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Breaking Bread: Three Movements<br />
First Movement<br />
I go to the place where everything is turned upside down<br />
and/or inside out<br />
and I make walls. I write on them with blue paints, so they<br />
tell me<br />
“Don’t come back, hear?” so they tell me: eat, eat, eat<br />
until I’m full, and then eat more. “Did you save room for<br />
dessert?”<br />
maybe, maybe I should have.<br />
I close my eyes,<br />
don’t know if I’m making words or just<br />
typing letters to the rhythm of the speeding train, rocking<br />
back and forth, a cradle that night we fell through:<br />
the eleven o’clock news murmuring away,<br />
turning words into water, and water into wine,<br />
singing hymns to the sound of the metronome<br />
on the coffee table (sinners). the fourth story.<br />
or the thousandth. it is<br />
never enough.<br />
write, she says: write.<br />
with your eyes closed. with your headphones on. on your<br />
way to the city.<br />
with your hands tied behind your back;<br />
write.<br />
with your dirty hands,<br />
write<br />
the poems that spit and swallow,<br />
fistfight and stab,<br />
kill for the death of war.<br />
I’ve been trying to wrap you like the rhythms of that train,<br />
hold you like a baby in the night. but I think<br />
baby baby, I am not for you. this is not for me. you are wrong again.<br />
I think<br />
poems are coming and coming and coming and<br />
they all keep dying//right in my arms.<br />
I am trying, desperately, to save them.<br />
but always, they expire.<br />
I have blood, not ink, dripping from my fingers.<br />
blood: of the whip, on my jeans, in the toilet bowl,<br />
the color of my fingernails; “this is the blood of our Lord<br />
and Savior . . .”<br />
I have never seen so much<br />
running out and down<br />
the door of my fridge;<br />
I am dreaming in red,<br />
or the blue-black<br />
of this story. on the fifth story. or the seventieth.<br />
seventy times seven prescriptions<br />
for penitence///expiring.<br />
this circle of body of blood / of nation / of race<br />
of culture / of class / of city / of state / of nuclear bomb<br />
/ of sex of love of death / of circles /<br />
of waiting rooms and hospital beds,<br />
pumping blood, pumping blood,<br />
and overhead the tv’s pumping<br />
stories, framing<br />
colors: amber, gold, and god rush rushing (“it is<br />
never enough”) see . . .<br />
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