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summer 2003 - The University of Scranton

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Wo rld Pre m i e re Composition<br />

(continued from p.21)<br />

<strong>The</strong> first performance took place in Eagen Auditorium<br />

<strong>of</strong> the Gunster Student Center, and the corporate<br />

sponsor for the event was Mutual <strong>of</strong> New York.<br />

After that, Mrs. Boga says, “Things began to take<br />

o f f,” and the second World Pre m i e re featured the work<br />

<strong>of</strong> internationally-acclaimed composer/conductor Ro b e rt<br />

K a p i l ow, a regular on the National Public Radio program,<br />

Pe rf o rmance To d a y. Among World Pre m i e re ve t e r-<br />

ans are such re n owned composers as T. Te r ry Ja m e s<br />

“We were just a bunch <strong>of</strong><br />

amateur musicians. And there<br />

we were playing<br />

with Vaclav Nelhybel,<br />

a world-class composer.<br />

I knew it was a unique<br />

experience. But it wasn’t until<br />

years later that I<br />

fully appreciated<br />

how special it really was.<br />

“It was a lot <strong>of</strong> fun, it was very<br />

challenging, and it’s something<br />

I’ll always have as part <strong>of</strong><br />

my years at <strong>Scranton</strong>.”<br />

Kevin J. Lanahan ’84<br />

French Horn Player,<br />

1984 World Premiere<br />

President-elect <strong>of</strong> the<br />

<strong>University</strong>’s Alumni Society, 2002<br />

H’88 , who has<br />

conducted major<br />

o rchestras thro u g h-<br />

out the U.S. and<br />

Eu rope and whose<br />

s c o re for the mov i e<br />

“ Jonathan Livingston<br />

Se a g u l l”<br />

won a Gr a m m y<br />

Aw a rd and a Go l d<br />

Re c o rd; Ro b e rt<br />

St a re r, whose many<br />

w o rks have been<br />

p re m i e red, re c o rd e d<br />

and perf o r m e d<br />

both here and<br />

a b road by ensembles<br />

conducted by<br />

Mi t ropoulos, Be r n-<br />

stein, St e i n b e r g ,<br />

L e i n s d o rf, Me h t a ,<br />

and Ozawa; and<br />

Brett W. Di e t z ,<br />

whose <strong>Scranton</strong><br />

commission,<br />

“ Pa n d o r a’s Box , ”<br />

recently re c e i ved<br />

its Carnegie Hall<br />

p re m i e re.<br />

<strong>The</strong> <strong>2003</strong> performance, held<br />

2 May in the Houlihan-McLean<br />

Center, featured <strong>The</strong> <strong>University</strong> <strong>of</strong><br />

<strong>Scranton</strong> Concert Band and Choir<br />

with guest composers/conductors<br />

Wycliffe Gordon and Lawrence<br />

Wolfe. <strong>The</strong> corporate sponsor was<br />

Pennstar Bank.<br />

Both Mr. Gordon, a member <strong>of</strong><br />

the faculty at <strong>The</strong> Juilliard School<br />

Vaclav Nelhybel<br />

H’85 was guest<br />

c o m p o s e r/c o n d u c t o r<br />

<strong>of</strong> the <strong>University</strong>’s<br />

first World<br />

Premiere Composition<br />

held in the<br />

Eagen Auditorium<br />

<strong>of</strong> the Gunster<br />

Student Center,<br />

4 May 1984.<br />

and acclaimed jazz trombonist, whose new score to the<br />

movie “Body and Soul” opened the jazz season at Lincoln<br />

Center last year, and Mr. Wolfe, who is a member<br />

<strong>of</strong> <strong>The</strong> Boston Symphony Orchestra and <strong>The</strong> Boston<br />

Pops and has written for members <strong>of</strong> both orchestras,<br />

have debuted pieces at the World Premiere in the past<br />

and were invited back to commemorate and celebrate<br />

the anniversary <strong>of</strong> the series.<br />

<strong>The</strong> concert opened with “Agon,” and the musicians<br />

worked from Nelhybel’s original manuscript.<br />

Mr. Wolfe presented his composition for band,<br />

“Cadences,” and joined the ensemble on bass during the<br />

premiere performance <strong>of</strong> Mr. Gordon’s choral piece,<br />

“Prayer, Acknowledgement and Celebration.” Mr. Gordon<br />

played trombone during the premiere performance<br />

<strong>of</strong> Wolfe’s “Cadences.”<br />

Mrs. Boga stresses that the World Premiere presents<br />

wonderful opportunities for learning—and not just for<br />

the students.<br />

“<strong>The</strong> composers learn things from them,” she said.<br />

“<strong>The</strong>re’s a give and take that’s pretty remarkable. I’ve<br />

had composers say they’ve learned as much from the<br />

kids as the kids have learned from them.”<br />

Mrs. Boga looks back at the inaugural World Premiere<br />

with genuine fondness and joy.<br />

“When Vaclav came in, after we’d been rehearsing,<br />

everything was electric,” she says with a smile. “It’s been<br />

a blast.”<br />

2 2 T H E S C R A N T O N J O U R N A L

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