summer 2003 - The University of Scranton
summer 2003 - The University of Scranton
summer 2003 - The University of Scranton
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Wo rld Pre m i e re Composition<br />
(continued from p.21)<br />
<strong>The</strong> first performance took place in Eagen Auditorium<br />
<strong>of</strong> the Gunster Student Center, and the corporate<br />
sponsor for the event was Mutual <strong>of</strong> New York.<br />
After that, Mrs. Boga says, “Things began to take<br />
o f f,” and the second World Pre m i e re featured the work<br />
<strong>of</strong> internationally-acclaimed composer/conductor Ro b e rt<br />
K a p i l ow, a regular on the National Public Radio program,<br />
Pe rf o rmance To d a y. Among World Pre m i e re ve t e r-<br />
ans are such re n owned composers as T. Te r ry Ja m e s<br />
“We were just a bunch <strong>of</strong><br />
amateur musicians. And there<br />
we were playing<br />
with Vaclav Nelhybel,<br />
a world-class composer.<br />
I knew it was a unique<br />
experience. But it wasn’t until<br />
years later that I<br />
fully appreciated<br />
how special it really was.<br />
“It was a lot <strong>of</strong> fun, it was very<br />
challenging, and it’s something<br />
I’ll always have as part <strong>of</strong><br />
my years at <strong>Scranton</strong>.”<br />
Kevin J. Lanahan ’84<br />
French Horn Player,<br />
1984 World Premiere<br />
President-elect <strong>of</strong> the<br />
<strong>University</strong>’s Alumni Society, 2002<br />
H’88 , who has<br />
conducted major<br />
o rchestras thro u g h-<br />
out the U.S. and<br />
Eu rope and whose<br />
s c o re for the mov i e<br />
“ Jonathan Livingston<br />
Se a g u l l”<br />
won a Gr a m m y<br />
Aw a rd and a Go l d<br />
Re c o rd; Ro b e rt<br />
St a re r, whose many<br />
w o rks have been<br />
p re m i e red, re c o rd e d<br />
and perf o r m e d<br />
both here and<br />
a b road by ensembles<br />
conducted by<br />
Mi t ropoulos, Be r n-<br />
stein, St e i n b e r g ,<br />
L e i n s d o rf, Me h t a ,<br />
and Ozawa; and<br />
Brett W. Di e t z ,<br />
whose <strong>Scranton</strong><br />
commission,<br />
“ Pa n d o r a’s Box , ”<br />
recently re c e i ved<br />
its Carnegie Hall<br />
p re m i e re.<br />
<strong>The</strong> <strong>2003</strong> performance, held<br />
2 May in the Houlihan-McLean<br />
Center, featured <strong>The</strong> <strong>University</strong> <strong>of</strong><br />
<strong>Scranton</strong> Concert Band and Choir<br />
with guest composers/conductors<br />
Wycliffe Gordon and Lawrence<br />
Wolfe. <strong>The</strong> corporate sponsor was<br />
Pennstar Bank.<br />
Both Mr. Gordon, a member <strong>of</strong><br />
the faculty at <strong>The</strong> Juilliard School<br />
Vaclav Nelhybel<br />
H’85 was guest<br />
c o m p o s e r/c o n d u c t o r<br />
<strong>of</strong> the <strong>University</strong>’s<br />
first World<br />
Premiere Composition<br />
held in the<br />
Eagen Auditorium<br />
<strong>of</strong> the Gunster<br />
Student Center,<br />
4 May 1984.<br />
and acclaimed jazz trombonist, whose new score to the<br />
movie “Body and Soul” opened the jazz season at Lincoln<br />
Center last year, and Mr. Wolfe, who is a member<br />
<strong>of</strong> <strong>The</strong> Boston Symphony Orchestra and <strong>The</strong> Boston<br />
Pops and has written for members <strong>of</strong> both orchestras,<br />
have debuted pieces at the World Premiere in the past<br />
and were invited back to commemorate and celebrate<br />
the anniversary <strong>of</strong> the series.<br />
<strong>The</strong> concert opened with “Agon,” and the musicians<br />
worked from Nelhybel’s original manuscript.<br />
Mr. Wolfe presented his composition for band,<br />
“Cadences,” and joined the ensemble on bass during the<br />
premiere performance <strong>of</strong> Mr. Gordon’s choral piece,<br />
“Prayer, Acknowledgement and Celebration.” Mr. Gordon<br />
played trombone during the premiere performance<br />
<strong>of</strong> Wolfe’s “Cadences.”<br />
Mrs. Boga stresses that the World Premiere presents<br />
wonderful opportunities for learning—and not just for<br />
the students.<br />
“<strong>The</strong> composers learn things from them,” she said.<br />
“<strong>The</strong>re’s a give and take that’s pretty remarkable. I’ve<br />
had composers say they’ve learned as much from the<br />
kids as the kids have learned from them.”<br />
Mrs. Boga looks back at the inaugural World Premiere<br />
with genuine fondness and joy.<br />
“When Vaclav came in, after we’d been rehearsing,<br />
everything was electric,” she says with a smile. “It’s been<br />
a blast.”<br />
2 2 T H E S C R A N T O N J O U R N A L