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INTERNATIONAL - Bemidji State University

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MIrIAMHiCKmAN<br />

Pianist Miriam Hickman completed her DMA at Arizona <strong>State</strong> <strong>University</strong> where she served as a Faculty Associate in<br />

accompanying from 1982-1987. Dr. Hickman recently served as a staff accompanist for the ITEC in Tucson, Arizona.<br />

She has accompanied solo performers from major U.S. symphonies including New York, Philadelphia, Chicago,<br />

Cleveland, the National Symphony, San Francisco, and Phoenix, and frequently subs on various keyboards with the<br />

Phoenix Symphony. She has been guest pianist with such ensembles as Quintessence, Arpeggio, and Southwest<br />

Brass, and was a founding member of the Bavarde Quartet. Dr. Hickman received her Master of Music degree from<br />

the <strong>University</strong> of Cincinnati College-Conservatory of Music. Recently married to David Hickman, professor of trumpet at Arizona <strong>State</strong> <strong>University</strong>,<br />

she is also the organist at Church of the Epiphany in Tempe, Arizona and the owner of Classic Touch Music Academy where she teaches nearly sixty<br />

piano students a week.<br />

MArTINHoDEL<br />

Martin Hodel is Associate Professor of Music at St. Olaf, where he has been teaching since 1997. He has performed<br />

as a soloist, chamber musician and orchestral player in the US and around the world. Currently an extra and<br />

substitute player, he played full time in the trumpet section of the Minnesota Orchestra for the 2005-06 season. As<br />

Principal and Solo Trumpet with the Eastman Wind Ensemble, Hodel toured the U.S. and Japan, and he has toured<br />

coast to coast in America with the Dallas Brass. In June he premiered Eric Ewazen’s Concerto For Trumpet and<br />

Orchestra (an orchestration of the Sonata) with the St. Olaf Orchestra in Spain. He has also shared the stage with<br />

jazz artists Joe Henderson, Maria Schneider, Slide Hampton, Claudio Roditi, David Murray, and Jimmy Heath, and<br />

has toured Germany with organist Bradley Lehman as part of the Hodel-Lehman Duo. A CD by the Duo, In Thee is<br />

Gladness, recorded in Emden, Germany has been released on Larips Records.<br />

Hodel appears as a soloist on eight other compact discs, has performed live on the nationally-broadcast radio<br />

program, A Prairie Home Companion, on Minnesota Public Radio, on public television, and on national broadcasts<br />

of the radio programs Sing for Joy and PipeDreams. Hodel holds a doctorate in trumpet performance and a<br />

Performer’s Certificate from the Eastman School of Music, a master of music from the <strong>University</strong> of North Carolina<br />

at Chapel Hill, and a bachelor’s degree in music education from Goshen College. His teachers have included<br />

Charles Geyer, Barbara Butler, Allen Vizzutti, Donald Hunsberger, James Ketch, Raymond Mase, Craig Heitger, David Hickman and Anthony Plog.<br />

Recently Hodel studied Baroque (natural, valveless) trumpet and 18th-century trumpet literature in Europe with Dr. Edward H. Tarr, the leading expert<br />

on early trumpets and trumpet literature.<br />

HorNHEADS<br />

This group of extraordinarily talented horn players has been gathering international acclaim<br />

from ar tists and critics alike, since 1991. Top session players all, the Hornheads have per formed<br />

and/or recorded with artists such as Prince, Janet Jackson, Rod Stewart, Babyface, James<br />

Brown, The Jonas Brothers, Jimmy Jam, Aretha Franklin, Pedro Abrunhosa, Louie Bellson,<br />

Ray Charles, Sammy Davis Jr.,Clark Terry, Dizzy Gillespie, Tony Bennett Doc Severinsen, and<br />

many others.<br />

As members of Prince and the New Power Generation, the Hornheads recorded on 20 CDs and<br />

performed for over 2 million concert goers in 20 countries. Q Magazine, London, described<br />

them as “a peerless horn section... playing in bare brilliant syncopation, punching with a<br />

staccato precision beyond the grasp of science or Synclavier. Prince splashes their insouciant<br />

versatility all over the set list.”<br />

As a solo ensemble, this a cappella group brings their distinctive flair to jazz and funk music,<br />

combining virtuosic improvisation with sizzling ensemble work to create a truly unique music<br />

experience. They delight audiences with their artistry, versatility, musicality, and precision,<br />

covering American masters from Duke Ellington, Miles Davis, and Thelonious Monk, to Leonard Bernstien, Rodgers and Hammerstein, and Stevie<br />

Wonder, while completing their repertoire with dynamic Hornheads’ originals.<br />

INveNTIoNSTRio<br />

Bill Mays’ artistry is beyond category. With deep roots in jazz, gospel, pop and classical music Bill’s eclectic career as a pianist, composer and<br />

arranger spans more than four decades. On hundreds of recordings, Bill’s concert and recording credits include work with artists as diverse as<br />

Ron Carter, Al Cohn, Buddy DeFranco, Benny Golson, Freddie Hubbard, Al Jarreau, Barry Manilow, Shelly Manne, Red Mitchell, Gerry Mulligan,<br />

Art Pepper, Bud Shank, Frank Sinatra, Sonny Stitt, Toots Thielemans, the Vanguard Jazz Orchestra, Sarah Vaughan, Phil Woods and Frank Zappa.<br />

Bill’s keyboard work has been heard on numerous movie soundtracks and TV shows, among them Adaptation, Annie, Being John Malkovich, CBS<br />

Early Morning, Consenting Adults, Dallas, Fargo, Frida, Fur, Gremlins, Interview With The Vampire, Knot’s Landing, Kojak, Ladykillers, Late Night<br />

with Jay Leno, Mission To Mars, Name That Tune, Rocky, Shaft 2, Simone, Sleepless In Seattle, Superman, The Alamo and Wolf. Much respected<br />

International Trumpet Guild Program | Page 41

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