>The</strong>re is also a great section with interactive games for<br />

students.<br />

www.followthatpeach.com<br />

Celebrate 50 years of <strong>James</strong> <strong>and</strong> <strong>the</strong> <strong>Giant</strong> <strong>Peach</strong> by helping Roald Dahl roll a<br />

peach around <strong>the</strong> world by sending <strong>Peach</strong>-a-Grams. This website has information<br />

on <strong>the</strong> Follow That <strong>Peach</strong> program <strong>and</strong> a great section of Tips for Teachers.<br />

SPONSORED BY<br />

4 STUDY GUIDE

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!