The Spirit of Gregorian Chant - Church Music Association of America
The Spirit of Gregorian Chant - Church Music Association of America
The Spirit of Gregorian Chant - Church Music Association of America
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INTRODUCTION 11<br />
accidental, we mean even in the very handwriting <strong>of</strong> liturgical<br />
chant.<br />
"Let us not forget, however, that true unity is not that which<br />
would be restricted to the usages <strong>of</strong> a single epoch: such, even if<br />
one should obtain it, is not that great and vast unity which char<br />
acterizes the institutions <strong>of</strong> the <strong>Church</strong>: not only is it necessary<br />
for unity that all places should be united, but that all epochs should<br />
be. Through it, each age is put in communion with previous ages.<br />
Thus it is, for that which concerns Plainchant, that during long<br />
centuries the melodies <strong>of</strong> St. Gregory, preserved intact, remained<br />
the same everywhere, with certain variants no doubt, but slight<br />
variants, which do not hinder our finding them again, everywhere<br />
and in every epoch, always easy to recognise and always similar<br />
to one another." 1<br />
Thanks to the tremendous archeological labors <strong>of</strong> this ven'<br />
erable monk and his successors, we shall see that a tradition existed<br />
which preserved not alone the modulation as well as the rhythm<br />
<strong>of</strong> <strong>Gregorian</strong> <strong>Chant</strong>, but even the forms <strong>of</strong> a notation proper to<br />
this musical art.<br />
Not only is the necessity for a return to history and tradition<br />
the prerequisite for a proper understanding <strong>of</strong> any art, whichever<br />
it may be, but the genuine student owes it to his personal develop'<br />
ment to inquire into the labors which have made possible the har'<br />
vest which awaits him; nor will he know how to appreciate it<br />
adequately, to say nothing <strong>of</strong> adding unto the same, until he has<br />
relived, so to speak, the generations which have preceded him.<br />
Let us hear <strong>of</strong> this cultivation <strong>of</strong> the ideal from the mouth<br />
<strong>of</strong> a master who both taught and practiced it. Vincent dlndy,<br />
in his opening address at the Schola Cantorum in Paris, Novem"<br />
ber 2, 1900, spoke the following words: "Art is a microcosm,<br />
which passes like the world itself through successive periods <strong>of</strong><br />
youth, maturity and age; which never perishes, but continually<br />
renews itself. It is not a closed circle, but a spiral, perpetually<br />
ascending and progressing. I intend to make my pupils follow<br />
iCh. I.