James and the Giant Peach - The Rose
James and the Giant Peach - The Rose
James and the Giant Peach - The Rose
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CLASS<br />
STUDY<br />
GUIDE<br />
Look Inside!<br />
Page 2<br />
Go behind-<strong>the</strong>-scenes<br />
Page 3<br />
Ideas for post-show activities<br />
Page 4<br />
References <strong>and</strong> additional information<br />
<strong>James</strong> <strong>and</strong> <strong>the</strong><br />
<strong>Giant</strong> <strong>Peach</strong><br />
Based on <strong>the</strong> book by Roald Dahl<br />
Adapted by David Wood<br />
Pre-Show Activities<br />
<strong>The</strong>ater Etiquette<br />
Go, Stop, Melt, Drop<br />
OUT-OF-CHAIR ACTIVITY • 15-20 MINUTES<br />
IN-CHAIR ACTIVITY • 5-10 MINUTES<br />
Objective: Students will actively explore proper <strong>the</strong>ater etiquette.<br />
Discussion: How should you behave when you see a play? Is it <strong>the</strong> same<br />
way you should behave when watching a movie or playing at recess? Is it<br />
okay to laugh during a play if you think it is funny?<br />
Brainstorming: As a class, create a list of good <strong>and</strong> bad <strong>the</strong>ater behaviors.<br />
Modeling: Invite one student to sit in a chair at <strong>the</strong> front of <strong>the</strong> class <strong>and</strong><br />
for ten seconds act out one of <strong>the</strong> poor behavior scenarios. Ask <strong>the</strong> class to<br />
discuss what was inappropriate about <strong>the</strong> behavior. Next, ask <strong>the</strong> student<br />
to change his/her actions to be proper <strong>the</strong>ater behavior for about ten<br />
seconds.<br />
Activity: Select various good <strong>and</strong> bad <strong>the</strong>ater behaviors from <strong>the</strong> list<br />
<strong>and</strong> ask students to act <strong>the</strong>m out individually from <strong>the</strong>ir seats. After each<br />
scenario is acted out, initiate a discussion about <strong>the</strong> behavior. When is it<br />
appropriate to behave like this? How would you react if o<strong>the</strong>r audience<br />
members around you did this? Conclude with <strong>the</strong> entire class acting as a<br />
good <strong>the</strong>ater audience.<br />
Objective: Students will be able to use <strong>the</strong>ir bodies, voices, <strong>and</strong> imaginations<br />
to create characters from <strong>James</strong> <strong>and</strong> <strong>the</strong> <strong>Giant</strong> <strong>Peach</strong>.<br />
Modeling: Clearing an open space in your classroom, ask students to each<br />
find his/her own place in <strong>the</strong> room. Begin explaining <strong>the</strong> rules to <strong>the</strong> students:<br />
when <strong>the</strong> teacher says “GO” that means you may move around <strong>the</strong> room <strong>and</strong><br />
talk or make sounds, when <strong>the</strong> teacher says “STOP” that means you freeze<br />
right where you are <strong>and</strong> are silent. Allow students a chance to explore <strong>the</strong>se<br />
two rules on your prompts. <strong>The</strong>n introduce <strong>the</strong> final two rules: when <strong>the</strong><br />
teacher says “MELT” that means you slowly melt into <strong>the</strong> ground, when <strong>the</strong><br />
teacher says “DROP” that means you safely <strong>and</strong> silently lay as flat as you<br />
can on <strong>the</strong> floor.<br />
Activity: After modeling, students should be lying flat on <strong>the</strong> floor. Give<br />
<strong>the</strong> students a character to become, e.g., “When I say ‘go,’ move around <strong>the</strong><br />
room like you are a spider.” Create different experiences for <strong>the</strong>se characters<br />
to encounter: meeting <strong>James</strong>, flying <strong>the</strong> peach, arriving in New York City.<br />
After exploring that character, have students drop, which allows <strong>the</strong>m to<br />
drop that character <strong>and</strong> introduce a new character. Fur<strong>the</strong>r <strong>James</strong> <strong>and</strong> <strong>the</strong><br />
<strong>Giant</strong> <strong>Peach</strong> character ideas: Earthworm, Centipede, Grasshopper, <strong>James</strong>, <strong>the</strong><br />
Aunts. Throughout <strong>the</strong> activity, you may use <strong>the</strong> four directions in any order<br />
you see fit.
Shining a Spotlight<br />
on Michael Miller<br />
Actor, Teaching Artist, <strong>and</strong> Literary Manager<br />
<strong>James</strong> <strong>and</strong> <strong>the</strong><br />
<strong>Giant</strong> <strong>Peach</strong><br />
Based on <strong>the</strong> book by Roald Dahl<br />
Adapted by David Wood<br />
Artistic Team<br />
Director...............................Susann Suprenant<br />
Music Director...................Satid Kippinberger<br />
Choreography...................Wai Yim<br />
Scenic Designer................Erik Diaz<br />
Costume Designer............Sherri Geerdes<br />
Lighting Designer.............Craig Moxon<br />
Props Master.....................Ronald L. Wells, Jr.<br />
Stage Manager.................Dani Taylor<br />
Asst. Stage Manager.......Chelsea Balzer<br />
Cast / Credits<br />
<strong>James</strong>..................................Eric L. Harris<br />
TV Cameraman <strong>and</strong><br />
Green Grasshopper..........Walter Shatley<br />
Aunt Spiker <strong>and</strong><br />
Miss Spider........................Kirstin Kluver<br />
<strong>Peach</strong> Visitor <strong>and</strong><br />
Centipede...........................Michael Miller<br />
Aunt Sponge <strong>and</strong><br />
Ladybug.............................Louisa Foster<br />
Old Man <strong>and</strong><br />
Earthworm.........................Wai Yim<br />
Narrator, TV Reporter,<br />
Puppeteer,<br />
Newscaster Voice.............Samantha Shatley<br />
Puppeteers.........................Hope Clarke,<br />
Kate Morgan,<br />
<strong>and</strong> Emily Boman<br />
<strong>James</strong> <strong>and</strong> <strong>the</strong> <strong>Giant</strong> <strong>Peach</strong> is presented by<br />
special arrangement with Samuel French, Inc.<br />
Michael is an actor <strong>and</strong> teaching artist at <strong>The</strong> <strong>Rose</strong> <strong>The</strong>ater, who also serves as <strong>the</strong><br />
organization’s literary manager. He has worked as an Arts Education Specialist with various<br />
Omaha cultural arts programs including <strong>the</strong> Nebraska Arts Council, Omaha <strong>The</strong>ater Company,<br />
Boys & Girls Clubs of Omaha, Omaha Performing Arts, Community Learning Centers of Omaha<br />
Public Schools, Omaha Community Playhouse, Children’s Square, <strong>the</strong> Kroc Center <strong>and</strong> Very<br />
Special Arts.<br />
Originally from Atlanta, Georgia, Michael holds a bachelor of arts degree in American Studies<br />
with a concentration on Educational Issues from Yale University <strong>and</strong> a master’s degree in Public<br />
Administration with a concentration in Nonprofit Management from <strong>the</strong> University of Nebraska<br />
at Omaha.<br />
Q: Can you tell us a bit about your character in <strong>James</strong> <strong>and</strong> <strong>the</strong> <strong>Giant</strong> <strong>Peach</strong>?<br />
A: I play <strong>the</strong> character of Centipede. He’s an insect—<strong>and</strong> a bit of a pest! Centipede is a bit<br />
sassy <strong>and</strong> has a little attitude. He gives some of <strong>the</strong> o<strong>the</strong>r characters—especially<br />
Earthworm, who is a bit of a worrier—a hard time. But when <strong>the</strong> o<strong>the</strong>rs on <strong>the</strong> journey need<br />
his help, Centipede is always willing to lend a h<strong>and</strong>. Or in his case a lot of legs!<br />
Q: What are some of <strong>the</strong> challenges of playing a non-human character?<br />
A: Well, it can be a lot of fun, but you do have to find a way to make your human being shape<br />
<strong>and</strong> voice somehow become more like an insect on stage. A centipede certainly wouldn’t<br />
walk like a person in real life. You have to use your imagination to think about how a bug<br />
moves <strong>and</strong> <strong>the</strong>n experiment <strong>and</strong> try out things using your own movements in a way that<br />
seems kind of like an insect.<br />
Q: How long have you been involved with <strong>the</strong>ater?<br />
A: I joined my high school’s Drama Club during my freshman year <strong>and</strong> mainly worked<br />
backstage. About halfway through high school, I was accepted to a summer school<br />
program where I spent six weeks working with o<strong>the</strong>r high school students who were really<br />
passionate about <strong>the</strong> arts. I went to study creative writing, but I ended up hanging out a lot<br />
with <strong>the</strong> <strong>the</strong>ater department kids <strong>and</strong> <strong>the</strong>y were such dynamic, interesting people with<br />
so many different talents! I decided I wanted to learn as much as I could about what <strong>the</strong>ater<br />
was all about. By <strong>the</strong> time I got to college, I knew that I wanted to have a career that would<br />
allow me to use <strong>the</strong>ater to help students learn more about <strong>the</strong> world around <strong>the</strong>m as well<br />
as <strong>the</strong>mselves.<br />
Q: What was your first acting experience?<br />
A: I started acting during my last couple of years of high school. Many people start acting<br />
younger than I did, but I was actually very shy <strong>and</strong> self-conscious when I was a kid.<br />
I liked drawing <strong>and</strong> painting <strong>and</strong> making o<strong>the</strong>r kinds of art, <strong>and</strong> I definitely loved SEEING<br />
<strong>the</strong>ater productions. Eventually I got to know more of <strong>the</strong> students who liked to act on<br />
stage <strong>and</strong> being friends with <strong>the</strong>m gave me <strong>the</strong> confidence to audition to be in a show.<br />
It was definitely a little scary at first, but I really enjoyed getting to pretend to be someone<br />
different than myself on stage. With time <strong>and</strong> more practice I got braver <strong>and</strong> eventually<br />
fell in love with ALL parts of putting toge<strong>the</strong>r a show. I love acting, but I also really like all<br />
<strong>the</strong> o<strong>the</strong>r art forms that go into producing a play—I still love to participate in <strong>the</strong><br />
“backstage” arts as much as I can, too.<br />
Q: What kind of education did you get to prepare you for your job?<br />
A: One of <strong>the</strong> first things I did was to get involved with <strong>the</strong>ater when I was a student in high<br />
school. I also took advantage of some classes at o<strong>the</strong>r arts programs so I could learn more<br />
about <strong>the</strong> arts <strong>and</strong> meet students from o<strong>the</strong>r schools that shared <strong>the</strong> same interests I had.<br />
(I really wish my town had a children’s <strong>the</strong>ater like <strong>The</strong> <strong>Rose</strong> <strong>The</strong>ater—I definitely would<br />
have signed up for classes <strong>the</strong>re!). When I got to college I took classes in all sorts of <strong>the</strong>ater<br />
arts so I could learn more about how to express my creative ideas <strong>and</strong> work with o<strong>the</strong>r<br />
artists to tell stories on <strong>the</strong> stage. Since I was always interested in using art as a way to<br />
teach, I also studied education. <strong>The</strong> more I learned, <strong>the</strong> more I believed that <strong>the</strong> arts offer a<br />
fantastic way to discover <strong>and</strong> underst<strong>and</strong> <strong>the</strong> world around us.<br />
2 STUDY GUIDE
Post-Show Activities<br />
Sculptors <strong>and</strong> Puppeteers<br />
OUT-OF-CHAIR ACTIVITY • 10-15 MINUTES<br />
Objective: Students will be able to fur<strong>the</strong>r explore <strong>the</strong> use of <strong>the</strong>ir bodies<br />
as an acting tool to become characters from <strong>James</strong> <strong>and</strong> <strong>the</strong> <strong>Giant</strong> <strong>Peach</strong>.<br />
Discussion: How did <strong>the</strong> actors become different characters from <strong>James</strong><br />
<strong>and</strong> <strong>the</strong> <strong>Giant</strong> <strong>Peach</strong>? What did <strong>the</strong>y do to change how <strong>the</strong>y looked <strong>and</strong><br />
how <strong>the</strong>y moved? Who were your favorite characters from <strong>the</strong> show?<br />
Why? What did he/she do during <strong>the</strong> show? How could you act like<br />
that character?<br />
Modeling: Ask one student to st<strong>and</strong> in front of <strong>the</strong> class in a neutral<br />
position (e.g., st<strong>and</strong>ing straight, facing forward, h<strong>and</strong>s at his/her side). Ask<br />
<strong>the</strong> rest of <strong>the</strong> class for ideas about how to change this person’s body <strong>and</strong><br />
face to look like <strong>the</strong> ladybug. With each suggestion, have <strong>the</strong> volunteer<br />
take <strong>the</strong> suggestion <strong>and</strong> change his/her body. Encourage students to<br />
think of ideas that build on previous ideas, ra<strong>the</strong>r than erasing <strong>the</strong> work<br />
already created. After taking a few suggestions, tie “invisible strings” to<br />
<strong>the</strong> volunteer’s h<strong>and</strong>s, head, <strong>and</strong> feet. Announce that you have now made<br />
a puppet. Now whenever you move a string, <strong>the</strong> puppet responds by<br />
moving <strong>the</strong> corresponding body part.<br />
Activity: Ask students to find a partner. In each pair, one partner is labeled<br />
“A” <strong>and</strong> <strong>the</strong> o<strong>the</strong>r is “B.” This is just to allow you to speak to <strong>the</strong> entire class<br />
<strong>and</strong> streamline directions. Partner A is <strong>the</strong> puppet first <strong>and</strong> Partner B is <strong>the</strong><br />
sculptor/puppeteer first. Partner A begins in a neutral position. Announce<br />
to Partner Bs that <strong>the</strong>ir job is to create a puppet for <strong>the</strong> grasshopper. Give<br />
Partner B a few moments to sculpt <strong>the</strong> puppet first, <strong>and</strong> <strong>the</strong>n ask <strong>the</strong>m to<br />
tie strings to <strong>the</strong>ir puppets. Partner B now uses <strong>the</strong> strings to move his/her<br />
puppet around <strong>the</strong> room. Switch roles for <strong>the</strong> partners: Partner B is now<br />
<strong>the</strong> puppet <strong>and</strong> Partner A is now <strong>the</strong> sculptor/puppeteer. This time have<br />
Partner A create an earthworm puppet. Repeat <strong>the</strong> activity with <strong>the</strong> many<br />
characters from <strong>James</strong> <strong>and</strong> <strong>the</strong> <strong>Giant</strong> <strong>Peach</strong>.<br />
You <strong>and</strong> <strong>the</strong> <strong>Giant</strong> Carrot<br />
OUT-OF-CHAIR ACTIVITY • 10 MINUTES<br />
Objective: Students will be able to use <strong>the</strong>ir bodies <strong>and</strong> imaginations to<br />
create <strong>the</strong>ir own magic <strong>and</strong> adventure.<br />
Discussion: In <strong>the</strong> show, what happened to <strong>the</strong> peach? How did it grow<br />
so large? Well, right in front of you is a small basket of magic tongues,<br />
just like <strong>the</strong> ones that enchanted <strong>the</strong> peach. Right next to that basket is<br />
a carrot. Sprinkle some of <strong>the</strong> magic tongues onto <strong>the</strong> carrot <strong>and</strong> watch<br />
it grow <strong>and</strong> change color. Allow students a chance to share <strong>the</strong> new<br />
color of <strong>the</strong>ir carrots. Now this enchanted carrot can help us change this<br />
classroom into a different location.<br />
Activity: Ask students to st<strong>and</strong> up <strong>and</strong> pick up <strong>the</strong>ir magic carrots. <strong>The</strong>n,<br />
place <strong>the</strong> carrot on <strong>the</strong> top of <strong>the</strong>ir heads. Now by rolling our heads in a<br />
circle, <strong>the</strong> ceiling will change into <strong>the</strong> sky/ceiling of someplace new. After<br />
a few circles, have <strong>the</strong> students remove <strong>the</strong> carrots <strong>and</strong> place <strong>the</strong>m on<br />
<strong>the</strong>ir bellies <strong>and</strong> move <strong>the</strong>ir bellies in a circle. This will get <strong>the</strong>m to change<br />
<strong>the</strong> view in front of <strong>the</strong>m. Now break <strong>the</strong> carrot in half <strong>and</strong> place one<br />
on each elbow, moving <strong>the</strong>ir elbows in a circle to magically change <strong>the</strong><br />
world around <strong>the</strong>m. Continue by placing <strong>the</strong> carrots on o<strong>the</strong>r body parts<br />
(i.e. knees, tongues, ears, feet) until <strong>the</strong> entire room has been transformed.<br />
Ask students to look around <strong>the</strong>m. What do you see in front of you? Above<br />
you? What does this new location feel like? Smell like?<br />
Extension: Ask each student to decide for him/herself where <strong>the</strong> giant<br />
carrot transported him/her. Once all students have an idea, go around <strong>the</strong><br />
room, asking each student to act out where he/she went with <strong>the</strong> giant<br />
carrot. For example, if <strong>the</strong> carrot transported you to <strong>the</strong> beach, you could<br />
build a s<strong>and</strong>castle <strong>and</strong> go swimming.<br />
Hot Seating<br />
IN-CHAIR ACTIVITY • 10-15 MINUTES<br />
Objective: Students will be able to fur<strong>the</strong>r underst<strong>and</strong> <strong>the</strong> thoughts <strong>and</strong><br />
feelings of <strong>the</strong> characters from <strong>James</strong> <strong>and</strong> <strong>the</strong> <strong>Giant</strong> <strong>Peach</strong>.<br />
Discussion: Who were your favorite characters from <strong>the</strong> show? How do<br />
<strong>the</strong>y move? Where do <strong>the</strong>y live? How do <strong>the</strong>y speak? How are <strong>the</strong>y different<br />
from you? How are <strong>the</strong>y similar? Ask students to brainstorm toge<strong>the</strong>r<br />
about Old Green Grasshopper. What makes a grasshopper different from<br />
a person? How can a person move to show that he/she is a grasshopper?<br />
How can you show that you are very old? As students give ideas, ask <strong>the</strong>m<br />
to also show it in <strong>the</strong>ir bodies.<br />
Modeling: Set a chair in front of <strong>the</strong> class. Ask one student to come to <strong>the</strong><br />
front of <strong>the</strong> class <strong>and</strong> st<strong>and</strong> in front of <strong>the</strong> chair. Explain to <strong>the</strong> class that as<br />
soon as he/she sits in this chair, he/she will become Old Green Grasshopper.<br />
After <strong>the</strong> student sits in <strong>the</strong> chair, ask Old Green Grasshopper open-ended<br />
questions about <strong>the</strong> adventures on <strong>the</strong> peach. What did you think about<br />
<strong>James</strong> coming into your peach? Were you scared as <strong>the</strong> peach flew? <strong>The</strong><br />
student playing Old Green Grasshopper will answer all <strong>the</strong> questions from<br />
<strong>the</strong> grasshopper’s point of view. After asking a few questions, allow that<br />
student to join <strong>the</strong> rest of <strong>the</strong> class.<br />
Activity: Now set five or six chairs in front of <strong>the</strong> class <strong>and</strong> ask volunteers<br />
to become different characters from <strong>the</strong> story. Once again, as soon as <strong>the</strong><br />
students sit in <strong>the</strong>se chairs, <strong>the</strong>y become those characters. After asking<br />
a few questions, open up <strong>the</strong> questioning to <strong>the</strong> rest of <strong>the</strong> students.<br />
Encourage <strong>the</strong>m to ask about <strong>the</strong> characters’ reactions <strong>and</strong> feelings<br />
to events in <strong>the</strong> story. Once <strong>the</strong> questioning has been finished, ask <strong>the</strong><br />
characters to st<strong>and</strong> up <strong>and</strong> become students again. Get ano<strong>the</strong>r panel of<br />
students to create more characters from throughout <strong>the</strong> show.<br />
Who’s Who on <strong>the</strong> <strong>Peach</strong><br />
IN-CHAIR ACTIVITY • 15-20 MINUTES<br />
Objective: Students will be able to listen to <strong>and</strong> respond to <strong>the</strong> re-creation<br />
of characters from <strong>James</strong> <strong>and</strong> <strong>the</strong> <strong>Giant</strong> <strong>Peach</strong>.<br />
Discussion: For this activity, one student will be an investigative reporter<br />
who is trying to learn more about <strong>the</strong> travelers on <strong>the</strong> giant peach <strong>and</strong><br />
o<strong>the</strong>r characters from <strong>the</strong> story. <strong>The</strong> reporter will ask questions of <strong>the</strong><br />
different characters <strong>and</strong> try to guess who he/she is interviewing. What did<br />
<strong>the</strong> actors from <strong>James</strong> <strong>and</strong> <strong>the</strong> <strong>Giant</strong> <strong>Peach</strong> do with <strong>the</strong>ir bodies <strong>and</strong> voices<br />
to show that <strong>the</strong>y were different characters? How could you tell who <strong>the</strong><br />
character was?<br />
Activity: Set four chairs in <strong>the</strong> front of <strong>the</strong> classroom. Ask one student (<strong>the</strong><br />
reporter) to step outside <strong>the</strong> classroom. Choose three more students to play<br />
<strong>the</strong> travelers or o<strong>the</strong>r characters. Each of <strong>the</strong> three students will choose a<br />
character from <strong>the</strong> play to become. <strong>The</strong>se students sit in three of <strong>the</strong> chairs,<br />
leaving <strong>the</strong> fourth for <strong>the</strong> reporter. As soon as <strong>the</strong>y sit down, <strong>the</strong>y will<br />
now sit <strong>and</strong> talk like <strong>the</strong> character (similar to <strong>the</strong> previous activity, “Hot<br />
Seating”). Invite <strong>the</strong> investigative reporter to come back into <strong>the</strong> classroom<br />
<strong>and</strong> sit in <strong>the</strong> chair. <strong>The</strong> reporter now has a chance to ask each character<br />
three questions to find out more about him/her. After each character has<br />
been asked three questions, <strong>the</strong> reporter must guess who he/she was<br />
interviewing.<br />
Extension: You may repeat <strong>the</strong> activity with a new reporter <strong>and</strong> different<br />
students playing o<strong>the</strong>r characters.<br />
STUDY GUIDE 3
Bring <strong>The</strong> <strong>Rose</strong> to<br />
Your Classroom<br />
<strong>The</strong> <strong>Rose</strong> offers a variety of classroom workshops,<br />
residencies, <strong>and</strong> touring productions! For your next<br />
engagement, please consider one of <strong>the</strong> following:<br />
• <strong>The</strong> Big (Not-So) Bad Wolf<br />
Students will be transfixed by <strong>the</strong> jolly-not-so-scary<br />
Big Bad Wolf portrayed by a professional <strong>Rose</strong><br />
teaching artist. This show features stories<br />
about wolves that have a “wolfish” edge to <strong>the</strong>m<br />
<strong>and</strong> provides a fun way to explore <strong>the</strong>mes<br />
such as honesty, trust, <strong>and</strong> good behavior.<br />
• <strong>The</strong> Wonderful World of Dr. Seuss<br />
<strong>The</strong> world of Dr. Seuss comes to life when <strong>The</strong> Cat in<br />
<strong>the</strong> Hat arrives to share <strong>the</strong> places he’s been. <strong>The</strong><br />
show features beloved songs <strong>and</strong> stories such as<br />
Green Eggs <strong>and</strong> Ham, <strong>The</strong> Sneetches, <strong>The</strong> Grinch,<br />
<strong>and</strong> of course, <strong>The</strong> Cat in <strong>the</strong> Hat.<br />
• <strong>The</strong> Bully Show<br />
<strong>The</strong> Bully Show was selected for <strong>The</strong> Kennedy<br />
Center’s prestigious New Visions/New Voices<br />
program. <strong>The</strong> play takes place at <strong>the</strong> taping of a new<br />
game show, YOU WANNA BE A BULLY!, with <strong>the</strong> kids<br />
acting as <strong>the</strong> studio audience <strong>and</strong> contestants. It<br />
challenges students to reconsider <strong>the</strong>ir assumptions<br />
about bullies, victims, <strong>and</strong> spectators.<br />
Three- to five-day curriculum based workshops are<br />
also available! Topics include Bringing Literature to Life,<br />
Acting & Characters, Tall Tales, <strong>and</strong> more! For more<br />
information, please contact <strong>James</strong> Larson at<br />
(402) 502-4618 or jamesl@rose<strong>the</strong>ater.org.<br />
Please feel free<br />
to contact us!<br />
Letters may be written to:<br />
Kate Morgan<br />
(or cast of <strong>James</strong> <strong>and</strong> <strong>the</strong> <strong>Giant</strong> <strong>Peach</strong> )<br />
2001 Farnam Street<br />
Omaha, NE 68102<br />
Emails may be sent to:<br />
Kate Morgan at<br />
katem@rose<strong>the</strong>ater.org<br />
Bibliography<br />
If you enjoyed <strong>the</strong> play, you might also enjoy <strong>the</strong>se great resources:<br />
Books for Kids<br />
Fantastic Mr. Fox by Roald Dahl<br />
In this book a fox, Mr. Fox, must steal chickens, ducks, <strong>and</strong> turkeys to feed his<br />
family. But he must try to avoid <strong>the</strong> farmers who are always trying to stop him.<br />
Charlie <strong>and</strong> <strong>the</strong> Chocolate Factory by Roald Dahl<br />
Willy Wonka is finally opening his fabled chocolate factory for a tour. But only<br />
five children are <strong>the</strong> lucky holders of <strong>the</strong> Golden Tickets: Augustus Gloop, Veruca<br />
Salt, Violet Beauregarde, Mike Teavee, <strong>and</strong> Charlie Bucket.<br />
Charlotte’s Web by E.B. White<br />
This beloved classic follows Wilbur as he learns about <strong>the</strong> harsh reality of life as<br />
a farm pig. With <strong>the</strong> help of his barnyard neighbors, such as <strong>the</strong> beautiful spider,<br />
Charlotte, he learns <strong>the</strong> value of friendship.<br />
Frog <strong>and</strong> Toad by Arnold Lobel<br />
This series follows amphibious friends, Frog <strong>and</strong> Toad. <strong>The</strong>se two best friends<br />
have had many adventures toge<strong>the</strong>r, as chronicled in <strong>the</strong>ir beloved books: Frog<br />
<strong>and</strong> Toad are Friends, Frog <strong>and</strong> Toad Toge<strong>the</strong>r, Frog <strong>and</strong> Toad All Year, <strong>and</strong> Days<br />
with Frog <strong>and</strong> Toad.<br />
<strong>The</strong> Wind in <strong>the</strong> Willows by Kenneth Grahame<br />
Join Toad, Rat, Mole, <strong>and</strong> Badger for some adventures on <strong>the</strong> English countryside.<br />
This classic piece of literature is character-driven <strong>and</strong> filled with fun antics of<br />
<strong>the</strong>se four friends <strong>and</strong> <strong>the</strong>ir neighbors.<br />
Web Sites for Kids<br />
www.roalddahl.com<br />
This fun website is <strong>the</strong> official website for Roald Dahl, author of <strong>James</strong> <strong>and</strong> <strong>the</strong><br />
<strong>Giant</strong> <strong>Peach</strong>, Charlie <strong>and</strong> <strong>the</strong> Chocolate Factory, <strong>and</strong> o<strong>the</strong>r great children’s books.<br />
It has interactive games including “<strong>The</strong> Flying <strong>Peach</strong> Game.”<br />
www.insects.org<br />
An informational website for those who love to learn more about insects. <strong>The</strong>re<br />
are facts, pictures, <strong>and</strong> folklore about a variety of bugs from all over <strong>the</strong> world.<br />
Web Sites for Teachers<br />
www.roalddahl.com<br />
<strong>The</strong> official website of author Roald Dahl. Discover more about <strong>the</strong> books <strong>and</strong> <strong>the</strong><br />
man behind <strong>the</strong> books. <strong>The</strong>re is also a great section with interactive games for<br />
students.<br />
www.followthatpeach.com<br />
Celebrate 50 years of <strong>James</strong> <strong>and</strong> <strong>the</strong> <strong>Giant</strong> <strong>Peach</strong> by helping Roald Dahl roll a<br />
peach around <strong>the</strong> world by sending <strong>Peach</strong>-a-Grams. This website has information<br />
on <strong>the</strong> Follow That <strong>Peach</strong> program <strong>and</strong> a great section of Tips for Teachers.<br />
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